#Small transitional black tile dark wood floor

[thetwinsofevil]

Powder Room Bathroom

[casscaincampaign]

Galley in Orange County

[garfi774]

Transitional Powder Room in Minneapolis A small transitional powder room design example with gray walls, marble countertops, dark wood cabinets, a two-piece toilet, a vessel sink, and open cabinets. The floor is white, and the walls are tiled in white, beige, black, and white.

[payetafamille]

Galley Cincinnati Inspiration for a small transitional galley dark wood floor and brown floor wet bar remodel with a drop-in sink, shaker cabinets, white cabinets, granite countertops, gray backsplash, subway tile backsplash and black countertops

[ezelvir]

Single Wall Home Bar Inspiration for a small transitional single-wall dark wood floor and brown floor wet bar remodel with an undermount sink, shaker cabinets, white cabinets, solid surface countertops, white backsplash, mosaic tile backsplash and black countertops

[vancouverkitchenrenovation]

How to Add a Spa in the Bathroom

Adding a spa in the bathroom can bring a feeling of relaxation and luxury to any home. Whether you want a spa in the shower or in the bathtub, there are several options available. Some of the options include built-in and floating vanities, contrasting color schemes, and a spa-like atmosphere.

Floating shelves

Floating shelves in the bathroom for a spa feel can be a wonderful addition to any bathroom. They are easy to install and provide extra storage for your bathroom. They are also a great way to display art and decor.

You can choose from a variety of floating shelves, including ones that fit in with the colors and style of your bathroom. The options are almost endless. You can use them for towels, toiletries, and other items. They can also be used for greenery.

You can also create a spa mood by adding a few lights to the walls. These lights can be fitted with warm bulbs to give the room a spa-like feeling.

Built-in vanity

Having a spa-like bathroom is a great way to relax. However, you don’t have to go to the spa to achieve this look. You can achieve it at home with a built-in vanity.

A spa bathroom is a minimalist design with clean lines and minimal hardware and fixtures. You can add industrial touches, such as reclaimed wood and metal hardware, to give the vanity a distinctly industrial feel.

A vanity with a marble countertop and simple cabinetry are a good way to achieve this look. It will also match with the rest of the bathroom, creating a cohesive look.

A built-in vanity is a great way to increase storage space in your bathroom. It will also create a cohesive look between your bathroom and your kitchen.

Vanity areas allow for seated use

Using vanity areas to allow for seated use of the spa in the bathroom is a great way to make the most of your space. The right storage is also important, and can make the space seem less cramped. A vanity with plenty of storage makes the room feel less like a pigpen.

In a smaller bathroom, the clear glass door is the obvious way to make the space feel bigger. A storage rack hung on the wall is also a good idea. Similarly, using patterned tiles for the floor helps to add interest.

Using a floating vanity in the bathroom is also a great way to make the most of the space. This is also the newest trend in bath design, and is being seen in contemporary and transitional designs alike.

Vanity areas allow for contrasting color schemes

Vanity areas in a bathroom are a great way to add color to the room. This makes the space feel larger. They are also a great way to showcase your own style.

There are many ways to achieve a color scheme that will work well in your bathroom. This includes choosing a bathroom vanity that will work with your color scheme. Using contrasting colors can make your vanity stand out and add a wow factor to your bathroom.

A black bathroom vanity looks great with gold accents. Gold hardware adds a metallic finish to dark elements, like the sink and tub. It also adds warmth to the room.

Candlelight

Adding candles to your bathroom is a great way to create a relaxing environment. Aside from lighting your bathroom, candles also add a romantic touch. Adding scented candles is a good idea, as they can add a touch of sweetness to your bath.

One of the best ways to add light to your bathroom is to install a floor-to-ceiling window. This will allow natural ambient light to flood the room. You can also add a pendant light, which will provide even lighting to the face area.

It is also a good idea to install a surface-mounted can light above the shower. This will provide general overhead lighting after the sun sets.

Luxury bathroom with amenities on par with those at a spa

Whether you’re planning a small powder room or a luxury master bathroom, there are several ways to give your space the spa-like look and feel that you want. By choosing high-quality fixtures, you can bring a spa-like touch to your home.

A freestanding bathtub is a great choice for a luxurious spa bathroom. It’s not only an eye-catching decorative piece, but it can absorb natural light as well.

Another spa-like bathroom item is a large mirror. Mirrors add light to a room, and can make a small bathroom seem bigger. Adding a patterned floor can tie the two looks together. You can also add a statement chandelier.

The bathroom is often the most overlooked room in your house. It’s easy to see why it’s usually small and hidden away, and it’s probably the last place you’d expect to spend a significant amount of time. But the truth is, the bathroom is one of the most important rooms in your home. It is a functional space for bathing and washing and a social hub for your entire household. So it makes sense that you want to ensure it looks its best. That’s why Vancouver Kitchen Renovation specializes in bathroom renovations. Whether you’re interested in updating your current bathroom or building a brand new one from scratch, we can help you create the perfect space for your whole family. We believe that bathrooms should look spa-like, sustainable, and modern. In addition to being practical spaces, they should also feel warm and inviting. With that in mind, we strive to incorporate natural materials, open floor plans, and lots of light.

We understand that to be successful is to stay ahead of the curve. That means staying current with the latest technology and design trends. We always want to improve our products or services without breaking the bank. That’s why we stay connected to the latest technologies of NKBA, National Kitchen and Bath Association. In addition, at Vancouver Kitchen renovation, our primary focus is providing sustainable bathroom design and renovation packages, and we believe in sustainable living. Sustainable living is a way of life in harmony with nature. It is a lifestyle which focuses on the preservation of our environment. Sustainable living is a philosophy emphasizing respect for the environment and concern for its well-being. This means we should take care of the planet and treat it as if it were our home. We should try to preserve what we have and protect it from destruction. If we do this, we will enjoy the benefits of the earth’s resources for many generations. Whether you’re planning a major remodel or adding finishing touches to your current bathroom, we’d love to discuss your project. Book your showroom consultation online.

Main Areas of Service in British Columbia:

Vancouver

North Vancouver

West Vancouver

Burnaby

Coquitlam

Squamish

Whistler

Frequently Asked Questions

How much does a bathroom remodel increase home value?

Bathroom remodels can offer a return in investment (ROI), between 60 and 70%. This makes them a solid option for anyone looking to increase their home’s value. Your home’s potential value increase will depend on many factors such as the scope and quality of the remodel, and where it is located. An example: A luxurious bathroom remodel in a desirable area is more likely to yield a higher ROI than one in a less expensive neighborhood.

How can you remodel a bathroom while keeping your budget tight?

Take stock of everything that you have. This includes toilets.

After you have finished the list, determine if any items you can salvage. If they’re not salvageable then they need to be replaced.

Next, you’ll need to decide how much money you want to spend on each item. Once you’ve determined the budget for each item, it’s time to start shopping online for replacement parts or in your local hardware store.

Finally, you can update your bathroom once you have your new parts. This may include painting the walls, tiling the floors, or replacing old fixtures with new ones. Whatever route you choose to go, be sure to stick within your budget.

What is the ROI of a bathroom renovation in Metro Vancouver?

A bathroom renovation project can be very expensive. It can be very costly, but if done right, it can make a huge difference. According to HomeAdvisor, mid-range bathroom remodels have an average return on investment of 70%, while upscale bathroom renovations have an average ROI of 60%. You can expect a return on investment of $14,000 if you spend $20,000 to renovate a bathroom in Metro Vancouver. If you spend $40,000 to remodel your bathroom, you can expect a return of $24,000.

Of course, the actual ROI you experience will depend on several factors, including the quality of the renovation, the current market conditions, and the location of your home. But, bathroom remodeling is worth your consideration if you intend to sell your house soon. You will be able to make your home more appealing for potential buyers. It could also help you sell your home at a higher price.

Even if your goal is to sell your house in the near future, a bathroom remodel could still prove to be a good investment. A well-designed and executed bathroom renovation can increase the enjoyment you get from your home and improve its resale value down the road. A bathroom remodeling project is worth your consideration, whether you want to increase the value of your house or create a more relaxing and stylish space.

Statistics

I can’t tell you the number of times I’ve had someone call and say they have an existing old tub (which, 99% of the time, is 60” wide once they’re pulled out) and want to convert the bathtub to a shower. (blog.innovatebuildingsolutions.com)

2023 bathroom design trends: 82% of those surveyed revealed bathrooms are now designed for two-person use. (https://nkba.org)

If possible, allow a 15 to 20% contingency fund so you’re prepared for the unexpected. (loveproperty.com)

2023 bathroom design trends: Large format tile (59%) was the most popular material for tub and shower surrounds. Slab surfaces (40%) were the next most popular (https://nkba.org)

2023 bathroom design trends: Floating vanities were favoured by 71% of those surveyed. (https://nkba.org)

Keep in mind: they advise that, all told, your bathroom project should cost no more than 5 to 10 percent of your home’s value. (remodelista.com)

Glass tile is one of the greenest bathroom flooring options because it can be 100% recycled. (caddetailsblog.com)

This article will reveal more about AntiBac surfaces and how Villeroy and Boch products have 99.9% fewer bacteria. (superbath.co.uk)

2023 bathroom design trends: Chromotherapy, which uses coloured lights to stimulate relaxation, was chosen by 25%. Preset lighting schemes for different times during the day were favoured by 29%. (https://nkba.org)

WaterSense-labeled bathroom sink faucets use a maximum of 1.5 gallons per minute, reducing water use by 30 percent or more from the standard flow of 2.2 gallons per minute – without sacrificing performance. (elemental.green)

2023 bathroom design trends: Bathroom faucet designs reflected wellness concerns, with 61% choosing accessible lever handles, 48% choosing motion and 36% going for the touch or tap options. (https://nkba.org)

According to the EPA, a conventional toilet uses 1.6 gallons per flush, but that old pink one could use between 3.5 to 7 gallons per flush. (elemental.green)

External Links

thespruce.com

How to buy a new toilet for your home

nkba.org

Home – NKBA

Bathroom Remodeling Budgeting in Real Life

How To

How to design your own bathroom

Choose a Color scheme that suits your Home Consider how the scheme will look in conjunction with your home’s decor. Consider the age of your house and avoid bright colors such as yellow, orange, or green. Instead, choose soft colours like blue, grays, white, or cream.

Living in a newer house gives you more flexibility when choosing bathroom colors. You can go for brighter shades if you want but use them sparingly. You might only need one accent wall or a brightly-coloured towel rail to bring personality to your space.

You should ensure that there is plenty of storage space

It is important to ensure there is enough storage space in your bathroom. This means that you need to leave enough space for your towels, hand soap, makeup brushes and other bathroom items.

If you are short on space, floating shelves and medicine cabinets might be a good option. These will give you extra storage space without taking up too much room.

Add Mirrors to Your Home

Mirrors are a great addition to any bathroom. Mirrors let you view yourself in your powder room. Mirrors come in different sizes and shapes. Some mirrors are rectangular, while others are round. Mirrors can even be shaped as animals or flowers.

Make sure you have the right lighting

Lighting is vital and should be treated with care. There are many factors you should consider when lighting your bathroom.

You need to decide what kind of light bulbs to use. There are a variety of options including LED, Halogen and Fluorescent.

Next, you need to decide where your light fixtures will be located. There are many options. You could place them on the ceiling, or on the wall. Make sure that your bathroom has enough windows to let in natural light. If not, you may want to consider adding a skylight.

It is up to you what type of lighting style you prefer. Make sure that you only use bathroom light fixtures. This will ensure that they can withstand the humidity and moisture in this room.

Choose the right flooring

Choose slip-resistant and easy-to-clean flooring. For bathroom flooring, you can choose from porcelain tiles, natural stone or luxury vinyl.

Avoid dark-colored flooring if you have a small bathroom. It will make your bathroom appear smaller and less spacious. Choose lighter colors such as beige, cream, and white.

Take Care in Choosing Your Layout

Your bathroom layout is as important as the fixtures and colours you choose. It is important to consider how you’ll use the space while planning your layout.

For example, if you have a small bathroom, you may want to avoid putting in a bathtub. This will allow you to move around in a more comfortable way.

Double sinks are a great idea for larger bathrooms. This will allow you to have more counter space, and it will make it easier for two people simultaneously to prepare.

Once you’ve determined how you want to use your space, you can plan your layout. Take a tape measurement to measure the space. Sketch out several layout options using graph paper.

Once you have seen several layouts, pick the one that suits your space best.

Remember Ventilation

Proper ventilation is necessary to keep mildew and mould from growing in bathrooms. This is especially important for those who live in humid areas.

Before installing, ensure you carefully read and follow the manufacturer’s instructions. It is important to ensure that your fan vents properly to the outside.

Use quality materials

Choose high-quality materials when remodeling your bathroom. Higher quality materials will last longer and resist more damage. While they may cost more initially, these materials will be cheaper in the long-term.

Ask for help from professionals

Remodelling your bathroom doesn’t have to be complicated. It is possible to hire professional contractors to handle the job. A contractor is trained to deal with different aspects. They can install heating/cooling, plumbing, and electrical wiring. You will save time and avoid headaches by hiring professionals. Plus, they know precisely how to complete each project step correctly.

Enjoy Your New bathroom

You are now ready to relax and enjoy your new bathroom. The final touches include scented candles, fluffy towels, or a plant. These small touches will make your bathroom feel homelier.

It’s now time to get started on your bathroom remodel. These are some tips to help you design the bathroom of your dreams.

The post How to Add a Spa in the Bathroom first appeared on Vancouver Kitchen Renovation.

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[zippywondernumbat]

Powder Room Bathroom Powder room - small transitional black tile slate floor powder room idea with quartz countertops, flat-panel cabinets, dark wood cabinets, a wall-mount toilet, black walls and a vessel sink

[poeticlifephoto]

Galley - Home Bar Inspiration for a small transitional galley dark wood floor and brown floor wet bar remodel with a drop-in sink, shaker cabinets, white cabinets, granite countertops, gray backsplash, subway tile backsplash and black countertops

[home-stuck-in-desert-bluffs]

Home Bar in Cincinnati Inspiration for a small transitional galley remodel with a drop-in sink, shaker cabinets, white cabinets, granite countertops, gray backsplash, subway tile backsplash, and black countertops, with a dark wood floor and brown floor.

[tatttletale]

The School for Good and Evil | Mystery Skulls Animated (AU/Crossover)

'Vivi had waited all her life to be kidnapped.'

Every four years two children are stolen away from Tempo, never to return. Most children fear being taken to the School for Good and Evil. But not Vivi...

She has dreamt all her life of attending the renowned school and believes this could be her chance.

Her best friend Arthur has other ideas.

When the two are taken, things don't quite go to Vivi's plan.

Because sometimes, the princess and the witch don't look like they do in fairy tales.

ONE WITCH. ONE PRINCESS. ONE HAPPILY NEVER AFTER.

[Book 1 of my crossover between The School for Good and Evil franchise by Soman Chainani and the Mystery Skulls Animated franchise by MysteryBen27 and Kressent Rhodes.]

╔═══*.·:·.☽✧ ✦ ✧☾.·:·.*═══╗ In the forest primeval A school for Good and Evil Two towers like twin heads One for the pure One for the wicked Try to escape you'll always fail The only way out is Through a fairy tale ╚═══*.·:·.☽✧ ✦ ✧☾.·:·.*═══╝

Vivi had waited all her life to be kidnapped.

        But tonight, all the other children of Tempo writhed in their beds. If the School Master took them, they'd never return. Never lead a full life. Never see their family again. Tonight these children dreamt of a red-eyed thief with the body of a beast, come to rip them from their sheets and stifle their screams.

        Vivi dreamt of the very school they were all terrified of instead.

        She had arrived on her first day as an honorary student and stepped into the foyer to find it filled with every manner of fairytale creature, both Good and Evil. For the first time, she was finally in company of the very subject of her obsession, and she found herself rooted to the floor, eyes flicking around frantically, unable to settle on any one target. Werewolves, fairies, goblins, princesses, and any number of sentient animals bustled around the foyer, chattering amongst themselves and shooting coloured spells from pointed fingers. She stepped forward, excitement buzzing as she readied herself to dive headfirst into the clamour, when the crowd parted and she stopped. Standing at the far end of the foyer was a tall, beautiful woman, skin ghostly pale against her jet black hair. When she turned to face her, Vivi was struck by her dazzling green eyes, cold but lilted with mischief. She was almost angelic. Vivi took a step towards her, reaching out—

        A hammer broke through the walls of the room and smashed the occupants, and the dark-haired angel, into shards.

        Vivi's eyes opened to morning. The hammer was real. The woman was not.

        Rubbing her eyes, she pushed herself up in bed, squinting over at the window. ". . . Father? What are you doing?"

        "Everyone in town says that you're to be taken this year," her father said, nailing a misshapen bar over her bedroom window, now completely obscured by locks, spikes, and screws. "But no one's getting in here tonight. I'll make sure of that." He pounded a deafening crack as exclamation.

        Vivi flinched and gazed curiously at the once-lovely window, now something you'd see in a witch's den. "I'm sure we don't need all that. Why not hang a few charms around the windows and circle the house with salt?"

        Her father scoffed. "Vivi, I appreciate your love of our culture but not everything your grandmother did was effective. If this School Master has the power to drag kids out of their homes and into the woods, I doubt he's some simple yokai with an aversion to salt. This, on the other hand—" he tapped the window— "Will keep anything and everything out. And you'll be safe."

        Vivi hid a frown. The hopelessness of her grandmother's charms against the School Master was what she had been counting on. Of course, she loved her family, but she had been dreaming of attending the School all her life.

        A weight settled by her feet and she looked up to see her father sitting on her bed, resting a reassuring hand on her knee. "I'm sure you'll be safe this year. I know it's awful to wish kidnapping on another person's child, but the School Master will probably choose Mala or Tabitha. They're good girls."

        Vivi tensed. Mala was the village's golden girl; if anyone was Good, it was her. But she hadn't waited all her life like Vivi had. She hadn't hung her hopes on this opportunity like she had.

        He father looked at her, adjusting his glasses, and smiled sadly. "I'm sorry. I shouldn't be talking about this in front of you." He leaned forward and planted a kiss on her forehead, standing up. "Don't worry. We won't let anything happen to you tonight." And then he slipped out the door.

        Vivi sat in bed for a moment, eyeing the grotesque window, and made up her mind. She threw the covers back and got dressed, pulling out her research and planning what to follow up today. Her last day.

        After dog-earing a recently-bought storybook and charting up its links, she took a break by sitting down and reading one of her older ones, The Goose Girl, skipping to her favourite part of the story, where the wicked hag is rolled down a hill in a nail-spiked barrel, until all that remains is her bracelet made of children's bones, the deceiving gold plating long since rubbed off. Gazing at the gruesome bracelet, Vivi felt a little flicker of righteousness. Served her right, she thought, the wicked thing.

        She didn't allow herself too much time to rest and was soon back on the floor, kneeling amongst her papers. Sitting up, she looked around at the carnage and frowned. She would undoubtedly be taking her research into the woods with her—but how would she fit it all in her luggage? She could borrow another bag, she supposed, but she'd never heard of the School Master sending a carriage or footmen or anything of the sort for his students' bags. Maybe it would be best to only take one, one she could hold onto.

        After selecting today's papers and packing the rest into her reserved leather bag, she downed a light breakfast and left the house in a breezy blue dress and a basket on her arm, long hair flowing in the wind. She had one last day before the School Master's arrival and planned to use each and every minute to remind him in a last-ditch effort why she, and not Mala or Tabitha or Sabrina or any other impostor, should be kidnapped. This was her lifelong dream, after all, and she was not about to give it up easily.

༻·𖥸·༺

Vivi's best friend lived in a workshop on the outskirts of town. To get there, she had to walk nearly a mile from the bright lakeside cottages, with green eaves and sun-drenched turrets, towards the gloomy edges of the forest. Sounds of hammering echoed through cottage lanes as she passed fathers boarding up doors, mothers stuffing scarecrows, boys and girls hunched on porches, noses buried in storybooks. The last sight wasn't unusual, for children in Tempo did little besides read their fairytales. But today Vivi noticed their eyes, wild, frenzied, scouring each page as if their lives depended on it. She almost laughed seeing the children's futile attempts at salvation—four years ago, that had been her, not yet past her twelfth year but still searching for a way to get out of the town. By now, she had scoured every storybook available to her and mapped out dozens of connections between them, establishing common links between the kidnapped children in an attempt to maximise her chances of being taken.

        And now, it was her turn. At sixteen, she could no longer disguise as a child in the School Master's eyes, but that didn't matter. She was ready.

        As she descended the slope on the edge of town, picnic basket in hand, Vivi mused at the way her thighs no longer burned at the strain. These treks had made her fit and capable—something she'd need in the Woods. She had taken other measures to prepare as well, alongside her research—though she knew she was Good and a likely candidate, she had been undertaking charitable deeds the past year in order to ensure her place at the School. Fundraising for the orphanage, donating to struggling businesses, volunteering work at short-staffed shops, and buying birdfeed off the homeless hag in the square, even if she didn't use it. At least she was giving her some income.

        "Are you going to see the witch boy?"

        Vivi turned. A small group of children frolicked nearby on the hill. The eldest boy was standing and looking at her.

        "He's not a witch," she said, frowning.

        "He has no friends and he's queer. That makes him a witch." The boy thought for a moment. "And he's a bastard."

        Vivi felt a pang of anger. That was hardly his fault. Seeing as his parents were no longer alive to receive the scorn, it had fallen on him and his uncle instead.

        "You shouldn't judge someone by things out of their control," she replied, voice cold. "And I can think of many queer, friendless people that aren't branded as witches."

        The boy shrugged. "He's just different."

        She rolled her eyes and turned her back on the ignorant child, restraining herself from lecturing him. As if he knew any better; rumours were perpetuated by adults and passed onto their children. If she were to take her own advice, she shouldn't hold that ignorance against the boy.

        But on the other hand, she certainly wasn't going to waste her time trying to make the children of Tempo see reason. It was a fruitless endeavour.

        "You'll need to find a new friend when he's taken."

        She wheeled around again, indignant. "The School Master takes two."

        "He'll take Mala for the other one. No one's as Good as Mala."

        Vivi's jaw clenched. All her research, all her hard work, and they thought Mala deserved to go?

        "We'll see," she muttered, and turned away.

        By now she had transitioned onto the faint, gravelly path leading up to the workshop. Despite its prime position at the bottom of the slope as a vehicle repair station, it hardly received any visitors, and it showed. The paint was flaky and the tiled roof in need of repair, with windows sitting crookedly on broken hinges. She guessed the lack of business was due to its close proximity to the village cemetery, marked by a rusted iron fence a few paces behind the dwelling, but it hardly bothered her.

        Approaching the front door, Vivi screwed her nose up as the usual smell greeted her—the strong tang of oil, grease and wood shavings. Casting a quick glance to the open workshop to find it empty, she knocked on the door and prepared for a confrontation.

        The door swung open to reveal a gangly figure in oil-stained clothes, eyes bulging and cheeks sunken, spiked blonde hair stained blue at the roots. "What," Arthur said, sounding annoyed.

        Vivi winced. "Still hasn't come out?"

        "Does it look like it?" he huffed. "I look ridiculous."

        "Well, no one's gonna see you, anyway," she joked, humour falling flat as he frowned. She cleared her throat. "Uh, look, I'm sorry about the. . . dye."

        He crossed his arms. "At least it looks good on you."

        She raised a hand to her own cyan hair, perfectly coloured through. "I thought we could match!"

        "Mhm," he grouched. Silence.

        A chittering squeak, and Vivi looked down to find a hamster by her feet, hips suspended with a miniature wheeled cart. She kneeled down, stroking the animal. "Hey, Galahad."

        Arthur flushed and scooped the pet up, setting him inside. Vivi smirked at him. "What, embarrassed?"

        "No," he grumbled, scuffing a shoe in the dirt. "I just don't like people touching him."

        "Right." Another pause. "You wanna. . . come for a walk with me today?"

        Arthur leaned against the door. "I'm still trying to figure out why you're friends with me."

        "Because you're sweet and funny," said Vivi.

        He looked away for a moment, tinged with red, before clearing his throat. "Alright, well. . . it's not like I have much else to do." That was a lie, and Vivi knew it.

        She flashed him a bright smile. "Good you have me to keep you occupied, then."

༻·𖥸·༺

The dreaded 13th day of June had arrived, falling as it often did every four years on a Friday. Beneath waning sun, the village square had become a hive of preparation for the School Master's arrival. Fathers barricaded doors and boarded windows while the village mothers lined children up and set to work. Handsome ones had their hair lopped off and their teeth blackened, homely ones were scrubbed and dressed in bright colours. The best children were begged to curse or kick their sisters, and the worst were bribed to pray in church, all in hopes of confusing the visitor into, perhaps, taking none at all.

        Fear swelled into a contagious fog. In the alleyway, the butcher and blacksmith traded books in hopes of finding clues to save their sons. Two sisters sat beneath the crooked clock tower, listing fairytale villains to search for a pattern. A group of boys chained themselves together, a handful of girls hid on the schoolhouse roof, and a masked child jumped from bushes to spook his mother, earning a scolding on the spot and a barely veiled threat that maybe the School Master would take him instead tonight. The boy sobered up after that. Even the homeless hag got into the act, hopping around a meagre fire and shouting, "Burn the books! Burn them all!" But no one listened and no books were burned. If anything, villagers hugged their books tighter to their chests and avoided the man woman.

        Arthur gawked at all this in disbelief. "How can a whole town believe in fairy tales?"

        "Because they're real."

        Arthur dug the heels of his hands into his eyes. "Oh yeah, I forgot about you."

        "You can't deny all the evidence! There are just too many patterns for it to all be a coincidence. And don't even start on your man-eating wolves story," she said quickly, before he could interject. "That is the weakest explanation I've ever heard."

        "Look Vivi, honestly, I've tried to humour you. I've read all the storybooks. But it's just . . ." he gestured vaguely. "It's not real."

        "Well I'll prove you wrong when we're taken tonight," she replied.

        He stopped walking. "We?"

        She stopped ahead of him and turned, realising her mistake. "I—didn't mean it that way."

        Arthur's gaze flicked pointedly beyond her and then back. "Sure you didn't."

        She followed his glance, settling on the villagers in the square. The crowd was staring at them like a solution to a mystery. Popular and outcast, Good and Evil, standing side by side. The School Master's perfect pair.

        "Can we go?" came Arthur's voice.

        Vivi turned. His eyes were once again locked on the mob.

        "Where?"

        He avoided her gaze. "Just . . . away from people."

༻·𖥸·༺

As the sun weakened to a red orb, bleeding into the sky, two friends sat side-by-side on the shore of a lake. Vivi scribbled notes on her papers, finalising her research, while Arthur scrubbed away at some gismo he'd pulled out of one of his many pockets. Vivi snatched a sideways glance at him. He was always pulling tools out of that thing like some eccentric magician. What looked to be a burnt-orange worker's shirt, hanging down to the waist and torn off at the sleeves, and sewn with a myriad of capped pockets. He defended the rag as an apron, but that never prevented copious amounts of oil and grease from staining the white shirt he wore underneath.

        "Is your house just . . . a tar pit?" she joked, counting up the black streaks over his clothing. "I never see you clean."

        Arthur glanced up at her, looking offended for a moment, then returned his focus to the thing in his hands. "I guess you wouldn't know what hard work looks like."

        Despite knowing it was only a playful jab, Vivi's ears burned. "Excuse me!" She promptly thwacked him with her papers.

        Arthur only chuckled, hands steady over the gadget in his lap, and she craned over to look. "What are you working on today?"

        He shied away immediately, almost dropping the thing into the water. "No— Nothing!"

        "Well, that's highly suspicious," she teased, easing back into her research. They were silent for a moment, listening to the chatter of geese on the far side of the lake, until she spoke up again. "You know, everyone thinks Mala is going to be taken this year."

        Arthur scoffed. "I hope."

        Vivi was offended. "Taken for Good!"

        He scrunched his nose up. "What? Mala? Mala Kostakis?"

        "That's the one," Vivi sighed. "Everyone loves her."

        "She's a master manipulator," Arthur shot back. "They can't help it. She's got the whole town wrapped around her finger."

        "Oh, c'mon, she's not that bad."

        "She puts up a front around everyone she sees as useful," he said, face etched in a deep frown. "Because I'm of no use to her, I see how she's really like. She's a scornful, snarky beast."

        Vivi heaved a sigh of relief. "So you think she'll be taken for Evil instead?"

        A beat of silence. When Arthur spoke again, he sounded hurt. "Why do you want to leave so badly?"

        Vivi paused, choosing her words carefully. "I'm . . . just not meant to be here. I can feel it. Obaachan was the same. Some people are just born . . . different."

        Another silence.

        "Do I . . . matter to you?"

        Vivi whirled, alarmed. "What kind of a question is that?"

        "I dunno, just . . ." he hunched in on himself. "You seem really happy about the idea of leaving me behind."

        Vivi gazed at him, softening, and then laid a reassuring hand on his arm. "I'm not . . . happy to leave you behind. I'll really miss you." She thought for a moment. "Maybe he'll even take you too, and we can still be together at our new school."

        He yanked his arm away. "And why are you so confident that he'll take you, if he's even real? What makes you so good and perfect and worthy of a fairytale life?"

        Vivi felt her face redden. "You think I'm . . . worth less?"

        "I don't know, probably!" He flung his arms out, raising his voice. "It's not like you're purer than everyone else! Every other ordinary person in this town! Every other loser like me!"

        "Oh-hoh, is that what you think?" she spat back. "Well, I am better than everyone else here."

        "Prove it," he hissed.

        "I became friends with you, didn't I?"

        Arthur stared at her, shocked. Words registering too late, she clapped her hands over her mouth in horror. Silence descended.

        After a long time, Vivi reached her hand out. Arthur smacked it away and stood up.

        "Arthur, please," she pried. "I'm sorry—"

        "I can't believe it," he muttered. "I can't believe I let you in. I knew it. No one here likes me at all. I'm just . . . a means to an end."

        He trudged off across the banks, leaving something behind in the grass. Vivi leaned over and took it carefully into her hands.

        It was the trinket he'd been working on—a silver music box, freshly polished. She opened the lid nonetheless to find a delicate blue orchid inside, composed of tiny, flake-thin metal plates, turning slowly along to a jingling lullaby. Something caught her eye and she squinted closer.

        Her name, engraved on the inside of the lid.

        Her head jerked up urgently, but he was gone.

        As the sun set, she sat alone on the grass, music box twinkling with the last rays. She stayed there as the last notes of the song petered out, leaving her in silence, and she stayed there as the light dimmed completely, leaving her in darkness. It was only when the first fathers emerged from their homes, locking doors behind them and wielding torches, that she dragged herself up and slogged back to her house, fingers stinging against the ice-cold keepsake.

All direct similarities between this AU and the original books, including excerpts and characters, have been included as artistic choice.

(Chapter 1/5)

Check out the rest of this story on: - Wattpad - FanFiction - Archive Of Our Own

[architectnews]

The Ranch in Orlando, Florida

The Ranch, Orlando House, Florida Real Estate, American Luxury Architecture Interior, Images

The Ranch in Orlando

Aug 31, 2020

The Ranch in Florida

Architects: VSHD Design

Location: Orlando, Florida, USA

Tuscan Transformation: Dubai-based VSHD Design expands its international portfolio with the completion of their first U.S. residential project – The Ranch

VSHD Design, a Dubai-based interior architecture firm specializing in residential and commercial projects, is proud to unveil a luxurious residential design within the Four Seasons Orlando Resort in Florida. With 22,000 sq. ft. this project marks the first residential undertaking of the firm in the United States.

“From the onset, we realized that we were facing numerous challenges with this project,” notes Rania Hamed, interior architect and founder of VSHD Design. “In addition to strict regional building and environmental codes, there were requirements imposed by Four Seasons Resorts to ensure that the residence blended stylistically with its neighboring properties.”

A modern Tuscan approach In approaching the external Tuscan theme exhibited by homes within the exclusive development, the challenge was to maintain some existing structural elements, while delivering on the client’s vision of a modern home that would be luxurious, yet warm, comfortable, and ideal for entertaining guests. The client envisioned a sort of boutique-style hotel environment that would provide family and friends with privacy and luxurious amenities, even in the absence of its owners. To achieve that challenging balance, Hamed embarked on a mission to modernize the external Tuscan façade, while infusing contemporary luxury into the home’s interior to align with the client’s vision.

While Tuscan architecture in its purest form embraces natural, rustic elements, VSHD Design avoided abundant use of materials such as brick and wrought iron in lieu of a modern interpretation. Gray brick overhangs positioned above the external façade’s windows and passages pay homage to Tuscan influences. Black frames of expansive French windows, certified to hurricane standards, provide contemporary contrasts to the façade’s white walls, culminating in a modern Mediterranean style that adheres to the Four Seasons aesthetic requirements.

To complement the structural design, VSHD Design developed all of the home’s outdoor spaces, beginning with its swimming pool. European limestone tiles, stylistic planters, and luxurious sunbeds from the Italian design house, Gervasoni, provide the exterior spaces with an authentic Mediterranean look and feel.

Seamless transitions While the exterior exudes modern interpretations of mandated styles and standards, VSHD Design approached the interior of the house as somewhat of a blank canvas. Working with a timber structure, as opposed to concrete columns and beams, was a new experience, however, Hamed found inspiration in the challenge.

“I saw beauty in some of the original structural elements and I wanted to maintain as many of them as possible,” she explains. “I decided to leave some of the exposed beams intact, as opposed to hiding them behind a layer of gypsum.”

Exposed wooden beams reflecting the original structure’s integrity were maintained, with layers of dark stain and black metal trim added to provide a more industrial feel. Hamed also focused on ensuring seamless continuity between the home’s interior and exterior spaces. Upon entering the house, Carrara marble flooring carries the influences inward, where Tuscan-style arches define the separation of the home’s interior spaces, reinforced by clean, modern, and slightly protruding architraves. The architraves, composed of black matte stained oak, contrast with the interior’s white walls and light gray marble flooring, providing the home’s public areas with a very contemporary look and feel. In living spaces designed for more intimate experiences, Carrara marble flooring gives way to hardwood floors.

“Marble can have a bit of a cold feel to it, particularly when framed by white ceilings and walls,” explains Hamed. “We created a transition to hardwood floors to provide certain spaces, like the living room and the study, with a much warmer ambiance.”

Boutique-style accommodations The main floor houses the master bedroom, highlighted by a luxurious contemporary décor and direct access to the adjacent pool area and outdoor shower, designed as part of VSHD’s vision of an indoor/outdoor lifestyle. The master bedroom’s spa-inspired adjoining spaces include a freestanding bathtub as the centerpiece of a spacious bathroom that also features an individual toilet and shower cubicles. The bathtub is flanked by a wall of floor-to-ceiling French windows on one side and dual washbasins with custom-designed mirrors on the other. Completing the spa-like theme, a small spiral staircase leads to an upper-level gym area featuring a steam room and waterjet shower.

The spa-like feel and amenities extend to the home’s 6 upper-level guest suites, half of which offer private external access for guest stays while the owners are away. Each self-sufficient guest suite features a unique decorative style and is equipped with a mini kitchen, a small pantry, and a spa-inspired bathroom.

“The client’s brief focused on a concept where each room should have a completely different, yet thoroughly modern theme,” explains Hamed. “We incorporated Chinese, Spanish, and multiple other influences in order to provide each suite with its own distinct character and mood.”

The client’s vision of a boutique-style hotel extends to the home’s main dining room, inspired by Italian architect Ettore Sottsass. A ‘modern-retro’ black and white console from Italy contrasts against a wall panel of gold leaf wallpaper, bordered by marble. The panel’s adjacent walls are characterized by ribbed white paneling with a stained wood base, while a cloud lighting fixture from New York’s Apparatus Studio provides adds a celestial touch to the room.

Pièce de résistance In order to tie the interior spaces together, VSHD Design embarked on an ambitious plan to develop a new patio space at the center of the house to create stimulating visual links between multiple areas of the house. To separate the pool area from the patio, and to connect the master bedroom to the living spaces, the design team built an enclosed lanai with four expansive French windows on each side, which infuse the passage with natural light. The abundantly lit corridor is lined with wicker chairs, creating a fabulous reading room with the feel of an open space courtesy of pool views to the left, and patio views and greenery to the right. At the end of the passageway, a staircase to the left ascends to the second level of the home alongside floor-to-ceiling windows that overlook the patio and offer views of the lanai and other external spaces.

“By blending traditional elements with a modern contemporary mix, we succeeded in achieving a contrast that works well,” notes Rania Hamed. “We didn’t want that contrast to be too soft, so the use of black and white, with Carrera marble flooring, provides the home with a strong modern-vintage look.”

The Ranch, Orlando, FL – Building Information

Architects: VSHD Design Location: Orlando, FL, USA Area: 2200 sqm Lead Designer: Rania M Hamed

About VSHD Design Founded in Dubai in 2007 by interior architect, Rania Hamed, VSHD Design is a multiple award-winning interior architecture firm renowned for the style, functionality, quality, and attention to detail of its projects in Dubai, Abu Dhabi, Cairo, London, Amman, and Florida. The firm combines extraordinary talent and global experiences to create exceptional spaces that are as “cutting edge” or “timeless” as each client’s vision.

VSHD’s mission is to develop architectural and interior design experiences that are distinctive, compelling, and of superb quality. Infusing modesty and elegance into the transformation and repurposing of spaces, the firm has garnered international recognition for the beauty and subtle luxury of its projects.

Photographer: Koen Van Damme

The Ranch in Orlando images / information received 310820

Location: Orlando, Florida, USA

Orlando Architecture

Orlando International Airport South Terminal Complex, Florida Design: Fentress Architects image from architecture office Orlando International Airport Building

1600 Lakeside Residence, Audubon Park Design: Interstruct, Inc. photograph : Steven Allen 1600 Lakeside Residence in Audubon Park, Orlando

Guidewell Innovation Orlando, Lake Nona Medical City Design: Affiniti Architects & Marc Thee image from architects Guidewell Innovation Orlando Building

Citrus Bowl Stadium, Orlando Design: HOK Sport image : HOK Sport Orlando Venues Building

Florida Architecture

Grove at Grand BayBuildings, Miami Beach Design: BIG architects image from architects firm This sold-out development mark Bjarke Ingels’ first completed condominium design in the USA. The pair of twisting 20-story glass towers is helping to lead the rejuvenation of Coconut Grove’s business district.

Miami Marine Stadium Building Renovation photo : Rick Bravo

Georgia Architecture

Comments / photos for the The Ranch in Orlando page welcome

Website: Orlando

The post The Ranch in Orlando, Florida appeared first on e-architect.

[bhandarimarblekishangarh]

Granite That Mesmerize your home

Each and every year, stone and tile trends change constantly in the architectural and design communities and can be difficult to keep up with. We at Contemporary Stone & Tile Design magazine wanted to get opinions from different architects and designers around the country to find out what they are seeing, and what they expect to see. Before getting into the trends they are seeing, let’s spend a little time getting to know those who are about to answer:

Lori Wiles— “I’m a true Midwesterner, born and raised in Missouri, now living in Iowa. Growing up, I spent lots of time in the working barns and classic farm houses in my rural area. My capable and creative mom gave me ample opportunity to draw, paint, sew and build things for fun. That led to a degree in interior design and a long career in the field. I’ve always been especially interested in interior architecture and how it impacts the people who use the spaces. My interior design firm specializes in planning new construction and re-modelling with the end user experience in mind.”

Ryan Thewes— “I grew up in Southern Indiana and graduated from Ball State University. After graduation, I was fortunate to get a job in Chicago, IL, working for a former Frank Lloyd Wright apprentice –

Don Erickson. The incredible experience of working for Don introduced me to the theories of Wright’s organic architecture which, amon

g many other things, focused on the use of natural materials and the creation of space. I expanded on my education of organic

architecture by also working for Robert Green, a former Frank Lloyd Wright apprentice in Atlanta, GA, and eventually an apprenticeship with Bart Prince in Albuquerque, NM. I am currently practicing out of Nashville, TN.”

Maxim Nasab— “I am the principal and founder of Apexx Architecture, a firm specializing in bridge architecture and recreational piers. Our firm is located in Tallahassee, FL. I am originally from Montréal, Canada. I got into architecture because it allowed me to pursue my love of science and technology, but also allowed my creativity to flourish. Architecture has the power to change cities for the better for generations. It is a profession that can truly make the world a better place and architects have the responsibility to ensure this through their designs.

I believe in designing for the people and the greater good rather than fame or recognition. I believe that great architecture is derived from honesty and transparency. Using local natural materials and allowing the structural system to express itself by integrating it within the design. Whenever I walked in buildings, and even today, I always tried to guess the materials that buildings were structurally supported by. It always made me a little sad when materials were not honest or true, or the structure was not evident. This is one reason why I went into bridge architecture. It is very hard to hide the structure of a bridge, and instead I always try to enhance its visibility, express its beauty and make it clear to the user as to how it is supported. Anyone should be able to walk in.”

Charmaine Wynter— “I am Jamaican Canadian, and an international multi-awarded interior designer with projects spanning the residential and hospitality sector. My natural design talent began to make its emergence in 1981, surprising family and friends, but it wasn’t until the late 1980s that I took it seriously and enrolled in an interior design program at a recognized college. I founded my design firm in Toronto, Canada in 1996; and later transitioned to the Dallas, TX, location in 2016, where it is now headquartered. Now many decades post-graduation, as principle designer, I jet back and forth to work projects of interest on both sides of the Canadian and U.S. boarders — infusing each with my signature distinctive luxurious living design aesthetics.”

Dawn D. Totty— “I started 25 years ago and it was fast and furious in New York. When I transitioned from there to the south, I was 1,000 miles away. I had to start from scratch. I had to reinvent myself. That was challenging.”

Trends with stone

One of the first things I discussed with each of our participants were the trends they were seeing with stone in particular. Over the years, the popularity of engineered stone has fluctuated, while natural stone seems to be extremely popular with some people rather than others. According to Wiles, she is seeing more people interested in using stone in their homes and offices than even a few years ago. “From my perspective, it’s become easier than ever to find the perfect material for any project with all of the stones available,” she said. “I particularly like the uniformly colored stones at the extremes of light and dark palettes. These make a great statement and give some confidence that a color palette can change through the years without having to change the large areas of stone.”

Wiles isn’t the only one that sees the popularity in natural stone. Thewes, Nasab and Wynter all agree with her. “What I have been seeing is a lot of natural materials, natural colors and natural tones,” said Nasab. “Limestone is really popular along with granites that have that limestone look. Minimalism and honesty in materials is coming back strong and will be here to stay for a while. Clients and users are craving that real feeling when they touch materials, which is why a lot of the companies are working hard to mimic that look and feel. Some of them are getting really close, too.”

Thewes is seeing a lot more requests for stone as the popularity of “Mid-Century Modern” design continues to rise. “I think part of this is because people still want modern design, but are turned off by the cold sterile nature of some of it,” he said. “The use of natural materials like wood and stone help soften the design yet allow us to keep a strong modern aesthetic. Linear stacked stone complements these types of projects perfectly by emphasizing the horizontal line and providing a defined texture that works well in opposition to smooth surfaces like wood, glass and drywall. Depending on the budget, we have had some pretty good success with engineered stone. However, for the more discerning client, it is tough to beat natural stone. While the wide range of colors are still often used and will never go out of style, we are seeing more of a request for darker colors. Almost black in some cases.”

Wynter is seeing popularity with quartz surfacing because of its look and durability. “Quartz is extremely popular with clients seeking a marble look, but the durability only provided by engineered stones,” said Wynter. “Stone is such a luxe material with its many faceted sheens and textures that there are trends within a trend. However, in general, I’m using more cool-toned hues with larger veining and fissure movement within the stone than a few years ago.”

Totty sees it not only with natural stone but also with quartz, because of how they look. “Patterns, movement and more color is making its way into the realm of interior design with the usage of quartz and marble being the forerunners,” said Totty. “Stone pigments that are currently trending are soft greens, grays and neutrals that are a wonderful complement to today’s interior design trends.”

When it comes to application of stone, according to Wynter, it is being more of the norm with her clients. “What’s great is that as the use of luxury stones are becoming more the norm, my clients are relaxing and spaces are more often taking on a casual luxe style,” said Wynter. “I’m using stone on the flooring, countertops and backsplashes, fireplace facades, accent walls and in outdoor living rooms.”

“While fireplaces continue to be the place that people think of using stone first, I like to incorporate stone in lots of areas in a home like kitchens and bathroom,” said Wiles. “In commercial settings, a stone wall or columns are a fairly easily constructed feature that suggests stability and permanence.  I’ll consider using it in any area that I think needs a great visual weight to help balance out the space.”

For Thewes, he is seeing the most common use for stone is in accent walls for both residential and commercial projects. “The ability to light the walls really accentuates the texture and draws attention to the feature,” said Thewes. “This is very effective in commercial projects where traditionally, more sterile and simple materials are used. The stone offers a good break from these materials while also providing a durable and maintenance-free surface.”

For Nasab, he is seeing stone used primarily for exterior paving, stairs and plazas. “It really enhances the site and gives it that extra touch of beauty, especially when it’s a natural stone,” he said.

Totty is utilizing marble and granite in big ways, such as installing it onto kitchen walls for a bold and elegant statement. “Kitchen larders, countertops, backsplashes and even floors are some of my favorite uses for granite, quartz and marble,” said Totty. “Both commercial and residential projects are now implementing stone surfaces to create a regal look with the benefit of durability.”

Tile Design Trends

When it comes to designing with tile, it seems that the material is a lot like stone, especially for Totty. “Floor-to-ceiling tiled walls in kitchens and bathrooms, and even laundry rooms, are very popular,” she said. “In many cases, the tile is the dominating focal point to a room’s decor.”

According to Nasab, whose area of expertise is not tile, he has noticed that tiles have continued to evolve and currently they are still hitting strong with mimicking the look of natural stone.

One thing that stands out to Thewes with tiles are the extremes they go to with size. “Tile size trends have continued to swing away from the standard 12- x 12-inch tile to either extreme,” said Thewes. “Either very small or very large, depending on the application. For our projects, we still focus on the more earthy and muted colors that are more simple and less busy. Black and white are timeless and can be adapted to any style or aesthetic so they are always popular.

“There has been a pretty significant rise in the popularly of the wood plank tiles that gives the look of a wood floor, but the durability of tile,” Thewes went onto say. “I tend to shy away from materials that pretend to be something they are not, but I have seen a quite a few of these fake wood products that are very well done.”

Wiles has also noticed the different types and feels of tile that are currently on the market. “I continue to be amazed at how many tile designs there are and excited about the tactile finishes they have now,” said Wiles. “We’re seeing our client’s willingness to use a variety of shapes like hexagons, octagons and circles increase. They’re now open to shapes that would have been unheard of just a few years ago. It also seems that tile manufacturers have become really in tune with current color palettes and color palette projections, which helps designers use their products more easily.”

“Tiles are dimensional and showing up in large formats,” said Wynter. “Pattern is back after a long rest so we are embracing lace, ethnic and graphic print on wall and floor tile. Keep your eyes peeled for hues of green and coral — especially this year.”

As far as applications go, according to Wiles, “Beautifully tiled bathrooms are the number one request from homeowners so we’re designing fully tiled showers, tub surrounds and backsplashes. The development of the really large-scaled and textural tiles that mimic other materials makes feature walls a big hit as well.”

Wynter said that tile will always be the strongest in commercial applications due to its durability and resilient nature, but it is making strong headway into the residential arena as the popularity for outdoor backyard oasis’ increase. Totty agrees with Wynter in the outdoor use of tile. “Outdoor kitchens are now showcasing tiled areas for durability, as well as aesthetics,” said Totty. “Tile is still the first choice for most home and commercial installations, in particular, shower walls and floors, laundry and mud rooms, as well as entryways for low maintenance and easy clean-up.”

“For tile, floors are still the main use,” said Thewes. “Occasionally, we will see an accent wall or something similar executed, but mainly floors and shower surrounds are most popular.”

Trends moving forward

Finally, we asked these architects and designers about the trends moving forward for both stone and tile.

Totty– “Tile with graphic, bold patterns and colors are quite favorable and are being used as statement makers in powder rooms, kitchen floors and laundry rooms to create that ‘wow’ factor in interior design. Granite and marble with movement are now used as art. Matching up patterned seams and placed vertically on walls in high-end hotel lobbies creates an amazing show stopping affect to any wall.”

Wynter— “Green is coming on strong as a trend color that has made it to classic status, so I predict we will see green marbles, green granites in all hues from glass to jade, as of green slates.”

Nasab— “I believe that natural colors will stay for a while, especially in stone. It is hard to beat natural stone, especially now that it has become much more affordable. What I am seeing in tile is black and whites coming back. That modern minimalistic design is coming back strong. There is no better material than stone in terms of natural beauty and bang for the buck. I would encourage designers and clients to find local quarries and start from there rather than hit the foreign stones right off the bat. It really is a beautiful thing to use materials that are locally sourced and they truly make the projects feel as if they belong in the site they are built on.”

Thewes— “Looking into the future, I don’t really see much of a change for tile other than possibly an increase in use due to its durability. It’s a battle between what the client desires more, warmth or durability. However, I do think that the use of stone will continue to rise as it provides both warmth and durability. As the quality of engineered stone improves, costs should go down and using stone in projects will no longer be a major drain on budgets. Durability and low maintenance are always important client requests and this material fits right in with that while also providing a major increase in quality and design. The addition of stone to any project increases its value and the perception of cost.”

Wiles— “I think we will continue to see natural and natural-looking hard surface materials in demand. These will be used in larger areas and combined with other materials that have more of an artisan vibe to create really durable, tactile and friendly environments. Tile and stone are really designer’s friend. Once you know how to best use them and have great craftspeople to install them, they can transform any space.”

Added by expert and export team of Bhandari Marble World…………………..

[unholyhelbiglinked]

Camp Beaverbrook | 020

A/N: Well, that's about it for Camp Beaverbrook. And I must say, I'm super proud of myself for actually sticking with it even if I did go off schedule a little bit. Either way, I want to thank everyone who has stuck with me during this absolutely insane reimagining of classic 80's horror films. You guys are truly amazing and supportive and I'll never forget that.

(Oh, and uhhh I'm going to take a month or two to focus on getting my other stories filled out before I tackle the sequel, but the girl's stories don't' end here. I'll answer any lingering questions you have, just keep your eyes peeled for what happens next. Because we all know final girls don't necessarily stay final girls)

READ ON AO3  | READ FROM THE START 

Chloe Beale had read somewhere that Hospitals were liminal spaces. An area akin to a waiting room, or a train station, even a bus stop across from a cemetery in the middle of New Orleans. A place that was meant for transition. Somewhere no one stopped for too long, heading to the afterlife or simply to the nurses at the front desk who reluctantly handed over discharge papers.

Chloe felt like she would be here forever. There was no second stop for her, instead, there was a dark examination room where she had been separated from the rest of the world. There was a slight hum from the x-ray chart that lit the room in a blue glow. A slight breeze against the robe that she was instructed to put on- they had taken her clothes and stuck them in a little clear baggie. She hugged herself closer against the sterile air.

Parchment paper against the examination table was stuck to her bare skin. She waited for a knock, or simply for the slate wooden door to open. A doctor of a police officer- that’s what she was expecting. Someone to handcuff her or probe at her already stinging injuries. Anything but this stalemate.

She tried to count the number of casualties like sheep with sloppily painted numbers against fleece. There was Jane, Jane who could have gotten lost in the woods but couldn’t have been a simple accident. Then Gail- sweet Gail who had run the camp in her stead for years and years. And Wilkens. A man she didn’t know but felt as if she did, smelling of cigar smoke and spilled blood.

“Ms. Beale?” It was a voice instead of a knock, but the door seemed to creak open immediately after that. She jumped despite knowing that someone would be coming for her. It was the same nurse that was dressed in washed pink scrubs. The one who had given her the robe and looked at her with inept solitude. “Sorry to startle you but, the doctor would like to see you now.”

Chloe nodded and fought back a wince at the pain it caused. She felt stiff, the bruise that wrapped around her skin like a choker was burning hot like a branding iron and she fought the urge to run her fingers over the raw spot.

The doctor seemed to be a woman straight out of med school. Her hair was darkened, almost black under the blue glow. It was thrown up in a messy bun but strands fell evenly into her ghostly stare. Her face was bare of makeup but pretty, a white lab coat over a button-down shirt that was an even forest green. Her nametag read Dr. Mary Saxe.  

She had a soft way about her, but not obnoxiously so like the bubblegum nurse who had tried her best to make Chloe feel at ease. It didn’t work so well, but this woman had a presence around her. An authority that was otherwise unmatched.

“I don’t want you to speak, okay? Not before I can take a look at your wounds.”

Chloe didn’t do anything this time. She didn’t answer or nod. Instead, she just watched the woman wet her hands under the sink and slide on a pair of purple nylon gloves. She didn’t bother pulling up a seat, instead, she stood right in front of the young girl, eyes hard and focused.

She couldn’t’ help the sharp inhale that filled her lungs as Dr. Saxe made the first contact. She traced the ring of clotted blood with delicacy before applying certain pressure beneath where Chloe thought here tonsils were. Before she got her tonsils removed as a kid, a lot of other doctors poked around there too. This time it brought tears to her eyes and she felt a certain heir of embarrassment, to choose now to cry. To break over a soreness rather than when the actual cord wrapped around her throat.

“Right,” The doctor seemed unphased. “I’m going to need to do some x-rays, make sure nothing got crushed or fractured. Amy here is going to get some pain medication and that should stop the discomfort.”

Dr. Mary Saxe did something unexpected then, she put her hand on Chloe’s shoulder. Maybe in an attempt of comfort or to get the girl to focus on something other than the tears that dripped off her chin and soaked into the ugly turquoise gown she wore. “Chloe, we’re going to catch the guy who did this, alright? You’re safe here. I don’t want you to believe otherwise.”

Chloe knit her eyebrows together, staring at the stressed features of the stranger in front of her. The woman who had such intense focus. The one who still had her hand on her shoulder and her eyes level. She mustered the courage to speak- much against the woman’s orders.

“He’s… dead.”

A flash of horror shifted to understanding in a moments time, she nodded her head, squeezing Chloe’s shoulder. Did she know? Had Chloe been the only one not to give a statement in the nightmare that took place over these last few weeks? She had a feeling that all four of them had been separated for a reason- Dr. Mary Saxe turning to leave before Chloe grasped onto the fabric of her lab coat.

“Emily?”

“Your friend.” She responded, eyes flashing down to the death grip Chloe held. “She’s lost a lot of blood. The shrapnel split an artery and we stitched it up as well as we could, but we had to put her in a medically induced coma. It’s up to her to wake up now.”

It was Chloe’s turn to nod and think, her stare focused on the cross-sections that the tiled floor created. She heard the door open and shut and acknowledged the presence of the nurse who handed over a Dixie cup of water and a little orange pill. It burned on the way down.

Beca Mitchell was slumped against a chair in a way her father would call despicable. Her back was touching the wall through the open design and her legs were spread against blue scrubs that were too big on her. A sickeningly gross blue that made her look pale, her bare feet cold against the tile floor.

They let her take a shower.

She made one of the orderlies sit on the toilet seat while it filled up with a toxic mist, heavy and hard to breathe through. The woman made small talk with her about the weather and how it was unseasonably cold for this time of the year before moving into the topic of her newborn grandbaby. Beca had allowed herself to focus on her soothing words as she stared up at the stream of water, refusing to blink, watching as the muck and blood washed down the drain. Her chest ached.

Beca stared blankly at the floor in the hallway. She hadn’t looked up as the food cart passed, or when another nurse handed her a Dixie cup with a little orange pill. She tipped her head back and swallowed it and crushed the frail paper between her fingers.

The girl didn’t glance up with the chair next to her suddenly became occupied with another. Instead, she stared, stared at nothing in particular and thought about the throbbing in her nose and the throbbing in her heart. She had shot someone- nonfatally.

“What if you’re right?” She finally whispered, “About me being a terrible person. About it being in my blood.”

Aubrey Posen drew in a calculated breath. She had on her own set of scrubs, the cut on her hairline had been stitched cleanly and was coated in a thick smelling medicine to quell the pain. Her arms were bruised, and her hair was wet- thrown into a dark ponytail. Despite her injuries, she sat up straight.

Beca sniffed and turned to face the girl completely. “We learned about Aristotle in summer school. How he thought people were born amoral- not good or bad. It’s something that’s learned over time and cultivated and” She took a shaky breath. “What if I was just born bad, and that’s what made it so easy for me to shoot Jesse?”

“That theory has been argued amongst centuries, It’s not even-“She got ahead of herself, stilling her thoughts. “It was easy for you to pull the trigger because someone you cared about was in danger. You weighed the options and no matter what, you didn’t fire the killing shot. Don’t blame yourself for helping us live.”

“Is that what you’re telling yourself?” Beca’s voice was watery. Aubrey grimaced and looked away. “About what happened in the car? That you did what you did because Emily was going to die if we hadn’t of driven away?”

They returned themselves to the quiet that wasn’t quite silence. Aubrey slumped in her seat and tapped her fingers against the armrest. The phones rang at the reception desk a few corridors down. The machines beeped in unison and a man with an awful cough hacked up his second lung for the night.

Then there was the sound of loafers tapping against the linoleum and Beca’s Chest seized. She wasn’t sure if all people in law enforcement were required to wear the same type of shoes or if there was a convention every year under big-top tents to purchase them. He walked with vigor and purpose.

Detective Luis Desmond, Beca remembered. She had seen him more than once at her hearings, his suits always pressed neatly and his hair cut close to the scalp. His dark skin popped against the lavender tie he wore, opting out of the blazer jacket that hugged his frame in court. Wilkens and Desmond shared cigars as they leaned against the car that was wrapped in neon tape at this point.

Beca pushed herself up in her seat and ignored the discomfort it created as the scrubs rolled up against her skin. Desmond didn’t say a word as he sat across from the two girls who cast a wary glance between one another before returning their attention to him.

“Well, girls, I’m going to be frank with you. None of this looks good.” He formed his fingers into a teepee and leaned forward against his knees. It made his pant legs ride up and expose his black socks, but not quite far enough to show his ankles. “We have a dead camp director, a dead federal agent, a body burned beyond recognition and one with an arrow expertly shoved into his throat.”

“We told you everything we know.”

“I’m not finished yet.” He said sternly. “There’s a blown-up shed, a dead little girl with parents who just want answers, and a sizeable dent in a car that you stole.”

There was enough quiet that followed to inform them that he was done now. Beca didn’t’ think it a good idea to mention that it wasn’t technically grand theft auto if the man who held the title was gutted like a fish. She also didn’t’ find it the right time to disclose the fact that she was about to lose the rest of the lake water in her stomach all over those nice leather loafers.

“We’ve called your parents, and then your guardians. They’re all on the way.” Desmond said with a slight twinge in his voice before he stood. “I’ll advise the four of you not to leave town in the following months. It was nice to see you again, Rebeca.”

“Pleasure.” She croaked out, giving a halfhearted wave. He walked back the way he came, and they watched with laser focus before he pushed through the double doors and vanished completely.

“He’s just trying to scare us.” Aubrey exhaled in a shaky breath.

“Yeah, it fucking worked.” Beca slumped further in her chair until she could feel the cold air against exposed skin again, her eyes trained on a little dip in the floor in a space that seemed entirely too liminal.

[mechanicalblend-blog]

Transit II

Night in the tropical warmth that speaks home to my rootless soul. Two flights in short sequence arrival for once.

A reinforced dam broke, brittle through constant erosion of grey particles burning onto its brushed cement surface. Nehru's constitution a constant fight for territory, progress undone in a single stroke. Memories flood a dry river bed plentiful and the ground between the pebbles absorbs it thirstyly.

A small plane, empty seats, 4F, nothing outside but a sunset in the far west, molten stone poured over a metal surface slowly cooling down, then a titans' fight between earth a black solid and space a black void. I sit there and still think of nothing else but your smile over a cup of coffee in the morning.

A magical meeting between palm trees and weak beer from small brown bottles on an aluminium disc, intimacy too close grasp, too real to neglect. Cues misleading enough to be evident, a sketch on thin transparent paper with wrinkles. Black lines drawn on the tray table that folds easily.

Papaya breakfast in front of diamond jaali and lush shadow on dusty white paint, desert red stains.

Music from the radio, a call on bumpy roads, the jeep's wheels spin in potholes, melodies like syrup flood the cabin in front of the windshield and drown my thoughts in the afternoon sun. We drive tacitly, an understanding, your hand on my leg and the road to and from the asphalt airport.

Colonial habits etched in dissolved acid clay.

Softest skin under my fingertips, warm like the blood below, and cool like the floor tiles. Mute and dear we walk alongside on the curb. The maze of the bazaar a mad layout of narrow lanes covered by plastic tarpaulin. The vulgar smell of a line of silver fish bellies and heads with locked jaws full of pointy teeth reminds me of morning on a rough quay in Kolaba. Men auctioning produce by the K-G, a block of hard wood and a double sided blade in a bucket full of blood and water.

Next to you driving never to reach and a hand on my leg. Through the open window thick darkness and cloudless dust trickles on my knees and I am still happy. Tension and confusion intertwined. Next to you on a bed though thinking about you.

[4-of-cups]

I was thinking about the floor mosaics at the airport I work at and it turns out there’s a lot more than I thought! So I wanted to post them here because they’re just really nice and I wish there were better pictures (especially of “You Are Here” because that one’s my favorite and the picture is just so bad). All the descriptions and images are from this website!

(Also a note, these descriptions were written before they changed the checkpoints at Terminal 1. So if you’re ever in Minneapolis looking for these, checkpoint 1 is now North Checkpoint, and checkpoint 5 is now South Checkpoint. There is no 2-4 anymore.)

--

A BOREAL TRIAD

Is located in Terminal 1-Lindbergh and consists of three inlaid stone floors entitled MINNESOTA COMPASS ROSE, THE NORTH STAR, and PLANT, ANIMAL, SEASON. All three designs are aligned to magnetic North and were installed in 1999.

MINNESOTA COMPASS ROSE

A romantic icon of travel, the compass rose is a map-derived image emphasizing the idea of The North. Its northerly “N” is set within a northern red oak leaf, a plant native to Minnesota. A snowflake at the center of the design celebrates Minnesota’s extravagant winter. The juxtaposition of the curved and jagged edges within the design’s offset concentric circles is a symbolic rendering of fire and ice. Artists: Andrea Myklebust and Stanton G. Sears Located post-security in the Airport Mall near Checkpoint 5 at Terminal 1-Lindbergh

THE NORTH STAR

This mosaic features a constellation map of the Big and Little Dippers and Ursa Major and Minor. In the same way we are taught to find the North Star in the night sky, the two pointer stars of the Big Dipper act as a guide to Polaris, the ornate star at the center of the composition. The design is a reference to Minnesota, “The North Star State,” and depicts native fauna in the bears, the band of cardinals, and sunfish in the outer edge of the circle. Artists: Andrea Myklebust and Stanton G. Sears Located post-security in the Airport Mall near Checkpoint 4 at Terminal 1-Lindbergh

PLANT, ANIMAL, SEASON

At the center of the design, the snowflake appears again as an echo of the Compass Rose. Quilt-like patterns emerge in the succeeding circles, depicting bands of the leaves of native trees and Minnesota fish species. The outermost pattern is formed of native animal tracks – moose, bear, deer, raccoon, beaver, bobcat, and wolf. Flying over these patterns, as though in aerial view, is a great goose. Artists: Andrea Myklebust and Stanton G. Sears Located post-security in the Airport Mall near Checkpoint 3 at Terminal 1-Lindbergh

BIG WOODS SUMMER

This floor design incorporates images of native Minnesota wildflowers in a seasonal progression from spring to winter. A smaller ring in the design is composed of images of evergreen trees, a lake with boats and docks, and a sunburst design which is centered in the rotunda space. It is composed of granite, marble, stainless steel, brass, and is approximately 25 feet in diameter. It was installed in 2001. Artists: Andrea Myklebust and Stanton G. Sears Located near gate C13 in the Concourse C Rotunda at Terminal 1-Lindbergh

MEMORY PIECE

The terrazzo floor mosaic in the atrium linking MSP Lindbergh Terminal concourses A, B, and C was designed shortly after September 11, 2001, and was influenced by the tragedies of that day. While the native wilderness and spatial themes are consistent with other mosaics at the airport, there are also subtle representations honoring the victims of 9/11: an outline of a plane in a star field, four eagles representing the four commercial planes lost to terrorists, a fiery wheel symbolic of heaven, and black bands around each design as tokens of mourning. The artwork acknowledges the magnitude of September’s tragic events while also celebrating the new facilities and their importance as a conduit for those traveling to and from Minnesota. Artists: Andrea Myklebust and Stanton G. Sears Located in the A-B Rotunda at Terminal 1-Lindbergh

YOU ARE HERE

“You are Here,” installed in 2005 in the North Atrium of MSP Lindbergh Terminal, is twenty feet in diameter and made of granite, marble, and aluminum. Imagery in the artwork is drawn from aeronautical charts of the Minneapolis-St. Paul region. The locations and identification codes of airports administered by the Metropolitan Airports Commission are noted, as are a number of navigational beacons. A border of symbols used in aviation weather maps encircles the work, and a smaller circle comprised of snowflake and sun imagery connects the work thematically with other floor mosaics created by the artists in the Minneapolis-St. Paul International Airport. Artists: Andrea Myklebust and Stanton G. Sears Located post-security in the Airport Mall near Checkpoint 1 at Terminal 1-Lindbergh

DRAGONFLY

The work spans the width of the LRT platform and responds to airfoil-inspired sculptural elements designed by the architects, which are suspended from the ceiling. The primordial wing below contrasts with the modern wings above. The piece is completed by a band of native Minnesota stone tiles extending across the platform on a diagonal with the wing. Dragonfly is approximately 30 by 45 feet in size, and incorporates epoxy terrazzo, Minnesota stone tiles, and water-jet cut and hand-bent aluminum. It was unveiled with the opening of the LRT in December, 2004. Artists: Andrea Myklebust and Stanton G. Sears Located at the Light Rail Transit Station at Terminal 1-Lindbergh (Photo from here, because the one on the first article was. awful.)

NIGHTLIGHTS

NightLights is a 2,100 square foot terrazzo floor inspired by nighttime views from the windows of airplanes. In a field of deep color, clusters of brightly colored epoxy terrazzo and glass are scattered like jewels in a dark cloth. At first glance, the patterns suggest galaxies, star clusters or constellations, but a closer inspection reveals that the patterns are generated by human activity: the big cities, small towns, and thoroughfares of commerce and transportation. At the center of the designs (and the center of the terminal building itself), is a circular medallion depicting the pattern of the runways and taxiways of the MSP International Airport. Intersecting this central motif is a forty-five foot wide ellipse within which are playful illustrations related to faraway places in the directions indicated. Art elements in the pieces were generated using opalescent glass rods, colored epoxy terrazzo, brass, and water-jet cut zinc plate. Overall dimensions of the work are approximately 27’ x 90’ and more than 1,500 individual elements comprise the “lights” in the map-like design. The CAD design for the project was completed by Minneapolis artist Brad Kaspari. It was installed in 2001. Artists: Andrea Myklebust and Stanton G. Sears Located pre-security near Checkpoint 2 at Terminal 2-Humphrey

STARWHEEL

Starwheel reflects the beauty and diversity of the Minnesota landscape and the historical movement of people across these ecotones— beneath the movement of the stars. There are a number of constellations visible in the floor, including the North Star Polaris and the Little Dipper. All the other stars spin around Polaris which serves as a longstanding navigational marker of the night sky.

Minnesota’s tall grass prairie is depicted in thin 16-gauge divider strip on both ends of the design which appear and disappear into the dark sea of blue and yellows as you walk across the floor. The navigational waterways—both rivers and lakes of Minnesota—are evoked through the large abstract depiction of a canoe’s ribs, thwarts and inwales. Numerous silver-coated, mirrored and mother-of-pearl shell pieces in the floor are meant to evoke the reflection of stars on the surface of the water.

To convey a sense of navigation and discovery, the image of an astrolabe which is set to the exact latitude for this section of the airport. The Museum of the History of Science at Oxford describes the astrolabe this way, “With ancient origins and a two thousand year history, the astrolabe illuminates astronomy, time-telling, astrology and religion across cultures, time and place.” There are more than 2,000 functions for the astrolabe, so it becomes the GPS, smartphone and even computer of centuries past. The Roman numerals tell another story of time and time-keeping which is ever present in airport travel itineraries. Other directional and wayfinding markers are layered into the design with reference to the wonder of the petroglyphs inscribed into the Sioux Red Quartzite at Jeffers Petroglyph Park.

As airline passengers and visitors pass through this terminal, I want them to connect their own travels and adventures in Minnesota and beyond to this larger movement of history and discovery. The story of humanity is one of a great journey: in a sense, we are all travelers. We locate ourselves in the stories that evoke our comings and goings, affirmed by the imagery which guides us in our discoveries of what might lie ahead and in our returning home. Artist: Scott Parsons Located pre-security near Checkpoint 1 at Terminal 2-Humphrey

[dawnjeman]

Before & After Home Renovation with Pictures

  Designed by Suzanne Bolling of Restyle Design, LLC, this home was a complete renovation! The interior designer took it down to the studs and redesigned the space for this young family. They opened up the main floor to create a large kitchen with two islands and seating for a crowd and a dining nook that looks out to the beautiful front yard. They also created two seating areas, one for TV viewing and one for relaxing in front of the bar area, and added a new mudroom with lots of closed storage cabinets, a pantry with a sliding barn door and a powder room for guests.

This home went from outdated and dark to funky and young. Although the entire home mostly features a white and grey color scheme, pops of tangerine brings a sense of happiness to this home. By the way, tangerine will be the color of 2019!

Feel free to pin your favorite “Before and After” transformations. I did a few collages so you guys would see how this home used to look before the renovation. These are always fun to look at, right?

  Before & After Home Renovation

This kitchen is not a cookie-cutter by any means! I am loving the combination of all elements found in this space. The wall paint color is Sherwin Williams Repose Grey.

This island measures 75 x 64.

Counter Stools – Mid-Century Park White Leather Barstool – similar here & here.

Kitchen Island Lighting – BESA Satin Nickel Pendant.

Before & After Kitchen Renovation

Did your jaw just dropped? Because mine did!!!

Isn’t it an amazing “before and after” kitchen renovation?! My goodness… look at the details! This one really deserves a pin.

Range Hood: Custom range hood in reclaimed barnwood – similar here.

Kitchen Cabinet

The perimeter cabinets are textured melamine in white zebrine flat panel.

Backsplash is ADEX Neri 6” arabesque tile – similar here – Beautiful Arabesque Tiles: here, here, here, here, here & here.

Pot Filler Faucet: Delta.

Kitchen Faucet – Delta faucet in matte black.

Kitchen Sink: Kohler.

Dishwasher: Jenn-Air.

Main Floor and Lower Level Flooring– ADS Eagle Creek syncore 7 x 48 plank in heatherstone – similar here.

Kitchen Island Cabinetry

Island cabinetry is Durapro Stone Grey, shaker style.

Kitchen Island Faucet – Delta bar faucet in matte black.

This island measures 70 x 64.

Countertop & Hardware

Countertops are Arizona linen quartz on perimeter and Arizona frost quartz on island.

Cabinet Hardware: Berenson metro pull in matte black 6 11/16”.

Range: Jenn-Air.

Open Floor Plan

This kitchen features two islands – one is opposite to the range and the other is opposite to the fridge.

Before & After Dining Room

The new kitchen and dining room are located where the former living room and dining room used to be. Notice the bay windows. The windows were changed but they were placed in the same spot.

Dining Room Decor

Dining Table – Four Hands – similar here, here & here.

Dining Chairs – West Elm Mid-Century Dining Chair in Cayenne.

Dining Rug – 8ft round sisal rug – similar here.

Lighting – Varaluz pendant.

Window Treatment – Hunter Douglas Silhouettes in white.

Wall Paint Color

Paint color is Sherwin Williams Repose Grey SW 7015.

Entry Lighting– Savoy House.

Bar

The dining room opens to a sitting area with a custom bar. The bar cabinets are Textured melamine grigio pine and backsplash in Ghost Wood horizontal planks.

Chairs – Four Hands.

Ceiling Treatment

Ceiling Reno: The ceilings were raised by 1 foot.

Sofa – West Elm Sofa.

Coffee Table – Four hands coffee table – similar here.

Rug – NuLoom.

Before & After Living Room

It’s hard to believe this is the same room. The designer kept the same brick fireplace!

Fireplace

The original brick fireplace had the brick “whitewashed” and a reclaimed wood beam was added.

Chair: West Elm.

Lighting

Lighting is by Hinkley Lighting – Large.

Inspired by this Home:

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Staircase

The old staircase was replaced with a custom metal staircase with beam treads in a clear finish. These beams are called “Parallam”, which is an engineered laminate lumber, often used as structural beams and posts.

Hallway/Stairwell Sconces – ELK.

Pendant – Hinkley – Large.

Kids Bathroom

The bathrooms also felt very outdated. New cabinetry, flooring and shower tiles create a space that feels fresh and more practical. Paint color is Benjamin Moore Super White.

Backsplash Tile – Here.

Faucet is Delta widespread faucet in chrome.

Lighting – Minka in chrome.

Hardware: Berenson Metro Pull Chrome.

Similar Floor Tile: Here, Here & Here (large).

Beautiful Bathroom Mats: Here.

Master Bathroom

Cabinetry is Durapro in Benjamin Moore Gauntlet Grey. Doors are  Shaker-style.

Faucet is Delta widespread faucets in polished nickel.

Lighting – ELK 3 light Vanity Light in Weathered Zinc/Polished Nickel.

Backsplash – Mir Cityscape Stax Grey 6” splash – Other Beautiful Mosaic Tiles: here, here, here, here, here & here.

Hardware: Berenson – Chrome.

Shower

Shower Tile – Walls: Porcelanosa Japan in Marine 12 x 35 horizontal straight set (similar here). Floor: Atelier Light Grey 24” square tile straight set (similar here).

Power Room

Paint color is Repose Grey SW 7015 by Sherwin Williams. Wainscoting is Super White by Benjamin Moore. Notice that a mosaic tile was placed just above the wainscoting.

Lighting – Savoy House.

Faucet is Pfister Kenzo faucet in matte black.

Basement Before & After

Oh, that basement!!! Well, things are looking much brighter and practical now. The designer added an under-the-counter beverage fridge and a drawer dishwasher to the wet bar.

Basement Bar

The lower bar cabinets are textured melamine grigio pine and backsplash tile is Porcelanosa Qatar Nacar 12 x 35 straight tile set horizontal – similar here.

Faucet: Delta.

Hardware: Berenson.

Before & After Mudroom

This space was completely reconfigured and it now features plenty of storage. The barn door opens to a pantry.

Mudroom

Mudroom Barn Door Paint Color: Sherwin Williams Cayenne SW 6881 – Similar Chalk Barn Door: here & here.

The mudroom cabinets are textured melamine in grigio pine.

Mudroom Lighting – Savoy House Flush Mount.

Hardware: Berenson – matte black.

Runner: Here.

  Many thanks to the designer for sharing all of the details above.

Interior Design: Restyle Design, LLC (Instagram – Facebook)

Photography: Kathy Peden Photography.

  Home Bunch Favorites:

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  Amazing End-of-Season Sales!

Thank you for shopping through Home Bunch. I would be happy to assist you if you have any questions or are looking for something in particular. Feel free to contact me and always make sure to check dimensions before ordering. Happy shopping!

Serena & Lily: Tent Sale Up to 70% off! – Enjoy an Extra 20% OFF. Use Code HOORAY

Wayfair: UP to 75% OFF – Huge Sales on Decor, Furniture & Rugs!!!

Joss & Main: Best Prices of 2018 – Up to 70% Off

Pottery Barn: Buy More, Save More – 20% Off Sidewide + Free shipping: use Code: HELLO19

One Kings Lane: Final Days to Save: Take an Extra 20% Off Markdowns with Code OKL20MORE.

West Elm: Big New Year Sale: 20% Off Your Entire Purchase! Use Code: NEWYEAR

Pier 1: Huge Sales – Up to 60% Off!

Horchow: High Quality Furniture and Decor. Up to 55% Off!!!

Anthropologie: Winter Tag Sale: All sales at an extra 40% Off! Amazing!

Posts of the Week:

2019 New Year Home Tour.

New Year, New Beautiful Homes of Instagram.

Family-friendly Home Design.

Christmas Inspiration.

Interior Design Ideas.

Small Lot Modern Farmhouse.

Transitional Home Design.

Newlyweds Home Design.

Family Home Renovation with Casual Interiors.

2018 Norton Children’s Hospital Raffle Home.

Beautiful Homes of Instagram: California Beach House.

Neutral Home Interior Ideas.

You can follow my pins here: Pinterest/HomeBunch

See more Inspiring Interior Design Ideas in my Archives.

“Dear God,

If I am wrong, right me. If I am lost, guide me. If I start to give-up, keep me going.

Lead me in Light and Love”.

Have a wonderful day, my friends and we’ll talk again tomorrow.”

with Love,

Luciane from HomeBunch.com

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