#Seok Jae Beom

[kimgoeun]

REVENGE OF OTHERS (2022)

[patr0nsa1nt]

Kdrama - Revenge of Others

A boy falls to his death. Ok Chan Mi (Shin Ye Eun) does not believe her brother has committed suicide. She transfers to his school to investigate his 'mysterious death' and meets Ji Soo Heon (Lomon) who witnessed her brother's death. During the time a "Hero" who avenges bullied students becomes a suspect in Ok Chan Mi's eyes.

[wronqness99]

🚨😍 New Crush Alert 😍🚨

[dreamsandstars24]

nIGHT HAS COME-EPISODE 7,8,9,10 AND 11 (PART 1)

EPISODE 7 (Up there)

EPISODE 8 UP THRERE - I promise this is not a BL.

[stormdragon23]

Solo Leveling Next Gen AU Headcanons

These are mostly personal headcanons to explain a few things about the AU of the next gen OC's, including some timelines for the kids and their parents (just want to give some kind of logic to it)

Open to questions/suggestions for anything not mentioned

The adopted children who are awakened (Choibaek's kids and Hoshino Taiyo) absorb some of the mana from their parents over time, so their powers tend to resemble the powers of their parents (All three of Choibaek's kids are some sort of control over fire while Hoshino Taiyo is a ranger like Lim Tae-Gyu)

Timeline of when each kid was introduced to the others (this is mostly for me since I've lost track a few times-)

- Eun-Seok and Park Hee-Jin have their first child (Guen Tae-Il) - Sung Jin-Woo and Cha Hae-In have their child (Sung Su-Ho) - Baek Yoon-Ho and Choi Jong-In adopt Baek Seok-Jin and Choi Je-ni - Hoshino Minoru and Lim Tae-Gyu adopt Hoshino Taiyo and Hoshino Kira - Baek Yoon-Ho and Choi Jong-In adopt Baek Mi-Ho - Eun-Seok and Park Hee-Jin have their second child (Guen Jae-Kyung) - Min Byung-Gyu and Lee Ju-Hee have their child (Min Beom-Ryu)

Order of when the couples started dating: Minlee, Jinhae, Choibaek, Taenoru, Heeseok

Order the couples got married in: Jinhae, Choibaek, Taenoru, Minlee, Heeseok

(The order of the couples may be changed later, but that's what I have in mind for now)

[freesiablooming]

After watching physical 100 season 2 ep 1 to 4

This show got international fans. I think it would have been better if we had more diverse contestants.

I like Kim dong hyun, the mma guy. Some people say he's cocky but I think he's confident as in "I've trained all my life. I know my ability. I know how to fight. I know this field. I can do any tasks they give me. I can beat anyone" way not "All of you are not on my level, you losers."

But I think it was pretty disappointing that he picked Emmanuel as his opponent when he had the pride to be the top mma fighter. Emmanuel may have a physique like a sculpture, but he is not a trained fighter. Of course, Kim would win. He should have picked a trained fighter. Emmanuel's early elimination is quite disappointing.

Former special force Master Sergeant and former fire fighter, Hong beom seok is a monster. I saw him in two different ex special forces competing shows. He is the one who still has the power to run when everyone is all worn out. He is the leader that would sacrifice himself for the other teammates. I'm looking forward to see how he'll do on this show

As a short woman myself, it was annoying that the other contestants yelled, "they are so cute" when the weightlifter and the Wushu fighter women were fiercely fighting. I don't think they meant to be rude, but still, it is not nice to hear.

Wish shim yu ri was on a better team. Bummed that she got eliminated (maybe there is a consolation match?)

Actor Lee Jae-yoon is so hot!! I didn't know he has that physique and is that strong.

Judo champion Lee won Hee is quiet but strong guy with willpower and techniques. He is respectful and charismatic. I'm chearing for him

Steroid users shouldn't have been on the show but yet there they are again.

[youknowihavenochingu]

Scene stealers in kdramas 2022 🤩

The crowned prince-Alchemy of Souls

Jo Yoo Jeon- A Business Proposal

Jung Myung Seok- Extraordinary Attorney Woo

Seok Jae Beom- Revenge of Others

Dong Geurami- Extraordinary Attorney Woo

The Chairman- Reborn Rich

Moon Ji Ung- Twenty Five Twenty One

Jerry- Big Mouth

Park Joong Gil- Tomorrow

Aziz- Gaus Electronics

[sophiexrph]

SEO JIHOON GIF PACK

PUBLIC COMMISSION !! by clicking THE SOURCE LINK you will be redirected to a page with 500 gifs of SEO JIHOON as SEOK JAE BEOM in REVENGE OF OTHERS 1x08-1x11 (2022) made from scratch by me, sophie ! jihoon was born in 1997 ! please don’t edit these or add them to gif hunts and like or reblog if you use them ! :) thank you so much to my commissioner, and click this link if you’d like to know more about my commissions !

trigger warnings for eating // shirtless gifs // falling // choking

[cosmosbeelover]

The History of Korean Male Soloists from the 20th Century: Episode 3.5/?

This section explores the ongoing journey of Kim Saeng-ryeo, focusing on the orchestras he established and participated in throughout his career. In the first part, I discussed his life and professional achievements.

Kyungsung Welfare Chamber Orchestra

Gyeongseong, which can also be spelled as Kyungsung, refers to the same Welfare Chamber Orchestra.

The Kyungsung Welfare Chamber Orchestra (경성후생실내악단; 京城厚生室內樂團), originally established as the National Music Popularization Corps (국민총력조선연맹; 國民音樂普及挺身隊), aimed to disseminate quality music and its artistic values to the public. This pro-Japanese ensemble was created to support the welfare initiatives of the Government-General of Korea (朝鮮總督府), performing in diverse settings such as educational institutions and various production areas, including agriculture, industry, and fishing, to provide uplifting music to the community.

Members of the Gyeongseong Chamber Orchestra in the 1930s.

This chamber orchestra, established in 1942, comprised musicians who had previously performed with the New Beijing Symphony Orchestra, which originated in Manchuria. At its inception, the orchestra was conducted by Kim Saeng-ryeo, with notable members including Kim Seong-tae, Kim Cheon-ae, Lee In-beom, Kim Tae-yeon (김태연), Lee Yu-seong (이유성), Lee In-hyeong, Park Pyeong-su (박평수), Lee Yong-cheol, Ahn Seong-gyo, and Lee Kang-ryeol (이강렬). Following its reorganization in 1944, Hyeon Je-myeong took on the role of chairman, while Kim Won-bok, Yun Ki-seon, Lee Heung-ryeol (이흥렬), Jeong Hee-seok (정희석), Lee Gyu-yong (이규영), Na Un-yeong (나운영), Jeong Yeong-jae (정영재), Kim Yeong-ae (김영애), and Lee Jong-tae (이종태) continued to contribute as active members.

He performed at the Music Patriotic Concert organized by the Joseon Music Association under the Japanese Government-General. In 1944, he travelled to Manchuria to help integrate the Welfare Chamber Orchestra into the New Symphony Orchestra. As a result, he was listed in the music section of the Dictionary of Pro-Japanese Figures compiled by the Institute for Research in Collaborationist Activities in 2008.

In February 1943, the orchestra, backed by the National Mobilization Association of Korea, organized a national music concert at Bumin Hall (부민관). During its inaugural year, the orchestra conducted a total of 152 performances over eight months, which included 36 general concerts, 46 school concerts, 19 consolation concerts for industrial soldiers, 44 consolation concerts for the military, and 7 additional concerts. In acknowledgment of its contributions, the Gyeongseong Welfare Chamber Orchestra was awarded the 5th Joseon Arts Award (朝鮮藝術賞) by Shin Taiyosha (新太陽社) in Japan in May 1945.

Lee In-beom, Kim Seong-tae, Kim Cheon-ae, and Lee In-hyeong appearing in the advertisement for the Gyeongseong Welfare Chamber Orchestra. 경성후생실내악단의 광고에 나오는 이인범·김성태·김천애·이인형

Activities

The Kyungsung Welfare Chamber Orchestra has a rich history of performances, beginning with its inaugural concert on June 11, 1942, followed by a second concert on December 24 of the same year. The orchestra continued to showcase its talent with a third concert and a Japanese National Music Concert on February 24, 1943, and a solo performance by Kim Cheon-ae in April 1943. Notable events included a patriotic chamber symphony night dedicated to a battleship on June 29-30, 1943, and participation in the Song of the Peninsula Liberation Day Concert on August 3, 1943. The ensemble also organized an open-air music and film night to commemorate the conscription system on the same day. In 1944, the orchestra toured mines and factories in North Hamgyong Province at the invitation of Cheongjin University, followed by concerts aimed at uplifting fishing villages and mining communities in Gangwon-do from August 12 to August 19. The Jeollabuk-do Industrial War Memorial Concert took place from August 22 to August 29, 1944, and the orchestra held its 11th concert from October 2 to 4, 1944. The year concluded with a Grand Concert from January 20 to 22, 1945, and a Hope Concert from March 23 to 25, 1945. The orchestra was honoured with the Joseon Art Award on May 8, 1945, and performed in China from May 5 to May 7, 1945, culminating in an evening of literature and music on August 1, 1945.

The National Music Popularization Corps/ Total Mobilization Federation

A pro-Japanese organization identified "When We Go to the Sea," "Battleship March," "The Power of Asia," and "National March Song" as key selections for the National Song Collection, promoting their performance across various regions. They established a singing guidance team known as the National Song Singing Movement Volunteer Corps, which was mandated to tour and perform these songs. The National Mobilization League, influenced by Western-oriented figures such as Hyun Je-myeong, Kim Seong-tae, Go Jong-ik (고종익), and Lee Heung-ryeol, played a significant role in advancing the Japanese name change policy implemented by the Government-General of Korea. This pro-Japanese entity was ultimately dissolved in July 1945, merging into the Korean National Volunteer Corps.

1977 Broadcast 50th Anniversary Commemorative Performance. In 1927, Gyeongseong Broadcasting Station was established and began radio broadcasting. This is generally considered to be the origin of broadcasting in Korea. This is a photo of the 50th anniversary commemorative performance in 1977.

Chosun Symphony Orchestra (조선교향악단; 朝鮮交響樂團)

The orchestra was established in 1940 through the reorganization of members from the Gyeongseong Orchestra and the Gyeongseong Broadcasting Orchestra. Directed by Park Gyeong-ho (박경호), it held its first concert in 1940 at Bumin Hall, featuring works such as Schubert's "Unfinished Symphony" and Beethoven's "Egmont Overture." Additionally, it premiered the dance drama "Heungbu and Nolbu," composed and conducted by Kim Seong-tae, which marked a significant development in dramatic music inspired by folklore. Shortly thereafter, the orchestra presented Kim Seong-tae's original work "Heungbu and Nolbu" under his direction, engaging in ambitious performances. However, the onset of the Pacific War ultimately led to the disbandment of the Joseon Symphony Orchestra.

People who led the Western music of Gyeongseong Broadcasting Station

In the photo is says Hong Jae-yu (Left) and Park Kyung-ho (Right). Below it says Gyeongseong Broadcasting Station (In Red) and Central Musicians Association 1927 (In Blue).

Kim Saeng-ryeo (김생려), along with Hong Nan-pa (홍난파) and Park Gyeong-ho (박경호), played a pivotal role in introducing Western music to Korea during the Japanese occupation and in the subsequent periods, including the Korean War. These three individuals endured one of the most challenging eras in Korean history, and despite facing censorship, destruction, and loss of their works, their legacy endures. Kim Saeng-ryeo was the last to continue his musical career until his death in 1995. Although their contributions are not widely recognized, many Koreans today continue to honour their achievements, particularly through performances of orchestral works created by them, highlighting the significant impact these artists had on the cultural landscape during a tumultuous time.

The inaugural broadcasting station in Korea commenced operations on February 16, 1927, following preliminary test broadcasts initiated in December 1924 by the Governor-General and the Chosun Ilbo. These early broadcasts included a test by Yangak, although detailed records of the Governor-General's broadcasts on the 9th and 10th remain scarce. Notably, Hong Nan-pa participated in the Chosun Ilbo's test broadcasts on the 17th and 18th, with documented evidence and photographs showcasing his violin performance.

The photo says ‘Special broadcast of the launch of the second broadcasting station with the Gyeongseong Broadcasting Station Orchestra and Isu’.

The introduction of Western music to Korea can be traced back to the 1910s, particularly through the efforts of Hong Nan-pa, aligning with a broader cultural exchange during that era. This music, referred to as Gukak or Changga, distinguished itself from children's songs, pop songs, and folk songs, appealing not only to Koreans but also resonating with Japanese audiences, indicating a successful integration of Western musical influences. In 1919, the Gyeongseong Music Friends Association was established, marking the inception of an orchestra. By 1926, prior to the country's opening, the Central Music Association was formed, which performed a celebratory piece for the inauguration of the Gyeongseong Broadcasting Station. During this period, Hong Nan-pa was studying in Japan, while key figures such as Park Kyung-ho and Mrs. Boots from Ewha Woman’s University (이화여자대학교; 梨花女子大學校) played significant roles. The Central Music Association was comprised of approximately 15 members, including notable musicians like Kim Hyeong-jun and Choi Ho-young, who contributed to its leadership. Mrs. Booth, a graduate of the Pittsburgh Conservatory of Music, was proficient in multiple instruments and significantly advanced the local music scene.

The trombone on the left was Park Geon-won (박건원), and the trombone on the right was Baek Byeong-gon (백병곤). The photo above is a performance scene taken when the group was first formed and broadcast.

The JODK orchestra made its debut on April 13, 1928, initiating a new era of music broadcasting. This ensemble, which began as an amateur group, was notable for being the first professional orchestra in the region to compensate its members. Among those involved were Park Kyung-ho and Hong Nan-pa, with around 18 musicians participating in performances two to three times monthly. In 1929, after returning from his studies in Japan, Hong Nan-pa witnessed a flourishing Western music environment. He dedicated himself to education at the Central Day-care Centre and revitalized the jazz band, which subsequently engaged in active broadcasting efforts.

The initial volume of Hong Nan-pa's extensive collection of 100 children's songs from the Joseon era was published, coinciding with a surge in music broadcasting activities at Gyeongseong Broadcasting Station. In 1931, Hong Nan-pa travelled to the United States for further studies, yet the foundation of his work remained intact, allowing him to return in 1933. During this period, a second Korean language broadcasting station was established, contributing to a more vibrant musical landscape.

From right to left of name shown in the photo -> Baek Myeong-gon (백명곤), Lee Jil (이질), Lee Byeong-sam (이병삼), Kim Won-tae (김원태), Hong Sae-yu, Hong Nan-pa, Choi Ho-young (최호영), Kim Seong-sun (김성선) and Park Won (박원). Below it says -> ‘1929 Summer JODK Broadcast – Jazz broadcast in Seoul for the first time’ - From Mr. Nayoung Yoon's home page.

A trio of violinists, including Hong Seong-yu (홍성유) and Lee Young-se (이영세), emerged during this era, alongside notable musicians such as violinist Jeon Su-rin and clarinetist Kim Kyo-seong. These artists, along with drummers and other instrumentalists, were not only prominent composers but also integral members of broadcast orchestras and jazz ensembles. The distinction between classical music, popular music, and children's songs was increasingly blurred, reflecting a unique cultural moment where the categorization of music was less significant than the enjoyment it provided.

It is often believed that Hong Nan-pa exclusively performed children's songs and classical music; however, he also released popular songs under various stage names. Actively involved in both broadcasting and academia, he played a significant role in the establishment of the JODK Orchestra at the Gyeongseong Central Broadcasting Station, which was formed on April 13, 1935. This orchestra marked the beginning of extensive musical activities, enhancing the breadth and depth of the station's musical offerings. Notably, in 1985, the Korean music history published by the Korea National University of Arts acknowledged Hong Nan-pa's contributions alongside those of Chae Dong-seon (채동선) and others, highlighting their performances of orchestral works by Im Dong-hyeok and the emergence of creative music in Korea. His composition "The Heart of a Traveler" was particularly significant, as it was made possible through the efforts of this orchestra.

From left to right - > Hong Seong-yu, Lee Young-se and Hong Nan-pa Gyeongseong Broadcasting Station’s 1st performance – August 1933

A photograph capturing contemporary musicians, including Hong Nan-pa, Hong Seong-yu, Kim Won-bok, Hong Jae-yu, Hong Eun-yu, and Park Gyeong-ho, showcases their collaboration with Hyun Jae-myeong and Dokgo Seon at the broadcasting station. Hong Seong-yu and Kim Won-bok, a couple united by their passion for the violin and piano, gained fame as a duo through numerous concerts and activities. After studying in the United States, they adopted their current name in 1929. Hong Nan-pa also served as the first chairman of the Joseon Music Association, established in 1930 while he was a professor at Yeonhui University, and he earned a doctorate in vocal music in 1937.

From top left to bottom right -> Dong Ko-seon (���고선), Hyeon Je-yeong (현제명), Park Kyung-ho (박경호), Hong Eun-yu (홍은유), Hong Jae-yu (홍재유), Kim Won-bok (김원복), Hong Seong-yu (홍성유) and Hong Nan-pa (홍난파). Musicians who attended the Yunim Budda Concert – Na Woon-young’s Hall (홍성유님 부처 연주회에 참석한 온악인 나운영 선생님 홈에서). There is also another translation of this –> ‘At the home of Na Woon-young, a musician who attended Hong Seong-yu's Buddha concert ‘

Although Hong Nan-pa passed away prematurely, his legacy continued to flourish after Korea's liberation. He was instrumental in the founding of the Seoul National University College of Music and remained an influential figure in the music industry until his death in 1970. His connections in broadcasting extended to notable figures such as Chae Seon-yeop, Lee Heung-ryeol, Park Tae-hyun, and Hong Jong-in, further solidifying his role as a pivotal figure in the development of Korean music.

Gyeongseong Broadcasting Station Orchestra and Wang Su-bok (경성방송국 관현악단과 왕수복)

The musical endeavours of Gyeongseong Broadcasting Station were significantly impacted by the outbreak of World War II, coinciding with the death of Hong Nan-pa. Following his passing, Kim Saeng-ryeo, who had been assisting Hong as a conductor, assumed leadership of the Broadcasting Orchestra and appointed Gye Kye-sik as a temporary conductor. However, the arrival of Japanese conductor Eiji Nakagawa led to complications in the conducting process, reflecting the broader turmoil of the war, which rendered the activities of Gyeongseong Broadcasting Station increasingly futile during this tumultuous period.

The legacy of Hong Nan-pa looms large, overshadowing many contemporaries whose contributions remain less recognized, yet numerous individuals forged connections with Gyeongseong Broadcasting Station. Notably, figures such as Park Kyung-ho and Kim Saeng-ryeo played pivotal roles in this narrative. Park Kyung-ho was particularly influential in the station's musical landscape, especially during Hong Nan-pa's absence abroad, and he was instrumental in significant events such as the station's inauguration in 1927 and the celebratory concert for the second broadcast in April 1933, highlighting his central role in the station's history.

From left to right -> No Jeong-pal (노정팔), Park Kyung-ho (박경호), Ahn Ik-tae (안익태), hwa Jae-gyeong (활재경), Choi Chang-bong (최창봉). Park Kyung-ho's VOA days - 1957 – (박경호님 VOA시절 -1957년-)

Following the liberation in 1946, KBS assumed its current programming responsibilities, with Kim Saeng-ryeo serving as the planning manager. In June 1949, he made history as the first individual in broadcasting to undertake a six-month training trip to the United States, subsequently working with the Voice of America during the 1950s. Born in 1912, Kim was a student at Yeonhui College in 1939 under the direction of conductor Hong Nan-pa. After Hong's death in 1941, Kim took over the leadership of the Broadcasting Symphony Orchestra at Gyeongseong Broadcasting Station and continued to oversee the KBS Orchestra until after the liberation.

From left to right -> Lee Gye-won (이계원) and Park Kyung-ho (박경호). Park Kyung-ho's VOA days - 1957 – (박경호님 VOA시절 -1957년-)

Kim Saeng-ryeo's Memoir (from the 1977 edition of Korean Broadcasting System)

In the spring of 1939, during the JODK period, he assumed the position of conductor for the broadcasting orchestra, which initially comprised around ten members. Hong Nan-pa, previously known for his accompaniment work, was appointed as the music director of JODK. Following his appointment, he initiated an expansion of the orchestra by acquiring instruments from Japan, which led to an increase in membership to twenty-five. This development culminated in the live broadcast of the Haydn Mozart Symphony, marking a significant milestone as it was also transmitted to Korea.

The formal establishment of the professional orchestra is recognized as occurring on May 16, 1940, under the direction of Hong Nan-pa. The orchestra's repertoire included notable works such as "Spanish Night" by Bizet, "Humoresque" by Dvorak, "Golden Wedding Anniversary" by Marie, "Little Toy Soldier" by Rosey, "Dancing Doll" by Poldini, and "Objects of the Desert" by Zamenik.

Kim Saeng-ryeo (김생려)

Shortly thereafter, Mr. Hong Nan-pa fell ill, prompting my engagement as a contractor in 1944. I assumed Mr. Nan-pa's responsibilities and transitioned into a permanent role. Following his passing, I was appointed as a temporary conductor and subsequently became a full-time member of the broadcasting station. Additionally, we expanded our team by recruiting approximately 20 new members and sought opportunities for external performances, culminating in a 40-member orchestra supported by a budget for 25 full-time positions, which proved advantageous for JODK.

At that time, Onoda, a Japanese individual leading the business department, had studied conducting in Vienna under Eiji Nakagawa and was invited to serve as the chief conductor around 1942. Although we held high hopes for his leadership, our initial rehearsal left us disheartened. Nevertheless, around 40 musicians rallied behind Mr. Gye Jeong-sik, who endeavored to facilitate international performances. However, Onoda's nationalistic tendencies hindered these efforts, as he was reluctant to engage in public appearances, possibly due to personal sentiments.

Negotiations with Onoda occurred multiple times, with around 20 unpaid members participating in broadcasts under Eiji Nakagawa's direction. Despite his willingness to continue, he insisted that external performances be managed by an accountant, a request that was consistently denied. This marked the initial attempt to cultivate the Korean orchestra movement, which was initiated by a Japanese individual named Han, yet it faced inevitable challenges due to prevailing prejudices.

Double Broadcast Commemorative Performance - Sogong-dong Gyeongseong Public Hall - (2중방송 기념 공연 - 소공동 경성공회당-)

Ultimately, with the exception of approximately ten exclusive members, all individuals departed from JODK, leading to his resignation and withdrawal from the organization. The former members who left attempted to unite and establish a new orchestra; however, their efforts were unsuccessful. Consequently, the JODK Orchestra reverted to a ten-member ensemble, transforming into an accompaniment orchestra before ceasing to exist after August 15th, maintaining its current form since 1949.

The Seoul Symphony Orchestra, which served as the precursor to the city orchestra, was situated at the Jeongdong Broadcasting Station during this period. Under the guidance of American advisor Rolf Jacobi, a genuine broadcasting initiative commenced, marking the beginning of the symphonic movement.

The War of National Foundation (Movie)

This section discusses President Syngman Rhee, featured in a 2024 Korean independent film directed by Kim Deok-young. The documentary explores the historical significance of Rhee, the first to third President of the Republic of Korea, highlighting his efforts to rescue classical musicians from abduction by founding the 'Naval Military Music Band.'

Following Korea's liberation from Japanese rule in 1945, the peninsula was divided by the United States and the Soviet Union at the 38th parallel, leading to divergent ideological paths for the North and South. North Korea, influenced by Soviet communism, evolved into a repressive dictatorship that violated human rights and stifled freedom. In contrast, South Korea embraced liberal democracy under American influence. This film examines how two nations, sharing a common language, history, and culture, became polarized into vastly different states, emphasizing Rhee's pivotal role in shaping the Republic of Korea over the past seven decades.

1st Trailer

2nd Trailer

Evaluation

The film occupies a unique space between a biographical portrayal and a documentary focused on a historical event, presenting a nuanced interplay of broader societal changes and individual experiences. It diverges from the typical binary of good versus evil often found in Korean political narratives. Given its exploration of political figures and events, it inevitably elicits varied interpretations influenced by viewers' political affiliations, irrespective of the film's artistic merit.

Syngman Rhee, a figure marked by both significant achievements and controversies, has sparked polarized assessments; some argue the film prompts a reassessment of his legacy, while others contend it distorts historical facts. Critics have labelled the film as one that undermines Rhee's contributions, alleging it misrepresents the spirit of the March 1st movement and unduly glorifies pro-Japanese elements associated with the New Right, despite Rhee's clear anti-Japanese stance.

The discourse surrounding the film reveals a spectrum of opinions, from those who find merit in its message to others who deem it overly simplistic and biased, resulting in a stark division in public reception, as evidenced by emotional responses from viewers.

Establishing the 'Naval Military Music Band'

The film 'The War of National Foundation' is said to have exceeded 820,000 viewers by the 22nd, merely three weeks after its February 1, 2024 release. While it is customary to pay tribute to the founding president, discussions regarding President Syngman Rhee among Koreans are just beginning to emerge. However, an important narrative remains untold in the film; few are aware that President Rhee played a significant role in the advancement of high-level classical music, which is now celebrated by Koreans as a 'K-classic'.

This is a photo taken by the Jeonghun Music Band, which was founded during the war, during its Jinhae tour in December 1950. All members are wearing navy uniforms as naval personnel, which is unusual. Courtesy of Jeong Seong-yeop, Executive Director of the Republic of Korea Military Song Commemoration Association.

The outbreak of the Korean War in 1950 led to the fall of Seoul, forcing musicians to flee amidst the turmoil. In this chaotic environment, there was little support for these artists, compelling them to navigate their own paths. Conversely, Kim Il-sung recognized the strategic value of music for propaganda and invited Jeong Yul-seong, a member of the Chinese Communist Party, to North Korea, granting him the rank of Major in the North Korean Army. Jeong Yul-seong subsequently recruited and forcibly abducted musicians who remained in Seoul, resulting in the capture of many, including baritone Professor Kim Hyung-ro, who was married to Professor Kim Soon-ae, the composer of the Korea Military Academy's school song and known for "Because of You."

In response to these developments, conductor Kim Saeng-ryeo of the Seoul Symphony Orchestra and the era's leading soprano, Kim Cheon-ae, proposed the establishment of a military music corps to President Syngman Rhee. Despite resistance from various military branches due to operational priorities, Chief of Naval Operations Son Won-il, who understood the significance of music as his wife was an Ewha Womans University music graduate, successfully advocated for the initiative, leading to the formation of the 'Naval Military Music Corps' on October 1, 1950.

President Syngman Rhee meets with the Children's Press Corps in 1957. Courtesy of the Ministry of Patriots and Veterans Affairs.

A total of 130 musicians, both male and female, resided in the 'Bupyeong Inn', a distinctive three-story building shaped like the letter 'ㅁ' in Bupyeong-dong, Busan. This group was responsible for operating a symphony orchestra, a choir, and a creative department. Notable figures among them included composers such as Kim Dong-jin, Kim Seong-tae, Na Woon-young, and Yoon Yong-ha, along with conductors Kim Saeng-ryeo and Lim Won-sik. The ensemble also featured prominent musicians like violinist Ahn Byeong-so, cellist Jeon Bong-cho, pianist Baek Nak-ho, and vocalists Kim Cheon-ae, Lee In-beom, Kim Hye-ran, Hwang Byeong-deok, Oh Hyeon-myeong, and Ahn Hyeong-il. Their performances provided comfort and morale-boosting support to both troops and civilians.

Many of the musicians rescued from potential abduction by North Korean forces under President Rhee Syng-man have become foundational figures in the classical music scene of Korea, contributing to its rich heritage. This location was also the birthplace of Korea's first mixed professional choir. In 1957, the 'Navy Symphony Orchestra' rebranded itself as the Seoul City Symphony Orchestra, continuing its tradition as a leading musical institution. Additionally, it launched 'Jeonghun Music', Korea's inaugural music magazine. Following the recapture of Seoul on November 11, 1950, the 'Jeonghun Music Band' commemorated the Navy's fifth anniversary with a series of six concerts over three days at the 'Sigongwan' in Myeongdong, aimed at uplifting the spirits of UN forces and local citizens affected by the war.

The upcoming year will mark the 80th anniversary of the Republic of Korea Navy, established on November 11, 1945. This milestone raises the question of whether there will be a celebratory performance to honour the Navy's role in founding the Seoul City Symphony Orchestra. The unprecedented policy of safeguarding musicians during wartime is a significant aspect of history, and it serves as a reminder of President Rhee Syng-man's contributions to the arts and culture during a tumultuous period.

[anemoiawithatouchofobsession]

Moraeshigye 2 - Act 1, script idea

(the story picks up after the last episode)

Tell me how it is!

---

After the loss of Tae Soo, Hye Rin navigates the trauma of the loss of Tae Soo and Jae Hee (달동네의 비가 / Elegy of the Shantytowns). She suspects that she has a baby, and gets confirmation of such at the doctor's.

She contemplates having an abortion, afraid of not being able to raise her son, but Woo Seok and Sun Young promise to help her out to raise the kid. She gives birth to a boy, whom she names Eui Yong (의용 義龍). She is scared of all the implications the boy's birth can come with it - not only is she a widow, but she has a baby out of wedlock with a executed, infamous gangster (달빛의 그림자 - "Moonlight Shadow" by Mike Oldfield). She decides to keep the father's identity a secret only known to Woo Seok and Sun Young.

Meanwhile, the Park Sang Beom gangster group has renamed itself to "Park Tae Soo gang" after Tae Soo, and continue their gangster activities. They become more refined, and commit robberies and black market trading. Slowly, they become the most feared gang in Seoul. A new gang member suggests to the gang to rob Hye Rin's casino, but the new leader of the gang, Tae Soo's old friend, recognizes the name and its connection to Tae Soo and Tae Soo's former lover Hye Rin, and out of respect, tells the members to avoid it at all costs. He doesn't know that Eui Yong has been born (의리 지켜야 해 - we need to keep loyalty).

Hye Rin is determined to give Eui Yong a better life than his father's, and takes on the CEO position fully. She has to oversee the casino business and faces problems for being a woman in this field, but she braves it and slowly grows the empire. Earning more money, she sends him to a posh school, where she monitors him closely (학생가 - song of the students).

One day, a newspaper report runs a story about Hye Rin and her ties to her father's death. Photos of her at Tae Soo's court hearing are published, and the rumour spreads about their involvement with each other Hye Rin is conflicted as to whether she can afford to claim Tae Soo as her baby daddy, with the casino's reputation and her income and money at stake. (화재가 된 사연 - Wildfire) Before she can say anything else, the rumours spread in the papers, and the stakeholders suggest a press conference. At a stakeholder's question who the baby's father really is, Hye Rin answers in a fluke "Jae Hee". Satisfied at the answer, she realizes that she can now successfully hide Tae Soo's identity (날 뒤에 숨겨라 - hide behind me)

Sun Young doesn't approve, saying it would be betraying Tae Soo, but Woo Seok supports Hye Rin, seeing any association with the gangsters as a problem for all of them.She enters the press conference, and its filled to the brim with reporters. Many scandalous questions are asked, and Hye Rin starts to lose hope as she keeps on lying to the reporters on her ties to Tae Soo as they question her on her involvement in his case. (명예훼손 - Accusation of Slander)

Reporter Shin, who appears late, comes just in time to realize what is happening, and saves Hye Rin by asking her neutral questions about the business, and taking up so much time that Hye Rin declares the conference for done. Reporter Shin walks up to her and they exchange their condolences regarding Tae Soo, and Hye Rin confides in Shin that Tae Soo in the father of her baby. Shin promises to keep it a secret and to help her restore her image. (달동네의 비가 - 신기자 버전 / Elegy of the Shantytowns, Reporter Shin version)

Meanwhile she gets busier and stakeholders pitch to open the casino overseas. Hye Rin is worrying for Eui Yong, but Sun Young agrees to take care of the boy.

With the help of Reporter Shin, Hye Rin manages to craft a sophisticated and mysterious image, and using Shin's influence, gets all the photos removed from the newspapers, and earns the image of a succesful businesswoman.

The years go by without any major problem in life, and the Eui Yong becomes a high schooler. Woo Seok is like his father figure, and he thinks his father is named "Park Jae Hee", his mother's bodyguard. He also starts dreaming of being a detective like Woo Seok and catch the Park Tae Soo gang - he does not know that the infamous Park Tae Soo is his father.

Seeing that, Hye Rin is conflicted, since one day she will have to break the news to him. In the midst of all this, her and Woo Seok get to spend more time together talking about thr boys education, and she catches feelings for Woo Seok again, knowing that she shouldn't. It feels like he starts warming up to her as a person again, and her and Sun Young start sharing more secrets and more time together. She gets caught in a sort of love triangle because her and Sun Young share a very close relationship too, and she owes it to Sun Young for raising the boy when she wasn't there. Sun Young also starts feeling more affection towards Hye Rin after misunderstanding her for a long time (운명이란 - the thing called destiny)

-----

[wascherin]

Daily Chosun, Friday, October 12, 1956

The Friendly Baseball Game Between the Ruling and Opposition Parties Will Be Held on the 13th

By The Correspondent

The opposing baseball game between the ruling and opposition parties of the National Assembly, sponsored by the National Assembly Correspondents Association and hosted by the National Assembly Sports Club, will be held at the baseball stadium of Baejae High School from 3 p.m. on the upcoming 13th. This game will be the first event in the nation to raise funds for dispatching the athletes of the Republic of Korea to the Melbourne Olympics, and to promote friendship between the ruling and opposition parties of the National Assembly. Details of both teams are as follows:

Team A

Ruling Party (Liberal Party)

General Manager: Kim Beop-rin

Manager: Lim Heung-soon

Travelling Manager: Jeong Dae-chun

Captain: Kim Jae-hwang

Pitcher: Ham Ji-hoon

Catcher: Yeom Woo-ryang

1st Baseman: Yoon Yong-gu

2nd Baseman: Kim Dal-soo

3rd Baseman: Choi Yong-geun

Shortstop: Kim Jae-hwang

Left Fielder: Park Man-won

Center Fielder: Song Woo-beom

Right Fielder: Kim Cheol-ju

Team B

Opposition Parties (Democratic Party, Association for the Constitution and Politics, and Independents)

General Manager: Jang Taek-sang (I)

Manager: Lee Seok-gi (DP)

Travelling Manager: Min Kwan-sik (ACP)

Captain: Kim Hong-sik (ACP)

Pitcher: Jo Young-gyu (DP)

Catcher: Kim Pan-sul (DP)

1st Baseman: Song Bang-yong (ACP)

2nd Baseman: Kim Jae-gon (ACP)

3rd Baseman: Kim Ki-chul (I)

Shortstop: Lee Cheol-seung (DP)

Left Fielder: Kim Hong-sik (ACP)

Center Fielder: Kim Dong-bu (ACP)

Right Fielder: Kim Young-sam (DP)

[olympianrol]

👻 Song Menor: Choi Beom Gyu (TXT), Song Eun Seok (Riize), Yoon Jae Hyuk (Treasure), Joo Chang Uk (Drippin), Sim Jae Yun (Enhypen).

👻 Kang Primogénita: Kim Ye Rim (Red Velvet), Choi Ye Won (Oh my girl), Kim Jung Eun (ARTMS), Son Chae Young (Twice), Moon Su A (Billie).

👻 Kang Mediana: Oh Hae Won (Nmixx), Yoon Se Eun (Stay C), Shin Ryu Jin (Itzy), Huh Yun Jin (Le Sserafim), Nakamura Kazuha (Le Sserafim).

👻 Choi Primogénito: Han Seung Won (Victon), Moon Tae Il (NCT), Chae Hyung Won (Monsta X), Nam Joo Hyuk, Kang Tae Oh.

👻 Choi Mayor: Choi Mi Yeon ((G)idle), Park Ji Hyo (Twice), Roseanne Park (Blackpink), Jung Eun Bi (Viviz), Kim Se Jeong.

👻 Choi Menor: Hong Eun Chae (Le Sserafim), Lee Won Hee (Illit), Choi Jung Eun (Izna), Lee Hyun Seo (IVE), Kim Chae Won (TripleS).

👻 Wáng mediana: Ning Yi Zhuo (Aespa)

Todos los físicos son sugerecias, excepto el la hija de los Wáng.

Fundadores - Petición

[minty-marshmallow]

Physical 100: S2: EP 8

Well we are nearing the end...so here we go.

I still think this was for the show. There ain't no way they both fell like that. I mean I know they are exhausted but...idk man. I mean idk seems like it was just set up to make it more intense you know. Dang, he fell again! This is so stressful lol. Everyone yelling at me would just make me more stressed bruh. Man, again I feel bad for the teams that lose. I know someone has to lose but it still sucks.

Oh no, he sprained his ankle! That's not going to be good for the next competition though. Yeah well, that's how it goes as a team leader though, one bad decision can set everyone back. It happens but it sucks. They are so hurt, I'm sad to see them go.

Anyway though, this episode is titled "Friend or Foe" so I'm assuming the next competition is going to put the teams against their own members.

Oh wow! Look at all that meat! It's not good to eat like that before a competition though right? I assume they will have time to rest and all though but idk the time frame.

I KNEW IT! They gotta go against each other now. Wow, this is going to take a lot of endurance. Not necessarily strength. Like yeah, you gotta be able to pull them but more so be able to KEEP doing it. I feel like the women will easily be beaten this time sadly. I'm glad that she didn't give up and really gave it her all.

Omg, I wonder if his thigh is actually okay? It translated to "I heard something snap" like did he just pull a muscle or worse?

I like how Beom Seok says "He will finish it off" but honestly anything can happen so you never know. Yo Gibson might win, lol see I'm telling you. [plus this show is rigged too haha]

Alright, next team. Let's Go!

Poor Sung Bin I feel bad for him. I know he wants to finish the race regardless but he also shouldn't over push himself. He still beat the girl, I'm quite surprised. It does help the others though because they know he's hurt so they know he will be last, they can just sort of take their time a bit. He finished though at least, he didn't give up. Now the real competition starts.

Everything seems against Jae Yoon lol. Also, Justin is really good. He has great strength and stamina. I really didn't expect Jae Yoon to be eliminated.

Okay 3rd Team!

I feel like Andre has a good chance but so do the others aside from the girl because let's face it none of them have made it so far. I told you she was going to be struggling. I'm glad none of them gave up though and all were determined to at least finish it. Yep, feeling rushed is gonna cause mistakes.

So I think it will be between that Woo Jin guy and Andre. Really could go either way. Yep, that last round is tough. The good thing is though, at that point it's almost over. Man, even a tiny stumble can cause you to lose at this point.

Ah, the last team. This is the big one. Who will win? They all have amazing strength and stamina; it was an all-star team. So really anyone could win this. They're going all in from the start. Man, they are really going to tire themselves out. They're so fast but it's just the first round so they're gonna tire out fast too. I'm surprised Thanos lost but like I said anything can happen. He kinda hurt his ankle so...yeah.

It's really going to be down to endurance and stamina now. Like yeah, you can pull it but are you going to be the one that can keep pulling it. Man, that sucks that the straps got stuck, and really nothing he could do about it. Any small thing can cause you to lose.

Ah, I should have known they'd end it with the last two starting their race. Oh well, I'll watch the last episode tomorrow because I'm tired and going to bed.

[dreamsandstars24]

Night has come- Episode 5 and 6 (INCLUDES SPOILERS)(WARNING: LOOOOOONNNGGG RANT AHEAD)

AGAIN, this post includes spoilers (All my posts do) so if you haven't seen this episode, I recommend not to read this post.

However, if you want to know just how bad your mind will be mess up, you are welcome to stay.

.

.

.

.

.

.

First of all

I had this very interesting post that I was about to post in which I explained how the girl with the ax in the intro was Lee Yoon Seo, and now I see that it was a good idea not to post it because it would have made me look stupid considering what happened at the end of episode six.

So, that saved me.

EPISODE 5:

A FREAKING ROLLERCOASTER.

It was kind of obvious that Park Woo Ram was Mafia but the way it was delivered? that was unexpected. But let's not jump ahead of the whole kidnapping/dividing thing, because WE NEED TO TALK ABOUT IT.

I, for once, knew Go Kyung Jun was going to be a pain in the butt but I will not take away the credit for his intelligence.

Like, the way he was right about who was the mafia? That was detective work right there. The way he delivered the confession? I won't lie, torture is a good way to make someone confess to something you had no part of but Woo Ram was mafia.

THE TORTURE:

I am sure Kyung Jun is a citizen. I have no proof but I have zero doubts. But, I do think that he'll be able to kill somebody if it means protecting himself or someone he cares about.

As it was shown in episode 5, he tortured Woo Ram to get a confession out of him, and as an avid reader of mafia romances -and currently writing my own, if I may say- the way he managed the torture was exceptional.

Tumblr don't flag me, but a girl has to admit when torture is on point, and this one was. It wasn't the physical torture that surprised me but the psychological. The way he would smile in a clear way that showed he didn't care about making somebody suffer was the CHERRY IN TOP OF THE ICE.

(And if I may mention, he is very cute.)

However, every bad character has a soft side and as we saw when he locked himself in the canteen, he started crying because he caused someone to die, and he tortured someone and everybody hates him so that ought to hurt.

THE SECRET PATHWAY:

When I tell you my mouth went

I have a feeling

AND THIS IS A VERY IMPORTANT FEELING

That the ghost is trying to help Yoon Seo, as a matter of fact, I don't even think Woo Seok is dead but I'll dive into that theory later.

What I mean by the ghost trying to help Yoon Seo, I mean that the ghost seems to be leaving clues for her to find. Why is the ghost doing this? I don't know but I'm sure they are connected somehow.

When Yoon Seo found the secret room, I have to admit I was a bit disappointed in how she didn't stay longer to investigate.

Girl reads crime and mystery novels, and she just looked for a bit and left.

If that had been me? I would have looked through the freaking cameras in the room to try and find out who was the mafia (We know who is the mafia, we are expecting the results) but she just left, so that was a bit disappointing.

I feel the ghost is making every clue obvious for her to find because she is not looking properly. You would expect her to be more invested into the whole thing but as of right now the only thing she has found was how the second body didn't had defense marks and the black light used to look at the door.

The door was obvious, it was not as if someone could break a door open like that with the power of hate.

However, everything else has been the ghost doing. Finding the entry to the secret hall? The ghost pushed the boxes.

The picture? The ghost had to put a light on it so she would actually find it interesting.

The exit? Again, the ghost had to say "Girl, it's this way" and I find that hilarious.

The ghost is carrying the show.

THE GAME:

This game is cheating in the most awful way possible. Like, it is legal for someone to not vote! But the game changed the rules and now they either vote or die.

As I approach the ending, I am allowed to touch the rules of the game.

Everybody must vote. As we saw in episode 3, the consequences are catastrophic. Great way to get rid of most of the cast.

The game must take place inside the designated zone. I am not a tech wizard but there must be some kind of sensor that alerts whoever is controlling this game when someone steps out, right?

If two people have the same amount of votes, then the voting has to be repeated and if it happens again, then they all die.

The third one was genius. Like, I can't find any crack in the rules and that is amazing and frustrating.

and finally,

what we were all expecting,

Woo Seok dying:

This was sad, and it probably hurt me more than it hurt Yoon Seo

BUT

I don't think he is dead

Like, sure. His head did the ringing of possession and his eyes went white but I don't think he died.

I think he is alive

I think he is not a mafia

I think he is controlling the game

GOSH, IT FEELS GOOD TO SAY IT.

Why do I think he is not dead?

All the other deaths have been very gruesome

(This is just an example, I won't put all of them)

Even the ones with the pillow and the curtain were gruesome and awful but Woo Seok?

Look at that

His head is not even underwater,

his body is not belly down

he is just there

floating,

like a water lili

He looks like a model.

So I don't think he is dead

Him dying defies the purpose of the whole show

He wants to protect Yoon Seo and dying won't grant him that

Now, if he is actually dead then that was a stupid move from the producers but I'm sure we'll get our plot twist.

KIM SO MI:

We all knew she was mafia.

We all know she wants to survive

But she is a psycho

Like, real psycho

Why all of them thought that leaving the ax out while there is a killer on the loose was a good idea, I don't know, but she has it and she has a victim in mind.

The end of episode six clearly shows her about to slice Yoon Seo open, but the the screen goes dark and she screams

And I don't think it was a scream of "Getting ready to kill you in the most awful way possible" but I think it was a scream of "Something is awful and I am about to die."

I think the ghost showed up, or the doctor/police stopped her

It may be hopeful thinking, but I think she is dead

like, really dead.

Yoon Seo can't die. She is the main character and even though kdrama writers and producers are fond of killing the main characters (we all know what I mean) killing Yoon Seo would be a stupid move.

Yoon Seo remains alive, So Mi? I'm not sure.

Now, this is not a point but just some questions and theories I have.

Why is Oh Jung Won so protective of Yoon Seo? I mean, I would also defend my best friend with my life but the way Jung Won is so protective makes me think there is something else happening here.

Jin Da Beom. He is one of the main characters. Why is he a main character acting like an extra? This is annoying me.

This may be random, and this is me being crazy but I am SO SURE that if Kyung Jun and Yoon Seo joined forces, they would find the mafia.

Besides, the way he only stops when she speaks? I may romanticizing stuff but you don't join kdrama land while being sane.

You are welcome to call me out in something I may have mistaken, and you are welcome to share your theories with me too!

Until next episode.

[dangerousstrawberryshark]

K-pop Boy Bands Stations

Seventeen

Choi Seung-Cheol (S. Coups)

...

Yoon Jeong- Han (Jeonghan)

...

Joshua Hong (Joshua)

...

Wen Jun-Hui (Jun)

...

Kwon Soon-Yeung (Hoshi)

...

Jeon Won-Woo (Wonwoo)

...

Lee Ji-Hoon (Woozi)

...

Lee Seok-Min (DK)

...

Kim Ming-Gyu (Mingyu)

...

Xu Ming Hao (The8)

...

Boo Seung-Kwan (Seungkwan)

...

Hansol Vernon Chwe (Vernon)

...

Lee Chan (Dino)

...

TXT

Choi Soo-Bin (Soobin)

Choi Yeon-Jun (Yeonjun)

Choi Beom-Gyu (Beomgyu)

Kang Tae-Hyun (Taehyun)

Kai Kamal Huenging (Huening Kai)

Monsta X

Sohn Hyun-Woo (Shownu)

Lee Min-Hyuk (Minhyuk)

Yoo Ki-Hyun (Kihyun)

Chae Hyung-Won (Hyung-won)

Lee Joo-Heon (Jooheon)

Im Chang-Kyun (I.M)

EXO

Kim Jun-Myeon (Suho)

Kim Min Seok (Xiumin)

Byun Baek-Hyun (Baekhyun)

Kim Jong-Dae (Chen)

Park Chan-Yeol (Chanyeol)

Do Kyung-Soo (D.O)

Kim Jong-In (Kai)

Oh Se-Hun (Sehun)

Zhang Jiashuni (Lay)

Li Jiasheng (Kris)

Lu Han (Luhan)

Huang Zitao (Tao)

Stray Kids

Christopher Chan (Bang Chan)

Lee Min-Ho (Lee Know)

Seo Chang-Bin (Changbin)

Hwang Hyun-Jin (HyunJin)

Han Ji-Sang (Han)

Felix Lee (Felix)

Kim Seung-Min (Seungmin)

Yang Jeong-In (I.N)

Kim Woo-Jin (Woojin)

NCT

Lee Tae-Yong (Taeyong)

Moon Tae-Il (Taeil)

Seo Young-Ho (Johnny)

Nakamoto Yuta (Yuta)

Qian Kun (Kun)

Kim Dong-Young (Doyoung)

(Korean Name) Lee Young-Heum (Ten)

Jeong Yoon-Oh (Jaehyun)

Dong Si-Cheng (Winwin)

Kim Jung-Woo (Jungwoo)

Huang Xuxi (Lucas)

Mark Lee (Mark)

Xiao Dejun (Xiaojun)

Wong Kunhang (Hendery)

Huang Ren Jun (Renjun)

Lee Je-No (Jeno)

Lee Dong-Hyuck (Haechan)

Na Jae-Min (Jaemin)

Liu YangYang (Yangyang)

Osaki Shotaro (Shotaro)

Jung Sung-Chan (Sungchan)

Zhong Chen-Le (Chenie)

Park Ji-Sung (Jisung)

ENHYPEN

Yang Jung-Won (Jungwon)

Lee Hee-Seung (Heeseung)

Jay Park (Jay)

Jake Sim (Jake)

Park Sung-Hoon (Sunghoon)

Kim Seon-Woo (Sunoo)

BTS

Kim Nam-Joon

Kim Seok-Jin

Min Yoongi

Jung Ho-Seok

Park Ji-Min

Kim Tae-Hyung

Jeon Jung-kook

Solo Artists

Lee Ho-Seok (Wonho)

Kang Dong-Ho (Baekho.)

Cho Seung-Youn (Woodz.)

[stormdragon23]

Solo Leveling Next Gen AU

Most are OC's made with @manawari plus headcanons about the canon ones (Ages will vary depending on what's happening, but this is mostly to show the age differences. Ranks and classes are for in the future)

Choibaek (Choi Jong-In/Baek Yoon-Ho):

Choi Je-Ni (최 제니): A-Rank Mage- 20

Baek Seok-Jin (백 석진): S-Rank Tank - 20 (originally Asharin)

Baek Mi-Ho (백 미호): S-Rank Fighter - 18

Taenoru (Lim Tae-Gyu/Minoru Hoshino):

Lim Dog-Yoon (임 동윤): E-Rank Hunter - 21

Hoshino Taiyo (호시노 타이요): S-Rank Ranger - 20 (originally Evan)

Hoshino Kira (호시노 키라) - 18

Heeseok (Park Hee-Jin/Geun Eun-Seok):

Geun Tae-Il (근 태일): A-Rank Assassin - 19 (originally Nate)

Geun Jae-Kyung (근 재경): A-Rank Support - 16 (originally Zac)

Jinhae (Cha Hae-In/Sung Jin-Woo):

Sung Su-Ho (성 수호): S-Rank Fighter - 18

Sungyoo (Sung Jin-Ah/Yoo Jin-Ho):

Yoo Jun-Seo (유 준서) - 17

Minlee (Min Byung-Gyu/Lee Ju-Hee):

Min Beom-Ryu (민 범류): A-Rank Support - 16

(Added the Korean versions of their names for reference, but please correct me if it's inaccurate. I'm using Google Translate and my limited reading skills-)