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muffinmonstah-art · 2 years ago

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Tell me why and how SasoSaku. Sell me the ship.

Oh, that’s an interesting challenge. I’ve made a post a few days ago about how freaking weird it is for me that there’s a new audience following me mainly for my western comics’ fanart, but those of them who are also familiar with Naruto and it’s characters, don’t know my SasoSaku headcanons, or don’t care about the ship in general. I have had an established fanbase for so long that followed me for this ship that I guess no one ever asked me “why and how” about the ship. But I think this is the perfect time to introduce new audiences to my vast, long SasoSaku lore. They are the core ship of this account. They are the main topic of the only longfic I own. They have their own month dedicated to them. I’ve made a vow to myself that no matter how tempting it is for me to write my first fanfic in English for other fandoms, I wouldn’t do that until I can translate Definiciones Torcidas to English.

So, welcome to my first essay attempt. Why do I ship SasoSaku, and why it’s so important to me. -Feel free to throw rotten tomatoes at me if I fail at explaining myself-

I think I should split this explanation into two main points:

The canon material that every SasoSaku fan quotes to showcase the ship’s potential. And in second place, my personal story/headcanon/established universe for the ship that exists separately from other people’s headcanons.

The canon material

To be honest, this part is kinda boring to me after so many years. The base it’s always the same since these two characters only interacted on one arc of the story. Quick summary for everyone reading this introduction and it’s not familiar with the source material: There’s a two-year timeskip. The main characters got split during said time skip and they have a rescue mission right after they get back together (Three of them get back together, Sakura, Naruto and Kakashi. Sasuke has left their village before the time skip on bad terms. He follows his own path of revenge, and when Gaara’s rescue arc happens, his location is still unknown).

Side Note # 1: I’m very much a Naruto hater. I think after this first arc, the quality of the story does nothing more than go down and down to the very bottom. I’ll try not to fulfill this essay with my complaints and rants about Kishimoto as a writer and his creation, and will try to focus on the task at hand, which is Sasori and Sakura and their canon interactions. But I think my overall critical perspective adds some context to my analysis.

Back to the story, we are introduced to Sasori as a genius puppet master, the greatest one the Sand Village have ever given to the world. But he is a member of Akatsuki, the terrorist organization that kidnapped Gaara (The Sand Village’s leader - Kazekage - ). In fact, it’s both Sasori and Deidara who are given that kidnap mission. Deidara fights against Gaara and wins. Sasori does nothing during these first events. In fact, Sasori is presented as a mysterious, monster figure that just lies in the background while Deidara kidnaps Gaara. Basic trait of them both: they are artists. Sasori believes art is eternal, that’s why he created tons of puppets that can endure through time. Deidara believes art is ephemeral, that’s why his techniques are based on explosive clay figures of all sizes and forms. He blows things up, he can even blow himself up if the situation requires it. We see them fight a lot about their visions of art. Sasori threatens to kill Deidara a few times.

By the time Sakura, Naruto and Kakashi arrive at the Sand Village to help, they team up with Chiyo, a wise elder who is also Sasori’s grandmother. She has some other background story involving Kakashi’s father, who killed Sasori’s parents in the past but that is never explored. It doesn’t matter. She learns her grandson is a criminal that is behind this terrorist act so she goes with the group to help.

This is the important part. By the time they track Gaara, they find him already dead. Akatsuki wanted the Racoon beast that was sealed inside Gaara’s body. These things are called bijuus. There’s nine of them. Naruto has the Kyuubi, aka the Nine tails fox beast sealed inside him. Once they extract the bijuu from Gaara, he dies. The encounter happens, the heroes learn they were too late, Naruto is furious. Deidara decides he’s going to take down Naruto so he leaves the scene flying above one of his giant clay birds with Gaara’s body. Naruto follows him, Kakashi goes too.

So… Chiyo stays with Sakura and they are going to team up and fight against Sasori.

I forgot, Might Guy’s team is also present on this arc. They go as reinforcements to help against the Akatsuki. But they don’t matter. You could cut them and little to zero would change. I don’t think they are well integrated into this arc.

I think the fight is pretty good.

See, Sakura suffers from being a main female character in a story written by a male writer who has NO CLUE how to write female characters. For that, she’s very unlikable during part one. Superficial, selfish, and with little to no focus on her. Besides of that, much of what she does is related to one of the most nasty romantic subplots I’ve ever read in fiction. Her rivalry with Ino (her ex-best friend) which should serve to create some empathy with the reader and make her a deeper character, achieves the opposite result when we learn early in the series that Ino was her role model, the one that saved her from bullying, and Sakura chose to cut ties with her after she discovered they both had a crush on Sasuke. None of them have had an actual conversation with him, they just think he’s hot.

But hey, much of this can still be forgiven when we consider Sakura is 12-13 years old in part one, and she is one of the few characters living in the ninja world that has living parents. We are shown through many characters on this series that being a ninja = dying on a mission and that results in many traumatized orphan children left behind. And the last time we saw Sakura before the time skip, she promised to Naruto she was gonna get stronger. I think this arc FINALLY delivers on that regard. Chiyo and Sakura make a fantastic team against Puppet Boy.

She has super-strength now and has medical abilities like her teacher, Tsunade. (Another thing that annoys the shit out of me is… Why does Kakashi ignoring Sakura in favor of Naruto and Sasuke, to the point that she had to learn from another teacher is never brought up in the story? Anyway, moving on.)

Chiyo explains the Sasori we see is not the real one. That’s Hiruko, one of his many puppets. The real one is hidden inside Hiruko. So, they make a plan to take him out of Hiruko:

He’s all cute and young, hasn’t aged a day since he left the Sand Village 20 years ago. (Meaning, Sasori is 35 years old by the time this fight is happening. Sakura is 15).

How can it be? No time for answers. Sasori summons his most lethal weapon: The Third Kazekage.

We are told the Third Kazekage disappeared a long time ago, no one has any idea what happened to him. It’s implied Sasori may have kidnapped him and killed him, turning him into his human puppet. The thing is, Sasori’s real technique and the reason why he is considered an ultimate genius is that he created this grotesque, unique process to turn humans into puppets, preserving the bloodline special powers they had in life. In this case, the Third Kazekage had the natural ability of Iron Sand. Meaning he could create metallic sand and form metallic giant geometrical things to use as weapons. Badass, am I right?

This is when the fight really happens. Sasori mentioned he was Orochimaru’s companion in Akatsuki before Orochi left the organization. Sakura associates Orochimaru with Sasuke, because the latter left the village to gain power and knowledge from Orochi himself.

This little interaction right here picked many people’s interest back in the day. Including me. Sakura’s goal is not just to defeat him. She wants him to tell her what he knows about Orochimaru. Yeah, she’s thinking about Sasuke but finally having her interacting with other characters beside the nasty crush is fresh for her. Finally we got her on a serious and committed mode, and the Sasuke thing is not even romantic here, because the main theme of the arc is her promise to Naruto about being stronger and useful. It’s to give closure to her little arc.

The fierceness in the way she talks here is just something we didn’t get to see to this point. Kishimoto just did not use her for anything else than a pairing fodder and crybaby for so long that it’s gratifying to see this warrior face of her without the other two annoying boys around. It’s great that a character like Sasori makes her be the best version of herself she has been so far, and without even trying. It’s also hilarious how he ignores her in a bored way and throws kunais at her.

Chiyo stops his attack by summoning Sasori’s parents puppets. They’re not human puppets. Sasori created these puppets back when he was a child to not feel lonely.

Side Note # 2: We’re not shown anything more than this about Sasori’s background. Everything else is speculation, including if he was a baby when his parents died, or if he was already old enough to understand what happened.

Moving on.

Side Note #3: The way he grabs Sakura with robes to keep her trapped on a poisonous cloud while Chiyo tries to pull her back with her chakra threads looks hot to me, lmao.

“Oh, how can you say that when he’s trying to kill her?”

Number one, he does not care about her. He doesn’t know her. He just fights her because of circumstances. He’s just being practical. Number two, it’s only used to make her look badass one second later:

She makes an explosion of her own to dissipate the poisonous cloud and free herself.

Look at his face though. He is impressed. They’re enemies, he is 20 years older than her. He has tons of experience in combat. And him complimenting her skills continues to happen during this fight.

Side Note # 4: Even if I like this fight and personally consider this arc to be the end of the series, lmao, I have a problem with THIS

He makes iron spikes to crush them both separately, TWICE. Until they cannot use the chakra shields from the puppets to protect themselves. The shields get useless after one use because the iron sand invades them from the inside by contact. So… why doesn’t he use the same technique a third time? Just throw spikes at them again.

But he can’t do that because he would have won. The end.

So what does Kishimoto do instead?

He makes Sasori create geometrical giant things for Sakura to crash with no problem. For no reason. Why? Why does he change his strategy so suddenly? Because is plot convenient.

Dumb. Makes me angry. Moving on.

The cave crashes because of the constant hitting, so they are now fighting in the daylight. Sasori creates a giant web of iron sand, that covers everything so they cannot escape. Sakura gets hit, Chiyo ends up trapped under a rock and it turns out, the iron sand was poisoned too this whole time. Sakura falls on the ground, Sasori laughs, feeling like he already won. He commands the Third Kazekage to give her the killing blow and…

She used an antidote she crafted during her time on the Sand Village, while she was curing useless Kankuro from Sasori’s poison, and faked being about to die so she could be close to the puppet to crash it.

I didn’t mention it, but this doesn’t come out of nowhere. Kankuro, Gaara’s older brother, tries to fight Sasori first to rescue his baby brother. Sasori kicks his ass and leaves him to die from his poison. Sakura cures him when she arrives to the village and keeps some antidote with her the whole time.

SHE DESTROYED HIS MAGNUM OPUS AND LOOK AT HIM. HE IS JUST IMPRESSED LMAO.

This is the moment we learn why he looks so young. He has turned himself into a human puppet, with the exception of one compact living tissue he keeps on his chest.

I’m gonna speed up from now on. The fight is still good. He uses 100 more puppets he controls with chakra threads from his chest. Chiyo uses 10 puppets, one with each finger of her hands. Sakura uses her punches. In the end it seems they could trap Sasori inside one of Chiyo’s chakra special tools but it was just his body. The living tissue escaped and migrated to another body at the last moment. He uses the confusion to try and stab his grandma from the back, but Sakura saves her by putting herself on the line of the blow.

I think it is hot how he is just that careless and continues to mess with her, like he isn’t almost out of resources at this point. Again, they’re fighting a fair duel. Everyone is giving their best and this whole scene is just to portray Sakura in a heroic way.

He continues to be impressed with her skills. Nothing to add, it’s just great.

Speeding up to the resolution of the encounter.

Chiyo and Sakura are both fighting against Sasori’s poison by this point. There’s just one antidote. Chiyo gives it to Sakura and Sasori laughs at his grandma for this.

Look, if there’s one spiteful, resentful reaction from Sasori during this fight it’s not against Sakura, but against Chiyo. We’re not shown their history together. We just know Chiyo raised him after his parents’ death and taught him to be a puppet master just like her. He created a lot of puppets while he lived in the Sand Village and, at 15 years old, he left. We know his mind became twisted enough that he started turning humans into puppets so I think it’s easy to assume Chiyo was a terrible parental figure and failed to keep him from following a dark path. And I like Chiyo, she’s easily the best female character Kishimoto ever created.

When Sasori tries to make the killing blow against Sakura, Chiyo uses Mom and Dad to stab him on his living tissue.

Sasori now is about to die. Chiyo does not have an antidote, so she’s also agonizing. This is when a bullshit plot convenient moment happens. Despite having an antidote for Sasori’s poison, Sakura is about to die from the blood loss. She falls to the ground and Chiyo cures her with a forbidden technique she has been developing over the last years to turn inanimate puppets into living beings. She tells Sasori she planned to use it to give life to Mom and Dad as a gift for him. You’re still a terrible caretaker, but this is cute.

Chiyo explains the price for reviving someone with that technique is to lose her life, but since Sakura is just unconscious, this is not enough to kill her. The reason for this technique to exist is to revive Gaara at the end of the arc, a happy ending for everyone except grandma Chiyo. It 's not subtle.

His indifference towards life moves her, makes her angry. Makes her care. He’s about to die, she knows that. But she still cares enough to have an emotional reaction to his words. To question his views in life. This makes me frustrated to no end. Why put an effort on making these characters have some type of exchange about their views on life if this is not going to matter? This had potential.

I must repeat myself. This is personal to Sakura, she is angry but she is almost trying to understand why he thinks that way. It’s alien to her but she has empathy. Sasori just answers honestly, like he doesn’t understand the human aspect of the question. It’s one of the last times the dilemma between Ninjas are tools vs Ninjas are more than tools makes itself present in this story. Like many other themes, it gets abandoned eventually because the writing of this series is dumb, and this interaction, while interesting, does not mean anything in the long run…

BUT SO MUCH POTENTIAL. To me it looks like Sakura would have tried to make him change his mind or show him what she learned back in the Land of Waves on the Zabuza arc, that ninjas are more than tools.

Chiyo stops the yelling by telling her Sasori is this way because of the traditions and culture of the Sand Village. So, these ninja villages are fascist places that brainwash their citizens to make them heartless tools that serve the interest of feudal lords and rich warlords. Sasori is not a deviant, it’s a product of the system… Another topic that will never be addressed again. Pathetic.

This is the last thing we see that can make us see the potential on the ship. Sasori is the one to bring up the information about Orochimaru to Sakura. He says “I'll do something pointless for you” just as earlier he was mocking the emotional impulse of Sakura as “Women like to do useless things.” The phrasing is curious.

And like that, he gives her information as a gift. Just because he felt like it. He had to be moved by what she did or said in any way to make this decision. Even if he only respected her as a worthy rival. It 's great.

As a last information before we jump to Deidara, Kakashi and Naruto, Chiyo says this: "Sasori saw my last attack... but... Somehow, he couldn't avoid it. It gave him a small opening..."

Sasori chose to die. I don’t know why Kishimoto did this other than to show Sasori as hyper-competent until the end. Even after all these years I’m still not sure if I like this or not. I guess this proves he really wasn’t that interested in remaining on Akatsuki and finishing his task.

So this is the canon material. I think I covered most of it. But as I said before, this is just the base of everything. With the years, I have built my own thing from this. So I’m not your devoted fan that continues to revisit this fight over and over again. Far from it. For me it’s just the starting point.

Side Note #5: I stopped caring about this series from this point on. Starting with the next arc, I consider Sakura to be nothing more than a disappointing piece of filler, and sometimes just a plot device to showcase her male comrades as more competent or more virtuous/evil when Kishimoto needs it. She has very underwhelming “shining” moments from here and there, but she is not a main character anymore. She doesn’t have another arc or motivation after this either. What a perfect point to deviate from canon and build my own thing, right?

My personal story/headcanon/established universe for the ship

Now I can dive into the juicy part.

Back in the 2012’s, my boyfriend and I were going through a tough time in our relationship. He moved to the capital city, in another province to start university. I started university too. We were so young, so full of doubts and fear. It’s natural to feel intimidated and anxious when you move apart from your loved ones for your studies. Being together long distance was the only option for us, really. We had been together since we were in school, in the same class and we were very close. Still the fear of a break up was latent because long distance relationships are hard as hell. Statistics say the majority of long distance affairs do not last.

I came up with the idea of writing a story together when we had our Skype weekly reunions. To pass the time, to have something to entertain ourselves and not miss each other even more than we already did. I already was a SasoSaku shipper so I said “let’s write a SasoSaku fic together, you write Sasori, I write Sakura and we take turns to write the rest of the characters according to what the story needs”. He accepted and like that, Definiciones Torcidas was born.

The fic is in Spanish, our mother language, but back in 2017’s SasoSaku month, I made a short fan-comic in English that serves as the prologue for our fic. You can check it out here.

The premise of the fic was basically this: “What happens if Sakura, following an irrational impulse, does not let Sasori die at the end of the fight?” and more important than that, “What if we try to exploit the age difference between them to develop every single one of their dynamics and interactions?”

That was the start, and we took the project very seriously. We wrote Sakura as an inexperienced girl who had little to no experience on making difficult decisions and seeing the complexity of the world. There’s little to nothing explored about her in canon to know her views on anything, but we worked with the pro Konoha propaganda the author seems to spoon feed us constantly as a start. Konoha does terrible fucked up shit like murdering children from a clan to avoid a coup and using other villages with little to no military force as war zones for money and power. But still they’re depicted as the good guys. Sakura starts the story by being a Konoha brainwashed tool on her speech and actions.

Sasori and Sakura have a second encounter in the wilderness around Konoha’s territory after she saved his life, and canonically after she and her team came back from Orochimaru’s hideout and Sasuke walked off again. During that brief encounter, Sasori just asks what she wanted from him and she cannot answer. She gets nervous and defensive pretty fast. Sasori demands to know if someone else gave her the order of sparing his life but does not believe her words when she tells him that’s not true. It’s a tense start. Sakura leaves telling him to piss off and use his second chance in life to not start trouble, knowing he is not part of Akatsuki anymore. Sasori is very frustrated by his new status as a fugitive from the nations and Akatsuki, he even threatens to make some public terrorist attempt to make the public know he is alive, out of desperation because the irrationality of Sakura’s actions do not make sense in his mind.

Sakura does not believe him, because that would alert Akatsuki that he is alive. But still, she leaves feeling terrible because she believes Sasori is mentally unstable.

She keeps what she did a secret, and cannot stop thinking about how her actions may put Konoha in danger. She ends up making up her mind that she needs to find him before he leaves the territory, and finish him for good.

My boyfriend put a lot of effort by crafting Sasori’s mind and views as pragmatic and not resistant to changes. He decided Akatsuki was not a safe option for him anymore, so he left. He has no weaponry, no way to contact his spies, no purpose in life, but he can recover. Start again. Evolve as an artist. He just sees Sakura’s resistance to listen to him as stupid and a waste of potential. He also leaves feeling frustrated. A few days later, when Sakura finds him again, by following the clues he left behind while trying to create a poison arsenal again (cut herbs, a dead opened snake, etc), he is not that surprised about hearing she comes to finish him again.

It was a fun combat to write. Sakura is out of focus, she tries to hit but she really does not show the templance and cold mind she demonstrated in their first fight. Sasori messes with her constantly. He says she is a stupid brat, she could accept his offer of an alliance or working together at Konoha’s back. But Sakura is fully committed to prove herself she’s loyal to Konoha. Nothing else matters. His mind games are starting to affect her, though. She becomes more aimless, more distracted, more confused. Sasori does not waste the chance he had created and uses his poison and the cutting blades on his disposal to make her lose the fight. The intention is very clear, he wants to see the broken will in her eyes. Something that reads as “I should have accepted his offer”. In the deep of his mind, he is resentful because he couldn't have an eternal, unbreakable will. In their first fight, he could have won but he had a weak mind and instead chose to die in the last second. He wants to prove she is not different from him. That people are all the same, they all show their will is not unbreakable at the doors of death. Only eternity matters.

But that doesn't happen. Sakura spits on his face and tells him to go to hell. She tries to hit him one last time but she’s really hard on drugs by that point, so she fails. Sasori is really, really impressed by the end. He won, but still it doesn’t feel right. It doesn’t feel right because he just saw an eternal will being showcased in front of his eyes. And according to his definitions… that’s art… that’s beautiful.

Sakura opens her eyes, hours later. She finds out she is bandaged and there’s no more poison nor drugs on her body. She was treated, by who? She sits on the ground and she sees Sasori watching her. He answers coldly that indeed, he saved her.

It’s pure irony that now, Sakura is the one that demands answers and Sasori is cold honesty by saying he couldn’t let her die because she carries beauty with her. He does not give it more importance than that. “I allowed beauty to exist. The end.”

Sakura feels disgusted, she cannot understand those motives. She tells him he should have let her die, so she shouldn’t have to face her defeat with her village. Sasori just laughs and says if she wants to die, she can try by herself, he’s just not going to help with that. He considers himself to be an outsider of the system by this point, a player that uses the system in his favor. So he cannot stop mocking her for her nationalism.

Sakura starts crying and tries to step up to hit him but she falls against his chest. She cannot make herself look him into the eye. She 's furious, humiliated. Sasori does not do anything other than lean to her ear and say “This is why I let you live”.

So he leaves her to cry and defeat. He believes he did the right thing. He’s at peace with his personal values… for the most part. From this moment there’s gonna be what he describes to be a “losing piece” inside his mind, that he cannot name nor accommodate. He’s going to meditate a lot, and try to find himself again on his artistic path.

During her loneliness in that remote forest, Sakura realizes she woke up in a smoother place than the dirty ground. She goes back to her waking point and discovers Sasori’s black travel tunic. He just left her another clue to find him with one of Kakashi’s ninja hounds. They’re gonna meet again. And the chaos of their interactions and getting to change each other’s perspective on things has just begun. The story is +60 chapters so it’s a slowburn construction of their relationship.

We started publishing it in 2013 on ff.net and not only we put a lot of effort and hours of our lives into crafting that story. But the publication process also coincided with a turbulent time in our relationship. We had to adapt to being apart for most part of the year. Seeing each other on vacations, dealing with communication issues while we were apart from each other, emotional problems and tough shit. We were still growing into mature adults. We had many childish behaviors that were hurting ourselves and each other. So, while Sasori and Sakura’s relationship progressed on paper, our relationship grew and matured in real life. We ended up putting so much of our experiences, thoughts, fears, learnings on these two characters, that, even if they are fictional creations separated from us and that have their own arcs on their own fictional universe, have become like a reflection of our relationship.

Sasori ends up calling Sakura by her first name in chapter 17 for the first time. They are having a heated argument for the 10th time about how Sakura does not trust him to not go into a murderous rampage while trying to understand what’s different about himself, when she suddenly says “How can I believe you see me as a person, when you have never called me by my name? I have a name, you know?”

He shuts up, tries to cool down a second, and says “Sakura Haruno… that’s your name.”

She starts trusting him a little more after that.

My partner also wanted to add his piece to this essay. Quoting his message from last night:

“If I were to explain it in a short version.

We wrote a fic in which we contrasted a young Sakura with little experience in the real world, who lived her entire life being fed only by pro-konoha propaganda and we made her share time with a supposedly dead Sasori, who is without any ally but who has a lot of experience about the world. There’s not a romantic context between them initially.

We made Sakura learn from the grays of morality and reality, and from there we progressed the characters over a long time in-universe to the point where Sasori is giving space in his existence to things other than his art (because he can't practice it anymore) and Sakura is becoming a Root spy (because the Konoha tale is no longer bought by her).

And from there, the ship happens.”

Side Note #6: My boyfriend and I are working together on a BruDick fan-comic. So the BruDick fans, and DC fandom are going to have a first hand grasp of our cooperative work in English!

#asks #sasosaku

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