#Sees stuff from a different angle
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I was thinking about Kate Wetherall and dyslexia
Because, kids with dyslexia are still super smart a lot of the time (It's called "twice exceptional"), but a thing that comes with dyslexia is pattern recognition! Some people think that the reason dyslexic humans have a hard time with letters is because they're three-dimensional thinkers, and some letters like "d", "b", "p", and "q" are the same shape just moved around.
However, this means that people with dyslexia often have great spacial awareness and are pretty good at math, because that's what comes with a brain that thinks like that. They also are fantastic at finding and following patterns, which can be very helpful!
#And Kate's obviously quite bright but she doesn't always remember the riddles or words some of the others use fully#I don't really know#I just think that brain stuff like this is quite interesting#And I know someone who's dyslexic so I have a lot of info and speculation about it#Just. I don't know what people think about that kind of stuff.#But it doesn't mean you aren't smart or good at school it just means your brain has a different perspective#Sees stuff from a different angle#And sometimes it's super neat!!!#the mysterious benedict society#mbs#kate wetherall
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thinking about not only the specific people lucanis pulls in to represent the 'locks' in his psyche, but the storytelling that happens in the structure/order of them. the underlying ideas are presented something like:
the lucanis who went into the ossuary never came back out again; he died down there (the boy caterina raised is gone forever) -> you're putting yourself in danger doing this (by being close to me), you should leave because I can't bear it if you get hurt because of me -> it doesn't matter even if we do try this, it won't work anyway (again because of me) ('you know what he's like, you can open the door but he won't walk through it' :'( oofie doofie) -> what if the real secret is that there was never anything but the monster in here from the beginning. you should leave, there was never anything here worth saving in the first place. (implicitly: what if I deserved what happened, all along.)
it runs pretty cleanly from outward-oriented attachment anxiety ('caterina won't even want me back like this, she won't recognize me (the same way I no longer recognize myself)) and gradually deeper inwards until we reach self-image and self worth. or you know, the harrowing basic lack of it lol.
"careful -- they'll know we're not right," spite says in one of their first scenes... but clearly, some very deep part of lucanis has feared or suspected for much longer than that that there's something inherently not right at the core of him, way before any demon entered the picture. and the voice he gives those lines to is the person who should know him better than anyone in the world, who he has loved more than anyone in the world -- and who deliberately chose to hurt him so horrifically anyway. 'It's better if I'm just a monster and deserved what happened than it is to allow for the idea that the brother I love doesn't really exist and maybe never did'. it's better if he's fundamentally flawed in some way that needed fixing to help him survive, and that's why caterina chose to hurt him again and again -- out of love. (this one I think he might have a very sad wakeup call on one day if he ever ends up with the responsibility and care of a child of his own in some way and realizes just how alien the idea of ever intentionally hurting them for any reason is to him. oh buddy. also interesting that he keeps caterina as the outermost lock -- there IS a distance he keeps there that he hasn't with illario. he doesn't resent her 'anymore' he says, but he also keeps her carefully further away from his deepest self.)
as far as I could tell the only note in the mind prison that's fully hidden and needs to be uncovered is the sad painful helpless stupid little truth that even after all this, even knowing what happened... he still loves his brother. is there anything illario could ever do that would make lucanis completely stop loving him, do you think? sometimes the trouble with unconditional love is that it is, well. unconditional, even when some terms and conditions probably would have been in order haha.
that's the pattern you see there again and again; he would rather destroy and abandon and imprison himself at every turn than let go of love, even when it's just scraps, even when there's only ever enough of it to hurt him. it's only when rook shows up and as it were takes his hand and walks along with him that he can entertain the idea of changing the story of what walking out the door might mean in the end.
#tl;dr the demon is a metaphor about dissociation and trauma and it's doing its job thematically fucking pitch perfectly that way the end#dragon age#dragon age: the veilguard#dragon age: the veilguard spoilers#dragon age spoilers#lucanis dellamorte#dragon age meta#this mission is like ds9 the wire in terms of episodes you really can examine from a thousand different angles#and find something new and soulcrushingly sad every time. exactly my kind of episode in other words#whenever people say there's nothing to him but coffee and spite jokes some small part of me goes 'oh I'm so incredibly sorry!#it must be really hard and so impractical to go through life without being able to read :'( get better soon'#is that very nice of me. perhaps not. is the writing here *perfect*? of course not. but some people are also dedicated to being#wilfully blind (presumably b/c they would have preferred to see something else?? idk man)#lucanis' reaction to taash going 'I'm sorry I'm such a bad crow :'('... he could NEVER do what caterina did with him no matter what#you just can't use him like that. he needs the clean family/enemy/contract distinction or you just break him!!!#caterina literally what are you thinking. every day I ask myself this. (probably 'the only other option that keeps the seat in the family#is illario. so that's right out of course' lmao)#god forbid it happen anytime soon if it should happen b/c there's Stuff that needs working through first lol but he'd be such a soft dad
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Woe, unfinished, mildly edited, fulfire fic tid-bits be upon you
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Like a magnet, his optics kept drifting back to Misfire's face. His stupid, strangely charming face.
For a short while, after Clemency, it had been that face that haunted some of his nightmares. His recalls blurring the lines between the strange reality of Misfire's hands reaching into him to lock his fuel pump back into the very spot he'd pulled it from, and the fear that just as easily he could pull it out again. They had been bloody dreams. Dreams that had him startling awake, gripping his chest in the vain attempt to close what wasn't open, before spending the rest of the day avoiding Misfire's optics.
But now things were different. Not Misfire's face. No, that hadn't changed much. But Fulcrum's dreams had definitely changed. To say the least of what all rolled around in his processor as he slept nowadays.
Some of those newer dreams had crept to the forefront of his mind as he sat there on the couch, staring as the lights of the screen reflected dully across Misfire's plating in hazy blues and greys.
The lighting made his colors seem muddy and faded, but Fulcrum didn't really care, nor did he care to think what it made himself look like. He was too busy bringing an empty engex can to his lips while he watched the crinkle of Misfire's nose as he barked a laugh at something Fulcrum didn't catch onscreen.
He'd started noticing it months ago, all the ways the silvery mesh of Misfire's face would scrunch up with his emotions. Those little crinkles along his optics and nose when he laughed or glared. The creases indented along his cheeks when he grinned. Fulcrum found himself quietly logging away these little details. Idle notes and observations that had suddenly started piling up in the corners of his processer.
He… He'd never really done that before? He'd never really noticed those sorts of things in other mechs.
The faces and expressions of his past colleagues never seemed terribly important. All the details of every smile and frown were never worth filing away, outside of few notable moments where those expressions reflected his work performance. But besides the smile that meant promotion, and the frown that meant he'd screwed up, nothing else was noticeable. Nothing was worth remembering.
But now the memory of every genuine laugh that bubbled out of Misfire sat comfortably besides memories of warm joyful optics that Fulcrum found himself collecting every time Crankcase cracked a rare half-smile for him, or when Krok placed a reassuring hand against his back, or the times Spinister spontaneously pointed out something odd but ultimately nice about his stupid frame.
He didn't really know why he was doing it, memorizing all these mundane little things, just to have them flit through his processer randomly. Maybe it was because those expressions, those details, felt… comforting? Comforting in such a strange and unfamiliar way. But, a good way. A good sort of strange, much like the mechs themselves.
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He had stared for a long moment, the credits and their rolling tune playing somewhere in the background as Fulcrum stared back. But Misfire was never one for personable silence, even as the sound of some likely long dead Iaconian orchestra filled the room.
"What is it?" He asked, a small chuckle escaping him as he brought a hand to his face, "Don't tell me I've poured it all over myself again."
It had taken Fulcrum longer than usual to unstick his glossa from the roof of his mouth as he watched Misfire run a thumb over his lips, but eventually he had coughed out a small, choked, "No."
That had earned him an odd look at first, but with their fields loose and open, Fulcrum could almost feel the exact moment something clicked in Misfire's mind, as the idle comfortable static he projected in pulsing waves evened out into something openly curious and almost subdued.
It wasn't often Fulcrum felt him that clearly.
Misfire tended to keep his field fairly close, though, maybe not as close as the others did, what with how Crankcase kept an iron grip on his, and how Krok's always held an air of strained control, even when it slipped from him. But still, Misfire's was always hard to read, no matter the reach or depth of his field.
Even then and there, with it loose and unfiltered and buzzing with the engex running through his system, there was an ever present undertone of something indescribably jumbled about him, like too many feelings at once, each too vast and hurried for Fulcrum to really feel or understand.
It always seemed to stir the passive anxiety Fulcrum must've been forged with when Misfire's field brushed against his own. As facing the indescribable vague mess of Misfire felt like trying to untangle a pile of live-wires he couldn't even see.
It was almost frustrating in a sense, the need to try and sort and understand what wasn't even his to begin with. But at the same time it was almost exciting as well. It was like a game, like a puzzle he had yet to solve.
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Finally letting his own can go tumbling to the floor to join Misfire's, Fulcrum had brought a hand to cover his face as he drew his legs up and leaned back against the arm of the couch, trying to suppress the fit as the sly look slipped from Misfire's face at the sounds.
While Fulcrum had laughed, and… snorted, embarrassingly, he had felt Misfire's field change again, brushing something fizzy and almost warm against his plating as Misfire's features softened.
"I'm looking at you," Fulcrum had said then between gulps of air, letting his hand fall from his face as he reached out to poke at Misfire's chest, "Dumbaft."
His finger had lingered over the thick plating there for maybe a little longer than necessary, drawing Misfire's attention as it slid down a little before pulling away.
Looking back up again with his helm angled slightly, Misfire had followed the sight of his hand leaving his plating to where Fulcrum let it fall between them.
"Wow…" Misfire had chuckled a little dryly, "I was gonna make it real easy for you. I was going to say something like, ''Do you like what you see?'' or-… or something like that. But now you've ruined it. Good job."
Meeting Fulcrum's optics again as he pulled his own hand back from Fulcrum's shoulder, he brought it to rest between them as well.
"And you're laughing at me," He said next, faking a small pout as his hand drifted closer to Fulcrum's, "Which totally ruins the whole vibe I was going for really. I mean, it's sort of hard to be all nice and suave-like when you're being laughed at. Total vibe killer. Bit of an ego killer too if I'm being honest. So thanks for that loser, thanks for saying I have a funny face."
With Misfire's fingers brushing distractingly past his own, Fulcrum didn't think before the words stumbled out of him.
"I like your face."
It came out almost matter of fact sounding, Fulcrum's laughter having died down while Misfire complained about it. But at the same time the words felt so simple, they came out so easily, and in a weird way they felt nice to say. But Misfire's optics had widened in surprise, his frame frozen and his field suddenly struck quiet, and despite the engex numbing his usual nerves, Fulcrum felt a sudden pang of anxiety because of it.
The silence in Misfire's field was terribly alien. It felt wrong, and something in Fulcrum spiraled to think he had caused it. But slowly, almost as if it were creeping forward, an odd almost scrutinizing uncertainty fanned outward in a careful wave. Misfire moved with it, leaning closer as he searched Fulcrum's expression for something.
"Oh yeah?" He'd said lowly then, and that sly look returned. But that vague uncertainty didn't fade with it, if anything, Fulcrum felt it strengthen. Caught between what he saw, in Misfire's easy smile and dimmed optics, and what he felt, in the growing hollow distance within their fields, Fulcrum found himself frowning and pulling back.
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Growing frustrated with himself, and wanting that feeling back, he had pushed forward, shifting onto his knees as he reached for Misfire's face before the other could pull away from him entirely.
"I like your face." He said firmly, maybe too firmly. His expression still drawn into a frown as he pressed his fingers into Misfire's helm, brushing his thumbs across the silver mesh he'd been staring so intently at before. "I like your optics, and your nose. I- I like the way you smile. When you really smile, and when you laugh. I do. I'm not lying."
And oh there it was again, that little curl of warmth in Misfire's field. Almost a tangible thing, like a brush of ventilation, but Misfire wasn't venting. His mouth hung open ever so slightly, but no breath left him as he stared at Fulcrum with widening optics.
Spurred on by that tiny bloom of warmth, Fulcrum chased after it with slightly slurred words and clumsy hands as he tried to fix whatever he'd done wrong, hoping with each word that Misfire might soften and smile again.
"I like your expressions, and- and I like your voice," He said, glancing down at Misfire's parted lips, and laughing softly, nervously, as he continued, "Even when you say something so stupid. I like- I like the way it sounds. I like your accent, I like the way it makes your words sound. I- I like your- your mouth?"
Once more that weird but nice feeling settled in Fulcrum's chest. Those simple words felt good to say. It felt like a weight off his shoulders, like an admission he'd been waiting to say. About what and why? He wasn't really sure. But the warmth grew, and Misfire took a sharp vent inwards, and that felt right, so Fulcrum kept on.
"I like your helm," He said with a smile, reaching up to brush his fingers over the jutting finials there, before dropping his hands to settle lightly over Misfire's chest. "I like your frame, the colors of it. I like your-"
Before he could finish, Misfire was surging forward, knocking their helms together and nearly bruising the mesh of their noses as he tried for, and just barely missed, Fulcrum's lips.
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👁👁👍
#just gonna go ahead and share this before i think too hard about it and chicken out lol#idk. this has been sitting unfinished for a while now. but i'm fond of it and keep going back to re-read it. so?? yeah. idk#maybe i'll get around to finishing it. i like writing out all the like. sensory stuff with this. lots of neat stuff to try with em fields#also fulc being a very earnest drunk lol. and mis trying to be all casual and smooth despite balking in the face of it bcs he's a hot mess#i dunno. i think the og idea behind this was kinda turning the reassurance around to mis. just sorta breaking him down with nice words#fulc is usually on the receiving end of comfort and reassurance. not always. but enough so that it had me thinking bout it other ways round#idk. ultimately its like. just slapping mis with a mild praise kink and seeing what happens when fulc just says nice things to him#the bar is so low for them. fulc is like 'i like your face' with conviction and mis is half-way to keeling over bcs. damn. he needed that#my fav flavor of this is just them approaching romance from two drastically different angles. not on the same page. different books lol#mis plays it all like a surface level game. he's just trying to keep things light and airy. but fulc is going right for the kill#also hitting fulc with the demi romantic/sexual beam adds another fun layer to it all-#-this isnt his playing field. but he's sure as hell winning without really knowing why#ok. i've been up for way too long. was on sick dog duty overnight. its like 8am now and i haven't slept a wink lol#so if there's errors or smth sounds off. idk. pretend you didn't see it. ill fix it later. or i wont. idk. toodles <333#(also this is barely the tip of the iceberg fic wise. depending on how i feel bout this after a nap? might share bits of the big ghost fic-#(-cause that ones at like. 24k-ish now??? and thats only the 1st chap and half of the 2nd. its the fulc sees ghosts concept on steroids)#fulfire#my writing
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what do u think is the relevance of the black cat on tonkla? what goes on inside his head when he sees the cat?
Anon, I could talk about that damn cat all day, but my head is a mess and I can't fully put my thoughts in order. This post was the best I could do, but since you asked, I'll try to explain how I view the whole thing as coherently as I can. In very few words, the cat represents many things in relation to Tonkla: loss, powerlessness, mourning, bad luck, love, revenge and so on. Whenever the cat appears, it encompasses all of those things, some of these prevailing over others depending on the scene in question. With that said, let's take each scene and analyze it a little bit, shall we? First instance - Episode 1: Right after Korn leaves, Tonkla hears his cat meowing. The cat looks at him for a short moment, then it immediately flees to the kitchen, where it disappears before it completely turns around. (In this moment I'd like to mention how, in my opinion based on Episode 7, Tonkla's cat was probably killed near or in the kitchen. The space isn't shown clearly but it'd make sense, since 2/3 cat appearances happen close to the kitchen.) In order for us to understand what Tonkla is thinking once he sees the cat, we need to remember what happened for it to appear in the first place: Korn left to go to his dad, his actions and words reminding Tonkla that he doesn't come first. Korn, the man Tonkla loves, left him. Just like his cat did. But it's not only that.
This specific moment has stayed with me. It looks like he's reminiscing a past memory. Like he's remembering how his cat was killed, how he lost something he loved, how it was brutally taken from him. And the memory must have hurt, because he exhales, rests his head on the couch and then:
He does this. Many people, myself included, thought this was about Korn, and it very well could be, and it kind of is, but I also think it's about the cat. It's about the loss and the loneliness and how it's a constant in Tonkla's life. Second Instance - Episode 7: This time, at first the cat meows softly like before to get Tonkla's attention, but then the sound the cat makes is angrier, its gaze sharper. Now it stays there and it doesn't flee and it stares at Tonkla without fear. So, what happens this time to make the cat appear? Tonkla gets upset by Win's approach of bringing Title to justice. He feels it's not enough, like it's not the correct solution to the problem. An important detail to this moment is that we don't only hear the cat meowing. We also hear its bell ringing. The one Tonkla was holding when he pushed his father down the stairs. When he killed him. What goes on inside Tonkla's head this time is simpler to understand: the cat serves as a reminder of what he's done in the past. The realization dawns on his face, his fingers itch with it, the sink becomes his old house's floor with his father's blood smeared all over it.
"Right," he thinks. "I can take matters into my own hands. I don't have to rely on anyone else." Third Instance - Episode 7: Finally, we hear the cat and see it briefly walking by Tonkla's gun, the one he uses to shoot Great. Here, what happens before this moment to make the cat appear is interesting to me: Tonkla finds out Great and Korn are related, something he had no idea about, judging by his reaction:
And it's interesting to me because I believe that for a moment, he was conflicted:
He understood what him doing harm to Korn's brother would mean for him and for their relationship. That's why, even when the cat meows and the gun appears in the frame, he still has that face:
But of course, this doesn't last, because Tonkla understands the poetic irony of the situation. And he finds it hilarious.
That's what his smile means to me. He's not losing it, it's not a deranged expression (although it is). He just finds it all amusing and I can't really blame him. This is the moment the cat represents revenge. This is when it crosses Tonkla's mind. All the other things are still there - the loss, the pain, the loneliness, all of it - but this is what prevails in the end. Oh, and because I saw a few mentions of mental disorders floating around in regards to Tonkla seeing the cat, I'd like to end this post on a very unserious note, by adding a moment from 13 reasons why of all shows: Clay: "I don't actually see ghosts." Justin: "I get it. You wrote my paper on magical realism."
#I'm pretty sure I make little sense lol#I've been trying to articulate my thoughts on this for hours#I'm tired I need to sleep at some point#I probably missed some stuff so apologies for that#but I hope this might help some people see the cat from a different angle than before#also yes that 13 reasons why quote is very real#s4 was wild and I didn't even see it lmao#4 minutes#tonkla 4 minutes#asks#meta post
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I'm so heavily anti-advertising that all pitches sound goofy silly to me/I can never take them seriously, so I have no idea how I'll manage to to advertise my game even if I do finally finish it soon-ish lol...
#Especially how so much modern media advertising is like... getting people excited about random tropes and stuff like#''Do you love enemies to lovers? Do you love sad stories that make you do a heckin CRY? Do you love big stupid dumbo muffin cake#sinnamon roll babies who are too good for this world? Have you ever wanted to read a blah blach blah" whatever stuff and it's like#... i cannot type that... I couldnt do it.. I couldn't even think of how to do it ghbjhbjh#I am such a literal person... Like I love when an advertisement is just like 'This product works well. Look at it. Buy it if you want. Ok'#You know what makes me want to read a book or watch a show or play a game? Reading a detailed plot synopsis or the full wiki page#for it and then deciding 'yeah I wouldnt mind sitting through seeing the events I just read about happen in more detail' lol#OR aesthetics. since I do often watch things JUST for the set/costume design. Sometimes I will watch stuff literally#just because I saw a picture of a costume in it that looked really cool and I want to sketch costume looks whilst watching#But aside from appearance like... little bullet point break downs of things that are in a story just ... do not do anything to me at all.#And i just hate 'selling' things to begin with. I don't want to have to convince people to like something.. they should just... like it...#LOL.. like.. just be born liking it. just like it automatically please. Dont make me beg to you like a weird little freak. So many commerci#als seem weirdly desperate and manipulative. Like those Truck/Car commercials that will have like a freaking dog crying and#a war vet in a wheelchair with the american flag in the background and a family hugging around a christmas tree or some shint and its#just like oh my GODDD... shut UPP.. you could literally not be MORE blantant about just trying to prey on peoples emotions to build#some sort of fabricated positive association with your product/brand.. begone.. Or brands having their own twitters where they post#~~relatable content~~ as a means of shallow audience endearment GGGRR..... ANYWAY.. hhrgh...................#Maybe that's something I can ask playtesters I guess like.. I feel like I don't know my own audience very well because I am not#much of a media person?? ironically.. Like I do enjoy MAKING media. But I've never been in a fandom. I've never read fanfiction. I've never#spent much time in those spaces. I've just never really had the inclination and don't personally derive much joy out of stuff like that#(since I'm already so focused on my OWN world and projects its like.. hard for me to even find the time and mental energy to expend on#others). Even when I finish a movie or game and really like it.. I just kind of like...move on? and don't really dwell on it much? At most#I will get into the worldbuilding of a piece of media and read the wiki for a while or watch Lore info or critical analysis videos. But I#never really care for or attach to the characters or the plot itself very much. So I feel like.. the way my brain works. I'm just not as#good at approaching things from that angle? Kind of like how if you're a lifelong vegetarian whos never eaten meat - you might#struggle to write an ad for fancy brand of steaks bc you'd be like... idk what meat eaters are even looking for? whats the selling point??#Which I'm not saying that I wouldn't play my own game. i AM definitely the audience for it. But it's more like.. I would play it for my own#very niche specific reasons that I think are different from what MOST people might want to play it for. So I need to somehow#tap into the minds of the Majority who play things for Normal Reasons than pure lore collection or whatever lol.
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What's you all favorite trio in Horizons? Could be a group of three characters tied narratively, or a trio that is more straightforward and established as friends, etc.
Mine is the trio of Liko, Friede, and Amethio.
#let's wait for the next ep of horizons.. together#feel free to tell me as usual. because i like seeing other perspectives and stuff. and i'm curious#either way. liko&friede&amethio is more of a narrative trio and it's been on my mind since ep 1. also they are three of my fav characters#when friede showed up and acted as a shield to protect liko and a wall to stand in amethio's way. there was no going back after this#friede and amethio's dynamics is also my fav alongside liko and amethio (liko and friede is also an angle i really appreciate!!)#i really like how both liko and amethio look at friede for their own different reasons that are a bit similar#and get something different from their relationship with him#similarly friede looks at them both for different reasons. and functions differently as a character for both of them#add to this friede's fascinating ties to their ancestry.. and the way all three characters play off of each other#i could go on for hours about this but the writing around them is so brilliant. makes me a bit insane tbh.#there is a lot of depth to it and new perspectives to consider and think about etc. very interesting trio#in the same vein of narrative trio. friede amethio spinel fascinates me a lot too#the connections between all three characters.. friede and amethio. friede and spinel. spinel and amethio. the way they push each other.#there is a lot to be said here too.#(amethio opposing them both at some point for different reasons. amethio and spinel being the only explorers friede has directly faced.)#(spinel keeping a close eye on amethio and friede. amethio and spinel reacting the same way to cap. etc. i could go on but it's so good.)#in terms of more straightforward trio: the original explorers (they are tragic and beautiful and i love everything about them)#and liko roy dot (great chemistry and i like the way their friendship is depicted and grows taking into account their individual characters#(i know i talked about more than one trio but it is what it is w tags aren't enough to convey the extent of my appreciation)#(this is the short version of things. basically the writing makes me go!!)#(and i like all these for lots of reasons. narrative significance. things to pick apart and analyze. etc. they're all fun to think about)#character notes#ref.
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I’m making a psychonauts age swap au, as one does, and my brain keeps deciding that lili raz and dogen are all in love and I’m pretty sure this is your fault
that's just how it happens!! these three have a memetic quality. they're a bit like cordyceps, to me
#ALWAYS so delighted to get asks like this. we got another one boys#they just have a dynamic that i keep coming back to. i think there are so many different angles to poke at it from#enjoy the au building!! i find that kind of stuff such a fun sandbox to play in#taking elements of a setting or a character you like - and recontextualising them#putting them in a different situation and changing their lived experiences and asking - so who does that make you now?#and then when you make one decision or one change you get to see how that affects a load of other stuff#and explore the way the butterfly effect ripples through#what was familiar is now fresh and exciting again!#it's a good time#ask
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DAX is just so expressive ♥ (Patreon)
#My art#SCII#Damned#DAX#Lol#Have I mentioned I love him lately#As if I ever stop talking about how much I love any of them lol#Okay but genuinely these were really nice as warmups they were really easy to just knock out one by one#He's very expressive as Dexter! *handwaves about human neurochemistry and expressions* lol#I had to make his Neutral look extra dead inside to make up for the rest haha#Funnily enough I have actually been watching a series of streams of like VAs and visual artists and writers and stuff#And they are constantly uptalking 2D talksprites as mood-setters for dialogue#So it was really fun to make these with that in the back of my head like ''Yeah! :D They /are/ good at that!''#Very cool expressive medium :D#See if you can spot the first drafts for a few of these :3c#I'll give you a hint: Scared and Sad(? Regretful ig lol) were from some posted doodles#His grumpy one was also a doodle but I didn't post it so it doesn't count lol#Oh yeah and and a lot of these had little accessories like the fear bursts and the little sigh bubble lol I just...forgot them here lol#They're there in spirit please feel the grump lines and sweat drops in your heart <3#I had a heck of a time trying to keep his face consistent with different angles lol aren't VUX nervous to move their necks me#Just gotta actually get into 3D modeling properly smh#I keep finding myself wanting to make more now that this set's done but I'm not sure what expressions! Confused? Focused? He's so subdued#Oooh he'd suit an expression meme wouldn't he <3 Now there's an idea#Might even open an ask game for that if I can find a good one :3c Hehehe
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been wip brainstorming lately cause i need a new story to pick away at and it’s fun like. being a writer who is also an adult and can come at things from different angles. cause so many of my wips are from when i was like 14-18
#pers#which is also why i need new wip ideas like infinities has been dead in the water for a whileeeeee and a lot of stuff just feels old and#not narratively fulfilling. except signoise bc she’s grown up with me#but like rotating in my mind like how to come at it from different angles/starting from themes etc#might take a run at like a small short story collection see what happens. who knows#all o know is i need one with FAMILY DRAMA idk how o don’t ave FAMILY DRAMA in any of my other wips. Why are u all estranged..
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MCFLY JULY ‘24 — all-nighter.
SEPTEMBER 19, 1984
Junior year wouldn’t be so bad, Marty thinks, if everyone would quit breathing down his neck about how this is the year that really counts. This is the year that everyone would be looking at and scrutinizing, the deciding factor in the life-or-death coin toss for the rest of his life.
His future.
Which is why he’s desperately trying to give a shit about something he normally could not care less about.
But if anyone could help him care, it’s @doctorbrown .
“What the hell does calculating the area of a graph have to do with speed?!”
…well. Even Doc can only do so much.
“You don’t actually use this stuff, do ya, Doc? I mean the graphs and junk, not like… velocity and acceleration and whatever. I get that. But this has gotta be the most convoluted…”
Marty sighs, jogging his leg, knotting his hand tighter in his hair.
“I know I’m pretty dumb, but this is next-level stupid.”
It’s gonna be a long night.
#drabble tbt.#mcflyjuly#mcfly july ‘24.#doctorbrown#something short and sweet for today’s!!!#calculus is a special kind of hell imo even though i actually think marty understands more of it than he gives himself credit for#he IS smart especially bc he helps doc so much and he’s a musician so he Gets math and science and engineering#he likes seeing the way things work / how stuff gets made and he likes doing it#i think in college he’s a music major but he has a couple science / engineering / mechanics minors#but. because he’s tp marty (though i think lp marty has the same problem from a different angle) and has undiagnosed adhd#he thinks he’s stupid#we’ve been back together for five minutes and you’re already talkin’ about the end of the universe. i’ve missed that. [doc & marty.]#you're my best friend in the whole space time continuum [doc brown.]
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More silly art :D

This is an illustration to a goofy rap thing which me, two of my friends and another guy from the ceramics workshop we sometimes go to made up. It's basically just one sentence in Russian repeated over and over again that translates to something like "we're digging a hole", and then there are like different voices and acapella and beatbox layering on top of it. We really gotta record it someday

And this is some sort of poem-sketch or however you call this kind of thing – basically I drew that abstract creature and then I decided to write a poem, but it's less about some specific message and more about the colour of the words and the sound, although you might imagine some vague, strange story to it of course. Here's the text so you can read it more clearly:
"Over the trees Swirligaze looms
Staringly well she kabooms
Into the sea her bubbles she blooms
Singing upon staglarundian shoes
So hearty in all her vavooms"
#my art#poetry#I guess this poem was inspired by syd since he also does this kind of thing in his songs a lot#anyways I like writing stuff like this#it's kinda abstract but if you look at it from different angles you might also see a lot of things#my poetry
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Damien Rose / MissingLaterals - 3D Character Artist
If you are here to look at my 3D modeling check out:
#Class work for stuff from college classes
#3D modeling for ... my 3D modeling stuff
#Dress Up Tom the Cat is for my senior thesis, a dress up game for one of my characters
Same username on insta, artstation, bluesky and artfight! I have a twitter though I don't use it and if I do start in the future it won't be for a while lol
I also have a straw page if you wanna ask me a question or doodle something!
This is a blog solidly dedicated to my art and characters , character design shenanigans, character modeling, and personal worldbuilding. I'll also post work and projects from college.
Game Design College Senior (with only one more semesters left!), My main focus is 3D character modeling. I enjoy character design in general and big fan of worldbuilding and in a beautiful world I'll develop comics with the freaks in my head!
For personal characters and stories check
#were are we? is about were dogs and cats in the early 2000's
#character design is also a good one if you just wanna see some cool and or silly designs :]
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sometimes bsd reddit can be fun but sometimes i will go on it and see posts like "why do people think dazai is depressed? i don't remember it ever being mentioned, is it just a common fanon thing?"
#ppl in the comments answering seriously and gently are stronger and more patient than i ever could be#this subreddit is such a weird mix of normal reddit behavior (hating gay people) and tiktok (having no reading comprehension)#yet somehow it's still the most normal one. if you ignore the mostly childish humor going on#(i feel like i sound very snooty but. i think most of you would agree with me)#btw the quote in the post isn't real ajdkflhh just embodying the vibes of the things i see sometimes.#it almost feels like i read a different story or know different characters from these people#(i do see an occasional good take. and alternate readings that help my own analysis sometimes too which is nice)#(like the different approach to the story gives another angle. even if i don't agree with it i get why ppl see it that way)#(this is mostly true abt nikolai related stuff lol bc ik i have a very fixed view of him i tend to not budge on :P)
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My still in the early parts of it review of Wilds so far is that PC optimization struggles aside, every single new monster has been a banger and the zones are really pretty, and as an IG main the QoL changes to the kinsect are wonderful and being able to charge heavy attacks feels really neat and intuitive, but also that at every moment I dearly miss my treasured departed friends the wirebug and diving wyvern special attack lol, gone but not forgotten o7
#I know we still have a version of it in Wilds but it's got a different angle and doesn't look as cool lol#Sunbreak aerial IG was peak to me and I doubt we'll ever get anything quite like it again which like. understandable!#but the loop of doing the poke and bounce aerial attack enough times to turbo charge diving wyvern#was SO FUN to me specifically and I think in large part due to how precise you needed to be but how much mastery of the field you had#once you were comfortable in that level of precision#and it really let you target certain parts of the monster as the need arose and move around in a unique way#and very few things are as satisfying as the diving wyvern stopping you dead where you were and flinging downward for a huge hit#anyway#that being said Wilds IG is fun too and I don't feel bad mixing ground and air together in this one#and coming from the end of Sunbreak to the start of a new game is inevitably going to be a downshift in complexity and change of style#especially since Sunbreak had so much move customization in the endgame#but I'm having fun with it and the new monsters are cool and the Kinsect changes for extract gathering feel super good#I'm excited to see how the game develops over time and what new stuff we get in the inevitable expansion
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ㅤㅤㅤㅤㅤㅤSURPRISE PARTY TOUR: BOSTON'S ENGAGEMENT PROPOSAL * MATT STURNIOLO
SUMMARY :: Where, at the Boston show of the Surprise Party Tour, Matt finally reveals his first solo surprise of the tour: proposing to Y/N.
FEATURING Matt Sturniolo x reader REQUESTED? yes.
WARNINGS :: none.
AUTHOR'S NOTE :: that is my work, I DON'T authorize any form of plagiarism; copy, "inspiration" or translation! | english isn't my first language, so I'm sorry if there's any grammar error.
Matt felt like a complete idiot.
Which was honestly fine.
Normal, even.
Because what else are you supposed to feel when you walk into Tiffany & Co alone, camera in one hand, jacket half-zipped, and the literal knowledge in your brain that today’s the day you buy your engagement ring?
The second the glass doors swished shut behind him, he instantly felt underdressed. The place was too clean. Too bright. Too quiet.
The kind of quiet where even your footsteps sound loud, and you’re 90% sure the floor costs more than your car.
"Okay." He muttered, clicking on the small camera in his hand, flipping the screen so he could see himself, waving with his free hand. His messy strands were doing their own thing, and his voice cracked a little. "Hi, uh, so I guess this is happening."
The Tiffany logo glimmered in the reflection behind him, all silver and serious. He turned the lens toward the inside of the store, slowly panning across the display cases that sparkled so hard it hurt to look at them.
Everything was white and silver and pale blue. Velvet chairs. Smooth marble counters. Employees moving around like they were floating, all super polished and weirdly calm, which was the opposite of how he felt.
He found a small table in the center of the room with a modern glass vase on it and propped his camera there using the tiny tripod suction he’d brought.
"I sent an entire email explaining this to the brand and asking for permission to record it. They gave me it. I even brought it printed." He laughed breathlessly, angling the lens to frame the table and the chairs across from it.
Matt sat down and let out a quiet breath, tapping his fingers anxiously on the edge of the table.
He didn’t really know what he was expecting walking in here. Like maybe it would hit him differently, feel more real. But all he felt was this warm weight in his chest and the nonstop loop in his head.
Don’t screw this up, don’t screw this up, don’t screw this up.
A woman appeared after a few moments, dressed in sleek black with a small Tiffany-blue badge on her chest. Her heels clicked quietly as she walked toward him, her smile calm and super professional but not cold.
"Hi there. Matthew, right?" She said warmly.
"Yeah, hey." He stood up awkwardly, then realized she didn’t expect that and just kind of hovered in a weird half-stand before sitting back down.
She smiled kindly.
"I’m Elena. Thank you for coming in today. I've been informed of your plans."
He nodded.
"That's great! Thank you."
Elena let out a soft laugh at how stiff he looked and pulled up a chair across from him.
"Don’t worry. You’re definitely not the first person to come in here with that look on your face. You’re shopping for an engagement ring, yes?"
The words still made his brain stutter. But he nodded.
"Okay, then let's start." She said, already opening a small black folder in front of her.
Matt sat back and rubbed his beard covered jaw. The room felt big. And small. And too real.
"Alright." Elena said, flipping open a tray of sample bands, all lined in rows with tiny cards that probably had words like platinum and cushion cut on them. "Let’s talk about her. What does she like?"
Matt blinked at the rings for a second, overwhelmed by sparkle. Then he focused.
"She actually wears a lot of jewelry." He started, voice calmer now that they were actually talking logistics. "She wears gold more than silver, but like both. And she hates anything super chunky or loud. She's more into the delicate, kinda simple stuff. Like she has these tiny gold hoops she wears almost every day and these little rings that look like... minimalist or whatever."
Elena nodded, already pulling a few bands from the tray and setting them aside.
"This gives us a lot to play with, actually."
"Good." Matt said, nodding. "She also... okay, I don’t know if this helps, but she likes stuff that’s classic but not boring, y’know? She’s not trendy. That sounds kinda corny, but..."
"No, that’s perfect." Elena said, already unlocking another small drawer in the case nearby.
Matt glanced down at all the million options, fingers drumming a quiet beat against the edge as his brain tried to concentrate.
Fuck, he wished his brothers were there.
Chris would’ve made him laugh to calm him down while Nick would’ve asked twenty questions about resale value and the clarity of the stone or whatever.
It was weird doing something this big without them next to him. Like losing your phone and realizing how much you depended on it. He was so used to them being right there in every step.
But not this time.
This was just him.
"Here." Elena said gently, breaking the spiral as she placed a new tray in front of him. "I think we’re getting close."
Matt leaned in, eyes scanning the rings. One stood out immediately.
It was delicate, so thin he almost missed the band entirely. A single oval-cut diamond sat in the middle with six claws holding it in place, no extra flash, no weird shapes, just clean and clear and... her.
He pointed to it, eyebrows lifting slightly.
"That one’s really nice."
Elena smiled like she’d been waiting for him to say that.
"That’s one of our most classic solitaire styles. Platinum band. Oval diamond."
He tilted his head.
"Yeah... she’d actually wear that. Like she’d live in that."
"Exactly." Elena said. "You want something she’ll love now and thirty years from now."
They added a curved matching band that hugged the engagement ring perfectly. It looked like the two rings were designed to never be apart.
Matt stared at them for a second too long.
"Can I- uh... get a second to record this?" He asked, already reaching for his camera and bringing it closer.
He lifted the box gently, showing the rings to the lens and whispering.
"This is the one. I hope you love it."
The big screen flicked for a millisecond before showing the banner with 'SURPRISE' written in big white letters.
The noise was immediate, and it only seemed to increase when the countdown appeared seconds after, huge and bold across the giant screen. The numbers started ticking down from 5, all in that signature grainy style.
The theater echoed with voices. People clutched their phones tighter. Someone behind Y/N whispered a breathless "Oh my god, it has to be Matt", but she didn’t even register it at first, her eyes glued to the screen.
And then, there he was.
Matt.
Standing in front of a camera, looking directly into it while adjusting his tie.
The crowd lost it.
They weren’t even at fault for their reaction. Six shows had passed through, and Matt wasn't the one bringing a solo surprise in none of them.
Matt smiled at the screams. He stood up from the orange couch on the left, where he’d been sitting shoulder to shoulder with Chris, and grabbed his mic.
The crowd didn’t calm down. If anything, they screamed harder, but there was something about his nervous little laugh that softened everything around it.
He walked to the side of the stage, shoes scuffing the dark wood, and turned toward one of the wooden shelves that were part of the set.
"Okay, okay." Matt said into the mic, voice shaking slightly but still him. "I’m gonna need you guys to chill a little, like, just enough for me to hear myself, alright?"
The crowd laughed but actually obeyed. Kind of.
"I’ve been waiting for this moment for a long time." He admitted, glancing out at the audience like they were all his best friends and not strangers in a dark room. "And I’ve honestly never been this nervous before."
He paused.
Looked down.
And without needing to search, his eyes dropped straight to the middle seat in the front row.
Y/N.
There she was, sitting all cute and clueless, smiling so big it almost hurt him. She had that gentle sparkle in her eyes that only came out when she was happy in quiet ways.
She had no idea. Not even close. And God, she was going to freak out.
Matt felt his heart full-on trip over itself.
She was wearing the red and black Ralph Lauren jacket he had used on Philadelphia, and her hands were folded over her legs. She was watching him like she was proud just to see him standing there. Nothing more. Nothing less.
And that made it worse.
And better.
And way harder not to cry.
Chris and Nick were now on the left couch, explaining the dynamics of the live broadcast channel and the hint Matt was going to show to the public.
"Matt." Chris called, adjusting his mic. "We’re gonna be here all night if you don’t open that damn shelf."
The crowd cracked up.
Matt rolled his eyes dramatically to the audience, grinning as he turned back toward the cabinet door.
"Okay." He said, laughing through his nose. He reached out, fingers gripping the cool handle. "Let’s see what the hint is."
He pulled it open.
A ring.
Not the ring.
Just a ring.
It was chunky and bold and totally not bridal. Something from Paula, their stylist. Gold with a flat top, engraved with something random that didn’t matter.
Matt grabbed it and shut the cabinet again, turning around. He made his way back to the couch, but instead of sitting down, he stood in front of his brothers and held up the ring for them to see.
Nick leaned forward.
"What is that? A mafia ring?"
Chris squinted.
"Wait, wait- is your surprise a jewelry line? Are you releasing jewelry for Yesterday's Problem now?"
The mention of Matt's mystery brand made a crazy effect over the crowd, who screamed and begged for it to be about Yesterday's Problem.
Matt raised his eyebrows at the youngest.
"No, of course not." He pressed his lips together in a smug kind of way, then looked over his shoulder to the crowd. "Y’all are so off." He laughed under his breath.
Nick sat back with his arms crossed.
"This is too vague."
Matt ignored him. He tucked the fake ring in his jacket right pocket, feeling it clinking against the hidden velvet box, and finally walked over to the opposite couch.
He sat down slowly, smoothing his jeans and adjusting his mic. And for the first time, he looked up, not at the crowd, not at his brothers, but to the grandstand section near the side stage.
He found them instantly.
His parents. Nate. Mikayla. Sam.
All there. All watching.
Their expressions were... hard to read. Focused. Neutral, but expectant. His mom had her hands clasped near her chin, her brows slightly knit. His dad was still.
Matt swallowed. Looked back to the screen.
"Well, let's see what I did."
And then the video started.
It didn’t come with any fanfare or intro, which already made it so different from the slow builds Chris and Nick did for theirs.
"Okay."
Video-Matt’s voice crackled through the speakers, low and kind of nervous. On screen, the camera shook slightly as he clicked on it and flipped the screen to face him. He waved awkwardly with his free hand, his expression caught between a smile and full-on panic.
"Hi, uh, so I guess this is happening."
A wave of laughter rippled across the theater at how awkwardly he opened the video.
On stage, Chris squinted at the screen, tilting his head.
"Wait, where even is he?"
Matt hadn’t said it, but the massive, gleaming Tiffany & Co. logo was reflected behind him in the video - polished silver letters on a blue-tinted wall.
The moment the logo came into focus, Nick let out a confused noise beside Chris, practically leaning forward with his elbows on his knees.
"Is that-"
"Bro, is he in Tiffany’s?" Chris finished, brows furrowed.
Even Y/N blinked in quiet surprise. Her head tilted slightly as she watched Matt on the screen set the camera down on a sleek little table inside the boutique. She’d never seen him even mention Tiffany jewelry. Vivienne Westwood was his thing, silver chains, edgy rings.
But she still smiled wide because he looked nervous as hell.
Matt, onscreen, muttered something about having emailed the brand beforehand to ask for permission to film, even flashing a crumpled printout of the email at the camera.
"I even brought it printed." He chuckled under his breath, clearly trying not to combust from stress as he fixed the frame.
Back on stage, Chris snorted.
"Why does he look like he’s about to commit a crime?"
Nick leaned toward the mic.
"Your surprise is that you stole some expensive jewelry, Matt?"
The crowd laughed again, some people clapping, some just wheezing into their hands.
Y/N was frowning now, eyes glued to the screen. Matt hadn’t looked that nervous since- well, since he asked her to move in with him from Boston to LA years ago.
On screen, Matt sat down at the table, his fingers tapping a beat on the edge like he couldn’t stop moving.
Moments later, a woman walked into frame - sleek black outfit, small Tiffany-blue name tag pinned to her chest.
"Hi there. Matthew, right?" She asked with a kind smile.
Matt stood up too fast and then kind of froze mid-stand like he wasn’t sure if that was the right thing to do. He hovered awkwardly for a moment before sitting back down with a stiff, nervous nod.
Y/N laughed quietly, leaning forward in her seat.
"Oh, baby..." She mumbled, her heart just full.
"I’m Elena." The woman said, settling into the chair across from him. "Thanks for coming in today. I’ve been informed of your plans."
On the couch, Nick let out a quiet, "What plans?"
Chris nudged him but was just as confused.
"That’s great! Thank you." Matt said in the video, his voice an octave higher than normal.
Elena smiled, clearly used to this kind of energy.
"Don’t worry. You’re definitely not the first person to come in here with that look on your face. You’re shopping for an engagement ring, yes?"
The theater went silent.
Chris blinked.
Nick sat all the way back into the couch like the air had been punched out of him.
The crowd gasped.
And Y/N... Y/N froze entirely.
Her jaw went slack. Her breath caught in her throat. Her hands, clasped tightly in her lap, twitched.
Did she hear that right?
Chris was the first to react.
"Wait- WHAT?" He half-shouted into his mic.
Nick was still staring at the screen, eyebrows drawn so hard together that they were practically touching.
"She just said- she said engagement- he- what?"
The audience exploded in a mix of laughter, shocked screams, and collective gasping.
Y/N covered her mouth, eyes glued to the screen, heart pounding in her chest so loud it drowned everything else out.
She didn’t blink.
She didn’t breathe.
Her gaze stayed fixed on the boy on the screen, the boy she’d loved quietly, gently, patiently, for what felt like forever, who was sitting inside Tiffany & Co., looking like he was going to throw up from nerves, and apparently about to buy a ring.
For her.
Matt had been planning this.
He had planned this entire thing.
"Oh my god." She whispered behind her hand, her voice shaking with shock and joy and every emotion crashing together in her chest.
Chris turned slowly to look at her from the stage, his mouth slightly open like he was seeing the twist in a movie.
"You knew about this?" He asked, pointing to the screen.
Y/N shook her head so fast it almost made her dizzy.
"How could I know this, Chris?!" She squeaked, the words barely coming out.
Nick blinked rapidly, rubbing his forehead.
"Chris, a wedding propose is supposed to be a secret to the one being proposed."
But Chris still hadn’t recovered.
"A ring, dude. Like... for real. We’re on stage, and he’s proposing?"
Y/N sat back slowly, staring up at the screen like it was made of stars. Her lips trembled, not from sadness or fear or anything close to hesitation, but just from the way her entire soul felt like it was floating.
This wasn’t just a surprise.
This was Matt.
Her Matt.
And somehow, he’d managed to turn an ordinary night into the most extraordinary moment of her life.
The video continued playing, but no one really moved.
The entire theater was still.
Hearts pounding.
Eyes wide.
Waiting for the big moment.
The last frame of the surprise video froze on the big screen, the tiny velvet box open in Matt’s hand, his voice low and trembling, whispering like a private secret.
"This is the one. I hope you love it."
And then... nothing. The screen went black.
For a second - two, maybe three - the entire venue was suspended in absolute silence. No screams, no gasps, no whispers. Just air. Thick and vibrating with a kind of collective disbelief that made everything feel just a little unreal, like the world had glitched and was still buffering.
Then someone - probably a fan in the front row - gasped out loud.
And the silence cracked.
A mix of choked sobs, happy cries, shocked laughter, and chaotic squeals broke like a wave through the audience.
Mary Lou covered her mouth with both hands, her eyes wide and glossy. Mikayla had literal tears streaming down her cheeks, clutching the side of Nate's hoodie. Even the tour crew was caught off guard, one of the lighting guys had his jaw dropped like he was about to cry.
Nick blinked rapidly and turned toward Chris, totally stunned.
And then there was Y/N.
She was still seated, her mouth parted just slightly, her eyes wide and blinking slow, like she was trying to make sense of gravity again. Her entire body felt... floaty. Like she wasn’t quite in the room anymore. Like she was watching someone else live her life and was just now realizing that someone else was... her.
Her heart was pounding in her ears, and her hands felt cold and sweaty at the same time. She couldn’t move. She didn’t even breathe.
And then Matt stood up.
Still on stage, in front of the giant screen, with tears in his eyes and his heart practically written all over his face.
He looked at her.
Just her.
And the noise around them blurred into something distant and unimportant. He brought the mic up to his lips, eyes momentarily running from hers.
"Can- uh, can one of you help her up here?" He asked, nodding toward the security guard on the right side of the stage, voice trembling through the speakers.
The crowd seemed to become louder.
Screams. Cries. People clapping and jumping. Y/N could barely process the guard gently approaching her, a soft smile on his face, as he reached out a hand.
She blinked at him.
Then blinked again.
"Come on, sweetheart." Matt said into the mic, his voice cracking. His smile was soft and a little wobbly. "It’s okay."
That’s when her legs finally moved. Barely. But they moved.
The crowd cheered louder as she slowly stood up, holding her shaky hands to her chest, fingers scratching against the glitter of her shirt - the same one that Nick was using.
She followed the security guard to the edge of the stage, the warm lights making everything feel more surreal, more floaty. Like a fever dream she didn’t want to wake up from.
And then, she was there.
Up on stage.
Everything around her was blurry except for him.
Matt. Matt. Matt. Matt. Matt. Matt.
Standing there, eyes glassy, hands twitching like he didn’t know where to put them. He looked like he was holding back a loud cry.
"Come here, angel." He said again, softer this time. Just for her.
She walked toward him slowly. Feet barely touching the stage, everything trembling. The lights, the crowd, the sound, it all disappeared as she reached him and stopped a foot away.
His voice was shaking. His hands were shaking. But when he looked at her, it was solid. Sure. Like there was nothing else he believed in more than her.
"Okay." Matt started, laughing nervously and brushing his fingers under his eye. "Uhm... wow. Okay. So... I had this whole thing in my head. Like, how I was gonna say it. But now I’m just... losing it."
She let out a teary laugh. So did the crowd.
Matt looked down for a second, then back up, voice steadier this time.
"I love you." He said first, like he had to just get that out before anything else. "I love you so much."
Y/N let out a shaky breath. Her hands came up to her mouth, eyes already overflowing.
"You’ve been with me through everything. Everything, Y/N. When I was nobody. When we were filming in our parents' kitchen and only getting a hundred views. When I had zero dollars to my name. When I moved to LA with my brothers and literally lived on hope. You were there."
He sniffled.
"You’ve always been there."
Her whole body was trembling now. She could barely stand straight.
Matt stepped a little closer, reaching out with one shaky hand to hold hers, gripping tight like it was the only thing keeping him grounded.
"I’m not good with words. You know that." He said, voice wobbling but warm. "But you- you’re everything to me. You’re the reason I’m even here. Not just like, here here." He gestured around at the stage. "But like- here."
Her lips quivered as she sobbed softly, squeezing his hand.
"I wake up every day, and I can’t believe I get to love you. That you love me back. That I get to see you reading on the couch or ranting about your series or dancing while you brush your teeth. You’re the best part of my day, every day." Another laugh cracked in his throat, wet and breathless. "I brought your perfume with me to Vegas so my shirts smelled like you. That’s where I’m at. That’s how far gone I am."
Y/N let out a choked laugh through her tears, wiping at her eyes, her fingertips coming out black with mascara. Matt laughed too, even as a tear rolled down his cheek.
And then he reached into the right pocket of his jacket.
The room seemed to still again.
He pulled out the small velvet box. Hands trembling.
She bit her lip. A hand flew to her chest.
And then Matt was getting down.
On one knee.
His knee hit the stage softly. He opened the box again, showing two beautiful rings sparkling under the lights, and tried to hold it up while still holding the mic. But his hands were too full.
Chris was already moving before Matt could even think of asking for help. He ran up to them, gently taking Matt’s mic right out of his hand, and held it up close to Matt’s mouth for him.
Matt looked up at his brother, breathless and laughing softly through the emotion.
"Thanks." He whispered, voice cracking.
Chris just smiled his widest smile, his eyes shining with tears, and nodded.
Matt turned back to Y/N, holding up the box in his shaking hands.
"Y/N." He said. "Please, allow me to spend the rest of my life by your side. Will you marry me?"
And it was like the world held its breath.
All she could do was nod at first, crying and covering her face. Then she laughed through her tears and choked out.
"Yes. Yes. Oh my god- yes!"
The crowd exploded. Screams. Cries. Phones held high. Some people literally jumped. Nick tackled Chris in a hug. Their mom sobbed against Jimmy.
Matt stood up and pulled her into his arms so fast the empty box slipped, and they both stumbled a bit, laughing and crying and shaking.
And when he kissed her, right there in front of everyone, it wasn’t polished or pretty. It was messy. And emotional. And real.
"I love you so much." He whispered in her ear.
And she whispered back.
"I can’t believe you’re mine."
They stood there for a long time, just holding each other.
Two people on a stage. In front of thousands.
"The 'getting down on one knee' thing was successfully approved, Matt." Nick's voice echoed around the room from the speakers before two more bodies collapsed around them, holding them close.
They were the only ones in the world.
© vanteguccir
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slow down | n. seishiro
✮ tags ; gn + afab!reader, fwb to lovers, implied dom reader, switching for the first time (kinda), unprotected sex, backshots, explicit smut, love confessions in the middle of sex, 18+
✮ wc ; 2.8k
✮ a/n ; im not taking questions at this time don't ask me anything. title from chase atlantic. dont say a word to me.
✮ synopsis ; when you ask him to fuck the sad out of you, nagi mostly does it because it's you.
but maybe it's worth doing again, if it makes you whine so pretty.

Something clicks.
It's weird. Nagi doesn't totally get why it happens now of all times. Figuring out he loves you mid-thrust seems silly, even for him.
It's not like this is the first time Nagi has ever had sex with you. He decided to fulfill your request of asking him to put in a little work while you hung out on shared day off.
He's used to the routine of you coming over to use him, more or less. He doesn't mind it at least. He doesn't think too deeply about it in general. Once you propositioned him to be your regular hook-up, Nagi couldn't find it in himself to voice a complaint.
Sex with you feels good, probably because being around you has always felt nice. You pamper him a little like Reo does, but you're... different, somehow. Nagi can't completely explain it. You have a different feeling to you like all of the ways you spoil him to you sort of come easy.
You said once that you like that you know what to expect with Nagi. It was easy not to hope or want for anything other than what you got.
He isn't sure why he's remembering all of this now. It's not the time. You're holding onto his pillow, muffling moans into it while you fuck yourself back on his dick and there are at least five things he should probably be more concerned with than what he's thinking about right now.
Maybe it's the same, really. He's still thinking of you. On the other hand that's all he ever does.
Nagi watches you, suddenly mesmerized by the view. He's not usually fucking you from this angle, but he can tell he's feeling you a lot deeper. The sex he's used to having is lazy and 'intimate' as you put it, too much for a hook-up. You're usually under his weight, or in his lap, or on your belly while he curls over you. You're usually the one controlling the pace, and if he is thrusting at all - he's usually doing it with his head totally empty. Chasing the pleasure with a mindlessness that feels comfortable. Cock heavy with need, thrusting into you - warm and wet, perfect around him.
The sex you have with Nagi is good, but above all it's comfortable. You come expecting him to get hard and do what you ask - which is easy.
This is not that.
But it's good. Maybe better. At the very least, new in a way he wants to explore.
You weren't even supposed to be having sex. Though that's usually the case - you'd told him before coming over that you weren't feeling quite up to it. You asked if it'd be okay if all you did was cuddle and of course it was.
Not wanting to have sex is one thing, but it was the abrupt difference in your mood that prompted his concern. You're usually upbeat and chatty - like to talk to his ear off even if he's not totally listening.
So it's weird when you crawl into his bed silent and almost moody, it's so obvious even Nagi can tell. And it worries him as is, but it worries him most when you get worked up enough to cry in front of him after he asks you what's wrong.
He's not usually good with stuff like that, so he uses the advice so he falls back on what he's used to. Asking if there's anything he can do.
You made a joke, between a sniffle. You could fuck the sadness out of me, I guess.
You weren't serious. But Nagi thought, well he could do that much. It doesn't bother him, since it's you and he has a day off. And it feels off to see you cry, so if he can get you stop - that'd be good.
Sex is different when Nagi is the one putting the work in. This is the delayed realization. He's never really thought about doing it - since the sex you have already is really good. He doesn't see the point in fixing what's not broken.
He likes it like this, he thinks. Even kissing you. It's fun, somehow. He's never seen you act like this before. Whining, sighing - something almost pitiful to you. You're expecting him to give up from what he can tell, at least from all the times you pull away from him—glassy eyed and giggly, asking if he's had his fun yet.
And honestly, Nagi is expecting it of himself too. He's done his job in making you feel better.
He's sort of surprised at how much he wants to keep going.
It feels good though. Euphoric. A sense of ego, he supposes. It feels good to know what he can do to you if he wants too, at any time.
He looks down at the evidence it and almost feels content.
You fuck yourself back onto him the second he moves and it makes him click his teeth just a bit. It bothers him somehow, in this specific instance. His hands find the soft flesh pudge of your hips and he thinks about how good you feel between his fingers as he holds you in place hard.
You wiggle yourself back against him desperately and in unconscious retaliation he pulls out completely. Your pussy gapes open at his absence - the first time he's ever seen inside. Swollen and sticky, fluttering as his thick cock lays against your cunt. Crystalline threads of pre-cum and arousal stick and cling to you both. Your pussy is glistening pretty under the low-lights, viscous threads of his own pre sticking against the hair of your pussy. Cock red, tip ruddy and throbbing.
Nagi rubs against you tentatively. Pleasure guides him, his hips finding the right angle to thrust against you but not quite inside. He can hear the moan you bite into the pillow and feels a strange sense of contentment mix with vague annoyance. It'd be better if he heard you loud and clear.
"Nagi-kun," You breathe out. It's the first time he's heard you say his name like that.
Something inside him jolts. It's the same realization he had before. He should tell you before it slips away.
"Again."
A pause. Nagi ruts his hips, forcing it out of you. "Nagi-kun."
"That's it," He mumbles, to himself. "I like that."
You make another garbled noise - force your hips back up and Nagi pulls away again, not on purpose. Somehow, he doesn't feel like giving you what you want quite yet. You do this, back and forth until you whimper, head turned over your shoulders.
"Why aren't you fucking me?" You whine, words filtered through thick tears, voice riddled with frustration. "Fuck me, already."
"Mm,"
Nagi doesn't want to make you beg. But he likes this feeling - whatever it is. How you act when he holds you in his palm. Doesn't want to make you small. Rather, you are like this. Cute. Makes him want to see everything else you could do in reply to him. Even if it means you might nip at him, somehow - if it's you, it wouldn't be bad. He rubs his cock again against your swollen cunt, sliding it between your thighs too for good measure. Gripping your hips even harder he fucks inbetween them with a sigh - head of his cock catching on your clit.
You keep moaning his name when he makes you feel good. The harder he goes, the more he smacks his his hips against your ass - not quite relieving the pressure in your gut you just keep crying out for him. It's nice to hear. That's all it is, really.
"Not my thighs," You whine. Nagi takes a breath, pushing a hand through his hair.
"Where?"
You make a noise, looking over at him from your shoulder - scandalized. "Are you serious?"
He doesn't reply or react, just keeps still. You groan.
"Fuck my pussy," You say, wincing at your own voice. "Want your dick inside me."
"Call me Seishiro,"
You blink absently, another desperate cry "Seishiro-kun," You breathe, soft and gentle and sincere. Cute. "Fuck me. Please?"
He nods. Doesn't say anything in reply - just grabs your hips and leans forward - a hand next to your head. Keep himself steady, and keep you upright.
Raw dick slick from sliding against your sex, tip heavy with pre-cum - Nagi stuffs his cock inside you in one go. Your pussy stretches around him with ease, accommodates his ridiculous length like it's done it time and again. He's felt it before, felt you before - but it's the first time he's really noticing just how much effort it must put in to do it. Somehow, he finds that endearing too.
His cock, thick and heavy and wanting - aches as he bottoms out. Sticky heat swallows him whole, his waist melting against your own and making him weak. It always feels good, but it never feels this good. Never feels good enough that he makes a noise any louder than a breath.
But he moans this time - shivers as his fingers sink into the plush of your hips and he grinds the tip of your cock against the very edge of your cervix. Your knees go weak underneath him, you'd buckle if he wasn't there to hold you upright.
Another wave of arousal spills around the girth of his cock, and you squeeze down on him tight. Oh. You like that. He does it again, mindlessly. You grow wetter, more desperate. All pulsing waves of heat and desire, Nagi can feel your legs tense as you get stimulated from the inside.
"Keep your hips up," Is all he says as he lets go, moving his hand around your waist until his fingers brush your clit. You gasp.
"Seishi—hicc,"
Words lost, Nagi rubs a circle into the throbbing bundle of nerves. Twitchy, restless under his fingers - he's practiced in this. Good with his hands, he starts slow until he finds a place it gets easy for him to do without putting any tension on the rest of him.
You're shaking before him. Nagi places an absent kiss on your shoulder blade. You keep half-way saying his name, stumbling on the syllables and sounds when he makes you feel good.
"Fuck," You're falling apart. He can hear it. "Quit touchin' me like that. I'll cum."
"Then cum,"
"I don't want to cum like this,"
"Then how?" He says. A delayed sense of understanding. "Oh, you want to cum on my cock?"
You clench down on him hard. Huh.
"That's it? Is that why you won't cum?"
"Sei-kun," You're so whiny like this. "You're being extremely unfair today."
"Am I? Sorry." He isn't sure if he means that. "Is that what you meant? You want to cum while I fuck you,"
You frown, voice barely above a whisper. "...Yeah. So quit it already,"
Nagi pulls out and you breathe a sigh of relief before he slams right back in. You almost scream, mouth fallen open. "Just tell me next time. It's fine."
Again. Your words die as soon as he moves. This was the right pace. The right everything. He can tell because your pussy keeps fluttering around him, slick walls trembling so violently each time he slides in and out. Gripping onto the hard length of his cock like you don't want him to pull out completely. Each time he gets close to doing so, you suck him in further. Milk his cock for all it's worth, his balls feeling suddenly heavy and tight. He moans in pre-emptive, at the thought of how good it's gonna feel unloading it in you.
"You feel so good." He says, appreciative. You whimper again. "Ah, see? It's so tight. Does it feel good for you?"
"Feels so good. Love when you fuck me Sei,"
Love. His thoughts loop back around again to what he was thinking about at the start.
"You feel good to me. Really good." And then, not thinking about it at all. "I love you,"
You tense, looking over your shoulder - looking out of it, dazed. Unsure. "W-what?"
"Huh? I said I love you,"
"S-Seishiro?"
Your pussy grinds down on him again. You liked hearing that, huh?
"I love you," He says, and you whimper - audible. "I wanted to tell you before."
"Sei—"
...!
He stops again before picking back upon a brutal pace almost instantly. It feels right. No mercy as he pounds his cock in and out of you - suddenly feeling like something's possessed.
Your hands reach back to try and push him out but they're so weak it's almost ticklish.
"Sorry. Later," He says, fucking you with every ounce of effort he can finds - rubbing your clit with nasty precision. Each moan sounds punched out of you, breathy and high. "You're so cute."
And you are, Nagi thinks. He's starting to understand. You're cute in a different way that everything else cute is. That's special to you. It's all so cute to him.
You repeat his name again and again. Nagi never gets sick of hearing you say it somehow. He wonders why it only just clicked that this is something he can have. He wishes he would've figured it out sooner.
"Sei," You say, mindless - unthinking. He can feel your whole body tighten, tension making your limbs wind back. Fingers clawing in the sheets, toes curled up, spine curving into a 'C' as the pressure in your gut slowly unravels and throbs around him.
Nagi keeps pace - multitasking well enough that you don't falter. Laser-focused, he wants to know what it's like to make you cum from his own hands. His own ego. He wants to know how you feel underneath when your body gives out from pleasure - in the same way he wants other things. Completely selfishly, a hunger gnawing in his gut as you get close to the edge. He doesn't stop, doesn't slow, doesn't falter. He pounds into you as you gasp and tremble without a sense of mercy.
Raw desire burrows itself into his chest and blooms inside the space between his bones. His eyes almost hurt from how hard he focuses.
Finally, you call his name once more - your cunt spasming relentlessly around him. Hot, so hot - his dick almost hurts from how hard he wants to cum before you.
"Oh, fuck, fuck, fuck—cumming, I'm cumming!"
Nagi groans as you cum. His cock nearly slips out from how hard you pulse around him, waves of your own cum and arousal frothing around the base of his cock from how hard he fucks you. A wet liquid sprays against his thighs as he bottoms out while you ride your high. His own body gives up on holding back as soon as he feels you cumming.
Two thrusts more and he's spilling his seed into you full. Hot, thick ropes of cum paint your insides white as he pants. He almost collapses over you, the both of you breathing hard from exhaustion as the high starts to cum down. He can barely think.
It's annoying he's still hard, but he's not quite tired. He hasn't gone soft.
"Nagi-kun,"
"Seishiro," He corrects. You look over your shoulder at him in surprise. Nagi looks back plainly.
"Uhm. Right. Seishiro-kun. Did you...did you mean to say that?"
"What? That I love you?"
"Yeah. Or was it a heat of the moment thing?"
"Huh? Why would it be that?" He says, earnestly confused. For someone reason this makes you giggle. "I meant it. I just figured it out."
You pause. "...While we were having sex?"
"Huh? Yeah. You were really cute like that."
"What the—did you call me cute?"
"Yeah. Do you not like that?"
"I didn't—It's not that I didn't like it but it's... I would've never imagined you saying it to me,"
He wonders why. You're plenty cute. It's just that Nagi only recently really figured out what the word was. He shrugs. You chuckle.
"What were you going to do if I didn't like you?"
He pauses. "I didn't think about it. Do you not like me?"
You laugh harder this time. "That's so like you. I do like you, Sei-kun. I love you too,"
"Then it's fine," He hums., noncommittally. You giggle.
"I guess so."
A pause. Nagi loves the warmth of your body under him. He wants to keep cuddling but something bugs him.
"Can we go again like this? It won't go down."
...
"... Seriously? Normally it takes you a minute."
"I think it's cause you said you love me." Nagi adds.
"Oh my god. Did I just unleash something in you? You've never acted like this before, like ever."
Nagi shrugs. It'd be good to get use to it now, he thinks.
"Maybe. Can't we?"
You squirm underneath him and Nagi feels himself twitch. Your face warms. See? You're plenty cute, he thinks.
"...I guess it's fine."
He nods. "I wanna do it while looking at you this time. Okay?"
"God. Sure. Okay."

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