#She has so many problems

[dont-hug-me-its-yuri]

stares at you with my autistic eyes. you should tell me your favorite music artists.. or songs.. maybe even ones you'd associate with coffin... smiles (-thecultoflove :DDD !!!)

Thank you for this question I can already feel my sickness healing ^_^

my favorite songs always seem to rotate every month or so but my top 4 favorite artists are Mitski, Will Wood, The cure, and Queen, I’ve also been trying to broaden my taste when it comes to goth music/bands :3

You’ve activated my autism by mentioning Coffin so you may suffer through this

I associate a lot of Mitski songs with them though I associate the song Abbey with her the most

I also think Memento Mori by Will wood suits her a lot due to the songs overall theme about the inevitability of death

Amygdala’s rag doll because. Amygdala’s rag doll.

If I list all of them this post will be way to long so here’s my wip playlist for them on Spotify :3

[rxttenfish]

oh god oh fuck im in the "obsessing over miravi" stage again. i need to think about aaravi and write about aaravi and write about aaravi and miranda. i Need To.

[justkillingthyme]

Creating a claire design for the future Layton au and dressing her up like a little doll

[ministarfruit]

day 10: love is devotion ♡

(femslashfeb prompt list)

[offkilterkeys]

The world isn’t ready for my alpha kid readings.

[sevenines]

i saw this tweet and found it interesting for two reasons. one is that some people base how good cartoon network would be to toh by how it treated su, and despite the fact that su’s treatment by the network was considered poor at the time, now its thought to be exceptionally good in comparison to modern shows.

two is how exactly su got impacted by a limited budget. a common criticism is how characters like connie, peridot, and lapis are left out of missions. but balancing a lot of characters is not only hard but also costly (extra animation, extra voices—it’s been revealed that the show is limited to a set number of characters per episode otherwise they’re over budget). animation mistakes are not uncommon since retakes cost extra. the entire reason the original show got cut short was due to loss of funding!

[autisticandroids]

FAMINE: That's one deep, dark nothing you've got there, Dean.

[youtube with closed captions]

dean and his father. dean and his family. dean and how bad it is.

(via @closetoyou1970)

[carnivalcarriondiscarded]

yeah so i'm falling for @weevmo's Guys... they're so neat! i dig their vibes and can't wait to see what Corduroy Stew is all about <3

[ubejamjar]

Can we PLEASE see mid size Ajisai 🥺 I would like to see her

YES!!!! Here she is!!! :D My beloved blueberry girl

I really like her arms; she looks extra snuggly. I'm sure this is gonna be a forever ongoing adjustment moment but I'm happy right now

[breadmecoshy]

SO I'm going through hollow knight for the fourth time ha ha

Besides, I've re-read the "Stag Beetles and Broken Legs" fan fiction again, so it's time to humanize Monomon and Quirrell!

(seriously, read "Stag Beetles and Broken Legs", it's damn good) In my conception, Monomon is the oldest of the Dreamers, but she's actively youthful, wearing such light clothing and acting quite active compared to her scowling counterparts (However, she also looks younger than her years on her face, so no one has any questions about it)

And young Quirrell, haha. So young and inspired, with burning eyes. Cute. Time has not bypassed him (though it's even better for some-). At least now he's age appropriate for Monomon

I can redraw my old concepts in more detail if you like my humanizations. I can also draw humaneizations of other characters if you ask (or more Lurien….. I like to draw his face…… gentle rose…….)

[the-hilda-librarians-wife]

An aspect of Hilda the series that I feel isn’t talked about enough is the colonizer’s guilt and how it affects the main character.

What made me write this was watching the third episode of the new season, but honestly, it’s something we see throughout the whole series. Starting out with the elves in the northern counties, and moving on to trolls and now giants. Every season that came out gave us a chance to see Hilda deal with the feelings that arise from living in a society she knows is built on the occupation of another people’s native land and the oppression of those inhabitants.

She knows it’s not her fault, she knows she’s not the colonizer, but she’s well aware that she’s in the privileged side of her society. Seeing her grapple with the fact that her very existence in these spaces is only possible because someone else is getting the short end of the stick, to me at least, makes her that much more interesting of a character.

Because it’s not a matter of fixing what she’s done, but the privilege is still there and not even well hidden when she sees the day to day life of the people whose land has been occupied by humans/trolbergians. So whenever we see her rush to aid them, her borderline desperation to fix what’s been broken, it’s even more captivating because it’s not just the usual “I love helping people and having adventures” gist, there’s always this undertone of guilt for something she hasn’t personally done but still knows has to be held accountable for.

Hilda knows the type of oppression that people like her get away with. And she wants no part in it.

[rasangan-raspberry]

so I went to the Renaissance fair as Zoro yesterday, so I needed to draw him in the outfit i was wearing.

It was a lot of fun, and so many times people would yell out to me and then get really happy when they saw my Chopper bag

[aroanthy]

kiryuu sibling stasis post-32 is so interesting to me. nanami tries to leave and is (temporarily but also, crucially, violently) prevented from doing so by touga and akio. after this experience she puts distance between herself and them: she leaves touga’s phone in the car, she resigns from the student council (though she dons her old uniform still), she repeatedly dismisses and undermines the authority of the rose code, of end of the world, of akio, of touga. but she’s still in ohtori, isn’t she? uncomfortable with the idea of leaving, uncertain if it’s really possible. she tried before, and it hurt her. deeply. it’s so interesting to me, nanami’s agency and how she limits her exertion of it after 32, when she realises it for what it is. contrast that with touga, who accepts this weird stalemate between them, who is, really, uninterested in having any relationship of any kind with nanami if he can’t gain something from her. he’s very passive with her after 32, compared to the passivity he’d always feigned towards her before in order to stoke reactions from her and then exploit them. i was thinking about how touga has always been able to sever his relationship with nanami, but chosen not to; first out of a sense of obligation (‘we should live to help each other’) then a realisation of how that could be exploited. i was thinking about how nanami has never realised her ability to leave, in part because it is limited by touga and the harm he does her. i was thinking about the desperation and confusion akio calls out to anthy with as she leaves. i was thinking about how different that is to the kiryuus’ strange semi-breakdown; touga doesn’t want or need nanami, and nanami might love her brother but she cannot trust him or feel safe around him, doesn’t want to see him anymore; she’s itching to leave, and just a little scared (you know, because last time she tried that her brother assaulted her), and he’s not doing anything because ignoring her means he doesn’t have to deal with the emotions of her leaving or staying. something something gendered power dynamics something something tragic siblings

[valewritessss]

You know what I find so funny? That I’ve come across a lot of people on TikTok that have something against this one account that posts pjo content. I do too, I mean I got into an argument with them because they kept saying percabeth is strained because annabeth made Percy feel suicidal. And I ended up blocking them because they made a story saying that percabeth shippers need to calm down in their comment section because we’re crazy or something like that. And I just wanted to scream like this isn’t because you don’t ship percabeth, it’s because you constantly bash annabeth, unintentionally but prominently make Percy this stupid victim that can’t feel for himself, and think pereyna and Perachel had better development (not to bash pereyna or Perachel shippers, but in canon, this is just obviously not true). And I thought I was the only one who had something against this person but now people are speaking up about it I guess and I think it’s so funny because I’ve BEEN having problems with them.

[undead-moth]

I know I've been on about this for a while now and I'm being a hater but you're telling me SydCarmy was "always meant to be platonic" even though there are two seasons of writing making use of tried-and-true explicitly romantic tropes, themes and writing signals, and SydLuca is going to be romantic because...he was nice to her on screen for a few minutes?

I don't even care if people ship SydLuca, or if they just prefer it, but you can't honestly tell me that you believe Carmy was always meant to be a friend but Luca is an obvious love interest.

Just because Syd and Carmy haven't kissed or confessed their love to each other doesn't mean that isn't very obviously the direction this show is going. The Bear has already shown you who is endgame. It has shown you every episode of the show so far.

Honestly I really don't think The Bear fanbase understands this show or cares about these characters or the story being told here, which is unfortunate because this show is shockingly well-written in comparison to most shows right now, and we should be so grateful for it but all we're doing is complaining that the writers led us on by not making a ship canon fast enough. It's just. Sad.

[dimension-20-every-introduction]

Everyone Introduced in Dimension 20's Fantasy High: Junior Year episode 20 (finale)