#SOMETIMES ITS THAT EASY

[indigo-starcatcher]

played for fools YET AGAIN GRETA

[hinamie]

sry i have chronic only draws megumi disorder the doctor said it's terminal :/

[adustoflove]

Hearing about the way other people interact so easily makes me feel like there is something deeply wrong with me embedded into my soul

[speaking-riddlish]

Thinking about how Riddlish is handled in cannon and in fics. I've seen people just put random things that happen to ryhm anytime they want someone to be speaking Riddlish and it's like, a minor pet peeve of mine? But every time we see Riddlish spoken in cannon, it kind of makes sense in a way? Like, if you think about what is said, and try to piece together any symbolism based on context, you can kind of understand what they're saying. Like Maddie said, "Riddlish is not an exact language". Putting together the metaphor and symbolism gives you the general idea of what they're getting across. And whenever a fic does this well, it's like an instant favorite.

Let's look at and dicect some cannon examples (I've always kind of found these facinating):

"Feathers and Friends, together alone!"

"Feathers" could refer to Raven, since she's named after a bird. She also has feathers fairly prominent in her character design, so it'd make sense for Giles to say this even though he doesn't know her name yet.

"and Friends" probably refers to Maddie, since she's known him for a while and is presumably his friend. It could also refer to their friendship, and maybe even be a way of including Raven in.

"together, alone" They're here with him, joining him in his solitude.

Putting it all together we get "Raven and Maddie, you're here! You came to visit me!" Which lines up pretty well with Maddie's translation of "he says it's nice to have us here!"

"Can a musical chair change its tone, when the tablet of granite is inscribed with a bone?"

"Can a musical chair change it's tone" The music in musical chairs is integral to the game, yet the song played does not come from the chair, but from the people playing. The tone of a musical chair is something fundamental about itself, and also something imposed by something outside itself. Can it change? Can something change something about itself that someone else has decided is fundamental?

"When the tablet of granite is inscribed with a bone?" A tablet of granite inscribed with something is literally that thing being written in stone, another reference to destiny and inevitability. And what's written on that stone is a bone, is death. Death is what is written in stone. Death is supposedly inevitable here.

From Raven's tone and terrified body language when asking Maddie to translate for her, it's fairly clear that the thing that wants to change is referring to Raven.

Putting it all together we get "Can Raven change from what others have said she's supposed to be, or is death the inevitable consequence of that like we've been told it is?" Which lines up pretty well with what Maddie was asked to translate: "What'll happen to me if I don't sign the book, am I really gonna disapear?"

"The king that sings with pages of sky fears too much the dawn that rises with lies"

"pages of sky" is in reference to the book, and maybe the fairytales themselves. The sky is often used to symbolically reference heaven and the divine. The book, determining people's destinies, fits fairly well into that category. It's almost like he's referring to the book as being from above.

"The king that sings with pages of sky" would then be Headmaster Grim. He's in a position of authority over the students like a king is to his subjects. He "sings with" the book/the stories with his constant insistence that people must sign the book and follow their stories, speaking in unison with them.

"fears too much" this part is fairly clear, Milton's paranoid. The consequences he thinks are inevitable aren't as inevitable as he claims.

"the dawn that rises with" would mean something like "the consequences of" or "the fallout from". Then there's one of two ways the rest could be. "lies" could refer to that which is contrary to what the stories say will happen. If you take the stories as "truth" then changing the stories would be "lies". Or, "rises with lies" could mean the consequences coming from Milton's lies being brought to light. The dawn rises as Milton's lies rise.

Yet the whole thing sounds rather foreboding, giving the impression that something is seriously wrong.

Bringing it all together, we either get "Headmaster Grim told you to follow your destiny because he's paranoid about what'll happen if you don't. But those fears are unfounded. Also something is very wrong." or "Headmaster Grim told you to follow your destiny because he's afraid of what will happen when people find out why you don't need to (and its emplied that that reason is something very bad)" This lines up fairly well with Maddie's translation of "There's something wrong with the book, and if you don't sign, your story will continue... I think". I like the touch that Maddie wasn't as confident in this translation, since the last phrase is more ambiguous. It's not really clear how the foreboding tone integrates into the message without more context than Maddie has, so Maddie doesn't really know what it means.

"The baby bird flies. The snake, it slithers. But the cage holds both, to die and to wither."

"The baby bird flies. The snake, it slithers." The baby bird and the snake are two very different creatures, they move and interact with the world in two totally different ways. Most people also would look more favorably on the baby bird than on the snake.

"but the cage holds both, to die and to wither." the cage doesn't care what is inside of it, it will indiscriminately hold them both captive. The things that make the baby bird different from the snake, and the adorable charms of the baby bird will not free the baby bird from the cage, nor will they protect the baby bird from the grisly fate that awaits it in the cage.

The context is also relevant, since she's talking to Alastair and Bunny, two of her subjects who have just been arrested, but also two of her daughter's friends.

Putting this all together we get "Yes, you enjoy privileges that others do not have, but my affection for you will not compromise my judgement. You are not above the law. I am not above punishing you like I would anynother citizen." While we don't have a cannon translation to compare this to, it seems to make sense. Its immediately followed up with her letting them off with a warning, and despite this interaction, Bunny later tells Lizzie that her mom really is a good queen, but that the curse has stressed her out. I think the Queen of Hearts probably made exploring illegal to protect people from the curse. If she really is a good queen, then this type of objectivity ("I don't care if you're my daughter's friends, crime is crime") would make total sense.

[starry-bi-sky]

tales of the passerine - danny fenton being bruce wayne's first kid

okay okay. so this is like a continuation/elaboration of my oneshot/prompt i wrote about the idea that Danny was the first batkid. We have a lot of aus where he joins the family after the rest of the bats do, right? So hey! Lets shake things up a bit. Danny is the first to be adopted by Bruce Wayne.

Danny's parents and unfortunately Jazz die shortly after the events of TUE -- how so? I was gonna say an ecto-filter explosion, that would call back to the TUE explosion and trauma behind that. But lets do something new! Carbon-monoxide poisoning.

It's not too unexpected for something to break in the Fenton house, especially with the Fenton parents' questionable understanding of proper weapon handling and lab safety. The water heater broke from a stray shot by one of the weapons, and was promptly MacGyver'd incorrectly. Danny went to stay with Tucker for a guys' night, and came back to a dead silent house.

(Danny's neighbors got a very unfortunate shock when he ran to the next house over in hysterics.)

There was a lot of shuffling around with CPS, the police. People had to be called in to handle the equipment in the lab, and the GIW was rumoring to show up in aid to clearing the scene. When Danny heard of that, he immediately went and dismantled the ghost portal to the best of his abilities. He burned the physical blueprints of all his parents' inventions, their blueprints on the ghost portal, and their most dangerous weapons were destroyed beyond recognition. Anything to prevent the GIW from getting their hands on his parents' tech.

It opened up another investigation, but he was not under the list of suspects. He was placed in the care of Vlad Masters, where they then went back to the rebuilt castle mansion in Wisconsin. Danny, terrified of the future that has once passed and may do so again, shuts down in his grief. Inadvertently, he ends up somewhat repressing his ghost half. Something Vlad, who is grieving Madeline but relishing in Jack's demise and his custody of Daniel, is not very happy with.

Vlad's... gone into a bit of a mental health spiral. He's becoming increasingly possessive over Daniel, the final remnants of his friends and a liminal being like him. He doesn't like that Danny's repressing his ghost half -- both out of genuine concern as a ghost, but also because of his desire to control Danny and groom him into the perfect son. If you ever had a phase where you read Dark SBI found family fics, first off; me too bro, and second off; those are the vibes I'm thinking of.

Danny's mentally shut down from grief! And fear. He's dropped into a bad depressive state -- paralyzed with grief and the terror of the inevitable. Clockwork saved his parents because he believes in second chances, but what's the point of that when his family ended up dead anyways? Danny doesn't wanna believe that he's destined to become evil, and he's holding out onto that hope, but it's a thin line, and he feels utterly hopeless and trapped. He hasn't used his powers or ghost form since he trashed the lab, and Vlad has alarms set up to prevent him from trying to escape.

He's also unintentionally cut off Sam and Tucker -- both of whom are so scared and concerned for Danny too, and are trying their damndest to reach out to him. He keeps ignoring their texts. Danny basically haunts Vlad's manor. He goes out to eat if he has to, attends parties Vlad drags him to, and stays in his room all day if he can.

At parties, Vlad doesn't allow Danny to leave his side, or really talk to anyone -- not that Danny wants to. A product of Vlad's increasing possessiveness. Well, he almost doesn't let Danny leave his side. Danny has a habit of slipping off to hide somewhere for the parties whenever he can, and Vlad reluctantly allows it so long as he stays alone.

This becomes an advantage when eventually, Bruce Wayne returns to Gotham after missing for years, and holds a bright charity ball to celebrate the return. Vlad has been chomping at the bits to get his hands on Wayne Industries, and with the return of its owner there is no better opportunity to wipe out his rival. He goes, and he as normal, brings Daniel with him.

Vlad thinks Wayne will bleed his little heart out for Daniel's poor orphan sob story -- he's a fellow orphan himself, after all. He's not wrong; Wayne's little heart will bleed, just not in the way that benefits him.

Bruce sees Vlad and Danny approaching before they're even close enough to introduce themselves - and like with many of the children he will soon come to care for, it's like someone set a mirror into the past right in front of him.

Danny Fenton's suit is tailor-made for him, and despite the fact that it's his perfect size, the sag in his shoulders, the ducked down head, and the way he hunches into himself all pictures the image of a child in shoes too big for him. There's a far away, glazed over look in his eyes and grief marble-cut into the lines of his face. There's not enough makeup in the world that will hide the dark circles under his eyes.

("My nephew, Daniel Fenton." Vlad's hands are possessive on Danny's shoulders. Bruce immediately notices the way the boy tenses under his touch. "His parents passed recently, and as his godfather I was designated his guardian.") ("I'm so sorry, the loss must've been terrible.") ("Yes, carbon-monoxide poisoning caused it. Daniel was out with friends, when he came home... they had already passed.") (Bruce immediately dislikes that Vlad shared the details of their death unprompted -- he likes it even less when Danny flinches at the reminder and hunches into himself.)

Danny runs off at some point earlier into the charity. At this point, parties are still being held at Wayne Manor (because iirc google search mentioned that was a thing at first before it was changed), so he disappears and hides in one of the empty rooms nearby. It just so happens to be the same room Bruce Wayne hides in when he needs a break from all of the socialization.

Thus begins a long, long process of trust. Bruce can't reveal his hand as being smarter than he looks, but he can be compassionate. Kindness needs no measure of intelligence. He keeps Danny company for as long as he can before he runs the risk of being found.

Rinse and repeat. Vlad insistently wants Wayne Industries, and he'll go to as many Wayne parties as he can to get his hooks into the man. The problem is that Bruce Wayne is never alone, and getting him alone is impossible. Finding him too. It's like the man never stops moving. Always talking to someone, always circling somewhere. He orbits around the room as if he isn't the sun of the Gotham Elite's solar system.

Danny's had such repetitive behavior that Vlad never thinks to believe that Bruce Wayne is disappearing to go talk to him. That "Vlad's" son is even interacting with him at all. Danny never gives him a reason to think so, and neither does Bruce.

Danny doesn't actually acknowledge Bruce until a handful of parties in, where he hands Bruce a small slip of paper he smuggled in that says; "don't trust Vlad". Danny's face stays carefully blank, but he's so tense that his hands are trembling, and he's purposely looking away from him. Bruce plasters a smile onto his face, slips the paper into his pocket, and tells him "okay".

(he's been busy with his own goals with the mafia, but he sets aside time to investigate Vlad Masters. He was holding off. Until now.)

Danny does eventually start speaking to Bruce, he's starting to really like the guy. He's starting to see a little hope, even as Vlad is starting to get more and more agitated with him the more he refuses to use his powers.

He reaches out to Sam and Tucker again, and starts trying to reconnect with them. Vlad has spyware on his phone, and he limits the amount of times he can talk to them. A weird parental control lock of some sort that leaves a time limit on how long he can talk to them for. 30 minutes. Danny doesn't tell them anything about Mr. Wayne.

Danny, slowly, wants out of here, and he's slowly gathering the motivation to do it. Vlad is genuinely scaring him -- and Danny wonders just how truthful the past-future Vlad was when he told him that Danny wanted his ghost half separate. He starts trying to come up with an escape plan.

Vlad has anti-ghost wards everywhere around the mansion, and while they're always on, they boost to full power at sunset. The doors and windows are always locked, all main exits have alarms set on them. The only reason it's not super extensive is because Danny hasn't tried leaving at all yet, so Vlad hasn't had to tighten anything.

At night, Vlad locks the door to his room and puts up an anti-ghost ward around the room. The mansion is on the outside westward side of Madison, more entrenched in rural Wisconsin. The closest town is a four-way stop sign with one house on three corners, and an open bar on the fourth. Not much to go.

He refuses to go to Sam and Tucker; Vlad would look there first. It's too dangerous. Vlad would sound alarm bells and have a manhunt looking for him, Danny can't risk going just anywhere. Too much risk of being found, sold out, or caught. There's really nowhere for him to hide.

Until there is. Bruce is telling Danny about the history of Wayne Manor, and says, as casually as saying the weather; "The manor has dozens of empty rooms, I'm sure Alfred wouldn't mind filling another one if he could." And quietly, hesitantly, Bruce places a careful hand on Danny's shoulder, unrestrictive and gentle; "He wouldn't mind getting one ready for you if you need one."

And there it is. There's his out.

Danny, just as quietly, replies; "I'll keep that in mind."

The ball starts rolling.

Now I've been trying to summarize this au as much as possible for length convenience, but Vlad has been steadily growing more and more controlling. More emotionally manipulative. More agitated at Danny for not using his powers.

He wants Wayne Industries under his thumb but he's been steadily growing more and more concerned with Danny. He's started grabbing him, yanking him around, shaking him; trying to goad him into using his powers. He gets angry when Danny doesn't react, or tells him he doesn't want to use his powers. He hasn't outright attacked him, but he's getting there. This has been happening over the time it takes for Bruce to indirectly offer Danny sanctuary at his home.

It all comes to a head when Vlad stops going to parties at all -- something Danny has to pretend he isn't upset about -- because Vlad doesn't want him around other people anymore. Vlad rarely goes now without him, and only leaves to go to a Wayne function or to handle something at VladCo.

Danny can't wait for Vlad to leave long enough to escape. So he leaves during the night of a big storm. Vlad's locked him in his room, but Danny doesn't bother trying to go for it; he goes to the alarmed window instead. Danny's been repressing his ghost half so long that he can't access his powers immediately anymore -- he can feel it, he knows its there, but he can't quite reach it.

He breaks the lock by hand.

Immediately the alarm goes off through the entire castle, filling the room with red, and he scrambles for the rope the Wisconsin Ghost left for him a few months back. Danny's already out and climbing down the side of the castle before Vlad even reaches his door -- the only good thing about the entire room being ghost-proof is that Vlad can't get in that way.

The rope ends before it reaches the bottom, and he's still twenty feet in the air. It won't kill him if he lands it right. Danny takes his chances, and drops. He breaks his ankle, but he survives.

And he fucking books it to the back garden. He hears Vlad shrieking over the thunder and rain.

I'll save the full experience for a future oneshot, but Danny makes it out into the nearby woods and forcibly experiences what it's like to be in a horror game, trying to hide from the thing that's hunting you. There's only one thing going through his mind; "i'm going to die"

I have this mental image for this scene. Very stereotypical horror imo. Where Danny is hiding behind a tree, with a hand over his mouth, and Vlad is a few feet away from him, glowing ominously red through the trees, trying to search for him.

Danny doesn't get away from this unscathed, but he does get away alive. That's all he could ask for. He gets away by getting his ghost half awakened long enough to transform into Phantom and fly to Gotham.

But he gets to Wayne Manor, he gets to Bruce. Or, at least, Alfred answers the door from his insistent pounding. Danny's just in tears and Alfred gets him in the living room, wrapped in a towel, with ice on his swollen leg before he has to step out and alert Bruce.

Bruce already breaks multiple traffic laws on a nightly basis. And that's just with the sheer existence of the batmobile itself, not including the speeding and military artillery attached. He breaks double the amount trying to speed back to the cave and get out of the suit.

Right off the bat: Bruce will know, at least before Dick enters the picture, about danny's powers. He'll figure out something considering the fact that Danny traveled from Wisconsin to New York in a single night. That'll be a bit of complicated affair, but I've already got something in mind.

Actually it'll probably be very soon after Danny joins the family, because Bruce tries to offer to fight for custody for Danny - the state Danny was in at arrival is clear enough evidence for a trial. But Danny immediately shuts it down, says it's not going to work and then Vlad will know Danny's with him and he won't be safe. He tells him that Vlad cannot know Danny was with Bruce.

Danny's biggest regret was not telling his parents he was a halfa, and while he doesn't want to tell mister wayne (yet), he does tell him about Vlad being one. He needs to know why Danny can't be seen with Bruce. So he tells him, and Danny's current plan is to just hide out from Vlad until he turns 18. That way, he has no more legal jurisdiction over him. After that? He's not sure.

And to wrap this up, since this has already gotten very long and I can make more posts about this au later; I've thought about it, and I'm going to say that Danny does become a vigilante before Dick enters the scene. He goes by, as you probably guessed; Nightingale. "Gale" for short.

[biblically-accurate-dca]

bring it in friend!

[solargeist]

oh no im stupid i just checked their heights again

[dayurno]

honestly you can say anything about the ravens (and you'd be right to) but you can't say the concept of them isn't delicious. a group of collegiate athletes in their intimidating raven motifs and their black uniforms who are basically bred to become the best of the best in a bloodsport. the adrenaline rush of every game being a competition between yourself and your teammates. knowing you're not just gearing up towards court but following in the footsteps of the alumni before you. the parties and the victories and the mindless sex and the way everyone around you somehow seems to always be thinking the same thing as you are. you are never alone and you will never be again if you just do as we say. who knows the kind of relationships that can happen in a place like that?

[whotfletamothhyperfx]

Villain and Violent, Infant and Innocent

[ohitslen]

Trigun (small) sketch dump :D

Easy to care, easy to love

The neighbor from 311

[ritzcuit]

ppl who follow me are tired of me saying this, but if i could address the aa fandom directly... i rly would just ask that people like, stop being mean about dd and soj. like thats all i want.

im not even IN the fandom anymore, so i have no reach. i draw fanart and make my little ship posts but thats all. and thats bc the wider fandom ... is so fucking mean sometimes. omg. like its just not fun!!

but really, specifically, its about the dd and soj thing. the "play ace attorney we have so many games and [MOST OF THEM] are good!" thing. like, its fine if you dont LIKE dd and soj, obviously!! im not saying you HAVE to!

but "i dont like these games" and "these games are objectively bad and no one likes them" are entirely different statements.

plenty of people like dd and soj, even have them as their favorite games. i know this bc my soj fanart gets notes 😭 i have ppl in my tags excited and happy when i draw dhurke and datz. bc we like these characters!! and like to think about them and the story they come from!

...just bc YOU dont like soj, doesnt mean a lot of ppl dont like soj! so i really dont understand the drive to constantly talk down and insult these games?! like ... why be negative. u could be nicer. its possible and easy and then doesnt drive ppl away from the fandom bc their favorite games are being trashtalked all the time.

a lot of ppl find the space family dd interesting! they LIKE the phantom and his concept as a character! they LIKE soj and all of the political settings! it doesnt rly matter that they are, by and large, A Little Flop, bc people still LIKE them and like making content for them and thinking abt them and playing in the space and...!! like. why hate that? why constantly put us down for enjoying smth you didnt?

just dont need to constantly make slights at how "bad" and supposedly unenjoyable dd and soj are. cus not only is it mean, and makes the fandom hostile, but its literally untrue. i dont even consider myself in the fandom anymore bc all the fun is taken out of it when i have to brace myself for shitty comments like this whenever i read a post abt the series!

and i rly wish i could just Not Care what other ppl say. a lot of my friends dont care. but soj is like.....ive spent the past 5 years loving that stupid ass mediocre game. like its deeply important to me. and i just feel like a lot of ppl would have some fun with it if they werent constantly told how bad and skippable it is. im sure dd fans feel the same way.

its very cliquey. its very "the popular opinion is correct and if you dont agree, you dont get to play with us". it just sucksssss

[ninja-knox-ur-sox-off]

....so as it turns out I'm mentally ill over dragons rising

[cuppajj]

My friend, who is reading MTME for the first time, said that their favorites are Tarn and Overlord and I responded to that “Okay Cuppajj” and then after a second they went “TGE COOKIERUN FANARTIST?!?!”

I thought this was funny enough to share

LMAAAAOOOOOOO oh no… they don’t know about my mtmte days… they dont know abt my overlord and tarn art…

[tangledinink]

For the Swanatello fam: what does everyone miss most about Donnie during his lake-induced absences?

for donnie, leo will gladly give every scrap of patience and grace and gentleness he has. he doesn't mind explaining things. he doesn't mind telling his brother the same things over and over. he doesn't mind it when donnie forgets or doesn't understand or needs his help to remember or process things.

but he misses the banter. the back-and-forth. the stupid fights and pranks and 'you said's' and 'i told you so's.' and, perhaps a bit selfishly, he misses when he didn't always feel like he had to be the bigger person for him. he misses when he still had the space to be childish and immature and petty towards his twin, and it wouldn't hurt either of them the way it tends to now.

[ swanatello ]

[poorly-drawn-mdzs]

Spice is the variety of life!

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[jelly-fish-wishes]

Here have a luigi

It's the BAAAAABE.