#Simultaneity

[thirdity]

Postmodernity is the simultaneity of the destruction of earlier values and their reconstruction. It is renovation within ruination.

Jean Baudrillard, Cool Memories

[beatsforbrothels]

ARI TSUGI - Aki (秋)

[bal-bullier]

Robert Delaunay

Rhythm, Joy of Life (1930)

[gotankgo]

Multicult “Simultaneity”

• Simultaneity Now (2019)

[vintagenews]

Source and details.

[aidenwaites]

I think in the same way there's a 90/10 rule with horror and comedy (horror works best when it's 90% horror and 10% comedy and vice versa) there's a 90/10 rule for some relationships in fiction that's like. Wholesome and fucked up. A good friendship is at its most compelling when it's also 10% a bit fucked up. Fucked up relationship is at its most compelling when there's at least 10% of something actually sweet and substantive within. Do you get me

[sarahthecoat]

yes! i really think a major idea good omens is trying to get across, is that simplistic, either-or thinking, just won't do. the world, and people, and everything, Is Complicated. people, even ideas, resist being sorted once and for all into two separate piles of "good" or "evil". over and over, it's both-and, or both-neither.

it evidently didn't even work back before the beginning, tossing half the angels out of heaven to become demons. scene after scene, prods at the audience's preconceived notions. i seriously think neil and terry should get a nobel peace prize, good omens is so timely for the world right now.

Middle of the night GO thoughts after reflecting on a couple of comments that the 'you're being silly' scene is actually not just the adorable soft exchange I have been caught up in. I mean it is, but it also isn't.

And it got me thinking that the whole of season 2 is like this, almost the entire time we have two truths in play. The whole season is one of duality.

A few examples (there are many more woven throughout but just to illustrate the point):

Right off the bat, the opening scene, it's both ominous and hopeful. Aziraphale is restrained while angel Crowley full of abandon; one angel is aware of the danger of questioning, the other is naïve. Both are experiencing the same moment in rather different ways. It sets the tone of the season immediately and puts in motion this layered truth within the story.

The minisode with wee Morag and Elspeth, the entire graverobbing premise presents us with the dual truth that digging up the dead is bad but the selling of the bodies to the surgeon, thus contributing to saving lives, is good.

Aziraphale grapples with the duality here, justifying the actions of Elspeth by convincing himself that one truth is greater than the other. We also see that Crowley is far more able to recognise the complexity of multiple truths being valid depending on circumstance. This whole minisode feels like Neil showing his hand a little bit, the duality is so explicitly addressed, meanwhile we, the audience, are engaged in a larger unfolding story in which we are observing similar layered truths playing out in different ways.

Now the scene that made this whole thought process unravel, still one of my favourite scenes and will remain so, is the "smitten, I believe...you're being silly" exchange. It is both tender and awful.

Here we have Crowley, expressing his very real fear of JimGabriel, opening up to Aziraphale that he doesn't feel safe in the bookshop because of the constant fear he will wake up, and Aziraphale just looks at him with heart eyes and tells him he's being silly. This flags so loudly that we're watching two characters who are experiencing very different versions of their current reality, due to past experience, yes, but also, Aziraphale and Crowley each have their own idea about the right way to react to the current situation.

It's been pointed out by many before me, but the ball is another example of incredible juxtaposition and an extraordinary display of two truths existing at once. It is both incredibly romantic and an actual nightmare.

It is reflected, once again, in the way Aziraphale and Crowley are experiencing it, we know one character is caught up in the romance, the other in the horror show, but as a viewer, we are being tasked with holding both truths in our mind simultaneously. And both are true.

Aziraphale the entire season is both giddy in love and completely dismissive of Crowley. It is adorable and infuriating at the same time.

And yes, it is a reflection of the very duality the entire premise of Good Omens presents us with - that something can be good and bad at the same time, pure and corrupt, that the entire binary of Heaven and Hell/good and evil is flawed because those concepts can and do co-exist.

But the way it is seen in the interactions on a personal level this season is what has leapt out at me. It's why I think we see people falling into different interpretations of a lot of the scenes and moments, because they are more than that, they are observations. We are often observing two sides of the same coin, and both are true. The sheer genius of it and the way it is a mirror to the characters and the entire concept of the show we are observing is, quite frankly, mind boggling.

And it all comes to a head in the final fifteen™. There is so much duality in play here that it is no wonder there are hundreds of posts untangling bits of it and trying to extract the meaning from within the many layers. It's because we are given two truths in this final scene that are both heartbreaking.

Crowley loves Aziraphale and wants them to be together, free at last. Aziraphale loves Crowley and wants them to be together, free at last.

BUT

Aziraphale wants to use the system to keep them both safe. Crowley wants to escape the system to keep them both safe.

And then all the moments of duality between them throughout the season reach a critical juncture: Aziraphale in love but dismissive, Crowley understanding that Heaven = good is too simplistic and trying to compel Aziraphale to remember the lesson from Edinburgh ("when Heaven ends life here on Earth, it'll be just as dead as if Hell ended it"), Crowley trying to use the notion of romance to counter the nightmare with a desperate kiss.

It's a complete inversion of those two truths in the opening scene of the season, the entire scene is at the same time ominous and hopeful, but it is Aziraphale who largely being naïve and Crowley who is aware of the danger.

I mean, it was all spelled out for us really, this duality and the fact that those multiple truths in play were always going to come to a head. It was all there, wrapped up in this quote:

"What does your exactly mean, exactly? I feel like your exactly and my exactly are different exactlies".

[realmyth]

[aerequets]

something something taking on the mannerisms of your loved ones

[superpte]

Is It True That Simultaneity Doesn't And Can't Exist, Or Is It That We Can’t (Yet) Determine It?

It is often said that simultaneity can’t exist in Relativity Theory. In the context of Relativity as defined by Poincare, that’s entirely correct, and a major consequence of LOCAL TIME theory. Actually Local Time is not just a theory, but a fact… a fact of classical (non-Quantum) physics However, as far as I know, the problem of simultaneity in Relativity as it is now, is somewhat similar to…

[bubblingsteam]

How did you get so cool Kim??

+shitposts

[linktoo-doodles]

i'll strangle you or i'll kiss you on the mouth

[havenshereagain]

DPxDC Idea

Danny working at Wayne Enterprises as some sort of engineer, uses the in-house app for all his blueprints and stuff

He starts getting notes from a coworker in-app, and assumes its this annoying older guy in his department who constantly undermines him because of his age, despite his education and past achievements (i feel like in this AU the Fentons react well to the reveal and they work together on a number of non-lethal ecto inventions that have Danny's name attached to them)

Except one day his coworker mentions never using the app, and Danny suddenly realizes there's only one other TD he could've been arguing with in the notes of the app

[thebarrows]

old hunter lady and her dogs... (•‿•)

[astrowarr]

on grian's "that's how little that board meant; i was in good favor" line:

i don't think grian forgot about his 0 and frowny face, i think it just didn't matter to him. think about it: he's been sleeping in scar's bed. he spends so much time in the bamboozler's base that it takes a solid 30 seconds after he respawns there for any of them to register his presence as Wrong. he and scar have been taking jabs back and forth, yeah, and he knew about his score on the reputation board, but...

grian also knows that scar's actions will always speak much louder than his silver words. he knows scar, knows how he operates. not just that, but he knows first-hand how baseless and inconsequential every line on that board on monopoly mountain was in the end. scar's words have never meant anything, and grian knows that. you can't trust a thing he says, but his hands and his eyes don't lie; at least not to grian. that's what he was thinking about: the desert and the love it held

[ruporas]

need to exist in your warmth (id in alt)