#SO I LITERALLY KNEW IT WAS HER !!!!! BUT SHE WAS LIKE NO IT WASNT ME | Explore Tumblr Posts and Blogs

agirlinthegalaxy · 9 days

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It's been rolling around in my brain the last few days for some reason, but I still hate the family backstory reveals for Sophie and Eliot. I've seen some of the meta for it, but quite frankly, it still makes no sense. If it had been something actually thought of and intentional in the original, I think it could have been so fascinating. I mean, Sophie's willing abandonment of Astrid to contrast with Nate's loss of Sam or Eliot's adoption in contrast with Hardison's and Parker's? Could have been excellent! But they came out of nowhere in Redemption and don't work with these characters.

Sophie was still actively using the fucking alias that she met Astrid under! She met with someone from her past on the show! Like. Quite frankly, that one is unequivocally bullshit that they made up and threw in and pretended could fit with the established canon. (And I'm sorry, but the idea of Sophie abandoning Astrid and never telling Nate about her just... So much of Nate's trauma was rooted in the loss of Sam, and I think that introducing this element after he's gone and unable to respond to it taints Sophie and Nate's relationship in a way bc I'm not exactly sure how Nate would've responded to learning about this but I think that it's something he'd have needed to know. I don't know how to fully express my thoughts on that but yeah.)

As for Eliot, I don't like the adoption aspect literally at all. The way that he would interact with his family and the memory of his family would be different, and I think that it's flat out ridiculous to think that he'd have never mentioned it to the team in the original show, especially when dealing with the kid cases. (I also dislike the biracial adoption as its own element because if Eliot was actually raised by Black parents in the... idk what 80s/90s? That just. doesn't feel congruent with how they write Eliot interacting with PoC, not necessarily in a bad way, but babe, he's written like a white southern man raised in a specific kind of culture that does not jell with that. It also makes Eliot look... really bad that he was apparently raised with the knowledge of how fucked up the military was and his parents' history and made the choices that he did.) Like the show may not have explicitly stated it but the implication of that relationship was vastly fucking different throughout the original show.

Just. These were not backstories that were congruent with their depiction and characters in the original show, and they're also just moves that I don't particularly like or find interesting directions for those characters. There's also something to be said about how it was apparently unacceptable for a woman to not have kids or someone not reconciling with their biological family when that was something that the original show handled a lot better. Out of all the directions to take Sophie and Eliot's stories, that's just not really one that I think was a good idea.

#i'm not sure if i worded this v well tbh which concerns me #bc like. like i said i dont like the adoption plot anyways but part of my problem with that storyline IS that billy is black #bc i don't think that the way eliot is written makes sense if he was raised by a black couple during that decade #bc the way that he would have engaged with his family and community and the world around him would've been different #especially bc he was raised in the fucking south in the 80s #bc i dont think eliot was ever racist in the original show but i dont think that he really knew #how it was different for poc in certain ways that dont make sense if he was raised by a black couple #like the previous implications of his childhood and specifically his father were v much in the stereotypical v pro military be a man cultur #that culture is also v rooted in toxic masculinity and whiteness #God i hope that makes sense bc i feel like that sounds v bad #but i'd love more black characters on the show and i think that for pretty much any other mc that'd have been fine #it's specifically eliot with the space that he occupies that i feel like it's a problem with his backstory #which also is why i dont like that he's adopted at all bc that's an influential part in how you first view your place and family and all th #that i dont think makes sense with eliot's character. like literally nothing about that reveal really feels like it makes sense with eliot #and to move over to sophie for a second i feel like bringing up the abandoned stepdaughter would have been pretty damn important #when sophie was struggling with the idea of who she really was beneath the aliases and the grift #and especially when she's in a relationship with nate who WAS a father like #and that she used the charlotte alias to meet with someone from her past but there wasnt anything about the fallout #which still makes no fricking sense either way #also insert something about sophie being an older woman without kids #(i know there's the ot3 but they're not actually in a position as her kids bc theyre still equals in a sense)#and needing to actually go no no she was a mom! and then bailed and did all this and blah blah but she's always been a mom in her heart <3 #and adding in this relationship as if an older woman cant be satisfied or complete without kids #and i know that ppl might bring up parker but like lbr parker is positioned in a v different space narratively than sophie #ofc parker doesn't have kids she's positioned in a space as the Odd one the kinda broken one #her defying the expectations narratively doesnt necessarily work the same bc of her place #idk i kinda hope these dont end up in the main tags bc idk how ppl will respond nor how well i actually got across my points #but i do wanna tag them for my blog so #leverage #sophie devereaux

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slocumjoe · 1 year

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hey uhhh i went thru ur oc post history and u said gus set himself on fire?? pls context

I love this character because whenever someone asks about him I always have to take a deep breath and get comfortable and suck a breath in through my teeth. I treat him so poorly

More Gus lore, because that specific event is actually tied to the very first event that would fuck him up forever, so I can't really talk about it without going in depth.

This is explaining the core tenent of Augustijn's story, which is guilt and its dangers. Basically, where that constant guilt came from, and how it...turned out for him...

It turns out okay. Just...takes 200+ years, an apocalypse, a divorce, and his son dying! 🥳Yay🥳

Tw; Religious trauma, child abuse, suicide, drug use, cannibalism, mental illnesses, and yet another suicide attempt.

So, some background, Gus's mom, Emma, was a fanatic catholic and generally Bat Shit about religion. As you might imagine, this is the Direct Source of both Gus' questionable worldviews, traumas, and his biological inclination to uuuhhh bad Head Times.

Emma was raised mildly religious, but she...took to it too hard? Her family was not the cause of her obsession, Gus's grandparents and uncles/aunts over there actually cut her off at one point, because she was starting to worry them but reaching out led to her lashing out. So, they just...backed off. Emma herself was a simple, homebody woman, who wanted to be at home raising her kids, and tending her garden. She would have been this way even without the religious thing.

But Emma and her side of the family were prone to addiction, see? And religion became her point of fixation and obsession. This could have still been okay, if not for the church she went into. A catholic church in the Hague that was known by all for being kind of fucking out there, even by other hardcore Catholics. This was one she went into, and even her grandchild 240+ years later would feel the ripple of this decision.

Emma goes into church and gets gnarly ideas about how life works. Its a woman's duty to have kids and raise them, to be good to her husband and her house, to listen and obey her men. Sin is inevitable and everyone does it, only those that admit and accept punishment can get another chance at Paradise. God knows every action you take and he does not care for the context, he only cares about the action. There is no "well, but" under the Lord.

Emma has mental illness, some kind of depression and anxiety, so this Big Brother Watching And Judging fucked her up. Especially since her church, in particular, was physically abusive if you did not confess to anything during confession. They thought if you had nothing to confess, you were lying.

At this point, she's met and engaged to Theodore Reinier, a rich heir to a European manufacturing company. He's pretty, a gentleman, and best of all, rich, so she can have as big and luxurious a garden as she wants. She likes him. She does not love him. She's in her twenties and unmarried with no kids, and her poor family needs to be taken care of. So she marries him. Theodore is smart enough to see this for what it is, and kind enough to allow it. He lets his wife do her own thing and treats her as a friend, rather than a lover. She hates this, she wants to be a wife (she doesnt). She wants kids, he gives her one. Augustijn. This birth goes rough, and she's told no more children.

Theodore makes one rule; August goes to a different church, or he does not go at all. Theo really didn't like Emma's church and he certainly wasn't exposing his kid to that shit.

Emma pretends to agree and takes Gus to That Church. Theo doesn't attend, so he doesn't know this is happening until much later. Gus gets all the same nasty shit Emma does. Theo learns of this when he sees Gus covered in bruises from confession beatings. This puts a huge rift between him and Emma, and he pulls all the strings he can to have her church shut down.

Emma grows to resent and hate Theo and Augustijn for not being the perfect husband and child she deserves as a good, God fearing house wife. Augustijn is left to his nannies, Emma hides away in her private garden, fuming. Theodore tries to bond with his son, but Emma's poisoned that well.

Emma tells Augustijn about demons, to fear them. She specifically tells him about church grims, demons that hunt around churches in the form of a dog to drag sinners to hell. She says this as she's admiring her new obsidian dog statues for her garden.

Eventually, Emma goes yellow wallpaper and loses her mind, and is sent to therapy and put on medications. Augustijn loathes his father for his mother's state. Theodore just wants his friend and son okay. But Emma, as she's out in town, coming back from therapy, she stops at a friend's house while the friend isn't there, and hooks up with the woman's husband. Friend's husband was stern, strict with his wife, God fearing, and generally an obnoxious 50s ideal shithead husband. Everything Emma wanted. This wasn't out of nowhere, it was brewing in the background. She knew both of them from her old church.

Emma goes home, and finally having a reason for the guilt that's always plagued her, elects to acknowledge her sin. She drowns herself in the pond of her garden, stared down by three dark, ruby-eyed dogs, overseeing her passage into the afterlife. Her young son comes into the garden to meet his mother, after she's been gone all day, only to find her in a red pool. He looks up into the eyes of the dogs. He remembers nothing of this incident, blocking it out and having been too young to understand.

Years pass, and Augustijn turns to drugs as well, though his come from the darkest parts of the Hague, rather than a doctor. He turns to sex, to crime, to anything he thinks will either corrupt him so much he doesn't care, or will finally make his guilt feel justified. He wears his mother's cross necklace through it all, and sees her beloved dog with every sin.

Augustijn goes to America for college, to Harvard, studying to become a pastor himself. (This is maybe the most terrifying part of him, the fact that he almost got it). But he doesn't feel satisfied with it, has a moment of clarity and realizes he isn't fit to preach anything. The grim certainly doesn't think so. He instead follows his only friend, Isadora, into the military. The US government allowing their soldiers to do chems means his failed drug tests don't matter.

Augustijn becomes a sniper. He has always hurt people, excelled in it, but taking life frightens him, because he knows he has no right to decide who lives or dies, not like this. But he's in China, and he's told to kill. He does, and he's very good at it. His teammates marvel at just how scrappy and determined he is, like a weed, a mold.

The Biandukou Pass Incident occurs. He eats his entire team, trapped in a Chinese mountain range during a blizzard.

Delirious from almost two months of surviving on nothing but psycho and human flesh, Augustijn is let loose back into Boston, honorably discharged. His lingering hallucinations from his Daytripper addiction, mixed with psycho withdrawal, trauma, guilt, shame, the fear of God—everything culminates. He looks up and sees the figure that has haunted him since that one, awful day; the church grim, staring expectantly.

His mother drowned herself, so he thought it fitting if he set himself ablaze.

#ss; alter #I hate to put a word to his specific illness because you always get people like 'this isnt what i think this is like so pls die'#but i imagine he'd be diagnosed with hppd #hallucinogen persisting perception disorder. basically lingering effects of hallucinogenics after use #the point of emma is that she did not ever see past the shit #Augustijn gradually learns how to reject his guilt and view himself objectively #and comes to see how he was hurt and how he hurt others. and accepts that he has a right to feel hurt but an obligation to be better #emma doesnt. she never would have even if she survived her attempt #its like. you only feel guilt because its a concept put into you #and emma taught him guilt. always feel dirty and shameful.#but. she didnt feel guilty. not really. she was confident in all of her actions and never once hesistated #she thought it was guilt just because she knew how it would look to other people. thats not guilt thats awareness.#she wasnt guilty she feared repercussions.#meanwhile her son grew up always ashamed and horrified at himself and was desperate for any kind of comeuppance #not to make it okay because he knew it wouldn't. but because he deserved it #accountability and justice are also big concepts in gus' character. the idea that someone becoming better and earnestly doing it #is better and more worthwhile than them suffering for their actions. this comes up with the Institute and Isadora #anyway if any of you come at me bitching about portaying a woman as abusive im biting #'joe no one does fhat' they literally do. its happened to me before. yall say you support womens wrongs until theyre abusive moms #anyway. fun fact; being beaten during confessions is why gus cant admit when hes done wrong for like 30 years. its a trauma/trigger #gus really is just. 'how do i process what happened to me without losing my mind'#and he lost his mind. but he does everything he can to find it again. because he doesnt want to feel this way anymore

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