#Searching for Bobby Fischer

[astoundingbeyondbelief]

why does this ad for a bunch of random family movies go so ridiculously hard

[florencio2405]

" And then, Bobby Fischer did the most original and unexpected thing of all. It disappeared "

Movie: Searching for bobby fischer (1993)

[denimbex1986]

'The talented “Ripley” team is being feted ahead of the series premiere.

IndieWire can exclusively announce that Netflix-owned cineplexes The Paris Theater and The Bay will host two respective retrospective exhibits honoring “Ripley” writer/director Steven Zaillian and “The Talented Mr. Ripley” author Patricia Highsmith. Netflix’s limited series “Ripley” stars Andrew Scott in the titular lead role as the 1960s grifter who is hired by a wealthy man to travel to Italy to try to convince his vagabond son, Dickie Greenleaf (Johnny Flynn), to return to the States. The limited series focuses on a sinister core love triangle between Ripley, Dickie, and Dickie’s fiancée Marge Sherwood (Dakota Fanning). The show debuts April 4 on the streaming platform.

The Paris Theater screening program is titled “Criss Cross: Highsmith & Zaillian on Screen” and features adaptations of Highsmith’s “Carol” and “Strangers on a Train” alongside Zaillian’s “Searching for Bobby Fischer,” “Moneyball,” “The Girl with the Dragon Tattoo,” “American Gangster,” and “The Irishman,” all of which he wrote.

The Bay hosts “The Storyteller: A Steven Zaillian Retrospective” that will honor Zaillian with five features from his Oscar-winning filmography including his feature screenwriting debut “Awakenings.”...'

[jimsmovieworld]

SEARCHING FOR BOBBY FISCHER- 1993 ⭐️⭐️⭐️

Seven year old New Yorker resident Josh has a talent for Chess beyond his years. His father and coach try to train him to be like the famous grandwizard Bobby Fischer which goes against his pleasant nature....

I do like chess movies. I dont think this one did as good a job of bringing the game to life as others ive seen but was a decent film.

Strong supporting cast of Lawrence Fishbourne, Joan Allen and Ben Kingsley.

Bobby Fischer denounced this film as part of a "jewish conspiracy" to make money off his name.

[flanaganfilm]

Do you have a comfort book or movie? If yes, which one? Mine`s The Green Mile.

Comfort books: A River Runs Through It Hearts in Atlantis The Body The Wind Through the Keyhole and, most recently, The Life of Chuck Comfort movies: Rudy Quiz Show Searching for Bobby Fischer Stand by Me A River Runs Through It

[mrmonkandtheblog]

Tony Shalhoub in Searching for Bobby Fischer (1993)

[augment-techs]

TAG GAME!! List your Top 5 Comfort Movies (right now), your Top 5 Discomfort Movies (right now), and your Top 5 Movies you would save from a world shattering event. Then tag 10 people.

Searching for Bobby Fischer

Cyrano

Jiro Dreams of Sushi

Mighty Morphin Power Rangers: The Movie

A Goofy Movie

*

Rover Dangerfield

The Tale

Casper

Black Christmas (2019)

The Deer King

*

The Thief and the Cobbler: Recobbled Cut Mark 4

Wolf Children

Princess Mononoke

The Hours

Baby's Day Out

Tagging: @lordkingsmith @ajgrey9647 @skyland2703 @azurezfiction @regaliasonata @koragg1 @pkarchie @estel-eruantien @theonewhonothingknows @felonius-glitch

[hotelyamato]

🔥

Send me a “ 🔥 “ for an unpopular opinion.

I don't think that people should use chess in scenes made to make their characters seem intelligent and pensive, or really make any sort of references to chess, unless they actually play and understand chess, and the culture that surrounds it—that is, what chess is like today and what chess was like in previous decades.

Typical portrayals of chess in media are full of errors that we chess players find silly and, frankly, infuriating. Boards oriented and set up incorrectly, pieces that have obviously been strewn about at random, the classic check answered with a checkmate or surprise checkmate against a player who's supposed to be highly skilled and in top form... movies and TV perpetuate a lot of myths and stereotypes about chess (the most egregious being the idea that we actually try to see fifteen moves ahead), and it's proper annoying.

Of course, the odd piece of media—especially those devoted entirely to chess, such as Searching for Bobby Fischer (the best example), Pawn Sacrifice, and The Queen's Gambit—does do very well in its portrayal of chess, but even those that do tend to fall just short of the mark of perfection, which makes you wish that they'd tried just a little harder to get everything absolutely bang-on.

Then you have me, who loves chess—I'm playing in a national tournament this weekend, in fact—and is therefore a verifiable nerd for it, which means... which means... that the way I portray chess in my writing is quite esoteric, really only able to be appreciated by people who understand the game as well as I do (and I have no delusions of being a master or anything like that), so, you know...

[curiously-questing]

GUYS OKAY. I WAS JUST VIBING AND WATCHING A VIDEO ABOUT THE HISTORY OF FONTS BECAUSE I WANTED TO MAKE AN ACCURATE 1920′S NEWS REPORT FOR MY BOOK ANALYSIS - AND I WAS SEARCHING UP THE NAMES OF EVERYONE THE VIDEO MENTIONED. ONE OF THEM WAS NAMED PAUL RAND (not super important to the story but) WHEN I SEARCHED HIM UP I SAW AN OwO FACE AND I WAS LIKE “damn paul rand was the original owo thats like learning about how motzart would get on his knees and meow sometimes” AND. IT JUST HIT ME. LIKE A GOODDAMN BOULDER. “hey THATS. THATS NOT SOMETHING NEUROTYPICAL PEOPLE DO” SO I WENT TO OUR BESTIE GOOGLEtm AND SEARCHED THIS UP 

and i was like “haha i really am the first person asking this question”  AND THEN.

I WAS FFKING RIGHT AND I WAS SO PROUD OF MYSELF FOR SOME REASON BUT THEN I WAS CURIOUS SO I CLICKED ON THE LINK.  I’LL LIST A FEW THAT I KNOW THE MOST ABOUT PERSONALLY. 

- Thomas Jefferson

- Bill Gates

- Steve Jobs

- Bobby Fischer 

- Charles Darwin

- Lewis Carroll (writer of Alice in wonderland)

- Hans Christian Anderson (original writer of The Little Mermaid and The Ugly Duckling)

- Michealangelo

- Nikola Tesla 

- Issac Newton AND ALBERT FUUCKING ENSTIEN. 

IT MAKES SENSE BUT ALSO I CAN’T THINK OF ANY FAMOUS HISTORICAL FIGURE NOT ON THE SPECTRUM?? AS PROBABLY THE 1 (one) SINGULAR PERSON ON THIS WEBSITE THAT IS NEUROTYPICAL I FEEL LIKE. LIKE WHAT DO I DO WITH THIS KNOWLEDGE. IM THE ONLY ONE ON THIS SITE THAT ISNT EMPOWERED BY THIS KNOWLEDGE. I FEEL LIKE NOW I NEED TO SEARCH UP COOL REVOLUTIONARY HISTORICAL FIGURES THAT I LOOK UP TO THAT ARENT ON THE SPECTRUM NOW CAUSE EVERYONE THAT DID ANYTHING SPECIAL IS AUTISTIC??? HELLO??

[carolrain]

Comfort Movies

Thank you for tagging me, @mammameesh and @chelle-68

Fiddler on the Roof

The Princess Bride

Beaches

Dead Poets Society

When Harry Met Sally

Searching for Bobby Fischer

Good Will Hunting

I saw other people mention Heathers and Muriel's Wedding! Yes, those too, but it seems like cheating to steal them and I wouldn't know what to bump.

—

It took me a couple of hours yesterday to even come up with 7 movies I liked and have seen more than once? I guess it's safe to say that I'm not a movie person. And then I didn't post them because I dithered about the definition of "comfort movie."

But I saw a couple of other people admit they didn't watch movies often either, so in solidarity I'll add mine. This list really dates me! I wonder if I have even discovered any movies I like this century.

I think everyone has done this, but if not, you're it.

[ayteezmooveez]

The (Currently) Complete Favorite Movies List

Favorite Movies of 1920's-1960's

1. The Wizard Of Oz

2. To Kill A Mockingbird

3. City Lights

4. It's A Wonderful Life

5. Casablanca

6. Psycho

7. Roman Holiday

8. 12 Angry Men

9. Rebel Without A Cause

10. Butch Cassidy & The Sundance Kid

11. The Philadelphia Story

12. Gentleman's Agreement

13. Citizen Kane

14. On The Waterfront

15. Rear Window

16. Mary Poppins

17. The Birds

18. The Gold Rush

19. A Streetcar Named Desire

20. Miracle On 34th Street

Honorable mention:

Breakfast At Tiffany's

Charade

East Of Eden

My Fair Lady

Planet Of The Apes

Sabrina

Favorite Movies of the 1970's

1. Harold & Maude

2. Close Encounters Of The Third Kind

3. Dog Day Afternoon

4. The Godfather

5. One Flew Over The Cuckoo's Nest

6. American Graffiti

7. A Clockwork Orange

8. Kramer vs Kramer

9. All The President's Men

10. Halloween

11. Taxi Driver

12. Monty Python & The Holy Grail

13. Jaws

14. Chinatown

15. Blazing Saddles

16. Star Wars

17. The French Connection

18. Young Frankenstein

19. Superman: The Movie

20. The Exorcist

Honorable mention:

Carrie

Duel

Grease

Enter The Dragon

Rocky

The Warriors

Willy Wonka & The Chocolate Factory

Favorite Movies of the 1980's

1. Ferris Bueller's Day Off

2. The Princess Bride

3. Back To The Future

4. Ghostbusters

5. The Breakfast Club

6. E.T.

7. Die Hard

8. Raiders Of The Lost Ark

9. Brazil

10. Heathers

11. Who Framed Roger Rabbit

12. The 'burbs

13. Gremlins

14. Stand By Me

15. Beetlejuice

16. Clue

17. Scrooged

18. Big

19. Rain Man

20. Star Wars - The Empire Strikes Back

21. Batman

22. The Goonies

23. The Adventures Of Baron Munchausen

24. Spaceballs

25. Real Genius

26. Dead Poets Society

27. Say Anything

28. Back To The Future, Part II

29. Pee Wee's Big Adventure

30. Lethal Weapon

31. Three O'Clock High

32. National Lampoon's Christmas Vacation

33. Planes, Trains & Automobiles

34. Fast Times At Ridgemont High

35. Star Wars - Return Of The Jedi

36. The NeverEnding Story

37. Indiana Jones & The Last Crusade

38. The Terminator

39. The Karate Kid

40. WarGames

Honorable mention:

Blade Runner

Legend

The Little Mermaid

Poltergeist

Starman

This Is Spinal Tap

When Harry Met Sally...

Guilty pleasure:

Just One Of The Guys

The Lost Boys

Weekend At Bernie's

Favorite Movies of 1990

1. Edward Scissorhands

2. Goodfellas

3. Pump Up The Volume

4. Dick Tracy

5. Quick Change

6. Pretty Woman

7. Back To The Future, Part III

8. Home Alone

9. Gremlins 2

10. Joe Versus The Volcano

Honorable mention:

Cry-Baby

I Love You To Death

Mermaids

Guilty pleasure:

Teenage Mutant Ninja Turtles

Favorite Movies of 1991

1. Dogfight

2. Terminator 2: Judgement Day

3. The Fisher King

4. L.A. Story

5. Defending Your Life

6. Barton Fink

7. The Silence Of The Lambs

8. My Own Private Idaho

9. The Addams Family

10. Beauty & The Beast

Honorable mention:

Doc Hollywood

Only The Lonely

Rush

Guilty pleasure:

Johnny Suede

Point Break

Favorite Movies of 1992

1. Reservoir Dogs

2. My Cousin Vinny

3. A League Of Their Own

4. Batman Returns

5. Chaplin

6. Malcolm X

7. Bram Stoker's Dracula

8. The Muppet Christmas Carol

9. Hero

10. Of Mice And Men

Honorable mention:

Leap Of Faith

Singles

Favorite Movies of 1993

1. Dazed & Confused

2. Groundhog Day

3. Jurassic Park

4. Benny & Joon

5. Schindler's List

6. For Love Or Money

7. What's Eating Gilbert Grape

8. The Nightmare Before Christmas

9. Heart & Souls

10. Mrs. Doubtfire

Honorable mention:

The Fugitive

Rudy

The Sandlot

Searching For Bobby Fischer

Sleepless In Seattle

The Thing Called Love

True Romance

Untamed Heart

Guilty pleasure:

Last Action Hero

So I Married An Axe Murderer

Favorite Movies of 1994

1. The Shawshank Redemption

2. Speed

3. The Crow

4. Ed Wood

5. The Lion King

6. Dumb & Dumber

7. Quiz Show

8. Pulp Fiction

9. The Professional

10. Reality Bites

Honorable mention:

Clerks

The Client

Forrest Gump

Four Weddings & A Funeral

Interview With The Vampire

Little Women

The Paper

The Ref

Guilty pleasure:

Brainscan

Favorite Movies of 1995

1. Seven

2. Before Sunrise

3. Twelve Monkeys

4. Dead Man

5. Toy Story

6. The American President

7. The Basketball Diaries

8. Clueless

9. Living In Oblivion

10. Empire Records

Honorable mention:

Apollo 13

Get Shorty

Mallrats

The Usual Suspects

Welcome To The Dollhouse

Favorite Movies of 1996

1. Jerry Maguire

2. That Thing You Do!

3. Beautiful Girls

4. William Shakespeare's Romeo + Juliet

5. Scream

6. The Rock

7. James & The Giant Peach

8. Ransom

9. The Frighteners

10. Tin Cup

Fargo

Hard Eight

Mission: Impossible

Sleepers

Swingers

Trees Lounge

Guilty pleasure:

Independence Day

Favorite Movies of 1997

1. Good Will Hunting

2. As Good As It Gets

3. Titanic

4. Boogie Nights

5. L.A. Confidential

6. Donnie Brasco

7. The Game

8. Scream 2

9. Face/Off

10. Cop Land

Honorable mention:

Chasing Amy

Gattaca

Grosse Pointe Blank

Jackie Brown

Two Girls & A Guy

Wag The Dog

Favorite Movies of 1998

1. Saving Private Ryan

2. Rushmore

3. Out Of Sight

4. Dark City

5. Shakespeare In Love

6. Pleasantville

7. Buffalo '66

8. The Truman Show

9. American History X

10. Enemy Of The State

Honorable mention:

A Bug's Life

Fear & Loathing In Las Vegas

Meet Joe Black

Pi

Playing By Heart

A Simple Plan

The Wedding Singer

What Dreams May Come

Guilty pleasure:

Godzilla

Favorite Movies of 1999

1. Fight Club

2. Magnolia

3. The Matrix

4. Notting Hill

5. 10 Things I Hate About You

6. Three Kings

7. Toy Story 2

8. Sleepy Hollow

9. Being John Malkovich

10. Man On The Moon

Honorable mention:

The Cider House Rules

The Green Mile

The Insider

The Iron Giant

The Sixth Sense

Favorite Movies of 2000

1. Requiem For A Dream

2. Memento

3. Almost Famous*

4. Crouching Tiger, Hidden Dragon

5. Unbreakable

6. Traffic

7. Wonder Boys

8. The Way Of The Gun

9. O Brother, Where Art Though?

10. Snatch

Honorable mention:

Billy Elliot

Cast Away

The Cell

Erin Brockovich

Frequency

Gladiator

High Fidelity

X-Men

Favorite Movies of 2001

1. Donnie Darko

2. Vanilla Sky

3. Amélie

4. The Royal Tenenbaums

5. LOTR - Fellowship

6. A Knight's Tale

7. Ocean's Eleven

8. Ghost World

9. A Beautiful Mind

10. A.I. Artificial Intelligence

Honorable mention:

Frailty

From Hell

Gosford Park

The Others

Shrek

Spirited Away

Favorite Movies of 2002

1. Adaptation.

2. Gangs Of New York

3. LOTR - Two Towers

4. Catch Me If You Can

5. Punch Drunk Love

6. Chicago

7. Minority Report

8. Insomnia

9. Death To Smoochy

10. About A Boy

Honorable mention:

8 Mile

28 Days Later

The Bourne Identity

The Dangerous Lives Of Altar Boys

The Good Girl

Igby Goes Down

Moonlight Mile

Panic Room

Road To Perdition

Signs

Guilty pleasure:

The Mothman Prophecies

Favorite Movies of 2003

1. American Splendor

2. 21 Grams

3. Big Fish

4. Kill Bill, Vol. 1

5. LOTR - Return Of The King

6. X2: X-Men United

7. Mystic River

8. Pirates Of The Caribbean

9. Matchstick Men

10. Finding Nemo

Honorable mention:

The Last Samurai

Lost In Translation

Phone Book

School Of Rock

Seabiscuit

The Station Agent

Guilty pleasure:

The Room

Underworld

Favorite Movies of 2004

1. Eternal Sunshine Of The Spotless Mind

2. Garden State

3. Spider-Man 2

4. The Aviator

5. Harry Potter & The Prisoner Of Azkaban

6. Before Sunset

7. The Incredibles

8. Napoleon Dynamite

9. Finding Neverland

10. Kill Bill, Vol. 2

Honorable mention:

Dodgeball

In Good Company

Million Dollar Baby

Sideways

Team America: World Police

The Village

Favorite Movies of 2005

1. Batman Begins

2. Walk The Line

3. Brokeback Mountain

4. Brick

5. King Kong

6. Serenity

7. Kiss Kiss Bang Bang

8. Wedding Crashers

9. Breakfast On Pluto

10. Sin City

Honorable mention:

The Chumscrubber

Constantine

Star Wars: Revenge Of The Sith

Syriana

Thumbsucker

V For Vendetta

War Of The Worlds

Favorite Movies of 2006

1. Little Miss Sunshine

2. The Fountain

3. The Prestige

4. The Fall

5. Pan's Labyrinth

6. The Departed

7. The Science Of Sleep

8. Superman Returns

9. A Scanner Darkly

10. Clerks II

Honorable mention:

16 Blocks

Babel

Stranger Than Fiction

Wristcutters: A Love Story

Favorite Movies of 2007

1. Across The Universe

2. There Will Be Blood

3. Zodiac

4. Superbad

5. Lars And The Real Girl

6. The Darjeeling Limited

7. Sweeney Todd

8. Funny Games

9. No Country For Old Men

10. Stardust

Honorable mention:

3:10 To Yuma

The Bourne Ultimatum

Gone Baby Gone

Harry Potter & The Order Of The Phoenix

Juno

Knocked Up

Live Free Or Die Hard

Michael Clayton

Ratatouille

Favorite Movies of 2008

1. The Dark Knight

2. The Brothers Bloom

3. Role Models

4. Slumdog Millionaire

5. Be Kind Rewind

6. Iron Man

7. In Bruges

8. Tropic Thunder

9. The Wrestler

10. Wanted

Honorable mention:

The Curious Case Of Benjamin Button

The Go-Getter

Me & Orson Welles

Nick & Norah's Infinite Playlist

Wall-E

Favorite Movies of 2009

1. (500) Days Of Summer

2. Where The Wild Things Are

3. Up In The Air

4. An Education

5. Inglourious Basterds

6. Star Trek

7. Fantastic Mr. Fox

8. Whip It

9. The Hangover

10. The Road

Honorable mention:

Adventureland

Avatar

Coraline

District 9

I Love You, Man

Up

Favorite Movies of 2010

1. Inception

2. The Social Network

3. Black Swan

4. Scott Pilgrim vs. The World

5. Blue Valentine

6. The Fighter

7. Winter's Bone

8. Toy Story 3

9. Shutter Island

10. The King's Speech

Honorable mention:

Buried

Due Date

Kick-Ass

Let Me In

Never Let Me Go

The Other Guys

The Town

Favorite Movies of 2011

1. Super 8

2. Hugo

3. Mission: Impossible - Ghost Protocol

4. Crazy Stupid Love

5. Moneyball

6. The Descendants

7. My Week With Marilyn

8. Bridesmaids

9. The Girl With The Dragon Tattoo

10. Harry Potter & The Deathly Hallows, Part 2

Honorable mention:

10 Years

50/50

The Beaver

Horrible Bosses

The Muppets

Rise Of The Planet Of The Apes

Source Code

Dishonorable mention:

Sucker Punch

Favorite Movies of 2012

1. Silver Linings Playbook

2. Moonrise Kingdom

3. Lincoln

4. The Avengers

5. The Dark Knight Rises

6. Looper

7. Ruby Sparks

8. Django Unchained

9. Argo

10. Mud

Honorable mention:

21 Jump Street

Jack Reacher

The Perks Of Being A Wallflower

Premium Rush

Safety Not Guaranteed

This Is 40

Favorite Movies of 2013

1. 12 Years A Slave

2. Her

3. Snowpiercer

4. The Wolf Of Wall Street

5. Star Trek Into Darkness

6. The Way Way Back

7. Before Midnight

8. The Spectacular Now

9. American Hustle

10. About Time

Honorable mention:

Begin Again

Captain Phillips

Dallas Buyers Club

Fruitvale Station

The Heat

Inside Llewyn Davis

Prisoners

Rush

Warm Bodies

Favorite Movies of 2014

1. Wish I Was Here

2. The Skeleton Twins

3. Boyhood

4. Nightcrawler

5. The Imitation Game

6. Whiplash

7. Birdman

8. The Grand Budapest Hotel

9. St. Vincent

10. Inherent Vice

Honorable mention:

Captain America: The Winter Soldier

Dawn Of The Planet Of The Apes

Edge Of Tomorrow

Gone Girl

Infinitely Polar Bear

Interstellar

Love & Mercy

Veronica Mars

What We Do In The Shadows

X-Men: Days Of Future Past

Favorite Movies of 2015

1. Me & Earl & The Dying Girl

2. Ex Machina

3. Inside Out

4. The Walk

5. Sicario

6. Creed

7. Mission: Impossible - Rogue Nation

8. Spotlight

9. The Martian

10. Brooklyn

Honorable mention:

Avengers: Age Of Ultron

Bridge Of Spies

Joy

Mad Max: Fury Road

The Revenant

Room

Star Wars: The Force Awakens

Steve Jobs

Favorite Movies of 2016

1. Sing Street

2. Midnight Special

3. La La Land

4. Hell Or High Water

5. Arrival

6. The Nice Guys

7. Hidden Figures

8. Manchester By The Sea

9. A Monster Calls

10. 10 Cloverfield Lane

Captain America: Civil War

Everybody Wants Some!!!

The Founder

Hacksaw Ridge

The Jungle Book

Loving

Silence

Split

Swiss Army Man

Dishonorable mention:

The Neon Demon

Favorite Movies of 2017

1. Wonderstruck

2. War For The Planet Of The Apes

3. Phantom Thread

4. mother!

5. Blade Runner 2049

6. Call Me By Your Name

7. Dunkirk

8. Wind River

9. Logan

10. Three Billboards Outside Ebbing, Missouri

Honorable mention:

Baby Driver

Coco

It

Lady Bird

Logan Lucky

Molly's Game

The Post

The Shape Of Water

Stronger

Favorite Movies of 2018

1. A Quiet Place

2. BlackKklansman

3. If Beale Street Could Talk

4. Spider-Man: Into The Spider-Verse

5. Mission: Impossible - Fallout

6. Isle Of Dogs

7. Ready Player One

8. Incredibles 2

9. Stan & Ollie

10. Thoroughbreds

Honorable mention:

Avengers: Infinity War

Bumblebee

Christopher Robin

Eighth Grade

Halloween

Summer '03

Favorite Movies of 2019

1. Rocketman

2. Jojo Rabbit

3. 1917

4. Blinded By The Light

5. Booksmart

6. Toy Story 4

7. Ford v Ferrari

8. Joker

9. Parasite

10. Knives Out

Honorable mention:

Avengers: Endgame

The Lighthouse

Marriage Story

Once Upon A Time In Hollywood

Yesterday

Favorite Movies of 2021

1. Licorice Pizza

2. West Side Story

3. Dune

4. A Quiet Place, Part II

5. Belfast

6. Spider-Man: No Way Home

7. C'mon C'mon

8. King Richard

9. Ghostbusters: Afterlife

10. CODA

Honorable mention:

Free Guy

The French Dispatch

Last Night In Soho

Nightmare Alley

The Power Of The Dog

Shang-Chi And The Legend Of The Ten Rings

tick, tick...BOOM!

The Tragedy Of Macbeth

[midwintermasque]

An Introduction to Chess

If you have been following our storyline, you know that one of the main characters, Odilia nó Dahlia often refers to her political machinations in terms of a game of chess. Chess is an ancient game, originating in India in the 6th century and reaching the Middle East, China, and Europe by the 10th century. It was once considered a royal game, due to its popularity amongst the nobility - like our Night Court and palace players - but has experienced a significant increase in popularity within the general public in the 20th century. Chess is a two-player board game utilizing a 64 square checkerboard. Each player has sixteen pieces, which move in specific ways. A piece “captures” an opposing piece by landing on the same square as the opposing piece, with one minor exception; the captured piece is then removed from the board. The object of the game is to capture your opponent’s king or put your opponent in a situation where their king cannot avoid being captured, called checkmate. A game also can end in a draw, or stalemate, when neither player is able to capture the opposing king. Players are designated White and Black, regardless of the actual color of the pieces.

If you are not familiar with the game, we encourage you to visit some of the resources we have collected to familiarize yourself with the game to better enjoy our story. Please note that The Longest Night Midwinter Masque has no association with sites outside of this domain and makes no guarantees as to content. Before consuming any non-instructional media, we encourage you to research them, as there is always the chance they could contain triggering content. https://www.doesthedogdie.com/ is a crowdsourced website for finding such information on films and TV shows. Instructional websites - How to Play Chess: the Ultimate Beginner’s Guide (outside site): https://youtu.be/OCSbzArwB10 - How to Play Chess for Beginners (outside site): https://www.dicebreaker.com/games/chess/how-to/how-to-play-chess Books - The Eight by Katherine Neville - The Queen’s Gambit by Walter Tevis (adapted into a Netflix miniseries, also recommended) - Searching for Bobby Fischer by Fred Waitzkin (adapted into a film, also recommended) Feature Films - Fresh (1994 film) - Game Over: Kasparov and the Machine (2003 film) Read the full article

[denimbex1986]

'Patricia Highsmith’s 1955 novel The Talented Mr. Ripley has been made into two sterling films: 1960’s Plein soleil (Purple Noon) starring Alain Delon, and 1999’s The Talented Mr. Ripley headlined by Matt Damon, Jude Law, and Gwyneth Paltrow. Nonetheless, Netflix’s new Ripley stands head and shoulders above its predecessors (and most modern TV offerings) as an adaptation par excellence.

Over the course of its eight exhilarating episodes, all of them shot in breathtaking black-and-white by Oscar-winning cinematographer Robert Elswit (There Will Be Blood), this stellar thriller exhibits a formal precision, dexterity, and majesty that electrifies its tale of a small-time New York City grifter named Tom Ripley (a phenomenal Andrew Scott) who attempts to remake himself in Italy by slipping into the life of wealthy playboy Dickie Greenleaf (Johnny Flynn). Cunning cons and brutal murder ensue, all of them dramatized by the show with a suspenseful elegance and psychological complexity that does justice to its source material—and, in certain cases, adds new, incisive wrinkles to the oft-told tale.

Ripley is, quite simply, a small-screen masterpiece, and credit for its triumph goes, first and foremost, to writer/director Steven Zaillian. In the three decades since he won the Best Adapted Screenplay Oscar for Schindler’s List, the 71-year-old has collaborated with a who’s who of Hollywood greats, from Brian De Palma (Mission: Impossible) and Sydney Pollack (The Interpreter) to Ridley Scott (Hannibal, American Gangster, Exodus: Gods and Kings), David Fincher (The Girl with the Dragon Tattoo) and Martin Scorsese (Gangs of New York, The Irishman).

Along the way, he’s additionally penned the excellent Moneyball, helmed three of his own feature scripts (including the fantastic Searching for Bobby Fischer), and spearheaded HBO’s acclaimed The Night Of. Even with such a formidable résumé, however, Zaillian’s latest may be his finest achievement to date. Its scintillating style wholly wedded to its storytelling, and its meticulousness central to its simmering undercurrent of sociopathic madness, it’s a work of controlled Machiavellian malevolence, rife with tension and rich in detail and depth.

Guided by Zaillian’s virtuosic hand, Ripley is the rare example of genuine auteurist television, even as it simultaneously stands as a testament to the fact that projects are more likely to be great when they’re made by a collection of great artists. Now available on the streaming platform, it’s an early contender for end-of-year accolades. Consequently, we were elated to speak with Zaillian about the challenges of making his sensational series, collaborating with Scott and Elswit, and the enduring appeal of Highsmith’s famous novel.

Ripley is better directed than 99 percent of modern television, to a great degree because it’s been actually directed, with personality, flair, and guiding motifs and techniques. Was there any pushback to your approach, given that TV generally wants formal style to take a backseat to storytelling?

No, there was no pushback. The style that the show became… I started with the writing, I can’t write anything without imagining it. That being said, things obviously change when you’re shooting, and motifs come up and the style gets set at a certain point. But the whole time we were shooting, basically all anybody is seeing are dailies. It’s hard to tell from dailies what’s going on, you know [laughs]? Most people at the studios didn’t see anything until it was edited. So I had this great freedom to do what I wanted in terms of its look, and I spent a lot of time doing it. It was important to me that it looked good and felt good in terms of its tone, and most of the people who came to this come from film, and we approached it as one long movie.

Is the writing process different when you’re writing for yourself, versus another director?

I don’t write any differently. As I mentioned, I can’t write it without seeing it, so whether I’m writing for myself or someone else, it’s the same process. I don’t ever put in, close-up here or wide shot there. However, I do see it, so when I’m making my shot lists, I’ve already done it once before when I was writing it. But in terms of writing in a different way if someone else is going to direct it, no.

What made you want to tackle The Talented Mr. Ripley, which has been adapted multiple times before?

I’ve been wanting to do it since I read it, which I think was probably back in the ’80s. Certainly after Purple Noon but before The Talented Mr. Ripley movies. I saw it in a certain way and I wanted to try that, so when this opportunity came up, I took it. I just think it’s one of the great characters and one of the great stories that can be told over and over again.

What is it about the novel that’s allowed it to endure so powerfully over the past 70 years? Despite its age, it feels extremely relevant in today’s socio-political climate.

The idea of a character who becomes somebody else is something that happens all the time, today and throughout history. We’re strangely fascinated with it. I mean, it comes up all the time! There are articles—one that comes to mind from a few months ago was called “The Talented Mr. Santos.” I think this particular character is fascinating, certainly to me and I hope to other people. And the style of it—and I don’t mean the photographic style, but the style of the story—comes from Highsmith, where she finds these kinds of extraordinary things happening in normal circumstances with normal people. It’s something she’s well known for, and is something which I feel we can all relate to.

You’ve directed three feature films, but none since 2006. As a director, what compelled you to segue to television?

It’s the way things go. It’s strange to say that it’s easier to get a television show done than a movie, but it seems to be true, at least with the kinds of movies that I want to make. [TV] is a lot harder and it takes a lot longer, and I long for the days and the chance to make a movie again. I’m hoping that that’s what I’m going to do next, only because it won’t consume years and years of my time [laughs]. I can do the same thing and not have it take four or five years.

At what point did you decide to shoot the entire series in black and white, and what was your thinking behind that creative decision?

It started with the writing; that’s how I imagined it. Why, I don’t know. Maybe because of the period. I did want it to not feel like a postcard, and Italy, if shot in bright vibrant colors in the summertime with blue skies, can feel that way. I felt that this was a more dark and sinister story, not unlike a film noir story, and so black and white seemed to be the natural choice.

Yet despite that monochromatic scheme, you didn’t lose the classical beauty and romance of Italy.

You can’t lose that in Rome—it’s impossible [laughs]. Nor did I want to. But that being said, even a familiar place to people—like, well, you don’t really see the Coliseum except when he’s driving around with a corpse in the car—I didn’t want those places to be front and center. I wanted the backstreets of Rome more than the boulevards. Naples and Palermo are both really interesting places that photograph wonderfully in black and white.

But again, part of the story does take place on the Amalfi Coast, and that’s the place that’s hard to make sinister in color. When you have the aqua blue water and the bright sun, it’s tough. Luckily, we were at least filming there in the fall, so we didn’t have the brunt of tourism or those postcard shots, which certainly helped.

Robert Elswit shot the pilot of The Night Of and the entirety of Ripley. What is it about him as a cinematographer that makes your collaboration work so well?

It’s many things. Obviously, he’s really talented. He shoots beautiful movies. And we get along really well. He’s very intrepid—he’ll do anything, and go anywhere, and work crazy hours. He’s a workhouse in that regard. This took that kind of person. We shot for 160 days in Italy, with a one week break in the middle, and that’s tough on anybody. He just loved the idea of shooting it in black and white, and he’s a master with lighting, as you can tell when you watch it. It’s a great collaboration, we have.

The series is dominated by shots of Tom at a distance, framed in long claustrophobic hallways and by constricting architecture (such as the stairs of Dickie’s home in Atrani). Was it difficult to find the locations you needed for that visual style?

That’s one of those things when you talk about motifs… yes, I wrote a scene where Tom climbs a lot of steps, but that was a place that [production designer] David Gropman and I found. We drove from Salerno to Sorrento, all the way up the coast, and this little town called Atrani that has 800 people had those stairs, and I was fascinated by them. I said to David, it looks like an M.C. Escher drawing, and I found out much later that [Escher] had actually lived there and had drawn those very stairs. So that’s where it started. Then, wherever we went, we encountered stairs, and that’s when it started becoming a motif.

You shoot Tom’s two murders (and their aftermaths) in long, methodical sequences. Why was it important to stage those in such detail?

I had a little note scribbled on a Post-it when I started this saying, “It’s easier to kill somebody than it is to get rid of the body.” I wanted to show that. Even getting rid of a body that’s laying down in a little boat is hard to get rid of. I thought, this could be an opportunity to try something that I’d like to, which is showing these things in what feels like real time, and how difficult it is. I thought it was interesting, I thought it was entertaining, and I thought it was something I’d wanted to do from the beginning. So in the scripts, in episodes three and five, those sequences are about 35 pages long.

How did you settle on Andrew Scott for Tom?

I’d only seen him in three things, and one of them, I didn’t even see him; I’d only heard him—that was in a movie called Locke in which he did not appear, but he was a voice on the telephone. He created a really interesting character with just his voice. That was the first time I saw anything he was in. Then his Moriarty [in Sherlock] and Fleabag. With those three things, I felt he could do anything. They were so different from each other that I felt, that’s Tom. He’s got the range to play Tom.

Often in Ripley, the most important aspect of a given scene is what’s taking place beneath what’s being said aloud. From a writer’s standpoint, how do you tackle such undercurrents?

That’s always been important to me in the writing—to know, what is the point of the scene? Is it a piece of dialogue, is it an action, or is it the moments between the dialogue? Often, that’s where it is for me. Like you say, someone is lying and the other person knows they’re lying, and they play this kind of game with each other—that is the point of the scene! So those moments in-between the dialogue are what’s important. I spend a lot of time with that, and the actors got that, and they’re smart and they’re good and they like doing that. So in those instances, that was what was going on.

John Malkovich makes a late, brief appearance as Reeves, which is both a sly shout-out to Ripley’s Game (which he starred in, as Tom) and a tantalizing suggestion of future seasons. Was Malkovich’s participation always part of the plan—and was his cameo designed to keep the door open for a follow-up?

Both of those things are true. I wrote to him and explained that I’d like him to consider doing this. It’s very short, it’s just a couple of days, but maybe it’s a fun idea. And he thought it was and came to Venice and did it.

Yes, I was also thinking that if there’s another season, this character appears in the next two Highsmith books about Ripley, and he’s a great character. He does not appear in The Talented Mr. Ripley book; he doesn’t appear until the second book. But yeah, if that ever happens, I hope he’ll do it. Because he’s perfect for it.'

[oldmancopper]

you seem to watch a lot of movies. whats your favourite?

Nope

Princess Bride

Searching for Bobby Fischer

8th Grade

So many good ones!

[flanaganfilm]

With all these great directors' top 10 greatest films list going around, I was wondering what yours is?

Oh this is such an impossible question. It changes all the time, and just because a movie is one of my favorites doesn't mean I think it's a better movie than another... it's just that I love it for whatever number of reasons. MY TOP 10 FILMS, IN NO PARTICULAR ORDER Jaws Casablanca The Shawshank Redemption Sympathy for Lady Vengeance (alright, basically the entire Vengeance Trilogy because Park Chan-wook is amazing) The Godfather (and The Godfather Part 2) Paris, Texas All That Jazz The Thing (Carpenter) Lawrence of Arabia Everything Everywhere All At Once ... Searching for Bobby Fischer Quiz Show Tree of Life Badlands Never Look Away The Natural The Exorcist Citizen Kane Glory Heat ... well this is going great (deep breath) A River Runs Through It The Silence of the Lambs Field of Dreams Glory Apocalypse Now The Thin Red Line Nosferatu the Vampyre (Herzog) Stand by Me The Princess Bride The Fly (Cronenberg) Pan's Labyrinth The New World Bridge on the River Kwai Crap I can't pick just ten, movies are just too awesome

[mrmonkandtheblog]

Tony Shalhoub in Searching for Bobby Fischer (1993)