#Sailor song by Gigi Perez starts playing
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layanomaly · 2 months ago
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GUYS GUYS GUYS
You know how during the earlier episodes we still had theories of how “teen” couldve been Nicholas scratch??? well yeah despite having read the comics I didnt know much about him cuz I was mostly into “house of M” and “children’s crusade” Volumes
And so I did a sort dive into his character 
AND I FOUND OUTT 
THAT IN THE COMICS
HIS CHARACTER HAD A REALLY DEEP CONNECTION WITH THE SALEM SEVEN 
AND HE ALSO ENDS UP BETRAYING AGATHA!!!
WHICH WAS ONE OF THE REASONS WHY I REALLY BELIEVED COULD “TEEN” BE NICHOLAS WITH ALL THE THEORIES ABOUT HOW HE MIGHT END UP BETRAYING HER AT THE END ROAD
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Soooo coming back to the recent eps and what mightve happened between Agatha and rio-
AND IDK WHY I DIDNT THINK OF THIS SOONER or idk if anyone else has thought of it either 
But what I THINK might’ve happened between them is that as we know rio is BASICALLY death personified aka lady death and so I think Rio foresaw the future where Nicholas, once an innocent boy, would grow up to betray Agatha, likely influenced by the darker forces or ambitions as in the comics.(and before you ask "can lady death foresee futures???"....and honestly idk but she IS a cosmic entity and my theory is that before reaping souls she can sort of see glimpses of a persons future and when nicky died she saw his )
Knowing this, Rio, as a reaper of souls and irrevocably in love with Agatha- took a painful but calculated action—she reaped Nicholas’ soul while he was still innocent, believing that this would spare Agatha from the heartbreak of his future betrayal. Rio wanted Agatha to remember Nicholas as the sweet boy she loved, rather than the twisted figure he would become.
Which is probably why she didnt tell Agatha about this and let her hate her for not bringing Nicky backk
BUTT Agatha who was unaware of her motivations turned to the dark hold and quote on quote “hid behind all that dark magic” in an attempt to bring Nicholas back (Which is when I think the rumours about Agatha sacrificing Nicholas for the dark hold started to form since these event took place one after another)
And The Darkhold, feeding off Agatha’s grief and determination,(like it did to wanda) began corrupting her, pushing her toward dark magic and chaos.
And in her blind determination, Agatha became a threat—not only to herself but also to the balance of life and death that Rio upheld.
Which is why I think rio was out for Agatha in the first ep But the complexity of their relationship complicates matters
Which creates this tragic cycle and I just jhebfsekufhbvwev KILL ME PLEASE 
Rio acted out of love to protect Agatha from Nicholas' eventual betrayal, but in doing so, inadvertently set Agatha on a dark path that now forces Rio to stop her. Both are driven by love for Nicholas but so tragically misaligned in their goals.
[edit: alsooo im completely on board with all the theories going on about how rio is after billy on the road since he cheated death yadayada but i saw a lot of people asking as to why rio was after agatha in the first ep and i hope this outlook answers thatt......oh and when i say "after agatha" i didnt mean it in the sense that she wanted to see her hurt but more in the sense that she cared so much about agatha that she didnt want to see her get corrupted by it]
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grechkathekasha · 3 months ago
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(“sailor song” by gigi perez starts playing)
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cinnamorollcrybaby · 3 months ago
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The music JJK men would fuck you to <3
Tags: nsfw, mdni
An: YES I'm including Mahito.. I'm sorry but I love him :(
Incl: Satoru, Suguru, Choso, Toji, Sukuna, Nanami, Mahito
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SATORU
Satoru would be a little basic and fuck you to The Weeknd and a few other similar artists. He loves the slow, sensual beat as he effortlessly rolls his hips deep inside you over and over again.
Sometimes, he'll turn on Cbat just to fuck with you and make you laugh, but when you start laughing and your cute little cunt tightens around him, he goes feral. You don't even realize Cbat played in it's full entirety from how mindless you are from his cock <3
He'll also start out with Hey Daddy (Daddy's Home) just for the shits and giggles.
Songs:
Hey Daddy (Daddy's Home) - Usher
Coming Down - The Weeknd
Cbat - Hudson Mohawke
Hotel - Montell Fish
SUGURU
Suguru fucks to Sleep Token. You cannot change my mind. That man thrives off the building tension that Sleep Token songs create. He starts off slow with a lot of teasing, but by the end of the songs, he has you seeing stars from how hard he's pounding into you. He quite literally steals the breath from your lungs.
He'll sometimes switch it over to Bad Omens if he's feeling extra rude. He fucks hard and mean to their songs, making sure you know exactly who your pussy belongs to.
Songs:
Jaws - Sleep Token
Take Me Back to Eden - Sleep Token
Like a Villain - Bad Omens
THE DEATH OF PEACE OF MIND - Bad Omens
CHOSO
Choso fucks you to Deftones when he's in a dominant mood. He loves the guitar rift that plays in the back while he's making you whimper and grab at the sheets. Your incoherent murmurs of praise mixed with the loud music in the back is enough to make his head spin.
Yet he also loves that he can make love to you to Deftones as well. They're so versatile for whatever mood he's in at the moment.
Songs:
My Own Summer (Shove it) - Deftones
Change (In the House of Flies) - Deftones
Beware - Deftones
God Complex - VIOLENT VIRA
TOJI
Toji prefers to fuck without music because he loves the sound of your needy whines and the sound of your cunt absolutely drooling all around him while he ruthlessly pummels his cock deep inside you. However, when he's in the mood, he turns on the nastiest divorced dad rock.
It just gets him in the mood to make love to your entire body, and I mean your ENTIRE body. His favorite way to unwind from a hard day is with his tongue deep in your cunt with good music playing in the background.
Songs:
Closer - Nine Inch Nails
Addicted - Saving Abel
Bad Girlfriend - Theory of A Deadman
Crazy Bitch - Buckcherry
SUKUNA
This man does NOT fuck you to music. The sounds of your desperate cries and begging for more is music to his hears. He doesn't even listen to modern day music, and Heien Era music just doesn't fuck as hard as music does today.
There is one song though... He likes the beat, and the lyrics are good too. It's just not a song you'd expect the King of Curses to listen to....
Songs:
Cat Girls Are Ruining My Life! - Corpse
NANAMI
Nanami makes love to you with Hoizer songs in the background. He loves listening to his songs because they remind him of you. He loves the slow and methodical beat while he's making you feel so so good. He'll whisper sweet things in your ear while he has your legs on his shoulders.
Songs:
Work Song - Hoizer
Too Sweet - Hoizer
Sailor Song - Gigi Perez
American Wedding - Frank Ocean
MAHITO
Mahito is constantly under stimulated, so he loves loud, chaotic music to feel the constant void he feels. Though, when he's balls deep inside you, he doesn't need the unpredictable music. He does still prefer the fast-paced music because let's face it. This man doesn't understand the concept of rhythm. I'll pray for your pussy :)
Songs:
Ecstacy - SUICIDAL-IDOL
IN MY MOUTH - Black Dresses
wutiwant - Saraunh0ly
Love Potions - BJ Lips
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alwaysobsessed777 · 4 months ago
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SAILOR SONG PT. 1 - N.M.
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**this is my first time writing on here so please cut me some slack.**
Words: 1014
Warnings: None other than it being sad (sorry)
Summary: Slowly falling in love with Nika. Things just seem to be going so perfectly, but nothing last forever....
I saw her in the rightest way
Nika Mühl. Where could I even start. Seeing her in the hallways, on the court, in the few classes we had; I wanted nothing more than to talk to her. She always seemed so perfect. I would never reach whatever planet she had all to herself.
My day was going as usual, except the fact she had moved seats in Psychology. Instead of sitting with some of her teammates, she moved beside me. Something about the way she threw her stuff down, she was sitting her out of frustration. It wasn't because she wanted to. I dropped my head, not looking in her direction. She wouldn't talk to me anyway.
"Hey," A small accent coming out with the word, "I shoulda asked but can I sit here for today?"
I nodded, not able to look at her. She shuffled in her seat, uncomfortable I could assume.
"I'm Nika by the way," She lifted her hand, wanting me to shake it.
I smiled, lifting my head to see a similar one on her's, "y/n."
Her smile grew, our hands meeting, "Cute name."
Instead of listening to the lecture, she talked to me. She asked me questions, she let me ask her questions. It was back and forth. Never in a million years did I think I would talk to her, but here I was.
"So, I can sit here tomorrow?" She asked, my brows raising, "If you don't want me too that's fine I ju-"
"No, I want you too," I cut her off, "It was nice talking to someone for once."
She smiled, "Well, I had fun talking to you too, y/n." She slid me a piece of paper, folded neatly her handwriting showing slightly from the ink bleeding through.
"What's this?"
"Just open it, I'll see you tomorrow," She waved, walking out.
I sat there stunned, I had spoke to The Nika Mühl. Not only did I talk to her, she gave me her number. The small note, there on that piece of paper was her number. Her name under it with a small heart beside it.
And then, she came up to my knees. Begging, baby, would you please? Do the things you said you'd do to me, to me
After sometime of talking and getting to know Nika, I found out she had a boyfriend. He was cool. He played basketball. He was made for her. She'd talk to me about him on our daily walks, something we started a week into being friends. She's complain that he seemed perfect, but she didn't want perfect. She wanted something real.
When they'd argue, which was becoming often, she'd come to me. She'd talk about how'd she wanted someone to listen to her, to actually want her.
"I would," I blurted out. Her eyes widened.
"You would what?"
"I would treat you so much better. I would give you everything. I would listen to you, talk to you, want you, everything," My face began to heat up, my cheeks burning.
"I know you would," She smiled, "That's why you'd make an amazing girlfriend to some girl one day."
I wanted that girl to be her, Nika. I kept that to myself. Sometimes I would hope I would just tell her to break up with her boyfriend, find her someone better, find me. I couldn't though.
One day, she came to me, crying.
"What's wrong, Niks?"
"Naheim," I rolled my eyes, "I know, but I think I'm done with him."
My face wanted to show every emotion, the smile trying to creep up, my eyes wanting to light up with joy, but I couldn't. Not right now.
"What happened?"
"I caught him," She broke, "He was with another girl."
I sighed, holding my arms out, "Come here." She listened, making her way into my arms. How could one mess something up with the perfect woman.
"You should show me," To say the least, I was confused.
"What?"
"I want you, y/n, to show me how you would treat me. You said you would do it better then he could," I was shocked.
"Nik-"
"Please, I honestly just need to feel loved by someone. He's just made me feel so...so...usless," I broke, I knew I loved her, I knew it. But, this seemed like she didn't want to reciprocate the feelings. She just wanted them to be sent her way. I couldn't say no to her though, it was Nika.
"Okay," I brought us to my couch, simply opening my arms for here to make her way to me. She smiled through teary eyes, laying on top of me, her head snuggled into the crook of my neck.
Oh, won't you kiss me on the mouth and love me like a sailor
It almost felt real, I think it was real. The way she held my hand during the couple of classes we had. The hangouts becoming sleepovers, laying in each others arms through the night. We had never kissed, but I wanted to. I really wanted to.
"Hey, Nika?"
"Yes, y/n?"
"Can I kiss you?" Her eyes widened, shock apparent on her face, "Or not it's cool, I jus-"
She pulled me into her, our lips meeting. It felt so right, she felt right. The way her lips moved with mine. Her body on mine. I've wanted this, and it was exactly how I've always imagined it.
"Was that good?"
"More than good," I paused, I wanted more, "It was perfect."
I pulled her in for another one, a longer, deeper one. Her soft lips moving against my lips. It felt like they were made for each other. The act felt like a drug, I never wanted to stop. I flipped us, her on her back, I over top of her. Her eyes scanned my face, biting her lip slightly.
"Is something wrong?" I was worried I'd gone too far.
"No," She smiled, "I think I love you."
My heart fluttered, beating out of my chest, "I think I love you too."
Her arms snaked around my neck, her hands making their way through my hair. She pulled me in for another, and another, and another. That's all we did that night, we kissed. It was like we were both addicted, we were each other's drug.
______________________________________________________________
A/N: First time writing on here, I'm kinda excited. Hope you guys like this. Totally expect more from me on here. (I felt there needed to be more stories with Nika)
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monaluvs · 1 month ago
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kim namjoon x female reader
summary: namjoon woke up to an empty bed and gets worried but he finds you at the beach your comfort place a little devastated that namjoon has to leave for the army soon.
word count: 882
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Namjoon's eyes fluttered open slowly, his hand instinctively sprawling across the bed in search of his girlfriend. But instead of feeling her warm body beside him, he was met with a cold, empty space in the sheets.
A frown tugged at Namjoon's lips as he fully opened his eyes, the reality of the empty space beside him sinking in. He reached out again, hoping that maybe he had just missed her in his sleepy haze, but the bed remained empty, the sheets cool to the touch.
Namjoon padded out of bed and stepped towards the large glass window overlooking the beach. A small smile tugged at his lips as he recalled your request for the beach view - he had eagerly fulfilled it, knowing how much you enjoyed waking up to the sight of the waves each morning.
A mixture of surprise and affection filled Namjoon's chest as he realized it was you in the water. He couldn't help but smile at the sight - you always were an early riser, and your love for sunrise swims was undeniable.
He quickly grabbed a pair of clothes and headed outside, his footsteps leaving imprints in the cool, damp sand. As he approached the shore, he saw your form bobbing in the water, your body silhouetted against the early-morning sunlight.
As he watched her playing in the water, Namjoon couldn't resist the grin that curled on his lips. "Joonie! Come join me, love!" she called out, her voice brimming with joy. Without a second thought, he started walking towards the shoreline, the prospect of being near her all the invitation he needed.
"I'm coming, love," he responded, his footsteps quickening as he made his way closer to you. Namjoon waded into the water, the coolness enveloping his body as he reached you. He immediately wrapped his arms around your form, pulling you closer, relishing the feel of your wet skin against his.
She giggled, her arms encircling Namjoon's neck as she pulled him closer. "Hi," she whispered, her voice a mix of playfulness and affection. Closing the gap between them, she pressed her lips against his in a soft, lingering kiss.
They finally broke the kiss, both of them panting softly with flushed cheeks. She reached up to run her fingers through Namjoon's freshly-shaved hair, a fond smile on her lips. "You look handsome," she said, her touch gentle and loving.
Namjoon chuckled at her compliment, enjoying the feel of her fingers carding through his hair. "You think so?" he asked, tilting his head to the side to give her better access. "I was hoping you would like it."
She looked up at him, her eyes full of love. "I love you, with hair or without," she murmured, her lips brushing against his forehead in a tender kiss. "You're always my handsome man, no matter what."
She snuggled into him, her arms encircling his body as they swayed together in the water. "You deserve the world," she murmured, her voice muffled by his chest. "And I promise to give it to you."
Namjoon chuckled softly, feeling his chest tighten with affection for her. "You already give me everything I need," he replied, his hands rubbing gentle circles on her back. "Just having you by my side is enough."
She looked up at him, her eyes glistening with tears of happiness. "Aww, Joonie," she murmured, a small pout forming on her lips. With a soft smile, she rose onto her tip toes and gave him a gentle peck on the lips, then buried her face in his chest, overwhelmed by her emotions.
Namjoon held her tighter, his arms securely around her body. He could feel the slight tremble in her frame, and he knew she was fighting back tears. "Hey, hey," he whispered, tilting her chin up to look at him. "Don't cry, love."
She hugged him tighter, the words spilling out of her like a flood. "I'm going to miss you so much," she mumbled, her voice slightly muffled by his chest. The thought of being apart was already causing a hollow feeling in her heart. "I don't want you to go."
Namjoon's heart ached at her words. He knew how hard it would be for both of them when they were apart. "I know, love," he said, rubbing her back in a soothing motion. "I'll miss you like crazy too. But it's just for a little while, I promise."
Namjoon scooped her up in his arms, bridal style, her small body fitting against his as if meant to be. With a mischievous smile, he said, "How about we go to that restaurant you've been craving all week? Your favorite, remember?" He glanced down at her, watching the anticipation in her eyes.
She wrapped her arms around his neck, her smile growing wider at his words. "Sounds perfect," she replied, a hint of excitement in her voice. "But first...carry me into the shower so we can rinse off this seawater?"
Namjoon chuckled and hoisted her up more securely in his arms, her body damp and warm against his. "Anything for you, love."
Her eyes met his, the depth of her love for him evident in every word she spoke. "I love you, Kim Namjoon," she repeated, her voice soft yet unwavering. "More than words can ever express."
"And I love you," he replied, his voice filled with sincerity. "You're my world, my everything."
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o2studies · 3 months ago
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21:47 || ༻`` 9 Oct 24 — Wednesday
Habits and productivity are going ever so sloooooooooooooooooowly....
My screen time has been improving, from about 6 hours daily to about 4 and I'm trying to keep mindful of how close to my face I hold my phone.
🦎 I also really need to do a more proper screen detox as I just don't know what to do with myself anymore, even if it's still about going on yt or social media. It's not that fun anymore. And I don't read that often at all now! Plus I've been getting quite bored of my spotify playlists and sometimes even just can't find any songs that I want to listen to..
But! I'm getting back into drawing a lot more often now, I've been practicing playing my violin too and am rereading They Both Die At The End by Adam Silvera for an easy read.
Currently still obsessed with 🎶 Sailor Song - Gigi Perez
Day 21 clean
Day 0
Floor time ☑️
Oh!! And recently I started making myself stickers again!! And I'm loving it sm!! I've got them stuck on my desk 😊
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// 🍊
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tinkaaabutt · 21 days ago
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Sailor song e.w
subtitle: “kiss me on the mouth and love me like a sailor”
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Inspired by “Sailor Song” by Gigi Perez
The waves outside the window were relentless, crashing against the shore in a rhythm that mirrored Ellie’s heartbeat. She sat cross-legged on the edge of her bed, strumming lazily on her guitar. The notes were soft and sweet, a melody she’d been working on for weeks but hadn’t quite finished. She glanced up from her instrument when you walked in, your presence like the warmth of sunlight filtering through storm clouds.
“You’re dripping on my floor,” she teased, smirking as she nodded toward your soaked sneakers. The late afternoon rain had caught you on your way over, and now you stood at the threshold of her room, curls sticking to your face, droplets clinging to your nose ring.
“And yet you love me anyway,” you shot back, your braces flashing as you grinned. Ellie chuckled, setting her guitar aside.
She reached for the towel she’d left on her chair and tossed it to you. “Yeah, yeah, come here before you catch a cold.”
You took it, playfully ruffling your curls before tossing the damp towel over her head. Ellie swatted at you, laughing as you finally flopped down beside her on the bed. She always loved how you brought chaos into her carefully ordered world—your laugh, your voice, your energy.
“So what’s that you’re playing?” you asked, tilting your head to peer at her guitar.
Ellie shrugged, running her hand through her short hair. “Just messing around. It’s… I don’t know, kind of inspired by that song you’re obsessed with. The one you keep singing under your breath.”
Your face lit up as realization dawned. “Sailor Song? No way!”
“Maybe,” she admitted, her ears tinged pink. She picked up the guitar again and strummed a soft chord. “It’s not done yet, though. Needs something.”
You leaned back, letting your curls spill over her pillow. “What’s it about?”
Ellie’s fingers froze mid-strum. She didn’t meet your eyes. “The sea. And… someone who makes it feel less scary. Like, you know, you’re not alone when the storm hits.”
Your gaze softened. “Sounds like someone I know.”
Ellie glanced at you then, her green eyes searching your face. The way you looked at her, with no hesitation, no fear, made her feel braver than she ever thought possible. You reached out, brushing a strand of her hair behind her ear.
“Play it for me?” you asked, voice barely above a whisper.
She nodded, starting from the top. The room filled with the soft strumming of her guitar, and her voice—low, raw, and a little uncertain—wove into the air like a promise.
As the song unfolded, you couldn’t help but hum along, your voice blending with hers in perfect harmony. Ellie glanced at you, and for a moment, it was just the two of you in that room—no storm, no world outside.
When she finished, you clapped softly, leaning closer until your shoulder brushed hers. “That was beautiful,” you said, your smile wide and genuine. “You’re beautiful.”
Ellie’s cheeks flushed, and she looked away, fiddling with the guitar strings. “Shut up.”
“Never,” you replied, laughing.
The rain continued to patter against the window, but neither of you noticed. Wrapped in each other’s presence, the storm seemed distant, almost a memory. The world outside could wait. For now, it was just Ellie, you, and the quiet song of the sea that lived in both your hearts.
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thefirstradiant · 3 months ago
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Suptober Day 8: Witch’s Brew
What’s My Flavor?
✨Wincest✨ Rating Explicit. Written for #suptober24 prompt: Witch’s Brew and kinktober kinks: choking, dubcon (but not really, just under the influence of magic), and tied up.
Words: 2.5k
Sam needs to willingly drink the antidote. Dean knows exactly how to pull that “yes” out of his brother.
A/N: Title is from a very Wincest-coded song, Sailor Song by Gigi Perez. Also this may be my new favorite lil thing I’ve written hehe
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The purple wisps of smoke continued to curl into the air and make Dean cough and splutter. Why did potion making always have to be so intense, he thought, annoyed at his own annoyance. It’s a magic potion, of course it’s gonna smell terrible and coat every bit of air in this tiny room.
That’s not the only thing Dean was annoyed at currently though. He stared at his stupid little brother. It was just supposed to be a regular witch-killing, or at least, witch-neutralizing. No need for annoying counter potions or dealing with this.. version.. of Sam.
But, of course, Sam’s sitting in a short wooden chair with ropes around his arms, legs, and chest, and a dopey smile on his face in this storm cellar of all places. He just had to take the knife, didn’t he?
“Well, boys, that’s my part done.”
Dean looked up as Rowena stepped back from the cauldron, nodding her head in satisfaction at the bubbling liquid. She had a flask poured out and set it down on the table.
“Now you need to get him to drink that. The whole thing.”
She spared a glance over at Sam, who was currently glaring at the potion, and continued.
“I don’t envy you. But, if you don’t, he’s going to be like this until he dies. Remember, he must agree to taking it. You can force him, convince him, anyway you like, but he must agree. Or else it will be useless, no matter how good a witch I am.”
Rowena took a long look at Dean like she was contemplating something, but then turned and climbed the stairs out without another word.
Dean felt the first spark of real fear cut through his annoyance. What if he couldn’t get him to drink it? They’d only reached one other victim in time, and had failed to get her to agree to the antidote.
The witch’s spell was a particularly awful one. As far as they could tell, she gave her victims a taste of genuine happiness and whatever they wanted until, inevitably, they died or killed themselves in some horrible, stupid way. None of them had wanted to turn back.
Dean sighed and looked back over at Sam, who hadn’t taken his eyes off the potion.
“We’re gonna get through this, Sammy. I don’t know how, but we will.”
Sam wriggled in his ropes and tried to sit up straighter. The glare at the potion became a glare at Dean.
“I’m never going back. I’m never drinking that potion.”
Damn. Not starting off great. Dean stood and advanced slowly toward Sam, ignoring the flask for now. The chill in the room became more and more apparent as he got closer. Was it Sam doing that? The witch? Or was it just worry trickling up and down Dean’s spine? He wasn’t sure.
He stood barely a few inches away from the chair, placed his hands around Sam’s bound arms, and leaned down to be even closer to him. He needed to make his brother see in no uncertain terms. Even through the haze of the potion, he should be able to get this. Dean made sure he was looking straight into Sam’s eyes before speaking in a slow, deliberate tone.
“Yes. You will be.”
Dean watched as Sam’s throat clenched and swallowed. He saw a shiver run through him and his face softened for just a second before glaring at him again.
Oh. Okay. Sure. If that’s how Sam wanted to play it, Dean could get behind it. He shook off the fact that it’s been years since Sam had asked for anything like this from him and the fact that he wasn’t really asking this time either.
Dean studied the man beneath him. His fists were clenched hard and he was trying to hide the heaving of his chest. So needy.
“Sammy. Look at me.”
Dean reached out a hand and forced Sam to look directly in his eyes again. He shuddered under the touch. Dean almost laughed. Sam’s been hit by a spell that gives him happiness and the desire to take whatever he’s always wanted, and this is what he responds to?
Dean lowered his voice to almost a whisper. He could feel himself already getting hard.
“Sammy, you idiot. You don’t need a potion for this.”
Sam groaned and immediately tried to pretend he hadn’t. He seemed like he was trying to look away, but couldn’t manage to tear his eyes away from Dean.
Dean could clearly see the bulge in his jeans where his legs were forced apart by the ropes. There wasn’t any denying it anymore. He’s kind of hot like this, Dean considered, surprising himself.
Sam eyes had shifted downward and locked onto Dean’s crotch, which he knew had a matching bulge. Sam began to whine. Standing over him, Dean felt very tall again, looking at a small, younger brother. So pretty, so eager.
“Shhhh, I’ll give you what you want, but you gotta drink the potion.”
Sam jerked up and stared Dean down. Apparently he wasn’t far gone enough yet.
“No.”
“Yes.”
“No.”
Dean growled low in his throat. His hand came on to Sam’s chest and pressed him backward.
“I’ll fuck that yes out of you if I have to, Sammy, don’t challenge me.”
Sam, for his part, just moaned and leaned into the touch, closing his eyes. He was so responsive it was rushing to Dean’s cock everytime he made a noise.
“Fuck, you really like that don’t you?”
Good to know, he thought, filing these things away for a less dire situation.
“I’m gonna untie you now. If you leave, you get nothing. Nod so I know you understand.”
Sam looked angry, but nodded a tad too frantically anyway. He’s really desperate for it, I wonder how many years he’s kept this inside.
Dean slowly untied all Sam’s limbs and his chest and allowed him a moment to stretch out before he gave him another order.
“Now, take off your pants and get on the floor. Hands and knees.”
Dean was almost surprised at how easy this was for him. It felt.. natural, especially with the way Sam responded to everything like he wouldn’t want to be doing anything else.
Sam moaned again and unbuckled his belt with trembling hands. He looked at the wall while stepping out of his jeans and throwing them aside before kneeling down, facing away from the table that still held the potion.
Mmm. Dean stared at his brother presenting his ass up towards him with his head hanging low towards the floor. Goddamn. Dean’s own jeans were painfully tight, so he unzipped them and pulled them down slightly to give himself some freedom.
The sound of his zipper echoed around the room and he heard a small gasp from Sammy as he waited for Dean to come closer.
Fuck.
Not able to wait any longer, Dean’s eyes raked the table covered in potion ingredients. Rowena must have used something mm- ah that’ll work. Dean grabbed a bottle of some kind of basic oil and settled down on the floor behind Sam. The potion was still within reach. Good.
“Dean..” Sam sunk even lower to the floor, only keeping his ass up.
“Oh, Sam, I don’t think a pack of wild werewolves could stop me now.”
Dean ghosted his fingers over Sam’s sides, pushing his shirt up and grabbing his hips.
Sam let out a delicious moan that had Dean pulling down his boxer-briefs immediately and finally getting a good look. He groaned. Sam’s little pink hole looked much as he remembered and a rush of how it felt came back to him suddenly.
His fingers began to glide over Sam’s hole and he dribbled a small amount of the oil onto them.
Sam gasped.
“Yeah, Sam? You’re ready, aren’t you?”
Sam pushed his ass back against Dean in reply and moaned low into the floor as Dean pressed a slick finger into him. He chuckled softly.
“Son of a bitch, Dean. Come on.”
“Always so desperate for me, aren’t you?”
But Dean gave him another finger quickly and started pressing in and out as Sam moaned openly and reached down to touch himself. Damn, that was hot.
Dean added a third finger, probably before Sam was really ready, but he didn’t care, he needed to fuck Sam NOW.
“Dean!”
“Mm, .. I’m gonna fuck you so hard.”
“PLEASE!”
Sam was clearly done with the waiting and preparation. So was Dean, he could hear himself breathing heavily. Dean gave Sam a few more thrusts with his fingers, Sam moaning in response, and then pulled them out, purposefully snagging on his rim.
Sam was whining and pushing out toward Dean like he was trying to get his fingers back in him. Like he needed something in him.
“Mmm come on, Sammy, hold on. You know what’s coming.”
Dean smiled as he dragged his fingers back over Sam’s hole and he twitched delightfully. Mmm. Gorgeous.
Dean shifted back onto his knees and rested down on his legs. While Sam couldn’t see him, he grabbed the flask full of thick purple liquid and placed it behind himself. He was surprised he even had enough presence of mind to remember the potion, with Sam still stretched out on the floor in front of him, hair a complete mess and back covered in a soft pink blush.
“Turn over.” He ordered. “Now.”
Sam wasted no time at all and breathed out softly while turning to lay with his back down on the cold floor. Dean could see that the blush continued over his stomach and the part of his chest peeking out from under his shirt. There was a light dusting across Sam’s cheeks too. He was warm to the touch and Dean couldn’t help but run his hands all over Sam’s sides and hips.
“Mmm. So perfect.”
“Dean.. please.”
“I’ve got you, Sam. I got you.”
He shifted and pulled his jeans down a little more so he could get his boxers out of the way. Finally, with a deep groan, Dean pulled his cock out free. He gave it a few long strokes, the friction felt so good. And Sammy looked even better, zoned out and desperate for it. Open. Waiting. For him. Dean couldn’t hold on a second longer.
Dean grabbed Sam’s hips and lifted them over his own until he was practically in his lap. They were so close. He could feel every movement Sam made, while he tried to squirm closer to Dean’s hard cock. They were lined up perfectly.
“Alright, Sam, you ready?”
“YES. Dean, I’m ready.”
Dean took a deep breath and pulled Sam toward him, impaling him ever so slowly on his cock, until they were flush against each other and he couldn’t think anymore.
Fuck. Sammy.
Dean groaned loud against the walls of the cellar.
“Damnit Sam- Sammy. Oh god. So tight.”
Dean looked up at Sam’s face again. It was flushed red, but Sam was grinning, smiling like he’d gotten exactly what he wanted. Dean rolled his hips into him and felt a stab of pride at watching Sammy’s smile slip to an open mouthed moan of pleasure. He pulled moan after moan out of his brother’s mouth as he began rocking steadily into him. Damn his sounds are so hot.
Sam was breathing out a quiet stream of yes yes Yes YES with every thrust of Dean’s hips. Dean smiled to himself. Well, if he got a yes for that..then-
He reached behind himself to close his fingers around the now cold flask. Bending over Sam to reach his face pressed him in so deep, both of them let out a groan.
“Mm come on, it’s time.”
Sam opened eyes he had shut when Dean pressed into him and flicked his gaze to Dean, to the flask, back to Dean, and back to flask again. He looked like he was about to protest, so Dean changed the angle of his hips just slightly, where he knew Sam wouldn’t be able to resist.
Sam’s eyes rolled back in his head as Dean hit that perfect spot inside him and his hands flew out to either side. Then, very quietly, almost so Dean couldn’t hear, he replied.
“Yes, Dean.”
And Sam left his mouth hung open, waiting.
Dean was flooded with immense relief and red-hot lust at the same time. He dragged his free hand up to land on his brother’s neck and started to pour as much of the potion as he could into his mouth. Then he massaged his neck until he’d been forced to swallow all of it.
Without stopping the movement of his cock inside Sam, he kept this up until the flask was completely drained. Only a drop remained, dribbling from Sam’s lips as he tried to breathe. Dean released the flask and his hand that was holding Sam’s neck.
“There. You did it.”
But Sam looked desperately out at his brother and grabbed the hand that had been around his neck to bring it back to where it belonged. He patted Dean’s hand where he had rested it back on his throat in a silent, but blindingly clear, message.
A rush of heat went straight to Dean’s head and cock and he found his vision went a little hazy from the pressure. Damn, the things he does to me. He’s insane.
Dean closed his hand around Sam’s throat anyway, no longer trying to make him swallow, but instead trapping all his air. He brought his other hand to wrap around Sam’s throbbing cock, leaking a steady flow of precome.
Sam groaned, as much as he could while his airway was being blocked, and arched his back toward Dean. He’s so beautiful like this, Dean thought. Sam’s face wore an expression of absolute bliss and lust. Dean wondered vaguely how many times he’d ever get to see that look on his brother’s face.
“Sammy. Oh, Sammy. Come for me.”
That was all Sam needed to start shaking. His mouth opened in a silent scream or moan or gasp or something, Dean wasn’t sure, and he was coming all over Dean’s hand. It felt like he came forever, thick white stripes coating his palm, and rolling and clenching around Dean’s cock.
Would he?.. Dean wondered and decided to test his theory. He brought his filthy hand up to Sam’s face and covered his mouth with it. Dribbles of come started to mix with the remnants of the potion on Sam’s lips. He loosened the vice grip on Sam’s throat just enough so he could start gasping into his hand.
Sam’s eyes opened briefly, glanced at the hand with a flash of understanding, and closed again. Then his tongue came out and danced over Dean’s palm, licking up as much come as he could reach. No hesitation whatsoever.
Dean’s groan was so low it was almost impossible to hear.
“Fucking hell, Sam. Fuck- I’m coming.”
Dean’s hips gave one last wild thrust into Sam before he pressed in all the way and held there, head hanging down and limbs shuddering. The buildup of pressure that had begun with Sam tied to that damn chair released deep into him.
“Damn.”
That was the most intense orgasm Dean’s had in.. well probably ever had. He looked up to check in on Sam who, for what it was worth, looked much more lucid than he had in awhile.
“Hey. Sam, you back?”
Sam’s voice was breathy and raspy as he coughed and attempted to respond.
“Yeah.. yeah, Dean, I’m back.”
It worked. Thank god. Dean sighed and reached out a tired hand to pat Sam on the chest. He sat back, not wanting to pull out of Sam just yet. He didn’t want to ever be apart from Sam again.
“Good. Welcome back, little brother.”
FIN
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1ovemelikeasailor · 5 months ago
Text
Savior pt.2
AGAIN WITH THE SONG DONT MAKE ME YELL AT YOU GUYS YALL SHOULD KNOW BETTER.
"Sailor Song" -GiGi Perez
Summary: both kids in denial, for different reasons.
Jenna Ortega x Female Reader
HIGHSCHOOL!AU
Check out pt.1
-
No one's POV:
Eventually both of them left. Jenna left off to church by herself—it wasn't even a church day, but she told Y/n she had to do something. Y/n went off to walk, just walk wherever she could.
-
Jenna plays with her golden cross looking at the stand in church. No one was in, it was just Jenna sitting where she usually sat at church. She couldn't move, just stare.
She replays the moments in her head—the moments where you told her you were there...you were here. Whats wrong with her? What's happening? She stares at the statue of Christ behind the stand. She doesn't get it, she doesn't get whats happening—why it's happening to her?
"God, please, tell me what's wrong—I don't understand! Why—" Jenna starts crying talking to herself.
-
Saturday
It was now the next week at church.
Y/n had already arrived with her family, just listening to the speech the pastor gave every weekend.
There was Jenna..sitting on the other side—looking at Y/n. At. Y/n. She cursed herself for even letting her eyes catch a glimpse of Y/n.
What have you done to her?
Eventually the speeches had finally end—Y/n already knew the drill going around the church. She walked around seeing someone.
"Jack? You go to church?" Y/n furrows her eyebrows extremely confused. Jack couldn't sit still for even a minute—especially in class, now church? That's way longer than just a class.
"Uh, obviously not, but me and Mason were about to go out to eat and he said you'd be here. So you down?" He asks, looking around. "Oh—"
"What?"
"Jenna. It's Jenna. Shes starring—"
"What?" Y/n looked even more confused.
No amount of times Jenna can pray, this won't go away. You won't go away, and she hated herself for it.
"Okay that was weird—she looked away already."
"Uh, yeah, wanna go out to eat now?" Y/n suggests, he nods and they both leave on their way. Jenna's in the aisle they are walking out of. As soon as they pass her a bump hits Y/n's shoulder. It's Jenna walk right past her.
"Hey—!" Jack was about to say something before Y/n hits him in the stomach. It makes him groan in pain, holding his own stomach.
"This is church Jack, not school, c'mon man."
"Whatever, Jenna's bad news, man."
-
Monday
Y/n's music is interrupted by her headphones being taken off. Her eyes shoot up to the person who did.
"Tough day?"
Y/n doesn't respond, grabbing her headphones back. She goes back to listening to music.
"Understandable." Jenna nods sitting next to Y/n. She takes Y/n's headphones again.
"Jenna—stop."
"No. Why are you mad?"
"Why are you here?" Y/n snaps.
"Cheer."
"Right, cheer practice ended an hour ago." She scoffs leaving Jenna speechless. "Why are you really here, Jenna?" She raises her eyebrows, but Jenna doesn't respond.
She couldn't tell Y/n the truth. She couldn't tell her she was here because she wanted to see her again. She couldn't tell her she wanted to look in her eyes because it felt like home. She couldn't tell her the amount of times she tried to pray this away—she couldn't tell her how many times shes looked at her in church or school. She couldn't tell her she wanted you to herself. She couldn't even tell herself that—so how could she tell..you?
"Hello?" Y/n looks at Jenna zoned out. "You missed me or something?"
Jenna laughs.
"Me..? Me miss you? Are you fucking kidding?"
Y/n's never heard Jenna cuss before.
"Of course I wouldn't miss a queer kid like you! I just felt bad for you—call it pity, yeah?" Jenna tells her, no remorse. The immediate regret fills Jenna's eyes.
Fuck.
"Why do you do this, Jenna?"
"What are you talking about?"
"You put this whole personality on—"
"You don't know me."
"You're right." Y/n gets up grabbing her backpack. "I don't. Don't know why I even tried." She scoffs.
She watches as Y/n walks away from her. Her heart pounding wanting to go after her, but her feet staying in the same spot. She sees you get farther and farther away from her.
Y/n was right, cheer practice ended an hour ago. Why was Jenna here..?
-
Tuesday
"I don't want to say told you so but—" Y/n cuts Mason off.
"Not in the mood, Mase."
Jasmin reads your facial expressions.
"Wait, did you actually like this girl? Y/n we told you she's bad news—for you, for everyone. Not to mention what she did to Jack."
Jack looks up at Jasmin.
"Jasmin."
"Sorry—sorry, just had to get my point across."
"There was something about her—something, Jas."
"Or maybe shes just a bitch?"
"Okay, Jasmin. Let's stop." Mason stops Jasmin.
Y/n thinks back on the moment. Jenna's brown eyes looking into her eyes. Her brown wavy hair dangling from her small ponytail. Her black leggings and small school crop top. The way they talked that one day underneath the bleachers—like it was just them. Just..them.
Y/n wouldn't mind falling in love with a girl, if that didn't mean falling in love with... Jenna Ortega.
-
Jenna paces back and forth in her room. Her golden cross now becoming very breakable in her eyes. She see's her own bible in the corner of her eyes. What are you doing, Jen?
Tears feel her eyes, she doesn't know what to do. She's never felt this way before—not for any...girl. Jenna didn't want to go to hell. All her life she was told that she'll marry a nice man, have kids, and become a housewife. Her whole life she was told that Y/n was a bad person for who she liked. She liked girls, the same gender, thats not suppose to happen, but now it's happening to Jenna.
Jenna wouldn't mind being in love with Y/n, if it didn't mean being in love with...a girl.
-
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theoccultz · 1 day ago
Note
Hi Aaron!😇 I'm Alexa she/her and I'm here for your tarot game.
My question is ⭐️ What can I expect next year? As in what opportunities are coming my way.
My favorite planet is Jupiter🧚‍♀️
Some intuitive msgs for you : Spear, necklace, Jeremiah, Heavenly, Arthur, Wind, 22, 44
Song for you : This is playing in my mind over and over since I started writing this ask😭
And I made a moodboard for you for good luck and for attracting new opportunities since my question is about the same😊
Tumblr media Tumblr media Tumblr media Tumblr media Tumblr media Tumblr media Tumblr media Tumblr media Tumblr media
I hope I included everything 😄
THANK YOU so much and take care!🩷
Hello
Thank you for your moodboard and messages .
Arthur edward waite??? He's one of my favvvv - fun fact he is the co- creator of one of my fav tarot decks .
Your cards : queen of wands , judgement combined with five of swords , 7 of swords
Any beginner tarot reader would be shit scared to see these cards lmao
Next year you can expect you fully tap into your potential, you can expect to have a boost in confidence I feel like in 2024 you worked a lot on your shadow energy so now your rewards for 2025 is to tap into your potential and make things happen for yourself , you are advised to enjoy life and also go with your intuition (for eg+ if you wanna invest in that stuff , what does your heart say about it ? In 2025 there's a lot of moving energy you are likely to be very busy and you are wanting experiences , I see you stepping out of your comfort zone with so much confidence I wanna congratulate you on this it's like you are not afraid you have so much faith in yourself .
Your blessings for 2025 is "energy " , it's one of the greatest blessings to have you'll likely become very organised and you will try out the things you never thought you would, it's like you will manifest things for yourself, if you have ever had this admirer energy for this "course of activity" and for some reason you didn't thought you would do that then in 2025 you will become that person or you will experience that yourself. Seven of swords here are representing playing smart so even though you have emotions and all this supportive energy you will pick and choose who deserves it , your energy is reminding me of someone who's stepping into their late 20's it's like at that time they don't give a shit about anything.
Did I mention you are not entertaining stupid people and situations that left you hurt you will be releasing that , you are also developing some great hobbies , you are also advised to slow down ...
I didn't pick up a lot on opportunities but I got creative endeavours which is one of my favourite energy to be in , because creativity is inspiration and 5 relates to creativity and expansion .
I feel like out of everyone you can for sure say that "2025 will be my year " 🙂‍↔️✋🏼
Thank you for joining!!
#vd
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deadcactuswalking · 28 days ago
Text
REVIEWING THE CHARTS: 30/11/2024 (Kendrick Lamar's GNX, Wicked Soundtrack with Ariana Grande & Cynthia Erivo, Stromae & Pomme)
Kendrick Lamar is Santa, Ariana Grande is Mrs. Claus, and God, do we have a lot of elves. I suppose that makes Gracie Abrams Rudolph, since she’s leading the pack for a sixth week at #1 for “That’s So True”. Welcome back to REVIEWING THE CHARTS!
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content warning: language, gang violence, potential spoilers for Wicked Part One
Rundown
As always, we start our week with the notable dropouts, those being songs exiting from the UK Top 75 – which is what I cover – after five weeks in the region or a peak in the top 40. This episode, we bid adieu to: “Two Faced” by Linkin Park and “Running Wild” by Jin – both off the debuts last week – as well as “São Paulo” by The Weeknd and Anitta, “Love Somebody” by Morgan Wallen, “Indestructible” by Andy C and Becky Hill, “TOO COOL TO BE CARELESS” by PAWSA, “Diet Pepsi” by Addison Rae, “BACKBONE” by Chase & Status and Stormzy, “Slow it Down” by Benson Boone, “The Sound of Silence” by Disturbed, “Prada” by casso, RAYE and D-Block Europe, “Riptide” by Vance Joy, and finally, “Iris” by the Goo Goo Dolls. It is safe to say that at least some of these tracks make their return once Father Christmas has dropped the gifts off at the chimney.
Now for the festive flood, and whilst I won’t mention gains for pre-existing holiday tracks outside of the merriest three, we do have plenty of Christmas-related returns this week – every year has the chart week where the floodgates open for holly jolly hits – and even some seasonal new entries which we’ll get to. For now, we welcome back: “Driving Home for Christmas” by Chris Rea at #75, “Holly Jolly Christmas” by Michael Bublé at #72, “Sleigh Ride” by The Ronettes at #66, “Let it Snow! Let it Snow! Let it Snow!” by the late Dean Martin at #65, “Step into Christmas” by Sir Elton John at #56 (I love that one), “Winter Wonderland” by Laufey at #55 (more from her later), “It’s Beginning to Look a Lot Like Christmas” by Bublé at #51, “Do They Know it’s Christmas?” by Band Aid at #45 and “Merry Christmas” by Ed Sheeran and Elton John at #31. Our three jolliest jingles are “Rockin’ Around the Christmas Tree” at #20, “All I Want for Christmas is You” at #10 and “Last Christmas” at #8. I would say it’s too early for all that but my tree’s already up, and the only gain we get outside of this is “Messy” by Lola Young at #41, which I can’t complain about.
As for our top five… I suppose it’s best to break the news now. Kendrick Lamar’s new #1 album GNX and the soundtrack to Ariana Grande-led fantasy musical film Wicked have both debuted three songs – the maximum under UK chart rules – and they’ve all landed high up in the top 20. We can see quite early how this affects us, as Kenny takes “luther” with SZA at #5 and “squabble up” at #4. The top three, however, has not shifted in the slightest, with “APT.” by ROSÉ and Bruno Mars at #3, “Sailor Song” by Gigi Perez at #2 and of course, Ms. Abrams at the very top. Now, before we get into the big events, we of course have the filler episodes.
New Entries
#67 – “Christmas Magic” – Laufey
Produced by Laufey and Spencer Stewart
We start our week – of course – with the Amazon Originals. For those who don’t know, Amazon Music makes original holiday tracks with often famous artists, either for their bargain-bin Christmas films or as standalone tracks that automatically play when you ask Alexa for Christmas songs, hence run the streams up from automatic and passive listening but don’t have much of an impact on a lot of the population’s streaming rotation because they simply do not have access to it. It’s a questionable approach, for sure, but now it has been the norm for so many years, I no longer feel the need to complain about it. I used to review suggestions in protest, but this year, I decided that it’s really not difficult to find these songs without an Amazon product or subscription, and I may as well review them even if for the most part, they’re just vaguely festive slop. Plus, sometimes they are cover versions and hence I can talk about chart history. This does not appear to be the case for either of our new Amazon tracks, starting with Icelandic jazz singer Laufey’s “Christmas Magic” – if there’s any time of the year where her bordering-on-easy-listening style is going to gain the most traction, it would be Christmas, and this is fully a traditional Christmas song, with bursts of swing sax and sleigh bells backing what is basically a list of clichés. Laufey sounds nice as always, but it’s so short and there’s so little to it in all avenues of music – performance, lyrics, instrumentation – that it really can’t rise above vague pleasantry.
#49 – “It Can’t Be Christmas” – Tom Grennan
Produced by the Ghosts of Capitalist Past, Present and Future
Find Tom Grennan in around 30 days time and tell him what day it is, he won’t believe it. Anyway, we have our second Amazon-exclusive track, another original, this time from British pop-rock boy Tom Grennan, a semi-regular fixture on this series for the past few years. The horns are flatter here than on Laufey’s song, the tempo is fixed at a staggered classic soul pace which has never always fit holiday music for me – it’s usually used for Christmas songs that are more longing relationship, by-the-fireplace kind of songs, but there’s a cold angst to that drum rhythm to me, especially when in this context of a manufactured mix and song structure cut down for optimal length and audience retention. Grennan’s delivery flails into a really pathetic rasp, especially in that rough bridge, it sounds like a first take, and the staccato backing vocals don’t do much to sugarcoat it. It plays out less like an original Christmas song and more drunken karaoke from a wannabe Teddy Swims. Thanks, Bezos, we really needed this in the repertoire – besides, if you’re going to make a sincere attempt at introducing your song into the Christmas canon, why make it platform-exclusive to a platform largely not considered a major competitor in that particular medium? It’s like making a blockbuster film only available in cinemas located in Bedford – like, sure, people can see it but you have to go to Hampshire and not everyone’s going to be in Bedford all the time, in fact, most of the country won’t, though it’s not that difficult to get to anyways. And yes, Tom Grennan is from Bedford, and no, I didn’t know that before I wrote this analogy in, seriously.
#21 – “Ma Meilleure Ennemie” – Stromae and Pomme
Produced by Stromae, Mako and Luc Van Hayer
So, this kind of came out of nowhere. Stromae hasn’t charted internationally in a while and does not do so very often nowadays, especially in the UK, but he’s a Belgian singer best known for his 2009 smash hit “Alors on danse”, which this has amazingly out-peaked and once I found out why, I was a lot less excited to figure out why this duet with French singer Pomme had made a big splash when no non-massive event is otherwise getting through the holiday freeze. To keep it simple, as we’ll be talking about in-universe nonsense a lot for the rest of this episode, this is a song from League of Legends spin-off Netflix series Arcane, about a complicated relationship between two characters that starts off really antagonising and blossoms throughout the series, especially the second season which has recently premiered. I actually really like this song too, with the slightly off robotic vocoder functioning as those emotions coming to boil and bubble up inside the two characters, but not feeling too coherent yet, and Stromae’s spoken delivery fitting wonderfully over a reggaeton beat with a lot of space in the mix for phased wave synth pads and choir swells that take a human touch to a potentially over-produced and slodgy rhythm that comes with slowing a reggaeton drum pattern down and fuzzing out the mix. It’s a pretty good song outside of that, on strength of its chorus and concept, which fits what I’m told is the premise about a city and its seedy underbelly. If there’s cyborgs in the show, this is such a cyborg-coded song, and that’s the kind of in-depth observations you read this for. Between this and “Enemy” a few years back, maybe this show has something to it. Now speaking of shows I’m out of my depth on…
#17 – “What is This Feeling?” – Ariana Grande and Cynthia Erivo
Produced by Stephen Schwartz, Stephen Oremus, Greg Wells, Jon M. Chu, Marc Platt and Maggie Rodford
So, I have not seen Wicked, and I probably never will – it’s the first part of a musical I have no interest in stretched out to a film adaptation of two and a half hours. No amount of positive reception will bring me to see that. However, I had cleverly predicted this outcome and enlisted a duo of undercover spy agents to research and recount details of the piece to inform and assist with this episode. For the sake of anonymity, I shall call them Jessie and James, and yes, I’m Meowth, that’s right. Bear with me here, as like a third of this episode will be plot details for a movie I haven’t seen, but I will try and keep it brief as unlike Kendrick’s songs, these have very little chance of sticking around once the hype has dissipated. This song is from when the two students at “Shiz University” (again, bear with me) first meet: Galinda, an elite sorceress played by Grande, and Elphaba, the titularly wicked witch played by Erivo, write to their parents about each other and their initial experience as roommates. Apparently, this is near-unchanged from the musical version (which is itself adapted from a novel, itself adapted from The Wizard of Oz), and acts as a reversion of the “hate-to-love” trope in conventional musicals, by presenting two characters who absolutely love to hate each other and finding exhilaration in a quickly-onset and potentially longstanding loathing. My secret agent calls it a “toxic yuri anthem”, whatever that means – I like the intensity of the strings and especially the horns as the song ramps up, and for a show tune, the soundtrack version is less flat than many a musical track sounds in studio quality, even if the drums don’t hit like they should. I do find Ari – sorry, I mean Galinda’s lengthy description of her green counterpart being met with a short and snappy “Blonde.” from Elphaba pretty funny and, if I were more attuned with the narrative, probably an appropriate summary of their characteristics. A song about mutual hate written as if it were a cutesy love ballad is a cool take, especially in the bombast of a musical, but it doesn’t fully connect with me all the way through, it loses me a bit once we get into the choir parts. You know what didn’t need to take time to lose me?
#13 – “Popular” – Ariana Grande
Produced by Stephen Schwartz, Stephen Oremus, Greg Wells, Jon M. Chu, Marc Platt and Maggie Rodford
Now I do know this one! Is it because Ari had covered it prior with MIKA? Yes. Do I like that version? No, it’s horrible, but that is in part why it stuck with me and also in part why I cannot watch this film, as if I at any point think of MIKA in a cinema, security may need to intervene. Yes, I still find this song really annoying in whatever form, but what I didn’t know until now is that I’m somewhat supposed to. The musical’s most famous but not most iconic track, performed by Galinda alone, shows her as a bit of a smug, superficial pest obsessed with “improving” her newfound friend Elphaba that she sees as needing to be changed drastically to gain approval from her peers. The “la-la-la” hook is still incessant, but it plays onto “political performance themes” (quoting my spy) and given its status as both a fan and general audience favourite, I’m sure it’s exciting in the film’s context, and though one of my confidantes loved the extended outro, I find lengthening “Popular” to be somewhat like making sure your murder victim gets slapped around before you stab him, especially since the instrumentation is largely barebones. I get why the song is like it is and at least it’s not the MIKA version, but I’m still not a fan.
#7 – “Defying Gravity” – Cynthia Erivo and Ariana Grande
Produced by Stephen Schwartz, Stephen Oremus, Greg Wells, Jon M. Chu, Marc Platt and Maggie Rodford
It turns out, coincidentally, that the songs’ chart order also reflects that of the musical, so we observe the character arcs in real time. A seven-minute showstopper, “Defying Gravity” may be the most impressive number, so immersive as a song in thematic context that it’s part of why the film has been split into two different parts instead of released as a whole: it’s built specifically to bring a curtain down to intermission, so the producers cut the film not long after so the events following such a grand, iconic moment didn’t end up “hugely anti-climactic”. I mean, the song is called “Defying Gravity” – leaving the audience with a song that, according to my team of associates, gives them goosebumps, may be more powerful than bringing the film back down to Earth at any point, if it were possible. For the sake of chart history, Elphaba’s stage performer Idina Menzel recorded the song as a single, and therefore, this is the one song from the musical we get here to have charted several times, first with Menzel for a #60 peak in 2008, secondly with the cast of the TV sitcom Glee in 2010 for a peak of #38. To track that in the real world, the #1s at those dates were Rihanna’s “Take a Bow” and Tinie Tempah’s “Pass Out”… which both kind of make sense for such an extensive, transforming song about the two main characters coming to grips with how they’re just too vastly different to go in the same direction, and because of that, it’s a particularly powerful song for Elphaba. One of my friends – I mean, undercover employees prefers Adele Dazeem’s version but Cynthia Erivo’s performance here took me aback by sheer strength in just the audio so I’m sure I’d be impressed seeing its scenes play out on screen or stage. That hook really clings to you as an earworm and whilst getting there each time may not be the most fun to follow, that makes it all the more satisfying once you’re there, and this really is a special tune, even out of narrative context, so I completely understand why, despite the length, this is the highest-charting from Wicked. Once again, thanks to Team Wicked for equipping me with details regarding the film and its source texts because doing actual research is for nerds. Who the Hell would write a chart show based on actual research, facts, history and fair analysis for over half a decade? ...Well, maybe Spectrum Pulse.
#6 – “tv off” – Kendrick Lamar featuring Lefty Gunplay
Produced by MUSTAAAAAAAAAAAAAAAARD
All three of Kendrick’s top 10 debuts from his most recent surprise album – dropping in the middle of the afternoon UK time last week – appear in a row from #6 to #4 and we also don’t get any of the denser tracks, which is to be expected but does mean we partially lose a layer we could use to discuss the album with. This isn’t a problem, though, for if there’s any album in his discography that Kendrick wants you to feel and not overthink about, it’s his series of West Coast tributes seemingly made in just the past few months that he calls GNX. I’ve always been less enamoured by Kendrick than many others, because of what in my opinion is a spotty catalogue and messy approach from his output, DAMN. onwards, but a lower-concept, mixtape-esque record from him may be just what I’ve wanted him to get at since To Pimp a Butterfly. There are themes worth getting into on this album, for you to evaluate and take piece by piece, but there’s nothing cryptic, which isn’t necessarily a problem for me regardless, I can enjoy plenty of abstract rap, but it also means the album’s less heavy, more of a concise product that tells you quite explicitly how Kendrick is feeling. Hateful, he is feeling hateful and he's absolutely proud of finally having the angle and time in his career where proving himself isn’t necessary, and he can pull up to the Super Bowl with a set of new bangers he hasn’t gotten sick of yet, or even thought too hard about in the first place. There’s a real release in this album that comes with the post-Drake beef success: near-unanimously crowned the winner, dragged through the mud and coming out clean as a whistle in the public’s eyes, he realises that he can show off some jams that’ll resonate with his folks in California and boost that scene to worldwide status. As silly as it sounds, it might be my favourite Kendrick Lamar album.
Now as for the three track we have here, I’ll zoom through them, as we have two energetic West Coast bangers and one R&B cut, starting off with what might just be my favourite track, and I’m sure many agree: “tv off”. Produced by Mustard, who takes the same Monk Higgins album to flip as he did for “Not Like Us”, alongside Sean Momberger, Kamasi Washington, Jack Antonoff (of all people, he’s all over the record) and Kenny’s long-time producer Sounwave, Kendrick starts off with what may be the mission statement of the album: he’s finally bought his dream car, and he’s set out on the goal of making hits for the people: “fuck being rational, give ‘em what they asked for”. Once letting you know his rationale, he sets the score over a shrill sample chop that rings of all the malice he self-admittedly approached this project with, the beat animated by his manic flipping between his now signature goofy voice (a nasal whine), restless yelling and deadpan, sick-and-tired rambling. The main conceit of the song is authenticity, how Kendrick feels like he’s the only real one in the game, and there are not enough people like him, which leads to catchy flows and great brags like how he can afford to cut his grandmother off if she doesn’t agree with him (so much for keeping the family close), but also comes with the underlying knowledge that he’s admitting he himself is not enough to save his culture from losing the plot. Of course, the song only really switches into gear with the beat switch, as over a menacing loop from a Disney soundtrack of all places, Kendrick memetically screams “Mustard!” when the beat drops as if the guy who produced “Freaky Friday” was a Dragon Ball antagonist. His scream is not just for the meme, though, he explains why: he wants to walk into the Super Bowl in New Orleans, Louisiana with the energy of his hometown of LA, and part of that is screaming California’s biggest producer as part of Kendrick’s own personal victory lap. That’s kind of beautiful, but you wouldn’t know it from Kendrick’s grimy verse and intricate rhyme schemes all enveloping from an already ruthless Biggie interpolation. I particularly love the second half verse from the “prophetic”-“cosmetic” bar onwards, the fricative mouthful leading into that second pained “Mustard!” release is such a great moment. And if you don’t know who Lefty Gunplay is, well, you weren’t supposed to, not only was he initially uncredited but he, as one of many West Coast underground rappers Kendrick gave shine to on this record, only provides the outro here, itself a bit of a memetic mantra of how it can get “crazy, scary, spooky, hilarious”. Theories have arisen that this reflects Kendrick’s four main diss tracks against Drake, but I see this more as just what happens when you see Kendrick in this aggressive mode because this album shows that it can get as zany as it can get genuinely threatening, and Lefty Gunplay’s voice fits like a glove, as expected for a largely unknown California rapper – there are a few others on the album, with Dody6 and AzChike in particular giving really standout performances. Part of me wonders if Lefty had a longer verse on this and that one line was just the part Kendrick liked the most so he looped it at the end. Either way, let’s move on to:
#5 – “luther” – Kendrick Lamar and SZA
Produced by Sounwave, Jack Antonoff, Kamasi Washington, Bridgeway, Rose Lilah and M-Tech
Earlier on in the album is a more lowkey cut with SZA, the laidback duet “luther”. One of the few tracks of its kind on the album, it is an honest-to-God love song from Kendrick, promising his girlfriend – presumably his fiancé Whitney, played by SZA – that better days are coming, in part because he’s there for her and is on the way to make her life as perfect as he sees her as. Kendrick promises that if the world was his, she’d have no enemies – in this case, he says he’d gun them down, of course – and wouldn’t have to suffer any pain, playing on the sample from “If This World Were Mine”, specifically the cover by Cheryl Lynn and Luther Vandross. As with many SZA tracks, it’s a piano and acoustic guitar-led trap-inflected slow jam, but with all kinds of very special and very Kendrick additions, like the string swell that tries its hardest to make you not notice that Kendrick’s first verse is the same set of bars repeated with two extra bars (it’s not fully successful), and how the beat is reduced to just the bass mid-verse so Kendrick can play with his “fah-fah” ad-lib melodically for longer than he needs to, but it’s still cut and further immerses you into the fantasy of a perfect world. For the rest of the song, SZA and Kendrick switch from going back-and-forth, completing each other’s sentences on the second verse, to harmonising entire verses and refrains together, in a catchy serenade that still plays with the pace of the lengthy chorus in interesting ways, whilst having Sam Dew and Ink fill in some of the vocal gaps Kendrick simply can’t. Kendrick’s less-than-perfect vocal here is part of the self-deprecation he accumulates in the song – he’s helpless to reach his goal of having a perfect world he has control over, but it’s in pursuit of this perfect woman who loves him regardless: “she a fan, he a flop, they just want to kumbaya”. Overall, it’s a charming, loveable little track that I’m very glad was included and could see sticking around – as much as I love it, “tv off” is probably being swapped out next week, but the higher two are probably going to be charting for a while.
#4 – “squabble up” – Kendrick Lamar
Produced by Kendrick Lamar, Bridgeway, Jack Antonoff, Sounwave and Matthew “MTech” Bernard
Unlike how the three-song rule often dictates, we do not see the opening track on the chart this week, primarily because “wacced out murals” is a five-minute villain origin story that is coldly intense and thematically necessary… but not as much of an undeniable jam as its follow-up, “squabble up”, which appears to get the lead single treatment with a midweek video and it should be obvious as to why. First teased in the “Not Like Us” video months ago, “squabble up” starts with intense breathing under Kendrick’s promise that he’s back: one of the album’s main themes is reincarnation, and here, he sets the stage for an album that’s bangers on bangers by saying he’s done stargazing and back outside for the people, whilst also referencing the sentiment that he considers himself Tupac Shakur reincarnated, a longstanding idea in his catalogue. Sentiments are hardly what makes this song great, though, as it’s named after LA slang for a brawl as Kendrick, with a lot of wacky choices of imagery and great wordplay – sometimes about his own producers (again) – over a groove that caught me in a trance on first listen, especially with that phased 80s synth bass, taken from Debbie Deb’s freestyle classic “When I Hear Music”. The vocal sample from Debbie isn’t interpolated in any way but its theme of dancing to the music takes on a different meaning in this more sinister context – Kendrick’s guys are on the floor for different reasons. The group call-and-response vocal in the bridge comes with intrusive drum crashes, and the third verse has so many cute details in how the sample is glitched and chopped into sparkling sound effects and vocoder loops that you almost get distracted from some of the funniest lyrics in the song, especially the flatly-delivered couplet “Bitch with him and some bitch in him – that’s a lot of bitch / Don’t hit him, he got kids with him? My apologies”. One could complain about the relatively simple and staccato hooks here, but the off-key singing in the chorus has always been part of Kendrick’s charm and why he can appear so down to Earth compared to rappers who will use Auto-Tune for a hook like that, and the rubbery effects in the post-chorus keep it texturally rich. This will have its chart run hampered by Christmas, but I still can’t imagine it not sticking around because this is infectious in all the best ways, and also a fun way to wrap up the episode.
Conclusion
Kendrick sweeps, as you’d expect. He grabs Best of the Week for “tv off” with Lefty Gunplay, and just to be fair, I’ll tie his Honourable Mention for “squabble up” with “Defying Gravity” by Cynthia Erivo and Ariana Grande. As for the opposite side, Tom Grennan takes Worst of the Week for “It Can’t Be Christmas”, obviously, and though I’m personally scared of my undercover assistants’ capabilities and mob connections, I will also dare to give Ariana Grande’s “Popular” the Dishonourable Mention. I’m sorry, the song will never click with me. As for what’s on the horizon, I can’t imagine much else but Christmas tunes, particularly a new one from Ed Sheeeran, so strap in, folks. We’re in for the slowest month of my year. For now, thank you for reading, long live Cola Boyy, and I’ll see you… soon.
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your-local-peson · 4 months ago
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Why do the most heart wrenching songs start playing at the worst times? Like, no! I don’t want to listen to sailor song while I’m think about all of my friends and how I’m leaving them when I graduate…
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owuwi · 1 month ago
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im learning sadness as a gift by adrianne lenker and sailor song by gigi perez :) you should totally start learning, it hurts your fingers till you build up callouses, but its so fun and worth it
dude i looove those songs!! i can never listen to them without crying though;( and i really think i'm gonna start learning, i've been wanting to play the guitar for years!! my cousin was selling his, i'm going to check if he still has it...
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sillystappen · 2 months ago
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🤡🛒🌞✅🔮👄💻🎬
Thanks, and have fun!
HOLA ok we got more lets fricken go!!!
🤡 What's a line, scene, or exchange you've written that made you laugh?
I like to think I have some good funny moments scattered here and there. But I think the award has to go to this line in Come On Over And Ruin My Life
He [Checo] listens and adds in the occasional "yeah?" to keep Daniel talking and giggles (?!) at some of the lame jokes he makes.
Idk I think the (?!) is pretty good.
🛒 What are some common things you incorporate in your fics? Themes, feels, scenes, imagery, etc.
I have answered this before BUT I HAVE MORE TO SAY. I spend more time focusing on my characters then I do a place or setting. I want you (yes you specifically) to connect and understand them and feel as they do as the story unfolds. I want you to see through the main characters eyes and understand the depths of them. The characters are little bits of my soul woven into words and more than anything I want people to see them and love them.
🌞 Do you have a preferred time of day to write?
Not really. Any time but the mornings to be honest because mornings are for dragging your ass to do things as you contemplate the meaning of your existence. Anyway if I think of where a scene or story goes, or even a new idea, I just write it asap so I don’t forget. Though most of my writing is done between 5pm and 1am.
✅ What's something that appears in your fics over and over and over again, even if you don't mean to?
Starting sentences with And, using the expression God a lot and swearing so much that I would have infinite amounts of community service. 
🔮What's your favourite plot twist you've ever written?
I know the answer but I can’t tell you. Clue: 🫦🌊
👄 Your OTP are having their first kiss. What song do you imagine is playing?
Oh shit well it really depends on the universe and story. But if we are being the most generic and ignoring the fact that Max has no music taste then it has to be either…
Nostalgic Love Rock by late night drive home
I love this song to death. I picture this song quietly in the background, maybe at Daniel’s place or just in a more public setting or perhaps Daniel has plugged his phone to Max’s speakers. It’s a sweet moment, one that’s just sharing gentle presses of lips and holding the other close then the kisses get longer but by no means heated. That feeling of finding home and your person just swelling around them. Lovely stuff. 
OR Sailor Song by Gigi Perez
Ok this you gotta picture it. It’s been building - this thing between them. They both know it, even if they’re denying the other and have never spoken a word about it. It’s a pull, it’s a force, perhaps they’re running out of time and neither want to lose this. Listen to the song and when it’s the chorus the second time it goes, “right now, oh won’t you KISS me on the mouth.” And at the word kiss it happens. The string has snapped and they’re both desperate, hands on each other's back, cradling the back of their heads as their lips move together. Like everything is falling into place. 
💻What do you write your stories on? Laptop, phone, paper, etc.
Ok so if I’m really serious about a story or concept it will go in my notebook. Just a plan and rough notes to help remind me. If I am out and about I may jot things on my phone but most of the actual writing is done on my laptop, which may I add is absolutely covered in stickers.
🎬One of your fics gets turned into a TV series. Which one is it and what network is it on?
Ooooh ok I think it’s got to be Is It Chill That You’re In My Head? and that bitch is a CBBC drama. (Idk American networks I’m British lol). It’s a little cheesy, got a bunch of ups and downs that Max and Daniel navigate together, but the audience love their chemistry and the side characters who always have some bs to say and in the end the series finale is their graduation. It’s not Disney Channel because that would make it too fake and cringey (no offence) and CBBC would have it be a bit more serious. Target audience is 13-17 year olds. I like to think it would be that one show clipped on to TikTok and then people find it like WOAHHHH what is it and where can we find it? Once the series is over perhaps Netflix can get some rights to show it to a global audience. The name would change from fic to show, and I think it would just be called Golden (BECAUSE IT'S A COLOUR I USE HAVE I MENTIONED I LIKE COLOUR).
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avkizi · 1 month ago
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HAPPY SHIFTMAS GUYS IM GONNA TRY AND DO THIS
day 1: what are a few songs that remind you of your dr? why?
mcga dr
constellations (the oh hellos) red wine supernova (chappell roan) sailor song (gigi perez)
i can imagine scenarios with my s/o really well to these, and they make me feel rlly connected to valhalla and my dr in general for like no reason lmao
streamer dr
all i wanted (paramore) juno (sabrina carpenter) dear maria, count me in (all time low)
juno and all i wanted are both in dr scenarios i have and go back to a lot, and i can imagine my s/o doing karaoke to dear maria/other kinda mid 2000s pop punk emo ish music (he just gives that vibe yk) also theres that one tiktok of the guy singing in the car with his girlfriend and i immediately thought of my s/o upon seeing it
paranormal investigator dr
casual (chappell roan) wish you were sober (conan gray) everybody talks (neon trees)
they just fit the vibe tbh, my s/o and i started out as a kinda fwb casual thing and shit took off from there, so wish you were sober and casual kinda remind me of that transition. i have a dr memory (havent shfted there yet, but i get those sometimes) from when we played everybody talks in the car ride to my first haunted place ever
𝟐𝟓 𝐝𝐚𝐲𝐬 𝐨𝐟 𝐒𝐇𝐈𝐅𝐓𝐌𝐀𝐒. ❆ ⋆⁺₊❅ .
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a series of questions for the days leading up to christmas for shifters!! Some of these questions are Christmas specific and others aren’t, feel free to answer what you want and how you want, ex. moodboards, short answers, longs answers. And if you’d like, you can reblog so it reaches more shifters. Merry Christmas and Happy Shifting :) post tags are #shiftmas #shiftmas2024 tagged: @arishifter
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⌗ 𝟏. christmas caroling ; What are a few songs that remind you of your dr? Why?
⌗ 𝟐. gingerbread houses ; What does your house look like in your dr? Who do you live with? What is your favorite aspect of your house?
⌗ 𝟑. eggnog ; What is some drama going on in your dr?
⌗ 𝟒. sledding ; What does a hang out with you friend group look like? Where do you go? Who is your friend group?
⌗ 𝟓. snowman ; What is your OOTD? (outfit of the day)
⌗ 𝟔. stockings ; What is your family like? What are your relationships with different members? Any extended family? Who is visiting for Christmas?
⌗ 𝟕. candy canes ; What gives you dr euphoria? (like gender euphoria but for your dr…)
⌗ 𝟖. mistletoe ; Who is your s/o? What is your dynamic and how do you spend time together? Are you two doing something special for the holiday?
⌗ 𝟗. snowflakes ; What are some headcannons you have about people in your dr?
⌗ 𝟏𝟎. icicles ; What is your occupation in your dr? Your coworkers? (Or if student, your classmates?) What is your favorite and least favorite aspect of your occupation?
⌗ 𝟏𝟏. tree skirt ; How did you find out about shifting? What was your first dr and what is your main dr now?
⌗ 𝟏𝟐. ornaments ; What are some objects you have in your dr that you don’t in your cr? Why do you have them in your dr?
⌗ 𝟏𝟑. sleigh bells ; Are there any priveleges you have in your dr that you don’t in your cr? What are they?
⌗ 𝟏𝟒. cookie cutters ; What are some smells that remind you of your dr? Why?
⌗ 𝟏𝟓. elf on the shelf ; who is your main wingman/women/person? What is your dynamic? What do you guys do when you hang out?
⌗ 𝟏𝟔. wrapping paper ; What is your favorite way to script? Why is it your favorite way?
⌗ 𝟏𝟕. gift tags ; What is your camera roll like in your dr? (photos or just describe it)
⌗ 𝟏𝟖. snowballs ; What is a silly scenario you are looking forward to in your dr?
⌗ 𝟏𝟗. mittens ; What are your hobbies in your dr? How do you usually spend your down time?
⌗ 𝟐𝟎. ice skates ; What is your ideal date in your dr? (friends or s/o)
⌗ 𝟐𝟏. coal ; What is something unpleasant you have/have to experience in your dr? Why are you not looking forward to it?
⌗ 𝟐𝟐. tinsel ; What is something fun or random you have scripted? (ex. Thundersnow is more common, you have a ring that allows you to read minds, you have good luck with thrifting, you’re good at gambling.)
⌗ 𝟐𝟑. fir tree ; What are some traditions you have in your dr but not your cr? Why?
⌗ 𝟐𝟒. hot cocoa ; put together a moodboard of your dr or you in your dr
⌗ 𝟐𝟓. christmas ; How are you spending your christmas? Who with? What might be some gifts you are giving and to who?
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divider credits.
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1ovemelikeasailor · 5 months ago
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Sailor pt.5
trying to update but math honors is kicking me in the butt so hard.
play the song.
"Sailor Song" -Gigi Perez
Summary: just when things were starting to be fine—it got worse.
Jenna Ortega x Female reader
Check out the other parts for more info!
-
No one's POV:
Monday
They both sat underneath the bleachers, some of the sun shining through.
Jenna carefully kissing Y/n, using her left hand to guide Y/n's face.
She slowly pulls away, big smile on her face.
"You taste like cherry." Jenna mumbles, both of their faces so close. Jenna looks at Y/n'a eyes then back at her lips.
Y/n looks away.
"It's my chapstick." She mutters back. Jenna grips Y/n's jaw making her look at her. "Yes, Jen?"
"Mmm, nothing." She lies down on the grass. "I had this terrible math quiz today—gosh, I scored so bad on it."
"Yeah? You study?"
"No I didn't—"
"Okay, whose fault is that?" Y/n smiles at Jenna.
"Um, yours. You were the wanted to sneak in during my studying hours—"
"You begged me to come over!"
Jenna giggles.
"I have no regrets!"
The bell rings.
Both teens groan, Y/n flops onto the grass beside Jenna.
"We should skip." Y/n suggests.
"You know I can't do that."
"I don't know why you take school so seriously—"
"Because it is important." Jenna sits up, straddling on Y/n's lap. It makes Y/n sit up. "You should start taking it more seriously too." Y/n doesn't answer, playing with Jenna's cross necklace. "Y/n?" Jenna questions. "Im being serious."
"Mhm." She puts her hands on Jenna's waist, leaning up close.
"I..have to go."
"Yeah?"
"Yes, Y/n." Y/n kisses Jenna's neck making her breath hitch. "Y/n."
"Hm?"
"Y/n—I have to go—" Jenna takes a deep breath trying to make her words sturdy as she says them.
"Im sure being late to one class won't hurt, Jen."
Jenna lets out a huff debating her options.
"Five minutes only."
-
"You're late miss L/n." Her science teacher explains as she walks in the class.
"Sorry, lost track of time." She doesn't look at the teacher just walks to her desk.
"Dude you're 20 minutes late." Mason looks at Y/n confused. 5 minutes were from Jenna, the other 15 were from Y/n just laying in the grass talking to herself.
"Yeah, well I just wanted to lay in the grass, you know?"
"Just laying in the grass? You sure nothing with Jenna?"
"Man when will you guys stop with that? I already told you a million times she told me to leave her alone. Thats it."
Y/n was lying straight through teeth, and to her best-friend. But, it was all for Jenna.
"Right, so Im suppose to believe that after you keep ditching us during our gaming time to go to sleep?"
"Hey, Im tired nowadays!"
"You literally sleep 24/7–"
"Thats a lie me and Jasmin are on the game until 6 in the mornings on Tuesdays and Thursdays."
"You guys have a schedule?! And why am I not invited?!"
"Because you suck at call of duty!"
"Thats not true I have 21 wins—"
"Jasmin carries you every-time!"
"So you show up to my class 20 minutes late, and want to just make a huge scene in the back of my classroom?" Their science teacher says. "Detention for you Miss L/n."
Y/n groans.
"Um, with due respect Mrs.Ramirez—"
"Detention for you too, Mason."
-
Tuesday
It was 2am. Y/n had snuck through Jenna's window for the 3rd time that week. She'd usually stay for a few hours until Jenna's parents got up.
"Okay, what's the origin of the x if you have to rotate the triangle?" Y/n held up one of the flashcards looking for Jenna's response.
"Shouldn't it be 0,0?" Jenna stops pacing in her room looking at Y/n.
"If..it wasn't rotating then yes that would be the answer."
Jenna groans.
"So, Im wrong."
"You're definitely not right—"
Y/n's laugh is cut off by Jenna tackling her onto her bed.
"You're definitely not right." Jenna mocks Y/n's tone. It makes Y/n laugh even more.
"Okay seriously we have to focus Jenna, the quiz is next week!"
“I need a break.” Jenna huffs, then lays her head on Y/n’s chest.
Jenna loved the way she felt right now, the way she felt you breathe in every breath, the way your chest went up and down, the way she could hear your heartbeat. She looks up at Y/n slowly inching her way to her lips.
Y/n begins closing the gap between the two girls, making their lips touch. Jenna adjusts her position getting on-top of Y/n. The kiss gets deep, so Y/n uses her elbows to support her getting up.
Y/n begins taking off her shirt, with the help of Jenna. She feels all over Y/n’s body, getting deeper and deeper into their love.
Jenna told no one about the way she felt with Y/n. The way their lips moved so in sync with each other, the way her golden cross necklace came off that night, the way Y/n touched her like no one has before, and the way each touch felt like heaven on her skin. She’d been told heaven would be without this—without Y/n’s touch, without their love. At this time Jenna wasn’t sure she wanted to go to heaven, if heaven would be without this. Be without her and Y/n. It was impossible.
-
Friday
There Jenna’s mother sat. On their couch scolding Jenna, her father as well. Her mother had caught Y/n and Jenna underneath the bleachers—not doing anything, just hanging out.
“We were just talking mom—“
“That girl is bad news! Everyone in town knows she’s gay.” Her mother yells.
“She walks around like it’s something to be proud of! It’s the devils curse!” Jenna’s father adds on, he paces in the kitchen.
“I don’t want you hanging out with her. She’s is the devil!”
“No she isn’t! You don’t even know her! How can you say?”
“Why are you defending a faggot Jenna!” Jenna’s father screams at the top of his lungs.
“You guys promote loving everyone and anyone! How can you say this? You say you love God, but God wouldn’t want this! This is horrible! You guys are horrible!”
Jenna’s mother scoffs.
“You know better, Jenna.”
“I hate you guys.”
Jenna stands up.
“And where do you think you’re going?” Her dad stops pacing, looking at Jenna.
“Why do you even care?”
She runs out the front door. She doesn’t stop for her mother or father’s protests. Jenna just keeps running to the one place that felt like heaven.
-
She knocks on the front door.
“Jenna? Hi, come in.” Y/n’s mother says opening her door more. She walks in. “Y/n’s up stairs I think doing homework!”
“Thank you, Miss.” Jenna runs up the stairs. She doesn’t even knock, running into your room.
“Mom—I told you—oh shit, hi pretty?” Y/n looks confused. “You okay?” She looks at Jenna’s panting, the sweat on her face, her chest going up and down. Jenna shakes her head ‘no’. “What’s wrong?” She takes Jenna to the bed sitting her down.
“Y/n.” Jenna’s eyes water.
“Whats wrong, Jenna? What happened?” Y/n’s voice gets more stern.
“My parents—“
“Shit, do they know?”
“No, they don’t. But, they saw us hanging out earlier and want me to stay away from you.”
Y/n sigh, shaking her head.
“It’s okay, Jenna. You do what you need to do. I understand.”
Y/n knew the time would come—the time where they couldn’t hide it anymore, and she wasn’t willing to risk Jenna’s future or family relationship for her and Jenna’s relationship.
“No, Y/n, no.” Jenna grabs Y/n’s hands interlocking them.
“Jenna they’re gonna catch on, if we stop now…they won’t ever know.”
“I need you.”
“Jenna—“
Jenna kisses Y/n. The feeling makes Jenna calm down after all the emotions she had just had run through her.
“I love you.”
-
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