#Santo Loquasto

[sesiondemadrugada]

Wonder Wheel (Woody Allen, 2017).

[gorbigorbi]

Maria Kochetkova as Tatyana Larina and Pascal Molat as Prince Gremin, ballet "Onegin" choreography by John Cranko, based on the novel in verse "Eugene Onegin" by Aleksandr Pushkin, music by Pyotr Tchaikovsky and Kurt Heinz Stolze, set and costume by Santo Loquasto, San Francisco Ballet, War Memorial Opera House, San Francisco, California, USA

Photographer Erik Tomasson

[byneddiedingo]

So Fine (Andrew Bergman, 1981)

Cast: Ryan O'Neal, Jack Warden, Mariangela Melato, Richard Kiel, Fred Gwynne, Mike Kellin, David Rounds, Joel Stedman, Angela Pietropinto, Michael Lombard, Jessica James. Screenplay: Andrew Bergman. Cinematography: James A. Contner. Production design: Santo Loquasto. Film editing: Alan Heim. Music: Ennio Morricone, 

[theersatzcowboy]

Desperately Seeking Susan (1985)

Queen of Downtown Cool, Susan Seidelman, presents a world that’s unabashedly high femme, with a never-better Madonna as its stylish pied piper.

Director: Susan Seidelman

Cinematographer: Edward Lachman

Costume Designer: Santo Loquasto

Production Designer: Santo Loquasto

Starring: Madonna, Rosanna Arquette, John Turturro, Giancarlo Esposito, Laurie Metcalf, Aidan Quinn, and Steven Wright

[ulkaralakbarova]

With a serial strangler on the loose, a bookkeeper wanders around town searching for the vigilante group intent on catching the killer. Credits: TheMovieDb. Film Cast: Kleinman: Woody Allen Prostitute: Kathy Bates Student Jack: John Cusack Irmy: Mia Farrow Prostitute: Jodie Foster Hacker’s Follower: Fred Gwynne Clown: John Malkovich Alma: Julie Kavner Marie: Madonna Magician: Kenneth Mars Eve: Kate Nelligan Doctor: Donald Pleasence Prostitute: Lily Tomlin Mr. Paulsen: Philip Bosco Spiro’s Assistant: Robert Joy Simon Carr: Wallace Shawn Vogel’s Follower: Kurtwood Smith Priest: Josef Sommer Hacker: David Ogden Stiers Cop at Police Station: John C. Reilly Woman with Baby: Eszter Balint Vigilante: James Rebhorn Roustabout: Richard Riehle Cop: William H. Macy Undesirables Onlooker: Fred Melamed Killer: Michael Kirby Vigilante: Victor Argo Vigilante: Daniel von Bargen Landlady: Camille Saviola Dwarf: Tim Loomis Fat Lady: Katy Dierlam Strongman: Dennis Vestunis Prostitute: Anne Lange Student: Andy Berman Student: Paul Anthony Stewart Student: Thomas L. Bolster Police Chief: Greg Stebner Cop at Police Station: Peter Appel Cop at Police Station: Brian Smiar Cop at Police Station: Michael P. Troy Cop at Police Station: Remak Ramsay Cop at Police Station: Ron Turek Bartender: Peter McRobbie Cop with Priest: Ira Wheeler Baby: Rebecca Gibson Hacker’s Follower: Robert Silver Spiro: Charles Cragin Vigilante with Spiro: Tom Riis Farrell Vigilante with Spiro: Ron Weyand Roustabout: Max Robinson Film Crew: Additional Casting: Todd M. Thaler Casting: Juliet Taylor Writer: Woody Allen Producer: Robert Greenhut Assistant Editor: Mark Livolsi Costume Design: Jeffrey Kurland Production Coordinator: Helen Robin Executive Producer: Charles H. Joffe Executive Producer: Jack Rollins Editor: Susan E. Morse Hairstylist: Romaine Greene Assistant Art Director: W. Steven Graham Casting Associate: Laura Rosenthal Supervising Sound Editor: Robert Hein Director of Photography: Carlo Di Palma Gaffer: Ray Quinlan Sound Designer: Dan Sable Foley Artist: Brian Vancho Set Decoration: George DeTitta Jr. Assistant Costume Designer: Donna Zakowska Production Sound Mixer: James Sabat Production Design: Santo Loquasto Assistant Sound Editor: Stuart Levy Co-Producer: Joseph Hartwick Sound Re-Recording Mixer: Lee Dichter Construction Coordinator: Ron Petagna Key Scenic Artist: James Sorice Production Assistant: Robert C. Albertell Makeup Artist: Bernadette Mazur First Assistant Director: Thomas A. Reilly Art Direction: Speed Hopkins Property Master: James Mazzola Assistant Production Coordinator: Ilyse A. Reutlinger Still Photographer: Brian Hamill Standby Carpenter: Joseph A. Alfieri Jr. Scenic Artist: Cosmo Sorice Set Dresser: Dave Weinman Assistant Camera: Michael Green Sound Recordist: Frank Graziadei Camera Operator: Dick Mingalone Script Supervisor: Kay Chapin Set Decoration: Amy Marshall Boom Operator: Louis Sabat Dolly Grip: Ronald Burke Key Grip: Robert Ward Wardrobe Supervisor: Patricia Eiben Second Assistant Camera: Michael Caracciolo Camera Trainee: David E. Baron Art Department Coordinator: Glenn Lloyd Second Assistant Director: Richard Patrick Assistant Editor: William Kruzykowski Transportation Captain: Peter Tavis Transportation Captain: Harold ‘Whitey’ McEvoy Production Assistant: Justin Moritt Wardrobe Supervisor: Bill Christians Foley Artist: Elisha Birnbaum Additional Casting: Judie Fixler Key Construction Grip: Vincent Guarriello Production Assistant: Danielle Rigby Projection: Carl Turnquest Best Boy Electric: Jim Manzione Costume Assistant: Lauren Gibson Assistant Art Director: Robert Perdziola Foley Editor: Lori Kornspun Assistant Art Director: Peter Eastman Location Scout: Megan Monaghan Assistant Art Director: Richard Michael Miller Apprentice Sound Editor: Yasmine Amitai Location Manager: James A. Davis Movie Reviews:

[costumeloverz71]

Susan (Madonna) Olive jacket & black outfit.. Desperately Seeking Susan (1985).. Costume by Santo Loquasto..

[thediaryofatheatrekid]

Fabulous Baby!: After seeing these high quality pictures of the Hello, Dolly! tour I can totally see how Santo Loquasto won the Tony for Best Costume Design in a Musical. I absolutely love these designs.

[ivovynckier]

The trailer of Woody Allen’s movie “Wonder Wheel”.

[80s-movies-interiors]

Desperately Seeking Susan (1985)

[theatregraphics]

Tony Awards 2017 Nominations → Best Scenic Design of a Musical 

[playbill]

Behind the Scenic Designs of This Year’s Tony-Nominated Musicals

[sesiondemadrugada]

Another Woman (Woody Allen, 1988).

[gorbigorbi]

Sarah Van Patten as Tatyana Larina and Tiit Helimets as Prince Gremin, "Onegin", choreo by John Cranko, based on the novel in verse "Eugene Onegin" by Aleksandr Pushkin, music by Pyotr Tchaikovsky and Kurt Heinz Stolze, set and costume by Santo Loquasto, San Francisco Ballet, War Memorial Opera House, San Francisco, California, USA

Photographer Erik Tomasson

[byneddiedingo]

Wallace Shawn and Mia Farrow in Radio Days (Woody Allen, 1987)

Cast: Seth Green, Julie Kavner, Michael Tucker, Dianne Wiest, Mia Farrow, Danny Aiello, Jeff Daniels, Tony Roberts, Diane Keaton, Wallace Shawn, Woody Allen (voice). Screenplay: Woody Allen. Cinematography: Carlo Di Palma. Production design: Santo Loquasto. Film editing: Susan E. Morse. 

Woody Allen's warmest and maybe most irresistible film has none of the neurotic obsession gags or existentialist angst shtick that are so often associated with his work. It's a simple piece about the nostalgia that old songs evoke in us -- in Allen's case, reminiscences of the days when radio was the dominant, almost ubiquitous medium in people's lives, before television held people captive in their living rooms or the internet addicted them to the little screens of their cell phones or tablets. Specifically, it's Allen's childhood as seen through the eyes of young Joe (Seth Green) and his parents (Julie Kavner and Michael Tucker) and extended family. It's also, secondarily, a tribute to many of the actors who have enlivened Allen's films, with smaller roles and cameos filled by Dianne Wiest, Mia Farrow, Danny Aiello, Jeff Daniels, Tony Roberts, Diane Keaton, and many others. Production designer Santo Loquasto deservedly received an Oscar nomination for his re-creation of Queens and Manhattan in the late 1930s and early 1940s, but honors should go to the luminous cinematography of Carlo Di Palma, too. The soundtrack, supervised by Dick Hyman, ranges from such true classics as Kurt Weill's "September Song" and Duke Ellington's "Take the 'A' Train" to novelty pop of the period like "Mairzy Doats" and "Pistol Packin' Mama." 

[andrewlloydwebber]

Bette Midler’s wardrobe in Hello Dolly! (2017), designed by Santo Loquasto. 

[ulkaralakbarova]

During shopping for Christmas, Frank and Molly run into each other. This fleeting short moment will start to change their lives, when they recognize each other months later in the train home and have a good time together. Although both are married and Frank has two little kids, they meet more and more often, their friendship becoming the most precious thing in their lives. Credits: TheMovieDb. Film Cast: Frank Raftis: Robert De Niro Molly Gilmore: Meryl Streep Ed Lasky: Harvey Keitel Ann Raftis: Jane Kaczmarek John Trainer: George Martin Brian Gilmore: David Clennon Isabelle: Dianne Wiest Victor Rawlins: Victor Argo Mike Raftis: Wiley Earl Joe Raftis: Jesse Bradford Waitress: Frances Conroy Engineer: Paul Herman Doctor: Kenneth Welsh Taxi Driver: Clem Caserta Elevator Woman: Chevi Colton Cashier: James Ryan Film Crew: Director: Ulu Grosbard Production Design: Santo Loquasto Producer: Marvin Worth Music: Dave Grusin Director of Photography: Peter Suschitzky Editor: Michael Kahn Art Direction: Speed Hopkins Set Decoration: Steven J. Jordan Costume Design: Richard Bruno Sound Re-Recording Mixer: Gary Alexander Sound Effects Editor: Gary S. Gerlich Sound Re-Recording Mixer: Robert Glass Sound Re-Recording Mixer: Robert Knudson Sound Mixer: Les Fresholtz Supervising Sound Editor: Frank E. Warner Sound Effects Editor: Bill Wylie Associate Producer: Robert F. Colesberry Casting: Patricia McCorkle Casting: Juliet Taylor Makeup & Hair: J. Roy Helland Hairstylist: Lyndell Quiyou Makeup Artist: Mickey Scott Writer: Michael Cristofer Movie Reviews: Peter McGinn: Considering the star power of this movie, I think the story could have been a bit stronger. I don’t mind a juicy coincidence to get a movie ignited, but this story depended upon them so much, perhaps it should have been called It Must be Fate. Netflix categorized this as a Christmas movie, because it begins and ends a year apart during the holiday season. But in between it is a romance. Nothing against Meryl Streep’s character, but Frank (De Niro’s character) lost interest in his attractive, supportive, and funny wife and good mom to their kids in favor of an attractive, funny woman who could lead to his losing his kids. That’s true love, I guess. As for Streep’s Molly, her husband didn’t seem like a prize. But I think the story should have shown those spouses a bit more. More depth. Still, it was fine. Okay, move along, nothing more to see here.