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cutieeva · 4 months ago

Text

The Beautiful Lie

Female reader

Warnings : Manipulation. Love bombing. Self harm. Sexual Assault.

⌜ The art and the love interest (male character) belongs to the talented artist @meo-eiru and the story is inspiringly written and dedicated to @meo-eiru and the readers ! Hope you enjoy the plot that belongs to me but also helped by @meo-eiru a lot ⌟

𝐒𝐘𝐍𝐎𝐏𝐒𝐈𝐒

(Y/N) rarely has time to offer to love, dating and such things because first : her taste in men are bad and second: she is a extremely busy person to balance her work life and personal life seperated until the most beautiful man she ever saw came surprising her with love. Or is it ?

"(Y/N), could you go to the Cutieeva mall to check out the new product's sales ?" Her female senior asked sitting from her desk.

"Of course, mam. I will be in a minute". (Y/N) agreed, saving all of her working documents before taking her handbag and left with car keys. Aurora Bloom, the brand of the cosmetic company she works, it is for now one of the top three companies to be trending in global and the best in Europe. While She works in HQ department of the company at a young age she didn't expect and living her life at ease at the rented apartment she lives quite close both to the company and her parents house who always here and there tell her to come home and when she does, it's a feast to eat of her home's comfy food and hearing thousand fictional stories from her writer father, well he wasn't a writer at first before he was a regular working manager at a company but he quit after (Y/N) outdone herself to such pristine department letting him decide to do what he likes until his last breath could be taken applying he wants no regrets to bear.

And he surprised the family by being quite a good writer himself, finding his own group of fandom invested in his writing and always support him while her mother is happy as she was being a housewife like always along being madly in love with her father who reciprocate the feelings to this day which (Y/N) finds utterly endearing yet she has no time to dwell about her love life when she has too much on her plate with her newfound career she wants to grow, as a independent woman and a person who lives her life to the fullest if overlook her empty love life.

"Yes mam, indeed people are enjoying the new shade of lipstick saying it's not only non-sticky but also long lasting highlighting their skin tones". The department store female manger explained pointing to the several women trying their new product 'the cherry blossom lipstick' either on their lips or on their palm.

(Y/N) nod, curling into a pleasant smile when her eyes caught a beautiful woman's back, wore pink shirt and tight skinny black pants with her musing long hair flowing with the breeze. "Must be pretty". She thought when she witness from her pocket a small object— foundation she recognized fell on the ground yet the woman walked away.

"She didn't noticed". On instinct almost she walked to the floor picking up the tiny box and call out. "Miss, your foundation..." She tailed off as she turn into the light, and captivated (Y/N) by the vision before her. His hair was a mesmerizing pink musing hue, with subtle waves that cascaded down his back like a rosy waterfall. The straight strands framed his face, accentuating his chiseled features, while his bangs fell effortlessly across his forehead, adding a touch of whimsical charm.

His eyes, a deep, burnished logoon color, like the warmth of a sunset on a tropical isle, sparkled with amusement as he caught her gaze. They seemed to dance with an inner light, drawing her in with an irresistible pull.

His lips, a vibrant red, curled into a gentle smile, revealing a hint of mischief, and (Y/N) felt her heart skip a beat. But it was the glint of gold at his ears that added the final touch to his captivating appearance - delicate, filigree earrings that seemed to shimmer in harmony with his eyes.

(Y/N) felt like she was drowning in the depths of his gaze, and before she knew it, the words tumbled out of her mouth in a whispered gasp "You're beautiful."

The man's smile widened, and a low, husky laugh rumbled from his throat, sending shivers down (Y/N)'s spine. "Thank you," he said, his voice dripping with warmth, his eyes crinkling at the corners. "You are a funny one complimenting me beautiful after calling me a lady".

As he laughed, the golden earrings caught the light, adding a touch of whimsy to his already captivating presence. (Y/N) felt her cheeks flush, but she couldn't tear her gaze away from his face, her heart still racing from the impact of his beauty also sinking the fact she mistaken a man being a woman.

"I am sorry. It wasn't my intention". Honestly said, she look down, dare peeking though her lashes to flinch finding him staring at her the entire time.

"I can see that, the way it's written over your face". He chuckle moving his finger in air to the circle to her face making her palm touch her own heated cherry face.

"Ah !" She laughed nervously, unconsciously fisting on the foundation box.

"So, can I have it back ?" His hand reached out, palm up, with shiny white nails gleaming in the light, as if beckoning the object back from (Y/N)'s grasp. His fingers, slender and elegant, curled slightly, inviting her to return the coveted item. The nails, smooth and rounded, seemed to shine like tiny beacons, drawing (Y/N)'s gaze to his outstretched hand. With a gentle, yet persuasive gesture, he coaxed the foundation back into his possession, his shiny white nails glinting with quiet confidence.

"Huh ?" (Y/N)'s eyes widened, then blinked slowly, as if awakening from a spell, realizing the man had taken the foundation with effortless ease, leaving her feeling bewitched while his eyes crinkled, lips curling into a warm smile as he chuckled, clearly delighted by the woman's adorable, bewildered expression. His low, husky laugh filled the air, his gaze sparkling with amusement.

"What a adorable lady she is". His eyes roamed her body, lingering on every curve, exploring each detail, as if discovering hidden treasures. "You aren't from the department store right ?" (Y/N) blink twice.

"No".

"Oh, then you came to shop ?" He narrowed his eyes noticing her carrying a huge white handbag.

"No". She answered in short.

"Then why ?" He asked tilted his head with the notion his golden earrings swing gently.

"I am from the HQ department of the brand you are holding". Finally she smiled confidently pointing at the foundation's box printed Aurora Bloom.

"Oh !" He delightfully smile, toying with the object. "Pleasant to meet you then. He added.

"Pleasant to you t—" a melody emitted from her wrist watch widening her (E/C) eyes. "Oh god ! I need to hurry ! I am sorry but I need to go". She apologized having fun to converse with the stranger.

"No worries—" His eyes spot the missing ring finger. "—Miss ?" He tailed off insinuating her unknown name.

"(L/N) (Y/N), sir". She replied.

"Mine is Elias". (Y/N) choose not to comment at his lack of surname and nod before walking hastily. How could she forget this time's event manager is herself hosted on Tuesday, the very next day. Cursing her fate she ran.

Perfect. (Y/N) release a sigh overwhelmed by the fast yet perfect preparations she had to done within such short amount of time thankfully today would be the flawless day to showcase their skin products to their VIP guests who might be arriving any minute. The models have already came but "Has the makeup artist come yet ?" She questioned worried for the delayed time of the famous make up artist they somehow succeed in booking his seat as social media following was staggering, with millions hanging on his every post and tutorial. Celebrities clamored for his attention, and fashion icons praised his work. Sold-out masterclasses and coveted collaborations solidified his status as the most sought-after makeup artist in the industry. His name was synonymous with glamour and expertise, and his influence was simply unparalleled.

"It's alright ! The artist must be running late right ?" Soon her worries were proven right because soon after their automatic glass door opened revealing a man wore sleek black glasses, adding a touch of sophistication to his chiseled features. His French brown coat, crafted from seemly fine leather, draped elegantly across his broad shoulders, exuding luxury.

"The artist came, mam !" Her female junior announced however (Y/N) knitted her brows finding the man somehow familiar, from his blush long hair, tall statue only be still surprised finding the man remove his glasses to indeed be that beautiful man from yesterday who smile at her noting he remembered her.

"Wow ! The world indeed works in a mysterious ways". She grin shaking her head. "Welcome to the our event sir, please hurry the show begins within minutes". Adapting her professional mannerism she shaked his hand, guiding him to their backstage to appear on the front stage.

"We met once again, Miss (L/N)" His lagoon eyes on her, standing behind the dark curtain to go.

"Of course, Sir Elias". She professionally smiled intriguing the man a little. "Oh ! Your turn". She stretch out her hand to the stage guide him who nod.

Wonderfully the event unfolded with seamless precision, a testament to the makeup artist's mastery. With each stroke of his brush, he transformed the models into living canvases, showcasing their company's product unparalleled quality. The VIP guests watched in awe, their faces aglow with delight, as the artist's vision came to life. As the final model face the guest revamped into a living goddess, the room erupted into applause, a joyful crescendo that wrapped the evening in a warm, golden glow. The event concluded with effortless elegance, leaving a lasting impression on all who attended including the staff and (Y/N) herself.

"He was the right choice". She giggle as her co-workers swarmed around her, beaming with pride and admiration. "Congratulations, you absolutely crushed it!" they exclaimed, patting her on the back and shaking her hand. "Your attention to detail and tireless efforts made this event truly unforgettable!"

Meanwhile, the VIP guests approached her, their faces still aglow with delight. "Thank you for an incredible experience," they said, their voices filled with genuine gratitude. "Your preparation was seamless, and every aspect of the event was meticulously executed. You truly are a master of your craft!" As the guests departed, (Y/N) waved goodbye, basking in the warmth of their praises. Her colleagues continued to congratulate her, their kind words and smiles a testament to her hard work and dedication. With a sense of pride and accomplishment, (Y/N) smiled, knowing she had truly outdone herself once again.

"You know your craft". She flinch almost screaming meeting his eyes.

"Hello, Mr. Elias. Partially it is your skills too that the reason why it was such a successful event". He smiled shrugging his shoulder.

"Okay, please have a safe drive and reach home". She wave her hand and farewell him before he parted his lips to say, remained rooted at his place, watching her figure disappearing.

"She is always hurry to leave". He mutter walking to his car.

"Hmm...this time their new lipstick looks better". (Y/N) discreetly stare at the neighboring make up store despite having much customers on her stores, she still find the new appeal of their products threatening to her company so she walked inside nodding to the welcoming female clerks.

Picking out the a box, she about to apply on her palm when a voice intrupted.

"Don't do it that way". Her eyes wide meeting his lagoon ones, smiling alike to crescent moons she compare. "Apply it in your lips directly and it will definitely have a different impact". He encouraged the doubtful woman who glided the crimson bullet across her lips, leaving a bold, velvety trail in its wake.

"Hmmm not suiting your face. Lighter". He picked out a peach shade handing her who again gliding the peach lipstick across her lips in soft, smooth strokes, as he whispered, "Let it caress your skin, like a summer breeze." As his warm breath danced across her ear, she flinched, her hand trembling with the lipstick. She turned, her gaze darting to his, their faces too close, the air thick with tension. Her eyes widened, a flicker of discomfort crossing her face, as she leaned back, her shoulders tensing. The lipstick hovered, forgotten, as she struggled to create space between them, her breath catching in her throat. His gaze held hers, intense, unyielding, making her skin prickle with unease and heart racing.

"This suits you. I will take one". Hearing his comment she cleared her throat, slowly keeping the lipstick to where it was when from the tail of her eyes she saw him choose an uneven box of peach shade. Quickly she picked the perfect box stretching to him who raised his eyebrows in question.

"I already have one". He jiggle the box but frown staring at her shaking head.

"Take this, it has perfect box unlike the uneven one". She pointed out to his surprise as a thrilled chuckle left his lips.

"Thank you". Replacing the case.

"No problem". She wave her hand as if physically waving his gratitude.

"Wanna grab drinks ?" Elias suggested out of nowhere tilting his head.

"Okay". Checking her wrist watch she still has few minutes to spare. Also she did wanted a drink and they together went to the drink store nearby ordering one white chocolate matcha for her and one caramel frappuccino for him.

Waiting for the drink they sat near a white seat opposite of each other, talking about trivial things about one another where she learnt he is a regular customer of her brand along their frequent makeup artist that's why she was able to book him easily. Soon the waitress called for their drinks and they talked, sipping their drinks and walking.

"Okay I need to leave". She decided glancing at her wrist watch missing his disappointed gaze.

"Okay. It was nice talking to you". He told.

"Me too". Happily she answered, finding herself enjoying their conversation. "I will take my leave". With a wave she left once again.

However what she didn't expected was their daily meeting at the mall department store as she stepped into the store, clipboard in hand, she was focused on her task: ensuring the department was running smoothly. But then, she saw him—a familiar face among the shelves. Their daily meetings had become a pleasant ritual, a brief respite from her HQ duties. He'd ask about her day, and she'd share stories about the office, or he'd gossip about his latest makeup news. She found herself looking forward to these encounters, feeling a sense of comfort and camaraderie with this customer. He was easy to talk to, and their conversations flowed effortlessly. As she checked the inventory, he'd chat with her, making the task more enjoyable. Their bond grew with each passing day, an unexpected connection between them she wasn't anticipating because once a mundane checking became the hightlight of her day with that weeks pass in blink of an eye. Until one day they sat in their usual white table in front of the drink shop inside the mall.

As he asked the question "Do you like me?" she felt a sudden jolt of surprise, her mind racing with a mix of emotions. Her eyes widened, and actions paused before laughter awkwardly bursting back and forth like a defensive shield.

"Yes, as a good friend!" she exclaimed, trying to brush off the tension, her tone light and playful. But in her haste to respond, she missed the subtle strain in his smile, the flicker of vulnerability in his eyes but a doubt linger on her mind for him to ask such a question. Why ? Never in her mind did she view the man romantic, beautiful yes but that's a admiration unlike love, she is certain of her feelings are not alike to love.

"I like you too." His voice was calm, sincere, To her, his words were a friendly echo, a mirrored response, a confirmation of their camaraderie. She nodded, feeling a sense of relief wash over her, thinking the tension had dissipated, that they were back on familiar ground. (Y/N) simply smiled back, comfortable in her assumption, oblivious to the moment hung, suspended, a delicate balance of feelings, but she didn't notice, already moving on, the exchange filed away as a pleasant, friendly conversation and took her drinks however she soon has to depart this time with a hint of awkwardness.

"It's alright. Nothing is wrong". And correct to her thought the next day was normal as their conversation flowed easily, like a gentle stream. (Y/N) chatted with him, laughing and joking, feeling a sense of comfort and familiarity. His question from the day before seemed like a distant memory, a minor blip in their friendly interactions. She didn't dwell on it, assuming it was just a momentary lapse, a strange anomaly in their otherwise effortless exchanges. As they talked, she felt her guard drop, her smile genuine, her heart light. Everything seemed alright again, the tension forgotten, their friendship back on track.

"Okay, see you again !" (Y/N) told glancing at her wrist watch because today she has an important delivery to approval on the said store.

"Yup ! See you again". He bid too when a message notification made her pause, worry etching her face. Her dad's request to bring the anniversary cake had just been detailed by the store's cancellation due to an emergency. Panic set in, her mind racing with consequences, her eyes darting around for a solution. Stress and concern replaced her relaxed demeanor, her fingers flying across the screen to respond to her dad's message. Elias noticing the drastic change asked and she replied elaborating her situation of how she must reach to approvel the delivery application but on the otherhand has to get the custom cake from the cake shop if not then the cake would not be handover.

"How about I went to get the cake instead of you and delivery to your parent's house. Didn't you said it is near ?" He presented the idea, smiling causing (Y/N) to halted her racing thoughts and a breath of air pass her lungs.

"Of course ! Of course !". She laughed heartily handing him the receipts and addresses before running to the delivery store to hastily complete her task and return home as soon as possible.

"Today's work was difficult". Her finger pads rub her forehead re-thinking her workload, getting out of the car and towards her parent's house caught the setting sun's beautiful view. Ringing the doorbell she waited thoughts going back to Elias. "How sweet of a person he is". A smile naturally curl to her lips and wider when the door opened by her mother.

"Happy anniversary mama !" (Y/N) embrace tightly, soaking on her familiar comfort while she returned the affections.

"Thank you dearest. Come inside, it must be hot outside". Her mother close the door behind as she let herself in, walking to the living room finding glimpse of her father sitting on the side chair and ran to embrace him from behind.

"Happy anniversary papa". She sing song, playfully kiss his hair.

"Thank you princess". His aged voice laughed, caress her hands to which she close her eyes melting into his raw love. "Also this young man is such an gentleman. Your taste in men is indeed great like your mother". She frown opening her eyes.

"What are you talking—" Her (E/C) wide, taken a back by Elias appearance sitting across her father, on the sofa and he raised his hands in mock surprise, his eyebrows arched in a playful gesture.

"Why are you—" Her words cut by her mother gentle ones.

"My heartless girl ! You left this man to fend for himself by telling him to get the cake and now you ask why is he here ? Of course I told him to grab one or two bite". The young woman nod, feeling guilty and appreciate at her mother's gesture.

"Ah— about that I am extremely sorry. It was my job to do". Elias shook his head nonchalant.

"Yet without my idea you wouldn't agree so yea, not your fault too". She glee truly pleased to find such a good friend she couldn't ask more and the anniversary celebration was a resounding success, filled with love, laughter, and warmth. As the evening unfolded, (Y/N)'s parents shared a tender moment, her father leaning in to kiss her mother softly on the lips. (Y/N) couldn't help but mockingly scrunch up her face in distaste, eliciting a hearty laugh from Elias sitting beside her. The atmosphere was light and joyful, with the sweet scent of cake wafting through the air. As they gathered around the dessert table, (Y/N)'s parents fed each other cake, their eyes locked in a loving gaze. The beautiful man joined in, playfully feeding (Y/N) a bite, his fingers brushing against hers. The room was filled with the sound of clinking forks and happy chatter, as they all savored the sweetness of the moment, and the love that surrounded them. Time stood still and they basked in the warmth of their little family's happiness, creating memories that would last a lifetime.

"Thank you very much. You helped me a lot". She showed her gratitude standing at the doorstep.

Elias shake his head "I enjoyed it so no need". Silence fill between them letting (Y/N) once again notice the lunar luminescence cascaded over the beautiful man's countenance, bathing his sculpted features in an soft, silvery radiance, as if the moon itself had bestowed a gentle caress upon his serene and peaceful face.

"Bye and good night".

"Same to you". He returned, turning his back to her and drove his car away.

From that day forward, the bond between (Y/N) and Elias blossomed into a beautiful, unbreakable connection. (Y/N) found herself opening up to Elias in ways she never thought possible, sharing with him her deepest thoughts, feelings, and desires. She began to show him pictures of her friends, promising to introduce them soon, and shared stories about her life, her passions, and her dreams. As their trust grew, they exchanged contacts, marveling at how they had gone so long without sharing such a simple yet intimate detail. Their conversations flowed effortlessly, filling their break times with laughter and delight. Elias became (Y/N)'s confidant, her partner in crime, and her guiding light. Their friendship was a symphony of joy, a harmonious blend of trust, understanding, and mutual respect. (Y/N) cherished this new connection, feeling seen, heard, and understood in ways she never thought possible. Elias had become her rock, her safe haven, and her forever friend.

"By the way, I need your help with something". This alert her entire attention to him, sipping her drink from the staw as they both stood in front of the usual drink shop at the mall.

"Yes, anything. What is it about ?" (Y/N) was ready to help him when it's his need of time.

"I need your expertise in sorting through my grandparent's old photo albums. I want to create a memory book for my family, but I'm overwhelmed". Elias avert his eyes, smiling rigidly causing her heart melt at such an thoughtful gesture.

"Aww ! That sweet of course. I am happy to help". But his expression remained uncomfortable.

"But, you need to come to my house for that". He whispered dare to stare into her (E/C) eyes.

She suck her breath knowing she never once visited his home and she gulped nevertheless she grin again because her schedule is free mostly and she wants to help "It's alright ! I am happy to go but of course if you are comfortable". She tilted her head.

"Oh !— of course I would be or why would I ask you for help".

"Likewise but why did you ask me ?" If she recalls correctly he showed her many of his influencer, normal friends.

"Because you are the only friend who is good at managing things. You know like a good event manager who knows how to put things together ?" It earned a melodious laugh from (Y/N).

"I feel appreciated".

"As you should". She giggle more along him for his compliment. Soon she found herself in his car as he drove smoothly through the city, their eyes meeting briefly in the rearview mirror. Arriving at the penthouse he lives. The towering marvel of modern architecture that seemed to touch the stars. He expertly maneuvered the car into the private parking garage, and they stepped out into the opulent lobby, surrounded by polished marble and gleaming steel. A swift elevator ride later, they entered the penthouse itself, a breathtaking expanse of floor-to-ceiling windows, chic décor, and stunning city views. Her eyes widened in wonder, feeling as though she'd entered a different world more important his personal safe of walls.

"Sit on the sofa". He pointed going to the open modern kitchen. (Y/N) felt serenity wash over her when her feet stepped onto the shiny white tiles, their cool surface calming her senses. Sinking into the plush black sofa, she felt enveloped in comfort, her eyes darting around the luxurious space in wonder. With each glance, her awe grew, her heart swelling with gratitude for this stunning sanctuary.

"Here, a juice for you and you see those dusty stacks of heavy things. I found them inside". The cold glass slid within her grip but she smiled nervously because unfortunately blinded by the luxury she often seen on the TV she failed to detect the bluntly dusty things.

"Yes". She lied now laiding her eyes.

"They are I think contains photos of my grandparents but I need help to create an entire new album". Elias shrug helplessly.

"Alright ! Let's do this then". (Y/N) full of enthusiasm knelt down, her hands reaching for the dusty photo albums that lay open on the sleek glass table, her fingers touched the worn covers, a cloud of dust swirled up, carrying with it memories of laughter and love. But with the memories came a fit of coughing, as the dust tickled her throat and lungs.

Elias being swift and attentive, appeared beside her, his movements fluid as he knelt down. He handed her a glass of crystal clear water, his eyes filled with concern. "Here, drink this," he whispered, his voice soft and soothing. She sipped the water, cough subsiding only then to be aware of the proximity of their bodies, kneeling together on the floor. Their faces were inches apart, their shoulders touching, and their legs aligned. The closeness sent a shiver down her spine. His lagoon gaze drifted from her eyes to her lips, still moist from the water. His hand, still cradling the glass, began to move, his fingers brushing against her face.

With gentle care, Elias thumb rubbed against her lips, wiping away the droplets of water. she felt a sudden jolt of discomfort. His touch, though gentle, sent a wave of unease through her body. She tried to pull back, but his long slender hand lingered, his fingers tracing the curve of her mouth.

"(Y/N), I love you. Actually I was in love with you for a long time. Please, please accept me". Desperation whisper though his pink lips bringing their face closely and gripping her chin with his thump settle on the curve of her mouth.

"But you said you like—" Her words intruded.

"Never as a friend did I said". Elias connect their forehead. "It was you who receive it that way". (Y/N)'s eyes darted away, her gaze falling on the dusty floorboards as she struggled to process the sensation. Her heart raced, but not with excitement— rather with anxiety.

Trapped.

Betrayed.

Bothered.

She is feeling her personal space invaded by the intimate touch. The air thick with tension, the silence between them oppressive. (Y/N) longed to break free, to shatter the uncomfortable stillness that had settled over them. But her voice caught in her throat, leaving her unable to speak, unable to move, as Elias' hand remained, a gentle yet unyielding presence on her skin.

Why ? How ? When ? So many unanswered crawl inside her limited knowledge. Everything was going well, perfect yet why did it has to crash so harshly.

"Please, (Y/N) be mine. I can offer you anything you want. Riches, fame, connection, promotion. Say a word and it inside your palm". Slowly he draw their distance and (Y/N) felt utter destroyed by the wave of soft lips press against her. The kiss was harsh, demanding, and devoid of love. Her hands desperate to push him away, however his slender grip her fast, his arms wrapping around her like a vice or more like an beautiful snake wrap around his beloved prey.

Raged filled her (E/C) eyes, loathing the string of fate leading her in such advance, loathing the feel of his lips on hers, the way his tongue probed her mouth without consent. loathing the way he held her, like she was a prisoner, not a willing participant she wanted to grace her loved man her first kiss.

Finally air became a need did the beautiful man separate their interviwned lips, heat bust his pale cheeks, adoring heart pupils onto his eyes, chest heaving with newfound excitement snarling the chance she shove him, spatting words of vemon and eyes blazing with anger. "You disgust me". With that she ran and he let her.

Tears streaming down her cheeks, she rushed to a taxi, traveling to her home of trust, sobbing by the betrayal she was returned by the conditional trust she gave after reaching home towards her bathroom was a burl rather her sole focus is escaping the lingering sensation of Elias lips on hers.

Rushed to the sink, gagging at the memory of the unwelcomed kiss. She turned on the faucet, cupping her hands under the running water to splash it onto her lips. Fingers rubbed her mouth harshly to scrub away the disgust moment yet the sensation lingered, haunting her. She gagged again, her stomach churning with revulsion. (Y/N) grasped the edge of the sink, her knuckles white with tension, as she struggled to compose herself eventually her legs gave out, and she collapsed to the white floor, her body trembling with anger and disgust. She sat there, her back against the cabinet, her eyes fixed on the floor as tears of frustration and violation streamed down her face.

The bathroom, once a sanctuary, now felt like a refuge from the trauma of the forced kiss. (Y/N) sat there, surrounded by the cold, sterile tiles, trying to catch her breath, in effort to erase the memory of Elias. The man she thought was her cherished partner, a delightful friend. Where ? Where did it all went wrong ? Where was the wrong step or word she utter to lead such devastating ending or was his whole persona was a facade. A spider wed to trap a butterfly like her and she was a naive little thing to walk right on it.

As the night's veil lifted, the sun rose, casting its warm rays upon the world. The golden light crept over the horizon, banishing the shadows and illuminating the landscape. The rays peeked through the curtains, gently coaxing (Y/N) out of her dark reverie.

Her eyes sunken and dark from the sleepless night, slowly opened alike two heavy doors creaking on their hinges. The golden light danced across her face, highlighting the purple circles that had formed under her eyes. The horror of the previous night's experience still lingered, etched on her face like a shadow.

(Y/N) blinked, her gaze unfocused, as the light pierced through her brain, reminding her of the traumatic events that had unfolded. She winced, mind recoiling from the memory. The usual ray of sun, a symbol of hope and renewal, now seemed like a harsh reminder of the darkness she had endured. She sat up, her body droop heavy, weighed down by the exhaustion and emotional turmoil. The golden light continued to pour in, illuminating the room, however (Y/N) felt not a hint of warmth, not of comfort. Only a sense of dread, a fear of what the new day might bring.

Disturbed by her numb thoughts she called her senior announcing her day off slipping the lie of being sick before declining and about to drift into sleep.

DING ! Her doorbell ring. She ignored. Again. Again. Again. Again and again following with a "(Y/N) ! This is me, your mother and father". Irritated she drag her feet to the front door, opening to reveal her aged parents.

"(Y/N)— what happen sweetie ?" Worry weight her words, touching her daughter's check when she flinch unconsciously frightening both her parents and herself.

"Come inside". Heavy her voice sounded, closing the door and sitting on the chair while they together on the sofa.

The air was heavy, thick with tension. Silence was oppressive, suffocating. The atmosphere was dense, like a knife could cut through it. Slicing through the strained quiet like a razor-sharp blade through velvet. Every breath felt like a struggle, every movement a battle against the crushing gravity of the moment.

"Darling, did you fought with your boyfriend ?" Bravely her mother finally questioned raising her eyebrows.

"Boyfriend ? Fight ?" Her voice trembled.

"Or". The old woman grasp. "Did you break up". Her husband rest his palm on her shoulder while (Y/N) confuse more by their words.

"Boyfriend ? Break up ? What are you talking about ? I do not have a boyfriend to begin with so how can I fight or break up with him ?" Frustration she shake her head as if physically shoving their creative imagination.

"Honey, it's alright. You don't have to hide from us. We understand you wanted to keep it a secret but he told us and we accept him as your boyfriend". Her mother calmly smiled providing a sense of comfort yet all she felt was suffocation and more confusion.

"Okay, at first I was sceptical. He looked flashy, an playboy however he is actually a child at heart, a very good one and is always eager to help". This time her father spoke lacing with a fondness she didn't expect him to talk about someone.

"What is wrong with you ! I never had a boyfriend in my life". She scream her lungs out yet her mother clap her hands on her mouth and her father pressed his lips thin.

"We know Elias is your boyfriend. (Y/N), don't be afraid. We are your parents". Then why ? Then why she doesn't feel the warmth from her parents as if they are distant people wearing familiar faces because the words spoken from their lips doesn't make sense.

"He was never my boyfriend ! Who ever told you that ? Don't assume things on your own". Frustration leaking though her voice, eyes narrowed in a glare and lips in disdain from stress.

"He told us himself. Elias told us when he delivery the cake ! Now don't tell me he was lying". Her father sigh stunned to see her daughter's rebellious side at such age.

"W-what ?" She stutter suddenly the world blurred, the walls melt away like a watercolor painting. The room zoomed out, leaving her suspended in a sea of uncertainty. Furniture and decorations receded into the distance, and she felt like she was floating, disconnected from reality. Their voices turn to distant echoes, thoughts a jumbled mess, as shock wrapped around her like a shroud.

"Why would he be my boyfriend ?"

"Why are you asking us ? You are the one in relationship and you are the one to hid it if not for the good man". Enough. The last straw of her held anger cut.

"G-G-Good man ? Good man ? Good fucking man ! You are calling a man who—who—" Words trailed off, lost in the abyss of her own horror, as she struggled to articulate the vile truth. "A-and that good man—" Despite her effectors the sentences remained unfinished, a haunting echo of her own trauma leaving her succumbed to the darkness of her memories.

"(Y/N)". Her mother's brows quiver and her hand touch hers. "I understand". A sense of relief came to her. Her mother understood, understood her assault by the vile, vile man. "I understand couple fight. They fight a lot and dirty but in the end they fight to be better, to be more loving, setting differences aside fight is normal as long as the couple love each other. You going through a rough patch with Elias is normal. He is a good man, believe your mother's judgment". Her words burn a slap on her cheek and her words were salt on (Y/N)'s wound.

"How dare you !" Her voice shattered the air, a raw, anguished with tears rolling down her cheeks. "How dare you labeled a man who forcefully kiss me ! Get out". Standing up, her eyes close feeling her throat constricted, dry and tight, as shame crept in like a thief, stealing her breath and dignity.

"Oh my (Y/N), couples fights are normal so is kissing. He must have meant it to calm you—"

"So he forced himself on me ?"

"He must not had meant to make you—". Her eyes wide in horror watching their impassive expressions oblivious to her distress she felt a stranger rather than daughter sharing a space now. Their faces blur by her teary vision. They are not her parents. They are strangers. They are not her parents if they slide with a stranger who not only forced himself on her but also lied.

"Get out". She commonded raw, loud and clear walking to her bedroom running from the suffocated, unbreathable small space. Her eyes watched her parents walked away, their figures fading into the distance. She felt a complex layers of emotions and when they turned their heads, she quickly shut the curtains, blocking out the sight of their faces. Her strength couldn't bear to look at them, couldn't bear to see their nonchalant expressions.

Turning away from the window and sat down on her bed, her hands shaking as she reached for her phone. She needed someone to talk to, someone who would understand. Her fingers dialed the familiar number of her best friend, the one person she knew would listen without judgment. The phone rang, (Y/N) felt a lump form in her throat. She was ready to unleash all her emotions, to share the pain and confusion that had been building up inside her. She took a deep breath, preparing to pour out her heart to her friend, the only one who could offer her the comfort and support she desperately needed.

"Hello (Y/N) ! How do you do ?" Her ray of light spoke.

"Emily. I-I-I want to talk to you about something".

"Sure, anything (Y/N) ! Aren't I your best friend". Lighthearted giggles on the otherhand comfort her ears.

"The thing is, remember Elias ?"

"Oh ! What about him ? The hottie". A bitter taste left her lips hearing her sound so oblivious yet she understand it's not her fault.

"Well, yes. He yesterday forced himself on me". Silent was the line for a second before a loud screeching noise came.

"What ? That's messed up !" Her firm and resolute voice felt a weight lift from (Y/N)'s heart, a sense of validation wash over her. She was no longer alone in her outrage and hurt. Emily's words were a balm to her soul, soothing her raw emotions. Feeling seen, heard, and believed.

"I knew it you woul—"

"But you see we have to also must see his point of view. He must had done that in desperation to be more than friends with benefits with you. I know normally friends with benefits should know their limits but he is a kind, pure and perfect man for you". As fast as the ray of light came, that vanished in front of her soaking her in cold reality, numbing her heart. Icy truth seeped in, crushing her soul.

"W-what are you talking about Emily ? I never had that kind of relationship with him !! Didn't I told you ?" More tears cover the dry ones, confusion lay on her mind to wonder how each important person to her is on his side.

"Gosh ! (Y/N) forgive me actually Elias told me about your relationship. He was even ashamed to admit it at first before whole heartedly declare his romantic feelings for you that even I was touched". Lies. Lies and lies. Gritted her teeth she decline the call, throwing it on her bed.

Madly her lips parted to scream. Ha ! What a wicked man he is, feeding lies to her loved ones, snatching them away from her and all in an blink of eye and right under her nose. How idiot was she to not notice ? How ? How ? How ? Rage pump on her veins and emotions controlled her rationality.

Swifty she call his number, clenching her fist. "Hello darling, I was waiting for your call". His sickly sweet voice came from the other line.

"Stop this you fucking bastard ! Stop these mind games ! Stop the lies". (Y/N) glare at him though phone.

"Ouch ! Calling my love lies, games hurt more than I expected. I guess this is the power of loving someone. Huh ?" His laughter was like a taunting to her, racing her pulses.

"I will kill you !" She threaten.

"Oh how lovely it is to have your hand on me as I take my last breath". She throw the phone across her bed in disgust and helpless not aware he is driving to her house. Finally obtained the moment he was so patiently awaited. The time to have her vulnerable and alone.

Wasn't she sound so cute right now ? He bite his lips betting she looks more adorable.

Spoiled. Growing up he was spoiled by everyone, every meeting face from his childhood, once they look at his face, they drastically change their behaviors, showering him with free gifts, praises and all, regardless of old or young. He was the beloved of their hearts, the king ruling their minds. Thus, growing up being spoiled wasn't new for him, the admiration stares mixing with some disband doesn't affect him why ? Because that means they are jealous of him. Ha ! Who wouldn't, he didn't view his arrogance as bad, he simply believe it as his confidence nothing more, nothing less after all all women confess to him one after another non-stop yet never did he loved any. Until that fateful day he went to the shopping mall of department store meeting that adorable woman, all red, blushly for him. It amused him to end, what a pleasant play toy to enjoy for sometimes however the drastic change due to her professionalism was a behold see.

She was nothing like the woman he saw that day. He almost tricked into thinking she forget him.

"We met once again, Miss (L/N)"

"Of course, Sir Elias".

Good, she didn't forget him. She simply wanted to act professional. How fun. He enjoyed nailling his usual performance that for some reasons always got him claps, praises when in reality he just does it naturally because he has nothing else to do. Unlike other people investing in their hobby, he has nothing. Perhaps because of that he is used to being pampered, loved and given anything he wish.

However why ? Why once again like yesterday after the event end did she not stay to convey meaningless string of words like others ? Always running away like an lamb catching sight of an wolf. Boring. Elias care not to pay attention to her after all many have dislike him but thousands who love him. The next day encountering her again was a pure game of fates but after noting her little consider habits did he realize she loves him.

Because if she doesn't, who will notice the uneven box of lipstick replacing with the perfect one ? If she doesn't, why she glance at him so many times ? Often smiling and appearing cheerful ? If she doesn't, why she always remembers his drink from the one time he ordered ? And so much more.

She must love him. Right ? Oh ! Oh ! How naive he was to not realize her blunt feelings for him. It's okay he has fallen for her too. Yes, Elias, the man who usual pampered has this sudden desire to pamper his beloved, watching her daily or even seen a glimpse of her flutter his heart like never did before. Their accidental brushes of fingers and shoulders sent him jolts of delight. Once seen her beautiful face could his lips curve to smile itself.

It's okay he will wait. Wait for her to confess and him accept. One week pass, two week pass. Maybe she is playing hard to get. Understandable she must be waiting for the perfect moment to confess that must mean he has to appear perfect right ? Daily he spent hours in front of mirror selecting the perfect outfit, smoothly care his hair, highlight his beautiful face. First it was only limited to changing outfits to style his hair daily to cut his hair in more desirable way to only repeat the routine. Each passing day he is refining himself then why ? Why ? Why didn't she even compliment him ? Let alone confess to him already ? He dolled himself up almost—no surely daily yet what is she so timid about. Til he realize —actually she isn't timid at all.

Rather she is not in love with him. How he got to know ? Because he was hastily ran to the mall, very giggy to meet the heart of his life when his breath stuck in his throat. In front of him a scene of (Y/N) tying a middle aged man's tie that came untie and she welcome him warmly in return of his thanks before talking warmly to the staffs asking if any needs they wishes to have, even helping a woman who's having trouble wearing lipstick and non-judgmentally explaining their products to others.

She is actually not in love with him. She is just nice. As if the gods played a ridicule game to him still his hatred was directed to the gods not her. How could he blame her ? She was a naive little thing. Sooner of later she will come to love him. That's why one day he asked her.

"Do you like me ?"

"Yes, As a good friend !" What a dishearten words.

"I like you too." In a romantic way were the words he choose to not speak. It's okay, if she doesn't like him now she will in the future. All she needs is time. He has to nurture, sewed and take time to built the love or else how it would be possible. First he has to make her alone. Alone to reply on him. And only him.

And the gods were at his side to grace him with the opportunity on golden plate he was used to. Using the excuse to delivery the cake to her parents house was the first step to isolate her. So he did what he was naturally gifted at, winning hearts regardless of age. Quickly they were head over hell, swooning at his lies about their secret relationship and more lies about their wish to keep it a secret as she want to disclose it on her own term. Fools, her parents were and naive his (Y/N) was moving closer to him. Showing him pictures of her friends, spewing all of her work related words and he silently memorize her password so when she went to use restroom or busy checking her tasks, he smartly save all of her contacts.

Charming her friends, dancing them at his rhythm against her, saying they are friends with benefits where he was unfortunate to fall in love and finally he invited (Y/N) home and confess his passionate love.

"You disgust me".

Well, didn't it end badly ? It's alright she will come crawling to him. Right inside his embrace all willingly. Elias will be the bigger person in here, forgiving her amuture mistakes because he loves her.

Ring ! Ring ! Elias stand in front of his beloved house, ringing the doorbell. The finale came and his patient broke all lose. This is the moment she has to be his and he hers.

"Mom, Dad ! I told you—" Her breath hitched and instinctively tried to slam the door shut, but he was too swift, too potent. His hand darted out, arresting the door's momentum with a firm yet gentle touch, and he stepped across the threshold with a fluid motion. The door creaked in defeat, surrendering to his quiet strength. (Y/N) retreated, her heart racing like a wild animal, as Elias's eyes seemed to delve into her very essence. His presence was a palpable force, filling the space with an almost suffocating intensity. With a subtle click, he closed the door behind him, his hand lingering on the doorknob as his gaze continued to hold hers captive.

"What's the hurry hmm ?" The gentle smile contrast to the violent actions was ironic. Unfazed he step forward. She step back.

He advanced, his footsteps deliberate and purposeful and (Y/N) retreated, her own steps faltering in a desperate bid for distance.

With each step he took forward, she mirrored with a hesitant step back, her eyes fixed on his, her breath caught in her throat.

"What are you doing here ?" Alarm danger ringing inside her entire body, sending mix signals to her flight, fight or freeze mode. All she felt being hovered by him was fear, no longer the anger fuming her veins.

"Just here to visit my darling". In sing song manner he told, walking until his wild cat cornered. (Y/N) feeling the wooden wall of her kitchen immediately run away near the stairs.

"Just stay there—". Her words cut off.

"Do you love me ?" Using the same honeyed coated voice he asked.

"I will call the police Elias !" She threatened

"Do you love me ?" He bore his lagoon eyes into her (E/C) ones.

"Please stay away".

"If you answer. Do you love me".

"No. I don't". She spat, bewilded by the fact he would wish for her to love him even after the twisted games he played with her.

"Then will you love me ?" Her face contorted in mix of anxiety and exasperation.

"No". Nodding calmly to her denial he picked the nearby kitchen knife scarying her further.

"No. No. No. No. No. Elias ! Please don't do this—"

"I must or else you won't be mine". Saying she was ready to sprint for her survival however he pressed the knife to his throat, tears streaming down his face like rivulets of sorrow, his eyes pleading for her. "Please be mine or I will kill myself". He gaze fondly at her widen ones.

"You are crazy". She whispered not expected such move.

"Yes, I am for you". A sly, mirthless grin spread across Elias's face, his lips curling upward in a macabre smile. "So will you love me ?"

Tears swelled in her eyes, fear and despair mingling watching his steady hand inch the sharp blade closer.

"No wait !"

"Then say do you love me ?" He whisper alike to the sweet nothings hushes. "Because without you why must I stay alive". He added.

"Okay okay I will say it". She doesn't know. She doesn't know why she says it because a twisted sense of desperation clawed at her chest, a morbid longing to preserve the life of the one she loathed, as if his existence was inextricably linked to her own.

"I l-l-lo— I can't". In despair she collapse unable to bear so many complicated emotions and nightmares at the same time in her seemly simple life. Footsteps echoed the silent room as his shoes came to her view and he bend to her level, throwing the knife and cupping her chin like she was a delicate flower despite plucking her roots and held her.

"It's all right you will learn to love me". A happy smile curve his alluring lips that press against hers. This time the is gentle, caressing and lovely as if petals of love is pouring out of his lips silently conveying his words. Slipping his tongue in hers, he trapped her tongue savoring her divine flovours he was thirsty to drink again. Sucking mouthful of air he kiss more, not letting their lips separated for a moment and close his eyes drowning under the moment while she close her eyes motionlessly stilled, letting him do as he please selling herself to him with the price of forever.

As oxygen grew scarce, he parted their lips grinning ear to ear, leaning his forehead to hers.

"This is a lie. All of these are lies you said to others". She utter hopelessly.

"Then let's make it a reality". He suggested however brows frown watching her shake her head.

"Can't. Too much lies to forget".

Chuckly raspy, he kiss once more saying. "Then let's make it the beautiful lie".

FIN

⌜ Once again thank you @meo-eiru for letting me use your wonderful male character Elias and your permission to write this story along thank you readers for reading the story. Hope you enjoy it ⌟

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nor-4 · 6 months ago

Text

The "B" word trend - Formula one and Reader

A/N: @23victoria when i saw her posts i immediately think of this one so thanks to her! Love her works sm

⋆.˚ Max Verstappen

"Hey everyone, love say hi to the camera." You informed max as you touched his legs to catch his attention, "Hi guys" He waved into the camera throwing out a smile.

"So i saw this trend on tiktok.." You started talking while arranging your bag that is on your lap trying to distract you from nervousness, "Yes.." Max nodded as he turns to look at you.

"If i gave you the permission to say the B word, how would you call me?" You stated as you were looking out the window and back to him.

"What i always call you beautiful, what do you mean permission?" Max looked at you with his typical confused look, "No babe what. I meant by you know the curse word." You giggled as you lightly pushed his face away who was about an inch away from you.

"Oh that, i would never say that to you even you say that to me." He shrugged laughing too, "Called me once a bitchy whore for wearing my suit and an attitude." he faced the camera as if he is complaining to the viewers before ending the video.

⋆.˚ Logan Sargeant

"If i let you say the B word, how would you say it?" You asked him on ig live while eating beside him, "B word? Bookie? Bookie you look good and shit." Logan continued as he is looking for an answer on your reaction. He isn't fond to these kind of trends but he knows damn well what pookie and bookie is.

"You know bookie but you don't know the b word." You questioned him.

username11: Bye i didn't know this is how the trend is supposed to go

loganlover34: Logan chronically online confirmed?

⋆.˚ George Russell

"So if i let you say the B word, how would you say it?" You asked george and oh boy he is ready as he already seen that trend earlier this morning.

"Okay it's something like this. Biiitch you look so fucking gorgeous or Bitch! You look so fucking gorgeous girl." George sassed waving out his fingers infront of you, "Aw you look like a little twink georgeyy." You stated pressing the e on the nickname as you know how much it cringe him off.

"Eugh, you are taking a piss." George pointed out at you with a disgust changing out his mood, til this day it still makes you laugh on how he acts like the videos of Paul and Morgan on tiktok.

⋆.˚ Lando Norris

: Babe, random thought. If i let you say the B word to me, how would you say it?

Lando reading the text out loud for the stream cause he couldn't show to everyone what contains you conversation. "Oh i think i know this one, It would be like. I love you bitch, ain't never gonna stop loving you bitch." He is saying what he is typing as his friends talk to the background.

Lando: It would be liek. I love you bich, ain't never gona stop loving you bicht.

: You are typing bich baby, that doesn't count.😭😭😭

"You are typing bich. Like bich, what the hell is that spelling right there. That's so british." He yelled at the mic reading out that one typo and ignoring the other.

⋆.˚ Carlos Sainz

"So would you call me the B word if i let you?" You asked facing the phone at him, he is very familiar of this kind of trend as the ferrari hospitality is flooding him with trends especially the "Watch carlos for a second" video.

"Bello. That's the b word i will call you." He smiled very proud of his answer, "Noo you know what b word I'm talking about carlos."

"Bebita, you know papa will kill me if he ever found out I'll call you something like that." It's true though Carlos senior already threatened him about saying things like that around you and to you. "But you know-"

"No. Bello that's the word." he cut you off.

⋆.˚ Daniel Ricciardo

"I already told you danny i wouldn't do anything if you say it." You have been laughing for solid straight 10 minutes now ever since you asked that question, "Bii... Honey i really can't say it." Daniel is like that one Noah and Lori video and that's why you are laughing because of the resemblance.

"Come on, do you want me to cheer for you?" You teased him as he has been jumping, walking, running or just doing anything other than saying the B word.

"Sorry i just couldn't bring myself to say it, okay i lost." He shrugged defeated before slumping down to your feet resting his head on your lap hugging your legs as if his life depends on it.

⋆.˚ Lewis Hamilton

"So how would you say the B word to me?" You have been asking the same question for fifteen times now as he is trying to avoid that question by changing the subject or asking something back at you.

"No i wouldn't say it it's either you will cry or you will be aroused." Lewis said before slumping down the sofa beside you and roscoe beside you.

"Lewis, what?"

"What, who said that?" him acting cool as he wrap his arm around you waist eventually reaching up to roscoe cuddling up the both of you as if you guys are the most fragile and comfortable thing ever in the world.

⋆.˚ Charles Leclerc

"If i gave you permission to say the B word, how would you say it?" You asked charles and yes it is a very easy question for him as cursingg at your significant others isn't a thing for him it will never be and he thinks that everyone thinks like that too.

"Hello beautiful." He answered before biting into his food, "That's sweet, but not that b word. The other one you know" You corrected him leaving out your food for a second for his reaction.

"Oh i didn't know you are into degrading when it comes to intimate stuff." Charles said before giggling like a teenager, "Cha you know that's not what i meant."

"Yeah but you are into it though"

⋆.˚ Fernando Alonso

Oh girl we didn't see that asking this on live is very bad idea. "If i gave you permission to say the B word, how would you say it?" You asked him placing the phone infront of both of you.

"My belleza? It's the best b word, it fits you." Nando confidently said placing a hand on your back rubbing it, "No i mean by the bad b word." You cleared him.

"My bitch, doesn't sound good. I prefer my belleza more, it fits you well especially when you look under-" You slap Fernando's mouth before everything went down for you as how it is already, "We are on live you oldie." you joked before jokingly throwing his head away.

username3: Got that on screen record lmao

username4: Fernando you nasty girl😝

⋆.˚ Oscar Piastri

"Oscah if i gave you permission to say the B word to me, how much say it?" You asked out of nowhere which made him give you a stank eye once again, "You know you are the B word but i will never say it to you." He rolled his eyes before continuing to type on his phone for his twitter post.

"So if i am there's still a possibility you will say it?" You asked once again pretty same question cause we know you are not gonna let it go, "No, leave it now miss girl before i make you." you know what he means by that and because of that you wouldn't leave him alone.

⋆.˚ Zhou Guanyu

"babe if i gave you permission to say the B word, how would you say it?" The first thing you asked in the early morning after a tiring night, "Woman i know this is a trap stop it right now." Zhou finally learned with all these stupid question you asked after failing many times and completely losing his mind.

"I'm just a woman to you know?" You pouted before turning your back at him deciding to cuddle sweetcorn who is sleeping beside you, "Of course not love, you're my woman." he stated before sneaking his arms around your waist and petting sweetcorn.

⋆.˚ Pierre Gasly

"If i gave you permission to say the B word-" yeah he knows it another chronically online men.

"No baby." Pierre said shaking his head from side to side, "I didn't even finished." You raised your eyebrows looking at him as if you suspicion him of something.

"Did your other bitch ask you this question? Why do you know this trend?" You asked pierre as he turned his head at you as if you are going crazy or something, "Are you okay? Literally every post i upload on Instagram your face is there." he tried defending moving his arms in the air while talking.

"So you are getting tired of it?" You asked again feeding his frustration as he just look at you with mouth agape.

#max verstappen x reader #logan sargeant x reader #lewis hamilton x reader #pierre gasly x reader #daniel ricciardo x reader #carlos sainz x reader #charles leclerc x reader #zhou guanyu x reader #fernando alonso x reader #oscar piastri x reader #george russel x reader #lando norris x reader #formula one x reader #formula 1 x reader

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sourmiguel · 6 months ago

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Hi there!

Biggest sterek fan here, could you recommend any Alive Hale family fics where they love Stiles and want Sterek to happen.

Bonus point if Peter plays the matchmaker and tell Derek to stop being uptight

Pretty please 🙏.

Also thank you for the amazing work you’re doing with your blog, much appreciated 🫶🏻

Hey! I have so many Alive Hale Fam fics bookmarked it's crazy! I love them so much. I'm not coming up with any Peter ships Sterek specifically, but here is a wide variety of some fun Alive/Meddling Hale Fam fics:

Blind Date With a Book by thepsychicclam (wc30361, mature)

Summary: Stiles thought the Blind Date With a Book trend was a great way to drum up business for his small bookshop. He definitely thought it was a great idea after the hot guy kept returning and buying more blind dates with books. Derek didn’t know how he kept getting set up on blind dates by his family, or why he kept going on them. The highlight of his night was when the date was over and he could go to the little bookshop in town and buy something to read for the rest of the night. He wanted to read, not date.

I’m totally obsessed with this fic. So cute. I love Derek and his aversion to his blind dates. I love Stiles and how cute and eager he is. I love their game nights. I just love this.

Follow the Jelly Beans by @afailureandamasterpiece (wc5793, teen)

Summary: Derek waves hello to everyone else who is gathered around a bare tree and hops up the stairs to his childhood bedroom to put on his soft flannel bottoms. Gracie had picked them out especially for him last Christmas and he made sure to pack them for the traditional pajama decorating party. Only his pants aren’t in the bag. In fact, none of his belongings are in the bag. It’s not his bag at all. “Oh no,” he mutters, sifting through the contents. “Who the fuck packed this?”

I love: meet cutes, Hale family love, single father!Stiles, fluff. This has all of that.

Just a Hobby by kaistrex (wc3009, teen)

Summary: Five times Deputy Derek shelters his partner from the world of the supernatural and the one time he discovers he’s just been making a fool of himself.

Silly Derek, trying to shelter Stiles from the big bad world of the supernatural.

When You’re Close I Feel The Sparks by Leslie_Knope (wc39671, mature)

Summary: The guy is hot as hell, sure—leather jacket and glasses, Jesus, be still Stiles’ poor, bisexual, beating heart—but more importantly, it must really suck being new on the first day of senior year. “We’re adopting him,” he decides, tugging Scott and Kira by the elbow in that direction. “Let’s go.”

This is the best kind of HSAU - still in the ‘verse, just everyone lives. I love the progression of their relationship and the twists and turns of this fic!

Hale’s Modern Encyclopedia of Playing Cards (and Dating Humans) by thepsychicclam (wc49698, mature)

Summary: Wolves don’t date humans. And Derek’s okay with that. He’s got his Pack, his friends in the Pack network, and lacrosse. Plus, he plays cards with his grandma all the time. Stiles Stilinski definitely doesn’t factor into his life - no matter how much of a crush Derek has on him. But when bird creatures attack Derek, Stiles, and their friends in the Preserve, Stiles finds out about werewolves and things get pretty complicated. For Derek at least. And he thought school was his only problem, but now he’s grounded and Stiles is hanging around way too much for Derek to ignore him any longer.

I adore Derek and Stiles’s relationship and the growth it goes through in this fic. I think Derek with an uncontrollable crush that makes him wolf out in Stiles’s presence is so cute. I also love the Hale fam and the way Stiles (and Scott and the Sheriff) just get folded in after the crazy. So good.

Children’s Tales by @artemis69 (wc4690, general)

Summary: Be careful, little girl. Don’t go causing troubles in Beacon Hills, little girl, because the Hales live there. Keep away from Beacon Hills, little girl, or the Hales will destroy you. – Or: In a world where the Hales are alive and the protectors of the town of Beacon Hills, the humans politely fake ignorance of their not-really-human status, and they all live happily ever after. Then Kate comes in. Well. Tries to.

There are so many things about this fic that I love - the Sterek friendship, the Hales protecting the town, and the town protecting the Hales right back. So great.

Followers, let us know if you have any Peter ships Sterek / Alive Hale Fam fics for us!

#sterek #fic search

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joeys-babe · 1 year ago

Text

Backstory

You and Joe defied all odds as high school sweethearts. It was the basic story; you were on the cheer team while he was the quarterback of the football team. Everyone around you said it wouldn’t last, and once Joe was committed to Ohio State you started questioning if your relationship would last as well.

Even with Joe in Columbus and you in Athens completing your senior year of high school, it was you two against the world. You FaceTime’d every chance you got and it seemed that long distance brought you two closer. When Joe transferred to LSU and was taking all online classes, it was a lot easier for you two to have time together.

It wasn’t long till Joe was back in Ohio with the Bengals, you seriously couldn’t be any more proud of him than you were when he was the #1 pick of the draft.

In 2022 when the team won the AFC Championship, Joe surprised you with a quick drive down to Athens where he would propose to you in the most romantic way possible. You both celebrated the engagement with your families around you.

That offseason started when the team lost the Super Bowl and though Joe was devastated, he couldn’t be too sad knowing that he was marrying his best friend that offseason.

Just right before the next season started you found out you were pregnant, and you and Joe were ecstatic. You’d soon find out that you were expecting twins.

These Imagines follow you and Joe through the NFL, parenthood, and living the best life possible.

Out Of My League flashbacks to high school, OSU, and LSU here!

(☆ = Trends or pranks on Joe!)

Imagines

Get It On* ☆

Kiss Me* ☆

Birthday Boy

Touchdown Celebrations

A Day In The Life

Let Your Love Flow*

Caught Up In You

Easter

Birthday*

You’re All I Need To Get By*

Mary Jane’s Last Dance

My Man* / Two Of Us*

Take It Easy

Crazy Love / I'm So Tired

Feel Like Makin’ Love*

Blurbs

Take My Breath Away

Water ☆

Say You Love Me ☆

Drive My Car ☆

Santa

Kiss an Angel Good Mornin’

Baby, It's Cold Outside ☆

Lights

Wonderful Christmastime

Strawberry Acai ☆

Can’t Help Falling in Love ☆

Isn’t She Lovely

Yogurt ☆ / Can't Take My Eyes off You

With A Little Help From My Friends ☆

Dinosaur ☆ kinda

Hickey ☆

Boyfriend ☆

Blank Space ☆

Psycho ☆

Angel Eyes ☆

Joy Of My Life ☆

I Love a Rainy Night

The Real MVP (Flashforward)

#joe burrow #bengals #joe burrow imagine #joe burrow x reader #joey b #cincinnati bengals #joe burrow fan fic #joe burrow smut #joe burrow universe #Spotify

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thoughtportal · 3 days ago

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Many penguin species huddle together in massive colonies, but pairs of yellow-eyed penguins go out of their way to be alone, nesting deep in New Zealand’s scrublands and forests out of sight of other penguins. When pairs reunite at the nest after one has been away fishing, they greet each other with a piercing cry that Thor Elley, an endangered avian species researcher at the University of Otago with Māori roots, likens to “a whistling tea kettle rolling down a hill.” The species’ Māori name, hoiho, roughly translates to “noise shouter.”

Screaming and antisocial behavior may not seem like beloved traits, but these penguins are revered in Māori culture as taonga, or treasure, even gracing the country’s $5 bill. They are “protected by sacred origins,” Elley says.

But one of New Zealand’s favorite endemic birds is also one of its rarest. The International Union for Conservation of Nature estimates that only between 2,600 and 3,000 hoiho exist. About a third live on New Zealand’s South Island and nearby Stewart Island. The rest inhabit sub-Antarctic islands some 300 miles to the south. In the past 15 years, the northern population has plummeted by roughly 75 percent, and researchers expect that group could disappear within the next two decades if the trend continues.

The decline stems from a litany of factors. Red cod, once a pillar of the hoiho diet, has become scarce, and blue cod, although larger, are harder to catch, eat and feed to their chicks than other staple fish. Penguins also drown each year in commercial gillnets. And a pair of diseases, avian diphtheria and, since 2019, a mysterious and fatal respiratory illness, also infect virtually every chick. Janelle Wierenga, a veterinary scientist at the University of Otago and Massey University, says potential vaccines and drugs are likely years away.

To keep the species afloat, wildlife hospitals and conservation groups have taken the radical step of removing every single hoiho chick on the South Island from its nest and placing it in human care for its first week or so of life. Chicks are treated with antibiotics to heal the mouth sores caused by avian diphtheria. They’re also fed fish smoothies to boost their strength. It’s unclear how, but this extra care prevents chicks from developing the respiratory disease. “I’ve got the feeling that the diseases are a secondary problem, and the primary problem is the penguins don’t get the sustenance they need,” says Thomas Mattern, an ecologist at the University of Otago.

In 2023, the Dunedin Wildlife Hospital hand-reared 214 hoiho chicks. Without human intervention, 50 to 70 percent of those chicks would have died, Lisa Argilla, the hospital’s senior wildlife veterinarian and director, estimates. But these herculean efforts can only offer a short-term reprieve. “We are trying to buy this population as much time as we can,” she says. “You feel like you’re fighting a losing battle, but we couldn’t live with ourselves if we didn’t fight for these penguins.”

#article #penguins #new Zealand #Maori #birds #conservation #Smithsonian #zoology #animals #extinction

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christinesficrecs · 1 year ago

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Also, these gems are still on tumblr for your enjoyment. 🧡💙🧡 here, here, here, and especially this one. Oooh, this one too.

the lunch table configuration | 16.6K | Explicit

When Isaac makes Derek switch lunch tables, the last thing Derek expected was to fall for Stiles.

between the click of the light and the start of the dream | 105.1K | Explicit

It's Stiles' senior year, and he's trying to concentrate on normal things - like the lacrosse championship, spring break, prom, graduation (and definitely not Derek) - when he starts having nightmares and waking up in the middle of nowhere. Oh yeah, and he's being haunted by a hag. Great.

The Hollow Moon | 180K

It’s the summer after Stiles’ first year of college, and he’s working a crappy job and dealing with nightmares and anxiety - but he’s okay, he swears. He makes it through most days without too much trouble. Then, a certain werewolf comes back into town. Which Stiles doesn’t care about, nope, not at all.

Blind Date With A Book | 30.3K

Stiles thought the Blind Date With a Book trend was a great way to drum up business for his small bookshop. He definitely thought it was a great idea after the hot guy kept returning and buying more blind dates with books.

Derek didn’t know how he kept getting set up on blind dates by his family, or why he kept going on them. The highlight of his night was when the date was over and he could go to the little bookshop in town and buy something to read for the rest of the night. He wanted to read, not date.

This Started As Only Make Believe | 44.1K | Explicit

Derek is trying (and failing) to juggle his career, coach lacrosse, and raise his 5 year old werewolf daughter. When he adds his bitter ex-wife and his daughter's slight attachment to him, Derek knows he doesn't have any time for a life of his own - and definitely no time for the super cute daycare teacher.

Past The Breakers | 40.7K

Stiles and Scott get summer jobs at the exclusive Seawolf Beach Resort, and the last thing Stiles expects is to start taking surf lessons from the hot lifeguard.

This Might Be Irony | 38.3K

Stiles and Derek have been close friends since the Hale siblings moved in next door after their parents’ death. But Derek’s in the popular group, he’s a star baseball player, and he dates popular Pep Squad captain Jennifer Blake. Stiles doesn’t have any of that, just his skateboard and a hopeless crush on Derek (oh yeah, and his Vote Lydia Martin Prom Queen button). As prom and the baseball state championship grow closer, Stiles and Derek start rekindling their friendship.

And it all begins with two white boards.

heart as black as night | 97.7K | Explicit

It's 1924, and Derek Hale is a bootlegger and runs one of the many speakeasies in New York with the help of his Pack. They don't know, however, that he's also a hitman for his Uncle Peter, a shady Omega with mafia ties to whom Derek owes a huge debt.

Stiles Stilinski is about to graduate from high school and start working at the docks when he stumbles into the Sour Wolf, a speakeasy with lively music, a glamorous jazz singer, and a certain dark, handsome, and moody bartender that Stiles can't stop thinking about.

my heart’s been offline | 58.8K

31/M/New York. Rich, lays in bed all day, likes to read (aka Derek Hale, son of an Oscar winning actress, brother of one obnoxious reality star and one rebellious fashion designer, hates the paparazzi so much he’s a recluse)

26/M/California. Boring office job, likes to read (aka Stiles Stilinski, co-owner of a 100 acre organic farm with his dad and two best friends, writer of obits for a newspaper, has absolutely no life)

Or, where Derek and Stiles meet online, and Stiles has no clue Derek’s part of a famous family.

I Ran (So Far) | 33.7K

In which Stiles’ summer starts off so badly he starts running, gets pelted by paint balls, and decides he is, in fact, going crazy if he willingly wants to hang out with Derek Hale.

But The World Won’t Stop Turning | 19.9K

Derek glances at Stiles, who is watching him with a curious expression.

“Oh shit,” Stiles exclaims as comprehension dawns on him. “Everything makes sense now. Derek, I know what the witch did, she cursed you with – “

But before Stiles is able to finish his sentence, everything fades away and Derek is surrounded by darkness.

I'll Be Seeing You | 81.4K | Explicit

In the summer of 1941, with the country on the brink of war, diner waiter Stiles meets Derek Hale, an army soldier just passing through Beacon Hills.

Babcia Knows Best | 11.8K

Stiles takes his grandmother to bingo every Thursday. Now there’s a new guy calling out the numbers, and his grandmother has decided to set them up.

Wild Horses | 78.9K | Explicit

Derek's a drifter with no home, no destination, and no will to live. Stiles works on his family's failing cattle and horse ranch while all his friends are going off to college. When Derek falls asleep in a random barn, exhausted and half-starved, he doesn't expect to wake up on the other end of the sheriff's shotgun. And Stiles sure as hell doesn't expect his dad to invite the drifter in for breakfast.

no aphrodisiac like loneliness | 19.7K | Explicit

Stiles is 27 now, with a master’s degree and a career and a house and a serious boyfriend and a life in San Francisco that doesn’t include Derek. But then Stiles unexpectedly shows back up in Beacon Hills, and Derek would recognize that scent anywhere.

#sterek #sterek fics #ficrecs #fanfic writers #sterek fandom #author spotlight #thepsychicclam #author appreciation

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askoverlordvox · 3 months ago

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VoxTek™ Employment Contract

I, @helluvahotelfan , invoke the infernal powers of Hell to complete the following contract between myself and the Overlord, Vox. Hereafter, "the employee" will refer to Jenn, "the employer" will refer to VoxTek™, "the Overlord" will refer to Vox, and "the contract" will refer to this agreement, signed and sealed by a handshake.

Payment: to complete this contract, the employee signs over possession of their soul to the Overlord. For as long as the soul remains in the Overlord's possession, the terms and conditions of this contract are considered valid. Additionally, the Overlord cannot kill or willfully maim or harm the employee while this contract is in effect.

Terms: The employer will provide housing(1), a competitive(2) salary, the latest(3) model of Hellphone, insurance (4), two weeks of paid training, 30 vacation days per year (5), 30 days of sick leave per year (6), a free upgrade to replace or enhance a body part(7), a 200 year(8) retirement plan, and 24/7 protection from reasonable(9) threats. The employee will fulfill the job description provided below to the best of their ability.

Conditions: This contract remains in effect provided both the employee and the Overlord wish to continue adhering to the terms. At any time, either party may request breaking the contract. The request must be accepted by the Overlord. The Overlord reserves the right to change the job assigned to the employee in the event of subpar performance.

Job Title: Junior Data Collector

Department: Research & Development

Job Scope: Junior Data Collectors follow instructions from Senior Data Collectors and report to Project Leads all data obtained throughout marketing, testing, and further analysis. Data Collectors observe tests, trends, and other indicated measurements at the direction of Project Leads and record data as instructed by Project Leads. Data Collectors are expected to report accurate figures. Data Collectors may, on occasion, be asked to participate directly in Projects but never to the extent Hazard Pay would be required. Any injuries incurred as a result of Data Collection are to be reported immediately to the Project Lead.

Hours: Mandated work hours are 1000-1600, Monday-Thursday unless Project Leads get approved for a different work cycle.

(1) Housing starts at one bedroom, one bathroom, kitchen and washer/dryer included 550 square foot apartment. Housing can be upgraded through promotion or by registering dependents with Human Resources. (2) Competitive rates based on job title and relative cost-of-living analysis for Pride ring standards. Salary will always be 400% of current housing cost. (3) Latest model refers to latest model to pass all safety checks and either is commercially available or in phase 4 of production. (4) Insurance covers health, vision, and dental plans, as well as maternity/paternity leave, Family Medical Leave Allocation, and associated costs. (5) Unused vacation days roll over but will not exceed 75 days. Vacation days accrued past 75 days will either be paid out to the employee in a lump sum, signed over to another employee, or forfeit. Decision must be made within 1 month of employment anniversary date. (6) Unused sick leave rolls over but will not exceed 60 days. Illness or injury requiring more than 60 days to recover but at no fault of the employer will be deducted from vacation days. Illness or injury incurred during the execution of job duties will not be charged to the employee. (7) Available upgrades subject to change depending on demand. Specific upgrade offered: replacement of one eye with a VokTek™ High Definition digital recorder. Any data or information recorded by an upgrade becomes property of the employer with employee consent. (8) 200 year retirement plan based on projected life expectancy increase following the cessation of Exterminations. In the event Exterminations resume, this requirement will be lowered to 50 years. (9) Reasonable threats are those not provoked by the employee, provided the employee remains within designated areas when directed by senior personnel. Ex: leaving the approved VoxTek™ Extermination Bunker during an Extermination or insulting an Overlord/Sin/Ars Goetia are examples where the employer is no longer liable for the employee's protection.

Signed and confirmed via handshake with the Overlord,

Jenn

It took me a moment to find it, I apologize; you wouldn't believe how many copies I have in my office. Of course I have a digitized copy but Hell runs on old school methodologies, so having a hard copy is still required.

Now, @zayne1, you can make your determinations.

#ask overlord vox #vox has eyes everywhere #ask blog #sinner jenn #((this took entirely too long and it's way too concise to be a proper contract))#((but there's a reason I didn't become any type of lawyer and it's because their shit's too fucking wordy))#((also fuck now I wanna work for Vox give me those fucking hours bro))

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itgirlgyu · 1 year ago

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✷ zb1! if not the idols of your heart, what jobs would they be doing?

み this is just inspired by the in bloom lyrics for fun!!! 𓂃𓈒 zb1 ot9 ࿁ do not take it seriously please! › ‹゜

𖥔 zhang hao!

morning show news reporter.

he's up there at the ass crack of dawn at some random man's roof reporting to you live.

like why are you telling me that the morning has come boy??

also see him in the street doing personal interviews but it's always so invasive.

like "have you ever gotten hemmoroids? what are your thoughts on it?"

𖥔 kim jiwoong!

weather boy.

like why are you backing up zhang hao like has the flowers bloomed??

he's gonna tell us that's it's spring next.

it just makes sense because when he has to point somewhere north west in the map

he gets out his make shift cane like he's borrowed it off mr. grey

and he starts appealing his ass to the camera as much as possible.

the rating of morning show has been all time high!

𖥔 sung hanbin!

marriage matchmaker brand ambassador.

neither married nor dating but that's only because he has to lure in customers.

there's cutouts of him making a surprised face at a ring at every corner of seoul.

national "the kind of face that makes you want to get married." in korea.

𖥔 seok matthew!

chain restaurant owner.

but he's like at every goddamn establishment of his, running his mouth and working his ass off with the staff in the kitchen and the servers.

like he's using a hanky to wipe his sweat as closes a partnership deal with a multi millionaire company while serving chicken.

he literally only got big with the help of word of mouth.

like that's the power of a motormouth

𖥔 kim taerae!

strong feeling he should be a judge at rupaul's drag race.

like he literally started the whole sassy men trend idc

he'd get it.

but also he should have been a vine star turned singer either way because

i feel like he'd eat that "here's come hurricane katrina bitch" song.

𖥔 ricky!

jobless rich handsome senior.

literally don't see him working anything other than that god given face of his.

maybe a florist.

but the one that has like 30 staffs under him and only works as an influencer for his 30000 dollars a bouquet business.

like the most he'd do is post a picture on his instagram fixing the bow on his 300000000 dollar bouquet.

and it's always white roses.

𖥔 kim gyuvin!

works part time as a crane in a construction site.

not using the crane but as the crane.

had news paper from all over the globe coming to him like how do you do it?!?

gyuvin—"gotta utlise my height somehow."

also works part time as a break up guru.

i feel like he'd excel in it.

𖥔 park gunwook!

community service down the street with jongho.

he's at there helping grandmas cross the streets and singing and dancing and breaking fights.

breaking apples and showing off his strength.

like yes granny don't worry he'd braid both of yalls hair!

𖥔 han yujin!

i do not support minors working!

COPYRIGHTS RESERVED TO ITGIRLGYU 23'. FEEDBACKS AND REBLOGS ARE APPRECIATED! PERM' TAGLIST: @impureperhaps @full-sunnies @ox1-lovesick @jisungsdaydreamer @wonioml @1921choi @forever-in-the-sky2 @beoms-sugar @gyuletters

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aois-amaterasu-painting · 12 days ago

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13th anniversary pamphlet interviews (2015)

Ruki

Interviewer: I’d like to explore how RUKI from 13 years ago and the RUKI of today have changed. Looking back now, how do you feel about yourself when the GazettE first formed?

RUKI: Looking back, I might not have had much of a clear vision at that time. I think I acted more impulsively back then than I do now. I was probably just charging forward without really knowing what was right or cool. Of course, I had my own idea of what "cool" was in my head, but when I actually did things, I often found myself thinking, "Whoa, this isn’t it." Back then, it was mostly just about wanting to be in a band. I didn’t have a set concept or a clear direction like I do now. Although I was approaching adulthood in terms of age, I was still very much a kid.

Interviewer: But, in reality, you don’t just become an adult overnight at a coming-of-age ceremony, right?

RUKI: Exactly, it doesn’t work like that. The coming-of-age ceremony is kind of like being forced into adulthood through a ritual. I attended mine, too—though it was only because my parents told me to (laughs). Back then, I had long, platinum blond hair. The ceremony was held in a banquet hall at a local hotel. A lot of my local friends were there, including some who had been rebels but were now going to college. Naturally, I stood out. Everyone was asking, "Are you still doing the band thing?" (laughs). And to top it off, it was the same day that my previous band had disbanded. So, I was in a pretty bad mood, feeling like I didn’t fit in with society and was still stuck doing this band thing.

Interviewer: In situations like that, you become more aware of how far removed you are from the average path in life, right?

RUKI: Exactly. Normally, I don’t think about those things. Now, it doesn’t bother me as much because I’m making a living (laughs). But back then, I had no money, my band had broken up, I had blond hair… It was quite a situation (laughs).

Interviewer: When starting the GazettE, you all mentioned that you intended it to be your last band. Were you serious about that at the time?

RUKI: We all said, ‘We’ll make this band last long.’ After all, we hadn’t managed to keep a single band together for more than a year. Even after we started playing at live houses, it was the same. The longest we lasted was about eight months.

Yes, we were serious about it. Back then, we’d dissolved several bands in a short time. When the band I was in before my coming-of-age ceremony broke up, people even laughed and said, ‘Again?’ Because of things like that, I decided the next band would be my last—no matter what happened.

Interviewer: That’s probably because, at the time, you didn’t have a clear idea of what you wanted to do, right?

RUKI: Yeah. Back then, unlike now, I felt like I wouldn’t survive unless I reflected the times more blatantly. If there was a type of band that was trending, all the bands with a similar style would also be popular. So, back then, the idea was to join that trend, and if you became the best within that framework, you’d make it big. There were a lot of bands that were eccentric and extreme, kind of like the trend back then. And when someone created a new movement, everyone would just shift to that new style.

Interviewer: What kind of direction were you aiming for at that time?

RUKI: Hmm... To put it simply, I just wanted to be in the most intense band around. I didn’t care much about melody or songs back then (laughs). As long as we were the most aggressive, that was enough. Everyone around us was aiming for that too, and our seniors had that same vibe. It was all about how wild or intense your band could be. So, if someone from the older generation did a crazy performance, I’d be thinking about how we could top it. We kept repeating that pattern.

Interviewer: In a way, you were trying to become something extreme. Despite the short-lived nature of your past bands and your hometown friends moving on to become working adults, was there ever a point where you considered quitting band activities?

RUKI: No, I never thought about quitting. I figured if I gave up music, I’d probably end up homeless (laughs). I mentioned that in interviews back then too. I couldn’t really imagine doing a proper job, and I had a strong feeling inside of me like, “I don’t want to live a normal life!”

Interviewer: You didn’t want a life where you wore a suit and went to the office every day?

RUKI: Yeah, I still feel that way today. It just doesn’t suit me. I absolutely hated the idea of living an ordinary life, and I was like, "That’s not who I am!" Looking back, I guess that’s pretty chūnibyō (middle-school syndrome) of me (laughs).

Interviewer: For example, did your parents let you live freely and follow your own path?

RUKI: No, not at all. Actually, I was disowned (laughs). I think it happened sometime after the coming-of-age ceremony. Simply put, I wasn’t coming home at all. I was always with the band members. The truth is I ended up cutting up the clothes my parents got for me for the coming-of-age ceremony and turning them into stage outfits. That was the trigger. They told me, "Get out!" and I was like, "Fine, I’ll leave" (laughs). So, because of that, I was in a situation where I couldn’t really go back.

Interviewer: So practically speaking, you didn’t even have a home to go back to, meaning you had no choice but to keep going with the band.

RUKI: Exactly. By that point, I was already in this band, but I thought, if I fail at this, I’m done for. I even wondered if I’d just die like this. That’s the kind of young person I was (laughs).

Interviewer: I’m glad you didn’t fail (laughs). But did you ever think of a backup plan, like what you’d do if the band didn’t work out?

RUKI: No, I didn’t think there was any way we could fail. I never had any doubts. For example, in the band I was in just before this one, we consistently had about 90 people coming to our shows, which was a pretty decent number at the time. Back then, if you could do a one-man show at Rokumeikan, you were seen as a monster band (laughs). But when we started the GazettE, we had 6 or 7 people in the audience. Our lowest number was 6. At that time, I was the one holding the band's phone, so I handled ticket reservations. I didn’t need to ask anyone—I knew exactly how many tickets were being sold, and that number just kept going down. But even then, I had this feeling of, "We’re not just this. We’re more than this!" I think that belief in our success came from some kind of confidence.

Interviewer: It’s like something out of a manga, like Yamikin Ushijima-kun, where young people say, "I’m more than this. The world just hasn’t realized how amazing I am yet." Did you feel the same way?

RUKI: No. Those kinds of people in manga say things like that without actually doing anything. In my case, I was doing things, but it just wasn’t working out. For example, I’d think I was performing a certain way, but when I checked the footage afterward, it didn’t look like that at all. There were tons of things that needed improvement. I had just switched from drums to vocals, so I started singing at karaoke-level without knowing anything about stage presence. So, I spent time studying, watching other people's performances, trying to absorb things, and experimenting. It took me way too long to really get those things down, so it made sense that we didn’t have much popularity back then (laughs). But even so, I felt like, if I could get my act together, we’d definitely become something incredible. There was always a part of me that believed in myself.

Interviewer: So, you knew what you wanted to do was right, but you just couldn’t quite execute it yet.

RUKI: Exactly. I didn’t have the knowledge to raise my level to where it needed to be. I’d never been a roadie for anyone, and I didn’t have any senior mentors to rely on. So, it was tough. But when I stood on stage at a live house, I believed I could become like LUNA SEA or Hide. I had that much confidence, but when I watched the live footage, it was completely different from what I had imagined. I was always thinking about how to close that gap between reality and my ideal.

Interviewer: So, you were constantly working on narrowing that gap.

RUKI: That’s right. Even now, there are still aspects of that. Even if I didn’t excel in a certain area, as long as I could compare myself to someone and think, "I’m better than this guy," that was good enough for me. No matter what others said, as long as I felt like I was winning internally, that was all that mattered. That went on for a long time, even after we started performing at larger venues. But then, when I met the people I admired, I realized, "Oh, I’m not the same as them." I’d think, "It’s pointless to chase after this person." I had been chasing an ideal for so long that my way of thinking was still like a kid’s. I realized that just following in someone’s footsteps wouldn’t let me surpass them, and I’d just end up becoming more like them. When I got the chance to meet the people I admired, like Kiyoharu or RYUICHI, I started to realize, "This isn’t what I’m looking for in terms of what’s cool." That’s when my mindset started to change drastically.

Interviewer: After all, even the people you admired, the ones who were your role models, were likely chasing after someone themselves at one point.

RUKI: Yeah, but back then, whenever someone pointed that out, I’d try to deny it. If someone said I was copying someone, I’d completely reject that. But now, I can accept that as part of my past. If someone says I resemble someone, I can fully agree with them now.

Interviewer: Originality isn’t always something you’re born with. Sometimes it starts with imitating someone, and through that process, you find your own path and eventually create something unique.

RUKI: Exactly. But I still feel like the people who invent something new are the ones who reach the top. It’s like that in any genre. The people who stand out are always the coolest. However I realized that instead of just mimicking those people, I had to come to the conclusion that "I am who I am."

Interviewer: In that sense, it might have been fortunate that you got the chance to meet the people you admired relatively early on, right?

RUKI: Yeah, I think so too. Meeting people is really important in that way.

Interviewer: From around the age of 20, during the next 10 to 15 years, people go through significant changes, even in a normal life. In a way, it’s a period where your future is largely shaped. Looking at it from that perspective, do you think the current RUKI, as a person outside of music, is different from the RUKI back then?

RUKI: I think I’ve changed. It’s like there were stages of growth... For example, when I first met RYUICHI, I thought it was cool to act aloof and edgy. Even the image I projected in photos—I thought that was fine. I believed being aloof and saying things you shouldn’t say was what being "rock" was all about. But when I met RYUICHI, I thought, "Wow, what a calm and open-hearted person!" It was this sense of ease and composure, I guess. The common thread among all the senior artists I met was their sense of ease. In contrast, the seniors who were closer to us in age acted really superior. The ones just one year older than us were so edgy. But the seniors who were way ahead of us had this air of calm, and it just made me sigh in awe (laughs).

Interviewer: So, did you suddenly become kinder to your juniors the day after realizing that?

RUKI: (Laughs) No, but it did make me start thinking about things differently. I think my words and how I spoke in interviews started to change too. Once I realized there are so many different ways of thinking in the world, I understood that, yes, expressing your own opinions boldly is important, but there’s a big difference between saying something just because it sounds cool and saying it after really thinking about it. When I look back at my old interview articles, I sometimes cringe at what I said. As someone who has reflected on my past, there are parts of my old self that I can’t forgive (laughs). But at the time, I thought that was the way to be, so I guess I was just doing what I thought was right.

Interviewer: So when you were acting edgy, did you also keep some distance from your fans and others, and in a way, look down on them a bit?

RUKI: Yeah, that’s right. But even then, our popularity was still rising, so it became hard to stop (laughs). Still, before it got out of hand, meeting people like RYUICHI and other seniors made me realize, "Oh, this isn’t the way to go." I realized I needed to stay humble. Of course, in terms of public image, it's okay to maintain that aloof, hard-to-approach vibe. But in reality, people who seem that way often have a completely different side to them behind the scenes. That was a big change for me. It made me think, “I wasn’t originally like this, was I?” It’s not like I’m playing a character called "RUKI" or anything, but... In the end, I wanted to be someone who exuded confidence, so I spoke confidently, even to the point where I’d sometimes say things that I later wanted to stop myself from saying (laughs). And sometimes, I’d even direct that attitude towards the fans.

Interviewer: There are probably fans who liked that version of RUKI, but realizing "this isn't the real me" must have made you feel more comfortable, right?

RUKI: Yeah. Actually, the second turning point came when I met Kiyoharu. It might sound strange, but I realized there are people who are purely rock, and then there are those who have a bit of a showbiz vibe. There’s a difference between a celebrity and a band member, and I never thought of myself as being on the showbiz side. Talking with Kiyoharu made me realize that. Kiyoharu is incredibly rock, right? Watching him, I started wanting to become the kind of person I envisioned back when I didn’t even know where the line between rock and showbiz was. In that sense, Hide was close to my ideal. I never got the chance to meet him, so he remained kind of like a dream for me, but the way he thought, his eccentricity, and his approach to various things were all really inspiring to me.

Interviewer: I see. It’s hard to imagine what RUKI will be doing 10 or 20 years from now, but some people can quit music without any regrets, while others are happy as long as they stay involved with music in some way. But in your case, I get the feeling that you’ll always stick with music and the band.

RUKI: Yeah, I think so. I have no desire to do solo work at all. I can only throw myself into the band. What I want to do is create music that I think is cool, and when the other members also think it’s cool, we can do it together. I think that’s the style I like. Plus, someone else can do what I can’t, and that’s one of the great things about being in a band. If I were doing everything on my own, even if I managed to create something cool and felt proud of it, that’s where it would end. So, even if, by some chance, this band were to break up... Actually, instead of thinking about that possibility, I’d rather focus on making sure the band doesn’t break up (laughs).

Interviewer: Definitely (laughs). In fact, there are quite a few cases where solo activities have triggered a band's breakup, and I think you've seen such examples in the past. Do you think that reality has held you back from pursuing solo work?

RUKI: Honestly, yes. I know how shocking it can be when that happens. Right now, what we as a band want and what our fans want are aligned, so things are good... but for me, I just want to keep going with this style. In that sense, I really admire BUCK-TICK. There's no other band that has stuck to their style for so long without giving off any sense of being forced to do it. They continue as BUCK-TICK naturally, not out of sheer stubbornness, but because it feels right for them. That's something I aspire to. On the other hand, what's not good are the bands that are completely transparent.

Interviewer: What do you mean by "transparent"?

RUKI: For example... and I don’t mean to speak badly, but bands where you can easily imagine them declining. I’m not talking about specific seniors, so don’t misunderstand me (laughs). But you often see bands that sacrifice something really important because they’re too focused on immediate gains or rewards. For me, those kinds of bands feel like they lack a solid foundation. When I look at those bands, even if they're in the same scene, I feel like we're something different. We were never focused on just the short-term. We were always aiming higher, and I always had a strong desire to surpass our seniors. Going forward, we want to keep challenging ourselves and expanding, and we want to continue being a band that’s “happening” (laughs). If we can do that, then no matter where the current trends are going, I think we’ll be able to create something uniquely ours and remain the most interesting.

Interviewer: For instance, at your current age, I’m sure there are no physical limitations on what you want to do musically...

RUKI: No, not at all, not yet.

Interviewer: But do you ever worry about how things will change as you get older?

RUKI: No, I don’t. Honestly, I’ve never thought about it. However, there was a senior musician who once told me, "As you age, it might be better to shift your music in a direction that fits." When I heard that, I thought, "I’m definitely different from this person!" (laughs). To me, that way of thinking just isn’t rock. Nowadays, it feels like rock has become more like an athlete's mindset. You train, do vocal exercises, work out your body, and then perform live. It’s almost like that kind of routine is considered cool.

Interviewer: It feels like that kind of strictness or discipline has become a sort of barometer, right?

RUKI: Exactly. But that’s not what I’m after. What I find stoic is more like, "What’s this guy thinking? I can’t figure him out." It's about how deeply you can pursue the darker aspects. For me, being stoic means constantly having your antenna tuned to those things. Of course, taking care of your body is important, but that’s something you can just do quietly, without making a big deal out of it (laughs).

Interviewer: True (laughs). Now that I think about it, no one in this band seems to be the type to go around saying, "Look how hard I’m working."

RUKI: Yeah. I just don't like that kind of sports-club vibe. For example, if MORRIE started talking about his workout routine in an interview, wouldn’t that feel a bit off? Like, "Sorry, could you just stick to talking about the dark stuff?" (laughs). Not that I’d ever say that to him, of course (laughs). So yeah, it's fine if someone wants to work out. It’s good for your health, and there’s nothing wrong with it. But still…

Interviewer: So if your bandmates started hitting the gym regularly, you wouldn’t try to stop them?

RUKI: No, I wouldn’t stop them. I’d probably just think, "Wow, that’s impressive. They’re really working hard." Ultimately, it's all about mindset. Especially for a vocalist. You don’t need to show off that you’re working out or tell people about it. Plus, there's this thought of, "Can someone so healthy really convey a 'negative' song?" (laughs).

Interviewer: But you're not saying something extreme like, "I never take care of my throat, and I go on stage wrecked because that’s rock," right?

RUKI: Exactly. At the end of the day, no one teaches you how to shout properly. But you can’t just hold back on shouting because you’re afraid of damaging your throat. That kind of thinking applies to everything, I believe. That's the essence of putting your life on the line for this. Of course, we all take precautions, care for ourselves, and train, but we don’t feel the need to talk about it.

Interviewer: So secretly, are you doing any muscle training yourself?

RUKI: No, I'm not (laughs). I might do a few sit-ups here and there. But you know how people who are trying to build muscle always seem to show it off too much? I’d rather they just do it quietly. If I can look at them and think, "Oh, they’ve really put in the work," that’s fine. But I don’t want to be thinking, "Oh no, they’ve gone too far in that direction!" (laughs). But, well, it’s all about training in a way that fits your style. But yeah, in our case, the main movements on stage are things like headbanging (laughs).

Interviewer: Then maybe you should focus on strengthening just your neck (laughs).

RUKI: Honestly, when I go to the chiropractor, they always ask, “Why is your neck so muscular?” (laughs). It seems like only my neck has developed in an abnormal way. But when I see older musicians still going strong, I feel like we can't afford to stop either.

Interviewer: This conversation has taken a bit of a turn (laughs), but in any case, being in a band has its time limits. Eventually, it has to end. Have you thought about what comes after that?

RUKI: I think it’s fine to do whatever you want. Whether that’s continuing as a vocalist or composing music, both are options. But I don’t want to work behind the scenes. When I imagine myself in my 50s or 60s, I do wonder, “What would still look cool for me to be doing?” But I can’t picture myself behind the scenes. I definitely want to stay out front. Nowadays, there are people in their 50s who are still active in the music scene, so I think it’s really up to me.

Interviewer: Do you ever meet up or talk with old friends from outside the music industry, like childhood or local friends?

RUKI: Hardly ever. But I’ve heard from others that they still talk about me, like, “He’s still in a band, huh?” They hear things like, “I guess he’s performing at big venues,” stuff like that. Among people my age, some are already very grown-up, with a bit of gray hair starting to show.

Interviewer: Some have lots of kids, while others have been divorced more than once.

RUKI: Yeah, probably (laughs). But honestly, I don’t envy any of them. I still don’t feel any longing for a “normal” life. Going to an office at a set time every day, working late even if there’s no overtime pay... I do think that’s amazing and respect people who can do it. But it’s not for me. I prefer creating things. I’d rather shape my own ideas than work under someone else. So, in that sense, maybe I still don’t quite fit into society (laughs). I’m not chasing stability yet, and though there’s no guarantee for the future, I’m also not getting distracted by short-term concerns. In that way, I don’t feel like I want to become a “normal adult” at this point. It reassures me that I didn’t make the wrong choice.

Uruha

Interviewer: I have the impression that the GazettE tends to hold anniversary live shows at significant milestones. What are your thoughts on this, Uruha?

Uruha: Hmm, I’m not really sure. For example, during our 10th anniversary, none of the members really intended to make a big deal out of it. If anything, we just wanted to handle it smoothly, and that’s how we approached the 10th-anniversary show. But now, three years have passed, and with the 11th and 12th anniversaries being somewhat part of the tours, and last year being entirely dedicated to our fan club tour, this year’s 13th anniversary feels like we want to showcase the culmination of what we did last year.

Interviewer: So this year's Budokan show feels like the culmination of last year’s work?

Uruha: It’s not exactly the tour finale, but emotionally it’s connected to last year. We’re not really the kind of band that celebrates anniversaries all that much, but this 13th-anniversary show is definitely grounded in everything we did last year.

Interviewer: Last year’s activities were pretty extreme for a typical band, don’t you think?

Uruha: Yes, that’s true (laughs).

Interviewer: I remember at the beginning of last year, I received a short email from the label, and it said, “There are no releases scheduled this year. That’s all.” (laughs) It was the first time the band focused solely on live performances without releasing any music, right?

Uruha: Yes, exactly. But the decision to not release anything came after we had been putting out albums almost every year. And although we don’t like to admit it, we had reached a point where we felt a bit worn down.

Interviewer: Worn down within the band?

Uruha: Ideally, we want to always have ideas flowing, things we want to do. But, even though we were still creating songs, we found ourselves moving on to the next thing before fully digesting the previous work. That cycle kept repeating. So we began to feel a strong desire to take more time to fully absorb what we wanted to express. That’s when we decided to take a break from releases for a year. After we released the last album, when we were thinking about what to do the next year, we questioned whether we could keep up with the usual cycle of releasing an album every year.

Interviewer: The routine of releasing an album followed by a tour had become the norm?

Uruha: That’s part of it, yes. And after releasing an album and touring once, it’s usually only by the tour finale that the songs really settle within us. In other words, we had been feeling for quite a while that we wanted more time to fully engage with our music.

Interviewer: So it’s not a new feeling.

Uruha: Yes. And because we were stuck in that cycle, we hadn’t been able to properly dedicate time to our fan club. So, we decided to stop releasing anything for a year and focus solely on the fan club tour. Plus, we thought a standing tour, where we could reflect on our past, would be a good idea. We felt that through that process, we’d be able to rediscover what we truly wanted to do moving forward. It was an important year for us. Of course, it’s not something many bands are allowed to do. There's a lot of risk involved.

Interviewer: That’s true. From the outside, it might have looked like you were on a hiatus. Were you worried that people might forget about the band or that you’d lose relevance?

Uruha: No, the bigger concern for us was continuing on that same cycle. I thought the real risk was the band wearing itself down, losing something vital. But the only people who can truly understand those concerns are the members themselves. The management or the record label would naturally wonder why we weren’t releasing anything. But only the members can grasp the risk of the band burning out.

Interviewer: I see. After taking that year off, did you find yourselves comparing the band now to how you were in the past? Did you notice any differences?

Uruha: Yeah... compared to when we first started, we’ve definitely developed different methods and ways of thinking about our music. Back then, we’d often hit roadblocks and struggle to figure out how to proceed with songs. We were creating everything purely based on instinct. But now, we’ve learned different approaches, bit by bit, over time.

Interviewer: How did you approach songwriting back then? Did you jam in the studio to create songs?

Uruha: No, we’d start by using equipment to program basic sounds. That’s how we worked. Of course, the quality of the equipment back then was nowhere near what it is today—it was pretty rough. But we’d program the sounds, listen to them together, and go from there.

Interviewer: So even back then, you didn’t go into the studio for pre-production?

Uruha: Yeah, we didn’t use the studio for pre-production. So, on the actual recording day, we’d be hearing the song for the first time in the studio, and then it was like, "Okay, so what do we do now?" We’d figure it out on the spot, going with the flow.

Interviewer: That method was probably pretty unusual at the time, wasn’t it?

Uruha: Yeah, it was. We’ve never used the traditional method of jamming in the studio to create songs. Of course, we’d go to the studio for practice, but not to write songs. Back then, we couldn’t even afford studio fees, and we didn’t have the skills to jam and create on the spot.

Interviewer: So the typical experience of starting a band with that rush of “we’re amazing!” energy from playing together in a studio wasn’t something this band experienced?

Uruha: No, I’d already gone through that phase during high school. After that, we were trying to form a band that we really wanted, but it was tough to make it work as we envisioned. At that time, just being able to form a band and play together was an achievement. But even if we managed to form one, there would be no audience at our shows, or members would leave quickly, so it wouldn’t last. We were barely managing to keep the band going. Figuring out what kind of songs to make and how to create them came after that. It took us a long time to even reach that point.

Interviewer: And then you finally formed the GazettE.

Uruha: That's right. Initially, it was just me, Reita, and Ruki looking for other members, and that’s how we found Aoi. We had a different drummer back then, so the GazettE started with those five members. Our main goal at the time was simply to make a living off the band.

Interviewer: Did you have bigger dreams, like becoming a rock star or, in your case, maybe a guitar hero?

Uruha: The reason I started playing guitar in the first place was because of LUNA SEA. I wanted to be in a band like them and stand on the Tokyo Dome stage. But as we continued with the band, we became more aware of reality, and the first goal shifted to just being able to survive off of our music. We just wanted to make it to the starting line.

Interviewer: You and Reita have been childhood friends, and I think that connection forms a fundamental part of the GazettE. The band didn’t just start from a musical connection, but from a deeper relationship.

Uruha: Yeah, that’s right. It wasn’t just about the music—it was more about the people. The other members didn’t join as close friends, but still, the human connection was a big part of the band.

Interviewer: Even if a band starts out with members as friends, over time, it can become difficult to maintain that friendship. Do you feel that way?

Uruha: Yes, that definitely happens.

Interviewer: Have you ever found the changes in your relationships with the members difficult or painful?

Uruha: Of course... I think everyone experiences that at some point. It might happen at different times for each person, but it’s something that comes around regularly.

Interviewer: How do you handle it when those feelings arise?

Uruha: For me... when I feel stress or frustration toward a member, I try to shift my perspective and not take everything they say too personally. That way, I can avoid letting the frustration build up.

Interviewer: So, you try not to take things said to you at face value?

Uruha: Exactly. If you take everything head-on, you’ll just end up getting angry. Instead, I try to think, “Why did they say that?” or “What can I do so they won’t say that again?” Then I look for ways to improve myself. But at first, it was really hard to change my thinking like that. There were times when I’d get so frustrated, I’d think, “I’m done with this” or “I don’t want to talk to this person anymore.” I think that happens to everyone in a band. But if you keep thinking that way, you’ll eventually stop talking to each other altogether, if you just keep that up, the band really will end. Both the band and the people in it will fall apart.

Interviewer: So that’s why you decided to change your mindset?

Uruha: Yeah. In the past, even if I was frustrated with the members, we were always stuck together—like when we traveled in the equipment van. So even if you didn’t want to, you had to deal with it, which actually helped resolve things. You had to talk to each other eventually, because there was no avoiding it. But once we joined a management company and started moving separately or traveling separately, we saw each other less. That made it easy to avoid conversations when things were tense, which, I think, is how bands start to fall apart.

Interviewer: By the way, are you the type who doesn’t say what you’re thinking?

Uruha: Yeah, I tend to hold things in. I’m the kind of person who doesn’t express emotions on the spot. It might be easier to just say what’s on my mind sometimes, but I’d rather take a step back and think about it before saying something I can’t take back.

Interviewer: So, you bottle up your frustrations?

Uruha: I do. But I think people who speak out immediately might regret it later too. For me, I’m the type who tries not to bother others as much as possible.

Interviewer: So, that’s how you’ve always been, even before joining this band?

Uruha: Yeah, I guess you could say I’m not exactly the aggressive type (laughs).

Interviewer: But on stage, you come across as pretty intense, don’t you? (laughs)

Uruha: Yeah, it's strange... When I’m on stage, I can bring out that side of me, and I actually enjoy it. Since I’m not like that off stage, it’s fun to do something so different up there. When the performance is well-planned and the atmosphere is carefully crafted, it’s easier for me to bring out that side of myself.

Interviewer: That’s interesting. Were you aware of this side of yourself when you started the band?

Uruha: No, not at all.

Interviewer: More like, "I want to be like SUGIZO!"?

Uruha: Exactly (laughs). I definitely had this idea of how I wanted to be, but people always said I was quiet. I didn’t talk much. Honestly, I never thought I’d end up in a band.

Interviewer: And now, here you are on stage, in makeup (laughs).

Uruha: (laughs) Yeah. I’ve never been the type to be loud or attention-seeking. I used to play soccer, but I always hated being watched. So it still feels strange to me.

Interviewer: And now, you’ve been in this career, being watched by people for over 10 years (laughs).

Uruha: I know. Even now, I sometimes think, "Yeah, I’m still not good at this." I love playing guitar, so I can enjoy being in front of people, but if it’s something like radio or TV without any music involved, I immediately think, "Yeah, I’m not good at this."

Interviewer: Even now, you’re still uncomfortable?

Uruha: It’s not so much that I’m uncomfortable, but I don’t really enjoy it. If I could find something enjoyable in it, I think I’d be fine, but I just don’t like it very much. Because of that, I get more exhausted than necessary, and I feel tense. It’s like... I’m just a passive person (laughs).

Interviewer: So how do you feel about a passive person like yourself standing on stage at Tokyo Dome?

Uruha: It really makes me think that the only reason I’m able to perform on a stage like that is because of the band, the GazettE. When I'm doing band activities, I don't feel like I'm doing something I'm bad at. It's more like I get so caught up in how fun it is that I forget about my discomfort. I think that's why I’m able to keep doing this. If I lost that, then I think I'd lose the reason for being in a band.

Interviewer: So, despite your discomfort, do you think this band has helped you overcome those insecurities?

Uruha: ...If anything, it’s the opposite.

Interviewer: The opposite? What do you mean?

Uruha: I feel like back in the day, I could do things without even thinking about them. Even during TV or radio recordings, I wasn’t fazed at all—or rather, I didn’t really feel anything. But as the band got bigger—especially after we played Tokyo Dome—I started feeling a lot of stress from it.

Interviewer: That’s a pretty recent thing, isn't it? (laughs)

Uruha: (laughs) Yeah, right? There was even a period where I became mentally unstable, and I couldn’t figure out why. I’d think, "Why am I so nervous?" Even for TV recordings that I used to do with no problem, I’d get extremely anxious.

Interviewer: Do you know what caused it?

Uruha: I don’t know, but I think I was in a really unstable place. Looking back now, it might have been because I was bottling up a lot of things. I still don’t fully understand my own mental mechanisms (laughs).

Interviewer: Do you think it’s because of all the things you’ve been holding in without expressing?

Uruha: Maybe. It might have taken a toll on me mentally, even though I wasn’t aware of it. I was always focused on how to fix any problems with the band. I was constantly thinking, "How can I make the band better?" And I guess without realizing it, I was suppressing myself too much. I didn’t know how to reset or release those feelings.

Interviewer: What things you think you were most anxious about during that period?

Uruha: I’m not sure...

Interviewer: Was it related to your role in the band, like questioning your own purpose?

Uruha: I still think about my purpose, even now. After Tokyo Dome, I was thinking a lot about my value. The band was growing, the fans were growing, and so were the people around us, but I started wondering, "Am I really doing what I want to do?" And, "What do the fans appreciate about me?" Once I started questioning those things, I felt completely lost. I even questioned whether what I was doing was truly what I wanted to do, and I started thinking about why I even exist. I still sometimes think about that.

Interviewer: It sounds like you were trapped in a state where you couldn’t find any answers.

Uruha: Yeah, there’s no exit. And yet, when I’d go drinking with the other members, we’d always end up having those kinds of conversations. I often think about it before going to bed.

Interviewer: Isn't that exhausting? You’re supposed to be doing this because it’s fun, but then you end up wondering why you have to go through such difficult emotions.

Uruha: It is. Of course, being in a band isn’t always fun. There are plenty of times when it’s not fun at all, and when that happens, trying to figure out how to make it enjoyable gets really complicated.

Interviewer: I can imagine that kind of mental strain could really wear someone down...

Uruha: That's true. In a way, quitting or breaking up the band could be seen as a kind of self-defense, a way of protecting yourself by escaping. I think there's that side to it.

Interviewer: So, why do you think you've been able to keep going without quitting?

Uruha: It's because the band is everything to me; it's my whole life. That's why I don’t run away... or rather, I can't. The idea of quitting doesn't even exist for me. But that also makes it tough.

Interviewer: When you first started the band, you probably didn't imagine that being in a band could be this tough, right?

Uruha: Yeah, at the beginning, I never thought about things like that, not even a little bit. Especially when we first played at Budokan... back then, I was thinking, "How far can we go?" At that time, I just wanted to see the limits of what we could achieve.

Interviewer: That's probably something only a band that made it to the Tokyo Dome could think about.

Uruha: Looking back, I think I was pretty naive then. I was measuring the band's potential only by the size of the venues we could fill. It just shows how little experience we had at the time. Of course, venue capacity is important, but I think we were too fixated on it. So, while making it to the Tokyo Dome was great, I realized afterward that I hadn’t really gained much from it. Sure, having the experience of playing there is amazing, and I can still remember the feeling from back then, but when I try to analyze what it really meant or what it achieved, it’s hard to put into words, even now.

Interviewer: So, you expected that once you reached the Dome, there would be something more beyond it.

Uruha: Yeah... I think that’s probably true.

Interviewer: Maybe you thought you’d change as a person—like you'd overcome your tendency to overthink or suppress your emotions. That your life itself might change.

Uruha: I think I definitely had those thoughts. Like, "Once I play at the Tokyo Dome, my life will change," or "I’ll live this glorious life." But... in reality, nothing changed at all. There wasn’t any big shift within myself either.

Interviewer: Instead, you realized how heavy the burdens you were carrying really were.

Uruha: Exactly. I think I had just been charging ahead, too focused on reaching the Dome. Now, I almost feel like I want to do it again—this time, step by step, steadily moving forward. I want to really think through each show, feel everything properly, and answer each question within myself as we progress toward the Tokyo Dome again. If I could do that, maybe I’d feel like I’ve changed. Maybe the band would see something different as well. So... I really want to do it again.

Interviewer: I see... Can I share something I’ve been thinking while listening to you?

Uruha: Sure, go ahead.

Interviewer: I understand your desire to take things steadily and to approach each step thoughtfully. But don’t you think the reason the GazettE has continued is because you’ve always charged ahead recklessly, relying on momentum and passion?

Uruha: Yeah... that’s true.

Interviewer: If you had stopped to think and search for answers after each step, the band might have lost momentum and ended. Isn’t that just the kind of band you are?

Uruha: Yeah... yeah... you're right. Even though I’m saying this now, I know our values and driving force were really about momentum. But... I guess I've kind of forgotten that at some point. Maybe I’ve become more cautious. The fact that we played venues like Budokan and Makuhari Messe, and even made it to the Tokyo Dome, was probably just pure “guts”... It sounds kind of silly to say it that way, though (laughs).

Interviewer: No, but it's true, isn’t it? (laughs)

Uruha: Yeah.

Interviewer: In other words, it was that intensity of passion. You just threw away hesitation and doubt and kept running forward.

Uruha: Right. So now, even though I say I want to move forward steadily, I realize that I really can't. Momentum is really important—I'm realizing that now.

Interviewer: You’ve always been the type to think deeply and worry about a lot of things.

Uruha: Yeah, that’s true.

Interviewer: And, to be more specific, you’re probably not that fond of yourself. You tend to focus on the parts of yourself you don’t like.

Uruha: I’m definitely a bit negative.

Interviewer: But I think the band is a place that makes you forget all of that. It’s like the band validates you as you are.

Uruha: That’s exactly it.

Interviewer: I think it’s because the band gives you things that your usual self doesn’t have—like momentum and determination. It’s what keeps you going when you would normally stop to think too much.

Uruha: Yeah... When I'm on stage, it really feels that way. Even though I try to play everything carefully and precisely, once I’m having fun, I just get caught up in the moment, and I end up running to the front of the stage, and my playing suffers because of it. I know that’s not ideal, and that I should keep my emotions in check and play calmly. But... I think what’s been supporting me all this time on stage has been the band’s momentum. I realize that now.

Interviewer: After the Dome, you said you had a lot on your mind. That’s probably because you’d been running on pure momentum with the band up until then.

Uruha: And... I think I started to misunderstand things once we saw the Dome on the horizon. I started thinking, "We need to sell more," or, "We need more attention." Up until then, we’d made it that far on pure momentum, but as soon as we saw the Dome coming, we started playing it safe. But in the end, playing it safe wasn’t really in line with what the GazettE was all about. I think that realization, and our own naivety, piled up and affected us.

Interviewer: That reaction to the Dome experience was reflected in the song “VORTEX,” right?

Uruha: Yeah, exactly. The idea of “we’re all about momentum” is what “VORTEX” expresses. I think the GazettE is the kind of band that has to push through crucial moments with momentum. If that doesn’t work, then we just have to give it up. That’s the mentality we should have taken to the Dome. But I didn’t. People around me were also pushing for playing it safe, and I think I was angry at myself for going along with that.

Interviewer: When you think about it, maybe in a way, the Tokyo Dome was a detour for the band.

Uruha: Yeah, you’re right. If we hadn’t gone through that experience with the Dome, “VORTEX” might never have been written and maybe albums like TOXIC and DIVISION wouldn’t have happened either.

Interviewer: That’s true. But from there, the band sought to rediscover its true essence, which led to the album BEAUTIFUL DEFORMITY.

Uruha: That's right.

Interviewer: In that album, even more than TOXIC or DIVISION, Ruki was insistent on the idea of the whole band coming together. He really focused on creating songs as a group, right?

Uruha: Yeah, it was about wanting to unify the ideas of all five members. At this point, we finally decided to do it (laughs). We created that, and then last year, we were like, “What should we do next?”

Interviewer: Looking back at that album and last year's activities, do you feel that they were necessary for the band?

Uruha: Yeah, they were necessary... It felt like we wanted to return to our roots. That album wasn’t really about a concept or the band’s worldview. It was about expressing our honest selves. It was about showing who we are. It ended up being this strange fusion of five completely different egos, forming something unique. It wasn’t about artistry or a unified worldview—just our raw selves being put into the music.

Interviewer: Were you able to express your true self in that?

Uruha: I did. I wasn’t concerned about the album’s flow at all. I just expressed the feelings that came out of me at that moment. Also, it was the first time we tried including songs from everyone in the band, which was really fun. That unevenness was exciting, and there was a new joy in being able to work on everyone’s songs during pre-production.

Interviewer: What made working with everyone so enjoyable?

Uruha: When the person directing changes, the song itself changes completely. For example, if we only had Ruki’s songs, Ruki would be directing the whole time, and the worldview of the album would be set by him. That would limit our freedom to arrange the songs. But when everyone brings in their own songs, you have five different directors, each with their own approach, and that changes how we approach the music. The whole production process was really fun.

Interviewer: Didn’t that cause any stress among the members?

Uruha: No, not at all. It was just fun. Even when we clashed, it was fun in a way.

Interviewer: Clashing is fun? Can you explain that?

Uruha: It’s about the phrases, you know? When someone says, "I don't want it like this," and the other says, "But I want it this way," the exchange itself is fun.

Interviewer: I’m not sure I understand why that kind of back-and-forth is enjoyable (laughs).

Uruha: No, it really is fun (laughs). It gives us the chance to think of better ideas, and just the act of communicating through music with the other members is enjoyable. Of course, there are times when I get frustrated with the other members. But now, I’ve come to enjoy even that.

Interviewer: That’s a big change.

Uruha: Yeah. In the past, I would get extremely frustrated when things didn’t go my way. But now it’s the opposite. Being challenged makes me think of new approaches. It’s become fun to test myself.

Interviewer: That’s an incredibly positive mindset.

Uruha: Now that you mention it... I realize that as I’m talking (laughs). In the past, I would get frustrated over things like that. But staying frustrated never led to anything good. Over time, by changing my mindset, I’ve come to think the way I do now. I try to enjoy everything.

Interviewer: I’ve always thought that you tended to view things negatively, or at least had a more pessimistic outlook.

Uruha: Ah... like overthinking things?

Interviewer: Yeah, that’s part of it. You also seemed to have a lot of anxiety compared to others. But as the band has continued through various challenges, while you may have struggled with ups and downs, you’ve gradually developed a more positive outlook, haven’t you?

Uruha: I guess so. Back then, I didn’t have a way of dealing with things, so all I could do was get frustrated. Now, I think I’ve gained knowledge and methods to handle situations, which has freed me from that frustration. So, although I’m still fundamentally negative (laughs), I think that hasn’t changed.

Interviewer: But now, you’ve learned how to live with that part of yourself, haven’t you?

Uruha: Exactly. I also think that this side of me comes from my love for the band. Probably because I care so deeply about the band, I tend to focus on its risks. I want to eliminate any potential risk to the band, which causes me to focus on the negatives. I’ve developed this habit of interpreting things negatively, but I think that stems from my love for the band.

Interviewer: I see.

Uruha: Because I love the band, I want to be sensitive to risks.

Interviewer: From an outsider's perspective, last year seemed to be a particularly high-risk year for you guys (laughs).

Uruha: (laughs) But for us, the benefits outweighed the risks. The real risk is losing the joy in the band. So, not releasing anything for a year... that’s not a big risk at all. Though, of course, we’re sorry to everyone around us for that!

Interviewer: I get it. Being able to say that so confidently comes from the unique position of a band that’s made it all the way to playing at the Dome.

Uruha: Yeah, and I think it’s because we have unwavering faith in ourselves—well, in the band. Our confidence in the band is almost abnormal. I guess our love for the band runs deep. We believe in our decisions, so we can move forward without hesitation.

Interviewer: It’s clear that the band is in a really good place right now. It seems like you’re not just doing well on the surface, but you’re genuinely enjoying things internally.

Uruha: Yeah, after 13 years, I finally think, “Wow, being in a band is actually fun.”

Interviewer: Of course, there’s the Budokan, but I’m really excited to see where the GazettE goes from here.

Uruha: I feel the same. I’m looking forward to releasing the next album and going on tour. I think I’ll be able to enjoy it all from the bottom of my heart. I’m really excited because I think the next album will allow us to fully express the core of what we are—the momentum and aggression we’ve always had. I can’t wait for it. Honestly, my mind is already focused on that (laughs).

Aoi

Interviewer: First of all, since this marks the 13th anniversary of the band's formation, let’s start from there. What does an anniversary live show mean to you, Aoi?

Aoi: Well... I feel like it’s a chance to do things we normally can't during a regular tour, or perhaps I want to approach it more casually. Rather than feeling like, “Let’s celebrate because it’s an anniversary,” it’s more like a day where we can try new things and take on challenges we can’t typically do.

Interviewer: So, you don’t particularly feel sentimental about the anniversary?

Aoi: Hmm… Saying that might give the wrong impression (laughs), but I’d say it’s more about the excitement of being able to perform a different kind of live show. And by doing that, we can often gain insights into what’s next or what lies ahead.

Interviewer: So, it’s more about looking forward than looking back at the past?

Aoi: That’s right. I prefer focusing on the present or what’s coming next.

Interviewer: Is that how you approach things in general?

Aoi: Yeah.

Interviewer: Well, that kind of makes this interview difficult (laughs).

Aoi: (laughs)

Interviewer: Can you tell us what you were like when the band first formed?

Aoi: When the band first formed? Well... I remember thinking, “I want this to be my last band.” It felt different from all the bands I had been a part of before.

Interviewer: How was it different?

Aoi: When we formed, there were already demo tracks, and they sounded completely different from the other bands I had been in. The melodies were very catchy and simply easy to listen to. With visual kei bands or indie bands in general, a lot of the music can be harder to get into, right?

Interviewer: Right, like it's either very core, underground, or sometimes bands try so hard to be original that the music becomes overly complicated.

Aoi: Exactly. And because I wasn’t that knowledgeable about music, I couldn’t really connect with those kinds of sounds. But the GazettE had demos that I could understand right from the start. That made me think, “I’d love to play guitar in this band.”

Interviewer: So you felt like you could express yourself as a guitarist in this band?

Aoi: Hmm, not really like that. I didn’t have the typical guitarist’s desire to prove how good I was or anything like that. To be honest, I’ve never been the type to think, “I’m so skilled.” Actually, I’m not that great at playing guitar (laughs).

Interviewer: (laughs)

Aoi: Since I’m not great at playing everything, I think that’s why I prefer catchy and easy-to-understand songs over more complex ones. Maybe that’s where I differ from other guitarists.

Interviewer: That could be true. Generally speaking, when a band first forms, there’s often a tendency to assert their originality through the complexity or technical aspects of their music.

Aoi: Yeah, that’s probably true.

Interviewer: But the GazettE was different from the start, and it sounds like that difference really clicked with you.

Aoi: I think so. Back then, I wasn’t overthinking things. I wasn’t too focused on asserting myself or anything like that. I didn’t really have a strong desire to be “recognized” for what I was doing. I’m sure there was a part of me that wanted that, but when I look at someone like RUKI, I realize how different I am.

Interviewer: What do you mean by “different”?

Aoi: RUKI is so talented, and he’s really dedicated to studying music and other things. But for me, I find it difficult to go that far. I can’t do what he does. That’s why I see him as a true artist. I admire that about him, but when I compare myself to him, I feel like I’m not quite there.. I’m not someone who can amaze people, you know? It might not be the right thing to say as someone who stands on stage, but that’s how I feel.

Interviewer: Did you feel that way from the start of the band?

Aoi: No, back then I just wanted to play guitar. I wasn’t really thinking about much. I wasn’t writing many songs like I do now, either. I was carefree, maybe even irresponsible. I mean, back then, when everyone was working on songs, I’d be off at my part-time job (laughs). I’d say, “I’ve got work.” So, I didn’t have a burning desire to express something, but at the same time, I didn’t want to not express anything either.

Interviewer: Sounds like a complicated personality (laughs).

Aoi: Yeah, it is (laughs). But I feel most comfortable doing things at my own pace. And the band has never denied that part of me. They’ve always accepted what I bring to the table.

Interviewer: How long were you able to stay in that carefree attitude?

Aoi: Quite a while... maybe until we played Budokan for the first time? (laughs). Up until then, I was just enjoying the band without thinking too deeply about things. But when the venues started getting bigger, like Budokan, I started to notice things.

Interviewer: Like how you’re not the same type as RUKI?

Aoi: Yeah. On a simpler level, I started thinking, “I’m not that great at guitar, am I?” That’s when I began to really think about things. Like, I should start writing songs more seriously. I mean, no one wants to hold the band back, right? That’s when I realized I needed to study music and guitar more.

Interviewer: So, after the first Budokan show, that’s when you started thinking that way. Listening to you, it seems like you’re hard on yourself within the band, and you have a strong sense of inferiority compared to the other members.

Aoi: Ah... that might be true.

Interviewer: Do you think that’s a reaction to how carefree you were in the beginning?

Aoi: Yeah... maybe if I hadn’t been holding the band back, the GazettE could have gone even further.

Interviewer: Really? You feel that strongly?

Aoi: Yeah... I think those feelings started around the time after our first Budokan show. We began doing solo shows at bigger venues consistently. When that happened, we started to put more effort into refining our music. We worked on creating something with a stronger sense of identity and a sound that only we could produce. We wanted to make music and put on shows that reflected our unique world. But then... the band started to feel boring.

Interviewer: Wait, what do you mean by “boring”?

Aoi: No, it’s really just a matter of my lack of skill. As the band grew bigger, the members’ opinions became sharper and more critical. For example, during discussions, sometimes complicated ideas would come up, and I wouldn’t really understand them.

Interviewer: And that’s when you thought it was “boring”?

Aoi: There was a time when I thought that, but looking back now, I realize... I was just pushing away everything that seemed difficult. If I had made more of an effort to understand and study things back then, I probably wouldn’t have thought it was boring. And maybe I wouldn’t have been dragging the band down.

Interviewer: When you thought it was boring, how did you handle it at the time?

Aoi: Well... I mostly just went out drinking (laughs).

Interviewer: (Laughs)

Aoi: I didn’t really have the motivation to resolve anything within myself. I just wanted to complain, and that’s how I got into drinking. In hindsight, I realize I was just sulking. I didn’t like that I couldn’t understand what everyone else was saying, but instead of working on it, I blamed the band. I’d be like, “They’re just off in their own world, talking among themselves” (laughs).

Interviewer: That’s pretty childish (laughs).

Aoi: Right? So, back then, after recording sessions, I’d just go drink alone and then head straight back into recording the next day. I wasn’t really taking music seriously.

Interviewer: Did you ever think about quitting the band during that time?

Aoi: I did think about it… but then, I’d also wonder, “If I leave, what would I even do?

Interviewer: Of course. So, when was this happening exactly?

Aoi: It was around 3 or 4 years after the band started... maybe even up until more recently. When we were making the DIM album? Yeah... pretty recently, actually (laughs).

Interviewer: So, right before you moved to Sony. That’s a long time to feel like that.

Aoi: Yeah. Honestly, the time when I was really having fun and feeling at peace was up until we played Budokan for the first time. After that, the band started to grow bigger, and that’s when those feelings started creeping in. And even though I thought about quitting, I couldn’t bring myself to do it. So, I’d just vent in interviews instead (laughs).

Interviewer: That’s pretty bad (laughs). The other members must have read those interviews, right?

Aoi: Yeah, and that created some distance between us. It made things awkward. Which is funny, since it was me who was complaining in the first place.

Interviewer: How do you think the other members felt during that time?

Aoi: I’d love to know that myself (laughs). I think that period lasted for about three years. There was a distance between me and the others, like I was somehow out of place. I think we didn’t really have proper conversations until around our 10th anniversary.

Interviewer: That long?

Aoi: Of course, we’d have personal conversations from time to time, but we weren’t close enough to share everything going on in our private lives. We’d occasionally mess around and joke, but it wasn’t like we were close friends or anything.

Interviewer: That must have been tough, being in the band under those circumstances.

Aoi: But yeah, I know it’s kind of like I created that situation myself. I realized I was the one distancing myself from the members. But at that point, I couldn’t just start a conversation with “Hey, so...” It was that kind of relationship for a while.

Interviewer: I see. Like I mentioned earlier, almost everything you’ve shared today has been from a pretty negative perspective.

Aoi: Yeah, I guess so (laughs).

Interviewer: So, when do you feel the most confident or proud of yourself in the band?

Aoi: Hmm... it’s probably during live shows. I feel like I’m at my coolest when I’m performing live. But that’s about it... yeah, nothing else really stands out.

Interviewer: What do you consider to be your strengths?

Aoi: My strengths… my strengths… I don’t really feel like I have any noteworthy strengths as a person.

Interviewer: (Laughs) Surely, there’s something?

Aoi: Hmm... my strengths... hmm... do I have any?

Interviewer: (Laughs)

Aoi: I’m not sure. But I don’t think not having strengths means I shouldn’t be out here doing what I do. I don’t have any remarkable talents or skills, and I’m not someone who’s worked exceptionally hard either. So, instead, I feel like my role is to support people who do have talent, or who have something they want to express. I want to help those people make the most of themselves.

Interviewer: So, you’re not pushing them away anymore?

Aoi: Yeah, that's right. I’m not like I used to be. If I can present or support parts of someone’s talent that they can’t fully express on their own, then that’s where I’d like to use myself. That might be my strength... if I can say that about myself (laughs).

Interviewer: I think that’s fair. Listening to you, I notice that even though you’re a bit negative, you have a very objective view of your place within the band, don’t you?

Aoi: Yeah, I guess so...

Interviewer: You seem to have a clear understanding of yourself, and what kind of person you are.

Aoi: I know I’m pretty ordinary. Actually, maybe a bit below ordinary (laughs).

Interviewer: So, why do you think this “below ordinary” person is needed by others?

Aoi: Needed... am I needed?

Interviewer: The other members and those around you haven’t said, “We don’t need you,” right?

Aoi: Probably not.

Interviewer: So, why do you think that is?

Aoi: Hmm... that’s a tough question.

Interviewer: But it’s an important one, isn’t it?

Aoi: Yeah, it’s really important. Why am I needed... I’ve never really thought about it, so I’m not sure I can answer right away (laughs). Why am I able to continue in this band? Why haven’t I quit yet?

Interviewer: Can you imagine the GazettE as a four-member band, without you?

Aoi: The GazettE as four members... well, I guess I can imagine it.

Interviewer: You can imagine it? (Laughs)

Aoi: I mean, they’d probably manage fine as a four-member band (laughs). But... I don’t know. I can’t really picture them performing live as just four. Hmm... yeah... but maybe they would still be able to keep going as a four-member band. Now that I think about it, that makes me feel kind of sad...

Interviewer: Sorry for asking such a weird question (laughs).

Aoi: No worries (laughs). ...You know, hypothetically speaking, if the GazettE were to disband, I think I’d be done with bands. I don’t think I could ever create something that surpasses the GazettE. So, in the end, I really want to stay in this band. But at the same time, there's this part of me that thinks "people are ultimately alone." Being on your own feels comfortable, but I also don’t want to completely disconnect from others.

Interviewer: So, people do feel lonely?

Aoi: Yeah, thinking about what it’d be like if I left the GazettE makes me realize how lonely it would be (laughs).

Interviewer: Earlier, you said you don’t look back on the past, right? And from what you’ve said, it’s clear that you tend to see yourself in a pretty negative light.

Aoi: (laughs)

Interviewer: It seems like you think your past self was no good. But on the other hand, it’s obvious that you’ve always cared about the band and have been conscious of the GazettE. It feels like everything you’ve said reflects that. What do you think?

Aoi: Hmm, yeah... to be honest, I want to do more things together as the five of us.

Interviewer: Can you elaborate on that?

Aoi: As a band, I just want us to do more things together. But in the GazettE, the person who brings the song typically takes the lead and progresses things from there. I want us to discuss more and work together when we create songs. I want to feel like we’re all making the songs together.

Interviewer: Isn’t that what you did with the album BEAUTIFUL DEFORMITY?

Aoi: It’s true that BEAUTIFUL DEFORMITY was made by collecting songs from everyone, but I still want to collaborate more. For example... we could gather in the studio and make music together, like all playing at once.

Interviewer: You mean like a jam session?

Aoi: Exactly. I think I’ve always admired that kind of process. Nowadays, you can create songs on a computer without even going into a studio, and we just send data back and forth to each other. That feels a bit... lonely, you know?

Interviewer: You want to do more band-like activities.

Aoi: Yeah, it seems like it would be more fun, and it’d be easier to share opinions directly when we’re all playing together. Playing in the studio gives a greater sense of participation in the song compared to working with data. I think if we did that, I’d feel more involved in the song and maybe discover new ways to approach it. Though, I’ve never tried it, so I’m not sure.

Interviewer: You’ve never done it before?

Aoi: No, we’ve never really gone into the studio to create a song. So... maybe it would lead to arguments, but honestly, I want to make music like that as a band. Still, I feel a little embarrassed to be the one to bring it up.

Interviewer: Why is that?

Aoi: Well… isn’t it kind of overly passionate, the way I’ve been going on about it? (laughs).

Interviewer: (Laughs) But I think your bandmates might feel the same way.

Aoi: You think so?

Interviewer: I think RUKI is someone who could do everything on his own if he wanted to. He’s the kind of musician who could pursue a more solo-driven or one-man approach, even without the band. But instead, based on what I’ve seen from last year’s activities, it feels like what RUKI wants from everyone aligns with what you’ve been saying.

Aoi: That makes sense.

Interviewer: Otherwise, you wouldn’t have thought to make an album like BEAUTIFUL DEFORMITY, nor would you have undertaken such extreme activities last year.

Aoi: That’s a good point…

Interviewer: In other words, I feel like the direction the GazettE has been heading since the year before last aligns with what you just described. And March 10th at the Budokan feels like a culmination of that—a crucial stage. It’s not about the 13th anniversary itself but more about what this moment represents for the band.

Aoi: Yeah, I agree. For me, Budokan feels like, ‘Finally, we can step out into the open.’ Of course, it’s ironic since we were the ones who decided not to be visible for a year (laughs).

Interviewer: (Laughs).

Aoi: Budokan is an open space, a stage outside of the inner circles we’ve been in. That’s why this live show should reflect everything we’ve thought about as a band, everything we’ve gained over the past year. I want 2015 to be the year we put it all out there—starting with Budokan and continuing afterward. Every performance has to be meaningful; otherwise, last year would feel like it amounted to nothing.

Interviewer: So that’s how you’re approaching Budokan. Do you have any specific goals or things you want to achieve?

Aoi: Of course, I do, but they’re all really basic things. Like, I need to make sure I play the guitar properly or work on my stamina. Thinking about the future, I need to listen to more music, too. So, it’s all just basic stuff—things I feel I need to work on for myself.

Interviewer: It seems like everything is about what you "need to do" (laughs).

Aoi: Yeah, it is (laughs). But I don’t really have a strong desire for a particular form of expression, or at least it doesn’t feel that way to me.

Interviewer: In that case, what you mentioned earlier about "getting together in the studio and making music as a group"—that's what you want to do the most right now, right?

Aoi: Yes, that’s what I want to do.

Interviewer: I think aiming for a live performance that captures the fun of being a band like that would be great.

Aoi: Yeah, but when the five of us actually get into the studio, I feel like we wouldn’t even know what to talk about. Usually, we have those kinds of discussions in a meeting room. Except, there are no instruments there.

Interviewer: So you’re looking at a computer screen while you do that?

Aoi: Yeah. But, being in the studio together and playing is definitely more fun. That’s how we used to do it back when we first formed the band, playing in the studio as we worked on songs.

Interviewer: By the way, do you remember the first time you went into the studio with the other members of the GazettE?

Aoi: I remember it vividly. It was really fun. Up until then, I had only met Uruha, so the first time I went into the studio was also the first time I met the other members. It was at some studio in Yokohama. We played some music, and afterward, we all shook hands.

Interviewer: Shook hands?

Aoi: Yeah, like, “Let’s do this from now on!” It was really fun. I remember it so clearly. I want to do that again.

Interviewer: That’s a really band-like episode.

Aoi: Well, it sounds like something straight out of a cheesy coming-of-age story (laughs).

Interviewer: But still, with "BEAUTIFUL DEFORMITY" and last year's activities I think that's what RUKI is asking of everyone.

Aoi: Ah..

Interviewer: Of course, he has a strong ideal vision in his mind, so for the band to get closer to that, each member has to do a lot of work.

Aoi: That’s true. Especially in my case, I think there are many things to do.

Interviewer: But I also have a strong feeling that he doesn’t want to just order the band members around. It’s important to him that each member is genuinely satisfied as you move forward together, even if it’s a very inefficient and labor-intensive way of doing things.

Aoi: It is inefficient.

Interviewer: As I mentioned earlier, that means you are committed to maintaining the essence of the band. How do you feel about that?

Aoi: For me, the GazettE is like... there’s RUKI, who is like the mikoshi*, and I see myself as someone whose role is to carry that mikoshi. And RUKI doesn’t just see himself as the shrine, but he also wants all of us band members to be cool carriers of it. He doesn’t want to be in a lame band. He has this vision of a really cool band that he aims for, and if I were just some lame guy, I would not be worthy to carry that mikoshi of his. So, I have to work hard to make sure that doesn't happen. I definitely want to keep playing in the band and keep carrying the mikoshi. Of course, it’s not just about carrying it; I’d like to add my own uniqueness in the process as well.

*mikoshi is a sacred religious palanquin (also translated as portable Shinto shrine). Shinto followers believe that it serves as the vehicle to transport a deity.

Interviewer: That’s the ‘No one else can carry it like I can’ part, right?

Aoi: Exactly. That’s why... I want to keep going with this band (laughs).

Interviewer: I think you have a particularly strong feeling about this among the members.

Aoi: Maybe so.

Interviewer: Because of that strong feeling, you might feel that your skills or mindset aren’t quite keeping up. Maybe that’s why you’ve been expressing some negativity. (laughs)

Aoi: That’s quite a deep interpretation, but if that’s the case, I’m grateful for it (laughs). But really, I’m enjoying it much more now than I used to. I think we’ve all started to understand more—about music, and in general. It feels like we’re finally getting a grasp of it, like we really know what it means to make great music. Back in the day, we didn’t fully understand music when we started the band, but we still had things we wanted to achieve and goals we aimed for. So we just had to feel our way through.

Interviewer: That’s how it is in the early days of forming a band, right?

Aoi: Yeah, whether it was the sound or the riffs, everything was trial and error. But now, we’ve learned how to shape things, how to create certain sounds, and we’ve figured out a lot of different methods over the years. After doing this for more than 10 years, it really feels like we’re finally making music properly as a band.

Interviewer: Do you feel like you’ve caught up now?

Aoi: Maybe I’ve finally caught up with everyone. Not just being in the band, but actually being able to make music properly.

Interviewer: I think your presence also plays a crucial role in embodying the essence of the GazettE.

Aoi: Do you think so? (laughs). Well… I would have liked to have a more cool image, though. Not like this casual guy I am. I feel like I need to put in more effort to be better.

Interviewer: Also, you need to be able to be more positive about yourself, right? Instead of always putting yourself down (laughs).

Aoi: Yeah, if I get sulky, it’ll be like the old days all over again.

Interviewer: You need to fully accept yourself and express more of that side of you. Of course, effort and hard work are still important too.

Aoi: Yeah, because otherwise, I’d just end up being a source of stress for the other members.

Interviewer: What do you think is something that only you can do? Something that RUKI can’t do but you can?

Aoi: Hmm... what could it be that I can do, but RUKI can’t? I mean, he can do pretty much anything... sorry, I really can’t think of anything.

Interviewer: Well, there’s still time, so think about it (laughs).

Aoi: Hmm… Is there anything RUKI can’t do? Actually, I think he could do everything (laughs). I’m not sure. But I know what I can do for the band. I just make sure I don’t become careless. That’s about it.

Interviewer: Can you elaborate more on what you mean by “careless”?

Aoi: For example, even during song selection meetings, it's about thinking of what the band needs rather than just what I want to do. Even if a song I bring up gets rejected, I don’t sulk or get frustrated about it. Instead, I work on the next one and keep trying. When I'm asked for guitar phrases, I make sure to approach it thoughtfully, putting my own spin on it. It’s all pretty standard stuff, but the point is that I put the band's needs first, without losing my own voice.

Interviewer: So, you have this mindset where you prioritize the band, but still ensure you’re bringing your unique perspective into it.

Aoi: Right. Like with song arrangements—it's not enough to just play the exact phrase the composer wrote. If I don't add something of my own, it feels like I don't have a place in the band. It’s like having no home to return to, you know? That’s why, even if my approach is wrong sometimes, I believe it’s important to offer my own ideas. For example, if the band decides to do something big, like play at the Budokan, it’s better to voice my own opinion—like saying “I want to do this,” rather than staying silent. I’d say, “I’d like to do it this way.” If we can’t have discussions like that, then the GazettE probably wouldn’t work.

Interviewer: I think you're right.

Aoi: Of course, RUKI is someone who could take charge and make all the decisions on his own. If he wanted to, he could do it all himself. And in reality, that might make things faster and could create a stronger, more cohesive world. But that’s not the GazettE. Even if it’s a little clumsy, I think it’s important for us to all come together, discuss, and put our individuality into the music. That’s what I think makes the GazettE the GazettE. I’ll do what I can to make that happen. That’s probably the best thing I can do, for myself.

Interviewer: I see. It feels like these 13 years with the band have been a journey of realizing that the band, and your role within it, is more important than just focusing on yourself.

Aoi: It’s more like my role within the band is what’s most important. If I lose sight of that, things could go off track.

Interviewer: As I mentioned earlier, I feel like the current the GazettE is in the process of rediscovering the essence of being a band. The image of the five of you jamming together, just letting loose—honestly, I haven’t felt that much in your recent live performances. Instead, it’s felt more like each of you is doing your own thing, almost disconnected from each other.

Aoi: Ah... yes, I can see that.

Interviewer: But after Tokyo Dome, the direction the GazettE started moving in seems to focus entirely on the idea of “band unity.” While RUKI’s creativity definitely stands out, he still wants everything to be shared equally among the five of you. In other words, what matters most is how the other members feel about the band as a whole.

Aoi: That's true.

Interviewer: This theme feels important for the band now, and it's a key point for fans watching your live performances. Which leads to interviews like this, where we dive deeper into what each member thinks about being part of the GazettE.

Aoi: I planned to say something cooler during the interview... but here we are (laughs).

Interviewer: I didn’t expect the conversation to get this negative either (laughs). But it made me realize that this band has really strong relationships. What do you think?

Aoi: I think we get along well... but it’s hard to put this relationship into words. We’re not friends, and we’re not family either... What are we?

Interviewer: You must spend so much time with your bandmates that it just feels like the norm.

Aoi: Yeah, it’s so normal that I don’t even know how to describe our relationship (laughs).

Interviewer: How do you feel about it?

Aoi: Well, I’ve been thinking a lot about it... I don’t know what the "mikoshi guy" (referring to RUKI) thinks of me, but personally, I only want to create things with them. I only want to make things that can be done with these five people. Even if I’m still not where the “mikoshi” guy wants me to be, that’s how I feel.

Interviewer: That’s a bit of a negative thought (laughs).

Aoi: (Laughs) Maybe, but I really want to create something that only the five of us can make together. It’s not about what I want others to do for me; it’s more about how seriously I can face the GazettE. I just don’t want to betray the band, so I’ll do anything I can to avoid that. That’s the most important thing. I don’t want to do anything that would bring shame to them.

Interviewer: You mean because of you?

Aoi: Yea. I don’t want people to say we looked uncool on stage because of me. So, I think I need to keep thinking things through, and then show what I’ve come up with on stage. As I’m saying this, I’m suddenly getting emotional... my eyes are tearing up.

Interviewer: I can see a tear!

Aoi: (laughs)

Interviewer: It’s a testament to how deeply you care about the band. I think the main reason you’re in this band is because of that strong feeling.

Aoi: You think so?

Interviewer: Yes, and I believe all the other members understand that about you. That’s why they want to stay in the band with you, don’t you think?.

Aoi: Maybe...

Interviewer: You’ve been putting yourself down a lot during this interview, but it feels like everyone knows what’s behind those feelings.

Aoi: Do you think so? I feel... very vulnerable right now (laughs).

Reita

Interviewer: First, about the number 13: it’s not a particularly rounded or positive number, and in fact, it’s often seen as unlucky. Why do you think the band has chosen to focus on it this time?

Reita: In the past, we celebrated anniversaries like the 7th or 10th, doing big shows at places like Makuhari Messe, but honestly, it was more like, 'Well, it’s an anniversary, so let’s do it.' This time, though, it’s the 13th, an unlucky number, right? And somehow that feels fitting for where we are now.

Interviewer: So that ‘unlucky’ number resonates with the band’s current state?

Reita: Yes. I think we’ve always had a habit of humbling ourselves, almost to an extreme—like by saying 'we’re trash' as a way to fire ourselves up.

Interviewer: Intentionally pushing yourselves like that?

Reita: Right. Last year, in particular, was that kind of year for us, so I think the 13th anniversary naturally follows that flow.

Interviewer: I see. By the way, what kind of year was last year for you, personally?

Reita: Honestly, last year was the best year we’ve had so far, in terms of what we learned. Not releasing new material and still doing activities as a band was a huge lesson. Releasing something new every year is tough—it drains the band’s energy. Taking a year to work only with our past material made us realize how important it is to have a variety of strengths if we want to keep going long-term.

Interviewer: How about the fact that you didn’t do much in terms of releases or other visible activities? It seems like there could be downsides to that.

Reita: Probably so, especially since we were practically invisible to anyone outside our fan club. Some people may have even forgotten about us. But then, we never aimed to be a band for everyone, and we didn’t start out hoping to be widely loved, either. Instead, we focused on the fans who love us the most and wanted to stay closely connected to them for that year.

Interviewer: Were you ever afraid that people would forget about the band?

Reita: Not at all. That’s why now I feel like saying, 'Thank you for waiting.' Not that anyone actually was waiting, maybe (laughs). Over the past year, we did a standing tour—

Interviewer: (Laughs) So it’s something you can joke about. During the tour, were there moments when memories of your younger self, or the band’s history, came back to you?

Reita: While touring?

Interviewer: Yes. Of course, the GazettE started out in small live houses, right? I wondered if doing that tour brought back memories.

Reita: Right. 13 years ago…back then, we didn’t even have proper setlists. Compared to those days, the band has definitely become more serious.

Interviewer: (laughs)

Reita: There’s that phrase, 'return to your roots,' but for us, going back to the way we started wouldn’t be good at all (laughs).

Interviewer: What was the vibe when you first started the GazettE?

Reita: The vibe was actually pretty serious. Before I joined the GazettE, I’d been friends with Uruha since fourth grade, and we’d played in several bands together before the GazettE. But none of those bands lasted very long; it was always just one breakup or member leaving after another. So when we formed the GazettE, I thought, ‘This will be my last band.’ If this didn’t work out, I was prepared to get a regular job and settle down. I was raised by a single mother, so I wasn’t really in a position to just keep playing in bands.

Interviewer: You didn’t want to cause trouble for your family.

Reita: Exactly. So I started the GazettE with the mindset that if this didn’t work out, I’d give up on the band life. And it turned out that the other members also felt like they wanted it to be their last band. We all thought, if it doesn’t work out with the five of us, then we’ll let it go.

Interviewer: Do you remember the first time the five of you played together?

Reita: Yeah, I do. At first, though, Ruki was on drums. That’s a strong memory for me—he joined as our drummer, and it felt really good playing together after a long time. We’d been struggling to find a drummer, so we’d just been using a drum machine until then. Having a live drummer again after all that time left a strong impression.

Interviewer: So those are your memories of ‘Ruki the drummer.’

Reita: Right. After Ruki switched to vocals, we got together with Aoi and our drummer at the time and played songs like ‘Wakaremichi’ and ‘Akai One-Piece’ in the studio. It just clicked. That was the first day I met Aoi, and we shook hands, like, ‘Nice to meet you; let’s do this.’ Even though it was our first time meeting, it felt surprisingly natural to play together. I’d already been playing with Uruha from the very beginning, so there was no awkwardness there at all.

Interviewer: What were your thoughts at that time?

Reita: Even though we had no audience back then, I had this feeling, like, ‘We can do this!’ The first time our crowd surpassed 30 people, I thought, ‘Our time has come!’ (laughs).

Interviewer: That's a nice sentiment (laughs).

Reita: It is. And all of us would say it together, like, ‘It’s our time!’ But I had this confidence—however unfounded—that we could make it as the five of us.

Interviewer: What’s different between the Reita back then and now?

Reita: Back then, I believed standing out was everything, so I’d push myself to the front of the stage. My bass lines were all about grabbing people’s attention and making an impression. I constantly wanted to show off. That might be the biggest difference between then and now.

Interviewer: So you don’t feel the need to stand out as much now?

Reita: Right. Now, I only step up when it really feels necessary, and if it’s not needed, just playing the root notes feels the best. I know when to hold back. Now, it's more of a team effort with the five of us, but back then, it was all about each of us trying to be in the spotlight. It was like everyone was constantly going, ‘It’s me, it’s me!’ We didn’t even really discuss the phrasing or anything.

Interviewer: So it was more individual play than team play?

Reita: It was just clashing with each other, really. But over time, we started to understand things like, ‘Oh, this guy’s personality is like this,’ or ‘He wants to play it this way.’ Gradually, we started to respect each other and began figuring out when to step back and when to stand out.

Interviewer: So you started becoming more aware of each other’s presence. I think that means your relationships have evolved little by little. In that process, did you start realizing things about yourself, like ‘Oh, I’m actually this kind of person’?

Reita: Yeah, I did. For instance, I realized that I’m not someone who should be at the front. I’m more of a person who watches from behind rather than leading from the front.

Interviewer: What made you realize that?

Reita: I noticed it both during live shows and in band meetings. As I kept going with the band, it became clear to me. Personality-wise, I’m not one to assert myself much.

Interviewer: Really? But you just mentioned that you used to play bass in a way that drew attention to yourself.

Reita: I think maybe I was trying to cover up that side of myself. I’d give twisted opinions in meetings or try to do something different, even though I’m not really that kind of person. But eventually, forcing myself to act that way started to feel like it wasn’t fun.

Interviewer: That’s interesting. I think a lot of people would be surprised to hear this, because the way you hype up the crowd on stage gives a very different impression.

Reita: I’m sure it does.

Interviewer: Being a bassist seems to fit your personality, but you also have these iconic moments where you’re front and center during the encore, leading the crowd. So when you say, ‘I’m not someone who stands at the front,’ it doesn’t sound like the same person who does that on stage.

Reita: That’s because I’m playing a character—‘Reita’ is like a role for me. I don’t normally raise my voice or get angry. The GazettE makes me act that way. I like performing that character, but it’s not really my true personality. That’s why, for me, live shows feel incredibly out of the ordinary. No matter how many shows we do, I always have this sense of, ‘This isn’t the ordinary me!’ And that feeling is a big part of what makes performing so special.

Interviewer: I imagine when you first started the band, you probably weren’t fully aware of that side of yourself?

Reita: No, I wasn’t.

Interviewer: So when did you start noticing your true self?

Reita: It was probably around the fifth or sixth year of the band, maybe after our first show at Budokan. Around that age, I think I was finally starting to mature, analyzing myself more. I got a better understanding of my own personality and started to recognize what I could do and what I couldn’t. Going through that phase, I started figuring out what it meant to really be myself.

Interviewer: So for you now, Reita, being on stage is something out of the ordinary.

Reita: Yeah, that’s right. My onstage ‘self’ feels natural when I’m being low-key or just sticking to the root notes. When I’m hyping the crowd, I’m definitely playing a character that’s different from my usual self. But maybe, in a way, it’s also a part of who I am—like something I usually hold back is being let out.

Interviewer: I see. For someone who performs on stage, having a sense of your true self is important, isn’t it?

Reita: It’s crucial.

Interviewer: Without that, it’s hard to stand on a stage in front of big crowds, like at Budokan or a dome, right? I feel like a fake version of yourself would get exposed.

Reita: Exactly.

Interviewer: So as you continued with the band, do you think you faced that kind of challenge—like a wall you needed to break through?

Reita: I think I did. Back then, I wasn’t fully aware of it, but there were times when I felt it. For example, in 2004, we had our first solo show at SHIBUYA-AX... and I couldn’t stop my legs from shaking on stage.

Interviewer: Were you... scared?

Reita: I hadn’t expected the tickets to sell out. But when I looked out, nearly 2,000 people had gathered. Our previous solo show was at Takadanobaba AREA, so this was a massive step up. I was so nervous that I barely remember the concert itself. And at that moment, I realized that we hadn’t reached that stage on our own strength.

Interviewer: What do you mean?

Reita: I realized it wasn’t just our own power—it was the people around us who had helped bring us to AX: the promotion team, the agency, everyone around us. Standing there, I wanted to perform with my feet firmly on the ground. But instead, I was shaky the whole time… it was honestly frustrating. I couldn’t enjoy it, and it felt like such a waste. From that point on, I thought, ‘I want us to bring everyone along with our own strength.’ I wanted to bring both the fans and the staff along with us on the strength of the band alone. That’s when I started asking myself, ‘What do I need to do to ground myself? What does it mean to be truly grounded?’ That was when I really began discovering my true self.

Interviewer: So you wanted to be your authentic self on stage.

Reita: Back then, I even used to ban smiling on stage. But performing live is fun, isn’t it? (laughs) There are so many moments when you just naturally want to smile. I started thinking that maybe a real live show is when you can express that naturally. That’s how I came to my current style.

Interviewer: I see. As the band grew, you discovered your true self. But when you realized things about yourself, like 'Oh, this is who I am,' did you ever feel lonely, or experience a sense of inferiority or defeat?

Reita: Not at all. But… if I were a solo musician instead of in a band, I might have struggled and ended up falling apart. But I’m in a band, so I have immense trust in my bandmates, and I really care about them… even though, honestly, I’d rather not say I 'care' about them out loud (laughs).

Interviewer: (laughs)

Reita: Each of us has a place where we fit. A personality like mine is definitely necessary in a band. Being in a band lets me see my personality traits in a positive light, even though those traits are actually my own insecurities.

Interviewer: What do you mean?

Reita: I'm pretty ordinary, you know (laughs). Compared to the other members, I think I'm actually pretty normal. But I think that's largely because of what my mom used to tell me when I was younger. She'd say things like, 'Don’t think your perspective is the only one' or ‘Don’t assume your opinions are the standard.’ I took it to mean that I should always listen to other people’s viewpoints.

Interviewer: Just hearing that, I can tell she’s a great mom (laughs).

Reita: Haha! Yeah, so instead of trying to push my own opinions, I tend to listen to other people’s perspectives. I don’t speak up much, and I think things through in a pretty conventional way. But that’s also an insecurity of mine. Sometimes, I’d love to be the type who can just ignore everyone else and push forward with a ‘let’s just do it’ attitude. But I can’t just do things selfishly without considering others. It’s probably a part of me that I can’t change. So, instead of seeing that as a negative trait, I’m trying to approach it positively and think, ‘This kind of personality is also necessary in a band.’ I’m working on it.

Interviewer: So you're the type that keeps things to yourself.

Reita: Me?

Interviewer: That’s what it seems like. You’re always thinking about others, so you don’t express everything. You hold yourself back. But you can’t keep everything suppressed forever. So, on stage, in that non-everyday setting, the side you usually keep hidden comes out.

Reita: Ah… yeah, that’s probably true. If my younger self could see me now, he’d be shocked. When I was a kid, I never thought I’d be standing in front of people. I mean… when I was in junior high, I once had to speak in front of the whole school during an assembly, and I totally fumbled and embarrassed myself (laughs). I was that nervous. But as I kept going with the GazettE, I gradually got over it—or maybe I didn’t really overcome it at all. I think my feeling that the band was cool outweighed everything else, and that’s why I started. My personality didn’t matter; I just jumped into it with sheer impulse.

Interviewer: So, it sounds like you saw things in being part of a band that you felt you didn’t have yourself. Maybe that’s what you aspired to?

Reita: Yeah, absolutely, 100%. There was so much that I didn’t have, and it felt like the band had everything I was missing.

Interviewer: Did you feel that maybe the band would help you overcome all those insecurities?

Reita: I think that feeling was there. But in the end, I realized that if you don’t have a sense of your true self, you can’t keep going in a band either. Even if you try to hide it, it still comes out during a live performance. So, it’s this constant tug-of-war. On one hand, I seek out in the band things that are the complete opposite of myself, and on the other, I’m trying to stay true to who I am.

Interviewer: Through your experience with the GazettE, you've come to understand yourself better. So, what does the band mean to you? Is it the band over yourself, or yourself over the band?

Reita: The band comes first. I feel like who I am now is because of the band. It’s like this version of myself was shaped by the band. So, yeah, the band is more important than me as an individual. I prioritize the band in everything I think about. I also keep thinking about how we can keep the band going for a long time.

Interviewer: You want to keep going for a long time?

Reita: Yes. I don't want us to be the kind of band that sells a million albums and then breaks up right after. I have a strong desire to keep playing in this band with these five people for as long as possible, even if it’s just a second longer.

Interviewer: I understand. Now, let’s shift the focus to your band members. I believe that in this band, Ruki, as the frontman, takes the lead in a lot of the musical direction. How do you feel about him?

Reita: Well… first, I trust him completely when it comes to the things he wants to do or express. The things he’s wanted to try have never been wrong, not from the very beginning. He even handled the flyer designs when we were starting out. I really trust him, and I want to bring his ideas to life with all five of us. His sense of style isn’t just about music; he stands out in so many ways. Honestly, I think he’s amazing. But just admiring him isn’t enough, you know? It’s not like I’m trying to rival him, but I want to make it so that only my bass feels like it truly completes his work. I’ve felt that way for quite some time.

Interviewer: Do you also feel a desire to lead creatively, like Ruki does, or to shape things in your own way?

Reita: Of course, I’d love to reach a point where I can create songs as consistently as Ruki does. But for me, it’s not so much about my own songs; I just want to do cool things with the band. If there’s a song Ruki wrote and a song I wrote, we’ll always go with the one that’s the coolest. In our song selection meetings, I don’t push for my songs; we listen to all of them and just pick what’s best. So, it’s not about my own work or anything like that.

Interviewer: I see. This is also about Ruki, but I feel like he has a lot of ideas, and he could probably do everything himself if he wanted to.

Reita: Yeah, that’s probably true.

Interviewer: Honestly, I think he could run a one-man band if he wanted to. But the GazettE isn’t like that. He doesn’t aim to make it a one-man band. What do you think about that?

Reita: We’re not the kind of band where one person holds absolute power. If any one of us says they don’t want to do something, we don’t do it. And I think Ruki actually likes that about this band. Sure, he could do everything himself and hold all the power if he wanted to, but he doesn’t want to be in that kind of band. He doesn’t force his ideas on us.

Interviewer: In that sense, he’s like you, right?

Reita: I think so. For him, the number one thing he wants to do is probably the band. So, even if he has other things he wants to do, he wouldn't let anything interfere with that. And that goes for everyone, not just RUKI. It's still about the band. No one is doing solo activities. First and foremost, it's about playing in the band.

Interviewer: Has that feeling stayed the same over time?

Reita: Recently, it’s only grown stronger. That’s why last year played out the way it did. We didn’t release a new album, which, like I mentioned earlier, was because the band was really drained. If we want to continue for a long time, we needed to address that exhaustion.

Interviewer: In the long run, that makes sense.

Reita: I think each member has come to value the band even more deeply.

Interviewer: And maybe a big part of that is because your frontman used to be the drummer.

Reita: That could be. When RUKI was the drummer, he was at the very back of the stage. After a lot of live shows, you’d see audience comments saying things like, 'I couldn’t see the drummer at all' (laughs). I remember, though, even back then, the vocals he would lay down on his demo tracks were really impressive.

Interviewer: Even though he was a drummer?

Reita: Yeah, even though he was a drummer (laughs). Then Uruha suggested, 'Why don’t you try being the vocalist?' But I was like, 'Huh, vocalist? But I’m having fun with him as part of the rhythm section,' so at first, I actually opposed Ruki becoming the vocalist.

Interviewer: Really?

Reita: Yeah. But he was good at singing, and he wanted to try it himself. So from then on, he dove right in as a frontman. I think if Ruki had stayed a drummer, he wouldn’t be the person he is now. It’s different because he didn’t start out with a frontman mentality. That sets him apart from your typical frontman.

Interviewer: So, he has an awareness of the other members, then.

Reita: I think so. It’s not just him, though; my ideal of a band also involves five distinct personalities coming together. Each of us has our own individuality, or a separate style that’s well-defined. I see it as a pentagon. And how do we make that pentagon? There’s no clear-cut answer; it’s just a matter of each of us pursuing our own unique style.

Interviewer: This ties back to what you mentioned earlier.

Reita: Yeah (laughs). First, you become aware of your own individuality. Then you each take your positions based on that. And that’s where the pentagon starts to form. I don’t know exactly what shape the pentagon we’ve created is right now, but I don’t think it has any one member standing out disproportionately. If even one member says 'No,' then the band as a whole says 'No.' The band only moves forward when everyone is on board. As long as that principle holds, I think our pentagon can stay beautifully balanced.

Interviewer: Would you say last year was about building that pentagon?

Reita: Yes.

Interviewer: It was, in a way, a year for yourselves—not for the fans, the management, or the label. A year dedicated to yourselves.

Reita: It's terribly inefficient (laughs).

Interviewer: Yes, it is (laughs). And waiting until everyone says 'yes' to every decision must be exhausting. It probably takes a lot of time and money, too.

Reita: That's true. And in visual kei, there’s the added time and expense of makeup and costumes. But... we want to do it without worrying about efficiency or money. When we started the band, the only thing we cared about was creating something cool. Efficiency or money didn’t even come into play—and of course, we didn’t have any money (laughs). We just wanted to make something cool. And that’s still the only thing we want to do—create things that all five of us think are cool. So if it means being inefficient, so be it. If that’s what it takes to make something cool, we’ll do it. If we started factoring in efficiency and money, it would be a completely different mindset than when we first started. And honestly, if we got to the point where we were managing the band based on money or efficiency, I think it would be really boring. We don’t want to end up like that.

Interviewer: Would you say all five of you feel the same way?

Reita: I think so. We’re driven less by a sense of 'this is what the GazettE should be' and more by 'this is what we don’t want the GazettE to become,' avoiding things that don’t feel right as we move forward. Basically, we don’t do anything that we think is uncool—simple as that. Sure, times have changed, and there are new approaches in the music world that have evolved along with trends. Maybe we, too, will eventually have to change in some ways. But when it comes to live shows, we’re all about that real, in-the-moment experience, and we want to keep that. Our live performances…we never want to lose that feeling that can only come from being there in person. There’s something at our shows that you just can’t get by watching clips online. We want to share that feeling with as many people as possible. Probably the fastest way to do that would be to hold a free concert at Tokyo Dome (laughs).

Interviewer: (laughs)

Reita: I think that showing people who have never seen our live performances is probably the quickest way for them to understand us. But since that's pretty extreme on its own, we've started considering doing things like performing at festivals.

Interviewer: You even played at Rising Sun (Rising Sun Rock Festival, a rock festival held every summer in Hokkaido).

Reita: Yeah, there were definitely a lot of people there who didn’t come just to see us. And if they watched us and thought, 'It’s not my taste' or 'I didn’t enjoy it,' that’s totally fine. I just really want people who don’t know us or haven’t seen us live to see us at least once. That’s where we get to showcase what we really want to do and what we think is cool.

Interviewer: In the past, the GazettE would often add surprise announcements at the end of live shows, making fans excited or surprised. But now, it seems like you’re aiming to go beyond those gimmicks, and instead, you’re focusing on the live performances themselves and the band as a whole.

Reita: Yeah, I guess in the end, that’s what being in a band is all about. Flashy performances or gimmicks—they’re just accents, really. As long as the five of us have a solid style together, and as long as we feel that what we’re doing is cool, the band will keep going. Even if we don’t gain any more fans, or even if the fans decrease. For that reason, we won’t do anything we don’t want to do—we’ll only do what we think is cool. We feel very strongly about only doing things that all five of us have agreed on, things we all genuinely think are good. Whether our live attendance goes up or down in the future, we’ll accept all of that. Maybe the reality of being in a band is that if you’re not wanted, you eventually disappear. But we don’t want to chase after whatever it is the fans want. First and foremost, we want to put out something that makes us, as band members, say to each other, ‘Yeah, that’s cool.’

Interviewer: Fans are definitely important, but it seems like what matters most is the connection between the band members.

Reita: Yeah, hearing one of the members say ‘that’s great’ when they listen to a phrase I came up with makes me the happiest. So I always want to keep putting that out there.

Interviewer: Understood. After hearing everything you’ve shared today, I really feel like you’re a "band man" through and through, from head to toe (laughs).

Reita: "Band man"—I like that (laughs). Actually, it’s always felt more fitting for me to be called a “band man” than to be called an “artist.”

Interviewer: Do you want to stay a “band man” forever?

Reita: Definitely. I don’t want to be called an artist, but I always want to be called a band man. Or rather... I just want to feel like I’m “just a band man.”

Interviewer: “Just a band man” has a nice ring to it. It’s almost like saying, “I’m just an ordinary person.”

Reita: Exactly. It’s like, even someone as regular as me can be a band man. If you go all in on trying to do something cool, you can end up doing things like playing at the Budokan. I get fan letters saying similar things, and I always think, “If I could make it, then pretty much anyone else can, right?”

Interviewer: Don’t you think fans look up to you because of that? Both the band and you, Reita.

Reita: If that’s the case, then that’s great. I mean, we’re all pretty easygoing guys, not really the wild or hardcore rock type (laughs). But we’re those same guys getting up on stage, playing intense music with intense makeup. I think that’s something really cool. Every member is completely different on stage compared to in everyday life. And I think that’s probably true for the fans as well. They’re usually quiet, not the type to headbang or scream loudly. But the GazettE’s live shows give them a place where they can do that. That’s something that saves us too, and if there are fans who find solace in it, then I want to keep standing on that stage for them.

Interviewer: What does your mom have to say about all of this?

Reita: (laughs) My mom? She goes around bragging about me to people at her work, I think (laughs).

Interviewer: Doesn’t she ever say things like, “I can’t believe you do that in front of people” (laughs)?

Reita: She does. Even my relatives say, “You’re like a different person!” and “Wow, I didn’t know you could be so loud!” (laughs).

Interviewer: (laughs)

Reita: That’s just how different I am on stage, you know (laughs). And that’s the beauty of being in a band.

Kai

Interviewer: First of all, what are your thoughts on an anniversary live show?

Kai: Well, I feel like an anniversary isn’t really something that we, ourselves, should be celebrating. In a way, it’s more a time for the fans to say, “Congratulations,” and for us to respond with a “Thank you.” To put it simply, March 10 is nothing more or less than just that; for me personally, it’s just a milestone in the band’s journey.

Interviewer: So, there’s no feeling of looking back and reliving the memories of the day you formed the band?

Kai: No, I don’t feel that way… (laughs). Instead of looking back, I want to keep moving forward. So even with this live show, just because it’s an anniversary live, we don’t intend for it to be just a show looking back on the past. In fact, last year we were pretty quiet in terms of public activity as the GazettE, so we want to make this show one where people can see the band moving forward and starting something new. Not just a “Thanks for everything up until now” kind of show.

Interviewer: By the way, last year the band focused on a fan club tour, which to an outsider might have seemed like you were underground or almost on hiatus.

Kai: From our perspective, we were actually very active (laughs), but I can see how it might have looked like we were at a standstill from the outside.

Interviewer: And you didn’t release anything either, right? Wasn’t there any worry about the band going through a year like that?

Kai: Not at all. It’s because we’ve always had a certain cycle—like releasing an album around July, then touring for about three months, and right after that, starting to create the next work… We’ve been doing that for a long time. But with that pace, there were things I felt I couldn’t fully absorb. I’ve had this feeling for a while now, that I didn’t want to just keep moving forward at that speed.

Interviewer: Was it like you felt you couldn’t keep up with the pace?

Kai: No, it wasn’t that. It was more a feeling that it was wasteful, in a way. It just felt like moving on to the next thing so quickly was a waste. This topic actually came up among the members about two years ago. We started to wonder if keeping up this pace might actually shorten the band’s lifespan. When I heard that, it really resonated with me. So, we thought about extending the time between releases. Instead of releasing an album every year, why not make it every year and a half or even two years, and let each work have a longer period to be absorbed?

Interviewer: And that would allow more time for creating the songs as well.

Kai: Exactly. But then, while we’d be taking our time to create the next work, there was the question of how to handle the parts we hadn’t yet fully processed. So we talked about doing a tour that would look back on our past work over the course of a year—a tour that would let us settle those things within ourselves. And when that idea came up, I thought, “Yes, that sounds really good.” That’s the mindset we had as we spent 2014. So I didn’t feel any anxiety about it at all. Rather, it felt like something we needed to do as a band.

Interviewer: After doing the fan club tour, how did it impact the band?

Kai: By looking back at what we had done in the past, it allowed us to think about what kind of band the GazettE truly is. The tour was a way to redefine ourselves, and we discovered a lot through it. We also started working on songs for the next album around that time. For example, before PULSE WRIGGLING TO DIM SCENE, we held a selection meeting for the songs, and then after PULSE WRIGGLING TO DIM SCENE and before GROAN OF VENOMOUS CELL, we did another one, and yet another after GROAN OF VENOMOUS CELL. Each time, everyone’s perspective had completely changed. Taking time for the tour in between allowed us to re-evaluate what kind of music we really wanted to create and what kind of songs we thought were truly good. In other words, we were different from who we were when we made the previous album two years ago—it felt like we had climbed to a new level. So for the Budokan concert, we want to show who we are now as a band that has climbed that new step and what lies ahead.

Interviewer: I see. Now, I’d like to ask about you personally. Last year, you engaged in activities that involved looking back on the past, comparing your past self with your present self, and I assume you noticed some differences.

Kai: Yes, after doing this for over ten years.

Interviewer: Originally, when the GazettE was formed, there was a previous drummer, and you joined later. I’d imagine that the relationships with the other members have changed quite a bit since you joined.

Kai: In terms of relationships… I feel like they actually haven’t changed much. Even in our conversations, we still talk about the same kinds of things, including all the silly stuff (laughs). We’ve always gotten along well. But if anything has really changed, it’s probably my own sense of commitment to the band.

Interviewer: In what way?

Kai: Back then, I think I was more focused on myself rather than on the band. I wasn’t really looking at the bigger picture. For example, if I heard that RUKI was doing a solo photo shoot for a magazine, I didn’t care at all—I was more focused on myself as an individual than on the band as a whole. But now, I feel a much stronger attachment to the band.

Interviewer: So, you’ve developed a sense that you’re part of something bigger than just yourself.

Kai: Exactly. And, to be honest, I think I probably felt that way back when I first started in a band. So, in a way, it feels like I’m returning to that original feeling.

Interviewer: Did you get into drumming because you were interested in bands in the first place?

Kai: Actually, I liked drums, but I didn’t really have much interest in bands at first. I’d get invited, but I’d turn them down, saying, “No, I’m not interested.” Then one day, someone asked me to fill in as a drummer just for one session because they didn’t have one, and the impact of playing that sound was huge. That’s when I awakened to the idea of being in a band, and that’s how I ended up here.

Interviewer: Was that impact so strong that it changed your world?

Kai: It really did change my world. By the next day, I had dropped out of school. (laughs) It had that much of an impact on me. Playing drums alone and being the drummer in a band are completely different experiences. So, the friends I went to the studio with were from my school, and I told them, “This is it for me—band life.” I even said, “Maybe I’ll quit school,” and they laughed it off like, “Oh, sure!” But I was pretty serious. The next day, when I showed up at the studio and said, “I quit school,” everyone was shocked (laughs).

Interviewer: I bet! (laughs)

Kai: I was shocked in return when they reacted with, “What?!” I thought, “Wait, these guys aren’t serious about the band?” So I decided to look for different members who were. I immediately started calling around to find new bandmates.

Interviewer: Very proactive!

Kai: Yeah. I had this confidence, like “If I do this seriously, we’ll make it.” When I first started in a band, I was completely absorbed in it. Carrying heavy drum equipment to the studio wasn’t a burden at all.

Interviewer: How did you feel when you first joined the GazettE?

Kai: At first, I felt like I was in a kind of battle with my predecessor. People around us kept comparing us. My predecessor had a lot of qualities that I didn’t, so my first year in the band was honestly pretty negative for me. Plus, I developed sudden hearing loss. Right after I joined, I had to skip a tour. So, for that tour, my predecessor was brought in last minute to fill in, and I’d hear people saying things like, “I still prefer the old drummer.”

Interviewer: That must have been humiliating.

Kai: The band members assured me that wasn’t how they felt, but I struggled with it internally. However, it’s because of those feelings that I think I developed my individuality as a drummer. Back then, I was really searching for something that only I could bring. For example, if I heard someone say that my predecessor’s playing had more flair, I’d think, “Okay, I’ll bring flair to my playing.” I’d study my form in the studio mirrors, trying to develop something unique. I aimed to be one-of-a-kind, and I think that’s still a part of me today.

Interviewer: But with those insecurities, it’s only natural that you’d be more focused on yourself than on the band as a whole, right?

Kai: True. So…maybe I was overly aware of being the member who joined later, or perhaps I was trying to only look forward and focus on the future. When I look back on the past, there’s that one-year gap where I wasn’t with them. It’s unavoidable, but sometimes it still crosses my mind.

Interviewer: When do you feel that way?

Kai: For example, if we’re planning to put together footage from our early days, I might think, “What about the first year?” I realize, “This footage doesn’t include me, but it’s part of the band’s history.” These days, it doesn’t bother me as much, though.

Interviewer: But even now, it still bothers you a bit?

Kai: This is something I’d like to say to the fans—I don’t really want people to say “Congratulations on joining the GazettE!” (laughs). Because I joined the band on February 1, which is RUKI’s birthday. So, fans sometimes say things like, “Happy Birthday, RUKI! And congratulations on joining, Kai!” (laughs). I’d rather they skip that second part.

Interviewer: So, the effort and research you put in over time led to your current playing style.

Kai: Yeah, exactly. My style gradually formed as the members would tell me, “That’s cool” or “I haven’t seen anyone else play like that.” Before joining the GazettE, I thought it was cooler to play drums in a low-key way—supporting the band from the back without standing out.

Interviewer: And then your mindset shifted toward making yourself stand out more?

Kai: Yes, that was my focus for the first few years.

Interviewer: Was it difficult to be in a band with that mindset?

Kai: It was. This might just be my personality, but even if I had something I wanted to do, I’m not the type to voice it easily. I always tried to take a step back and look at things from the band’s perspective as a whole, which made me reluctant to speak up about my own needs. It was like I was avoiding expressing my opinions.

Interviewer: Why did you avoid speaking up, even when you had things you wanted to say?

Kai: I worried that if I voiced my thoughts, others might laugh at me. Back then, I was very self-conscious, feeling like I couldn’t say what I wanted because of that one-year gap after I joined. It was like, “Can I really say that as the guy who joined later?” So, I often ended up suppressing my feelings.

Interviewer: Didn’t that make being in the band less enjoyable?

Kai: Looking back, it probably wasn’t that enjoyable. I was just avoiding conflict, really.

Interviewer: How long did that sense of insecurity last?

Kai: Hmm… I think I still felt that way when we performed at the Budokan for the first time. So probably… around five or six years.

Interviewer: That’s quite a long time.

Kai: Yeah… it was a long time.

Interviewer: Despite that, what kept you going without quitting?

Kai: It felt like I was being pulled along by something. Almost like the other members were pulling me up from above. I don’t know how they actually felt, but for me, it felt like that during those first five or six years.

Interviewer: During that time, you must have experienced and seen things that most bands don’t, right?

Kai: Yes, that was a period of very rapid growth.

Interviewer: Through those experiences, did you ever feel invincible or experience a sense of overwhelming satisfaction, like, “I’m unstoppable”?

Kai: Hmm... not really... Maybe I didn’t feel that way, even after achieving all that.

Interviewer: Even after all you accomplished?

Kai: Yeah… even after all we achieved, it somehow felt… like I was only experiencing it on the surface. Looking back now, I feel like I was just going through the motions with the band. I was just doing it superficially.

Interviewer: What do you mean by 'superficially'?

Kai: …Like, back in the day during our song selection meetings. When we were putting songs forward, I’d think, 'Oh well, [another member] will bring a good song.' Or when planning a stage performance, I’d assume, 'Someone else will come up with ideas.' And then for the lyrics, I'd think, 'RUKI wrote them, so he’ll handle the world-building. I’ll just play the drums.' If I could go back, I’d want to punch my younger self for thinking that way (laughs).

Interviewer: But, isn’t that kind of dynamic something that can still work in a band? Not saying if it’s good or bad, but it’s possible.

Kai: But that’s not love for the band, is it? It’s more like love for myself. I was avoiding responsibility, just not saying anything. But over time, I started realizing that wasn’t right. So now, I always speak up. In song meetings, I’m there with the mindset, 'I definitely want this song to make it through.' And if it doesn’t, then I feel genuinely frustrated. Just recently, I was super disappointed after a song selection meeting (laughs). I was so frustrated. But I think it’s essential to approach it like that. Some people might just give up at that point and say, 'Whatever, I’m done with this.' But for me, it’s the opposite. Even if it takes making 10 or 20 songs, I’m determined to get at least one in next time. That’s the kind of mindset I have now, and it’s definitely a change in my attitude. I’m not even entirely sure why I’ve changed, but I have.

Interviewer: For example, Tokyo Dome is a major milestone in the band’s history. How did you feel at that time?

Kai: The Dome? When we finally reached that goal, there was a brief feeling of emptiness. I had thought of it as the end point, the finish line. Up until then, the GazettE had always been focused on playing bigger and bigger venues. We filled the 1,000-capacity AX, and from there the ambitions just kept growing. We filled the 3,000-capacity venue, then Budokan, then Yokohama Arena. We had finally reached a point where Tokyo Dome was within sight, but we hadn’t thought about what came after that.

Interviewer: So it really did feel like the ultimate goal.

Kai: Yes. So when the Dome concert was over, there was a moment of emptiness, but then I realized, 'I wasn’t in a band just to play Tokyo Dome.' It wasn’t about venue size or capacity; it was about creating the most intense live experiences, enjoying the band, and making great music. It was such an obvious realization, but it lifted a huge weight off my shoulders.

Interviewer: Did it make being in a band easier?

Kai: Not exactly—it actually made me realize how much more I had to do, so in that sense, it’s challenging (laughs). But it was definitely a good realization for me.

Interviewer: Watching the Dome concert, I remember thinking, 'What’s next for this band?' (laughs).

Kai: I think everyone thought that at the time (laughs). The interviewers even said, 'We’re not sure what to ask after Tokyo Dome.' But right after it ended, all the members naturally started feeling, 'That wasn’t it.'

Interviewer: What do you mean by 'That wasn’t it'?

Kai: It’s like we realized, 'The GazettE is a band with more depth, and we used to have so much more fun.' I think as we got closer to reaching the Tokyo Dome goal, our focus started to drift. We were doing tie-ins just for sales, focusing on those kinds of things. And when we looked at what we actually gained from it all, we realized we hadn’t gained anything.

Interviewer: Even though you made it all the way to the Dome?

Kai: Yeah, even after playing the Dome, we felt that emptiness. But in a way, I think that was a good thing. It was like all the members suddenly rediscovered their love for the band (laughs). In fact, our desire to stay dedicated to the band just exploded from there.

Interviewer: I think that reaching the Dome is often a turning point for bands, and some go in the opposite direction—like there’s nothing left to achieve with the band.

Kai: Like they decide to go solo? (laughs)

Interviewer: Exactly. Sometimes bands start alternating between solo projects and band activities to keep things going. But The GazettE didn’t go that route.

Kai: Not at all. For me, the period up to Tokyo Dome feels like the first phase of The GazettE.

Interviewer: That was a pretty long first phase (laughs).

Kai: Yeah (laughs). But it’s true—the GazettE changed clearly after the Dome. It almost feels like we did that Dome show to transform ourselves. It was a turning point, and the band we are now emerged from that.

Interviewer: So this shift in the band, did it affect things like your relationships with the other members, or how you approach the band?

Kai: First, that feeling of 'That wasn’t it'—everyone felt the same way, without anyone needing to say it. We were all on the same page, and instead of giving up, everyone was committed to finding the next step as a band. I was really glad to be doing this with these members; it made me appreciate it all over again.

Interviewer: So you regained that love for the band through that experience?

Kai: Yeah, exactly.

Interviewer: I think this band has always been able to overcome walls and crises because the five of you share a common direction and perspective. But even so, not everyone in the band is equal, right?

Kai: Not equal… what do you mean?

Interviewer: For example, RUKI stands out in a unique way within the band. He’s someone with a lot of ideas, someone who wants to do a lot of things. Often, his vision pulls the band forward.

Kai: Yes, that’s definitely true.

Interviewer: It’s like what you mentioned before, how in the past you might have thought, 'RUKI will take care of it,' and the band could still function by just going along with his ideas. What do you think about that approach now?

Kai: I think it’s just a matter of whether you find that kind of band cool or not. In our case, I don’t think a single one of us would see that approach as 'cool.' We all want to be more involved and connected to the direction we’re going in.

Interviewer: With someone like RUKI in the band, there’s always the possibility it could naturally become more of a one-man show centered around him, don’t you think?

Kai: Hmm, well… yes, that’s a possibility. Even now, RUKI is leading the band, and it’s true that he’s the one pulling it forward. But I feel strongly that the 'reins' have to be held by all five of us. I think RUKI feels the same way—he wonders, 'Is it okay if I’m the only one leading?' It would probably be easier for RUKI if he just led everything by himself, coming up with ideas and having us follow along. But that’s not what he wants. He wants a band where each of the five of us stands out as a hero. He doesn’t want to be the only hero; he wants everyone to be a hero. And I feel strongly about supporting his vision.

Interviewer: I see. But don’t you think that’s a bit of a contradiction, or even an unattainable goal? For all five members to be 'heroes' means there has to be some ego, like 'I want to stand out.' But if that ego becomes too strong, it could end up hurting the love for the band.

Kai: Exactly. That’s what makes being in a band so challenging. Even if you voice your own opinions, sometimes they won’t be accepted. So there’s an effort to hold back, or the courage to step back. Not just retreating in defeat, but stepping back calmly and objectively, trying to view things from a balanced perspective. Comparing your own opinion with others and coming to a decision—that’s really important. And I think everyone in the band shares that sense.

Interviewer: But if you only do that, it might just turn into a group of overly agreeable people. You also need some selfishness, some clashing of opinions, or it’ll be hard for each of the five to truly shine.

Kai: Exactly… being in a band is tough. But I think that’s also what makes it fun now. When I feel disappointed because one of my songs wasn’t chosen in a selection meeting, that’s exactly the feeling I’m talking about. The frustration when a song I was sure would be chosen doesn’t make it—it’s that very feeling that drives me to say, 'Next time, I’ll create something even better.'

Interviewer: But don’t you sometimes feel like, 'Fine, then, let someone else handle it,' or, 'Let the ones who want to do it, do it'?

Kai: No, I don’t feel that way. In fact, I make sure I don’t. You can’t let that kind of thinking take over in a band. You can’t let yourself lose to those feelings; if you do, it’s probably the end.

Interviewer: Don’t you think it’s difficult to keep that kind of negative feeling under control, though? Like it’s easy for the lid on those emotions to come off?

Kai: Yes, that’s true… sometimes those feelings do start to show, and the lid begins to open. But now I have confidence that I can close it myself before it fully comes off.

Interviewer: Why do you think you’re able to do that?

Kai: I think it’s because people around me have expectations of me. In the past, nobody really expected much, but now the members, the fans, and even the staff—they all have hopes for me. I want to live up to those expectations. But… yeah, honestly, I think the biggest influence is the other members. They mean a lot to me.

Interviewer: So in other words, would you say that your perspective is shaped by how the people around you give you a sense of purpose?

Kai: Ah, yes. The band gives me purpose.

Interviewer: In other words, you don’t see yourself as the number one, right? Do you consider yourself an amazing person?

Kai: No, I don’t.

Interviewer: That’s a quick answer! (laughs)

Kai: (laughs) Yeah, I don’t think of myself as amazing. Are there people who really do?

Interviewer: If you’ve made it to the Tokyo Dome, I’d say you’d be allowed to think so.

Kai: Yeah… I guess that’s true. But I still don’t. I don’t see myself as amazing. I wonder why… (laughs). Maybe it’s just my nature?

Interviewer: That could be it. To be honest, and without meaning any offense, I feel like the GazettE is made up of genuinely nice people. (laughs)

Kai: (laughs) Yeah, they’re all good guys.

Interviewer: Actually, it’s like even though you’ve played at the Dome, you still have some sort of complex. You find yourself getting anxious or overthinking things that probably nobody else would even notice. But maybe that’s what keeps you grounded and reliant on the band.

Kai: I think you’re exactly right. I lean on the band, in a way. Each of us has something the others don’t, which is probably why we get along so well and can respect each other. We think each other is cool, and I can say with confidence that it’s not just me who feels this way—it’s all the members. So… this is a bit embarrassing to admit, but I think the other four also see something cool in me. They recognize and value what’s unique about me. I’m aware of that, and I want to meet those expectations. I’ve become able to voice what’s unique to me.

Interviewer: So, that’s why you don’t see yourself as amazing alone.

Kai: Exactly. I don’t think I’m some kind of special person. And I think all the members feel the same way.

Interviewer: But didn’t you start the band because you wanted to be special?

Kai: Yeah, I did. But now, I feel like it’s fine to be just an ordinary person. I still have that kid-like feeling—like when I saw LUNA SEA and thought, ‘I want to be like them.’ That feeling is stronger for me than anything like, ‘I’ve played at the Dome, so now I’m great.’ I don’t feel that way.

Interviewer: Bands are kind of mysterious, aren’t they?

Kai: They are, definitely. (laughs) If it were my younger self, I’d probably imagine that if I made it to the Dome, I’d have become someone special. But… people really don’t change that much. And… I still wonder at how much I’ve changed because of the people I’ve met.

Interviewer: How do you see yourself?

Kai: I’m not really sure myself, but I know there’s a part of me that doesn’t get swayed by others no matter what they say to me. Even when I’m talking to different people, I’ve realized that there aren’t many things I can genuinely empathize with. I tend to always put a sort of filter between myself and the other person. Someone once pointed this out to me. They said, “Kai, there’s this invisible wall around you.” I had never thought I was intentionally creating one, but when they said that, I became aware that I unconsciously put up this kind of filter within myself.

Interviewer: Maybe that’s because, deep down, you have a strong sense of self that you try to keep hidden.

Kai: Ah, you think so?

Interviewer: A strong sense of self often brings along strong complexes—things you can’t shake off easily. You want to overcome those, but you know you can’t do it alone. So, you need people around you, which also means wanting to listen to others and connect with different people.

Kai: Hmm... Right now, I feel kind of exposed. (laughs)

Interviewer: If we look at the real, 'uncovered' Kai, he’s probably pretty self-centered. But you’re in a band, and being self-centered wouldn’t work, especially with the complexes you’re carrying. You probably feel like the band has helped you pull yourself up this far.

Kai: You’re absolutely right.

Interviewer: So, you’re in the band, trying to shine both for the band’s sake and for yourself. It seems like that’s what’s happening.

Kai: Ah! That’s exactly it. You put it into words perfectly. I hadn’t thought of it that way until you said it, but I think I’ve always sensed it on some level. If I hadn’t recognized that, I don’t think I’d have felt the meaning in putting my ideas forward to the band. I may not have been this way in the past, but I am now.

Interviewer: It’s fascinating that people like you come together to focus on one thing and make it grow bigger and keep it going for so long. Don’t you feel that you get a lot of influence and inspiration from the people you’re doing this with?

Kai: That’s exactly why it’s a band. There are things that, on my own, I’d never be able to do, but with these five, we can make them happen, just like that. For instance, none of us felt any fear about not releasing anything last year. (laughs)

Interviewer: Normally, you’d think not releasing anything would make you lose popularity. (laughs)

Kai: Ah… (laughs).

Interviewer: But more than worrying about that, you have things you want to protect within the band. So, as long as you can do that, the future doesn’t scare you.

Kai: Yeah, exactly. I’ve also stopped paying attention to other bands lately. I used to worry a lot about what this band or that band was doing, but now… I don’t care at all. It’s more like, ‘Oh, that’s happening?’ and that’s it.

Interviewer: Maybe that’s because you have something important to hold on to now—a sense of certainty that keeps you grounded.

Kai: Definitely. I have complete confidence that the GazettE has something only we can bring to the table.

Interviewer: That’s a great band you’re in.

Kai: It really is. I feel lucky to be here, in this place.

Interviewer: That’s how you feel?

Kai: Yeah… It makes me feel like I’ve got to work even harder. (laughs)

――――――――――――

Scans cr: The Archive (rad-is-more) Translation: ChatGPT

#the gazette #interview translations #13th #scans #pamphlets #pbm

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formosusiniquis · 2 months ago

Text

It’s Wednesday have some worms I’m using as a warm-up.

So this is inspired by these style videos that I’ve seen a lot lately on youtube shorts cause i quit tiktok just to get stuck on the vape version. Where people go up to athletes and ask them to sign old pictures of themselves. And I’ve got two versions that have been playing in my head.

1. Chrissy and Eddie run a joint besties tiktok/social media thing where they show off their opposites attract platonic soulmate life by pushing each other out of their comfort zones, making them do things the other likes, and showing that it can be fun. Eddie takes Chrissy to a show and makes her get in the mosh pit, they jump out of a plane -- each claiming it was the other’s idea -- she makes Eddie try cheer; you get the picture.

So Chrissy drags Eddie to a sports game of your choosing, I’m going with baseball cause @thefreakandthehair ‘s latest fic with baseball steve is living in my head rent-free this week. Eddie decides that if he’s going and they’re going to do the sports equivalent of stage-dooring then he’s going to double up and get in on this trend he’s seen. The reactions are middling to bland, Tommy Hagan flips him off but does sign the photo of himself from what Eddie thinks is probably his junior prom and he and Chrissy are both pretty positive that'll be the best reaction they get for the video. But the next person they have planned to get is Steve and Eddie had to dig deep to find a picture of Steve that wasn’t a photo of him in a group shot at a party when he was in high school. It’s like the guy hit senior year and disappeared off the internet.

So Eddie walks up to the hottest guy he’s ever seen and asks for an autograph while handing Steve a photo of himself from grade school. He’s got the biggest smile on his face, one of his front teeth is missing and his hair is slipping forward onto his forehead from its picture-day perfect styling. Steve cuts off his by-rote agreement with a laugh and actually turns to look at Eddie (and Chrissy) now.

“Did everyone get one like this or am I special?”

Chrissy answers since Eddie lost the ability to speak the second Steve looked at him while smiling, “Yours is the littlest, but we did choose to ignore everyone’s professionally taken headshots.”

“You think this wasn’t done by a professional? Look at the lighting and the weird tree in the background.”

Chrissy laughs and does that thing where she kicks her leg out enough to knock Eddie back to planet earth. “You can make it out to Eddie, with an IE.” She tells Steve while Eddie massages his smarting ankle.

Steve takes the sharpie out of Eddie’s slack hand and looks down to sign. “I was always gonna sign, cause I like to think this little guy would be really excited about how far I got. But, this would be creepy if you weren’t so cute.”

Eddie is only able to answer because Steve still isn’t looking at him. “Her?”

Steve hands him the picture. “She didn’t ask for the autograph.”

They have to blur it for the video, but underneath his perfectly practiced signature, Steve sends Eddie home with his number.

Alternatively my take 2. The kids get full VIP experience tickets for Corroded Coffin and they have to go Steve. Claudia doesn’t want to cramp their style so she’s out, but if they can’t find a certified adult to take them then Ted has been volunteered. Ted, Steve. He agrees to go because even if he can’t stand the idea of spending the night fighting a migraine during the flashing lights of a heavy metal concert, he also isn’t going to let the Party suffer the social repercussions that would be Ted Wheeler going.

But he decides if he’s going to go he’s going to have fun with it. The kids let him know that it’s a small VIP (for plot reasons) and every group gets a set amount of time with the group. He’s listened to them talk about what they’re bringing to get signed, what they’re going to say to the band to sound both cool and mature. Meanwhile, he’s taking inspiration from his own feed to come up with a plan that’s going to hopefully only annoy everyone a ‘God Steve why do we take you anywhere, but yeah okay that was pretty funny’ amount and not actually ruin the kids' time.

He doesn’t actually know anyone in the band, but the internet exists and as he goes down his rabbit hole, trying to find pictures that are suitably dweeby but also cute in a wholesome way, he realizes that oops the lead guitarist is super hot and also vaguely familiar.

The night of the concert comes and Steve goes into the VIP line with five photos for the four members. Pictures from so far down the Instagram timeline that an accidental like would get him put on a watchlist. He’s got a sophomore Gareth trying his blue steel in a selfie, a photo of Jeff from the one year he did marching band to get out of his gym credit, Freak in the suit vest he got for Junior prom, and Eddie at his most dramatic ‘it’s not a phase Wayne’ stage in high school.

Eddie absolutely thinks they’re being made fun of for a minute, it’s Jeff who laughs and breaks the tension first. Which is good because Steve had waited to bring out the second picture he brought, turns out he finally figured out why the hot guitarist looked and sounded so familiar, and he shows Eddie a picture from the summer camp they went to together where they had been inseparable. That one Eddie signs gladly, his messy signature blocking out the camp counselor they had both hated. Steve won’t let the kids see, he tells them it’s weird to see your heavy metal heroes when they were eight and still waiting to get the gap between their front teeth fixed with braces. But he really just doesn’t want them to see the number Eddie wrote there and the vague promise to have Steve over to catch up and see if they can make kids as cute as they were.

#wiggly worm wednesday #steddie #steddie fic #steddie fic ideas #platonic hellcheer #please feel free to take either one of these and run with them if you are inspired #i probably won't do anything more other than get the worms out #but i saw that vid the eagles posted and the one guy saying he hopes little him would be proud got me in my feelings this evening #also go read lex's fic if you haven't cause its so good

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fatehbaz · 1 year ago

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In May 2023, the city of Phoenix began its project to clear and eliminate its largest homeless camp, known as The Zone, a refuge for hundreds of people. During the record-breaking heat of the summer of 2023, Phoenix cleared the camp, block by block. By the beginning of September 2023, just as the city was experiencing over 50 consecutive days of temperatures of 110 degrees Fahrenheit, the city cleared the block of the camp where most seniors and the elderly lived.

The trend of unhoused people moving from [the neighboring city of] Tempe into Phoenix has implications for Phoenix, which is under intense scrutiny for how it has handled its own growing homelessness crisis. Phoenix has been battling [...] lawsuits since 2022. [...] [One] was brought be the American Civil Liberties Union of Arizona, which alleges the city unlawfully cited people and threw away their belongings during encampment sweeps. The U.S. Department of Justice has also been investigating the Phoenix Police Department since 2021 over several issues, including its treatment of people experiencing homelessness. [...] “They say it’s not illegal to be homeless. But it totally is. There’s nowhere you can be homeless,” said [AD], a community organizer who hosts weekly picnics in Tempe for unhoused people. Others agreed. “It’s become kind of a police state for the homeless within the city,” said [KE], founder [...] of [a] homelessness nonprofit [...]. Both the River Bottom in Tempe and The Zone in Phoenix, two of the largest encampments in the region, have been or are currently being cleared out. Smaller encampments are also frequently broken up by police or private security [...].

Text excerpt from: Juliette Rihl. "Tempe's clearing of homeless camps has ripple effects for Phoenix, aid workers". The Arizona Republic. 11 July 2023.

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The city continued clearing Phoenix's largest homeless encampment known as "The Zone" on Friday morning [1 September 2023], in the aftermath of a severe storm that raged the night before. [...] This was the eighth block cleared [since May 2023] [...]. The block cleared was [...] where many elderly people lived. [...] [A] nonprofit organization providing supportive resources for seniors experiencing homelessness, is located along the same street. 'The Zone' was hit hard by Thursday night's monsoon storm. [...] [H]igh winds scattered some people's possessions. [...] At the start of August, around 700 people lived in and around The Zone [...].

Text excerpt from: Helen Rummel. "Eighth block of 'The Zone' homeless encampment in Phoenix cleared out after storm". The Arizona Republic. 1 September 2023. [Bold emphasis added by me.]

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As the city cleared another block late last week [September 2023], local activists gathered outside the barriers set up around it. [...] A man who goes by [Q] has been unhoused for roughly four years. [...] “It is kind of heartbreaking to see,” he said, watching city staffers pick through piles of belongings left behind. [...] Neighbors from different mutual aid groups set up folding tables just outside barriers on either side of the block. [NA] was among them. [...] He said they form relationships with the people living here. Most are elders, many people with disabilities that prevent them from working. “They’re dejected, they’re demoralized, they’re upset,” [NA] said. “These are homes that they’ve built for themselves that have taken some time, and resources that they’ve just had to come by because nobody’s providing them.” [...] [JS] said when people are moved, they often don’t stay sheltered. [...] “But a lot of people go into these [shelters] and then they’re hit with restrictions when they get there. They’re told one thing, and then they arrive, there’s a curfew, [...] they can’t have whatever. And then it’s: You either follow our rules right now, or you’re going out into the heat.” [...] [AM] watched the street sweep from behind the yellow tape. “Well, I think that this is a human rights violation,” [AM] said. “What I’m seeing is just a bunch of people being paid to dislocate people.” [AM] is a legal observer, volunteering with the National Lawyers Guild. [...] “They're being moved out of one street,” said [AM]. “But the reality is, they have nowhere to go."

Text by: Kirsten Dorman and Tori Gantz. "Another block in 'The Zone' is cleared, but the path forward for those living there is unclear'. Fronteras Desk. 7 September 2023. [Bold emphasis added by me.]

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emsuemsu · 10 months ago

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If there's something I really love in life it's the elderly. I love old people and old people love me and that is a fact. I am a peepaw whisperer, I speak fluent grandma. So naturally I've been on a mission for some senior citizen Drarry to quench my never ending thirst.

Some of these fics do contain neurodegenerative diseases such as Alzheimer's. Some of these fics do contain MCD in a form of dying of old age. They're all tagged accordingly, if in doubt check the tags.

These are all well under 10k, and hit me up with some more geriatric Drarry recs if you have some!

About Damn Time by @lumosatnight 👴 4,045 words

All Draco wants to do is eat his custard cup and nap in peace. Is that too much to ask? Apparently so, when the Flamel House for Experienced Wixen is overrun with Harry Potter and his idiot friends.

The Afterlife, According to Draco Malfoy by @stripedsilverfeline 👴 1,861 words

Tea is not a proper substitute for astral brooms': The Afterlife, according to Draco Malfoy

Age is just a number by @gnarf 👴 1,555 words

Married for decades, their life is perfect. Until Harry gets a call and hears the following words: "Mr Potter, we caught your husband stealing ten large packs of King Sized condoms."

Attic Past by @piarelei 👴 500 words

Here are his knees. Noticeable and ugly. Harry sighs, doesn’t dare look at more of himself; the skin loose around his thighs and the wrinkles crowning his eyes. “I have ugly knees,” he tells the room. Draco, predictably, is already downstairs and doesn’t answer.

Brave by @mars-bar81 👴 8,403 words

Draco had never been the brave one- that had always been Harry's job.

Easier Than Falling Asleep by @gnarf 👴 1,029 words

After a long and happy life Harry is ready to return to Kings Cross. This time it's not Dumbledore, but his husband waiting for him there and they finally get to ride the Hogwarts Express together.

Dear Life by @drarryangels 👴 5,208 words

"Draco ran his fingers over the headstone at his feet and let his creaky knees fold underneath him to sit on the grass. When he was younger, he thought he’d never get old like this. With bad joints, white hair, and off trend clothes. Harry would’ve laughed at him if he could see Draco sitting in the dirt sniffling over his lost touch in the fashion industry." Or the story where Draco and Harry get to grow old together and be happy.

I Wouldn't Change a Thing by @rei382 👴 1,380 words

Harry and Draco, an old married couple, need to pack to go to their retirement home. But Harry stumbles upon an old photo album, and all kinds of memories start to flood back.

lucidity comes before the sun sets by @squintclover 👴 707 words

Life and memories are cruel sometimes... Stealing Harry from Draco before his time.

Meeting Too Late by WSbrat 👴 1,528 words

What if Draco and Harry fell in love when it was too late? What if they fell in love anyway?

Old School by Bardo 👴 5,053 words

When he was younger, Draco Malfoy used to say sex was dead after 65. Of course, at the time, he wasn't talking about himself.

Stay with me forever, we'll ride this out together by @triggerlil 👴 420 words

In old age, Harry cares for Draco.

Two Old Coots by @sofyachy 👴 1,898 words

On their 50th anniversary, Harry and Draco are a couple of old coots who no longer care what they tell other people about their relationship, to their kids’ mortification. Gather round, children; it’s inappropriate story time.

Wiser With Age, Still Stupid in Love by @sethsevolution 👴 3,483 words

There came a point in their lives where they felt like they were only ones left and that was what finally drew them together.

Won't You Stay By My Side by @gracerene 👴 1,936 words

Harry needs to convince Draco that he is too old to continue his dangerous job as an Investigative Journalist.

#drarry #drarry fic recs #this is a niche af list lol #elderly drarry #i consider 75+ to be elderly but there might be some fics theyre in their 60s or so #i need somebody to write a de-aging fic but like opposite where one of them turns into 90 or something #id read the shit out of that one #i hauled my ass to school today to do some school work and this is what i accomplished #i worry for my education at times #my rec

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shadowynn · 2 years ago

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| the paradigm complex | two |

pairing: ot8 ateez x fem! reader

genre: yandere!vampire!cult!poly! ateez au

warnings: yandere behavior, cursing

They'll do whatever you ask. Anything you need. Anything you want. It's yours. They'll fulfill your every desire and whim. Give you the life you had always dreamed about.

And in exchange, you wouldn't just give them your soul. Oh, no. They weren't demons. What good was your soul alone when your purpose was better served alive and well? Your soul was nice, sure but it wasn't all they wanted. It wasn't all they needed. They needed your body, your mind. Your blood. You entirely. Every single fiber of your being was essential and would soon be theirs and theirs alone.

The moment you signed that contract, everything would change. For them and for you.

You just didn't know it yet.

And there was nothing you could do about it.

wordcount: 6.3k

a/n: okay, okay, so i totally went into this as like a fun little side project, so i was and still am absolutely blown away by the support you all gave me for part one. like, i was not expecting that at all and just want to thank you all for all the love you sent my way and i'm so appreciative of you all. i totally planned on getting this part out sooner, but writer's block hit a little hard and i spent more time editing and rewriting than the first part due to the interest the part received. so, once again, thank you all so much and i hope you enjoy part two. :)

| one | two | three |

─── ･｡ﾟ☆: *.☽ .* :☆ﾟ. ───

"You're really going to wait and pretend to leave when she gets here and then sneak your way inside?" Seonghwa's arms crossed, shifting his weight against the doorway to the front office when he saw San idling near the building's entrance. "Just so you can 'accidentally' bump into her and introduce yourself."

"Yup," San replied without any hint of shame, simply bouncing on the balls of his feet next to the entrance. "It's only right that I go out of my way to introduce myself since we will be living right next door to each other and make sure she knows I'll be right there if there's ever anything she needs."

"Oh, wow, really? Who would have known?" Wooyoung's voice floated out from further within the office, heavy with sarcasm. "It's not like you haven't rubbed that fact in about a hundred times by now."

"Shut up, Woo. We all know you, Seonghwa, and Yeosang are going to get to see her the most." San's smirk slipped. "After all, you are the ones who'll be getting to work with her."

"Perhaps, but why do I get the feeling someone will be abusing their power to tweak the schedules and benefit themselves." Wooyoung's voice grew louder as he left his desk and made his way to the doorway Seonghwa leaned against, stretching out the muscles in his back from sitting. "I wonder who that would be, huh?" His eyes narrowed in Seonghwa's direction.

"Well, I am the senior manager." The elder made no attempt to rebuke Wooyoung's statement, simply smirking at the implication.

"A title you only got by fucking age, you bastard." Wooyoung rolled his eyes. "And if I start to notice a trend, I'm going to tell Hongjoong someone hasn't been playing fair."

"And you don't think he's not going to use his seniority to influence her either?" Seonghwa asked, shifting his position against the doorway. "We might all be sharing, but that doesn't mean it won't come down to every man for himself when it comes to who gets to have her first. And we all know playing fair won't be a part of this game."

At the thought of finally having you, finally tasting you, San was unable to keep his fangs from growing as a newfound thirst took over. His tongue rolled over their sharpened points, the image of your body beneath him and the supple skin of your neck bare and exposed just for him, all but begging for him to take you, filling his head.

"It'll be a while until we fully get to savor her though," Wooyoung interrupted San's thoughts, taking note of the direction his mind had gone from the fangs that had extruded past his lips. "Yeosang says she reeks of him. It'll be a few weeks before we get his blood out of her system."

"What was it I said?" Yeosang interrupted their conversation when he suddenly rounded the corner from the stairs, a cup of tea in hand and looking like he had just tumbled out of bed with the messy state of his hair and the yawn that followed. "Oh," his face fell, "she's not here yet."

"Fucking hell," Seonghwa sighed, shaking his head. "You too?"

"Me too, what?" Yeosang cocked his head, an overtly innocent expression on his face as his thumb pointed to the mailboxes at his right. "I'm just here to get my mail."

"Dressed like that?" Seonghwa's eyes glittered dangerously as he took in the casual outfit Yeosang wore, the tight-fitting sweatpants and loose tank exposing his sides all but screaming for attention. For your attention. "And precisely," he paused to check the time on his watch, "two minutes before she's supposed to be here?"

"Precisely," Yeosang smirked and took a sip of his tea, making no further move to get his mail like he had claimed.

"And here I was thinking you were better than this."

"Then clearly you don't know me half as well as you think you do if you believe I'm going to waste an opportunity as this one." There was a slight edge to his tone, yet his expression remained playful, reminding Seonghwa and the others of the darker side beneath Yeosang's generally easy going attitude.

It had been a long time since someone had piqued his interest anywhere close to where you had, and his reaction only served to excite the others even more. If you had him this riled up, this eager for your attention, you must have been something quite extraordinary.

"I am the one who found her, after all," he quipped, leaning back against the wall behind him, "and I won't just stand aside to let the rest of you catch up."

"You didn't find shit, Sangie, and you know it." San shook his head, rebuking his statement. "She came to us, remember? Willingly. You just happened to be the lucky bastard who was working that day."

"Perhaps," Yeosang shrugged, "But that doesn't change the fact I was the one who convinced her to fill out the application and I'm the one she'll be thanking for helping her get accepted."

"God, why the hell did you give the open house to him?" Wooyoung whined.

"Because the one time I left you in charge of an open house, you ended up killing one of the attendees and then Hongjoong and I had to spend the rest of the day fixing things," Seonghwa answered, giving Wooyoung a pointed look. "And we all know Yeosang has the best sense of smell out of all of us, so it's only natural he's the one that picks. He hasn't failed us yet, has he?"

"It's a good thing I did it too because I highly doubt the rest of you would have been able to pick it out," Yeosang replied. "Sure, I was suspicious as to why another vampire's scent was all over her, but it wasn't until we were outside and the wind blew just right that I noticed the subtle hints of her own scent coming through. And trust me, there's no way she's not a-"

Yeosang was interrupted when the office phone began to ring, alerting them all to what was about to happen and ending their current conversation. In a matter of seconds, each man was moving towards the task at hand to ensure your first interaction with them was nothing but flawless.

Wooyoung collapsed into his chair, hurrying to press the button that would open the front gate for you, more than eager to finally see you face to face. He had seen the pictures Yeosang had snapped of you without your knowledge, and these had only added to his excitement, your beauty more than evident.

San kept his place next to the front door, checking his appearance one last time in the nearby mirror as he waited for the perfect moment to 'leave' the building and bump into you.

Yeosang took his time finding his mailbox, casually shifting through the few pieces it had contained while he waited for you to enter the building and have a chance to speak to you once more.

Seonghwa rolled his eyes as he strayed for just a minute longer, eyeing both of their childish antics with partial annoyance. He couldn't really blame them, not when this day was something each of them had waited centuries for. Not when this was something they had all begun to believe would never happen to them, all but losing hope someone like you would come walking into their life. If the roles had been reversed, he knew he would have been acting similarly to them, but today's events were important. What happened today would dictate your future with them and the last thing any of them needed was to fuck it all up because some of them couldn't be patient.

He knew their behavior wasn't really a cause for concern, however they might have annoyed him. You may have not been legally theirs yet, but you had sealed your fate the moment you had stepped into their domain and nothing you said or did would change that.

When neither one showed any intention of giving you space for the time being, Seonghwa sighed before following Wooyoung back into the office, taking a split second to check his own appearance in the mirror. Over the centuries they had been together, he had long learned there was little he could do to control any of the others. No matter what he said, they would do whatever it was they wanted and damn the consequences. Instead of concerning himself with their shenanigans, he needed to focus on the task he had been given and ensure you sighed the contract.

And you would. Willingly or not, it didn't matter. You wouldn't step a foot outside this building until it was signed. And if you showed any sign of hesitation, he would simply push you in the right direction with a little coaxing, your kind's mind weak and powerless to his power of persuasion. In the next few hours, you would sign your way over to them. He would make absolutely certain of it.

─── ･｡ﾟ☆: *.☽ .* :☆ﾟ. ───

"Oh, sorry!"

You stepped out of the way as the door to the building swung open before you had a chance to find the button to buzz the office. A man stood on the other side, head and attention directed behind him as he finished up his conversation with whoever was back there before he left.

At your soft apology, he turned to face you and you had a hard time stopping your cheeks from tinting pink as you took in his features. He was beautiful. A few inches taller than you, black hair effortlessly swept back from his face, bringing full attention to his strong cheekbones and sharp jawline. All of which made it more difficult to control the blush blooming at the back of your neck. And when he smiled down at you and motioned for you to come through first, you knew there was no way your cheeks weren't at least a little bit pink by now.

"Thanks," you reply, returning a timid smile of your own before tucking your purse closer towards you and slipping past him inside.

"Oh, hey, y/n!"

Your gaze was directed past him and to the right when you entered, surprised to hear your name being called out. A man stood near the mailboxes, smiling and waving at you as he shuffled through his mail. It took a few seconds for you to recognize him, the addition of glasses and casual wear a stark difference from the man who had been your tour guide a little over a week ago.

"Are you here to sign the lease?"

"Yeosang, hi!" You returned the wave, unable to stop your eyes from momentarily roaming over the rest of his body and wondering how you hadn't noticed just how attractive he was before. "And yeah, I think so. I was told to come in and meet with Seonghwa to finalize everything."

"Oh, you must be the new tenant of 604 then," the man who had opened the door for you spoke up behind you, directing your gaze back towards him. "I'm Choi San. I live in the unit right next to yours, 603."

"Oh, hi." You hesitantly took the hand he had extended in greeting. This? This was who you would be living next to? God, you could already hear the jokes Felix would start when he found out who your new neighbor would be. "I'm l/n y/n. It's nice to meet you."

"Likewise," San replied, an easygoing smile still stretched across his features. "I'm also one of the people in charge of maintenance here, so please just let me know if you ever have any issues with anything and I'll be more than happy to help."

"Thank you. I'll keep that in mind."

You had to admit that having maintenance right across the hall from you was nice, but as sincere as his willingness to help seemed to be, you knew it would be a while before you ever approached him for any help. The last thing you wanted him, or any of the other workers here for that matter, was to think you would be taking advantage of them in any way. They had already done so much for you with the new job and new housing, the last thing you wanted was for them to think you were trying to wring more out of them. No, you would do your best to pay them back for the kindness they had shown you and ensure you weren't a burden on anyone. Ensure that you didn't need to depend on anyone anymore.

"y/n, I presume?"

You turned in the direction the new voice had come, finding yet another very attractive man around your age leaning against a nearby doorway. He appeared slightly taller than the other two, hair dyed a bright, startling white.

"I'm Park Seonghwa, the senior manager here at the Paradigm."

Shit.

This was Seonghwa? This was the man who would likely be serving as your new boss?

"Hi, yes, I'm l/n y/n." You nodded, making your way over towards him. "I'm so sorry I'm late. I had some issues getting a few of the documents you needed and then there was a wreck on my way here that slowed everything down."

And by issues, it seemed someone had conveniently forgotten to give back the key to your lockbox that you kept on your keyring. It wasn't until after nearly ransacking the apartment looking for it that you remembered you had stowed a spare key in your car a year ago that you were finally able to get the identification documents you needed without having to call your boyfriend and ask him where the hell he had taken it and raising unnecessary suspicion.

"Don't worry about it," Seonghwa waved your concerns away, motioning for you to follow him inside. "I had a few things I still needed to finish up for your arrival, so your timing is perfect."

"Oh, well, I'll still apologize nonetheless. I'm incredibly thankful for this opportunity you've given me here and I don't want you to think I'm taking any of it for granted."

"I assure you, it's fine," Seonghwa replied. "Things are pretty relaxed here for the most part, so no one's worried about a few minutes here or there. And it's not like I haven't had to drag Wooyoung or Yeosang out of bed before when they've slept through the first hour of their shift."

"You're one to talk, Hwa." Hearing his name mentioned, the other man inside the office spoke up, alerting you to his presence. His head was propped up in his hand and a teasing smile was directed towards the man in front of you. "Or have you forgotten how you missed half your shift the morning after your birthday last year."

"Like I said," Seonghwa's eyes narrowed back at him, but he didn't try to rebuke his statement, "we're fairly flexible around here."

"I'm Wooyoung by the way." The red haired man's eyes moved towards you. "We spoke on the phone earlier."

"Right." You nodded, returning his smile and fully realizing how much more awkward you would have felt in that conversation if you had known just who you had been talking to in that moment. "It's nice to meet you, Wooyoung."

With greetings out of the way, you followed Seonghwa to his desk in the back, sitting down in the chair he pulled out for you. As he began to go over everything pertaining to your time with them, you slowly began to relax. Despite being originally intimidated by his appearance and status, Seonghwa truly was nice. He was easy to talk to and just as it had been with Yeosang, you felt a pull towards him and could see yourself fitting in well here with them. Easily slipping into the casual workflow they had here, much less stressful than anything you had to deal with at your current place of work.

But before you got around to signing the multiple documents to seal everything in place, Seonghwa walked you down to the on-site clinic to get your blood drawn before the doctor on schedule closed for the day. The nerves that had previously been quelled by Seonghwa and the others' affable personalities slowly crept back at the notion of having your blood drawn. You had done your best to push the thoughts aside when Wooyoung had mentioned it earlier, but you had a hard time remaining calm as you followed him, your fear of needles beginning to get the best of you.

You didn't know what you had expected when Seonghwa mentioned Yunho would be the one to draw your blood today, but it sure as hell wasn't the tall, gorgeous man smiling at you when you entered the room. But then again, after everything else you had experienced here this far, should you really have been surprised by the real life equivalent of Carlisle Cullen - minus the vampiric qualities of course.

"Are you okay?" Yunho asked as he sat down on the stool next to you, taking the arm you extended towards him to begin prepping it.

"Yeah," you nodded, attempting to still your fidgeting nerves and praying you wouldn't come close to passing out like you had the last time you had been stuck. "I'm just not the biggest fan of needles, but it's fine." You were quick to add the last few words before he could say anything, not wanting him or Seonghwa who was still hovering near the entrance to the room to think you were trying to talk them out of this. "I used to give occasionally when I was younger, but then something must have happened because the last time I attempted to give, it didn't go well and I haven't been able to give since. I've wanted to start giving again though, so perhaps this is just the push I need to get over the fear."

You really didn't know what had happened to cause the fear. You had never liked needles before, but you had always been fine with them. It wasn't until two years ago that you had your first panic attack from them when you had gone in for your flu shot and very nearly passed out. And when you had tried to give blood a few months later, you had passed out and found yourself growing antsy at the mere thought of needles. You had no idea what had caused this sudden onset, having no bad occurrences with them in the past, but whatever it was, was enough to keep you avoiding them.

"Well, I assure you I will do my best to make this as quick and painless as possible." The smile he sent your way nearly had you melting in your spot and you felt your nerves begin to relax the slightest. "Just try and focus on me instead, okay?"

You nodded, unable to stop the blush that tinted your cheeks at his words, embarrassed at how your childish fear was playing out in front of him and all the more flustered by him because of it.

"So, y/n, tell me about yourself," he began in an attempt to distract you from the needle sliding in, but you still flinched, turning your head in the opposite direction. Looking at it was only going to make you more woozy than you already were. "What do you like to do?"

"A little bit of everything, I guess. When I have the time, I like to read, but with school and work, I don't have nearly as much time as I used to. I also enjoy both volleyball and skiing, but only really get a chance to do either of those during school breaks," you began, doing your best to focus on the conversation at hand and not on the fact there was a needle inside you at this moment, a thought that had you closing your eyes and sinking further into the chair. "And then I do quite a bit of art as well, which I suppose I would have to, seeing as I am getting a degree in graphic design."

"Seonghwa, I think we're all good here now. Feel free to head on back and I can walk y/n back to your office when we're done." Yunho diverted the conversation for just a second, turning his attention to the other male in the room before focusing on you once more. "You said you're getting a degree in graphic design. What do you want to do with that when you're done?"

"I'd love to work in the video game industry, but it can be a tricky field to get into and make a living off of, so who knows." You took a sip of the drink Yunho had handed you before he had begun, hoping the sugar from the juice would help keep your head level. So far, you were still feeling okay, but knew it could change in a second if you let your head dwell elsewhere for too long. "But my friend Felix is a computer engineering major and is also interested in gaming, so we've actually been working on creating our own game this past year. He handles all the coding and logistics, while I work on the artwork, animation, and story design."

"What's the game about?"

"Oh, well, it's still in pretty early development as neither of us ever have much time to work on it, but the gist of it is that you play as a character who has been transported to the middle of a giant labyrinth and must survive long enough to find a way out before it's too late. As you journey through, you'll find both enemies and potential allies and it's up to the player to decide just how you'll escape and who all will make it out with you. And with the labyrinth randomizing with each game, you'll be guaranteed a different playthrough each time. Or at least that's the goal."

It was hard to tell if Yunho was truly interested or not as you began to ramble on about your project, but his trick to get your mind off the matter at hand was working and you didn't dwell on the matter too long before you continued, unable to stop yourself from rambling with the nerves coursing through you.

"Felix also thought it would be cool if there was some form of romance in the game, so we've also recently started working on implementing some sort of relationship aspect to it. One which will not only allow you to form romantic relationships with the companions you meet along the way, but also friendships and enemies as well. So, if you end up making one of the npcs mad, you might just want to sleep with one eye open. Otherwise, you might just wake up with all your supplies stolen or a dagger to your throat depending on who you upset."

"And it's just the two of you working on it?" Yunho asked, to which you nodded. "That's impressive. It sounds very cool."

"You think?" You took a risk and turned your head towards him, attempting to gauge his response.

"Of course. It sounds like something I would enjoy playing." His eyes lifted upwards for a moment, giving you a reassuring smile.

"Oh, well, maybe I can show you what we have done so far sometime."

"I'd like that."

His smile was infectious and you couldn't hold back your own grin at his words before turning your gaze away once more. Was there anything about this man that wasn't perfect?

"Does that mean you like to play video games too?" you asked after a few moments, taking another sip of your drink to try and get a hold of yourself once more.

"Maybe not as much as some of the others here, but yes, I have played quite a bit over the years," he replied. "In fact, there's a group of us that usually gets together on Tuesdays for a game night. You should join us sometime when you're all settled in and feeling up to it. We'd love to have you, though I must warn that things can get heated at times. Some of us have a harder time taking a loss than others."

You laughed, knowing all too well what he was talking about. Your friend Felix also fell in that category of people. "Sounds like fun. I'll have to keep that in mind."

"And on that note, we are just about all done here," Yunho said as he applied a cotton ball to the crook of your arm to stop the bleeding before beginning to bandage you back up.

"What? Really?" His words surprised you, too distracted by your conversation to notice he had slipped the needle out already. "Wow, you're good. I didn't even feel it."

"Not so bad then?" he asked, collecting the vials of your blood and standing up to properly store them before they got sent off for testing.

"Well, considering I passed out the last time my blood was drawn, I'd say this was a vast improvement." You could feel the endorphins kicking in now that it was over, a huge wave of relief washing over you. "After that, I sort of stopped going around needles as a whole. My mother wasn't very happy when I stopped getting flu shots, but seeing as I haven't gotten sick in years, I'd say I'm okay."

"Here, why don't you eat one of these." Yunho extended a plate of cookies in your direction. "I didn't take too much since we just needed a sample, but you should still probably eat just in case, especially if you're going to be driving later."

"Did you make them?" you asked, taking one from the plate and giving it a try. "They're really good."

"No, sadly that credit has to go to Wooyoung. Despite how he may appear at times, he's actually a really good cook."

"Really?" Like Yunho said, this fact did surprise you. You hadn't pictured the playful redhead as someone who might have enjoyed cooking, let alone be good at it. But here you were. Was there anything about these men that weren't perfect? "I'll have to let him know if he's still around when I get back."

You waited there with Yunho until he was done putting everything away, taking the time to recover and sneak another cookie or two before getting back on your feet. Once you were good, and certain you wouldn't be passing out anytime soon, you followed Yunho back towards the front office when he had closed everything up.

You chatted idly with him as you went, finding him just as engaging as the others. When you arrived back at the front office, however, your attention was stolen by Wooyoung. You were too distracted by praising him for his baking skills that you didn't notice the additional male that had made his way into the room in your absence. It wasn't until you had finished up your brief conversation with Wooyoung and began making your way back to Seonghwa's desk that you finally noticed the man beside the senior manager. He was seated on the edge of the desk next to Seonghwa, and though his back was directed towards you, his head turned in your direction when he noticed your hesitant approach.

"y/n, this is Kim Hongjoong, the owner of Paradigm."

Once again, the introduction took you for a spin. Of all the mentions you had heard about the man, the person sitting before you was the very last thing you had ever imagined in your head. He looked no older than the rest of the occupants here, including yourself, making you wonder if he had inherited this place from a family member or bought it with a fortune he had inherited. It was the only two plausible explanations you could think of.

"It's a pleasure to meet you, Mr. Kim." You had a hard time stopping yourself from wriggling in your spot as he took you in. Not just from knowing this man was the one responsible for your admittance here and his role as your boss, but also from his appearance, easily just as attractive as the other coworkers you had met up to this point. "I'm extremely thankful for the opportunity you've given me here."

"Please, just Hongjoong. Mr. Kim makes me feel old." He smiled, alleviating a bit of your nerves. "And after everything Yeosang and the others have had to say about you, we're all excited to have you on board with us here. I just came down to introduce myself and make sure Seonghwa had everything in order."

"I believe we've just about gone through everything." Seonghwa motioned for you to sit down. "All that's left is to sign everything and you'll be all set." He pushed a stack of papers alongside a pen towards you. "Feel free to scan through these, but all of it is just a reiteration of everything we've already gone through or just a part of the lease agreement attached to the email Yeosang had sent you earlier. I've also gone through for you and highlighted each of the sections you need to sign or initial to make things easier."

You nodded, taking the pen that sat on top of the stack before beginning to go through and sign the various documents. You briefly scanned through the first few pages before signing them, but upon seeing Seonghwa was right, and each sheet was just a repeat of everything you had already talked over, you eventually began to just skim through the pages in search of the areas Seonghwa had highlighted for you.

"I think that is everything," you began, finishing your signature on the last page and briefly flipping through the previous documents in search for any spot you might have missed before handing the stack back to Seonghwa across from you.

Seonghwa took a second to flip through the pages as well, double-checking your work. "It appears everything is signed and in order." He dropped the stack back on his desk before opening one of the drawers to his left. "Congratulations on your new apartment, Miss l/n." The object he had reached for was a small bag which he now extended towards you. "I know you said you wouldn't be able to move in or start until two weeks from now, but your unit is ready and everything is in order, so here are the keys to your apartment and mailbox, alongside the card you'll use to unlock the doors to the building and the sticker you'll need to put on your windshield to unlock the gate to the garage. So, feel free to come and go as much as you'd like until then because for all extents and purposes, you are now officially a resident of the Paradigm."

─── ･｡ﾟ☆: *.☽ .* :☆ﾟ. ───

"Felix, I swear to all things holy, this place is going to be the death of me." You could hear the laughter this statement elicited from your best friend through the car's speakers, and you had a hard time hiding your own flustered smile despite knowing he couldn't see it. "No, I swear, Felix, how the hell am I supposed to work and act normal when everyone around me looks like the physical embodiment of a god. We're talking Haneul level here, Felix. Haneul."

High on finally finding a place of your own, and at The Paradigm no less, you had gone up to see your new apartment one more time before you left. You had spent longer up there than you anticipated, fully basking in the realization that this was now yours and no one else's. Just yours.

It hadn't taken long for the thought to overwhelm you, causing you to break down in the upstairs bathroom for a few minutes. The realization you were finally getting out and starting over hitting you hard.

Once you had finally gotten a hold of yourself, you had taken a picture of the lower level with your newly acquired keys to the place and sent it to your best friend in order to update him on your decision. It had only taken a few seconds after you sent the photo for Felix to call you, nearly as excited as you were.

"Haneul level?" At the mention of the coworker the two of you had both been admiring from afar the last few weeks, Felix's voice took a slightly more serious tone as you were finally able to drive your point down to him. "All of them?"

"Well, all of the ones that I've met so far, but yes!" you cried, though the hint of a giggle did break through, still giddy from the day's events. "Now do you see my predicament?"

"y/n, I don't think that's a predicament," he began, "I think that's heaven. And as your best friend, I think it's only right for you to let me come see your new place in person... and perhaps these gods in the form of your new coworkers."

You giggled once more at the way Felix quickly spit the words out at the end, rushing them to make it harder for you to make out. "Well, Felix, you're in luck because I just so happen to need some help moving a few things into the place this Saturday."

"I thought you weren't moving in until the following weekend."

"I'm not, but I figured I could get some stuff done this weekend since Jae is still on weekends." Despite the joyous occasion, you still felt your spirits fall at the mention of your soon to be ex-boyfriend, wondering just how you were going to pull this all off successfully. "I thought I would go out and get some of the items I need and move them in so I don't have to worry about all of it the following weekend."

"And you still plan on keeping it all a secret from him until the last moment?"

"Yes," you sighed, running a hand through your hair and wondering just how you were going to make it through the next two weeks without letting anything slip. If you had it your way, you would have moved in today, but knew that wasn't a smart move to make, not when you planned to finish up your scheduled shifts at your current job. If you were to break things off with him now, you knew he would come find you and convince you to change your mind and go back with him. "I know it's not right, disappearing with little more than a note after all these years, but I'm terrified of what might happen if I try to tell him in person. You know what happened last time I tried, Lix. What if it happens again and I ruin everything I've finally managed to set up for myself."

The last time you had pulled the courage to end things, Felix had offered you a spot at his place until you got back up on your feet. Everything had been set up and packed, and yet, when you had stopped and told Jae what was happening when he came home from work that evening, he had flipped. You didn't remember much of what happened afterwards, but just as before, all your belongings had been put back up and away. He had been extra attenuative to you that following week, even calling out of work to spend more time with you, making you wonder for a moment why you had ever tried to break things off.

"I'm not judging you, n/n. The guy's a piece of shit and doesn't deserve a proper break up after all the shit he's put you through," Felix replied, taking note of your fallen mood. "You, however, deserve the fucking world, including this new start with your supposed godlike coworkers, and I swear if he tries anything to fuck it up, I will personally kill him."

"Thanks, Felix. I don't know what I would do without you," you mumbled back, comforted by his constant support and friendship. You truly didn't know where you would be without him. "But if I'm being honest, as attractive as these men may be, I think it's time to take a nice, long break away from any sort of relationship and focus on myself for a little bit."

Sure, they were attractive, but you truly didn't have any intention of acting on anything at the moment. And even if you did, the chances of them not already being in a relationship or even remotely interested in you was slim to none and setting yourself up for something that was never going to happen would only make you feel worse than you already did. Though time had numbed the pain, you knew you were hurting after years of being stuck where you were now. Pain that would quickly resurface if you attempted to bounce back into the dating game before you were ready. You needed time to heal, time to recover from the shit you had been put through these past years. And the only way you were going to do that was if you spent a good bit of time focusing on yourself.

And this might have been what happened if you were heading to some place normal, some place sane. If you hadn't just unknowingly signed your entire being over to the very men you were just talking about. Each of whom had no intention of letting you do anything on your own now that you were theirs.

─── ･｡ﾟ☆: *.☽ .* :☆ﾟ. ───

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