#SENSE OF WONDER

[mckitterick]

I'm gonna be a poppa!

Hi folks! I don't often talk about my life online (ironic considering how open I am about everything!), but I wanted to share with y'all:

We have a little bean - which we made all by ourselves - with a due date in December!

Long ago, I'd kinda given up on ever becoming a dad, but then I got lucky enough to find my person, and she wanted a child, and it just so happens that despite a lot of complications we're able to get pregnant.

And now we're gonna have a child!

The whole universe feels bigger now, just bursting with fresh potential. The future - something I've always been excited about and look forward to - feels more... I dunno, brighter, realer, something that holds an even more important place in my heart, mind, and spirit than ever.

I'm investing in the future in a way I've never been so deeply invested before, because a little spark we made will grow into a person and mind who'll continue to explore those unseen lands and contribute to the human experience well beyond our lifetimes.

And that's wondrous.

(sonogram under a cut for those who don't wanna see such)

There's our little bean! Barely identifiable as human, but REAL!

Apparently their little eyes are beginning to form, and heart, and their brain and spinal cord are piling on 250,000 new cells every minute. And their wee tail is getting longer.

What magic is biology!

[vertigoartgore]

Tim Curry as Darkness in Ridley Scott's Legend (1985).

[existentialcowboy]

Wonder, a poem

Wonder

I have pursued the sense of wonder beneath the hurtling moons of Barsoom and through the caverns of Moria.

I followed its tracks in jungles where Mowgli and his brothers howled, and on the shores of Gitche Gumee.

I once held it for a moment, off the coasts of Treasure Island, and voyaged on, to seek new worlds.

I yet hear it calling me, calling me again to follow across the hills and far away.

Stephen Brooke ©2024

[rrcraft-and-lore]

The migration of folktales, fables, myths, and The Doors of Midnight. I've talked about his following piece of work before - Panchatantra

Pronounced (cuz romanizing Sanskrit adds weird ass fake A's to things) Panch (or pah-nch, meaning FIVE) Tantr (thun-trr) Treatises. 

It is a collection of folk tales (and I talked about this in my true origin of "fairy tales" and even what inspired the Grimm Brothers thread) fables, particularly focusing on talking animal fables from India. The written text is about 200 BCE (before common era) but the stories themselves are agreed upon by folklorists and experts to be far older given Sanskrit's long oral traditional history and the fact India has a history of oral performers by caste passing down these tales these tales are as old as we can possibly imagine. It is arguably one of, if not the most, translated piece of work out of India, with copies of it having reached Europe by the 11th century CE - yes, that old. Old enough to influence many European stories - particularly folk/fairy tales, and we'll get into that, because believe it or not, some famous fabulist writers even credited the collection of tales/author as their direct inspiration. Wild, right?

Continuing. 

Panchatantra has been translated in nearly every major language with nearly 200 versions in 50 languages over the world. Before even the 1600s it had been translated into: Czech, Old Slavonic, Spanish, Italian, German, English, Greek, Latin, and more. 

The earliest known translation was 550 CE into Middle Persian (and we'll get into why this is important in Tales of Tremaine as it's a commentary/meta referential and analysis, and love letter about migration of stories as well as storytelling) -- by the 12th century it was really spreading through Europe based off the Hebrew translation by Rabbi Joel, which then went on to be translated in German by Anton von Pforr in 1480 -- nearly 40 years before the 1812 publication of The Grimm brothers tales. Yep. 

Now, to 1001 Nights - a collection of tales compiled by Alf Laylah wa-Laylah, which yes, includes stories from India that were translated as discussed above, and Syria and other parts of the Middle East as well obviously.

Panchatantra has been influential in both 1001 Nights as well in Sinbad. The particular inspirations were the usage of frame narrative, first recorded in India, and also the inclusion of specific styles of talking animal fables within the collection, and most specifically the motif of the wise young woman who delays and finally removes an impending danger by telling stories - if you've read The Doors of Midnight, you'll get now where I'm going with this.

Since the series is a mix of many things, including addressing/commentary on fantasy/myth-storytelling tropes, motifs, themes, history, origins, replying/referencing them in meta ways, as well as a discussion about western fantasy novels because there's a history in/with them also using tropes for exoticization and kind of fetishy exoticization at times without nodding to, offering, showcasing a lens to/of the cultures those techniques, stories, tropes come from, I wanted ot be able to talk about that in the context of the work (which does happen), critique, reference all of it. Book two is no different.

In where if you've read it, you'll see a genderbent take on the particular motif above, and if you're only understanding of stories is 1001 Nights, you might get it confused for ONLY referencing one story. Not true. While there are many overt and subtle references to that because this is a love letter and commentary on the migration of stories (which that is literally mentioned in the story itself), so it tries to include and nod to all the wonderful stories from all the cultures I can include along the Golden Road in this world.

The take in here not only references both Indian and Middle Eastern culture, but also dismantles and in fact comments on a toxic trope that has had previous positive iterations as well - namely: meeting the goddess/the temptress (two pieces of storytelling that often get lumped into one of a dude character bumps into smoking hot goddess who can't resist him, they boink (A LOT a lot a lot) he leaves or threatens to and she's upset, boink continues, then he gets a gift from her. This goes backs to the oldest epics, it's not western or even fairytale original, but it did become UBER popular in the west. Young bardic boy meets fae, they boink a lot. He leaves. Usually tragedy, not always. The end. Some magical gifts. 

But the idea behind the trope was never supposed to be this reductionist. It was supposed to (go back to this word I've used about) evoke SENSE OF WONDER. Meeting a powerful character in possession of knowledge (see power), and magic (also power but sense of wonder), and to learn from her, gain some wisdom for your own betterment and evolving into a better kind of hero, and then use your gifts she gives you to that end. See, Frodo meeting Galadriel, no hanky panky, much wisdom, both were offered different temptations (not of the body) and in the end helpful gifts for the quest. :)

So, if you like or want to learn more about comparative mythology, storytelling, seeing the origins of such and dismantling your ideas of: structures, plot, tropes, motifs, beats, so on - check out The First Binding and The Doors of Midnight (recently released by @torbooks and @gollancz (US/UK).

Anyways yeah. 

Back to more about this. I've shared before the assertions of Max Muller and others on the influence that 30-50 percent of western fairy tales/ballads/nursery rhymes owe their origins/inspiration to Indian tales -- but Jean de La Fontaine, a french fabulist and poet - one of the most read poet of that time, directly credits Indian stories and the Indian sage Pilpay for his source of inspiration in his works -- 

"This is a second book of fables that I present to the public... I have to acknowledge that the greatest part is inspired from Pilpay, an Indian Sage" - Jean de La Fontaine.

He's also not the only post medieval era author to specifically credit Indian stories and the sage Pilpay and others who contributed to the many other epics, collection of tales, individual tales, and more.

Now, IMPORTANT NOTE - inspiration here does not mean a direct 1-1. 

Yes, many are complete rewrites, translations which is obvy a translations, and others are using the motif and overall theme but converted to and through their cultural lens and time of place. That's how storytelling traveleled, evolved, and become coopted, adopted, and accessible to local masses in w.e. country/empire.

And that's obviously a massive theme in my work but using a central heroic figure or villainous to be a focal point for that to see how that happens around one figure as it's an easier way to do that in fiction rather than a freak ton of povs which would make it harder for readers to continue to track and grok all those changes within the frame narrative aspect.

[johnschneiderblog]

Awesome

In case you haven't noticed, awe is hot these days.

As you can see , the subtitle of Dacher Keitner's New York Times bestseller is: "The New Science of Everyday Wonder and How It Can Transform Your Life."

I listened to a radio interview with the author Wednesday. His argument is that a sense of awe is good for us - emotionally, psychologically, even physically. A healthy sense of wonder shakes us out of self-involvement and puts us in our proper place in the universe.

So how do you get it? As far as I can tell, It has a lot to do with what I wrote about a few blogs ago: paying attention to, and contemplating, the world around us.

When you open up your eyes, it's hard not to end up in an occasional fit of awe.

[kakayamaweek2023]

DAY 1

Welcome to day one of KakaYama Week 2023!

Today's prompts are:

Sense of Wonder

Glass

Sensory Deprivation

Please reblog this post with a link to your entry or entries for the day! Everything that falls within the event rules will be reblogged as we see them come in.

There will also be a wrap-up post at the end of the day. Or as close to the end of the day as I can reasonably get.

[mckitterick]

if happiness is what you seek - or at least the absence of unhappiness, or freeing yourself from the kind of emptiness that comes with depression or existential dread - seeking the sense of wonder is possibly your best path in life. and it's far more reliable than just seeking nebulous "happiness"

more on this life-hack here (free on my Patreon)

"childlike sense of wonder" this and that. Personally, I'm cultivating my elderly sense of wonder. Hence my excitement over a perfectly ordinary bird in my backyard or an above-average-sized vegetable.

[poligraf]

In these troubled times it is a wholesome and necessary thing for us to turn again to the earth and in the contemplation of her beauties to know the sense of wonder and humility.

— Rachel Carson

[mckitterick]

if happiness is what you seek - or at least the absence of unhappiness, or freeing yourself from the kind of emptiness that comes with depression or existential dread - seeking the sense of wonder is possibly your best path in life. and it's far more reliable than directly seeking nebulous "happiness"

more on this life-hack here (free on my Patreon)

[mckitterick]

Seek Wonder, Not Happiness

We have so many types of initiatives – self-help books, programs, and even careers – centered around achieving happiness. This is a problem, as it forces us to interpret our experiences through a single – often overrated – emotional lens.

In this video (full transcript at link), Monica Parker argues that we should instead should pursue wonder, which is neither wholly positive nor wholly negative.

Parker likens the feeling of wonder to watching a butterfly emerge from a chrysalis – it is beautiful, complex, and even a little scary. This profound mix of awe, curiosity, and fear, is something that, when achieved, can expand our resilience and deepen our interpretation of the world around us.

The key to wonder? Slowing down. She argues that tuning into our three types of “wonderbringers” – natural, social, and cognitive – and incorporating “slow thought” activities into our lives, can help us be more receptive to wonder and the benefits it provides.

Rather than single-mindedly pursuing happiness, we ought to instead fill our days with things that spark wonder and fuel our curiosity and passions, which can help us overcome emotional barriers and live truly fulfilling, wonder-full lives.

The foundation of speculative fiction (to my mind) is what has long been called "Sensawunda," the opening of doors in the reader's mind they didn't even know were there. Fiction that evokes this sense puts the reader in a position from which they can see humankind from a new perspective.

In fiction, the sense of wonder can lead to conceptual breakthroughs inspired through paradigm shifts or shifts in perspective - time, distance, fantastic worlds, vast or microscopic scales, the Other, and so forth - that lead the audience to see things and even themselves in a fresh light.

In life, this kind of perspective shift can open our minds to the wonders of the cosmos, from its most minute building blocks that shape matter itself to the hidden structure of the universe and beyond into the multiverse. Shifts in perspective are necessary to understanding the natural world as well - science rises from the foundation of sensawunda. Personally, this feeling reveals aspects of the human condition inaccessible to the self-centeredness that can be difficult to see beyond in our mundane lives.

As a child, this is what drew me to watching ant hives do their thing, to reading books about dinosaurs and astronomy, to buying my first telescope to explore the universe first-hand, and to forming a high school science club. Once I discovered it was a thing, seeking the sense of wonder drew me to reading science fiction, then writing it, and eventually teaching it.

Even if I wasn't aware of it, I think seeking the sense of wonder shaped my whole life - it's what brought me to Lawrence, Kansas, in 1992 to begin studying with SF Grand Master James Gunn, then to helping him run his SF Center for decades, and recently to forming the nonprofit Ad Astra Institute for Science Fiction & the Speculative Imagination (@adastra-sf here on Tumblr) to better focus on sharing the sensawunda with others, including helping writers do the same, creating as big a wave of sharing this sense with more people through the fiction my students write.

I hadn't thought of it as an alternative life-path to seeking happiness until reading Parker's piece, but she's onto something important. Happiness is elusive and fleeting, while sensawunda opens the mind and grows our individual universe.

If happiness is what you seek - or at least the absence of unhappiness or freeing yourself from the kind of emptiness that comes with depression or existential dread - seeking the sense of wonder is possibly your best path in life. And far more reliable than directly seeking nebulous "happiness."

Watch those bugs and imagine their lives. Watch birds fly and imagine how the air feels to them as they use it to control their world. Watch meteor showers and picture the billions of years those grains of comets have been orbiting the Sun. Study the layers of sediment laid down over millions of years and touch the fossilized remains of beings who lived long before humans walked this planet. Explore the human world to see new places and meet new people unlike those in your prior world. And, yes, read fiction that shifts your perspective like this wrapped in exciting and compelling narratives.

Open your world to new perspectives, open your mind, open your heart, and feel your soul soar on wings you didn't know you have. Seek the sense of wonder, not because it'll make you happy (though it might), but because you have no idea what you'll find.

And what you discover could be the most wonderful treasure in the universe.

[vertigoartgore]

Minimalist movie poster for James Cameron's The Abyss (1989).

[polarprime57]

Happy birthday to my wonderful daughter, I can't believe your beautiful soul has been in my life for 20 years! May you never lose your sense of wonder, I love you with everything I got - Dad

[kelddaa]

I was plagued by a vision

[kakayamaweek2023]

Day 1 Round Up

With apologies for being a day late! Here are the entries for Day 1 we're aware of:

Fic

Fowl Play by @itsemilyofc

Under Glass by @post-and-out

Art

Glass by @oprescuewagon

Sense of Wonder by @eggloops

If you made something for the week and either didn't add it to the collection or didn't tag the blog, we probably didn't see it. Looking through the kakayamaweek2023 tag is hit or miss, because tumblr.

If you made something that you would like included, please let us know!

[chloesimaginationthings]

Mike can’t handle Abby in the next FNAF movie..