#Sees stuff from a different angle

[sophieswundergarten]

I was thinking about Kate Wetherall and dyslexia

Because, kids with dyslexia are still super smart a lot of the time (It's called "twice exceptional"), but a thing that comes with dyslexia is pattern recognition! Some people think that the reason dyslexic humans have a hard time with letters is because they're three-dimensional thinkers, and some letters like "d", "b", "p", and "q" are the same shape just moved around.

However, this means that people with dyslexia often have great spacial awareness and are pretty good at math, because that's what comes with a brain that thinks like that. They also are fantastic at finding and following patterns, which can be very helpful!

[vaguely-concerned]

thinking about not only the specific people lucanis pulls in to represent the 'locks' in his psyche, but the storytelling that happens in the structure/order of them. the underlying ideas are presented something like:

the lucanis who went into the ossuary never came back out again; he died down there (the boy caterina raised is gone forever) -> you're putting yourself in danger doing this (by being close to me), you should leave because I can't bear it if you get hurt because of me -> it doesn't matter even if we do try this, it won't work anyway (again because of me) ('you know what he's like, you can open the door but he won't walk through it' :'( oofie doofie) -> what if the real secret is that there was never anything but the monster in here from the beginning. you should leave, there was never anything here worth saving in the first place. (implicitly: what if I deserved what happened, all along.)

it runs pretty cleanly from outward-oriented attachment anxiety ('caterina won't even want me back like this, she won't recognize me (the same way I no longer recognize myself)) and gradually deeper inwards until we reach self-image and self worth. or you know, the harrowing basic lack of it lol.

"careful -- they'll know we're not right," spite says in one of their first scenes... but clearly, some very deep part of lucanis has feared or suspected for much longer than that that there's something inherently not right at the core of him, way before any demon entered the picture. and the voice he gives those lines to is the person who should know him better than anyone in the world, who he has loved more than anyone in the world -- and who deliberately chose to hurt him so horrifically anyway. 'It's better if I'm just a monster and deserved what happened than it is to allow for the idea that the brother I love doesn't really exist and maybe never did'. it's better if he's fundamentally flawed in some way that needed fixing to help him survive, and that's why caterina chose to hurt him again and again -- out of love. (this one I think he might have a very sad wakeup call on one day if he ever ends up with the responsibility and care of a child of his own in some way and realizes just how alien the idea of ever intentionally hurting them for any reason is to him. oh buddy. also interesting that he keeps caterina as the outermost lock -- there IS a distance he keeps there that he hasn't with illario. he doesn't resent her 'anymore' he says, but he also keeps her carefully further away from his deepest self.)

as far as I could tell the only note in the mind prison that's fully hidden and needs to be uncovered is the sad painful helpless stupid little truth that even after all this, even knowing what happened... he still loves his brother. is there anything illario could ever do that would make lucanis completely stop loving him, do you think? sometimes the trouble with unconditional love is that it is, well. unconditional, even when some terms and conditions probably would have been in order haha.

that's the pattern you see there again and again; he would rather destroy and abandon and imprison himself at every turn than let go of love, even when it's just scraps, even when there's only ever enough of it to hurt him. it's only when rook shows up and as it were takes his hand and walks along with him that he can entertain the idea of changing the story of what walking out the door might mean in the end.

[telesodalite]

Woe, unfinished, mildly edited, fulfire fic tid-bits be upon you

-

Like a magnet, his optics kept drifting back to Misfire's face. His stupid, strangely charming face.

For a short while, after Clemency, it had been that face that haunted some of his nightmares. His recalls blurring the lines between the strange reality of Misfire's hands reaching into him to lock his fuel pump back into the very spot he'd pulled it from, and the fear that just as easily he could pull it out again. They had been bloody dreams. Dreams that had him startling awake, gripping his chest in the vain attempt to close what wasn't open, before spending the rest of the day avoiding Misfire's optics.

But now things were different. Not Misfire's face. No, that hadn't changed much. But Fulcrum's dreams had definitely changed. To say the least of what all rolled around in his processor as he slept nowadays.

Some of those newer dreams had crept to the forefront of his mind as he sat there on the couch, staring as the lights of the screen reflected dully across Misfire's plating in hazy blues and greys.

The lighting made his colors seem muddy and faded, but Fulcrum didn't really care, nor did he care to think what it made himself look like. He was too busy bringing an empty engex can to his lips while he watched the crinkle of Misfire's nose as he barked a laugh at something Fulcrum didn't catch onscreen.

He'd started noticing it months ago, all the ways the silvery mesh of Misfire's face would scrunch up with his emotions. Those little crinkles along his optics and nose when he laughed or glared. The creases indented along his cheeks when he grinned. Fulcrum found himself quietly logging away these little details. Idle notes and observations that had suddenly started piling up in the corners of his processer.

He… He'd never really done that before? He'd never really noticed those sorts of things in other mechs.

The faces and expressions of his past colleagues never seemed terribly important. All the details of every smile and frown were never worth filing away, outside of few notable moments where those expressions reflected his work performance. But besides the smile that meant promotion, and the frown that meant he'd screwed up, nothing else was noticeable. Nothing was worth remembering.

But now the memory of every genuine laugh that bubbled out of Misfire sat comfortably besides memories of warm joyful optics that Fulcrum found himself collecting every time Crankcase cracked a rare half-smile for him, or when Krok placed a reassuring hand against his back, or the times Spinister spontaneously pointed out something odd but ultimately nice about his stupid frame.

He didn't really know why he was doing it, memorizing all these mundane little things, just to have them flit through his processer randomly. Maybe it was because those expressions, those details, felt… comforting? Comforting in such a strange and unfamiliar way. But, a good way. A good sort of strange, much like the mechs themselves.

-

-

He had stared for a long moment, the credits and their rolling tune playing somewhere in the background as Fulcrum stared back. But Misfire was never one for personable silence, even as the sound of some likely long dead Iaconian orchestra filled the room.

"What is it?" He asked, a small chuckle escaping him as he brought a hand to his face, "Don't tell me I've poured it all over myself again."

It had taken Fulcrum longer than usual to unstick his glossa from the roof of his mouth as he watched Misfire run a thumb over his lips, but eventually he had coughed out a small, choked, "No."

That had earned him an odd look at first, but with their fields loose and open, Fulcrum could almost feel the exact moment something clicked in Misfire's mind, as the idle comfortable static he projected in pulsing waves evened out into something openly curious and almost subdued.

It wasn't often Fulcrum felt him that clearly.

Misfire tended to keep his field fairly close, though, maybe not as close as the others did, what with how Crankcase kept an iron grip on his, and how Krok's always held an air of strained control, even when it slipped from him. But still, Misfire's was always hard to read, no matter the reach or depth of his field.

Even then and there, with it loose and unfiltered and buzzing with the engex running through his system, there was an ever present undertone of something indescribably jumbled about him, like too many feelings at once, each too vast and hurried for Fulcrum to really feel or understand.

It always seemed to stir the passive anxiety Fulcrum must've been forged with when Misfire's field brushed against his own. As facing the indescribable vague mess of Misfire felt like trying to untangle a pile of live-wires he couldn't even see.

It was almost frustrating in a sense, the need to try and sort and understand what wasn't even his to begin with. But at the same time it was almost exciting as well. It was like a game, like a puzzle he had yet to solve.

-

-

Finally letting his own can go tumbling to the floor to join Misfire's, Fulcrum had brought a hand to cover his face as he drew his legs up and leaned back against the arm of the couch, trying to suppress the fit as the sly look slipped from Misfire's face at the sounds.

While Fulcrum had laughed, and… snorted, embarrassingly, he had felt Misfire's field change again, brushing something fizzy and almost warm against his plating as Misfire's features softened.

"I'm looking at you," Fulcrum had said then between gulps of air, letting his hand fall from his face as he reached out to poke at Misfire's chest, "Dumbaft."

His finger had lingered over the thick plating there for maybe a little longer than necessary, drawing Misfire's attention as it slid down a little before pulling away.

Looking back up again with his helm angled slightly, Misfire had followed the sight of his hand leaving his plating to where Fulcrum let it fall between them.

"Wow…" Misfire had chuckled a little dryly, "I was gonna make it real easy for you. I was going to say something like, ''Do you like what you see?'' or-… or something like that. But now you've ruined it. Good job."

Meeting Fulcrum's optics again as he pulled his own hand back from Fulcrum's shoulder, he brought it to rest between them as well.

"And you're laughing at me," He said next, faking a small pout as his hand drifted closer to Fulcrum's, "Which totally ruins the whole vibe I was going for really. I mean, it's sort of hard to be all nice and suave-like when you're being laughed at. Total vibe killer. Bit of an ego killer too if I'm being honest. So thanks for that loser, thanks for saying I have a funny face."

With Misfire's fingers brushing distractingly past his own, Fulcrum didn't think before the words stumbled out of him.

"I like your face."

It came out almost matter of fact sounding, Fulcrum's laughter having died down while Misfire complained about it. But at the same time the words felt so simple, they came out so easily, and in a weird way they felt nice to say. But Misfire's optics had widened in surprise, his frame frozen and his field suddenly struck quiet, and despite the engex numbing his usual nerves, Fulcrum felt a sudden pang of anxiety because of it.

The silence in Misfire's field was terribly alien. It felt wrong, and something in Fulcrum spiraled to think he had caused it. But slowly, almost as if it were creeping forward, an odd almost scrutinizing uncertainty fanned outward in a careful wave. Misfire moved with it, leaning closer as he searched Fulcrum's expression for something.

"Oh yeah?" He'd said lowly then, and that sly look returned. But that vague uncertainty didn't fade with it, if anything, Fulcrum felt it strengthen. Caught between what he saw, in Misfire's easy smile and dimmed optics, and what he felt, in the growing hollow distance within their fields, Fulcrum found himself frowning and pulling back.

-

-

Growing frustrated with himself, and wanting that feeling back, he had pushed forward, shifting onto his knees as he reached for Misfire's face before the other could pull away from him entirely.

"I like your face." He said firmly, maybe too firmly. His expression still drawn into a frown as he pressed his fingers into Misfire's helm, brushing his thumbs across the silver mesh he'd been staring so intently at before. "I like your optics, and your nose. I- I like the way you smile. When you really smile, and when you laugh. I do. I'm not lying."

And oh there it was again, that little curl of warmth in Misfire's field. Almost a tangible thing, like a brush of ventilation, but Misfire wasn't venting. His mouth hung open ever so slightly, but no breath left him as he stared at Fulcrum with widening optics.

Spurred on by that tiny bloom of warmth, Fulcrum chased after it with slightly slurred words and clumsy hands as he tried to fix whatever he'd done wrong, hoping with each word that Misfire might soften and smile again.

"I like your expressions, and- and I like your voice," He said, glancing down at Misfire's parted lips, and laughing softly, nervously, as he continued, "Even when you say something so stupid. I like- I like the way it sounds. I like your accent, I like the way it makes your words sound. I- I like your- your mouth?"

Once more that weird but nice feeling settled in Fulcrum's chest. Those simple words felt good to say. It felt like a weight off his shoulders, like an admission he'd been waiting to say. About what and why? He wasn't really sure. But the warmth grew, and Misfire took a sharp vent inwards, and that felt right, so Fulcrum kept on.

"I like your helm," He said with a smile, reaching up to brush his fingers over the jutting finials there, before dropping his hands to settle lightly over Misfire's chest. "I like your frame, the colors of it. I like your-"

Before he could finish, Misfire was surging forward, knocking their helms together and nearly bruising the mesh of their noses as he tried for, and just barely missed, Fulcrum's lips.

-

👁👁👍

[yujeong]

what do u think is the relevance of the black cat on tonkla? what goes on inside his head when he sees the cat?

Anon, I could talk about that damn cat all day, but my head is a mess and I can't fully put my thoughts in order. This post was the best I could do, but since you asked, I'll try to explain how I view the whole thing as coherently as I can. In very few words, the cat represents many things in relation to Tonkla: loss, powerlessness, mourning, bad luck, love, revenge and so on. Whenever the cat appears, it encompasses all of those things, some of these prevailing over others depending on the scene in question. With that said, let's take each scene and analyze it a little bit, shall we? First instance - Episode 1: Right after Korn leaves, Tonkla hears his cat meowing. The cat looks at him for a short moment, then it immediately flees to the kitchen, where it disappears before it completely turns around. (In this moment I'd like to mention how, in my opinion based on Episode 7, Tonkla's cat was probably killed near or in the kitchen. The space isn't shown clearly but it'd make sense, since 2/3 cat appearances happen close to the kitchen.) In order for us to understand what Tonkla is thinking once he sees the cat, we need to remember what happened for it to appear in the first place: Korn left to go to his dad, his actions and words reminding Tonkla that he doesn't come first. Korn, the man Tonkla loves, left him. Just like his cat did. But it's not only that.

This specific moment has stayed with me. It looks like he's reminiscing a past memory. Like he's remembering how his cat was killed, how he lost something he loved, how it was brutally taken from him. And the memory must have hurt, because he exhales, rests his head on the couch and then:

He does this. Many people, myself included, thought this was about Korn, and it very well could be, and it kind of is, but I also think it's about the cat. It's about the loss and the loneliness and how it's a constant in Tonkla's life. Second Instance - Episode 7: This time, at first the cat meows softly like before to get Tonkla's attention, but then the sound the cat makes is angrier, its gaze sharper. Now it stays there and it doesn't flee and it stares at Tonkla without fear. So, what happens this time to make the cat appear? Tonkla gets upset by Win's approach of bringing Title to justice. He feels it's not enough, like it's not the correct solution to the problem. An important detail to this moment is that we don't only hear the cat meowing. We also hear its bell ringing. The one Tonkla was holding when he pushed his father down the stairs. When he killed him. What goes on inside Tonkla's head this time is simpler to understand: the cat serves as a reminder of what he's done in the past. The realization dawns on his face, his fingers itch with it, the sink becomes his old house's floor with his father's blood smeared all over it.

"Right," he thinks. "I can take matters into my own hands. I don't have to rely on anyone else." Third Instance - Episode 7: Finally, we hear the cat and see it briefly walking by Tonkla's gun, the one he uses to shoot Great. Here, what happens before this moment to make the cat appear is interesting to me: Tonkla finds out Great and Korn are related, something he had no idea about, judging by his reaction:

And it's interesting to me because I believe that for a moment, he was conflicted:

He understood what him doing harm to Korn's brother would mean for him and for their relationship. That's why, even when the cat meows and the gun appears in the frame, he still has that face:

But of course, this doesn't last, because Tonkla understands the poetic irony of the situation. And he finds it hilarious.

That's what his smile means to me. He's not losing it, it's not a deranged expression (although it is). He just finds it all amusing and I can't really blame him. This is the moment the cat represents revenge. This is when it crosses Tonkla's mind. All the other things are still there - the loss, the pain, the loneliness, all of it - but this is what prevails in the end. Oh, and because I saw a few mentions of mental disorders floating around in regards to Tonkla seeing the cat, I'd like to end this post on a very unserious note, by adding a moment from 13 reasons why of all shows: Clay: "I don't actually see ghosts." Justin: "I get it. You wrote my paper on magical realism."

[icewindandboringhorror]

I'm so heavily anti-advertising that all pitches sound goofy silly to me/I can never take them seriously, so I have no idea how I'll manage to to advertise my game even if I do finally finish it soon-ish lol...

[amelikos]

What's you all favorite trio in Horizons? Could be a group of three characters tied narratively, or a trio that is more straightforward and established as friends, etc.

Mine is the trio of Liko, Friede, and Amethio.

[2hoothoots]

I’m making a psychonauts age swap au, as one does, and my brain keeps deciding that lili raz and dogen are all in love and I’m pretty sure this is your fault

that's just how it happens!! these three have a memetic quality. they're a bit like cordyceps, to me

[sysig]

DAX is just so expressive ♥ (Patreon)

[planet4546b]

been wip brainstorming lately cause i need a new story to pick away at and it’s fun like. being a writer who is also an adult and can come at things from different angles. cause so many of my wips are from when i was like 14-18

[timechange]

MCFLY JULY ‘24 — all-nighter.

SEPTEMBER 19, 1984

Junior year wouldn’t be so bad, Marty thinks, if everyone would quit breathing down his neck about how this is the year that really counts. This is the year that everyone would be looking at and scrutinizing, the deciding factor in the life-or-death coin toss for the rest of his life.

His future.

Which is why he’s desperately trying to give a shit about something he normally could not care less about.

But if anyone could help him care, it’s @doctorbrown .

“What the hell does calculating the area of a graph have to do with speed?!”

…well. Even Doc can only do so much.

“You don’t actually use this stuff, do ya, Doc? I mean the graphs and junk, not like… velocity and acceleration and whatever. I get that. But this has gotta be the most convoluted…”

Marty sighs, jogging his leg, knotting his hand tighter in his hair.

“I know I’m pretty dumb, but this is next-level stupid.”

It’s gonna be a long night.

[mishalikessoundsandcolours]

More silly art :D

This is an illustration to a goofy rap thing which me, two of my friends and another guy from the ceramics workshop we sometimes go to made up. It's basically just one sentence in Russian repeated over and over again that translates to something like "we're digging a hole", and then there are like different voices and acapella and beatbox layering on top of it. We really gotta record it someday

And this is some sort of poem-sketch or however you call this kind of thing – basically I drew that abstract creature and then I decided to write a poem, but it's less about some specific message and more about the colour of the words and the sound, although you might imagine some vague, strange story to it of course. Here's the text so you can read it more clearly:

"Over the trees Swirligaze looms

Staringly well she kabooms

Into the sea her bubbles she blooms

Singing upon staglarundian shoes

So hearty in all her vavooms"

[missinglaterals]

Damien Rose / MissingLaterals - 3D Character Artist

If you are here to look at my 3D modeling check out:

#Class work for stuff from college classes

#3D modeling for ... my 3D modeling stuff

#Dress Up Tom the Cat is for my senior thesis, a dress up game for one of my characters

Same username on insta, artstation, bluesky and artfight! I have a twitter though I don't use it and if I do start in the future it won't be for a while lol. (Mutuals can ask for my discord)

I also have a straw page if you wanna ask me a question or doodle something!

This is a blog solidly dedicated to my art and characters , character design shenanigans, character modeling, and personal worldbuilding. I'll also post work and projects from college.

Game Design College Senior (with only one more semesters left!), My main focus is 3D character modeling. I enjoy character design in general and big fan of worldbuilding and in a beautiful world I'll develop comics with the freaks in my head!

For personal characters and stories check

#were are we? is about were dogs and cats in the early 2000's

#character design is also a good one if you just wanna see some cool and or silly designs :]

[daz4i]

sometimes bsd reddit can be fun but sometimes i will go on it and see posts like "why do people think dazai is depressed? i don't remember it ever being mentioned, is it just a common fanon thing?"

[serufu]

My still in the early parts of it review of Wilds so far is that PC optimization struggles aside, every single new monster has been a banger and the zones are really pretty, and as an IG main the QoL changes to the kinsect are wonderful and being able to charge heavy attacks feels really neat and intuitive, but also that at every moment I dearly miss my treasured departed friends the wirebug and diving wyvern special attack lol, gone but not forgotten o7

[viktorarcanedeservesbetter]

...

[vanteguccir]

ㅤㅤㅤㅤㅤㅤSURPRISE PARTY TOUR: BOSTON'S ENGAGEMENT PROPOSAL * MATT STURNIOLO

SUMMARY　::　Where, at the Boston show of the Surprise Party Tour, Matt finally reveals his first solo surprise of the tour: proposing to Y/N.

FEATURING　Matt Sturniolo x reader　REQUESTED?　yes.

WARNINGS　::　none.

AUTHOR'S NOTE　::　that is my work, I DON'T authorize any form of plagiarism; copy, "inspiration" or translation! | english isn't my first language, so I'm sorry if there's any grammar error.

Matt felt like a complete idiot.

Which was honestly fine.

Normal, even.

Because what else are you supposed to feel when you walk into Tiffany & Co alone, camera in one hand, jacket half-zipped, and the literal knowledge in your brain that today’s the day you buy your engagement ring?

The second the glass doors swished shut behind him, he instantly felt underdressed. The place was too clean. Too bright. Too quiet.

The kind of quiet where even your footsteps sound loud, and you’re 90% sure the floor costs more than your car.

"Okay." He muttered, clicking on the small camera in his hand, flipping the screen so he could see himself, waving with his free hand. His messy strands were doing their own thing, and his voice cracked a little. "Hi, uh, so I guess this is happening."

The Tiffany logo glimmered in the reflection behind him, all silver and serious. He turned the lens toward the inside of the store, slowly panning across the display cases that sparkled so hard it hurt to look at them.

Everything was white and silver and pale blue. Velvet chairs. Smooth marble counters. Employees moving around like they were floating, all super polished and weirdly calm, which was the opposite of how he felt.

He found a small table in the center of the room with a modern glass vase on it and propped his camera there using the tiny tripod suction he’d brought.

"I sent an entire email explaining this to the brand and asking for permission to record it. They gave me it. I even brought it printed." He laughed breathlessly, angling the lens to frame the table and the chairs across from it.

Matt sat down and let out a quiet breath, tapping his fingers anxiously on the edge of the table.

He didn’t really know what he was expecting walking in here. Like maybe it would hit him differently, feel more real. But all he felt was this warm weight in his chest and the nonstop loop in his head.

Don’t screw this up, don’t screw this up, don’t screw this up.

A woman appeared after a few moments, dressed in sleek black with a small Tiffany-blue badge on her chest. Her heels clicked quietly as she walked toward him, her smile calm and super professional but not cold.

"Hi there. Matthew, right?" She said warmly.

"Yeah, hey." He stood up awkwardly, then realized she didn’t expect that and just kind of hovered in a weird half-stand before sitting back down.

She smiled kindly.

"I’m Elena. Thank you for coming in today. I've been informed of your plans."

He nodded.

"That's great! Thank you."

Elena let out a soft laugh at how stiff he looked and pulled up a chair across from him.

"Don’t worry. You’re definitely not the first person to come in here with that look on your face. You’re shopping for an engagement ring, yes?"

The words still made his brain stutter. But he nodded.

"Okay, then let's start." She said, already opening a small black folder in front of her.

Matt sat back and rubbed his beard covered jaw. The room felt big. And small. And too real.

"Alright." Elena said, flipping open a tray of sample bands, all lined in rows with tiny cards that probably had words like platinum and cushion cut on them. "Let’s talk about her. What does she like?"

Matt blinked at the rings for a second, overwhelmed by sparkle. Then he focused.

"She actually wears a lot of jewelry." He started, voice calmer now that they were actually talking logistics. "She wears gold more than silver, but like both. And she hates anything super chunky or loud. She's more into the delicate, kinda simple stuff. Like she has these tiny gold hoops she wears almost every day and these little rings that look like... minimalist or whatever."

Elena nodded, already pulling a few bands from the tray and setting them aside.

"This gives us a lot to play with, actually."

"Good." Matt said, nodding. "She also... okay, I don’t know if this helps, but she likes stuff that’s classic but not boring, y’know? She’s not trendy. That sounds kinda corny, but..."

"No, that’s perfect." Elena said, already unlocking another small drawer in the case nearby.

Matt glanced down at all the million options, fingers drumming a quiet beat against the edge as his brain tried to concentrate.

Fuck, he wished his brothers were there.

Chris would’ve made him laugh to calm him down while Nick would’ve asked twenty questions about resale value and the clarity of the stone or whatever.

It was weird doing something this big without them next to him. Like losing your phone and realizing how much you depended on it. He was so used to them being right there in every step.

But not this time.

This was just him.

"Here." Elena said gently, breaking the spiral as she placed a new tray in front of him. "I think we’re getting close."

Matt leaned in, eyes scanning the rings. One stood out immediately.

It was delicate, so thin he almost missed the band entirely. A single oval-cut diamond sat in the middle with six claws holding it in place, no extra flash, no weird shapes, just clean and clear and... her.

He pointed to it, eyebrows lifting slightly.

"That one’s really nice."

Elena smiled like she’d been waiting for him to say that.

"That’s one of our most classic solitaire styles. Platinum band. Oval diamond."

He tilted his head.

"Yeah... she’d actually wear that. Like she’d live in that."

"Exactly." Elena said. "You want something she’ll love now and thirty years from now."

They added a curved matching band that hugged the engagement ring perfectly. It looked like the two rings were designed to never be apart.

Matt stared at them for a second too long.

"Can I- uh... get a second to record this?" He asked, already reaching for his camera and bringing it closer.

He lifted the box gently, showing the rings to the lens and whispering.

"This is the one. I hope you love it."

The big screen flicked for a millisecond before showing the banner with 'SURPRISE' written in big white letters.

The noise was immediate, and it only seemed to increase when the countdown appeared seconds after, huge and bold across the giant screen. The numbers started ticking down from 5, all in that signature grainy style.

The theater echoed with voices. People clutched their phones tighter. Someone behind Y/N whispered a breathless "Oh my god, it has to be Matt", but she didn’t even register it at first, her eyes glued to the screen.

And then, there he was.

Matt.

Standing in front of a camera, looking directly into it while adjusting his tie.

The crowd lost it.

They weren’t even at fault for their reaction. Six shows had passed through, and Matt wasn't the one bringing a solo surprise in none of them.

Matt smiled at the screams. He stood up from the orange couch on the left, where he’d been sitting shoulder to shoulder with Chris, and grabbed his mic.

The crowd didn’t calm down. If anything, they screamed harder, but there was something about his nervous little laugh that softened everything around it.

He walked to the side of the stage, shoes scuffing the dark wood, and turned toward one of the wooden shelves that were part of the set.

"Okay, okay." Matt said into the mic, voice shaking slightly but still him. "I’m gonna need you guys to chill a little, like, just enough for me to hear myself, alright?"

The crowd laughed but actually obeyed. Kind of.

"I’ve been waiting for this moment for a long time." He admitted, glancing out at the audience like they were all his best friends and not strangers in a dark room. "And I’ve honestly never been this nervous before."

He paused.

Looked down.

And without needing to search, his eyes dropped straight to the middle seat in the front row.

Y/N.

There she was, sitting all cute and clueless, smiling so big it almost hurt him. She had that gentle sparkle in her eyes that only came out when she was happy in quiet ways.

She had no idea. Not even close. And God, she was going to freak out.

Matt felt his heart full-on trip over itself.

She was wearing the red and black Ralph Lauren jacket he had used on Philadelphia, and her hands were folded over her legs. She was watching him like she was proud just to see him standing there. Nothing more. Nothing less.

And that made it worse.

And better.

And way harder not to cry.

Chris and Nick were now on the left couch, explaining the dynamics of the live broadcast channel and the hint Matt was going to show to the public.

"Matt." Chris called, adjusting his mic. "We’re gonna be here all night if you don’t open that damn shelf."

The crowd cracked up.

Matt rolled his eyes dramatically to the audience, grinning as he turned back toward the cabinet door.

"Okay." He said, laughing through his nose. He reached out, fingers gripping the cool handle. "Let’s see what the hint is."

He pulled it open.

A ring.

Not the ring.

Just a ring.

It was chunky and bold and totally not bridal. Something from Paula, their stylist. Gold with a flat top, engraved with something random that didn’t matter.

Matt grabbed it and shut the cabinet again, turning around. He made his way back to the couch, but instead of sitting down, he stood in front of his brothers and held up the ring for them to see.

Nick leaned forward.

"What is that? A mafia ring?"

Chris squinted.

"Wait, wait- is your surprise a jewelry line? Are you releasing jewelry for Yesterday's Problem now?"

The mention of Matt's mystery brand made a crazy effect over the crowd, who screamed and begged for it to be about Yesterday's Problem.

Matt raised his eyebrows at the youngest.

"No, of course not." He pressed his lips together in a smug kind of way, then looked over his shoulder to the crowd. "Y’all are so off." He laughed under his breath.

Nick sat back with his arms crossed.

"This is too vague."

Matt ignored him. He tucked the fake ring in his jacket right pocket, feeling it clinking against the hidden velvet box, and finally walked over to the opposite couch.

He sat down slowly, smoothing his jeans and adjusting his mic. And for the first time, he looked up, not at the crowd, not at his brothers, but to the grandstand section near the side stage.

He found them instantly.

His parents. Nate. Mikayla. Sam.

All there. All watching.

Their expressions were... hard to read. Focused. Neutral, but expectant. His mom had her hands clasped near her chin, her brows slightly knit. His dad was still.

Matt swallowed. Looked back to the screen.

"Well, let's see what I did."

And then the video started.

It didn’t come with any fanfare or intro, which already made it so different from the slow builds Chris and Nick did for theirs.

"Okay."

Video-Matt’s voice crackled through the speakers, low and kind of nervous. On screen, the camera shook slightly as he clicked on it and flipped the screen to face him. He waved awkwardly with his free hand, his expression caught between a smile and full-on panic.

"Hi, uh, so I guess this is happening."

A wave of laughter rippled across the theater at how awkwardly he opened the video.

On stage, Chris squinted at the screen, tilting his head.

"Wait, where even is he?"

Matt hadn’t said it, but the massive, gleaming Tiffany & Co. logo was reflected behind him in the video - polished silver letters on a blue-tinted wall.

The moment the logo came into focus, Nick let out a confused noise beside Chris, practically leaning forward with his elbows on his knees.

"Is that-"

"Bro, is he in Tiffany’s?" Chris finished, brows furrowed.

Even Y/N blinked in quiet surprise. Her head tilted slightly as she watched Matt on the screen set the camera down on a sleek little table inside the boutique. She’d never seen him even mention Tiffany jewelry. Vivienne Westwood was his thing, silver chains, edgy rings.

But she still smiled wide because he looked nervous as hell.

Matt, onscreen, muttered something about having emailed the brand beforehand to ask for permission to film, even flashing a crumpled printout of the email at the camera.

"I even brought it printed." He chuckled under his breath, clearly trying not to combust from stress as he fixed the frame.

Back on stage, Chris snorted.

"Why does he look like he’s about to commit a crime?"

Nick leaned toward the mic.

"Your surprise is that you stole some expensive jewelry, Matt?"

The crowd laughed again, some people clapping, some just wheezing into their hands.

Y/N was frowning now, eyes glued to the screen. Matt hadn’t looked that nervous since- well, since he asked her to move in with him from Boston to LA years ago.

On screen, Matt sat down at the table, his fingers tapping a beat on the edge like he couldn’t stop moving.

Moments later, a woman walked into frame - sleek black outfit, small Tiffany-blue name tag pinned to her chest.

"Hi there. Matthew, right?" She asked with a kind smile.

Matt stood up too fast and then kind of froze mid-stand like he wasn’t sure if that was the right thing to do. He hovered awkwardly for a moment before sitting back down with a stiff, nervous nod.

Y/N laughed quietly, leaning forward in her seat.

"Oh, baby..." She mumbled, her heart just full.

"I’m Elena." The woman said, settling into the chair across from him. "Thanks for coming in today. I’ve been informed of your plans."

On the couch, Nick let out a quiet, "What plans?"

Chris nudged him but was just as confused.

"That’s great! Thank you." Matt said in the video, his voice an octave higher than normal.

Elena smiled, clearly used to this kind of energy.

"Don’t worry. You’re definitely not the first person to come in here with that look on your face. You’re shopping for an engagement ring, yes?"

The theater went silent.

Chris blinked.

Nick sat all the way back into the couch like the air had been punched out of him.

The crowd gasped.

And Y/N... Y/N froze entirely.

Her jaw went slack. Her breath caught in her throat. Her hands, clasped tightly in her lap, twitched.

Did she hear that right?

Chris was the first to react.

"Wait- WHAT?" He half-shouted into his mic.

Nick was still staring at the screen, eyebrows drawn so hard together that they were practically touching.

"She just said- she said engagement- he- what?"

The audience exploded in a mix of laughter, shocked screams, and collective gasping.

Y/N covered her mouth, eyes glued to the screen, heart pounding in her chest so loud it drowned everything else out.

She didn’t blink.

She didn’t breathe.

Her gaze stayed fixed on the boy on the screen, the boy she’d loved quietly, gently, patiently, for what felt like forever, who was sitting inside Tiffany & Co., looking like he was going to throw up from nerves, and apparently about to buy a ring.

For her.

Matt had been planning this.

He had planned this entire thing.

"Oh my god." She whispered behind her hand, her voice shaking with shock and joy and every emotion crashing together in her chest.

Chris turned slowly to look at her from the stage, his mouth slightly open like he was seeing the twist in a movie.

"You knew about this?" He asked, pointing to the screen.

Y/N shook her head so fast it almost made her dizzy.

"How could I know this, Chris?!" She squeaked, the words barely coming out.

Nick blinked rapidly, rubbing his forehead.

"Chris, a wedding propose is supposed to be a secret to the one being proposed."

But Chris still hadn’t recovered.

"A ring, dude. Like... for real. We’re on stage, and he’s proposing?"

Y/N sat back slowly, staring up at the screen like it was made of stars. Her lips trembled, not from sadness or fear or anything close to hesitation, but just from the way her entire soul felt like it was floating.

This wasn’t just a surprise.

This was Matt.

Her Matt.

And somehow, he’d managed to turn an ordinary night into the most extraordinary moment of her life.

The video continued playing, but no one really moved.

The entire theater was still.

Hearts pounding.

Eyes wide.

Waiting for the big moment.

The last frame of the surprise video froze on the big screen, the tiny velvet box open in Matt’s hand, his voice low and trembling, whispering like a private secret.

"This is the one. I hope you love it."

And then... nothing. The screen went black.

For a second - two, maybe three - the entire venue was suspended in absolute silence. No screams, no gasps, no whispers. Just air. Thick and vibrating with a kind of collective disbelief that made everything feel just a little unreal, like the world had glitched and was still buffering.

Then someone - probably a fan in the front row - gasped out loud.

And the silence cracked.

A mix of choked sobs, happy cries, shocked laughter, and chaotic squeals broke like a wave through the audience.

Mary Lou covered her mouth with both hands, her eyes wide and glossy. Mikayla had literal tears streaming down her cheeks, clutching the side of Nate's hoodie. Even the tour crew was caught off guard, one of the lighting guys had his jaw dropped like he was about to cry.

Nick blinked rapidly and turned toward Chris, totally stunned.

And then there was Y/N.

She was still seated, her mouth parted just slightly, her eyes wide and blinking slow, like she was trying to make sense of gravity again. Her entire body felt... floaty. Like she wasn’t quite in the room anymore. Like she was watching someone else live her life and was just now realizing that someone else was... her.

Her heart was pounding in her ears, and her hands felt cold and sweaty at the same time. She couldn’t move. She didn’t even breathe.

And then Matt stood up.

Still on stage, in front of the giant screen, with tears in his eyes and his heart practically written all over his face.

He looked at her.

Just her.

And the noise around them blurred into something distant and unimportant. He brought the mic up to his lips, eyes momentarily running from hers.

"Can- uh, can one of you help her up here?" He asked, nodding toward the security guard on the right side of the stage, voice trembling through the speakers.

The crowd seemed to become louder.

Screams. Cries. People clapping and jumping. Y/N could barely process the guard gently approaching her, a soft smile on his face, as he reached out a hand.

She blinked at him.

Then blinked again.

"Come on, sweetheart." Matt said into the mic, his voice cracking. His smile was soft and a little wobbly. "It’s okay."

That’s when her legs finally moved. Barely. But they moved.

The crowd cheered louder as she slowly stood up, holding her shaky hands to her chest, fingers scratching against the glitter of her shirt - the same one that Nick was using.

She followed the security guard to the edge of the stage, the warm lights making everything feel more surreal, more floaty. Like a fever dream she didn’t want to wake up from.

And then, she was there.

Up on stage.

Everything around her was blurry except for him.

Matt. Matt. Matt. Matt. Matt. Matt.

Standing there, eyes glassy, hands twitching like he didn’t know where to put them. He looked like he was holding back a loud cry.

"Come here, angel." He said again, softer this time. Just for her.

She walked toward him slowly. Feet barely touching the stage, everything trembling. The lights, the crowd, the sound, it all disappeared as she reached him and stopped a foot away.

His voice was shaking. His hands were shaking. But when he looked at her, it was solid. Sure. Like there was nothing else he believed in more than her.

"Okay." Matt started, laughing nervously and brushing his fingers under his eye. "Uhm... wow. Okay. So... I had this whole thing in my head. Like, how I was gonna say it. But now I’m just... losing it."

She let out a teary laugh. So did the crowd.

Matt looked down for a second, then back up, voice steadier this time.

"I love you." He said first, like he had to just get that out before anything else. "I love you so much."

Y/N let out a shaky breath. Her hands came up to her mouth, eyes already overflowing.

"You’ve been with me through everything. Everything, Y/N. When I was nobody. When we were filming in our parents' kitchen and only getting a hundred views. When I had zero dollars to my name. When I moved to LA with my brothers and literally lived on hope. You were there."

He sniffled.

"You’ve always been there."

Her whole body was trembling now. She could barely stand straight.

Matt stepped a little closer, reaching out with one shaky hand to hold hers, gripping tight like it was the only thing keeping him grounded.

"I’m not good with words. You know that." He said, voice wobbling but warm. "But you- you’re everything to me. You’re the reason I’m even here. Not just like, here here." He gestured around at the stage. "But like- here."

Her lips quivered as she sobbed softly, squeezing his hand.

"I wake up every day, and I can’t believe I get to love you. That you love me back. That I get to see you reading on the couch or ranting about your series or dancing while you brush your teeth. You’re the best part of my day, every day." Another laugh cracked in his throat, wet and breathless. "I brought your perfume with me to Vegas so my shirts smelled like you. That’s where I’m at. That’s how far gone I am."

Y/N let out a choked laugh through her tears, wiping at her eyes, her fingertips coming out black with mascara. Matt laughed too, even as a tear rolled down his cheek.

And then he reached into the right pocket of his jacket.

The room seemed to still again.

He pulled out the small velvet box. Hands trembling.

She bit her lip. A hand flew to her chest.

And then Matt was getting down.

On one knee.

His knee hit the stage softly. He opened the box again, showing two beautiful rings sparkling under the lights, and tried to hold it up while still holding the mic. But his hands were too full.

Chris was already moving before Matt could even think of asking for help. He ran up to them, gently taking Matt’s mic right out of his hand, and held it up close to Matt’s mouth for him.

Matt looked up at his brother, breathless and laughing softly through the emotion.

"Thanks." He whispered, voice cracking.

Chris just smiled his widest smile, his eyes shining with tears, and nodded.

Matt turned back to Y/N, holding up the box in his shaking hands.

"Y/N." He said. "Please, allow me to spend the rest of my life by your side. Will you marry me?"

And it was like the world held its breath.

All she could do was nod at first, crying and covering her face. Then she laughed through her tears and choked out.

"Yes. Yes. Oh my god- yes!"

The crowd exploded. Screams. Cries. Phones held high. Some people literally jumped. Nick tackled Chris in a hug. Their mom sobbed against Jimmy.

Matt stood up and pulled her into his arms so fast the empty box slipped, and they both stumbled a bit, laughing and crying and shaking.

And when he kissed her, right there in front of everyone, it wasn’t polished or pretty. It was messy. And emotional. And real.

"I love you so much." He whispered in her ear.

And she whispered back.

"I can’t believe you’re mine."

They stood there for a long time, just holding each other.

Two people on a stage. In front of thousands.

"The 'getting down on one knee' thing was successfully approved, Matt." Nick's voice echoed around the room from the speakers before two more bodies collapsed around them, holding them close.

They were the only ones in the world.

© vanteguccir