#Scene changes do that for me xD;;

[outoftheirdifferences]

"Sounds good! I'll meet you there."

She wasn't trying to sound too eager, of course, as she shot back her reply right away; but suffice it to say, Margo was looking forward to this. She had no idea what movie Tina might have in mind, but really it didn't matter to Margo; while she had her own favourites, as the older sister to two girls with wildly different tastes, the brunette had long ago learned to not be picky. She would find something to enjoy in whatever they watched, she was sure; it was the experience that counted.

And hey, if Tina had similar tastes to her? Well, that was a bonus.

She turned back up the road towards the house, already calling out as she did.

"Hey, Gru...?"

---

Twenty minutes later - five of which had been the drive, and the other fifteen persuading Gru to take her and convincing him that no, her new friend wasn't a boy (not that it was any of his business!) - the gleaming silver monster of a car pulled up outside the movie theatre, deliberately shunting a fancy sports car out of the way in order to claim the best parking space.

"Thanks Gru! Love you!"

Hoisting her far-less-full-than-yesterday backpack up her shoulders, Margo hopped out of the back door, giving her dad one last wave. As the Grumobile roared away, the girl turned her attention instead to looking around for her new friend.

"hm..." Tina finds the two hard to pick; she might look forward to see which movie's worth seeing, but on the other hand, the mall might be fun to window shop and think before buying with her own money, so her choice while tapping a reply... "well, I'm thinking of seeing a movie, and I know just the title to see" and sends it back to her

[ganondoodle]

(zelda comic rough draft)

im still unable to draw anything ... except for really slowly getting the chapter 2 rough draft further for some reason, another screenshot from page 59

[gwydionae]

Anyone have that post about "you ask for better female characters but you couldn't even handle Katara" because after two episodes of the live action, I feel like I need to send it to the writers.

[cabeswaterdrowned]

[iamthepulta]

so disappointed my poll didn't tell me to make my sleep schedule worse lol

ended up hopefully-fixing it by getting home from work and doing nothing but writing for like four hours and I'm going to rotate my laundry now and go to bed

3. Liztlie AU Chapter 23 is SO CLOSE. I have about three scenes left. It will be a monster chapter though, depending how much the edits add to it, I might split what I've written into 2 chapters. Looks like 19k rn.

4. I might continue writing straight into current Chapter 24. Probably won't, because I have the patience of a 8 wk old Border Collie, but the narrative should flow directly from one chapter to the other rn.

[readingwriter92]

me: I should see if I have anymore ideas for a bridgewater fic before the new season starts bc that trailer is getting me excited

also me: what if we wrote out an entire x-men au (bc we're still on that apparently) that's super self indulgent and you'll never get around to finishing???

[archaeren]

How I learned to write smarter, not harder

(aka, how to write when you're hella ADHD lol)

A reader commented on my current long fic asking how I write so well. I replied with an essay of my honestly pretty non-standard writing advice (that they probably didn't actually want lol) Now I'm gonna share it with you guys and hopefully there's a few of you out there who will benefit from my past mistakes and find some useful advice in here. XD Since I started doing this stuff, which are all pretty easy changes to absorb into your process if you want to try them, I now almost never get writer's block.

The text of the original reply is indented, and I've added some additional commentary to expand upon and clarify some of the concepts.

As for writing well, I usually attribute it to the fact that I spent roughly four years in my late teens/early 20s writing text roleplay with a friend for hours every single day. Aside from the constant practice that provided, having a live audience immediately reacting to everything I wrote made me think a lot about how to make as many sentences as possible have maximum impact so that I could get that kind of fun reaction. (Which is another reason why comments like yours are so valuable to fanfic writers! <3) The other factors that have improved my writing are thus: 1. Writing nonlinearly. I used to write a whole story in order, from the first sentence onward. If there was a part I was excited to write, I slogged through everything to get there, thinking that it would be my reward once I finished everything that led up to that. It never worked. XD It was miserable. By the time I got to the part I wanted to write, I had beaten the scene to death in my head imagining all the ways I could write it, and it a) no longer interested me and b) could not live up to my expectations because I couldn't remember all my ideas I'd had for writing it. The scene came out mediocre and so did everything leading up to it. Since then, I learned through working on VN writing (I co-own a game studio and we have some visual novels that I write for) that I don't have to write linearly. If I'm inspired to write a scene, I just write it immediately. It usually comes out pretty good even in a first draft! But then I also have it for if I get more ideas for that scene later, and I can just edit them in. The scenes come out MUCH stronger because of this. And you know what else I discovered? Those scenes I slogged through before weren't scenes I had no inspiration for, I just didn't have any inspiration for them in that moment! I can't tell you how many times there was a scene I had no interest in writing, and then a week later I'd get struck by the perfect inspiration for it! Those are scenes I would have done a very mediocre job on, and now they can be some of the most powerful scenes because I gave them time to marinate. Inspiration isn't always linear, so writing doesn't have to be either!

Some people are the type that joyfully write linearly. I have a friend like this--she picks up the characters and just continues playing out the next scene. Her story progresses through the entire day-by-day lives of the characters; it never timeskips more than a few hours. She started writing and posting just eight months ago, she's about an eighth of the way through her planned fic timeline, and the content she has so far posted to AO3 for it is already 450,000 words long. But most of us are normal humans. We're not, for the most part, wired to create linearly. We consume linearly, we experience linearly, so we assume we must also create linearly. But actually, a lot of us really suffer from trying to force ourselves to create this way, and we might not even realize it. If you're the kind of person who thinks you need to carrot-on-a-stick yourself into writing by saving the fun part for when you finally write everything that happens before it: Stop. You're probably not a linear writer. You're making yourself suffer for no reason and your writing is probably suffering for it. At least give nonlinear writing a try before you assume you can't write if you're not baiting or forcing yourself into it!! Remember: Writing is fun. You do this because it's fun, because it's your hobby. If you're miserable 80% of the time you're doing it, you're probably doing it wrong!

2. Rereading my own work. I used to hate reading my own work. I wouldn't even edit it usually. I would write it and slap it online and try not to look at it again. XD Writing nonlinearly forced me to start rereading because I needed to make sure scenes connected together naturally and it also made it easier to get into the headspace of the story to keep writing and fill in the blanks and get new inspiration. Doing this built the editing process into my writing process--I would read a scene to get back in the headspace, dislike what I had written, and just clean it up on the fly. I still never ever sit down to 'edit' my work. I just reread it to prep for writing and it ends up editing itself. Many many scenes in this fic I have read probably a dozen times or more! (And now, I can actually reread my own work for enjoyment!) Another thing I found from doing this that it became easy to see patterns and themes in my work and strengthen them. Foreshadowing became easy. Setting up for jokes or plot points became easy. I didn't have to plan out my story in advance or write an outline, because the scenes themselves because a sort of living outline on their own. (Yes, despite all the foreshadowing and recurring thematic elements and secret hidden meanings sprinkled throughout this story, it actually never had an outline or a plan for any of that. It's all a natural byproduct of writing nonlinearly and rereading.)

Unpopular writing opinion time: You don't need to make a detailed outline.

Some people thrive on having an outline and planning out every detail before they sit down to write. But I know for a lot of us, we don't know how to write an outline or how to use it once we've written it. The idea of making one is daunting, and the advice that it's the only way to write or beat writer's block is demoralizing. So let me explain how I approach "outlining" which isn't really outlining at all.

I write in a Notion table, where every scene is a separate table entry and the scene is written in the page inside that entry. I do this because it makes writing nonlinearly VASTLY more intuitive and straightforward than writing in a single document. (If you're familiar with Notion, this probably makes perfect sense to you. If you're not, imagine something a little like a more contained Google Sheets, but every row has a title cell that opens into a unique Google Doc when you click on it. And it's not as slow and clunky as the Google suite lol) (Edit from the future: I answered an ask with more explanation on how I use Notion for non-linear writing here.) When I sit down to begin a new fic idea, I make a quick entry in the table for every scene I already know I'll want or need, with the entries titled with a couple words or a sentence that describes what will be in that scene so I'll remember it later. Basically, it's the most absolute bare-bones skeleton of what I vaguely know will probably happen in the story.

Then I start writing, wherever I want in the list. As I write, ideas for new scenes and new connections and themes will emerge over time, and I'll just slot them in between the original entries wherever they naturally fit, rearranging as necessary, so that I won't forget about them later when I'm ready to write them. As an example, my current long fic started with a list of roughly 35 scenes that I knew I wanted or needed, for a fic that will probably be around 100k words (which I didn't know at the time haha). As of this writing, it has expanded to 129 scenes. And since I write them directly in the page entries for the table, the fic is actually its own outline, without any additional effort on my part. As I said in the comment reply--a living outline!

This also made it easier to let go of the notion that I had to write something exactly right the first time. (People always say you should do this, but how many of us do? It's harder than it sounds! I didn't want to commit to editing later! I didn't want to reread my work! XD) I know I'm going to edit it naturally anyway, so I can feel okay giving myself permission to just write it approximately right and I can fix it later. And what I found from that was that sometimes what I believed was kind of meh when I wrote it was actually totally fine when I read it later! Sometimes the internal critic is actually wrong. 3. Marinating in the headspace of the story. For the first two months I worked on [fic], I did not consume any media other than [fandom the fic is in]. I didn't watch, read, or play anything else. Not even mobile games. (And there wasn't really much fan content for [fandom] to consume either. Still isn't, really. XD) This basically forced me to treat writing my story as my only source of entertainment, and kept me from getting distracted or inspired to write other ideas and abandon this one.

As an aside, I don't think this is a necessary step for writing, but if you really want to be productive in a short burst, I do highly recommend going on a media consumption hiatus. Not forever, obviously! Consuming media is a valuable tool for new inspiration, and reading other's work (both good and bad, as long as you think critically to identify the differences!) is an invaluable resource for improving your writing.

When I write, I usually lay down, close my eyes, and play the scene I'm interested in writing in my head. I even take a ten-minute nap now and then during this process. (I find being in a state of partial drowsiness, but not outright sleepiness, makes writing easier and better. Sleep helps the brain process and make connections!) Then I roll over to the laptop next to me and type up whatever I felt like worked for the scene. This may mean I write half a sentence at a time between intervals of closed-eye-time XD

People always say if you're stuck, you need to outline.

What they actually mean by that (whether they realize it or not) is that if you're stuck, you need to brainstorm. You need to marinate. You don't need to plan what you're doing, you just need to give yourself time to think about it!

What's another framing for brainstorming for your fic? Fantasizing about it! Planning is work, but fantasizing isn't.

You're already fantasizing about it, right? That's why you're writing it. Just direct that effort toward the scenes you're trying to write next! Close your eyes, lay back, and fantasize what the characters do and how they react.

And then quickly note down your inspirations so you don't forget, haha.

And if a scene is so boring to you that even fantasizing about it sucks--it's probably a bad scene.

If it's boring to write, it's going to be boring to read. Ask yourself why you wanted that scene. Is it even necessary? Can you cut it? Can you replace it with a different scene that serves the same purpose but approaches the problem from a different angle? If you can't remove the troublesome scene, what can you change about it that would make it interesting or exciting for you to write?

And I can't write sitting up to save my damn life. It's like my brain just stops working if I have to sit in a chair and stare at a computer screen. I need to be able to lie down, even if I don't use it! Talking walks and swinging in a hammock are also fantastic places to get scene ideas worked out, because the rhythmic motion also helps our brain process. It's just a little harder to work on a laptop in those scenarios. XD

In conclusion: Writing nonlinearly is an amazing tool for kicking writer's block to the curb. There's almost always some scene you'll want to write. If there isn't, you need to re-read or marinate.

Or you need to use the bathroom, eat something, or sleep. XD Seriously, if you're that stuck, assess your current physical condition. You might just be unable to focus because you're uncomfortable and you haven't realized it yet.

Anyway! I hope that was helpful, or at least interesting! XD Sorry again for the text wall. (I think this is the longest comment reply I've ever written!)

And same to you guys on tumblr--I hope this was helpful or at least interesting. XD Reblogs appreciated if so! (Maybe it'll help someone else!)

[outoftheirdifferences]

It didn't take long for the group to get settled. Cera was already snoring loudly by the time the other three had picked their spots, and Littlefoot waited until they seemed okay before he picked out a spot of his own. He felt responsible for them all, in a way; even for Cera, as bull-headed as she was. They were all counting on him.

And so he glanced over at Spyro again. The sharptoothed flyer was standing a way off on his own, seemingly keeping guard... Littlefoot had to confess to himself that he was still uneasy with this development. But if Spyro hadn't eaten Cera when he had her alone - and the boy was very glad that he hadn't - then he shouldn't have need to worry... should he?

Still, he was still keeping a wary eye turned in Spyro's direction when he finally drifted off to sleep.

---

The rising of the Bright Circle brought with it the rising of the group, and the reassurance that none of them had been eaten overnight. Knowing the arc it would take across the sky made it easy for Littlefoot to pick the right direction for them to head off in: the one that was opposite to the Bright Circle for now, but where it would by evening have overtaken and be ahead of them. Follow the Bright Circle was the direction his mother had given him, and he was determined to adhere to that as closely as he could.

With the direction pointed out, it was Cera who took the lead. Whatever there was to find out here, she wanted to be the first one to find it... and plus, it just reaffirmed her bravery if she was at the head of their odd little herd. Let Littlefoot look after their less capable members; she knew where her priorities lay.

There was no breakfast to be had, for green food was scarce out here, and Cera's grumbling stomach was enough to put her in a sour mood to start the day. They couldn't get to the Great Valley soon enough, if you asked her; even with managing to snatch a few mouthfuls of the increasingly sparse greenery here and there since the earth shake, it never felt like enough.

She was sick of being hungry.

It was easier to focus on that than to admit that she also missed her family terribly.

Looked like she wasn't going to be alone out front today, though; Cera glanced up at the presence joining her in the lead. She huffed a bit, not caring much for company right now... even if she did feel maybe just a little bit safer with him at her side. But as long as he was here anyway...

"So, you've got those wings. If you're not scared of flying like the other so-called flyer we've got, can you see any sign of the Great Valley when you're up in the sky?"

She knew she wasn't being completely fair to Petrie, but who cared? Only Spyro was close enough to hear her, anyway.

{🔥}—; "I was tryin’ to make it somewhere else actually but I am now, I told Cera I’d help her out finding it so that’s what I’m doing. Now that the rest of you guys are here, I’ll help ya find it too I don’t mind stickin’ around.” Whether or not Littlefoot believed that this 'sharptooth’ was alive or not, he would do his best to defend the whole group from danger.

That would be the best thing to do, this valley they all wanted to go to sounded a lot safer than what he’d seen so far. Out here in the open, it was definitely really dangerous and it was good that he had ways of defending himself and warding off attackers. Cera and her friends were really the only friendly faces he’d come across so far since he started exploring.

Spyro wasn’t too tired, he could travel at night and use Sparx’s glow to light the way but it would be risky doing that and he wouldn’t want to put the rest of them in harm’s way. “Sounds good, I’ll probably keep watch for a while and make sure nothin’ is gonna sneak up on us.”

He hadn’t seen any signs of predators in a while luckily, but he would double check along with Sparx before taking the time to rest a while too, Sparx he knew would encourage it even though he didn’t feel all that tired yet. With that he moved aside to give the group some space to find a good spot to settle for the night while he peered out into the distance for a bit to look around.

[tamaraneanpacifist]

“Please tell me there’s no spiders living here…” 

(From Taranee!) (Meme: Adventurer/Explorers Sentence Starters)

Adventurer/Explorers Sentence Starters

[[Thank you for sending!]]

Honestly, Wildfire was very glad that he didn't have to look into this place alone. He was rather sure that this deep hole into the earth (this wasn't a description lacking because of his learning of english, it was actually the only way he could really describe it) had not been there weeks ago, and now it was there. When he had before taken a look, there was a light flickering somewhere further in, though it vanished too fast to take any proof of it or show it to anyone. Wise enough to not go in on his own, Wildfire eventually got told that one of Hay Lin's friends was going to accompany him to look into the... the thing - and hearing that made the whole mission a lot more pleasant. He was hoping to meet her friends!

Now that they actually were here, though, already a good bit down into the hole (somehow, it had enough of a small slant that one could move down on too, if they were careful enough), the darkness and the rather pressing feeling of the walls and the light from above growing more and more distant; well, that made him more aware of the worrying situation again. He had his hood down ever since having done the introductions with Taranee (he felt like it was impolite to keep it up when he wanted to at least try to become friends with someone), and right now that was better anyway since a hood would only block more of the diminishing light from his sight. Thankfully, he still had his own light once it would be needed - and Taranee had a similar option too, from what he understood - so they would be fine, but it was still an almost threatening atmosphere. And that even though they hadn't encountered anything yet.

"Spiders are... live-ing in all place-s, no?" He had helped remove some from the Tower before, and that place probably had the highest security anything could have. These little insects just managed to get into everywhere, from how it seemed to him. "It is okay. I am, sure, we will not see spiders."

[umnitsa]

Dirty old man

Summary: Joel is on his seventies, but he still has needs.

A/N: Ok, so. One pic made the rounds in one of the discord servers I frequent and it made me wild, I won't lie (it was a pic/meme with aged Pedro Pascal). Highly inspired by @toxicanonymity's GILF!Joel (mine is a bit of a perv, but this isn't really a dark fic). It was also inspired by @atticrissfinch's MMITB (I wish I had a fraction of her talent for dirty talk, but I'm not even a native speaker of English, so I do what I can). Now you go read them both, I ASSURE YOU it'll be a good time. Huge thanks for all the people that cheered me on with this: Toxi, @romanarose, @beefrobeefcal, @gwendibleywrites, I love you all. (I must admit that I don't know if I'll ever continue this, honestly, although part of me wants to get to the sex scene. xD)

Pairing: No outbreak old man!Joel x Reader

CW: Joel being bold, dirty talk. That's it <3

No beta, we die like lonely writers xD

It wasn’t a bad job.

Sarah wanted to hire you to take care of her father, Joel. He wasn’t that old, but years of hard work in construction gave him some mobility issues. Sarah worried he spent too time alone, and that he could fall, get hurt and trapped without help because of his pride (which seemed to be a real possibility, considering Joel didn’t want to lose his independence in any way).

You were supposed to get the night shift, which was nice. The night shift was calm, except when it wasn’t. Sarah assured you she talked to her father, she wanted to introduce you to him, before you started working.

You prepared for war, if the man was as stubborn and grumpy as his daughter described.

Sarah introduced you and the old man looked at you over his glasses.

“You sure this pretty thing can lift me off the floor?” He asked, a crooked smirk stretching his lips. You considered answering him, but he raised his face defiantly and winked.

He was teasing his daughter.

You chuckled, to Joel’s delight. Sarah hired you on the spot.

***

Joel was grumpy most of the time. You could understand. Getting older was specially hard on some people. Losing their independence seemed to be a horrifying blow.

You admired the family pictures displayed on the walls and the bookshelves. They showed a younger Joel, large and proud, wearing tight tshirts that showed his big arms.

He didn’t change much, to be honest. His hair now was completely silver, as his beard. The wrinkles didn’t spoil his roguish smile. He was on his seventies, but looked younger, somehow. You blamed his brown eyes.

***

“You know what I miss most about my youth?” He said softly one day, entering the living room. You were looking at his pictures. He slowly moved by your side and placed a hand over your back, rubbing gentle circles. “All the pussy.”

You turned to him, astonished at his boldness. He smirked, then shrugged. You felt your face getting warm and a different, slick, syrupy warmth pooling on your lower belly. He licked his lips and sighed.

“It was easy to get pussy with those looks.” He pointed at one picture of himself and smiled proudly. “Didn’t fuck as much as I wanted, or as much as I could. Tried to be a good dad. Don’t regret anything, but... Oh boy, I miss it.” He looked you up and down, his smile turning appreciative.

“Thought old pervs like you liked tiny thin teenagers.” You scoffed.

“Only dumbasses want those.” Joel chuckled, his hand sliding lower on your back. “I like them older. Like you. With those eyes, like you know and did everything under the sun.” Joel hums, closing his eyes. “Get them cockdumb and they cry so sweetly… Mmmm, the surprise in their wide eyes...” He licks his lips, watching your reaction. You laugh, trying to hide your own arousal.

“Well, Joel, I think the preference is because they are supposed to be tight.” You said firmly, standing your ground. You refused to look shocked, and you saw no reason to scold him, at least not yet. Maybe it was your pussy talking.

Joel leaned over you slowly; you stayed very still. His warm breath tickled your ear.

“After a certain size, honey, everything feels tight.” He said softly, grabbing his half hard cock through his pants. You looked down and gasped, noticing the girth of his bulge inside his huge hand. Joel stepped back, smiling proudly, and moved into the house, dragging his feet. “Lemme know if you want a ride, sweetheart. Them blue pills are easy to get.” He turned and winked at you.

[dreamerwitches]

Full wnk trailer analysis lets go (p1)

Homura with wavy hair fronts. Matches the one from the poster

I dunno about you, but her face looks kinda younger from the side? Cuter? I dont think we've seen anyone else from the side so maybe its just the artstyle and im being silly

The background is pretty hard to decipher

She has a ring but no visible stone or fingernail marking. It doesnt seem like the end of her main hair is wavy. It looks like she's missing the buttons on her front but this may be an animation error or the angle is hiding them

This bit makes me think she's falling down a spiral staircase? Though it doesnt resemble the one later. The gold bits look like banisters. The background gives me a stained glass window church feel

Madoka's home maybe? This is still wavy hair homura

Madoka has no ring

Not much to say. Text in the bottom right says mramasa but the rest is japanese and some numbers. Looks like maybe the power of the fan?

Ibari, number one. Yes its her, the lighting is just pink/red, you can tell cause her blue skin is more purple. To me, it looks like someone is holding her. The light peach parts on the bottom left and right look like the regular animation style. The flowers on the magnifying glass look a little like mami's

Dumb venus maybe? That compact wouldnt close if it had that pearl sticking out XD

I believe this is a homura we havent seen before. The ribbon doesnt match the poster homu from the right. Its brown, her uniform has a white under shirt. Ive seen people theorise this is Manuke, stupidity. The brown ribbon would match her hair colour. Her eyes are more purple than the pink of the previous homura. The colour also matches phone homu from the first trailer.

Ive seen people mention the fencing vaguely looks like oktavia's scales. I think the multiple parts remind me more of her tail. The windows at the very edges kinda remind me of the first scene.

I didnt realise at first but this is homura's wing being broken

Devil outfit has changed. She has a red streak in her hair. Her feathers look fluffier but it might just be the art style. Another red addition to her leg. Her right shoe looks like madoka's. Actually her gloves kinda look like madoka's too

With the city(?) below and the unmoving effects, is this happening during a time stop? Im getting the feeling this trailer (or movie?) has a brown/orange-ish glow to it so maybe they artistically changed the colour of time stop?

With the bright bg and chair colour, i think madoka is with mami (seen later) in this scene. Also i think thats her left hand, no fingernail marking

Rebellion cafe real, it even has the steps leading up to it (though its not 100% perfect... but eh, artistic licence...)

Also, the girl's teacup is cracked. I cant remember the name but it looks like that japanese art of repairing something broken but making the repairs beautiful (repaired witch???).

A stretch, but the napkin underneath reminds me of homu's handkerchief

I thought the lack of soul gem in the ring was an animation mistake but maybe not??? And a dark (could just be obscured by the cup) fingernail marking. It looks like the london underground symbol ToT

Ah the walls dont really match with the rebellion cafe... maybe this is just what cafes look like in madoka XD the single table is still a mirror to it though. I think the lotus flowers are telling.

I wonder if the girl's golden eyes (like godoka's) mean something because magical girls colours usually match dont they? But maybe they've stopped doing that, eh. I like how her glasses are the opposite to homura's, rim on the top.

I didnt realise the thing next to her is a purse, its huge ToT it has flowers on it. I saw someone call them roses to try and say this is gertrud... um no XD have you ever seen a rose???

A stretch but the crockery reminds me of Candeloro's

Its the same three colours

Nagisa has brown scrunchies and her hair is in two low bunches with dark red beads. It looks like her dress is different too

She has the mitakihara uniform and a yellow cardigan. You can see her soul gem ring. The yellow of the cardi and the brown hairbands make me hope it is bear girl......

Girl full of slinkies!!!! The dots around the place remind me of homura's corruption from rebellion (ala on the bus). This is bandaged sayaka

These make me think of candeloro's kiss. I think i can see flowers on the spine too

But the hands together on the middle of the spine is from madoka's rebellion transformation

Walpurgis?

Yes im sure this is the same cafe as madoka was in now. Very pretty

Mami has her hair clip from her magical girl form on the top left of her head. Also could be animation error but maybe her ring is missing the gem

ALSO ARE YOU JUST EATING A SUGAR CUBE MAMI????

Is this the same place from the dancing scene? Doesnt one of the nightmares have an attack like this? So is homura doing it because she controlled the nightmares.

Also they explode with white feathers hmmmmmm. I have the horrible feeling homura would do it to scare madoka

Clearly not the previous kyoko. Outfit is different and more like her original one i'd say. The cake looks like its from the cafe

Also hnnngghhh concept movie?????

Damn ive hit image limit... well part 2 incoming

[eyecan02]

WARNING: MAJOR BEETLEBABES SPOILERS

I had fun watching this film. It was great seeing the OGs again, it was funny and it had a good script BUT I have to give this movie 7/10 because the pacing was off for the first half of the film and because of the two unnecessary Babyjuice scenes (We'll get to more of that in a bit.)

It just felt rushed and Beetlejuice and Lydia's scenes were limited. Yes, we knew from the get go that Keaton's scenes would be confined because that's how he wanted it but I just like complaining. lol

Before Lydia and Beetlejuice officially reunite, he starts spamming her phone with the Day O song playing with Beetlejuice's name in bold pops ups coming up nonstop. This happens when Rory is trying to talk about their wedding and Lydia just isn't in the mood to talk about it.

The first Beetlebabes scene is the "therapy scene" and its also the first Babyjuice scene. Lydia's belly grows quickly, her water breaks and out pops out Babyjuice. It starts crawling around and soon starts biting on Lydia's ankle. You do actually see bloody teethmarks on Lydia's ankle to which Beetlejuice says, "Takes after his dad." and he starts drooling exaggeratingly.

I don't remember the exact wording but Lydia called Beetlejuice "Demented." To which Beetlejuice replies with something like "Well, if me wanting to be with the love of my life is demented then fine I'm demented. Come here, honey." Yes, he actually calls her the love of his life!

He tries to do the gliding thing he did with Lydia during the first movie when he says this. Before Lydia is pulled to his side, she yells, "Home! Home! Home!"

That's when Lydia tries to hurry to get everyone out of the house and out of Winter River but Astrid tells her she has a date and somehow convinces Lydia to drive her to the boy's house. So Delia and Lydia board up the attic door and decide no one goes in and that they'll leave that same night right after Lydia gets married at midnight.

Now as most of us have heard- Astrid's crush has a secret. That secret is...that he's a ghost. Which, I feel so dumb about not guessing it. I should've figured it out when they showed "The Recently Deceased" book thar he claimed he bought at a "yard sale". The boy (can't remember his name) says Lydia can help him come back to life (not through marriage) and says if she travels with him to the Neitherworld, she'll help her see her dad again.

Lydia soon finds out that the boy (I think his name was Jeremy) was not only someone who killed his parents but is also a ghost (through info from Jane the realtor) so she rushes to rescue Astrid but gets there seconds too late. With no other choice she goes back to the Maitlands home and summons Beetlejuice.

The minute Beetlejuice gets Lydia into the afterlife...they're immediately separated right after the "Bonnie and Clyde line. The excuse? Beetlejuice had to "visit the little boy's room" as a plot device so that Lydia and Astrid could reunite with Astrid's deceased father. He's the one that saves them from the sandworm and helps them make up.

It turns out that Jeremy was gonna swap places with Astrid. She would've gone on the Soul Train that takes you to the "Great Beyond" and he would've resurrected as a living person. This takes place at an immigration office. Beetlejuice has kind of a heroic moment where he switched places with the person behind the glass that gives the "stamp of living approval."

When Jeremy looks at the paper that Beetlejuice gives him, it reads "Shit Out of Luck Fucker". XD This part had everyone howling with laughter. Beetlejuice stamps on the paper and that instantly opens the floor beneath Jeremy and sends him to hell.

Astrid's father helped Lydia and Astrid leave the Neitherworld through a portal in a mausoleum that is conveniantlly across from the church that Lydia is supposed to getting married at. Even though she doesn't really want to marry Rory, she decides to do it anyway. Tells Rory she won't change into her wedding dress- that they should just proceed as they are.

That's when Beetlejuice arrives with Delia, pushes her aside and tells her to "Scram!" lol (Earlier in the film, Delia tried to perform a strange love ritual with a pair of snakes that she was told were defanged. Spoiler: they weren't defanged so she died and got sent to the Waiting Room so since she doesn't want to wait there for ages, she summons Beetlejuice who agrees to help her if he can help her find his "runaway bride".)

Beetlejuice proceeds to drug Rory by stabbing his neck with a syringe and this somehow makes Rory confess whata scumbag he is and how he was just using Lydia for money. Another interesting moment where Beetlejuice is being "helpful" in his own way."

So the next five minutes are just as chaotic as Jenna Ortega described. And remember how we all had speculated that Beetlejuice wouldn't waste time with a song and dance and would try to get through the vows as fast as he could? We were wrong. Beetlejuice apparently thought he had all the time in the world as he starts to lip sync "MacArthur Park" and even had Lydia lip syncing the song to him. His make up got all runny as he wept at his own wedding.

They dance and then Wolf and his SWAT team crash the wedding followed by Delores storming in and Beetlejuice tells her, "It's not you. It's me. I'm just looking for a more soul mate type. You should be with a guy that is more into you."

He magically rips off Rory's shirt to reveal a shirt underneath that says "I Love Delores". Delores is not impressed. And I honestly forgot what happens to Delores but then the Sandworm scene happens and then everything calms down. Lydia, Astrid and Delia try to leave the church but Beetlejuice stops them, reminding Lydia that they have a contract. He pulls out the contract.

But then Astrid remembers something Wolf had mentioned earlier about Beetlejuice violating "Code 669" by bringing a living person to the Neitherword so she states that that means his contract with Lydia is null and void. Beetlejuice's contract proceeds to burst into flame.

Lydia steps forward and says "I'm sorry it didn't work out between us." She says something else that I forgot and proceeds to say his name three times and with each call of his name, Beetlejuice's body inflates more and more until he pops.

Delia promises she'll haunt Lydia and Astrid until they're sick of her. Wolf takes her back to the Neitherworld where Delia reunites with Charles's mangled corpse. It then skips to Lydia announcing the last episode of her show so that she can "start living".

Then it shows Lydia and Astrid traveling together. It looks like they're in Romania/Transylvania where Astrid locks eyes with a cute guy. Then a time skip where Astrid is marrying the guy. Another time skip where Astrid is giving birth. This is where it gets weird. She gives birth to Babyjuice that proceeds to start crawling on the walls. That's when Lydia wakes up, relieved that that was a nightmare when suddenly Beetlejuice leans over her in bed and says, "I just had the strangest dream." Lydia gasps and she wakes up again and slowly looks over to her left to see an empty space and no Beetlejuice.

So I'm guessing that's what that one interviewer guy meant when he told Winona "You sorta got your wish at the end." I guess it means Beetlejuice will always be haunting her and playing the long game of waiting for her. I need to discuss this with someone! What do you think of the spoilers? The ending in particular?

[okthatsgreat]

did anybody see the newest episode of danganronpa 52 lollllllll

#there is something deeply wrong with team dr im afraid #A DEATH SO SOON JESUSSSSSS where was the ult cardiologist at......... #dr52 liveblog #dr52 spoilers #lee chat

5 notes

🐻 dangronper Follow

Gonna try getting into the new season lol, I stopped watching at season 37. No spoilers please

🐻 dangronper Follow

Okay wow a lot has changed! Everything is so high tech now??? I kinda miss when they just kept it more simple and had them all locked in a school ngl but maybe thats just me liking season 1 lol. Im really liking Jiro so far Im hoping he at least makes it to chapter 3 because I really wanna know more about that guy

🐻 dangronper Follow

You've gotta be kidding.

#CHAPTER ONE? HE DIED CHAPTER ONE? #THIS IS WHY I HATE ALL OF THE NEW SEASONS SO FUCKIGN BAD #THEY ONLY CARE ABOUT SHOCK VALUE AND THEY DONT CARE ABOUT STORY #THAT DEATH MAKES NO SENSE THERE ARE YOU ACTUALLY JOKING #Im logging off.

4 notes

💀 youvegotthatrite Following

12,433 notes

🫖 nagitosleftleg Follow

just a reminder that wishing death on any of the danganronpa writers makes you a terrible person and all of your favorite danganronpa characters hate you if you do that! 🤗 this is danganronpa so a lot of them will die 🤗 that doesnt mean you get to be a dickhead to team dr 🤗 get over it! 🤗

🍳 naeggieggin Follow

oh my god can anybody in this fandom just be normal and not use this weird passive aggressive tone for every single post. the writers do not give less of a fuck and neither do the actors theyre all dealing with their own shit

#i hate this fandom istg. and stop calling them characters the flashback light doesnt make them entirely fake #theyre still actual people #with feelings #danganronpa 52

769 notes

🍀luckyguy Follow

this is NOT what ultimate hope makoto naegi would have wanted

#dr52 spoilers #lucky student killed first chapter &lt;;/3 #shut up you [txt]

4,013 notes

🔧 sorryiwasbornstupid Follow

kazuichi sighted in the new post-season promo video he looks so g.ood .... . id let him do anything to me

🌸 neverminded Following

@kazuichisodaofficial @kazuichisodaofficial @kazuichisodaofficial @kazuichisodaofficial @kazuichisodaofficial @kazuichisodaofficial @kazuichisodaofficial @kazuichisodaofficial @kazuichisodaofficial @kazuichisodaofficial @kazuichisodaofficial @kazuichisodaofficial @kazuichisodaofficial @kazuichisodaofficial @kazuichisodaofficial @kazuichisodaofficial @kazuichisodaofficial @kazuichisodaofficial @kazuichisodaofficial @kazuichisodaofficial @kazuichisodaofficial @kazuichisodaofficial @kazuichisodaofficial @kazuichisodaofficial @kazuichisodaofficial @kazuichisodaofficial @kazuichisodaofficial @kazuichisodaofficial @kazuichisodaofficial @kazuichisodaofficial @kazuichisodaofficial @kazuichisodaofficial @kazuichisodaofficial @kazuichisodaofficial @kazuichisodaofficial @kazuichisodaofficial @kazuichisodaofficial @kazuichisodaofficial @kazuichisodaofficial @kazuichisodaofficial

🔧 sorryiwasbornstupid Follow

HELLO?

34 notes

🔪 danganronpa Following

Puhuhu! New episode of DANGANRONPA 52 out TODAY at 1pm JST! Make sure to bring your popcorn and your bagels, this episode sure gets.... despairful 👀You won't wanna miss it!

🍀luckyguy Follow

K

🔱 ultscubafan Follow

U

🎆 chickencoopexplosion Follow

N

🫖 nagitosleftleg Follow

G

🎸 lightmusicplayer Following

P

9,012 notes

🍳 naeggieggin Follow

can early season purists please get their heads out of nagito komaedas ass. he does not want to fuck you

106 notes

🎞️ kirigiririririri Follow

Waiittttt Jiro is so cute actually XD He keeps tripping over his shoelaces in the background of scenes LOL he's so smol ..............

🎞️ kirigiririririri Follow

I'M GONNA KILL MYSELF

#he's DEAD?????????????????????????????????

2 notes

🍳 naeggieggin Follow

keep in mind the danganronpa actors are still real people and they can see all of you thirsting over them ok. please be normal. just because they went through the effects of the flashback light doesnt mean its ok to be a fucking weirdo to hajime whenever he walks outside

🧊 kokoroicebox Follow

They're celebrities. People are going to find celebrities attractive, especially if these are people they see on screens and billboards every day. If you pick up the nearest magazine you find you're probably going to find Junko Enoshima in it. And maybe you should consider that those "weirdos" who are walking up to Hajime are simply fans that want to greet him. We've watched these people fight through hell, cry, laugh, and find hope along the way. Of course we are going to get attached to them, especially to those of us who have been keeping up with them for a long time now. You're basically asking a bunch of teenagers to close their eyes and pretend their favorite media doesn't exist.

🍳 naeggieggin Follow

i literally did not say that

🌀 cageofdeath Follow

have you maybe ever considered that maybe some people get hyperfixations??

🍳 naeggieggin Follow

oh my fucking god.

🎸 lightmusicplayer Following

anybody in this thread smoke weed

1,034 notes

🍊 hinataorangejuice Follow

OKKKKK WAIT WHY IS RANTARO KINDA 👀👀👀

#the way he got so serious while investigating.............. #wasnt a huge fan of him at the start but he's growing on me lowkey #dr52 #danganronpa 52 #dr52 #orange speaks!

29 notes

💀 youvegotthatrite Following

JIROOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOO 😭😭😭😭😭😭😭😭😭😭😭😭

#FUFUUUCUCKKCKCCKKKCKKCKC I REALLY LIEKD HIM!!!3!@!#(!# #FUCKKKKKKKKKKKKKKKKKKKKKKKKKKKKK #ORUUGH WHY COULDNT HAVE BEEN MOMO #dr52 lb

8 notes

🍧minimarruuuu Follow

no chapter 1 death is ever gonna beat sayaka imo #girl

#it just really started the series off so well and no other chapter 1 victim has impressed me tbh #ugh but idk shes kinda annoying now with all of her interviewssss like girl its ok to not smile sometimes lmfao #sayaka maizono #dr52 critical #maru.txt

11 notes

🎸 lightmusicplayer Following

guy ists ok hes not actually dead hes just sleeping guys

#guys #danganronpa 52 #danganronpa 52 spoilers #<- ??? just in case

🔍 kirigiri Following

a

🍊 hinataorangejuice Follow

ok queen speak your truth i guess

🌸 neverminded Following

THIS MIGHT BE A CLUE THIS MGIHT BE A CLUE TO JIROS KILLER IM LOOKIGNGGGGG SO HARD AT AKEMI RIGHT NOW

🎆 chickencoopexplosion Follow

i think she might have just accidentally posted a draft lol

🌸 neverminded Following

I dont know............. team dr has done this before where they leave littel clues in places and this seems a little TOO coincidental

🔍 kirigiri Following

I hit the post button too early.

🌸 neverminded Following

KYOKO KIRIGIRI?

43,033 notes

🐰monomini Follow

okkkkk im kinda over rantaro already lmao. heres hoping we dont get another season of him

1 note

[katerinaaqu]

Why did Helen choose to torment the Greek Warriors inside the Trojan Horse? (An Odyssey Analysis)

Okay so here is a conundrum that seems to be quite interesting in homeric poems. One of them seems to be Helen's behavior before the sacking of Troy. Menelaus informs us and Telemachus on the events of the night before taking Troy and speaks on the moment where Helen knocks on the Trojan Horse and calls upon the Greek warriors inside imitating the voices of their wives.

Three times you circled the hollow ambush and out of the best of the Danaans you called the names and all the Argives heard the voices of their spouses. Nevertheless I and the son of Tydeus and the godly Odysseus heard you as you called out and while we two were eager to rush out and act to our sudden urge, Odysseus though held us back and restrained us despite our eagerness. Then all the other sons of Achaeans endured apart from Anticlus wanted to respond to your call but Odysseus placed his hand upon his mouth non-stop and strongly and thus saving all the Achaeans until Athena Pallas led you away

(Translation by me)

So basically here we see a very cruel act right? Helen knows the Argives were away from home and their wives way too long, over a decade so why would she play such a cruel game to them and call upon them by using the voices of their wives? It seems unnecessarily cruel at some point especially since she did express the need to go back to her husband already a year prior during the events of Iliad.

So here are a couple of explanations for it.

So for many I would epxect this would be something one might consider inconsistency at writing which leads many people to turn to the "different writer" trope. Quite honestly I can see why and as a hypothesis is really valid or maybe if one takes the hypothesis that Odyssey was witten way after the Iliad that the author himself changed his mind on some stuff or reconsidered his sources etc.

However let's hypothesize for one second that this is a logical continuation of the story and character development (yeah I am not convinced on the different writer theory, fight me! XD) and let's just think for a second the context of the scene based on what we know from the Iliad and the Epic Cycle in general.

We know that Helen lived in Troy a decade (yes for the "20 years theory" I have answered an ask here). She knew these people for a long time. We also know from the Iliad as she stood next to Priam, giving him information about the Greek leaders and kings and we know that she was not judged by him or any other of the Trojans. If anything she was blaming herself quite a lot for it. Even in the funeral of Hector she expresses her love for him (not romantic love guys) and her respect for him. She had no real hate for the Trojans even if she already had a change of heart or Aphrodite's spell on her had weakened. For the reasons why she stayed I also answered another ask right here but apart from that reason we know she wanted to go home so why did she do that to the Greeks? Well in the same scene Menelaus seems to be excusing his wife and he presents this very interesting explanation as to why she did it:

And then you came there: called by some god, no doubt, who wished to extend the glory of the Trojans

(Translation by me)

Menelaus seems to be excusing his wife once more and presents the hypothesis that Helen was inspired by some god or goddess (δαίμων) to go and disturb the Greeks inside the horse. Helen doesn't deny it but doesn;t confirm it either. In fact Telemachus speaks soon after and Helen orders the slaves to prepare stuff. The conversation on this subject seems to end there. So the one explanation could be that indeed Menelaus is correct and that Helen was once more either coersed or blackmailed by a god, potentially Aphrodite again, even if not mentioned, and went to the Greeks and tried to lure them out for the sakes of that god that wished better for Troy. It stands as an explanation as well.

However let's make things more spicy and let's assume that Helen was not influenced by divine intervention by the gods and instead it was her own free will to do what she did. If yes then why? So here's a hypothesis. Before in her narration Helen talks about how she met Odysseus and recognized him in his disguise. She also mentions how Odysseus informs her on the plan to take Troy:

And then he entrusted me everything he had in mind for the Achaeans

(translation by me)

How much he told her is not clear. Did he already have in mind to make the horse so he tells her that? Maybe he warns her on the one day that the Achaeans shall enter the city without speaking on precice details? Either way Helen would know Odysseus was up for some ploy and she knew she had to act fast. Menelaus also mentions how Deiphobos was with her at that time (how Menelaus knew? Well probably Helen told him). So immediately if Helen had a reason to do what she did, we have two reasons;

She wanted to persuade Deiphobos on her loyalty to Troy. Arguably when Odysseus escaped, as Helen said, he killed many Trojans on his way out. Most likely her loyalty must have been questioned at that tensed time thus being accompanied by her new husband all the time. By doing this, ellegedly tormenting the Greeks, was showing to Deiphobos her loyalty to Troy (manipulating him into believing that she was on their side) plus showing him like "See? Nothing here. No danger whatsoever". She probably knew already Odysseus would be inside and he wouldn't fall for her trick and she trusted him and her husband to hold the rest of the Achaeans inside the horse so they wouldn't cry out. So not only did she show to Deiphobos that she was on Trojan side but also manipulated him into believing indeed there was no danger.

Two, this part is the best, in my opinion, she was signaling to the GREEKS inside the horse. She called them all by name by immitating their wives. More or less tells to them that she KNOWS and that she knows EXACTLY who they are and who their families are, and that she could have betrayed them at any moment if she wanted to but she chose not to because she was on their side. Like that she would have more hopes not to be killed by vengeful Greeks during the siege of Troy or her daughter by Paris, Helen, and ensure her and her daughter's safety. Also signaling her change of heart in person to them.

Conclusions:

Like I said before I do not believe Odyssey was written by a different author altogether and Odyssey itself gives us some very good explanations on Helen's behavior. I am actually willing to side with my second hypothesis. Perhaps Menelaus was talking literally when mentioning a god but I tend to believe he was more like metaphorical. In an essence "what's gotten into you?" manner. However I tend to believe that regardless of whether there was or wasn't a godly intervention in Helen's behavior, Helen is extremely intelligent and she knows that after the fuss Odysseus caused (literally a Greek spy in Troy, possibly two if we count Diomedes too) that got in, stole the Palladium of Athena and killed people on their way out might as well throw suspicion on her and she needed to make sure she would continue have the love of Priam, which was literally her shield of protection at that moment. Two she knew that her husband was coming for her and that he was potentially furious and if it wasn't him, some other of the Greeks would be or they would get battle-drunk with their success. She wasn't going to rely only on Odysseus's silver tongue that he persuaded the Greeks on her change of heart but she wanted to make sure that they knew on her talents and power and the way that she could literally give them away at any moment and that she chooses not to because she is Greek like them and because she had a change of heart!

I hope you find this analysis interesting! Let me know in the comments below! I'd love to hear your thoughts! ^_^

[tickety-boooo]

S1 final camera angle

Ok I literally JUST woke up for the day and this is what was in my brain: the gomens brainrot runs deep. I have to write it out and I shall from the coziness of my bed on a rainy morning :D This is gonna be a longish one!

Been thinking about this thanks to @vidavalor's post. As a fandom we know that Crowley and Aziraphale always position themselves the same way: Zira on the left, Crowley on the right (from our pov).

But wait! What about that final scene at the Ritz? It ends with a zoom-out of the two continuing their conversation: From Behind.

Why did they film this perspective? It's odd given that the rest of the scene is shot from the other direction. It breaks the 180-Degree-Rule, which is a "rule" in filming that prevents confusion for the viewer about where the characters are and what the action is in the scene. If there's an imaginary line between two characters, the camera cannot pass over that line when filming because then the pov changes.

This zoom-out is an example of a "Reverse Cut", it's literally the opposite of what we've seen for the rest of the scene. So why? They could have zoomed out from the table in the other direction, maybe sending the camera through the window for a cool effect.

This is shot this way on purpose. This is like a private viewing for the audience. We aren't in the audience's position anymore, we're in Crowley and Aziraphale's position. The two continue their conversation, which we cannot hear, so it's still a private moment for them even though we're getting a glimpse of it. I have to go back and watch again to really find examples but I think this is the scene that confirms the idea that when in private, Crowley and Aziraphale break their position rule (whether through them physically moving, or by way of the camera and how the scene is filmed), implying that it is something they do for public appearance. Like with this scene, they're still obviously sitting down and in the same place, but now the audience is welcomed into their pov for a moment. We are now part of the positioning outwards to others.

@vidavalor wrote about a footstool near the couch in the bookshop that would put Crowley on the left (in our pov), and that's one of the earliest scenes in the show between the two of them where they are completely in private. Here are some more examples I can think of off the top of my head/ what gifs I could find to use xD

Calling out specifically any time they're in the car; Aziraphale never drives, so Crowley is ALWAYS on the left (our pov), and it's always a private moment between them, no one else around. Look at the scene where they arrive at the hospital and how they get out of the car. They both specifically walk to re-position themselves on the "proper" side. (I can't find a gif of the whole bit but this scene here:)

This scene also has a brief bit where they switch positions again; they're reminiscing about a personal memory, 1941 and the magic show (even though the audience wasn't aware of it yet before s2).

Actually the whole bit at the hospital is very involved with camera angles (it would merit its own post at some point for sure.)

Calling out the Wall Slam™ Crowley on the left, Aziraphale on the right, UNTIL they are interrupted by someone else and the scene is no longer private, and the camera flips position for the rest of the scene.

Also Rome. Oysters. This one's odd, there are two very brief reverse cuts in this scene.

And lastly, this key shot of them going to their respective offices. This one stands out to me because it's not a "private" moment between them, but it shows that their "public" position matches how they have to arrive at Heaven and Hell. Aziraphale and Crowley actively go out of their way to position themselves relative to one another in public in such a way to face Heaven and Hell. And in this shot, we get to be a part of their pov. We get to be on their side.

[longagoitwastuesday]

I ran out of tags xD

All this could have been managed way better, but the ideas, if bittersweet, are coherent with the entirety of the text and they are good. NOW what I don't understand is the need to make the kids still take missions literally just ten minutes after waking up. Wasn't that the point?

I actually like the last chapter. I think the ideas are very good. I have my qualms on how some things were managed, as I always do, but I think shonen authors get tangled in the expectations of a shonen to the point it jeopardises their writing, often even when they're not lacking in skills