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alpaca-clouds · 1 year ago

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The Punk-Factor of Punkpunk Genre

So, when I posted my history of Solarpunk, someone (probably not in good faith) asked: “So, what about the punk in all the other punk genres?!” towards my request to put the punk back into Solarpunk. And given that my autistic brain obviously cannot just let that stand… You know what? Let me talk about the other punk genre and in how far they are “punk”. I tried to be as exhaustive as possible, though there is a good chance, that I might have missed some of the punkpunk genre. So feel free to add.

Trying to judge the punkiness I do not assume punk as simple counter culture, but a specific ideology. Quote from Wikipedia:

[Punk ideology] is primarily concerned with concepts such as mutual aid, against selling out, hierarchy, white supremacy, authoritarianism, anti-consumerism, anti-corporatism, anti-war, imperialism, conservatism, anti-globalization, gentrification, anti-racism, anti-sexism, class and classism, gender equality, racial equality, eugenics, animal rights, free-thought and non-conformity

Most of the artwork here has been taken from concept art of either of the examples listed.

Sorted from most futuristic to pre(historic). Yes, the list is long.

Cyberpunk

We start with the OG punk genre, the one after which all other punk genre were named. Yes, you could argue that in fact the two genre following are more futuristic – but Cyberpunk kinda just had to start the list.

As a genre: Given that Cyberpunk had its start completely in literature it is the best defined in this regard. Taking place in a late stage capitalist dystopian world in which most is owned by megacorps who don’t follow anyone’s laws but their own, the protagonists usually are social outcasts fighting against their own oppression, trying to keep themselves alive in a world hostile to them. With cybernetics always being a core of the genre, it also tends to deal with the question of humanity in a “ship of Theseus” sort of way. How much can the human body be altered, before the human vanishes?

As an aesthetic: Cyberpunk is the most punk in terms of aesthetics, really. There is a lot of punk and grunge going on in terms of character design. Neon hair colors, fishnets and thorn up jeans jackets can be found here. As well as of course cybernetics on the characters. The world usually is a megacity with a stark divide between rich and poor, tons of neon signs, a slight Japanese influence, flying cars and somehow a constant downpour of rain.

Punk-Factor: Cyberpunk is the one punk genre, where the “punk” was chosen very knowingly as a name. Usually the protagonists are “punks” fighting for their place in the world against a suppressive capitalist system. (Also, they usually fit the punk aesthetic, if they don’t wear leather dusters.) It should be noted however, that especially in newer western Cyberpunk often the punkiness vanishes more and more – for the same reason we have so little Solarpunk: media that outright confronts the problems of capitalism is just less supported.

Examples: Neuromancer (1984), Mirrorshades: The Cyberpunk Anthology (1986), Snow Crash (1992), The Matrix (1999), Dredd (2012)

Biopunk

As a genre: As a genre biopunk is still fairly ill defined, as it mostly shows up as a subsection of Cyberpunk. Rather than the characters having cybernetic implants (or additionally to it) they are augmented on a genetic level. This can be all sorts of augmentations, changing anything from appearance to giving characters higher strength and agility, giving them claws or night vision, or in some cases even “magic” powers. Usually the genre tends to be set in worlds similar to Cyberpunk. In fact it might well be set in a cyberpunk world, only that characters with bioaugmentations exist parallel to those with cybernetics. Additionally, though, there is a subsection of this genre, that concerns reproductive rights.

As an aesthetic: Ironically biopunk is even less defined as an aesthetic. There is not a lot of biopunk art out there and most that exists can go in different directions. As such it often mixes elements from other punk aesthetics – like Cyberpunk, Steampunk or Dieselpunk – with an assortment of bodyhorror elements.

Punk-Factor: It is hard to define the “punkiness” of a genre, that barely exists for the most part. Usually, when it is set against a Cyberpunk backdrop, it might be very punky, but in other settings those punk elements vanish.

Examples: Ribofunk (1995), Altered Carbon (2002), Bioshock (2007), The Windup Girl (2009)

Nanopunk

As a genre: Like Biopunk Nanopunk mostly exists as a subsubgenre to Cyberpunk, often being set in a mostly Cyberpunk world, only that instead of or additionally to Cybernetics, the technology used to alter the human body is nanites. These serve the same function as the genetic manipulation in Biopunk, giving the human in question more strength and agility and at times more or less magical abilities. There is one common plot that comes up again and again, with an AI or megacorp turning the nanites against the people they inhabit or trying to control them.

As an aesthetic: Aesthetically Nanopunk does not have much in terms of its own identity. Most artworks relating to Nanopunk feature a similar aesthetic to Cyberpunk, with megacities and lots of neon.

Punk-Factor: This genre is so small, that it is kinda hard to judge the exact punkiness.

Examples: The Diamond Age (1995), Prey (2002)

Solarpunk

As a genre: Being another genre, that started as such, Solarpunk is a bit better defined. Solarpunk usually takes place in a world post-strive. It is post-capitalist and decolonial in its settings, usually featuring a world that has either formed against the backdrop of preventing climate collapse or in the aftermath of it. A lot of it features people rebuilding – or alternatively building communities. It always features elements about living in harmony with nature or trying to do so. So far, the genre is mostly defined by short stories, partly because there is still disagreements within the movement, how far a conflict can be taken to still qualify as Solarpunk.

As an aesthetic: Solarpunk has a very strong aesthetic definition, mostly featuring all sorts of cities and urban areas, that incorporate natural elements into the urbanity, with greenery growing on roofs and concrete car-centric streets being replaced with more natural, walkable areas. The character design aesthetic is not quite as clearly defined, but usually features natural materials and patterns usually seen within indigenous art.

Punk-Factor: Contrary to what many say, Solarpunk is fairly punk, as it very much embraces the entire anti-hierarchical, anti-capitalist mentality. With the big difference, that the punk mentality is no longer counter culture, but the mainstream culture.

Examples: The Dispossessed (1974), Nausicaä (1984), Laputa – Castle in the Sky (1986), Princess Mononoke (1997), The Summer Prince (2013)

Lunarpunk

As a genre: Lunarpunk is pretty much a subsubgenre of Solarpunk, just as Nanopunk and Biopunk are sprung off from Cyberpunk. It is so far ill-defined as a genre, but the general consensus is, that it is set in solarpunk-esque worlds, but with a heavier focus on mysticism or spiritualism, at times outright including magic. It also tends to feature a lot darker places, being set in underwater or underground settings – or alternatively at night.

As an aesthetic: Lunarpunk is far more of an aesthetic than a genre so far. It features dark places, often with bioluminescent elements in it. Often featuring a mixture of black and dark blue with lighter blue, violet or light green elements shining in the middle of it. Mushrooms – especially glowing mushrooms – feature repeatedly in artwork.

Punk-Factor: Given that Lunarpunk is barely defined as a genre it is hard to estimate the punkiness in it. If it gets more stories, will those still feature the anti-capitalist and anti-hierarchical messaging we see in Solarpunk? This should be the defining factor. Some of the artworks use little aesthetics from the punk scene, but nothing much more.

Examples: Bioluminescent: A Lunarpunk Anthology (2023)

Hopepunk

Honestly, I had no idea where to put this one, given that it might technically be set at any time and place.

As a genre: Hopepunk is very much a genre, not an aesthetic. It has been defined as the opposite of grimdark by its “inventor/name-giver” Alexandra Rowland. The basic idea is to create fiction that instead of taking a dystopian, defeatist and violent approach, takes one defined by hope and to some degree pacifism. As such the genre can be set in any setting, real or fantastic. It mostly is defined by the protagonists taking opposition to cruelty and violence, fighting for a better world and, crucially, also partly archiving it. Other than in usual Cyberpunk, where the best possible ending, tends to be, that the protagonists get to live a somewhat better life themselves, Hopepunk aims to better the life at least for groups of people.

As an aesthetic: Being fully a genre, Hopepunk has no aesthetic associated with it.

Punk-Factor: Hopepunk is punk less in the sense of the protagonists or things happening within the story, which might or might not be punk, but was named such rather because it is considered counter cultural towards the gross of media at the moment, that often strives for a “realistic, gritty, grimdark” outlook on the world. Basically it is saying: “Hope is punk.” I will not make any judgement on whether or not this is true.

Examples: The Long Way to a Small, Angry Planet (2014), Mad Max: Fury Road (2015), The Good Place (2016)

Mythpunk

As a genre: Another one, that does not really fit into a temporal sorting system, because once again it can be set anywhere between the stone age and the far future. The basic idea is, that the story interweaves postmodern storytelling with elements from mythology or folklore. This can mean mythological, genre-traversing retellings, but it can also mean, that mythology seeps into any given story bit by bit. As such the genre with probably the most media in the subgenre is Urban Fantasy, which often borrows from mythology and incorporates these elements.

As an aesthetic: Mythpunk as an aesthetic is a bit strange. There is definitely a mythpunk aesthetic that exists, often mixing familiar elements with elements from mythology and folklore (at times also including quasi-folkloric works of literature, such as Alice in Wonderland and the Wizard of Oz). Often just a bit dark and twisted.

Punk-Factor: To be perfectly frank, for the most part, there is not a lot of punk to be found in this genre. While there have been definitely punky stories told within the genre, this is more a story decision than something inherent to the genre.

Examples: Pan’s Labyrinth (2006), Over the Garden Wall (2014), Inscryption (2016)

Dustpunk / Rustpunk / Desertpunk

As a genre: Kinda grouping those above all together, because people argue about what they might entail and in some interpretations they kinda are similar: Post-apocalyptic stories set in a world of sand and rust. Often featuring a loner character, having to go up against everyone to ensure his own survival – and at times being forced to learn, that the lonerness might not win him (and most often it is a him) anything.

As an aesthetic: Aesthetically this tends to be very much post-apocalyptic, maybe in some cases with some more classical punk elements added to characters and surroundings.

Punk-Factor: Given that there is neither a system to rage against – nor a new, less hierarchical system – usually there is not that much punk outside of some aesthetic choices. Neither tend those stories go into constructing worlds of mutual aid or working against oppression.

Examples: Anything Mad Max should count for this.

Atompunk

As a genre: Atompunk usually deals with themes connected to the cold war – in some cases directly, in some indirectly. Often it overplays the American ideals that were pushed for during the cold war era and portrays scenarios in which American Exceptionalism slowly reveals itself as the dystopia most punks already know it to be. Outside of this vague idea for the setting, the genre is less described, as there is less of a clear script an Atompunk story might follow. So, little description of who might be the protagonist and what their role is.

As an aesthetic: The aesthetic of Atompunk borrows heavily from the Raygun Gothic aesthetic. So, futurism, as it was imagined in the 1950s and 1960s, with heavy influences from late pulp age science fiction art.

Punk-Factor: The aesthetic in this is definitely not punk. The stories often have some vague punk ideas of recognizing how fucked up the world has become, but given the genre is fairly wide in terms of stories, it is hard to give a definite answer to how “punk” it is. One can definitely tell punk stories within this genre, though.

Examples: Hitchhiker's Guide To The Galaxy (1978), Fallout (1997), Futurama (1999)

Dieselpunk

As a genre: Dieselpunk is once again an example of “strong aesthetic, but no clear genre identity”. Generally, Dieselpunk is concerned with the interwar period, but might cover either of the world wars. In some cases the genre features alternate timelines, in which one war happened and not the other, or in which another faction won, with the technological development being influenced by this as well. But as a genre it is not much defined. A lot of stories building on Lovecraft’s legacy feature Dieselpunk in some regards. And there is definitely a subsection of Dieselpunk stories centered around “what if Nazis won” or “what if Nazis somehow went underground and did their own technological development after the war”. Also, there are a lot of stories about pilots of war planes in this genre.

As an aesthetic: As an aesthetic Dieselpunk is more clearly defined. A lot of bare metal and the sorts of technology you would expect from this era, often with retro-futurist and art noveau elements in between. A lot of the fashion within the genre is defined by pilot and military clothing of the times, but at times also dipping into “roaring 20s” fashion styles.

Punk-Factor: In this genre I would generally say: “If the story involves punching Nazis, you might get a couple punk points – but otherwise this is not really punk.”

Examples: The Iron Dream (1972), Brazil (1985), Dark City (1998), Iron Sky (2012), Bitter Seeds (2010)

Teslapunk

As a genre: Yet another one of these, that exists mostly as a vague idea, with no clear definition. The basic idea is a world, that works on Tesla’s inventions. And as those of you, who watched Doctor Who, might know, Tesla sorta, kinda already invented the internet or had an idea of what it could be and how it could work. So a Teslapunk world is based in an alternate timeline, but might in fact go into light futurism. There is not much in this genre though with a unique thematic identity, as stories that use Teslapunk as a backdrop rarely have coherent themes.

As an aesthetic: The aesthetic of Teslapunk is basically “Steampunk, but with Tesla-coils and electricity”. Which is not a big surprise given that Tesla came from the same era that would also be the inspiration for Steampunk. So, we have a lot of Victorian fashion, maybe some light augmentation, airships, and – again – all the tesla coils you can muster.

Punk-Factor: As, again, I think punk is more about themes than aesthetic, this is once more not really possible to judge, because there do not seem coherent themes within the genre so far.

Examples: The Prestige (2006), Sherlock Holmes: A Game of Shadows (2011), Bioshock Infinite (2013)

Arcanepunk

Another one of those that do not neatly fit into the timeline…

As a genre: Arcanepunk takes place in a world, where both magic and technology have developed. In some cases both developed side by side, in others, we might have a technological world, that suddenly discovers magic by some happenstance. The fact is, though, that both exist parallel to each other or might at times be intertwined, with technology being powered by magic. This can exist at different technological stages, usually featuring settings inspired by the late 19th or early 20th century. But usually futuristic stuff that includes magic might be considered Arcanepunk, just as might stories that mix 18th century technology with magic. While also a vague genre, there is a repeating theme of magic being hoarded by those in powers and the poor and downtrodden finding ways to still use it in their own advantage.

As an aesthetic: Given that Arcanepunk’s setting is defined by the co-existence of magic and technology, rather than a specific technology, Arcanepunk has less of a defined aesthetic. Never the less, we have a part of punk aesthetics that often come up, as a surprising amount of Arcanepunk features characters with neon colored hair.

Punk-Factor: Another genre that is rather thin, yet, there is a surprising amount of stories featuring some punk ideas of fighting against an oppressive system and being counter culture to a main culture build around suppression.

Examples: Too Many Magicians (1966), Shadowrun (1989), Bartimaeus (2003), Arcane (2021) duh

Steampunk

Steampunk was the second genre to pick up the “punk” suffix and hence is as much responsible for the punk-punk as Cyberpunk as the originator.

As a genre: Being named as early as it has been, Steampunk kinda suffers the same issue as Cyberpunk itself. There is a lot of ideas there, but some are only vaguely defined. In general, though Steampunk always takes place in a world where the steam engine became the defining technology and was never replaced with the combustion engine. As such cultural aspects from the steam era, especially Victorian England and the Belle Epoche, still carry over for longer, than they did. So often we will see noble households based around similar values as the puritan Victorian English families, while the very poor are made to work in workhouses. At times we might also see themes of colonialism here. In some cases magic might exist in these worlds, as might electricity for some aspects. There is often a heavy inspiration from Jules Verne and H.G. Wells. Though it is still hard to define the “stereotypical steampunk story”, given that Steampunk offers a wide variety of stories, from adventure stories and romances, over to stories where people rise up against the Victorian-esque society.

As an aesthetic: Steampunk as an aesthetic is very much influenced by Victorian aesthetics and the time period of the late 19th century, mostly in the USA, Great Britain and France. But as all other punk genres it knows very well: “If it is worth doing, it is worth overdoing,” so steam-related elements are added to everything. Could

Punk-Factor: In the original idea for Steampunk was a lot of punk. “What if we took Cyberpunks ‘rage against the unjust system’ and made it 19th century” they asked. But given that the genre branched out so much, it is not necessarily there in all the stories. There is a ton of stories where people rage against that steam powered Victorian machine – but also a ton in which the Victorian world gets idealized and romanticized.

Examples: Thief (1998), The League of Extraordinary Gentlemen (1999), Wild Wild West (1999), Clockwork Century (2008) – also half of all Sherlock Holmes adaption made after 2000 in any medium usually use Steampunk elements

Silkpunk

As a genre: Silkpunk is hard to define, despite there being a clear definition. The reason for this is, that the person who coined the term – Ken Liu – had a very specific idea in mind. He explains that the idea is of a world that has technology as language. In which form is as important as function, is made to speak a language all of its own. Inspired by ideas from W. Brian Arthur and Chinese philosophy. However, what the wider Science Fiction and Fantasy community made from it was “Steampunk but East Asian!” But given he coined the term (and also the alternative feels vaguely racist) I am going to go with Ken Liu for this. While Silkpunk will usually be set in an East Asian inspired world, the central idea is about the duality of technology, which will also be addressed within the stories.

As an aesthetic: As said above, the idea Liu had for it was a world that features some technology, but technology that is as much about form and communication through it, as it is about function. So the technology here has strong visual ideas. At least that was, how Liu intended it. Once again, the wider community made “Steampunk, but East Asian” out of it.

Punk-Factor: There is not a lot of stuff in this genre for now – however so far I do not manage to see a lot of punk ideas in it, even though some of Liu’s stories definitely feature the concept of challenging a higher power.

Examples: Dandelion Dynasty (2015), The Black Tides of Heaven (2018), The Tea Master and the Detective (2019)

Clockpunk

As a genre: Once again storytelling in this genre is not really defined, but the worlds diverge a bit before the wide adaption of steam, instead featuring mechanical devices powered by coils and springs and somehow kept alive, often at least implied through some form of arcane magic that gives “live” to these mechanical inventions. Most examples of Clockpunk, however, tend to show up as settings for parts of fantasy stories. Any fantasy world might have this “Clockpunk” area, where protagonists might travel. Especially games tend to feature this. While there is definitely a trope of the “mad inventor” often going along with this, few other tropes stand out.

As an aesthetic: The aesthetic of Clockpunk tends to take some inspiration from the early 19th century, but tends to add a lot of gears to everything, with even city wide gear constructions keeping things working. We often will find mechatronic characters, such as wind up soldiers or wind up dancers.

Punk-Factor: Once more, there are so few stories told, that it is kinda hard to speak about how punk this is. Most stories told so far, however, do not feature punk elements.

Examples: The Great Mouse Detective (1986), Hugo (2011), Clockwork Planet (2017)

Whalepunk

Please note: This is one of those genre, I would love to see more in, though so far it is barely explored.

As a genre: And you might ask: “Why do you even name those genre, that exist mostly in theory?”, to which I might answer: “Because I am a nerd.” As all these retrofuturists genre, Whalepunk imagines mostly an alternate historical timeline, where the technology that became defining was based around whale oil. This means that in Whalepunk often whalers or harbors play a big role, though as the genre is again very thinly spread, it is hard to say what “THE whalepunk” formular is. It seems there is a tendency, to mix some mysticism or magic into the genre, though, as the idea of hunting sea monsters often plays into it as well. Good chance that it could at some point merge with Cthulupunk (which I did not name separately, because most of it is either covered in Whalepunk or Dieselpunk).

As an aesthetic: The aesthetic of Whalepunk is basically “Steampunk, but with more sailors, ships and sea monsters”. There is definitely a bit of Oceanpunk mixed into it as well, with some aesthetics being somewhere between Steampunk and Dieselpunk. (Which is kinda ironic, because whale oil was mostly used in the early 19th century.)

Punk-Factor: And again. There so far is not a lot of connective thematic tissue within that genre, so exploring themes is kinda hard.

Examples: Dishonored (2012), Dredge (2023)

Oceanpunk / Piratepunk

As a genre: It really is hard to divide the Piratepunk out of the Oceanpunk, though some might call it different. The idea here is that this genre features stories mostly set on the ocean and often more heavily leaning into fantasy, than science fiction. While the worlds might feature technological elements, they will almost certainly feature magical elements of some sort. The characters will usually be seafaring one way or another and stories might involve any sort of adventure. There might be a storyline, though, about one company or nation trying to control the seas – often times through magical means – with the characters often unwillingly being made to oppose them. This genre might also take place in a post-apocalyptic setting with a flooded planet.

As an aesthetic: While the aesthetic is not clearly defined, there is a good chance that it borrows heavily from the late 17th and early 18th century and the golden age of piracy, when it comes to both ships and fashion sensibilities.

Punk-Factor: Pirates, at least as far as modern media imagines them, tend to be very punk, as they tend to inherently oppose any sort of government and what not. While the punk is not there in all of the stories, a lot of the most popular stories from the genre will feature at least lightly punky elements.

Examples: One Piece (1997), Pirates of the Caribbean (2003), Assassin's Creed IV: Black Flag (2013)

Dungeonpunk

As a genre: So, the idea of the genre is basically “What if Cyberpunk, but Dungeons & Dragons?” Usually set in a vaguely medieval world, this world still shows the same corporate corruption as your usual Cyberpunk world. Adventurers are just another resource to be exploited by the system, their day job involving going on yet another dungeon crawl. For this there might be some technology entirely powered by magic, with those magic items taking over the same functions technology might have in a Cyberpunk world. And yes, indeed some brave dwarf, elf or halfling might rise up and challenge the corporate dungeon syndicate. (As you might sense: Yes, this genre tends to be at least partly a bit of a parody of the punkpunk idea. Though it also can be played straight as “Cyberpunk conflicts, just that all technology is somehow magic.”)

As an aesthetic: This is once again one of the examples, where there is a clear idea behind it – but absolutely no clear aesthetic, as this genre might cover anything from medieval settings to a lot more modern stuff.

Punk-Factor: The base idea, being heavily inspired by the base idea of Cyberpunk, just from a very different perspective. But too many people read the genre as “Magic Technology, yay”, in which case, no, it is not punk.

Examples: Dungeons & Dragons can be played this way, also Final Fantasy VI – XIII definitely counts.

Sandalpunk

As a genre: I mostly include this for the sake of it, because this genre tends to boil down to “fantasy set in ancient Greece or Rome, but with vaguely anachronistic elements”. It might also include alternate history stories (even going so far as Science Fiction) based on the idea “What if Ancient Rome/Ancient Greece never fell?” There is no real overarching themes, even though I could imagine some interesting way one could build those up. So far, though, it is mostly a vague gesture towards: “SciFi Fantasy, but with more ancient civilizations.”

As an aesthetic: The aesthetic is usually just Ancient Rome or Ancient Greece, but with more magic or anachronistic elements.

Punk-Factor: Given the super vague nature of the genre and the fact that it seems more like a genre of hindsight (with most media being declared this having been released even before 2000)… Nobody wrote those stories to be punk. The one punk thing I can see about several of these stories is people challenging Gods, but… That’s about it.Examples: Hercules: Legendary Journeys (1995), Xena: Warrior Princess (1995), God of War (2005)

Stonepunk

As a genre: The basic idea of Stonepunk is, that it is set in a stone age world, but with the technology being pressed towards a very anachronistic end, which is often played for laughs. Basically it gives stone age people a modern seeming world, though not really. Often enough this is used to make a point about the modern world and parody it in some regard. An argument can be made for stories, that feature stone age technology people being somehow subjected to modern technology (for example through time travel or space travel) also possibly falling into this genre.

As an aesthetic: Usually the aesthetic of Stonepunk is one of an overplayed stone age setting. The clothing characters might wear are not what we know is historically more accurate but really just “everyone wears a pelt around their shoulders”. Meanwhile stone age tools get spun to be used as all sorts of modern technologies.

Punk-Factor: The genre does usually not feature punk themes. However, the nature of parodying and challenging the modern world tends to be punk in its own merit, I assume?

Examples: The Flintstones (1960), The Croods (2013), Horizon: Zero Dawn (2017)

That's it. That's the list.

Feel free to add to it.

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mysticheathenn · 7 months ago

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Messages From Your Mental Prison

Hi, Hexlings!

This pick-a-card reading is about your mental health and the state of how you view the world and everything that is going on in your life. This could be about your depression, Anxiety, or even suicidal thoughts. Read with caution as this reading may have triggers.

This is a general reading, remember to take what resonates and leave what does not. This reading does not supplement your need to seek professional help. Tarot should be used as entertainment and not a for sure answer to your problems but as a guide, a sense of hope, and amusement.

Take your time when choosing your pile. Ask yourself the question and choose the picture that you can’t stop looking at. Listen to your intuition.

MasterList

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TW Ahead Read With Caution

Pile l:

Messages From Your Mental Prison. Tarot: 8 of Pentacles (Reversed), 9 of Swords, 4 of Swords (reversed), 10 of Cups (reversed), Justice

This reminds me of the TikTok clip of the voice screaming "It's not fair. It's not fair." reminding me of how many people have probably told you that you handle stress and everyday life so well but little do they know your mental state is literally one inconvenience away from having a mental breakdown. Stress and anxiety practically camp out in your mind on a daily basis pile l. You can't seem to escape it, it's all you have known for quite a while and you're tired. There is a saying that "There is no sleep for the wicked" Well in your case "There is no sleep for the poor or those who lack the resources to pull themselves up in their life." All you want in life is enough to pay your bills and a little extra for savings and be able to do something with your life like try a new hobby without feeling guilty for spending money that isn't on "important" things like survival. You probably have been in survival mode for quite some time now and wondering when will you see a breakthrough. You're tired of being tired. You're tired of practically playing Russian roulette with your bills of which one can you not pay for this month. One thing I will say pile l is even though things may seem bleak please don't give up, I sense things will get better financially for you. Sometimes in life you just need to find your footing for things to take off.

Extra Messages: Tea Tree Leaf Oracle: Seek out information that will help you out, A Journey either physical or mental, unsettled times. Need to plan ahead, Announcement, Get back to the basics.

Pile l your extra message oracles make me believe that you feel lost, maybe even stuck for some of you with no clue in the world of how to better your situation or go about life. You have the get back to the basics card which sticks out to me like a sore thumb letting the game know that I sense you may be the type who always tries to do those get-rich-and-quick schemes like drop shipping or anything else you see that pops up on your social media feed and it never works out for whatever reason. You want to know why....it's because you aren't supposed to be doing that. That's not your path to riches. You have the 8 of Pentacles and 10 of Cups card but it's reversed meaning you are meant to have emotional and financial fulfillment you just need to stop and get back to the basics. What basics mystic? What is it that has been drawing or calling you in? What is something you keep putting off or not doing because you believe based on society and family it won't make you any money? For most of you, this is what you need to be doing. For others of you, you will be going on a journey where you need to find this out. Figure out what feeds your soul that you would do for free and do that but add tax. You are meant to freelance and be your own boss, not working for other people. Overall this is a journey process for you pile l. You will deal with more hard times as you figure this out but remember this journey is temporary to where you want to be, so keep pushing. An answer if it hasn't already will come to you.

Pile ll:

Messages From Your Mental Prison. Tarot: The Hermit, Page of Swords (reversed), Queen of Cups, 10 of Wands, 10 of Swords (reversed)

When was the last time you nurtured yourself or spent time alone and really tried to heal and nurture yourself with positive thoughts pile ll. It's a never-ending cycle of you constantly bombarding yourself with cruel words that aren't true. This reminds me slightly of the reading I posted titled Mystery pt. ll. But overall this feeling of yours feels more so as if the world has its weight on your shoulders and you feel as if you are a burden to those around you. You may live at home, with roommates, or feel that you constantly are asking anyone and everyone around you for help as if you can't do anything for yourself and you're tired. You're ready to be able to be independent without having to rely on others. Maybe others have made you feel bad as well for asking for help when you are down on your luck to where you just feel crushed, stuck, unable to move in a direction because one way people will make you feel bad for your predicament and the other hand you will make yourself feel bad because you feel whatever this is you should be able to do by yourself but can't because life is tough right now. As I mentioned in pile l you need to get back to the basics. Get back to the basics of life and take things one step at a time. You are doing the best you can with what you have and don't let anyone make you feel bad about that.

Extra Messages: Tea Tree Leaf Oracle: Position of authority, August, Someone you know is undependable and insincere, Slowly but surely getting ahead. Pay attention to your work, Good Fortune.

As mentioned your life while it maybe chaotic at the moment everything is a journey and slowly but surely things will get better and you will get ahead eventually. With the Position of authority I am seeing this in two ways some of you should pay attention to your work as there may be a position available for you in management where you can make more money this may happen around or sometime in August. If not within the company you work maybe this is an invitation to be your own boss or look elsewhere for higher positions especially if you have more than enough qualifications. For others of you, this position of authority is letting you know that you are the boss of your own life and have complete control of what goes on and who is in it. Never let people who claim to be friends or family make you feel bad for being on hard times. They aren't who they say they are and you should move accordingly with that information. Overall Good Fortune is in your cards by the end of this rough patch. You just need to focus and hone in on ways you can do more within your life with the resources of which you have. Again this could be moving up in the company or going elsewhere, where advancement is an option.

Pile lll:

Messages From Your Mental Prison. Tarot: The Star, The Sun, Ace of Pentacles (reversed), The Fool (reversed), Awakening

Pile lll, my babies, it's time to allow yourself to be seen by the world. It's time to stop hiding in the shadows allowing life to pass you by. You can't keep yourself in the mental prison of feelings of imposter syndrome, fear of judgment, etc. Life wants to give you financial blessings, especially with the Ace of Pentacles in Reversed but you are blocking them because you aren't doing what needs to be done. This could be you starting a YouTube channel, being a content creator on social media, writing a book or screenplay/ maybe even fanfiction for some of you, others this might just be you hiding from a promotion that you deeply desire but feel you lack experience, knowledge, etc. Whatever this is for you, you have to release the thoughts that plague your mind and go for the thing that puts you in front of everyone. Yes at first you may make mistakes or look cringe or whatever the issue may be but that's how everything is when you first jump deep into something. You make mistakes and people will talk...but you want to know something life moves on and the world doesn't end. Seriously do the thing, it's time. You will beat yourself up if others take the things that you want for yourself and you want to know something you have no one to blame but yourself because you decided to not do what needs to be done. Write the book. Film yourself. Apply for better jobs even if you think you are not qualified. Have you heard of the girl who applied to jobs she had no business doing and ended up getting hired making $100k a year...that could be you right now but you are stuck listening to self-doubt and the thoughts of what others will say. Storytime: I knew that I didn't want to continue working at whatever job I was working at back in 2015 so when my friend and I figured out that employers don't check a lot of your information we applied for positions that would pay us well and you want to know something the resume I lied on got me so far in life to where I was Assistant GM of hotels at one point. All because I believed I could do what others were doing in the hotel industry even without a lick of experience. Did I mess up in the beginning, yes. Did I care...no because I was doing more good than harm so no one really questioned if I lied or not. You have to take the jump. Do the thing.

Extra Messages: Tea Tree Leaf Oracle: Short Journey, Back to Basics, Work achievement & success, TIME TO ACT, Someone is extremely stubborn and unwilling to change, Protected from negative forces beyond your control, Solid foundation success with effort, waiting for news package or letter, A meeting with a strange could be important.

Pile lll do you see the amount of synchronicities in your oracle reading. Spirit is coming through loud and clear that you need to get out of your stubbornness and began acting on your dreams, goals, and desires. You are protected from anything that could try and take what this is away from you. Even with a solid foundation success with effort is telling you "Hey if you do the thing you will not fail because you are protected." Now this goes without saying that you won't deal with some challenges because that's life what it is saying is you will come out on top and the journey for you won't be a long one if you just do the effort that it takes. Spirit will do the rest if you just do what needs to be done.

Pile lV:

Messages From Your Mental Prison. Tarot: The Empress, Queen of Pentacles, 5 of Swords (reversed), 8 of Swords (reversed), 6 of Wands

You are victorious pile lV your only problem is that you don't believe you are worth a pot to piss in a lot of the time. Even with the Empress and Queen of Pentacles card here letting me know how nurturing, giving, empathetic, and even resourceful you are you don't see any good things about yourself. You remind me of people who speak negatively about themselves not knowing that their actions speak the opposite. You can't say you don't care but your actions speak another language. You can't put yourself down but then be upset when life mirrors your thoughts. Deep down you know how amazing you are and the many great things that you can do, but for some strange reason you recently for some of you while others of you this has been going on for a while where you constantly hold yourself to such a low standard and critic everything that you do. Why is that? Where did it begin? How can you remove this person or thing that made you feel this way? For some of you, this may have been a relationship (platonic, romantic, or familial) that made you feel self-critical of yourself because they felt something about themselves. You must remember that when people speak unkind things to you that it's a reflection of themselves and not you. You don't have to take what others think of you and run with it as if they are true because they are not. A scene that comes to mind is when the mom in Black Swan says "What happened to my little girl?" What happened to you that made you feel and think these thoughts to yourself and how can you get back to the Empress and Queen of Pentacle energy.

Extra Messages: Manifestation Oracle Cards: Wellbeing, Empowerment, Strength

How can you today give yourself the love that you deserve? Is it a DIY spa day? A trip to a therapist or talk with a trusted friend? How can you show up for yourself in ways that you haven't before that will make you see the person you are? Have the strength and courage to stand up to anyone who makes you feel any less than what and who you are. For a few of you, you may be a part of the LBGTQ+ community and others around you have made you feel different, a "freak" or whatever insecurity that you question your existence. There is a quote by Elenor Roosevelt that says "No one can make you feel inferior without your permission." Please don't let assholes who were raised by baboons let you lower yourself or feel anything less than amazing, beautiful, and authentically you. Regardless of how you feel about yourself find something in your life, day, or something as small as a freckle on your face that you love and keep bringing more of that energy in for you and keep your head up. This feeling is only temporary, things will get better.

Thank you for liking and reblogging my readings. I always appreciate you guys on here and on Patreon.

Stay safe and be blessed

#spirituality #witchblr #tarot reading #tarotcommunity #tarotblr #pick a card #tarot cards #pac tarot #pick a pile #pac reading #pick an image #pick a picture #pick a photo

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palajae · 1 year ago

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it’s just…

PAIRING... skater!niki x skater!reader | GENRE... figure skating! au, romance, angst, fluff, unconditional love? | WC... 0.6k | “it’s just what?”

“congratulations on another wonderful performance and win! you guys have been dominating the couples skate for years now even though you’re still so young, how do you feel?”

your partner’s arm around you tightens a bit as he stares into the camera, leaning into the mic. the sweat fresh from coming off the ice gleams on his forehead and you stare at his side profile, resisting the urge to wipe a drop running down the side of his cheek.

still breathing heavily, he manages to sport a bright grin.

“yeah, well, i think the fans will be happy. we worked really hard, and i hope the performance shows that.” he glances down at you as you smile back up at him.

“i think we’re both satisfied. i’m proud of y/n too, as always.”

your smile grows a bit at that.

you and niki had been partners for over six years now, having essentially grown up together. you think you’ve spent more time with niki on the ice than you have at home with your family.

but you wouldn’t trade it for the world.

you respected him immensely, trusted him entirely, and you knew he felt the same. the fans could see it too.

it showed in every interaction, every performance. you two were naturally close and friendly, so the shipping that came along with it was expected. no one could deny your chemistry.

after the interview finishes, you and niki finish up with pictures of you with your medals. he even picks you up and spins you around as you laugh, beaming at your expression.

when you finally get a moment to rest, he ruffles your hair. “good job today. i’m proud of you.”

you shove his hand away playfully, “you worked hard too. did you want to grab some food before we get back to the hotel? i’m kinda hungry and you know-“

you glance at niki to see him typing away on his phone. you poke his cheek.

“hm? yeah?”

you cross your arms and huff as he sheepishly squeezes your side as an apology.

“i said, did you want to get some food? coach said we don’t have any more schedules, so we should be free…”

niki bites his lip. “sorry, i already have some plans. but i’ll meet you back at the hotel?”

you frown. since when did he ever not want to spend time with you?

“alright, see you later.”

you end up passing out back at the hotel and don’t see niki until the next day for practice. it goes smoothly as usual, but he seems a little off.

it’s not until your coach calls break when you nudge him, skating in circles around him like an animal surrounding their prey.

“what’s up with you?”

“what do you mean?

you raise an eyebrow, taking his hands and pulling him along. “you know what i mean, so spill.”

he sighs heavily, “i wanted to wait until we got home, but…”

“but?”

“I think i’m gonna go out with haerin.”

you stop. and slowly let go of his hands.

“oh.”

“it’s nothing serious for now,” he adds hastily, “we’re just getting to know each other.”

“no, no, of course,” you mumble while collecting your thoughts.

“it’s just-“

“its just what?” niki perks up almost immediately like he was anticipating your response with a glint in his eyes.

“nothing.” you smile flatly. “i was just surprised.”

it certainly seemed out of the blue. it wasn’t that you minded—niki could date whoever he liked. you guys were just professional partners and always had been.

but why does something feel so wrong?

a/n ▸ happy happy halloween (if you celebrate it)👻 ☺️to be continued…. hehe the rest are already planned so keep a look out ;)

part 1/4 | next.

MAIN TAGLIST ▸ @precioussoulofmine @kynrki @heesterical @jungwonize @rerequire @nvertheless @duolingofanaccount @hoeshii @love-4-keum @nyanggk @luvhyun3 @dimplewonie @yjjungwon @flwrshee @who-tf-soddhi

@kflixnet

#enhypen imagines #enhypen x reader #enhypen fluff #enhypen scenarios #niki x reader #niki x you #niki fluff #niki imagines #enhypen niki #establishing my nikiblr dominance lol

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catsteeth · 15 days ago

Text

Turn Your Cloak - Pt. 3 (parts 1 and 2) FINALE

Benjicot/Davos Blackwood x reader

+:✿ Request ✿:+

Request: “Humbly requesting Benjicot and Velaryon Fem Reader. Benjicot, ever the romantic, manages to attack and 💀 Aemond and as a gift, he brings reader (and by extension, rhaenyra and Jace) his head. Honestly I just need to see Benjicot turning into Bloody Ben and Reader matching his freak. Feel free to add whatever else you want (smut is welcomed but not required)” CW: MDNI, drunk sex, p in v sex, unprotected, afab reader, alcohol consumption, mention of arranged marriage, canon typical violence, mention of death, war. A/N: You said smut welcomed and I threw a welcome home party.

Word Count: 11K

The threat of war loomed closer, and the tension in the air grew more and more with each passing day.

You grew so anxious you could not sit still. Pacing the floors of your chamber all day and night long.

You tried your hardest to find a solution that somehow no one had thought of yet. Perhaps if you thought long enough on it you’d find it. But of course, you couldn’t. The only solution you could find, and all the members of your mother's council could conjure was one.

War.

In a council meeting many months ago, you sat beside your betrothed as your mother heard the advice of the lords within her cabinet.

Lord Corlys had thought of a plan. Daemon would set out on Caraxes toward Harrenhal. His departure would be publicly announced to scatter all squatters who remained there during his absence. Aemond wanted Daemon dead more than any other of the Blacks. Should Daemon fall dead, all the lords who backed Rheanyra would turn their cloaks out of fear. So Lord Corlys would give Aemond the opportunity he wanted. But the real plot would be that Lord Corlys would lead a troop of men from Dragonstone to Harrenhall in secret as battles raged on in surrounding territories.

But they would not waste their occupation of the Riverlands. Whilst they would have men near the surrounding forestation of Harrenhal, they would have their troops scatter the Riverlands, while leaving Harrenhal seemingly unoccupied. They would wage brutal and vengeful battles across the Riverlands whilst they waited for any sign of Vhagar near Harrenhal.

Once Vhagar was seen, the troop would take advantage of the tree's coverage and use hooks, arrows, weighted nets, and catapults to bring the beast down. Reinforcement from Hugh and Ulf would be used to aid in the killing of Vhagar. Once it was done, Aemond would be executed for his crimes.

Without Vhagar and the Prince Consort, the Greens would be lost. King’s Landing and the realm would be in the hands of the rightful Queen Rheanyra.

The council decided it was their best option.

You wanted to volunteer your effort, volunteer your dragon. But, you remembered how Benjicot got onto his knees and begged you to simply consider otherwise. If he begged you to simply consider it, you didn’t want to know how he would react if you did enter battle. So you sat silently in the council chamber. Simply acknowledging that the plan was a good one and the best one you had.

So, your grandfather began gathering his best men for the troop. Many were of his own ship crew, many rivermen, many northern. But the one man who you cared for the most was Benjicot. He volunteered almost immediately once he had the chance to.

You weren’t thrilled with his choice you were nearly devastated. But, you remembered what he said to you.

“I’ll go to war. Kill every green I see. I’ll roar and rampage in the name of your revenge.” His eyes were wide, he was desperate, “I’ll bring Kings Landing to your feet.” He vowed to you, “I’ll never command you to do anything, never forbid you to do anything. I’ll give you my own sword to ride your beast into battle. But, I keep thinking of it. Being in battle and looking up to see you overhead on your beast. I am overcome with pride and admiration but should the greens shoot you down, or Vhagar prevails- I have to beg you selfishly. You’re the only woman I want, the only one I’ve ever loved, the only one I’ll ever love. If you are harmed, or worse I will burn all of Westeros to its soil and me with it.”

You knew this was necessary for him. To protect you, to attempt to heal you. This was what he wanted, what he needed.

So reluctantly you sent him off to battle with a lock of your hair, your favor, and a kiss.

He was marching toward arrows, swords, blood, and fire and yet he was the happiest he’d ever been. He was not nervous, for he knew if he kept you in his heart he would prevail.

꒰ ୨୧ ─ ・┈ ・ ─ ・┈ ─ ・┈ ─ ・┈ ꒱꒱

The days since Ben had left were long and torturous. Your only solace was his letters that he sent to you.

His letters were romantic and gentle. Each would detail little of the war, he didn’t want you to know all that he was doing. He feared it would scare you. But you found out through the reports of the troop's progression through the Riverlands. A complete opposite of his own letters.

Benjicot surprised everyone in the troop, especially your Grandsire. He wrote to your mother and her council of his brutality. The sounds of Ben’s war cry was comparable to a hysterical laugh. One that struck fear in his enemy. It was clear he had no fear in him as his unpredictable and brutal fighting. He alone had more confirmed deaths than the rest of his troop combined. He was often covered in a mixture of dry and fresh blood. His sword and his body never tired of bloodshed.

It was only in one letter that he did hint at his bloodlust. The last letter he wrote to you.

𝕸𝖞 𝕱𝖎𝖗𝖊,

𝕴 𝖆𝖒 𝖘𝖙𝖎𝖑𝖑 𝖆𝖑𝖎𝖛𝖊 𝖆𝖓𝖉 𝖘𝖙𝖎𝖑𝖑 𝖋𝖎𝖌𝖍𝖙𝖎𝖓𝖌 𝖆𝖘 𝖍𝖆𝖗𝖉 𝖆𝖘 𝕴 𝖈𝖆𝖓. 𝕴 𝖆𝖒 𝖘𝖔𝖗𝖗𝖞 𝕴 𝖉𝖎𝖉 𝖓𝖔𝖙 𝖜𝖗𝖎𝖙𝖊 𝖘𝖔𝖔𝖓𝖊𝖗, 𝕴 𝖉𝖔 𝖓𝖔𝖙 𝖜𝖎𝖘𝖍 𝖙𝖔 𝖜𝖔𝖗𝖗𝖞 𝖞𝖔𝖚. 𝕭𝖊𝖑𝖎𝖊𝖛𝖊 𝖒𝖊, 𝕴 𝖜𝖗𝖎𝖙𝖊 𝖙𝖔 𝖞𝖔𝖚 𝖊𝖛𝖊𝖗𝖞 𝖒𝖔𝖒𝖊𝖓𝖙 𝕴 𝖈𝖆𝖓. 𝕿𝖍𝖊 𝖒𝖊𝖓 𝖍𝖊𝖗𝖊 𝖍𝖆𝖛𝖊 𝖙𝖆𝖐𝖊𝖓 𝖙𝖔 𝖈𝖆𝖑𝖑𝖎𝖓𝖌 𝖒𝖊 “𝕭𝖑𝖔𝖔𝖉𝖞 𝕭𝖊𝖓”. 𝕴𝖙 𝖘𝖙𝖗𝖎𝖐𝖊𝖘 𝖋𝖊𝖆𝖗 𝖎𝖓 𝖙𝖍𝖊 𝕲𝖗𝖊𝖊𝖓𝖘 𝕴 𝖍𝖊𝖆𝖗. 𝕿𝖍𝖔𝖚𝖌𝖍 𝕴 𝖍𝖔𝖕𝖊 𝖎𝖙 𝖉𝖔𝖊𝖘 𝖓𝖔𝖙 𝖘𝖙𝖗𝖎𝖐𝖊 𝖋𝖊𝖆𝖗 𝖎𝖓 𝖞𝖔𝖚. 𝕴 𝖆𝖒 𝖓𝖔𝖙 𝖒𝖆𝖉, 𝕴 𝖕𝖗𝖔𝖒𝖎𝖘𝖊 𝖞𝖔𝖚. 𝕾𝖎𝖒𝖕𝖑𝖞 𝕴 𝖆𝖒 𝖚𝖓𝖉𝖊𝖗 𝖙𝖍𝖊 𝖘𝖕𝖊𝖑𝖑 𝖔𝖋 𝖜𝖍𝖎𝖈𝖍 𝖞𝖔𝖚 𝖍𝖆𝖛𝖊 𝖈𝖆𝖘𝖙 𝖚𝖕𝖔𝖓 𝖒𝖊. 𝖀𝖓𝖐𝖓𝖔𝖜𝖎𝖓𝖌𝖑𝖞 𝖔𝖗 𝖓𝖔𝖙, 𝖞𝖔𝖚 𝖍𝖆𝖛𝖊 𝖘𝖕𝖊𝖑𝖑𝖇𝖔𝖚𝖓𝖉 𝖒𝖞 𝖒𝖎𝖓𝖉 𝖆𝖓𝖉 𝖒𝖞 𝖆𝖈𝖙𝖎𝖔𝖓𝖘.

𝕸𝖞 𝖙𝖍𝖔𝖚𝖌𝖍𝖙𝖘 𝖆𝖗𝖊 𝖈𝖔𝖓𝖘𝖚𝖒𝖊𝖉 𝖇𝖞 𝖞𝖔𝖚 𝖆𝖓𝖉 𝖞𝖔𝖚 𝖆𝖑𝖔𝖓𝖊. 𝖂𝖍𝖊𝖓 𝕴 𝖆𝖒 𝖈𝖍𝖆𝖗𝖌𝖎𝖓𝖌 𝖎𝖓𝖙𝖔 𝖇𝖆𝖙𝖙𝖑𝖊 𝕴 𝖙𝖍𝖎𝖓𝖐 𝖔𝖋 𝖞𝖔𝖚𝖗 𝖆𝖓𝖌𝖊𝖗. 𝖂𝖍𝖊𝖓 𝕴 𝖈𝖚𝖙 𝖙𝖍𝖗𝖔𝖚𝖌𝖍 𝖌𝖗𝖊𝖊𝖓𝖘 𝕴 𝖙𝖍𝖎𝖓𝖐 𝖔𝖋 𝖞𝖔𝖚𝖗 𝖍𝖊𝖆𝖗𝖙𝖆𝖈𝖍𝖊. 𝕴 𝖐𝖓𝖔𝖜 𝖓𝖔 𝖒𝖆𝖙𝖙𝖊𝖗 𝖍𝖔𝖜 𝖒𝖆𝖓𝖞 𝖒𝖊𝖓 𝕴 𝖐𝖎𝖑𝖑, 𝖔𝖗 𝖍𝖔𝖜 𝖒𝖆𝖓𝖞 𝖌𝖗𝖊𝖊𝖓𝖘 𝕴 𝖘𝖑𝖆𝖚𝖌𝖍𝖙𝖊𝖗, 𝕴 𝖈𝖆𝖓𝖓𝖔𝖙 𝖙𝖆𝖐𝖊 𝖎𝖙 𝖆𝖜𝖆𝖞, 𝖇𝖚𝖙 𝕴 𝖍𝖔𝖕𝖊 𝕴 𝖈𝖆𝖓 𝖊𝖆𝖘𝖊 𝖎𝖙. 𝕴𝖋 𝖓𝖔𝖙, 𝖎𝖙 𝖜𝖆𝖘 𝖜𝖔𝖗𝖙𝖍 𝖆𝖙𝖙𝖊𝖒𝖕𝖙𝖎𝖓𝖌.

𝖂𝖍𝖊𝖓 𝕴 𝖆𝖒 𝖓𝖔𝖙 𝖍𝖔𝖑𝖉𝖎𝖓𝖌 𝖆 𝖘𝖜𝖔𝖗𝖉 𝖎𝖓 𝖒𝖞 𝖍𝖆𝖓𝖉 𝕴 𝖆𝖒 𝖑𝖞𝖎𝖓𝖌 𝖔𝖓 𝖆 𝖈𝖔𝖙 𝖍𝖊𝖗𝖊 𝖎𝖓 𝖙𝖍𝖊 𝖜𝖔𝖔𝖉𝖘 𝖜𝖗𝖎𝖙𝖎𝖓𝖌 𝖙𝖔 𝖞𝖔𝖚. 𝕬𝖓𝖉 𝖜𝖍𝖊𝖓 𝕴 𝖆𝖒 𝖓𝖔𝖙 𝖜𝖗𝖎𝖙𝖎𝖓𝖌 𝖙𝖔 𝖞𝖔𝖚, 𝕴 𝖉𝖗𝖊𝖆𝖒 𝖔𝖋 𝖞𝖔𝖚. 𝕯𝖗𝖊𝖆𝖒𝖎𝖓𝖌 𝖔𝖋 𝖊𝖛𝖊𝖗𝖞 𝖒𝖔𝖒𝖊𝖓𝖙 𝕴 𝖍𝖆𝖛𝖊 𝖘𝖕𝖊𝖓𝖙 𝖜𝖎𝖙𝖍 𝖞𝖔𝖚. 𝕴𝖙 𝖍𝖆𝖘 𝖇𝖊𝖊𝖓 𝖑𝖔𝖓𝖌, 𝖇𝖚𝖙 𝕴 𝖘𝖙𝖎𝖑𝖑 𝖙𝖍𝖎𝖓𝖐 𝖔𝖋 𝖞𝖔𝖚𝖗 𝖊𝖞𝖊𝖘. 𝕴 𝖈𝖆𝖓 𝖙𝖍𝖎𝖓𝖐 𝖔𝖋 𝖙𝖍𝖊 𝖈𝖔𝖑𝖔𝖗 𝖆𝖓𝖉 𝖇𝖊𝖆𝖚𝖙𝖞 𝖔𝖋 𝖙𝖍𝖊𝖒. 𝕿𝖍𝖊 𝖑𝖆𝖘𝖙 𝖜𝖔𝖗𝖉𝖘 𝖞𝖔𝖚 𝖘𝖕𝖔𝖐𝖊 𝖙𝖔 𝖒𝖊 𝖘𝖙𝖎𝖑𝖑 𝖊𝖈𝖍𝖔 𝖎𝖓 𝖒𝖞 𝖒𝖎𝖓𝖉. 𝕴 𝖍𝖆𝖗𝖉𝖑𝖞 𝖘𝖕𝖔𝖐𝖊 𝖙𝖔 𝖆𝖓𝖞𝖔𝖓𝖊 𝖆𝖙 𝖈𝖆𝖒𝖕 𝖙𝖍𝖊 𝖋𝖎𝖗𝖘𝖙 𝖋𝖊𝖜 𝖉𝖆𝖞𝖘 𝖙𝖔 𝖇𝖊 𝖘𝖚𝖗𝖊 𝕴 𝖉𝖎𝖉 𝖓𝖔𝖙 𝖉𝖎𝖑𝖚𝖙𝖊 𝖙𝖍𝖊 𝖘𝖔𝖚𝖓𝖉𝖘 𝖔𝖋 𝖞𝖔𝖚𝖗 𝖜𝖔𝖗𝖉𝖘 𝖎𝖓 𝖒𝖞 𝖍𝖊𝖆𝖉.

𝕴 𝖐𝖓𝖔𝖜 𝖞𝖔𝖚 𝖉𝖔 𝖓𝖔𝖙 𝖑𝖎𝖐𝖊 𝖙𝖔 𝖙𝖍𝖎𝖓𝖐 𝖔𝖋 𝖎𝖙, 𝖆𝖓𝖉 𝕴 𝖆𝖘𝖘𝖚𝖗𝖊 𝖞𝖔𝖚 𝕴 𝖉𝖔 𝖓𝖔𝖙 𝖗𝖊𝖑𝖎𝖘𝖍 𝖎𝖓 𝖙𝖍𝖊 𝖎𝖉𝖊𝖆 𝖊𝖎𝖙𝖍𝖊𝖗. 𝕭𝖚𝖙 𝕴 𝖜𝖆𝖓𝖙 𝖞𝖔𝖚 𝖙𝖔 𝖐𝖓𝖔𝖜 𝖙𝖍𝖆𝖙 𝕴𝖋 𝕴 𝖘𝖍𝖔𝖚𝖑𝖉 𝖉𝖎𝖊, 𝖙𝖍𝖔𝖚𝖌𝖍 𝖜𝖊��𝖛𝖊 𝖒𝖊𝖗𝖊𝖑𝖞 𝖘𝖕𝖊𝖓𝖙 𝖆 𝖒𝖔𝖒𝖊𝖓𝖙 𝖎𝖓 𝖑𝖎𝖋𝖊 𝖙𝖔𝖌𝖊𝖙𝖍𝖊𝖗, 𝖎𝖙 𝖜𝖆𝖘 𝖆 𝖒𝖔𝖒𝖊𝖓𝖙 𝖜𝖔𝖗𝖙𝖍 𝖆 𝖑𝖎𝖋𝖊𝖙𝖎𝖒𝖊. 𝕴𝖋 𝕴 𝖘𝖍𝖔𝖚𝖑𝖉 𝖉𝖎𝖊, 𝖐𝖓𝖔𝖜 𝕴 𝖉𝖎𝖊𝖉 𝖍𝖆𝖕𝖕𝖎𝖑𝖞 𝖋𝖎𝖌𝖍𝖙𝖎𝖓𝖌 𝖋𝖔𝖗 𝖞𝖔𝖚𝖗 𝖍𝖆𝖓𝖉, 𝖋𝖔𝖗 𝖞𝖔𝖚𝖗 𝖛𝖊𝖓𝖌𝖊𝖆𝖓𝖈𝖊, 𝖆𝖓𝖉 𝖞𝖔𝖚𝖗 𝖇𝖑𝖔𝖔𝖉.

𝕬𝖛𝖞 𝖏𝖔𝖗𝖗ā𝖊𝖑𝖆𝖓 (I love you)

𝖄𝖔𝖚𝖗𝖘 𝕺𝖓𝖑𝖞 & 𝕱𝖔𝖗𝖊𝖛𝖊𝖗,

𝕭𝖊𝖓𝖏𝖎𝖈𝖔𝖙 𝕭𝖑𝖆𝖈𝖐𝖜𝖔𝖔𝖉

꒰ ୨୧ ─ ・┈ ・ ─ ・┈ ─ ・┈ ─ ・┈ ꒱꒱

His words haunted you. His devotion touched you but his admission of his mortality shook you.

Since he had left things at Dragonstone became more and more complicated. The dragon seeds had made off with Seasmoke and Vermithor. Leaving your plan in a compromising position. As you sat at your mother's council table you ignored the words of the lords who sat around it with you. You toyed with your fingers as you were lost in thought of Ben. You interrupted whatever conversation was being had as you asked, “Any news of the Lord Corlys’s men?” You asked finally bringing your attention back to the council, “They’ve been making progress toward Harenhall, has there been any news in regards to Vhagar?” You clarified.

Your mother looked at you with sympathetic eyes and nodded to the maester. The maester looked to you, “Nothing concrete, Princess.” He said with a shake of his head.

“Rumors then?” You said picking apart his words confidently.

“Plenty.” He nodded, “Though it is not wise to heed to them.”

Before he could continue to speak of something else, you spoke again, “I am too young to be wise.”

The maester silently debated whether he should or should not tell you the truth. “Some of the men rumored it… Vhagar has been seen near Harenhall.”

Your eyes widened in shock. “This seems like a rumor to heed mind to!” You said as you sat up in your seat.

Your mother raised a hand to you to calm you, “Lord Corlys has not seen it. Nor has Benjicot, or I suspect he would have written such news to you.”

“Some soldiers report seeing merely an end of a tail, or the smell of dragon. The sleep-deprived and frightened mind can think up such things.” The maester said in an attempt to ease your mind though it did the opposite.

You scoffed, “Or perhaps these men have seen such things, perhaps they have smelt dragon.”

“We know nothing yet.” Your mother said dismissively. You knew she was blinded by her want to protect you and Jacaerys. But you also knew you were now their last hope at taking on Vhagar and preserving your plan.

“And yet we have too much to risk. Daemon’s dragon is just one.” You said nearly pleading for her to open her eyes, “You must let me ride out Mother.”

“No.” She said quickly with a dismissive shake of her head.

“Mother!” You nearly shouted, regaining her attention and silencing the rest of the men at that table. “We are out of options.” You said standing, “Send me to Daemon. Vaghar cannot take two dragons at once.” You placed your hands on the table and leaned towards her, “He has taken my brother, my grandmother, I will not let him take my husband.” You shook your head slowly and maintained your eye contact with her. “I won’t let him take victory.”

Rheanyra felt her eyes tearing up. She knew you were right but she couldn’t allow herself to admit it. “What then? You’ll fly out on Silverwing and face Vhagar as Arrax did?”

“Yes.” You nodded confidently, “Lucerys was not ready. Aemond took advantage of his youth and inexperience.” You looked at her with confident and strong eyes, “I am ready.” You said with a nod, “Without Vhagar, the Greens are lost. You cannot afford to lose Caraxies.” A silence hung in the air for a nearly uncomfortable time. The lords at the table did not dare offer their advice in either direction. They knew better than to come between a mother and daughter dragon. Soon, reluctantly and hesitantly Rhaenyra nodded though she immediately regretted it. “I’ll show you what loyalty looks like.” You said as you pushed yourself away from the table and marched out of the chamber doors.

꒰ ୨୧ ─ ・┈ ・ ─ ・┈ ─ ・┈ ─ ・┈ ꒱꒱

Thousands of miles away, Benjicot sat at a table in a tavern within the Riverlands. He wrote on a piece of parchment, being sure to keep his words hidden from the drunken men around him. He was writing to you, of course.

“Oi, Bloody Ben!” A rowdy soldier called out toward Ben.

Ben folded the paper and shoved it into his shirt. He looked toward the man at the bar, “Aye?”

The man approached him with two women in his arms, “I’m paying,” He said with a drunken smile, “What say you? Which lass you take?” He asked as he looked over at the women with a lustful grin.

Ben huffed, “Fuck you.” He said with a tired scowl.

The man looked at Ben with an angry gaze, “The fucks your problem-”

Before the man could finish the strong hand of Lord Corlys took hold of the man’s shoulder. “The Lord of Ravenhall is a loyal man.” He said as he pushed the man away with a single shove. Lord Corlys looked toward Ben, “I respect that.” He then looked toward the barkeep “A round of brown ale for me and the Blackwood.” He commanded and the barkeep nodded.

Ben stood out of respect, “Lord Corlys-”

Lord Corlys did not pay attention to this, he simply raised a hand for Ben to sit as he sat across from him. “My granddaughter is restless in Dragonstone,” Ben said, immediately and completely consumed by his words. He had heard nothing of how you were. Only from the letters that you sent and he knew you would not tell him all of your worries. “She wonders and paces the halls waiting for ravens from you.”

Ben sighed with heartache, “I write every moment I am granted.” He wished he could have done more. He looked up to Lord Corlys, “Is she safe?” He asked with desperation.

“Of course.” He said quickly, “She worries for you endlessly.” He said as the ale was sat on their table and he began to drink.

“I wish she wouldn’t,” Ben said shaking his head, ignoring the ale.

“She has requested to ride out on Silverwing to relieve our troop's efforts,” Corlys said, somewhat curious as to how Ben would respond. Ben’s eyes widened for a moment as he looked at Corlys. “How does that make you feel?” He asked bringing the cup of ale back to his lips.

Ben thought for a moment, “I’ll never prevent her from what she wishes.” He then shook his head, “Though I wish she’d keep safe.”

“As do I,” Corlys said. He could see Ben’s anxiety through his words. “But Silverwing is a large and formidable beast.” He said trying to ease Ben’s anxieties, “Larger than Moon Dancer, Vermax, Syrax, Caraxies, Seasmoke, Maelys-”

“But not larger than Vhagar.” Ben interrupted. He was imagining his worst fears.

Corlys sat his cup down and leaned toward Ben, “Aemond is overly confident in his abilities. He is not as talented a rider as he claims.” Ben looked at Corlys taking in all his words, “Vhagar is too large a beast to hold a true hold of. It fights as an animal does.” He sat back in his seat, “My granddaughter has a true hold of her beast. She is a talented rider, and she is clever. Aemond is hardly clever.” He shook his head, “She will not run into a battle she won’t win simply because hotter blood prevailed over her better judgment.”

Ben sat in silence for a moment, “She’s mentioned nothing of flying out in our letters.” He was trying to brush off Lord Corlys's well-informed words for rumors.

“Well, she’s not been granted permission by the Queen.” Little did he know, you now did. “Though her council has been pushing her to. And armor has been made for her.” Ben felt his heart sink into his stomach, “She didn’t lie to you, just didn’t tell you. She probably wishes for you not to worry.”

Ben’s eyes fell onto the floor, then returned to Corlys. He had the same predatory gaze he had on the battlefield, “I’ll not allow a man to bring harm to her.” He said darkly.

Corlys sighed weakly, he could see the devotion he once had for his late wife in Ben’s eyes. Though he could even see that Ben’s devotion seemed even stronger. He knew if something were to happen to you, not even the Gods would be able to heal whatever damage Ben would bring. “We are men who love our family. But Believe me.” He warned, “You cannot stop what other men wish to do.” Ben knew of what Corlys spoke of. “And you cannot stop your wife from doing what she wishes to do. Our wives were born with fire in their hearts.”

“I know.” Ben nodded, “I love that fire, but it-”

“Infurates you.” Corlys said with experience, “I know.” He nodded with a smile. Finally, Corlys took hold of his cup of ale and stood, “My granddaughter cares for you deeply- loves you. Do not allow me to find you with a whore.” He said as he left Ben at the table.

“Never,” Ben said with a shake of his head.

꒰ ୨୧ ─ ・┈ ・ ─ ・┈ ─ ・┈ ─ ・┈ ꒱꒱

Ben continued to worry for you just as you continued to worry for him.

You sent a letter to the Riverlands, to Ben’s encampment. You told him you would be flying out into battle. You had to be honest with him though you worried how it would affect him.

He would have appreciated it, though the letter never arrived.

Since you were enrolled in your mother's war, the battles in the Riverlands grew heavier.

In the Riverlands, Benjicot roared and rampaged with bloody satisfaction. Killing and slaughtering tens, of hundreds, of thousands of men. Laughing and enjoying each fatal swing of his sword.

In Dragonstone, Your armor was being readied, polished, and finely tuned. As you waited for the silversmiths to fit you into your armor, you sought out Silverwing.

The dragon keepers placed an armored saddle and chains onto Silverwing. As they did the weight of what you were flying into sank in. You may never see this home again, you may never fly on Silverwing again.

Your mother's eyes were filled with concern and sorrow. She did not wish to sacrifice another child for the crown. “Māzigon arlī naejot nyke. (Return to me safely.)” She spoke to you softly as she held your face in her hands.

She found the sight of you alone to bring pain. She could not bring herself to stop you, but could not stay any longer. She turned away, painfully and reluctantly.

You turned back to Silverwing. You smiled softly at the silver beast. Even if you died in battle, at least you died with her. Bonded for life and death. You ran your hand along her snout, “Īlon vīlībagon hēnkirī, uēpa riña. (We fight together, old girl.)” You said with a melancholy tone.

꒰ ୨୧ ─ ・┈ ・ ─ ・┈ ─ ・┈ ─ ・┈ ꒱꒱

The Greens had brought more and more knights to the Riverlands.

Ben thought he had killed the last of them as he stood up from the battlefield covered in blood. He looked at the horizon as he saw more green banners coming their way. “Green cunts.” Benjicot swore through gritted teeth and lowered harsh eyes as he stared at the coming knights. “Kill them all!” He declared before raising his sword and running head-on into the frye.

As he ran in his sword diced through men like tallow, laughing and roaring all the while.

However, it was becoming clear that their troop was quickly becoming overwhelmed. Ben didn’t let up.

As he saw some black soldiers giving into exhaustion he grabbed hold of their collars pulled them up and threw them back into the battle.

Suddenly Ben’s bloody focus was disturbed. Benjicot could feel a pull of his heart. As though it were directing him to something.

His intuition would be proven correct when he heard a fellow man shout, “Dragon!”

The battle nearly fell silent. Eerie and still, as all looked above and saw the shadow of a large beast above the clouds.

The Greens and Blacks alike waited in anticipation and fear. Would this dragon be salvation or death?

As the dragon began descending towards the battlefield at an alarmingly fast pace, it was clear who it was.

“Silverwing Above!” A knight shouted, “It’s the Princess!” Another shouted.

All ducked and coward as you dived low near the ground, getting as close as you could to the battle while staying airborne.

Ben’s eyes instinctually found you in the sky. And as you flew past his eyes he saw you for a brief moment and yet he captured your image in enormous detail.

You on top of your armored beast flew forward clad in armor that gleamed like forged moonlight. The breastplate was a masterpiece of polished silver and steel, etched with ornate marine patterns and crowned with a three-headed dragon motif that seemed to radiate power and authority.

The pauldrons jutted backward, adorned with razor-edged fins that gave the appearance of wings. Jagged and sharp, they seemed designed to evoke intimidation as much as protection. Underneath your pauldrons and over your shoulders, a cape of fine, interwoven links of chainmail glinted with every movement. Its texture was as fluid as a stream, softening the harsh precision of the armor. The belt at your waist bore a fishtailed dragon.

The helm was a crowning glory, a sculptural marvel with its aerodynamic curves and horn-like crests that rose defiantly from the crown. Its silvered steel sculpted to mirror the fierce elegance of a dragon. Silverwing in fact, the Helmet was made to resemble the beast. The crown of the helm arched upward and backward into two long, curved horns that spiraled back like the crest and horns of the beast, Slender slits for the eyes hid your gaze, imbuing the figure with an aura of mystery and menace. Though your eyes were hardly visible, Ben could have sworn your eyes bore into his soul.

Along the sides of the helmet, delicate filigree hinted at the visage of the predatory beast, its essence captured in cold steel. With an aura of predatory grace. It was not merely a piece of armor—it was a testament to the bond between knight and beast, a symbol of the strength and majesty they shared. It was a statement, you were not a dragon seed but the dragon. The dragon to which each Green should fear.

The Greens scattered as Silverwing's nasally roar crackled through the air like thunder.

“Dracarys!” You commanded confidently.

Silverwing obeyed with no hesitation. Her flames enveloped hundreds of Greens within minutes.

Benjicot stood in amazement as he watched you. His eyes then looked onto the carnage that you brought. The bodies had turned in ash and clay just before his own eyes. Ben let out another laugh as he began swinging his sword again.

“Your princess has joined you in battle!” Ben shouted with pride and adoration as he motivated the men, “Any man who lets her down dies by my hand!” He shouted once more before diving back into the frye.

You heard a familiar screeching roar.

As you looked over your shoulder you saw Caraxiess. With Daemon, your stepfather atop of him.

You knew now was the time to follow your plan.

“Ruaragon. (Hide)” You commanded. Silverwing dodged any of Vhagars attempted assaults as she flew up into the clouds. She took advantage of the thickest clouds, blending into the grey and silvers of them. Silverwing was a talkative dragon. She often purred or chirped as she flew, but never when she hid. It was a trick you had taught Silverwing for battle. She was a breeding dragon, not fighting class. Or so that’s what the dragon keepers told you. So you took it upon yourself to teach her.

You looked down beneath the clouds to see Vhagar. Finally, you thought. You felt the anger rise in your stomach. “Nābēmagon. (Attack)” You said with some hesitation.

Silverwing dove rapidly through the clouds and flew over the head of Vhagar. As she circled back you could see the shocked expression on Aemonds face.

Silverwing’s jaws clamped down onto the wing of Vhagar. Tearing her already damaged wings.

Vhagar roared and attempted to spew fire at you and Silverwing.

It made Ben gasp, and nearly lose his focus, but you managed to dodge the attack immediately.

You watch as Caraxes took hold of Vhagars throat, but it wasn’t enough to kill the large beast.

As you circled back once more, you knew you had only one option, “Jikagon syt se ȳrgos! (Go for the neck!)” You shouted,

Silverwing’s jaw clamped onto Vhagar’s throat. Hot blood poured out of its wounds and fell upon the soldiers below. Burning them, greens and blacks alike.

You held on as tightly as you could to your saddle as Silverwing’s talons clawed at the sternum of Vhagar, piercing its heart.

As Vhagar fell limp in Silverwing’s jaws, she released its lifeless body. As did Caraxes.

You and Daemon watched as Vhagar’s body fell into the lake below.

You breathed heavily and petted Silverwings scales as she breathed exhaustedly. “Gīda, gīda riña... Sȳrī gaomagon. (Steady, steady girl… Well done.)” You praised her as she flew on, taking in the sudden peace.

꒰ ୨୧ ─ ・┈

What you nor Daemon saw was that Aemond did not perish in the fall.

Vhagars body met the water before Aemond. He has untethered himself to Vhagar and swam to the shore quickly.

The only person to have noticed through all the chaos was Ben.

He chuckled to himself as he followed after him. He wasn’t going to allow him to survive.

He killed thousands of greens, thousands of men just to fill the hole that Aemond left in you. He couldn’t let the man who brought such pain to you and your family live.

Benjicot went into the forest after Aemond. He walked for what seemed like hours into the surrounding woods. Soon however he found what he was looking for.

A mournful Aemond sitting by a small stream.

Aemond looked over his shoulder to see Ben standing there. Looking at him with the eyes of a predator. “You found me,” Aemond said tiredly, slightly irritated, and without fear.

Benjicot remained silent for a nearly uncomfortable amount of time. Just staring at the man with dark and low eyes. “Do you know who I am?“ Ben finally spoke. His mind was running rampant with ideas of how he would draw as much pain out of the arrogant one-eyed prince.

Aemond’s eye trained over Ben’s face as though he were looking through him. It didn’t take much to figure out who he was. Ben was covered in blood, more blood than any other knight on the battlefield. “You are betrothed to my bastard niece.”

Ben took steps closer to Aemond, his eyes low. Staring at him as if he were a wolf spotting prey. “I am betrothed to the Princess of Dragonstone.” His voice was harsh and deep.

“Another whore of Dragonstone,” Aemond spoke cooly and calmly. His words sent hot rage through Ben’s already scolding hot blood. His eyes did not lighten, they remained dark and hateful. “An exciting prospect for a lord of a small and meaningless house I would wager. A chance at power.” Aemond stood on his tired legs and turned to Benjicot. “All you have to do is marry a bastard.”

Ben’s expression didn’t shift, stayed as hard as it was before. “You took something from her.” He said as his grip on his sword tightened. Aemond noticed the blood-covered sword in his hand. “Something you can’t give back.”

His eye went from the sword in Ben’s hand to Ben’s dangerous gaze. “Is that why you’re here? You want to prove your worth to an illegitimate half-breed?” Aemond’s hand went to the hilt of his sword.

“I’m not proving anything.” Ben shook his head slowly, “I want you dead because I have seen the pain you’ve brought to her.” He took a few more steps forward, biting his tongue out of anger, “And your words do not serve you well.”

Aemond smirked slightly, “I am the prince, son of Viserys Targaryen.” He said as he withdrew his sword, making Ben grasp his tighter and move into a defensive stance. “I care nothing of that bastard's pain.”

Ben chuckled lowly, “You are no true prince. Craven cunt.” His laugh faded and his eyes returned to bloodlust, “I want you for myself.”

“Craven cunt?” Aemond questioned, “And yet- you fight for a bastard’s cunt.” Aemond said with amusement.

With his vulgar remark toward you and your sex, Ben raised his sword toward him. Sneering at Aemond as he did so.

The clash of steel echoed across the forest, punctuated by the sharp hiss of labored breaths. Ben’s bloody longsword flashed in the dim light, arcing through the misty air toward Aemond Targaryen, who met the blow with the cold precision of one who had honed his craft to a deadly art. Sparks leaped as their blades met, the force of the collision reverberating through their arms.

Ben pressed forward, his strikes wild, unpredictable, but purposeful, fueled by the searing fire of grief and vengeance. His footwork was aggressive, his movements as much a storm as the one that had claimed Lucerys Velaryon.

Aemond moved like a shadow, his single eye gleaming with cruel calculation. His swordsmanship was a thing of grace and cruelty combined—every parry and riposte was a lesson in control. He danced around Ben’s fury, exploiting the openings left by raw emotion, testing him with feints and punishing counters.

The fight churned across the uneven ground, boots kicking up loose soil and grass. Ben’s blade grazed Aemond’s shoulder, tearing fabric and drawing a thin line of crimson. “That’s for her tears,” Ben said.

Aemond retaliated in kind, his blade carving through the air toward Ben’s ribs. Ben twisted away, barely avoiding the fatal blow, his chainmail ringing out as the sword glanced off it.

They circled each other like wolves, each looking for the moment of weakness that would tip the scales. Ben feinted a low swing, then brought his blade upward in a desperate arc. Aemond was faster, stepping to the side and slashing at Ben’s thigh. The blow struck true, and Ben faltered, a growl of pain escaping him as blood darkened his leg.

But Ben did not stop.

Ben lunged with renewed ferocity, his sword crashing into Aemond’s with such force that both men staggered. The Targaryen’s smirk twisted into a grimace as he was driven back, his boots skidding on the wet grass. Ben pressed the attack, his movements now fueled by sheer willpower, his injured leg threatening to buckle with each step.

Aemond stepped inside Ben’s guard, their swords locking, the screech of steel-on-steel cutting through the air. Aemond twisted, forcing Ben’s blade aside, and for a heartbeat, the world seemed to be still.

Then Ben’s superior strength prevailed as he pivoted, his off-hand clutching a dagger pulled from his belt. “For her heartache,” Ben said through gritted teeth as the blade darted upward toward Aemond’s neck, narrowly missing the prince’s jugular. The blade was lodged halfway up into Aemonds jaw nearly piercing into his mouth.

As he pulled away Aemond retaliated with a savage thrust, his sword piercing through Ben’s side, the blade slick with blood as it withdrew. “For my annoyance,” Aemond said, blood trickling out of his mouth.

Aemond grasped the underside of his jaw, attempting to stop the heavy bleeding of his wound.

Ben dropped to one knee, his vision swimming, but his gaze locked onto Aemond’s. Even in defeat, his eyes were defiant, a refusal to let his fury die with him.

To Aemond’s surprise, Ben stood again. He fought with all his might, with all his love.

The two men stood in silence, both equally damaged. Breathing heavily, in an attempt to regain whatever energy they could.

All that could be heard was the sounds of the small stream flowing down the hillside.

Ben’s eyes looked at Aemond, filled with anger and vengeance. “Come at me,” Ben hissed, raising his sword at Aemond once more, “With everything you have.” He sneered, his voice was wavering, but it was still deep and harsh.

Aemond smirked despite the blood pouring from his neck, a grim mask of arrogance and malice. He steadied himself, raising his sword once more, but his movements were slower now, his footing less sure. Ben noticed the subtle shifts in his opponent’s stance, the faint tremor in his grip. Aemond was faltering, even if he refused to admit it.

Ben's injured leg screamed in protest as he stepped forward, forcing himself to ignore the pain. "I said come at me!" he growled, his voice carrying over the rush of the nearby stream.

Aemond lunged, his blade flashing toward Ben’s chest. But this time, Ben was ready. He sidestepped, using the momentum of his dodge to pivot behind Aemond. Before the prince could recover, Ben swung his longsword in a brutal arc, the edge slicing across Aemond's back. Aemond cried out, his voice a mix of fury and pain, as he staggered forward, blood soaking his tunic.

Ben didn’t let up. He closed the distance, his sword coming down in a powerful overhead strike. Aemond raised his blade to block, but his strength was waning. The clash of steel reverberated again, but this time, Ben’s strike forced Aemond’s sword from his hand, sending it clattering to the ground.

Aemond fell to his knees, his breaths ragged, blood dripping from his wounds. His single eye glared up at Ben, defiant to the last. "Do it, then," he spat, his voice hoarse. "Prove yourself."

Ben’s chest heaved as he stood over Aemond, his sword poised to strike. For a moment vengeance—pressed down on him.

“For my wife,” Ben whispered. With a swift, decisive motion, he drove his sword into Aemond’s chest, the blade piercing through armor, flesh, and bone. Aemond gasped, his defiance crumbling into shock as his body went limp and fell to the soft ground.

Ben pulled the sword free, the weight of his vengeance lifting slightly but leaving behind a hollowness he couldn’t yet name. Aemond collapsed to the ground, his blood pooling beneath him.

But, once more, fury ran through his blood.

Ben swung his sword down once more onto Aemond’s neck. Decapitating the one-eyed prince.

Ben staggered back, dropping to one knee as the exhaustion and pain overcame him. He pressed a hand to his side, feeling the sticky warmth of his blood. But he was alive. Against all odds, he had survived.

The stream whispered in the silence that followed, carrying away the echoes of their battle. Ben lifted his gaze to the sky.

In the distance, Ben would hear Silverwing’s nasally chirping. He smiled softly, and then, with the last of his strength, he rose to his feet, grabbed Aemond’s head by his long silver head, and began the walk back to the encampment.

꒰ ୨୧ ─

Meanwhile, the war had come to a halt. Greens were lost, and the Blacks had prevailed.

While men combed the fields for their dead, you combed with them in a desperate attempt to find Ben.

“If he’s not here, are we to believe he coward away?” Daemon asked Lord Corlys as the men continued their search.

“He’d never do such a thing!” You said defensively. “Ben has never proven to be craven.”

“Then where is he?” Daemon questioned pointedly.

“We better direct our attention to Aemond.” Lord Corlys said.

You huffed and rolled your eyes. You couldn’t bring yourself to care about such a thing. All you could care about was Ben. “Where is he?” Corlys continued.

“At the bottom of the lake with the ugly beast.” Daemon with an irritated sigh.

“Or perhaps they are both closer than we think,” Corlys said as he looked across the field.

Confused you turned to see what Corlys saw.

That's when you saw it. Ben, was bloodied and sweaty. His hand clinging to his wounded side. His other hand, dragging along the severed head of Aemond Targaryen.

You turned around to see him stumbling weakening across the battletorn field. “Ben?” You asked as though you couldn’t believe your eyes. Pure disbelief.

“Fire,” Ben said painfully and exhausted but he’d never felt such relief to see you alive.

His words verified that you were not seeing a vision, but he was real, “Ben-” You said as you began running toward him.

“I’m bloodied-” Ben said, not wanting to frighten you.

You shook your head as you continued running toward him, “I like you bloodied-” You wrapped your arms around his neck and began kissing his bloodied cheeks frantically. You’d never been so happy, “The Gods are real!” You said with a smile as you held his tired and bloody face in your hands.

Ben’s dirty and bloody hands held your face in return, “Let me look at you-” Ben said, his eyes heavy and his voice hoarse. He took in the vision of you. Shiny and chrome, dangerous and graceful, a warrior and a princess. “I have waited so long to look at you.” He said before wincing in pain,

You looked down at Ben’s wounds. “You’re hurt.” You said. Though the blood that was his and the blood that was not was hard to distinguish between, It was a foolishly late realization.

Ben smiled weakly at you, his eyes still soaking in the sight of you, “I can’t bring myself to care right now.” He said despite beginning to collapse to the ground. His body gave in to the pain and blood loss.

You pointed to a squire, “You- Get the maester!” You demanded. You dropped to the soil, holding Ben closely. You ran your hand through his dark hair, attempting to keep him awake, “I’m not leaving you.”

Ben still had a smile on his face as his eyes finally shut.

As he did, your heart pounded, your tears welled and fell from your eyes. And Silverwing let out a roar so loud it shattered every window left in Harrenhal.

꒰ ୨୧ ─ ・┈ ・ ─ ・┈ ─ ・┈ ─ ・┈ ꒱꒱

Ben was taken to the Maesters in Harrenhal.

You lay there beside Benjicot as he lay there motionless and wheezing. You held his hand as you looked up at him with desperate eyes. Desperate for him to make a noise, any kind of sound at all besides the sounds of labored breathing.

You washed his exposed skin with a rag soaked in warm water. You were sure to speak to him, read to him, and you even sang to him. He always loved to hear you sing to yourself, you caught him eavesdropping on you many times.

It was memories like that that made you hold out hope for him.

Finally, one day, as you laid cuddled into his side. Your hand resting on his chest, watching it rise and fall with each breath. You heard a sound, “Mmm..” Ben finally let out a noise as his eyes began to flutter open.

You looked up at him, then finally sat up and held his face, “I’m here, I’m right here. I will be right here.” You said as if you were cooing a child.

Ben’s eyes finally steadied, he looked at you with longing eyes, “You flew.” He spoke weakly.

You exhaled sharply, and shook your head “I am sorry.” You closed your eyes and looked down in shame, “I know you did not want for me to see battle, but I could not sit by while you faced Vhagar alone.” You stammered.

He squeezed your hand tightly, “You’re the bravest woman I have ever met.” You finally looked back to him, “I’ve missed you.” “When I saw you in that sky I thought I’d died, gone to the heavens.”

“You nearly did.” You said placing a gentle hand on his bandaged side, “We’ve been here for a day and a night.” He took notice of how you said ‘we’, and he placed a hand on your cheek. You looked at him, your eyes inspected his face. His eyes looked nothing like the man you saw two days ago carrying your uncle's head. “You killed Aemond.” You said with a strange lightness, your eyes lighting up and the corners of your mouth threatening to lift into a smile as you thought of his head Ben carried.

Ben however didn’t hide his pleasure. The corner of his mouth pulled to a smirk as he spoke, “I never promise things I can’t keep.”

You felt adornment rush through your body, making you smile as you looked at him. You leaned down and wrapped your arms around his neck, “I’ve missed you so.”

You kissed his lips, the first kiss you’d shared since he departed. Ben’s lips were hungry, wanting more and more of you.

You stifled a giggle as you lifted off of him and got off the bed.

“Where are you going?” Ben asked, almost whining. You looked back at him as you walked toward the pot hanging on top of the flames in the fireplace.

“Nowhere,” You said as you poured a bowl of stew you had ready for this very moment, “You must eat.” As you sat by his bedside once again, you said, “We need you well-rested for your trip home.” Holding a spoonful of the stew to his lips. To which he gladly ate after days of nothing but war.

꒰ ୨୧ ─ ・┈ ・ ─ ・┈ ─ ・┈ ─ ・┈ ꒱꒱

You stayed with Benjicot in Harrenhal until he was well enough for the ship to return to Dragonstone. Never leaving his side.

By the time you had returned, the war was fought and won. It was easy enough without Vhagar and Aemond.

When you stepped foot on the island you could hear the voice of your mother calling out to you.

“(Y/N)?” Your mother called out, looking at you as if you might be a mirage, “(Y/N)!” Rhaenyra shouted as she saw you approaching. She rushed toward you.

Your mother tightly wrapped her arms around you, “I am fine.” You said trying to calm her.

“Your grace,” Benjicot said, redirecting Rhaenyra’s attention. “The realm is yours.” He said with a stern demeanor that spoke of devotion.

As he spoke, a squire held out a wooden chest. Rhaenyra looked at it curiously, “What is this?” She asked approaching it.

“I have brought you Aemond Targaryen,” Ben said, in some way attempting to warn her.

Rhaenyra looked at Ben with suspicious eyes.

As she opened the box, her expression seemed stone-like.

She looked at the sight with a mix of emotions. All of which were sudden and overwhelming. As she looked upon the brutality before her, the memory of her son, Lucerys, rose unbidden—his laughter, his earnest eyes, the boyish joy he had brought to a mother’s weary heart. And then the vision shifted, darkened, to that fateful day when Arrax had fallen, torn asunder in the stormy skies over Storm’s End. A part of her whispered that she should rejoice. Her son's death was avenged. Aemond’s dragonfire was extinguished, and with it, one of her bitterest enemies. But Rhaenyra found no solace in vengeance.

Her voice cracked, raw with grief and fury. “Aemond’s death is but a hollow victory. Blood spilled for blood, and still, the price is never paid in full.” Rhaenyra gathered herself quickly. “You have served me and the realm well. Done for us an invaluable service.” She spoke to the two of you. Trying her best to sound as enthusiastic as she could. But for Rhaenyra, there was no justice in it. Only a strange hollowness.

Rhaenyra closed the chest.

She turned to you with a somber smile, holding you by your shoulders, finding her true victory in the sight of her child safe and alive. The queen would feel her emotions coming onto her again. So she smiled once more at her daughter before taking her leave inside the castle.

Jacaerys walked toward the chest, opening it once more for a brief moment before shutting it. Aemond’s face and sapphire eye were engraved into Jacaery’s mind. And now, it was before him once more, lifeless and still. He felt a dark satisfaction unfurl in his chest, a cold flame that burned brighter with every heartbeat. He then stepped toward Benjicot, “A grizzly display of loyalty.” He said with a stoic tone. Jace then nodded, “But a display nonetheless.”

Jace gave Ben a firm nod, a bow of his head, before he too followed after his mother.

Ben looked at you, and you smiled at him.

You took Ben’s arm under your own, guiding him into the Castle and allowing him to lean on you. “I believe he accepts you.” You spoke softly to him with a girlish smile

Ben stifled a chuckle through his nose, “I only want him to know my intentions with you are honest.” He said with a sweetness unbefitting of a brutal warrior as he.

You huffed as you and he passed the threshold of the castle, “You needn’t prove anything.” You said defensively in his honor.

As you guided him to his chamber you looked at his tired and weakened body. It made you feel an even more tender adoration for him.

Once you had arrived at his chamber door, Ben was hesitant to go in and rest. He stood there refusing to let go of your hand. You smiled as you looked at him and sighed, “You must rest.” You said softly as you ran your fingertips through his hair lightly.

Ben shook his head, “My body might be fucked but my eyes are not. I have waited too long to be with you.” He was always stubborn.

You looked down the hall to see if anyone was there, when you saw you were alone you pulled Ben in close and kissed his lips. He was again- hesitant to let go, trying to taste as much of you as he could. “Rest.” You insisted, pushing his back playfully. “You must be well enough. Do not forget to have a wedding to attend in a fortnight.” You said before slipping from his grasp.

Ben watched as you walked down the hall. Smirking, he bit his lip as you looked back at him once more.

꒰ ୨୧ ─ ・┈ ・ ─ ・┈ ─ ・┈ ─ ・┈ ꒱꒱

Ben did indeed rest and was well come that fortnight.

The wedding would be remembered by all who attended.

The skies above Driftmark were streaked with hues of fiery red and deep violet as the sun descended, bathing High Tide in a glow as resplendent as the day’s occasion. It was a union of houses steeped in ancient Valyrian tradition, yet now bound to the Riverlands by the presence of Benjicot. The ceremony itself took place beneath a grand arch fashioned from driftwood, bleached white by years of sea and sun, entwined with silver ivy and pale fire blossoms from Dragonstone. A brazier of Dragonfire burned at its center.

Benjicot stood at the end of the aisle, his heart pounding beneath his chest as though it sought to break free and meet you before you could take a single step closer. The young lord had faced death more times than he could count during the war fought in your name, had led men into battle with your image burned into his mind—a guiding star, his unwavering purpose amidst the chaos. Yet, here, in the stillness of this sacred moment, he felt a fear far greater than anything he’d ever felt.

Would you know the depth of his devotion? Could you see it in the way his dark eyes followed your every movement, in the reverent stillness of his hands as they gripped the pommel of his sword? He had fought for you, bled for you, and yet it was your love—freely given, not won on the battlefield—that had undone him completely.

The veil cascaded over your crown like delicate waves, woven from the finest lace and embroidered with a constellation of pearls. Each raw pearl gleamed softly, their iridescence catching the light as though imbued with whispers of sacred devotion. Marine motifs swirled intricately through the fabric, threads flowing like seaweed of ivory and blue silver. The veil seemed alive, a tender masterpiece that wrapped her in a reverent glow, as if shielding her in the quiet embrace of centuries-old tradition. It framed her face with a serene beauty, a living ode to the grace and purity of the sea.

The gown was spectral and a relic of an ancient past, its ivory lace flowing with an ethereal grace. The bodice, structured yet soft, embraced the form with regal elegance, while the long sleeves and cascading skirt swept downward, pooling into a train that seemed to melt into the floor. The accompanying veil draped over your head, mirroring the gown's delicate intricacy, its lace and pearls shimmering faintly in the muted light. Together, they conjured an image of timeless romance, a fleeting glimpse of a bride from a bygone era, suspended in eternal reverence.

Your beauty inspired great emotion in a brutal and merciless man like Benjicot. He felt tears beginning to well in his eyes as he looked at you. You were the most beautiful woman- no- the most beautiful thing he’d ever seen. You were more beautiful than even his dreams dared to conjure. His throat tightened, and for a fleeting moment, he doubted whether he was worthy of you— You a woman of Valyrian blood and otherworldly grace who had chosen him, a mortal man tied to the soil and shadow of the riverlands.

As you stepped toward Ben and the Septon, you smiled at Ben, who smiled back. He sniffled and attempted to hide his tears.

Ben took you by the hand, as you both looked at one another. When she reached him, and they stood face to face, Benjicot felt a strange, overwhelming calm. Your hand slipped into his, cool and soft as a sea breeze, and with your touch, he found his home. No words passed between them as the Septon began to speak the ancient rites, yet he felt as though they were speaking volumes. His love for you surged within him, fierce and boundless, as he swore silently to himself that no harm would ever come to you, not while he still drew breath.

Ben’s gaze did not stray from you as the Septon began to speak, “You may cloak the bride and bring her under your protection.”

To which, Ben did without hesitation. The black of his cloak contrasted beautifully with the ivory of your gown.

Though you’d not take the name Blackwood, you’d take him as a Husband. That was all he needed in this life.

The Septon continued, “We stand here, in the sight of the Gods and men. In thanks and praise, to join two souls as one. One flesh, one heart, one soul, now and forever.” Your eyes drifted from the fire to Ben’s gaze. “Father, Mother, Warrior, Smith, Maiden, Crone, Stranger…In the sight of the Seven, I hereby seal these two souls, binding them as one for eternity. Hear now their words. Look upon one another and say the words.” Your eyes never left one another's hold.

You spoke your vows, softly, earnestly. You wanted him to know you meant every word. “I am his, and he is mine. From this day, until the end of my days, whatever may come.”

And Ben recited his, “I am hers, and she is mine. From this day, until the end of my days, whatever may come.” Ben’s grasp on your hand tightened for a moment. His other hand held your cheek gently and he looked upon you with loving and caring eyes. “With this kiss, I pledge my love.” His vow was not mere words. They were words spoken for centuries by a million men in a million different ways. But his were sacred and were heavy with duty and honor.

You tried your best to hold in your tires, “And I take you as my lord and husband.” Your voice was soft, gentle, and weakened from emotion.

“And I take you as my princess and wife.” He looked into your eyes, his voice steady as he repeated the vows, but beneath the surface, his body was filled with fire.

The High Valyrian rite began, you and he both placed your hands above the brazier’s flame, uniting fire and flesh in a silent pledge of courage and loyalty. Then, in Velaryon tradition, a vial of seawater was poured over their clasped hands,

“Se perzys zaldrīzoti se iēdar hen embar, ivestragī bisa sagon. (By the fire of dragons and the waters of the sea, let this union be eternal.)” The septon recited. “Then in the presence of Gods and Men, I proclaim you both, man and wife. Vala se ābrazȳrys, mēre ñelly, mēre prūmia, mēre soul, sir se syt ry jēdaone, one heart, one soul, now and forever. Cursed be he who seek to tear them asunder..”

He was hers entirely, and for the first time in his life, Benjicot felt that he had found his place. The love between you and him was so profound no one, not even the Gods could touch it.

꒰ ୨୧ ─ ・┈

The wedding feast was a spectacle to rival the ceremony. Tables laden with exotic Valyrian delicacies sat beside platters of hearty Riverlands fare, symbolizing the joining of your two worlds. Roast swan stuffed with figs and honey, spiced eel pies, and bowls of dark red wine were served alongside savory venison and blackberries.

Ben held you tightly as you and he danced around the Driftmark throne room. Ben looked at you adoringly, “Have I told you how breathtaking you look?” He asked sweetly.

You giggled girlishly, “Every hour it seems.” You said as he spun you around the floor.

Ben’s eyes trailed over your body, “I damn well better ‘ave.” He said with a lustful grin making you blush.

Ben danced you around the ballroom floor. As though he was proudly displaying you. You stifled another giggle and rested your head on his shoulder, “I don’t want this to end.” You said softly.

Ben ran his hand over your head, and hair, “It won’t.” He whispered in your ear, “I’m right here. I will be right here.” You raised your head from his shoulder and looked at him, realizing he recited the words you spoke to him as he woke in Harrenhal.

“Pardon my intrusion.” Lord Corlys’s deep voice cut through the dreaminess of that moment, making you quickly realize his presence. Ben seemed as startled by his presence as you did. “No intrusion, my Lord,” Ben said loosening his intimate hold on you in the presence of your Grandsire.

Lord Corlys smiled pleasantly to Ben, “May I have a dance with my granddaughter.”

Ben smiled in return and nodded, “Of course.”

As your hand abandoned his and placed in your Grandsire’s hand, Ben spoke, “I want ‘er back.” He said in jest before leaving the two of you to speak privately.

Corlys amused by jest smiled as he turned his attention to you, “He is a good lad.” He said confidently, “He stayed loyal and steadfast the whole of the war.”

Your thoughts turned to the ones you had during those months of isolation, “The Gods blessed us by returning you and him safe.” You said with a still heavy heart from those days of waiting for letters and news.

Corlys smiled down upon you warmly, “Your father would be proud of you. So would your grandmother.”

“I wish they were here.” You said with a melancholy smile.

He sighed in return, “You have so much of your grandmother in you. Fire and blood.” As he spoke, you looked down. Feeling once again displaced. But he could see through that. Your grandsire held your chin up high as he spoke once more. “And salt and sea.”

Your smile returned to you, “Thank you, Grandsire.”

As the sun set and stars began to glimmer, dragons circled overhead, their cries echoing across the sea. A grand pyre was lit on the beach, and as its flames soared skyward, Benjicot and his Velaryon bride danced beneath the stars. The music of pipes and harps wove a spellbinding melody, and the laughter of their guests mingled with the roar of the sea.

꒰ ୨୧ ─ ・┈

Once the night had slowed to a halt, Benjicot wasted not a moment.

The two of you, fairly drunk from honey wine, rushed off to your now shared chamber.

Benjicot caught up to your pace, and picked you up, carrying you the rest of the way to your chambers.

You couldn’t help but giggle and laugh as he kicked the door to the chamber open.

You threw off your long and beautiful veil, too drunk to care what happened to it.

As Ben set you down you felt his strong hands wrap around your waist tightly, and his nose trail against your skin. Along your shoulder to your neck, breathing in your sent. “Benny.” You said in a breathless whisper.

You could feel the heat from his breath on your skin. “No man on the battlefield would call me that,” Ben said softly into the crook of your neck, his lips grazing your skin. You could hear the smile on his face.

“No.” Your hand tangled in his hair as you felt his kisses grow more and more desperate against your skin, “Out there you’re Bloody Ben.” You whispered seductively, “But I am your woman and In here, you’re my husband.”

His lips abandoned your skin, and he took off your chin making you look at him, “I’m always your husband. Bloody or not.”

You smirked at him, “Don’t forget that.” You said with a sweetly seductive tone.

Ben’s brows narrowed, “How could I?” He asked, looking into your eyes, yearning, “You’re beautiful.” He said shaking his head.

You shook your head and stifled a laugh, “You’re drunk.” You said dismissively as you removed yourself from his grasp.

Ben grabbed hold of you once more. You giggled and squirmed, enjoying the feeling of being at his mercy. He placed you onto the bed and loomed over you. “And you are beautiful,” Ben said as he looked at your face admiring each and every bit of you.

“Benny?” You asked softly,

“Yes?” He responded, playing with the fabric of your delicate dress.

You took hold of his hand, “Will you tell me something honest?”

He looked at you a bit more seriously, “Always.”

You looked down, unsure of how to ask what you wanted to do, “I’ve heard vulgar rumors of war camps.” Benjicot looked at you, intrigued as to what you were going to say next, “Women throw themselves at knights and soldiers.” You looked up at him, “You were gone for so long, I’d not hold it against you if-”

“No.” Ben interrupted you, “No, I did not.” He said with confidence and earnestness you knew was true. “I did not lie in my letters. You consumed all of my thoughts. And how could you not?” He said as his hand ran over your face gently, “Every time we saw the ocean I watched the waves and felt you with me.”

You felt silly for suspecting such a thing. But fortunate to have a husband who would remain faithful to you, and honest to you. And not be angered when you question him.

You took his hand that ran over the side of your face and kissed his still bruised knuckles. Then kissing his palm, and then his thumb, then finally taking his thumb in your mouth as you sucked on it.

Ben groaned as you did so. He leaned down, and gently removed his thumb before he began kissing your lips once again.

He kissed you softly and gently until his hunger couldn’t wait any longer. He pulled your tongue into his mouth as he sucked on it.

Once your kiss broke, you felt flushed. “Benjicot.” You said breathlessly, running your hands down his well-dressed exterior, “I’ve waited for this for so long I don’t know where to start.”

He ran his hand through your hair, shaking his head, “Just let it come.” He said assuring you.

“Kiss me.” You demanded and he obeyed without hesitation. Kissing you feverishly, with such passion you never knew was possible. He bit and sucked on your lips as though he was trying to consume you. You felt your body shake with anticipation as you felt the heat between your legs grow. As the wetness became more and more intense, you pushed Ben off of you, “Unlace my gown.” You demanded, and once again, he happily obeyed.

As he unlaced and unbuttoned your gown more and more of your skin became exposed to him. Never had he seen so much of you, his cock was already embarrassingly hard for you and all he could see was your back.

His hand ran over your exposed skin, “You’re so soft.” He said softly.

You turned around, letting your beautiful gown fall to the ground, pooling around your feet. Your body was fully exposed to him, finally. He had dreamt of this moment for so long and yet you were all the more beautiful than he could have anticipated.

He wanted to ravish you like a hungry and angry man in battle. But, he didn’t want to scare you.

His eyes trailed all over your body, yearning, longing. He licked his lips as he placed one of his hands on the small of your back, pressing you against his chest. His other hand held your face as he kissed.

His lips mingled with yours in an eternal dance, and his hand began uncontrollably roaming all over your body. Making you moan sweetly into his mouth. His hardening cock rocked against your thigh. He couldn’t help it. The feeling of your bare breast in his hand, the feeling of your hardening nipple in his grasp, and the goosebumps that crawled against your skin from his touch, nearly drove him mad.

You grabbed a hold of his overcoat, gripping it so tightly the fabric threatened to rip. “I want to see you.” You moaned against his lips.

Benjicot looked at you hesitantly for a moment. He was not an insecure kind of man. But the war was not kind to his body. He’d collected many scars during his time in the war.

But you bore yourself to him, and he wanted to bear himself to you. He began stripping layers away. You admired all parts of him, damaged or not.

His toned chest and stomach were ridden with scars big and small. Each only showed you all he had done for you. A trail of hair from his belly button that led into his still-clothed cock made you clench your thighs together.

You ran your hand over the tenting bulge in his trousers making him groan. “I will not jest.” You said, assuring me before he pulled himself out of his trousers.

Ben chuckled lowly as he finally discarded them, “I hope not, you’re stuck with it til the end of your days.” His cock was halfway hardened, and still, it was larger than you had envisioned.

You wrapped your arms around his neck, “I am blessed til the end of my days.” You said softly.

The scars on his body felt lighter now, their pain a distant echo, because every wound had been a mark of his loyalty, proof that he would stand against the world itself to protect you.

Ben looked into your eyes, “I love you.” He spoke with devotion.

Your hand ran down his scared chest, over his stomach, “I love you.” You affirmed.

Now, the two of you, naked to one another. Ben laid you down on your now shared bed softly and gently. He looked down over your body with lustful and predatory eyes, “I’ve got to get you good and ready.” He said as his hand ran down your sternum, “I can’t hurt you.” He said as his hand continued to travel further and further down.

You smirked, “I’ll not protest.” You said before you gasped at the feeling of Ben's fingers sinking between your folds.

Ben was practically drooling as his fingers found your clit making you clench your thighs together around his wrist. Ben chuckled lowly at your sensitivity. “Velvet.” He said softly. Your moans only excited him more and made you seem all the more appetizing. “Can I taste you?” He asked with a hint of desperation in his voice.

You siffled a giggle, “You have before.” You said thinking back to your first night in Raventree Hall.

Ben smirked, and shook his head, “Oh, but I want to eat you.”

You furrowed your brows in confusion, “How?”

With his lustful and menacing smirk, he began slowly lowering himself on you. He kissed his way down your body, kissing your breasts, sternum, and stomach, until he was between your thighs. Ben looked up at you, “Is this alright?” He asked sweetly.

You nodded, beginning to understand his meaning.

His rough calloused hands spread your legs apart.

You could hear your heart beating in your ears. You’d never felt so vulnerable. Not even in war. And yet you never felt so safe. His hands offered sanctuary.

He kissed down your thigh, making small animal-like groans as he did. As if he were taking each fiber of his being to not ravish you right there.

His desires slipped from his grasp for only a moment. Making him bite down on the soft skin of your inner thigh. It made you gasp and shutter, which only encouraged him.

As his lips kissed against your slit, you felt a surge of passionate lust you’d not felt ever before. And as his tongue slipped past and between your folds that passion was only further ignited. “Ben, awhhh-Ben!” You moaned as you held onto his dark hair.

Your legs shook and pressed against the sides of his head as he drank you in. Lapping up all that he could.

His nose rubbed against your sensitive bud as his tongue pushed in and out of your entrance. It was nothing you’d ever had before. Not even by your hand. You could feel a tightening in your stomach, which was only wound tighter and tighter before it snapped.

Ben drank in your release with a moaning pleasure.

As he lifted his head he smirked at you. “Sweeter than honey wine.”

Your chest rose and fell with each panting breath. You grabbed a handful of his hair and forced him to crawl over you.

He kissed you passionately, and you could taste yourself on his lips. It felt vulgar and sinful, but in the same breath, it was ecstasy.

You wrapped your legs around him, inviting him into you.

Ben pulled his kiss away from you, looking at you with serious eyes. “Are you sure? You do not have to.”

You nodded, “I know.” You nearly whispered.

Ben hesitated for a moment. Not because he didn’t want to- he did,- more than any man could ever want anything. But because he wanted you to want it just the same. “If you wish to stop, say the word.” He reminded you.

He waited for you to nod before he began to ease himself inside of you.

The intrusion at first was foreign. You’d not taken anything near as big as him before. You gasped and moaned softly as he slowly and gently slid his way in. Until he was completely and fully inside of you, he looked at you, “Is that alright?” He spoke attempting to not moan.

You nodded, and Ben’s head dropped to the crook of your neck, “Thank the Gods.” He groaned.

His hips moved against your own. Grinding himself inside of you, again, and again, and again. You moaned as his lips fell onto your neck. Smothering your skin in kisses.

You caressed his head, and closed your eyes, relishing in the pleasure he was driving into you, “You feel so good,” You whimpered.

Ben lifted his head and looked at you. You could see the fire in his eyes, the same fire he had in him when he fought in battle. “You like it?” He asked in a growl, there was nothing that could have brought him more pleasure than the fact he made you feel like this.

You nodded frantically. You used locked your legs around him, forcing him to fuck you deeper and deeper as you said, “I need more. More-more-more-more-”

Ben groaned like an animal, “Fuckin’ hells.” He rasped, “You keep sucking all of me in.” He said with a growl.

You held his face closer to yours. His forehead pressed against yours as you looked into his eyes. “Harder, Ben.” You demanded, and he obliged obediently. He used the same strength he did in the war to plunge himself hard into you. “Ooh, f-fuck-” You moaned, the pleasure so intense you never knew such pleasure could exist.

Ben looked into your blown pupils, desperate and needy. “Tell me, Love.” He groaned.

“It feels,” You began, but struggled to finish your words. Your next release was coming, and soon. He could see it in your eyes plan as anything.

He nodded, looking at you with loving eyes, “I know.” He said, his pace not letting up but increasing. Wanting to draw as much pleasure from your lips as he could.

Your cunt kept squeezing him in, tighter, and tighter. It was ecstasy, euphoria, better than any wine, ale, or opium there was.

As his moans grew more and more animalistic, his movements grew more and more erratic.

Your cunt clenched so hard it didn’t release, squeezing as much of him as it could as you came around his leaking cock. “Awh!” You moaned, hands grasping the bedsheets by your head as tightly as you could. It was all he needed before you felt his hot seed spreading through your belly, “Ben!” You moaned,

He caressed your face. “I’ve got you.” He said, holding you close as he thrust into you once more, making sure none of it got away. “Always have you.” He said, his energy weakening, and his breathing slowing.

Ben looked down at you. Cheeks flushed pink, and your lips swollen. Your eyes were relaxed and the sweat from your body made you glisten in the candlelight. Ben panted looking at such perfection “No painter, nor sculptor could ever capture such beauty.” He said smiling at you. Ben laid down beside you, pulling you close to him, rubbing your back running his hands through your hair. “How do you feel?” He whispered to you as he kissed your temple.

“Perfect.” You said with a smile, running your fingers through his dark hair.

Ben chuckled lowly to himself, “Aye, you are.” He said softly before pulling you in by your jaw to kiss him once again.

Thank you for reading! If you would like to commission a personalized letter from a comfort character or any other custom writings please check out my ko-fi :) Xoxo, Bambi

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mavcancees · 1 year ago

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how to adapt into dtblr culture for twitter refugees

so you've decided to move here from twitter. welcome and congratulations. this post is basically a big warning that goes THIS ISN'T TWITTER, DON'T BEHAVE LIKE IT IS, LEAVE THAT AT THE DOOR

i'll be teaching you two things, how the site works, and how to adapt your behavior to tumblr ( and really, normal human being ) culture. believe me, it's not that hard and it will actually feel very productive

let's start with the basics and frequent questions

your username can be anything, don't stress about it

your picture can be anything. a lot of us don't even have dteam related stuff up on our profile

your display name doesn't have to be your name. nobody is going to see it when you post, only usernames are visible

check your settings. do it. get familiar with them. turning on and off asks, turning anon off, turning submissions off. click on your blog, go to blog settings, check things there, go to account, your muted things will be there, go to dashboard and customize that. use your settings !!!

yes, pinned posts are fairly important and they tend to be pretty extensive. name age what you post about ( a lot of people here are multifandom !), just don't overshare ( no locations no trigger lists i beg you ). they also usually have a breakdown of your tags at the end

tags

it's a whole thing. some are actually useful. some are just passive commentary

the tags you put on posts ( both when you made the post and when you're reblogging something ) are both global and hosted on your profile. it's why you'll see things like "nameofperson art" rather than just "art". using just "art" will put you in the promoted tag, in this case

you can use spaces on your tags

usually you will tag what type of post you're making ( art, text post, ask post ), and then the contents keep in mind this is how people often mute things, some people tag the current situation, people use and mute ship tags. but this is also how people find things, like the specific asks from one person to another, so "username ask" is commonly used, "irl person ( dream, dnf, etc )" is also seen a lot just watch how others tag things and copy them. nobody will get offended you took their tag formatting, most of us will appreciate properly tagged posts

you do tag when you reblog people. you use tags to comment on things. don't really use replies unless you're, saying thank you to someone or pointing out a spell mistake or asking to add an option to a poll, etc. we don't do replies, just rb your reply

quick reblog and like deets

post popularity is measured in "notes" which is the sum of replies, reblogs and likes. we don't really care much about numbers here and if you start getting crazy about it people will not like it. this is more of a talking and showing site

you can reblog without tags, feel free to

you can hide your likes. you can and should like as many things as you want. they don't alter any algorithm, since there's none. a like is a "i saw this post" notification to the poster

actually posting

people talk a lot. a fucking lot, and it's something you will have to get used to, because it's very different from twitter

there are no qrts. callouts are looked down upon. breathe. if you don't like something MUTE IT DON'T POST ABOUT IT, because no one is going to listen to any callouts. you will have to learn to live with the fact people like things you don't. this will, with time, make you feel very free

the bulk of posting here is asks, as you might notice soon. asks are fun and encouraged. just don't name drop if you're talking about drama please ?

don't be scared to send asks off anon, this is how people will find you and get to know you really. people are also more likely to reply to you

block bait anons. yes you can block anons. yes it will block every blog they make

culture time

i've said this. tumblr is unserious. drama here is approached very differently and with several less layers of panic. you will see death threats. you will see slurs ( said in non derogatory ways ). you will see jokes about serious topics. you will see people say "i didn't like this" and nobody will care

tumblr is a community of individualism. you will like your own things within the thing we share we like. you might not like dream's music, you might not find irl streams entertaining, as long as you're fucking normal about it ? nobody will care and you're free to express your opinions. people will even come ask you about it and just have a chat. we're here for the same content to some degree

tumblr is also a bunch of people who understand they like another bunch of people. that none of the streamers have stopped being human. so you might see people defend things that, maybe, you'd not have thought to defend before. maybe you're even uncomfortable seeing them defending it. this is something you will experience a lot, and you'll learn to properly deal with it as time passes

because again. no one does callouts here unless it is extremely bad. no one cares if you don't really like them. and they also accept people might and will not like them. and that is fine. and that doesn't make either person horrible. you're just different people. and you don't even have to interact

you want to make friends ? ask people things, compliment people's work, genuinely attempt to make conversation. this is not an impersonal website the way twitter is. people don't care about your opinions because they care about you, and you are more than what you don't like

the more positive and jokey and interactive you are the more people will talk to you. there's no "hitting the algorithm", there's no "engagement", it's just people talking to people. so don't be a neg posting bot, and be a person

you will learn to be less miserable. you learn to stop giving a shit and just do what makes you happy. they cannot get you here. there's no qrts. the few antis you'll find can be blocked and you'll never have to directly interact with one. don't be mean to the people in your own community, even if you disagree

again, you are more than what you don't like. learn to be what you like instead. and leave the dooming at the door

#pyon long post #if you have any questions feel free to ask #i will be happy to attach them with a reblog

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pinkroseblooms · 1 year ago

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Boy Toy, Pt.2

Sugar Baby!TojixSugar Mama!f!Reader

Summary: Something's changed in your dynamic lately; Toji makes it clear the night you unknowingly push him towards desperate measures to ensure you keep your promise. AU without sorcerers and curses, etc, forgot if I mentioned that in the previous part. wc: 4.3k a/n: warnings and tags include smut, rough sex, creampie, breeding kink, dubcon, threats of forced impregnation/kidnapping, yandere!Toji, possessive behavior, toxic ass behavior, emotional manipulation, jealousy, sub/dom elements, sort of pet play(ngl I'm not sure?) reader is pretty twisted as well, lots inappropriate stuff, I'll add more later if I need to. Enjoy!

Nothing really changes the next few weeks; in the aftermath of your attempt to cut ties with Toji, you’ve found it fairly easy to return to the previous “arrangement” between the two of you. The only difference is that Toji is more...affectionate?

Granted, he’s never been shy: when the line between client and employer had been crossed, Toji became quickly accustomed to invading your personal space pretty much any time the mood struck him. Whether it was sweeping you up in his arms to pin you against whatever nearby surface was stable enough to rail you against or just giving your bottom a playful pinch, Toji would strike without warning or care for your busy schedule. For the most part, you had no complaints, as long as Toji was mindful to not leave marks that couldn’t be easily covered. As for non sexual contact, it was almost always you who initiated hugs, chaste kisses, hand holding, etc. Toji allowed it, welcomed it eventually, but it was rare for him to be the one to initiate unless the physical touches were leading to sex.

“You smell so good.”

“You need to shave.” You chuckle softly as Toji nuzzles his face into the crook of your neck, his stubble leaving a slightly red mark as it itches the skin. “I should smell nice; because of someone I had to wash up again.”

After you finally managed to pry Toji off you, you had hopped into the shower while he stayed lounging in the bed, feeling too lazy to do more than wipe himself off with the shirt he had practically ripped in two to take off earlier. You were sitting in front of your vanity, having planned out your outfit ahead of time and now you were trying to decide what to accessorize with while Toji offered such helpful suggestions as, “don’t wear panties” and “are you sure you don’t want to go again?”

“Whatcha getting all dolled up for?” Toji asks absently, pressing slow, sensual kisses down your shoulder. “Come back to bed. Let’s stay in tonight.”

“You say that like that isn’t what we do most nights.”

“You hate going out more than I do.”

“As true as that is,” You conceded lightly. “I still have obligations: the current CEO of Kamo invited me to dinner to discuss some proposals about shipping their products through us. You can eat without me, I’m planning on taking advantage of the free meal.”

“That’s my girl.”

One of your family’s company’s most influential associates cornered you after that morning’s meeting for a separate one on one dinner to go over the plans. You can grin and bear it to keep things genial, tedious as it all is. Choso Kamo is a little less rigid when he’s not around a group of people and you suppose he feels more relaxed speaking to someone he’s more familiar with.

“But ya know, I could just kill him for you.”

“Did you run out of your allowance already?” Your eyes drift from your face in the mirror to where Toji has returned to sit on the edge of the bed. “I told you, if you want more for betting, you’re on your own.”

“You can afford it.” Toji replies with a shrug, not making any move to slip his boxers back on. “I didn’t actually: what makes you assume I blew through the cash already?”

“Because, it sounds like you’re fishing for a job. Anyway, I don’t need you to kill anyone.” You dab a dot of cream over the faint dark circles under your eyes. “Not at the moment.”

“I heard this guy is into some shady side deals. Is he dangerous?”

“Allegedly. Anybody who does get their hands on incriminating evidence always seems to go radio silent.” You apply a touch of red to your lips. “He could be a problem if I offend him during our meeting, but he’s smart enough to know his place; as long as I don’t directly challenge what authority he believes he has over me, our negotiation will be smooth sailing. He’s not the type to try anything.”

“No worries, he’s not gonna try shit with me there.”

You raise an eyebrow at Toji’s smirking face. “Absolutely not.”

“I’m your bodyguard: shouldn’t I go along and, ya know, guard your body?” Toji’s eyes travel down your shoulders and back to your ass; you’re perched on the cushioned stool in front of your vanity. He loves watching you get ready, at least, he usually does. “I wouldn’t wear that clingy dress to a business dinner.”

“Which dress would you wear?”

“Cute.” Toji snorts. “When are we leaving?”

“I’m leaving in an hour and a half. Do I really need to explain why your presence would be detrimental to this occasion?” You absentmindedly fix your hair, mentally debating on wearing it up or down. Luckily the marks Toji had so savagely left had mostly faded; nothing that a little makeup and a strategically placed necklace wouldn’t cover. “We plan to discuss business, and that’s all.”

“I’d be going as your chaperone; he’ll probably have a couple men of his own posted outside the restaurant.”

“We’re meeting at his place.”

“His place.” Toji repeats flatly, easy going smirk falls. His eyes are boring holes into your head and you don’t need to glance in the mirror to know.

“It’s not the first time he’s had me over for a meal; he’s never made any inappropriate advances or threatened me.”

You sound bored as you explain all this to Toji, but it isn’t doing anything to pacify him. Why are you adamant about not having him come with you? He doesn’t need to be at the dinner table, he could stay outside the dining hall or sit in the car. It wouldn’t be the first time, even if it’s been a long while since you’ve had Toji play the role of hired muscle.

“How long have you known him?”

You pause to think. “Technically since we’ve been children, but we’ve never been particularly close. Our families' companies have always worked in tandem together and now we end up working together every now and then. He’s my age, give or take a year.”

“Good looking?”

“Yes, I’d say so.” You turn around slightly. “Don’t tell me you’re planning to leave me for my colleague?”

Toji doesn’t find much humor in your attempt to get him to crack a smile.

“What if he does make a move? If you turn him down, isn’t that bad for business?”

“I highly doubt it; that’s really not Choso’s style.”

“Sure sounds like you know him well.”

“My point is, there’s nothing to get worked up about. I’m going to a business dinner, not a battlefield.”

Toji is vaguely familiar with who Choso Kamo is and his family’s reputation, but their questionable business dealings isn’t what’s making his hackles raise.

When he escorts you to social events, Toji can see what he suspects you don’t pay attention to: men and women alike seem to hold their breath when you speak to them directly. Their eyes linger, they don’t seem to even be cognizant of their own behavior. Men in particular will cast scornful looks Toji’s way, the bravest make snide comments under their breath only to wither under his own cold gaze.

It’s entirely possible that part of your allure is due to being so scarce in public: you only grace a function with your presence if it’s absolutely necessary or if it would be considered an affront to refuse the invitation. You’re not exactly a people person and you’re not actually as good at reading people as Toji: you prefer everything cut and dry; you’ve managed to get along by charisma more than anything else. Toji has noted that you’re a person people want to be liked by. They want your approval. Choso Kamo isn’t an exception. Toji recalls on two separate occasions the imposing man peeled himself away from his solitary position at his table to greet you and you alone. He’s the only one who holds Toji’s stare and returns it with a look of utter contempt.

Blind as you might be to it, Toji’s perceptive eyes can see how the man practically bounds over to you, eager gaze trained on your polite, but kind smile, the way his paw-like hand grips yours ever so carefully when you ask Choso about his brothers and make small talk. Choso wants your approval and Toji would bet a cool one million it’s not all he wants from you.

“Hey big guy, why don’t you order in something special for yourself for dinner?” You sit down on the edge of the bed next to him, lean your head against his shoulder and run one of your hands up and down his forearm. “What I want you to do is stay here, all warm and cozy in bed, while I handle all this boring work stuff. There’s absolutely no reason you need to concern yourself with Choso Kamo or anybody I might need to have these silly, boring dinner meetings with. Do you understand?”

“How often do you expect to be called out this late for ‘business dinners’?” Toji whips his head around, a deep frown marred his handsome features. “Don’t condescend to me; I’m not a fucking idiot.” he pulls his arm away from your comforting touch. “Shit, why don’t you just go marry the guy? He’s obviously the better fit: rich, got his own business, bet your family will fucking love him.”

“Oh for goodness sakes, I am not listening to this-”

“Sit down.” Toji easily pushes you by your shoulders so you plop right back down onto the mattress. “Don’t walk away from me. I already told you, if you think you can go behind my back and mess around with other men, you’re dead wrong. You get that lumbering jackass on the phone and cancel tonight because I’m telling you you’re not going.”

You stare up at him strangely. “You’re serious.”

“As a heart attack.”

“No, I mean,” A half smile of bewilderment comes to your lips. “I thought you were teasing, but…are you actually jealous?”

“No.”

You give Toji an unimpressed look. “Then why are you throwing a tantrum?”

“I’m not throwing a tantrum!” Toji barks, red faced and fists clenched; he’s itching to hit the pillows or the wall. He can’t remember the last time he had gotten this angry. “I’m just pissed.”

“Maybe, but I think you’re also worried.” You reply coolly. “I never even considered Choso before…but you know, he is my type. And he’s very agreeable when he’s not moody, reliable…I’m sure he would be a lot easier to train than another rabid dog I know.”

“I know what game you’re trying to play, little girl.” Toji leans down at the waist, arms on either side of you on the bed, as if to emphasize how much bigger and stronger he is. “You’re really pushing your luck.”

“Says the man with the gambling addiction.” You glance down between Toji’s legs. “Is that your way of trying to distract me?”

Toji follows your eyes; he hadn’t even noticed. He’s hard as a rock.

“I wonder what did it for you: was it pushing me down? Barking orders at me?” You reach up to poke Toji’s scrunched up nose. “Or did that talk about training do something to you?”

Toji doesn’t have to look down; he felt his cock twitch. You kiss his nose and put your hands on either side of his face.

“I really don’t intend on adopting another puppy anytime soon. Please Toji, be reasonable; I’ll only be gone for a few hours, you’ll barely miss me.”

Toji doesn’t say anything, but continues to scowl. He can hardly bring himself to think about it, but you’re wrong; he misses you every time you have to leave the house. Sure, Toji can spend his time however he likes with the allowance you give him and a house stocked with food and entertainment, but it doesn’t take long for him to get bored and sluggish. When you have to leave the house and don’t need him to escort you, Toji finds the things he used to get so much enjoyment out of have lost some of their charm. More and more lately Toji finds himself curling up either in your bed where he’s surrounded by your scent or napping on the nearest couch to the door. He hates how the click of the front door lock sends a wave of relief crashing over him, how a little voice echoes in his head “she’s home, finally” but Toji can ignore it while he’s busy stealing your breath away with kisses and clawing at your business casual clothes.

Besides, what if while he’s away at the track or the tables, you come back early? You might see he’s not there and decide to go back out or take on some other task thinking Toji’s content being left to his own devices. Maybe on one of those days you’ll stop at a cafe or a bar and you meet someone?

“You’re the smartest dumb person I ever met.” Toji chuckles softly in spite of how irritated he still feels. “Everywhere I go with you, there’s all these people and they’re all better suited and they all want you. It’s constant. You know how exhausting it is, knowing there’s all these assholes out there waiting to snatch you up the minute they see an opening?”

“Now you’re exaggerating.”

“And you’re wrong. I will…that much.” Toji tells you firmly. “Miss you. I don’t like you going out. Even if I get to go with you, I hate it ‘cause I gotta see how they all look at you. I didn’t used to; fuck, you made me proud. You make me proud,” he corrects himself quietly. “I feel like I’m losing my mind.”

You look conflicted and Toji is hopeful; he’d like to avoid using force on you, even if he does get a kick out using his strength on you and handling you like a ragdoll. But this is different.

“Baby, why don’t you reschedule? Say you’re not feeling good and can’t make it tonight, any excuse.” Toji smiles roguishly as he slowly presses you down onto the bed, straddling your hips so you can feel the full weight of him and how hard he is. “You look too good dressed up like this…makes me wanna lock you up and keep you all to myself.”

“I suppose…I could speak with him over coffee. Something more casual.” You move up the bed and sigh as a spark comes back to Toji’s cold eyes. “You really are a scary guy, Toji.”

“I just don’t want to share you.” Toji rocks his hips, dragging the tip of his cock over the soft material of your dress; drops of precum stain the fabric. “So, so pretty.”

“Toji, I just got this!”

“Buy another.” Toji grinds against your thigh and gropes one of your tits roughly. “I’m gonna rip this one off anyway.”

You gasp as Toji makes good on his promise, his hands gripping the front of your dress and pulling it apart down the middle. The seams pop and the fabric tears right down the middle, revealing the matching lingerie set you had been wearing underneath; Toji curses under his breath.

“That’s what you were wearin’ underneath?” he asks incredulously. “Was this meant for him?”

“Of course not. I was going to surprise you when I got home.” You scolded him tersely. “Honestly, you have no tact.”

“Guess you need to train me better.”

Toji kisses you hard, not giving you much time to react as he forces his tongue into your mouth and starts grinding himself into your still covered pussy. You don’t fight it when Toji takes your wrists in one hand and holds them over your head; he’s not letting you go anytime soon. You’re too busy rubbing yourself back on him, loving the feel of his cock desperately trying to fuck you, like he can’t even wait for you to take off the panties.

“From now on you have to always tell me where you’re going and who’s gonna be there.” Toji’s demanding tone is a bit undermined by the way he’s groaning at the sight of your nipples poking through the lacey bra. “No late night meetings. And I don’t want you alone with him.”

“Choso wouldn’t do anything.”

“Bullshit. He’s probably a bigger freak than I am.” Toji pinches and rolls your nipple in his free hand. “I should fuck you while you call him.”

“Toji,” You say warily. “I thought we talked about this: you know I love you. I don’t want to be with anyone else. Please, try to not let your temper get the best of you: I have a job to do and if you act up too much-”

“What?” Toji asks mockingly; he’s already pulling aside your soaked panties and rubbing his tip along your folds. “Come on, I’m dyin’ to know. Am I being a bad dog?”

You’re about to retort, but then Toji bends down, eyes locked on yours as he runs his tongue up your cheek with a slow, wet lick. You stare at him slightly taken aback but that turns into shock when Toji slams his cock into you all at once.

“Fuck!” Toji hisses. “So fucking tight…come on, tell me baby, tell me how you’ll punish me!”

But the second you open your mouth, Toji is thrusting; his hold around your wrists is painfully tight and he’s able to keep your thighs spread by pinning one down with his other hand. You cry out every time he slams into you, making the whole bed shake and the headboard slam against the wall.

“Think he can fuck you this good? Huh? You think he could make this pussy cream like I can?” Toji huffs and puffs, not slowing down even as he lowers his head to suck and rolls his tongue around your nipples, one at a time, making them shiny and wet with spit. “Got me trained to only want to fuck this pussy now anyway.”

“Too much!” You whine as Toji lets your hands go only to hook your knees under each of his elbows. “Toji, so deep, it’s too deep!”

“But babyyyyy, I have to.” Toji groans almost as if he’s exasperated with your protests. “I gotta breed you.”

“Wha-what are you…?”

“Uh huh. Nice and deep, gonna make sure all my cum takes.” Toji kisses your forehead with a twisted grin. “I’m going to fill you up and make you a mommy now.”

“What?!” This is the most panicked he’s ever seen you. “I don’t want kids! I’m on birth control and-”

“They can only prevent so much. I’ll keep you tied up for a while,” Toji traces his fingers along your trembling lips. “I’ll keep cumming inside you, all night, every day, over and over. I’ll even destroy the pills if I have to.”

“No!”

“But I thought you loved me? It’s the only way I can think of keeping you…I mean, unless you were willing to do something else to make things a little more official?” Toji slows down his thrusts and looks down at you with a shit eating grin. “Ya know, something that shows other people you’re taken.”

“Something…?” You can barely breathe from exertion and confusion. “Official? Wait, are you saying you want us to get married?”

“Sounds fair enough, yeah? You already promised you would take care of me from now on.” Toji sighs and brushes hair out of your face. “Think of it this way, I get to put a ring around your finger ‘cause after all, you already put a collar around my neck.”

“You know, some people propose with a ring prepared and flowers, not threats of forcible impregnation.” Your voice is hardly more than a whisper. “Toji, I love you, you big idiot. If you wanted to, why not just ask me to marry you?”

“‘Kay, then…will you marry me?”

“I can get the papers ready tomorrow.” You ever so carefully put your hands on his shoulders lightly before moving in to hold him. “If that’s what it takes to put your mind at ease, consider me your wife. I’ve always considered you mine; honestly, do I have to collar and tag you to get it through your head? I have no plans to let you go, not unless you decide you want to leave.”

Toji chews on his lip as you hug him and give his neck butterfly kisses; suddenly he’s feeling anxious and tongue tied. Toji thought you might put up more of a fight: he knows what he is. He knows the disgusted looks thrown his way are warranted and he made peace with that years ago. If anything, it would be poetic justice for you to leave him high and dry, abandoning him without so much as a second thought.

You have to stop this. You think you’re taming a stray and making him a house pet, but Toji knows exactly what he is. If you keep indulging him this way it won’t settle his mind; every day is already a battle to not do exactly as he said he was going to do, keep you restrained and locked away from the world. Fuck the money, fuck your work, fuck everything you want and everything Toji believed he wanted. To hell with it all. What’s one more selfish, cruel act?

“Call him now.” Toji says suddenly, voice almost inaudible. “Call him and say you can’t make it because you forgot you had plans with your fiance.”

“Okay.” You nod. “But, um, I need to get my phone.”

“Actually, after we’re done.” Toji repositions your legs so they’re wrapped around his waist and his front is pressed flush against yours. “I still want to cum inside.”

“Okay, just be good.” You pet his hair, pushing his bangs off his face. “Can you be good for me, Toji? You were making me feel really good before; I want to cum with you.”

“Yeah. Yeah, I can do it.”

Toji can’t keep his eyes off your face; he’s panting, a drop of drool slides past the corner of his mouth, running down his scarred lip as you moan underneath him. He’s touching you with less force, but now he’s focused on rubbing your breasts and clit in tandem while you squirm on his cock. You’re giving him a great show; he wishes he had his phone out to record you, a little something to keep him company during those long hours you’re gone.

“Gonna fuck my pretty wife. Gonna make her pussy a mess…” Toji inhales as you clench impossibly tight around him. “You like that? You like getting your pussy ruined by me?”

“Yes, yes, I want it!” You rock your hips, squealing as Toji latches his mouth onto your nipple and rubs your clit faster. “So good, feels so good getting fucked by my…my husband…ah, Toji!!!”

Toji looks up at you with wide eyes; you’re too lost in your orgasm to notice. With high pitched cries, your whole body shakes from the being touched in your most sensitive places at once. He can feel your slick run down his twitching cock; after a few seconds, you’ve calmed down enough to breathe properly and look down at him with a tired, loving smile.

“Cum in me…it’s okay, I want it.”

Toji’s pupils are blown wide as he starts thrusting again, considerably slower, but with just as much force as before. He slows down the closer he gets to cumming, only to pick up the pace and hike your legs higher over his hips, then his shoulders. You can’t even scream now; all you can do is dig your nails into the sheets and let out the sweetest most adorable little kitten like mewls Toji has ever heard. He knows you’re tired and sore and need to rest soon, but part of him just doesn’t want to stop.

“Baby, stay with me. Almost there, gonna cum so fucking hard.”

Toji hisses as your hands grab his biceps, gets even harder at the way your nails dig into his skin; he’s slick with sweat and from the combination of your pussy dripping in his lap and what he’s pretty sure is his own precum steadily leaking with every slam of his hips.

“Almost there, I need ya to, shit, just call me that again, come on baby, c’mon-”

“My…my husband.” You say with a shaky breath. “Want my husband to cum in me, please!”

“Oh fuck, fuck, fuck!” Toji shudders at the wet slapping with every time he thrusts, your desperate pleas tempting him to keep ravaging you until you’re passed out; he’s babbling now, voice hoarse and so loud it’s a wonder he can speak at all. “Yes, take it, just like that, take it all, gonna cum, take it all baby, fuck!”

“Good…good boy…”

With a long, low groan, Toji doubles over and has to struggle to not drop his entire body weight on you; he wants to see your pussy get filled first.

It’s dripping. Past his aching cock, past your puffy pussy lips, Toji’s cum drips onto his balls, down to the sheets in a little puddle. He came so much, he wouldn’t be surprised if you could taste it or if he ended up breeding you by accident anyway. All the better for him.

“Mine.” Toji rasps, arms pulling you in close, even as you weakly protest at his sweat drenched body and the mess; he pays no mind, in fact, he looks almost delirious as he grins at you. “Hey…since I was a good boy, do I get a treat?”

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corellianhounds · 3 months ago

Text

Redrafting The Phantom Menace

This is an informal essay/pitch meeting restructuring and changing The Phantom Menace to better utilize its characters and to make it a more compelling sequence of events.

Word Count: 5k

Art Credit: Doug Chiang

I think The Phantom Menace needs some of the biggest revisions of the prequels to set these characters up to be used better not just in the trilogy but in the film itself because not only is Obi-Wan mostly absent for all of Act II and nothing he does in that time affects the main plot on Tatooine, but Amidala’s presence doesn’t really add anything to it either. She learns a little about the culture on Tatooine and she meets Anakin and Shmi (which will be relevant in the next movie), but nothing she says or does affects the plot. Any of her protests against Qui-Gon don’t amount to anything since he’s the adult calling the shots, nothing in Act III is affected by their regard of one another, and she honestly could have just met Anakin on the ship on their return to Coruscant. Qui-Gon ends up being the main character of the movie, which I think was a mistake when Kenobi should have been the lens through which we saw the story unfold.

I don’t especially care for the slavery plot point to begin with because it doesn’t compel me as much as if Anakin and Shmi were just dirt poor. The slavery scenario feels like a way for the plot to keep Anakin and Shmi apart and for Shmi to remain destitute and it takes any real choice of the matter out of their situation. Of course she’s going to let Anakin go the second an opportunity like the one Qui-Gon’s offering falls out of the sky, who wouldn’t?

If she’s stuck in the cycle of poverty and had a choice in the matter of sending her extra set of hands away while she stays behind, that gives a little more meat to her character. Have her indebted to the Hutts or something, give her some astronomical loans she’s struggling to pay off, meaning everything they can spare just gets funneled directly into that debt so they have very little money or means to escape to a better life. What that sets up is Shmi being given the agency and genuine choice of either sending Anakin to be a Jedi because she wants him to have a better life, or keeping him there to help her work off the debt. The control chip won’t be keeping them tethered to that location and it keeps both Amidala and Qui-Gon from being complacent in leaving Shmi to be a slave.

If you wanted for Shmi and Anakin to be slaves, but wanted to solve some of the moral quandaries and give all of the characters more active roles in driving the story (and not just tell the audience “These are the circumstances, the Jedi can’t get involved with local matters, their hands are tied”) what you could have done was have Obi-Wan join Qui-Gon and Amidala on their trip instead of Jar Jar. Shmi explains the circumstances keeping them slaves, Obi-Wan can see Qui-Gon leaning towards doing something to help them, but because he’s more inclined towards following the rules than Qui-Gon is, Kenobi tells them honestly that they don’t have enough people to fight for the freedom of the slaves, and they’re already short on funds and already on a mission trying to save people on Naboo.

Kenobi’s also the one to also bring up a logical part of the Jedi Code: instead of saying they can’t interfere with local politics, he points out an obvious rule they would have in saying “The Jedi aren’t allowed to buy slaves either,” because yeah obviously the Jedi wouldn’t be allowed to do that. Even if that’s the easiest way to free somebody, the Jedi can’t do anything that would compromise other people’s faith in them, because yeah maybe you freed that person, but now that person either has to remain on the planet where that practice still exists and they could easily end up there again once you leave, OR you as the Jedi have to take them with you and hmmmmmmm seems pretty suspicious if you ask me, sounds like you just bought yourself your own slave.

Even dropping that person on a safe planet isn’t a great option because they would likely have no understanding of or foundation on that planet, and they especially wouldn’t have a support network of any kind. How much money, time, and resources do you have to devote to setting them up for success, now that you’ve gotten them out of a life of bondage? Completely uprooting yourself and starting from nothing in a completely new country alone is bad enough— Imagine an entirely separate planet. The alternative is obviously keeping that person with you and placing them under your own care and protection, but that’s exactly what makes you look like you bought a person to begin with and now we’re back to square one.

But, Amidala is there, and she’s a queen. She would likely have oodles of money at her disposal. Ignore the whole “Republic credits don’t spend out here” and say SHE offers to buy both Anakin and Shmi’s freedom, extending the offer by saying Anakin could train at the temple and Shmi could become a ladies maid or a consultant to the queen on Outer Rim territories, something Amidala even says she’s not familiar with. Both of them would be taken care of, Shmi would have a support network and a means of income and the freedom to leave at any time if she wished, nothing wrong with that.

In the end, however it happens, Shmi could be freed from being a slave (since that happens between this movie and Attack of the Clones anyway), but she makes the choice for herself to decline Amidala’s offer. Tatooine, though a harsh planet, is still her home and all she’s ever known. Being taken out of that environment and thrust into one of courtly nobility isn’t one a lot of people would be able to adapt to. Amidala finds a way to maintain communication so if there’s ever any trouble, Shmi has a contact who cares about her wellbeing, and she chooses for herself to remain behind and let Anakin go because that’s what is best for him. The characters are the ones making choices with their own objectives and reasonable enough justification for what they do instead of the circumstances moving them around.

There’s plenty of other ways the story would change by giving them those more active roles and choices. Obi-Wan and Anakin and Qui-Gon would all obviously have more of a relationship to build off of if they’re all there together, which will make Qui-Gon’s death more meaningful for the both of them and will introduce history that will carry over into Attack of the Clones whenever Anakin thinks Shmi might be in trouble. Amidala would have a more grounded interest and stronger connection to Shmi herself, and Anakin’s frustration with Obi-Wan concerning the rule about one’s personal attachments creates more effective interpersonal conflict when Anakin argues that she’s in danger. “Master, if you had the chance to prevent Qui-Gon’s death— If you’d known ahead of time that it would happen— Wouldn’t you have done whatever you could to stop it?”

If you cut down Act I enough (because you don’t really need the entire underwater sequence, Jar Jar was in exile up on land and you could have just had him lead them to the palace, which would have given us the chance to see the invasion affecting the citizens and common folk), Tatooine could have been the majority of Act I with the race being the climax. Make the Separatists more of an enemy force that’s actually intimidating and isn’t just mad about taxation of trade routes. Say they’ve been doing their own thing independent of the Republic for some time and don’t care about the legality of what they’re doing and have the Jedi discover the droid armies and the plot to take over Naboo because it’s a pacifist planet rich in whatever resources the Separatists want to take for themselves.

Cut out the Gungans and the underwater sequence and have whoever Qui-Gon and Obi-Wan meet on land take them to the Theed palace as a navigator directly. I don’t care for Jar Jar’s character and he doesn’t add anything to the film besides (weak) comic relief and a connection to the Gungan army at the end, which can easily be altered if you give Ahmed Best a better character just as himself, leading the Jedi through the forest to Theed. On the way there we see the recent havoc wreaked by the droid army and the effects the invasion is having on the people of Naboo, making the war feel a lot more real and immediate. Make Best’s people like the people of Rohan in Lord of the Rings who have survived as independent nomads and mounted woodland riders for centuries, not given as much support by the city-states and the capital but otherwise left to their own devices (setting them up to become the main cavalry/fighters at the end). They don’t have to be enemies of Theed, but they're not on great terms. They're the first people we see affected by the war, the destruction a lot more down to earth, showing us the severity of the Separatist’s actions and giving us a legitimate sense of danger and despair.

The three of them make it to Theed and manage to save the queen and her entourage. Amidala is introduced desperately trying to make contact with Palpatine in the Senate, the circumstances conveyed much more urgently than before, and she tells the Jedi that she’d been trying to contact them before the invasion even started. In the midst of the fighting Amidala makes a pointed effort to save Best’s character, the two of them making a connection as they move and showing both him and the audience that the queen does care about what happens to people who live beyond the city and palace walls. Qui-Gon convinces Amidala that they need to get her to Coruscant to plead their case on behalf of her people to the Senate. Amidala pleads for Best’s character to call upon the peoples living in the woods and to tell them that the capital city has been invaded and taken over too but that help is on the way. Amidala may be a pacifist, but this invasion shows her that her ideology won’t save her people because it doesn’t matter to the invaders whether you’ve done anything to “deserve” that oppression or not. Those who don’t live by the sword can still die by them.

If the Senate is too far removed from their corner of the galaxy to see that innocent people are being slaughtered and that the Separatists have waged a war that has isolated Naboo by severing their communications network, then she’s going to plead their case by taking it directly to Coruscant herself. Who’s to say theirs is the first planet the Separatists have done this to? What other occupations might they be unaware of?

The ship is still damaged upon their escape, forcing them to make an emergency landing on Tatooine. Amidala has some money with her, but her accounts have been frozen by the Separatists and she won’t be able to acquire more unless they manage to save Naboo and she’s restored as queen. The Jedi also have some money with them, but even together it’s not enough to buy the hyperdrive piece.

In this timeline we go with Kenobi being present with Qui-Gon and Padmé (still disguising herself as a handmaiden, Qui-Gon having a hunch as to who she is though Kenobi doesn’t know) and we cut out Watto and change the slavery circumstances to the Skywalkers being impoverished and indebted instead. City boy Kenobi, unfamiliar with the terrain or locals, accidentally bumps into whoever it is who tries to start a fight and Anakin jumps in and mediates for them. Qui-Gon thanks him and Anakin points out there’s a storm coming and takes them all back to his and his mom’s place, despite Kenobi’s protests that the mission takes precedence and the ‘queen’ has only her personal guard at the moment, they really should be finding the parts and getting back to the ship.

Over dinner the group discusses their prospects. Anakin was already planning to race in the Boonta Eve Classic to put the prize money towards finally paying off his mother’s debt. He and Shmi exchange a look, and he decides he wants to help them out of the goodness of his heart or whatever and in exchange for part of the money, Qui-Gon also offers him the chance to become a Jedi because he senses there’s something different about this kid. Kenobi protests, citing the fact the boy’s too old and they don’t have a solid reason to think he’s sensitive to the Force (regardless of what Shmi tells them about the circumstances of his birth). Have him be the skeptic providing the opinion the council would give, giving the conflict that will spur conversation between himself and Qui-Gon in order to provide exposition for the audience and prompt tension between himself and Anakin that’ll evolve as their relationship and reliance on one another in this movie progresses.

Now.

The consequence of Kenobi being present for all of this is that his and Anakin’s and Qui-Gon’s relationships are given focus and development, but it also means the ship is left without a Jedi guard.

Now let’s say Darth Maul finds the ship sooner while the main characters are occupied: Maul kidnaps Sabé, kills the rest of the guard, destroys the ship, and then he leaves. Qui-Gon, Kenobi, and Padmé hear what happens from R2, the only one who survives. Cut out whatever extraneous Watto junk happens and have this be what ups the stakes for the race because now they end up needing all of the winnings to buy a whole ship, not just to get a part. Amidala does the whole handmaiden reveal here and they realize that buys them a little time since Sabé signing the treaty will mean nothing when it comes out that she wasn’t actually the queen, but that will only be a possibility if they can provide Coruscant with further evidence of the Separatists’ plot and subjugation of the people.

Kenobi by now has figured out that the disturbance he’s been feeling in the force must have been the dark warrior who tracked their ship and stole the ‘queen,’ R2’s security footage getting them a good look of Maul. Kenobi and Qui-Gon confer and realize that if this guy is a Sith Lord, they HAVE to get back to Naboo to stop him at any cost. If he’s been the real power behind the Separatists this whole time, then losing Naboo to their control must be part of a larger scheme that will lead the Republic to war.

Now it comes back down to Anakin and Shmi. Either Anakin doesn’t want to give them the rest of the money, having wanted to provide for his mom too, and Shmi has to reassure him that she’ll be fine before he agrees to still participate in the race and give them the money, or Anakin’s unaware of the change in circumstances at all and Shmi’s the one to say they can have all of the winnings provided Qui-Gon gives her his word that Anakin will be guaranteed a better life being trained as a Jedi. Either way, Shmi’s the one in control of her decision to let Anakin go while she chooses to remain behind. Despite Amidala’s offer for Shmi to just come with them as part of her court or entourage, Shmi declines, knowing Anakin needs a clean break in order to dedicate himself to this new life and that her place was still there on Tatooine, and the Skywalkers are able to part ways with Anakin still missing his mom.

During the whole Tatooine sequence Kenobi has his doubts about Anakin, but during the race we see Anakin finally do some incredible feat that defies all logic, bringing down a rockslide to his advantage or controlling a dust storm or standing out on the bow of his speeder holding the now-damaged, motley assembly together with the invisible hold of the Force itself as he crosses the finish line. There needs to be a clear show of something unexplainable for both the audience and the other characters to see (Kenobi especially) that convinces us this kid has an exceptional command over the Force even untrained, not just that he’s a child prodigy when it comes to racing and mechanical ingenuity. Kenobi needs to be convinced that taking the kid is a good idea here because it provides the basis for their relationship moving forward and it gives ample reason for Anakin to be included in all of the further peril without any of the responsible characters logically being worried for his safety. (As it is in the movies, we never actually see Anakin do enough to warrant being considered “the Chosen One” since nothing he does isn’t something other trained experts of that skill could feasibly do. He needs to be visibly, uniquely powerful even for a Force-user.)

After the race they have to scramble to get transportation and head back to Naboo. Keep their communications interrupted so they can’t contact the Jedi council back on Coruscant to tell them about the invasion, the handmaiden switch, OR Anakin possibly being the Chosen One.

In this interim we see Maul on his ship discussing his success with Sidious over a holocall, along with the next steps of the plan. Sabé is locked in a holding cell, unbeknownst to Maul acting as a spy and gathering information, reading his lips and figuring out what conversation is being had though she can’t hear the voice of the person in the hood (because logically she’d be able to deduce that it’s Palpatine on the other end of the call). It’s obvious this mysterious agent doesn’t know she’s one of the handmaidens because otherwise she suspects she’d be dead, and it’s clear they need ‘the queen’ alive for something. Depending on how you want to play the scene and the characters, she could either remain stoically silent after he’s done talking to Sidious, taking everything in and observing serenely while environmental storytelling gives us the clues and info she’s picking up on, or Maul could monologue/antagonize her, or she could try to negotiate with him under the guise of the queen, subtly trying to figure out his motives, or she could just outright question him, reasoning that he’s not going to do anything to her since she’s needed alive (to which Maul could refuse to give up anything and instead easily threaten her once he decides she’s gotten too comfortable, maybe even giving us some visual foreshadowing/parallels to Anakin in Revenge of the Sith by using the Force to hold her by the throat and remind her that she need only arrive to Naboo alive, not unscathed.).

Have the Theed city battle happen as Act II, show more of the Separatists’ effect on the people they’re subjugating, and have Anakin involved on the ground instead of in the gunship. He ends up seeing/being involved in the Duel of the Fates, exhibiting an impressive display of the Force and throwing up a force field that blocks what would have been a fatal hit from Maul against the two Jedi. Anakin uses the Force to fling Darth Maul back, though it’s not enough to get him off his feet. Maul’s distracted for just a moment as his boots gain traction and he skids to a halt, locking eyes with the kid before he uses the Force to throw Anakin into the path of danger as Qui-Gon approaches. Obi-Wan diverts course to save Anakin and gets him out of the way, telling him to stay back as Maul continues to fight Qui-Gon. Anakin ends up separated when Obi-Wan jams the control for the force field corridor, cutting him off from the fight as Kenobi and Qui-Gon back Maul towards the reactor shaft together.

Anakin surveys the hangar and starts to climb up to the access catwalks overhead, trying to get to the Jedi to help, but as he finally reaches a position overlooking the room he realizes he’s too late. Darth Maul hits Qui-Gon and stabs him through the chest as Kenobi screams. This time however, Kenobi isn’t fast enough in the aftermath to do anything beyond wounding Maul, and when Maul is nearly hit by Anakin doing the equivalent of throwing a ship at him, he escapes.

Kenobi’s and Anakin’s shared story with Qui-Gon comes to a close as Qui-Gon dies and Kenobi tells Anakin he’ll apprentice him instead, and that he has strong evidence for the council that Anakin is the Chosen One. Cut back to Sabé relaying to Amidala through covert means that the dark warrior isn’t acting alone; he’s taking orders from somebody he calls Master, and even if he is killed, it’s likely he’s not the only one directing the war from the shadows. Have the Separatists win the battle and Naboo seemingly come under their control, the treaty signed by Sabé (the Separatists still unaware she’s a decoy).

Maul makes a break for it to head back to Coruscant, for the moment incapacitated and in no condition to fight Kenobi and Anakin together. Kenobi may be alive, but Maul’s mission to make sure the Separatists took Naboo and that the queen signed the treaty is complete, and he tells Sidious over a holocall that there’s a child with Kenobi who is strong in the Force and could be a threat to them…. Unless he can be turned to the dark side.

Kenobi and Anakin sneak around and meet up with Amidala and her remaining entourage and tell her that she has to come back to Coruscant with them because only her presence there while Sabé remains behind (never leaving the Separatists’ watch) will be what shows the Senate that the treaty is void. They scheme to go back to Coruscant with the still-undiscovered true queen; Amidala uses the handmaidens to disperse the message and ready an ambush with the help of Ahmed Best’s character and countrymen, telling those who remain behind not to fight back yet but to comply with the Separatists until she can provide the Senate with the proof of the truth.

The three of them with Amidala’s retinue return in stealth to Coruscant. Keep Amidala from telling Palpatine anything because maybe he was just as complacent as the rest of the senators who didn’t believe her when she voiced concerns of the Separatists setting up an invasion of the planet prior to the movie. Kenobi enlists the help of the council members, telling them what truly happened and that a Sith is behind the Separatists’ machinations, and they also provide video footage of the carnage they saw levied against the people of Theed. The council prompts Senator Organa to bring up the Naboo treaty during the Senate session. The Senate pulls up a holovid conference call with the Separatists and remaining Naboo politicians, Sabé among them, the Separatists showing their “proof” of being able to reach a “peaceful accord.”

And THEN Padmé Amidala steps forward in the Senate to reveal her true identity and the plot the Separatists had the whole time forcing who they thought was the queen to sign the treaty under extreme duress while their people died in the streets and countryside. There’s a collective gasp as her witnesses, including Obi-Wan, come forward with evidence to the veracity of that statement, and the Senate erupts in an uproar as the Separatists flounder on the call, having been caught in the act in front of an audience of thousands.

The holocall is cut short as we the audience see the handmaidens, the remaining guards, and Ahmed Best’s character and his people back on Naboo spring the ambush on the Separatists in the palace, and we see the tide change as the people of Naboo fight back together. Valorum tries to keep order but the longer he goes without taking decisive action the worse he starts to look, and Palpatine quickly steps in to propose a vote of no confidence against him— If Valorum isn’t willing to send arms and support to a pacifist planet clearly under military attack right now, what’s to say he’ll ever do it for anybody else there among them? At what point is it considered an act of war against the Republic, if not now? The people of the Senate begin to concur and Republic forces quickly rally support for Naboo, senators from neighboring planets ordering their fleets to converge on Naboo to lend aid and route the fleeing Separatists as an emergency meeting is called to force Chancellor Valorum to step down.

(Palpatine meanwhile is absolutely seething behind his fake shock and horror, and as soon as he’s able to reconvene out of the Senate chamber he comms Darth Maul like “YOU ABSOLUTE #!$%*&@ IDIOT YOU GOT THE WRONG GIRL”)

Maul’s coming to several conclusions at once with a metric ton of dread flash-fried by anger and they both know they can’t do anything to Amidala OR the politicians back home on Naboo while all eyes are turned that way, BUT Maul realizes that this was all Kenobi’s fault and— probably knowing Palpatine's going to wring his neck if he ever gets his hands on him— he goes rogue in order to get his revenge against Kenobi and try to preserve his standing with his master. The climax of Act III comes down to a much more publicly visible and hard-hitting fight between Darth Maul and Kenobi before Anakin (who’s been with Obi-Wan the whole time and was supposed to be in hiding) uses the Force again to shield Obi-Wan right as it looks like Darth Maul is about to strike the killing blow. Maul’s saber bounces off the shield and in shock he turns to see Anakin, who he recognizes as the kid from the Theed palace who thwarted him then too. Obi-Wan shouts “No!” as Maul charges, and Anakin scrambles away and throws up a shield in front of himself that Maul strikes once, twice, a third time before it shatters, each side of the Force colliding, causing an explosive blast that takes out half of the tower floor with it and renders Anakin unconscious.

Just as Maul rears back to kill Anakin, his saber meets that of Obi-Wan’s, and Obi-Wan pushes him back, determined and revitalized.

The fight ends dramatically on top of one of the skywalks of Coruscant, Jedi and Sith locked in battle as word quickly starts to travel and people start racing up to the tower. Obi-Wan succeeds in cutting Maul’s saber apart before ultimately stabbing him just as Maul had done to Qui-Gon, sending him off the overbridge to his death.

Naboo is shown winning against the invasion thanks to help from the Republic, and the people of Theed and the surrounding forests are saved. Ahmed Best’s character and Sabé are both hailed as victors, the two of them standing united with their people together after a successful ambush and reclamation of Naboo. Kenobi’s a veritable hero, receiving praise from both politicians and Jedi for discovering and eliminating the Sith. The Jedi council manages to frame Maul’s presence as Qui-Gon and Obi-Wan “mission” this whole time, and Kenobi’s valor and strategy award him the rank of Knight. The council is still wary of Anakin, but he’s been shown to have had a surprising awareness and command of the Force, and if he’s capable of that without training, they can’t let him continue to live as a civilian with that amount of power unchecked, agreeing that the boy needs supervision, guidance, and accountability. It doesn’t help that Obi-Wan’s determined to keep Anakin as his Padawan now, especially since training him was Qui-Gon’s dying wish.

Sidious manages to frame Maul for the loss of Naboo to the Separatists, telling them that he has been “dealt with.” Though Darth Maul is defeated and the public’s faith in the Jedi remains intact, the Jedi council is deeply troubled by the apparent return of the Sith, and they confer with Kenobi, Anakin, Sabé and Amidala (who are unfortunately accompanied by Senator Palpatine) about what knowledge they have, knowing they need to keep word of a potential second Sith under wraps for the public’s well-being and peace of mind. The fact the Separatists have been revealed to have massive covert operations taking over smaller planets with the aid of droid armies for a while now is shocking enough as it is; they can’t afford widespread panic over the possibility of this being orchestrated by a Sith, let alone more than one.

The result of those decisions, as well as the very public fight Kenobi had with Maul, means that the Jedi are now inextricably bound to serve in the war, still unsure of how they couldn’t have sensed the Sith to begin with, and it sets up Kenobi to wonder if perhaps the Jedi involvement in the war and their deaths at the end of it are his fault for being too rash and ready to fight. It’ll drive his character to mature and become more of a negotiator, and try to keep Anakin from choosing to act without thinking moving forward. Though both Kenobi and Amidala have saved people in this movie, it was done through actions that forced them to compromise their anti-war ideologies, and those irreversible actions will directly lead people who were once pacifists and protectors into war.

That plotline forces the characters together more organically and still covers the same amount of ground and achieves the same result, but utilizes the characters better and creates more of a sense of urgency than before. The consequence of these changes is that Palpatine will later ascend as Supreme Chancellor with sympathy from a majority of the Senate, meaning the Grand Army of the Republic is formed between this movie and the next, setting up Attack of the Clones to be happening in the midst of the war. Sidious has contingency plans upon contingency plans; he still has Count Dooku in his back pocket, still has the Separatists on his side, and now he has his sights set on the young prodigy from Tatooine who seems verrrrrryy interesting to him. He can misdirect the Jedi’s suspicions of Sith towards Dooku and General Grievous, should they end up being discovered, still keeping all eyes off of himself. Palpatine also has a much stronger motivation to assassinate Amidala after this since she’s proven to be more capable than he realized and isn’t just a political pawn he can manipulate. She’s unpredictable, and she needs to be eliminated.

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