#SEND ME MORE I LOVE DOING THESE

[brainrotcharacters]

the easy grip on the knife. the leg over the seat. the hand over the other seat. the sassy "come get it" move. you know the bitch is smiling behind that mask even as he said the line.

[alectothinker]

curious. how did u guys start dating

[heartorbit]

searching for a star that's still unknown to anyone!

[artsekey]

Went to apply for a job, midway through I learned that the person hiring is someone I respect very, very much in my field (who I have never spoken to), then saw the application site was closed (How Did I Miss the Deadline for this Really Cool Job!!!!) and then saw that it was the website's fault and that they were taking applications through LinkedIn DM's. So I did the premium trial & sent my reel in, and they told me they're sending it to recruitment/leads and that it's a good reel!!!! And then the person I have respected for years sent me a friend request!

I'm beside myself!!

[myoonmii]

I think the downright most horrific and brutal detail in the show is that Kilgharrah actually used Merlin to make sure Arthur's death happened with the pretence of protecting him

[starry-bi-sky]

yall ever think Shen Yuan went through like, internet withdrawal after being transmigrated into Shen Qingqiu? Like, he's canonically a NEET shut-in who did nothing but spend his time online, you can't tell me that for the first week or first few weeks of being SQQ he wasn't twitchy.

Like, reaching instinctively to his pockets for a phone that wasn't there, having an obsessive itch in the back of his mind that he should check and see if X or Y novel or webcomic has updated -- only to realize he can't anymore and being irritated by it. Wanting to go and see if there's new posts about this or that, but again realizing that he can't.

When he's bored or uncomfortable or just feels like wanting to escape he tries to go for his phone to distract himself, but oops! Not there anymore, and now he has to find a new and different way to distract himself from his feelings. And going through system notifications, quests, etc only does so much.

And there's that Tetris Effect too. SQQ makes a mistake while writing and instinctively goes to backspace on it except hey-ho that's not a keyboard and now he just dipped his pinkie into a bottle of ink or on a still-drying letter.

With him scrambling to fix his reputation and learn how to be a peak lord, I think his abrupt cold-turkey from all things internet would just be another straw on the camel's back that he promptly Ignores until it goes away on its own after he acclimates to his new surroundings.

[nordidia]

having a very rough night so raph doodles needed to be made

when in need, mash two interests together

[leenfiend]

Keith is trying :)

[crybaby-bkg]

you know what’s absolutely terrifying???? having to cut a baby’s nails………

Katsuki has to cut your baby’s fingernails when he discovers a tiny little scratch by her eye one morning. it’s barely there, a small thing, but it’s there, marring her little face nonetheless. he frowns at her when he holds her the next morning, her dreamy eyes alert and blinking up at him, she smiles.

“Now I gotta cut yer claws down,” he mutters to her, voice quiet as to not wake your sleeping form in the bedroom. he pads throughout the house with her chubby face resting on his shoulder, her gums gnawing at his bare skin, but he doesn’t seem to mind it.

he finds himself in a conundrum though, once he realizes just how fucking—how sharp the damn clippers are. they’re tiny, lavender in color, but they’re meant to cut though the nail with such precision. and yes, he’s a pro hero, has had to adopt the title of EMT, firefighter, emergency surgeon a few times in his life when need be.

but…those people weren’t his baby girl. they weren’t this tiny and precious, and they never looked up at him with a face so similar to his, it makes his heart squeeze tight in his chest. he frowns at her again, even deeper, and this makes her hiccup a little giggle, gummy smile spreading wide.

“You’re only gonna wear mittens from here on out,” he grumbles after a while, finally daring to pick up a tiny hand that she instantly curls around his thick finger. it’s the cutest image, he thinks to himself, but he catches sight of the jagged nail, the culprit. his heart squeezes even tighter though, when he realizes that he can’t protect her from every hurt in the world, even if the hurt comes from her own hands. and the realization is an aching one, but he tells himself that he, at least, can patch her up.

you walk in minutes later, find Bakugou curled over your daughter in the rocking chair he built for her room. his tongue pokes from the corner of his mouth in concentration, his eyebrows furrowed. your daughter babbles to him the whole time, her sweet voice cooing the softest little noises that he responds back to.

“I know, I know,” he mumbles to her. “Ya don’t like baths, and don’t like your nails cut, either. What other shit do you hate, huh?” he asks, and she seemingly responds with a long, sighed out coo. it makes him smile, despite the way his hands slightly shake when he cuts the next nail. he’s terrified, of somehow hurting her even more, of cutting too close, of scratching her. but he treks on, and kisses her fat little fingers every time he clips another nail.

[partfae]

Sauron, Galadriel, & Tolkien's Theology of Repentance - Part One

Summary: Character meta analysis on Sauron (and Galadriel, through the lens of Sauron). Based on both Silmarillion & RoP canon. 3.5k words. Discussion of Catholic theology involved. Blanket TW for discussion of violence, manipulation, etc., because Sauron. Spoilers for S1 & S2 and the Silmarillion, of course. The tragedy of Sauron is that he gets offered so many legitimate chances at redemption and forgiveness, and he denies them every single time. But we know he wants absolution, because that’s what he sees Galadriel as: his chance to bind himself back to the light, to be Mairon again, to heal the pain that he caused and that was caused to him under Morgoth. But because he has such a warped view of himself and his actions, he dismisses genuine extensions of compassion, forgiveness, and care as simultaneously beneath him and too good for him. And yet, he still pursues redemption, but through none of the channels offered to him.

In The Rings of Power, he’s given the explicit instruction to change for the good in the village after he’s reborn. He’s given the chance leave his past behind and work meaningfully in Númenor. He’s given the chance to redeem himself by Galadriel's offer of friendship (or love, depending on your interpretation). In the Silmarillion, he's even given the chance by Eönwë himself, and comes close to leaving Morgoth behind completely!

Let's look at this passage from Of the Rings of Power and the Third Age (emphasis mine):

When Thangorodrim was broken and Morgoth overthrown, Sauron put on his fair hue again and did obeisance to Eönwë the herald of Manwë, and abjured all his evil deeds. And some hold that this was not at first falsely done, but that Sauron in truth repented, if only out of fear, being dismayed by the fall of Morgoth and the great wrath of the Lords of the West. But it was not in the power of Eönwë to pardon those of his own order, and he commanded Sauron to return to Aman and there receive the judgement of Manwë. Then Sauron was ashamed, and he was unwilling to return in humiliation to receive from the Valar a sentence, it might be, of long servitude in proof of his good faith; for under Morgoth his power had been great. Therefore when Eönwë departed he hid himself in Middle-earth; and he fell back into evil, for the bonds that Morgoth had laid upon him were very strong.

This passage is clear that Eönwë is willing to pardon Sauron--he simply did not posses the power to do so. But when Sauron was told he must appeal directly Manwë, he gave up entirely and skulked back to Middle-earth. There are a few ways to read this:

1. He was not wholly repentant

Sauron simply wanted the protection of a new master in the absence of Melkor. i.e., he was rather fickle and simply wanted to be on whatever the "winning" side was. This is supported by the text literally saying that at least some of his obeisance was completely false, and that he only made a point of feeling bad about anything once his master had been chucked into the Void and his armies and strongholds were being destroyed (Thangorodrim). In this reading, perhaps Eönwë saw Sauron's treachery and referred him to Manwë knowing that it would be a test of his true intent. However, while a valid interpretation, I believe this to be the less holistic of the two.

2. He was truly repentant

Sauron did truly feel badly and "abjured all his evil deeds," but he was unwilling/unable to humble himself after being so fundamentally broken by Melkor and developing an insatiable power lust (hey, he isn't defined in the narrative by lust and pride for nothing).

Earlier in this same chapter, Tolkien wrote that Sauron could "...deceive all but the most wary." This is in the specific context of his physical shapeshifting. But, I would argue that this can also be tied to his lies. Tolkien has a specific ethic of beauty, where physical perfection is equated with moral goodness. Sauron completely inverts what is otherwise a hard and fast rule within Tolkien's writings by being the character most frequently described as "fair"--seven times to Lúthien's six, and she was the most beautiful woman to have ever lived!

(Side note: I have another post on Tolkien & beauty in the works where I'll get more into this idea)

Why does this matter? Even though this interaction with Eönwë takes place in the First Age, Sauron could at this point be in the demonic form Mirdania describes in the forge. And, I am inclined to believe that Eönwë, as the head Maiar and herald of Manwë, would be a pretty wary guy, and thus able to sense any of Sauron's trickery. I read this to mean that Eönwë looked at Sauron and saw his potential to be Mairon again, either in absence of his evil form or in spite of it.

Because Sauron is incredibly beautiful. And even if it is a disguise of the true, depreciated form of his spiritual essence, he presented himself to Eönwë at his most beautiful. He wanted, even in his act of repentance, to make himself more favorable in Eönwë's eyes. To show up as Mairon (who was likely close friends with Eönwë before everything went down, since they are considered to be two of the most powerful Maia and would have worked closely together).

But I don't think this was all manipulation on Sauron's end. I agree with the scholars mentioned in the text who believed that Sauron was truly repentant--which is why Eönwë even bothered referring him to Manwë instead of kicking him into the Void with Melkor.

And this is the tragedy: Sauron is told exactly how to repent, and believes fundamentally that it is an impossible path for him. And yet, he still longs so intrinsically for it! He was, under Aulë, a Maia of precision, perfection, and order. Under Morgoth, he feels disordered, dis-regulated. He needs to correct the fundamental imbalance within him, so why does he flee Eönwë?

It comes back to Sauron's pride.

If he follows through with this path of reconciliation, there is no way he can hide or pretend his actions away. If he cannot trick his fellow Maiar, he certainly cannot trick the Valar. And he cannot stand the idea of submitting himself back under their rule, especially now that he has tasted power. This is a pride wound; it is why the idea of confessing to Manwë would be humiliating to him as opposed to just upsetting/uncomfortable.

Again, the pivotal moment: he is told how to make amends for crimes and determines that he cannot do it. So he returns to Middle-earth and stews in his own self-hated and self-pity for a few years. In that time, he consciously or subconsciously latches onto Eönwë's offer--forgiveness from penance. It is the way forward. And if he cannot earn penance at Manwë's hand, he will do it on his own.

The Prodigal Son

This is where we have to talk about the Catholic roots of Tolkien's work for a moment. The scene where Sauron approaches Eönwë mirrors the biblical parable of the prodigal son. In this story, a man abandons his family, spends all his money, and falls into ruin. But when he recognizes his failings and returns to his father to get help, he is welcomed back into the family without question--in other words, he is forgiven and restored to his former position.

17 But when he [the prodigal son] came to himself he said, “How many of my father’s hired hands have bread enough and to spare, but here I am dying of hunger! 18 I will get up and go to my father, and I will say to him, ‘Father, I have sinned against heaven and before you; 19 I am no longer worthy to be called your son; treat me like one of your hired hands.’” 20 So he set off and went to his father. But while he was still far off, his father saw him and was filled with compassion; he ran and put his arms around him and kissed him. - Luke 15:11-32, NRSV CE (emphasis mine)

The parallel is clear; Mairon, the repentant Maia, returns home with hopes of reconciliation. He is prescribed the same task that the prodigal son offered to his father: he must be bound in servitude to his father/creator in order to pay off his debts. This is a deliberate allusion from Tolkien. The story of the prodigal son models the path of reconciliation that Eönwë describes. Tolkien seems to be drawing a line in the sand with this: Sauron is unwilling to do the work required by the Valar for repentance, so he is unable to receive the grace of a warm welcome back into the fold of the Ainur. Since he did not humble himself, he has to be told to do it. And he does not want to! He wants to be loved, but he also wants his power--evidence, in a way, of how his character was fundamentally altered in his time with Morgoth.

His pride--and his fear--cut him off from the potential of grace. He does not know for certain that Manwë would subject him to servitude (though I would argue that it's textually evident that it is a custom), but this assumption leads him to flee, which allows him to slip back into his old ways.

He wants to be Mairon (admirable) again, not Sauron (abhorrent). He wants to be accepted and loved, but not punished. He wants the benefits of reconciliation without the work he would have to do to earn it or the shame he would feel as he did. It's pride, but it's also deep shame--the flip side of his extreme ego is an implicit self-hatred, one that we can see in the subtext of how he speaks about himself and about his time with Morgoth.

Even the language Tolkien uses is heavily shame-coded, especially in a Catholic context; Mairon did not go willingly, he was "seduced." He admits to Celebrimbor that he was "tortured by a god". It becomes exceedingly clear through both text and on-screen canon that Sauron was routinely broken and abused for centuries. This has fundamentally damaged his self-perception, which is ultimately what leads him to "[fall] back into evil"--whether due to pride or shame, he hides, perhaps because he consciously or subconsciously does not believe that he deserves forgiveness, no matter how much he craves it.

Naked in the Garden

His flight back to Middle-earth after meeting Eönwë is reminiscent of another biblical scene, where Adam and Eve, after committing the first sin, hide from God in shame and fear (emphasis mine):

7 Then the eyes of both were opened, and they knew that they were naked...9 But the Lord God called to the man, and said to him, “Where are you?” 10 He said, “I heard the sound of you in the garden, and I was afraid, because I was naked; and I hid myself.” -Genesis 7-10, NRSV CE

The image of nakedness is, here, one of vulnerability, and Tolkien establishes that Sauron fears that which he cannot control. He needs the Rings under his power. He needs his armies and his enemies under his watchful eye. He is petrified of letting his power slip away (possibly due to never wanting to feel powerless in the hands of a Vala, fallen or not, again).

The biblical allusion here hearkens back to the fear Tolkien describes Sauron as feeling regarding his return to the Ainur. In the religious system Tolkien has established, which is likely inspired by his own religious beliefs, Sauron has sinned, and must make penance. But he is afraid of God/Manwë, and does not want to "let go" of his sin. In other words, he is not truly repentant. This reflects the Catholic sacrament of confession, which requires self-reflection and resolve to never commit the sin again.

Instead of shame driving him to contrition, it drives him to isolation.

But he still wants forgiveness. So, in his years of hiding in Middle-earth, he decides to earn it himself. His own way.

Enter the Rings.

Sauron wants to perfect the wrong he wreaked so that he can both earn his way back into the Ainur and keep his power. But what he does not realize is that this does not work. Eönwë is clear that he must forsake his true temptation--absolute power--through penance by submission. Yet Sauron in his pride thinks he can have it all. Sauron is a very carefully controlled villain, and the only times he snaps or makes significant mistakes are when his inflated self-perception is challenged, revealing the self-loathing and/or self-pity underneath. The best example of this is when he kills Celebrimbor prematurely, and cries afterwards. Why? Because Celebrimbor was right about him, and he hates it. He hates knowing that he is nothing more than the Morgoth's shadow, because Morgoth was his master as much as he was his tormentor. As Sauron puts it, his relationship with Morgoth was often defined by pain as a test to see "whose will was the mightier":

This image carries more shame, both in its implicit sexual connotations and in the simple power dynamic of it. Sauron, even though misguided, is rallying against Morgoth. He wants to break what Morgoth has created and build something new, something better, something apart from his old master entirely. But Celebrimbor confronts him with reality: he has not created something new, and perfect, and special, as he so wanted to--he can only act in imitation, not in generation. And when he got close with the Rings, it cost him everything. It's almost like he wants the power of a Vala, and loathes that he cannot attain it.

And this is why he becomes so singularly obsessed with Galadriel.

She’s his foil. They both crave power and adoration, but in the end of things, she does not fold under his temptation. She turns down everything she has ever wanted for the greater good and for the sake of her own soul. Sauron looks at Galadriel and perceives that she would have succeeded at Eönwë's test because she is willing and able to humble herself. This maddens him to the point of both desiring her and desiring to break her.

She learns that she is easily tempted and becomes strong enough to handle it (through a lot of tough love from Elrond & co.). She has to learn how to do it, but she is able to.

She grows from someone who resisted and rejected authority to someone who is trusted as an authority because of her ability to wield it wisely (see: Gil-galad allowing her to answer for him in 2x08).

In other words, she earns the trust, love, and support of her community. Sauron has to force his to comply—it is an illusion of love.

His possessive obsession with her also stems from her fairness. She was the object of her uncle Fëanor's obsessive desire for creation as well. Her hair was the inspiration of the Silmarils (see: The History of Galadriel and Celeborn; The Shibboleth of Fëanor - source with page #s here), which Morgoth desired more than anything to possess.

Sauron, wanting to spite his master, wants one better--to own that which inspired the Silmarils, to own the image of fairness (and thus of moral good) completely. This is why he wants to bind himself to her. This is why he needs her. He sees Galadriel as his mechanism of repentance, and his last triumph over Morgoth. Winning her is his salvation as much as it is proving that his will is the mightier. It is his way of dominating Morgoth. This starts, I think, as a genuine effort at proving himself to the Valar, but quickly consumes him entirely. He is overcome with the desire for revenge, just as Galadriel was at the beginning of the First Age.

And he sees this in her. Sees their similarities. Sees that she, too, is angry and lonely and so afraid of losing her power. And he leverages that to befriend her. This is where it gets ambiguous and you can read RoP as either painting the image of Sauron being earnest but completely misguided in his proposal, or you can see it as him being entirely manipulative.

I think the truth of that scene probably falls somewhere in the middle; just like when he presents himself to Eönwë, he is sincere in his desire, but only knows how to present it in an inherently contriving way. He does want to bind her to him, so he tries to only reveal to her the good aspect of that desire (and also of his desire for power, which he allows her to see because he believes that it is good and also because she understands it), and not the ugly underside of his internal struggle against Morgoth, the Valar, and himself.

And I do think, in his own way, he cared about her. Galadriel consistently shows kindness and compassion to him. In S1, they grow to know each other's minds and souls, and she considers him a close friend. He finds comfort in this, that someone could see the blackness of his heart and care for him anyway. He thought, in his isolation, that he lost that chance when he fled back to Middle-earth. And here is the very picture of the light itself telling him that she supports him, that she sees the good in him, that she wants to help him set the world to rights! Of course he is infatuated by this. Of course he also wants to use it. He is Sauron.

But Galadriel succeeds where he fails, so he stops playing nice and tries to forcibly drag her down with him. First, by baiting her with the image of the man she cared deeply for:

Then, by reminding her of all she is losing by rejecting him:

And she is still strong enough to say no. And not just to say no, but to shut the door completely. To look in the face of everything she has desired for centuries and turn it down, understanding that it will ruin her. Yes, she hesitates. Yes, she still wants it (wants him). But she wins the day by holding fast to the light that Sauron wishes so badly to bind himself to.

Because she has lost everything--her brother, her husband, the station as commander, the trust of her high king and best friend--and earns it back only through her resistance of her greatest temptation. It is a struggle, it is painful, it nearly kills her--but she does it. She wins the test that Sauron could not even bear to face.

In their headlong, self-sacrificial tendencies, they are the same. Both view themselves as fundamentally stronger/better than their peers while also being deeply lonely due to their self-imposed isolation (Galadriel's laser-focused hunt for revenge, Sauron's exile in Middle-earth). But to Galadriel, the light is more important than her pride.

For Sauron, the light is his source of pride. He desires it more than anything, but condemns himself to never being able to touch it due to his rejection of Eönwë's offer. Paradoxically, he tries to grasp at it through Galadriel, the living silmaril, and succeeds only in darkening her. We learn from Gil-galad in 2x08 that his crown piercing her flesh in an act of brutal domination nearly strips her soul from her and pitches it into the unseen world. In this, Sauron is saying: If I cannot have you, I will force you to need me. I will break you into loving me.

He says this to Celebrimbor as well. He no longer knows how to love properly. He only knows how to inflict pain until this object of his obessive desire needs him--just like how his immortal spirit was broken into submission by Morgoth. And isn't this revealing of his own sense of self? He refuses to suffer the path of light, but willingly suffers the maddening path of darkness because it is a comfortable, familiar suffering. One, he tells Celebrimbor, he even grew to enjoy (2x08). As the path of the Rings drive him madder and madder, his desire for the light (Galadriel) and the return of his power (Celebrimbor) become further disordered and corrupted until they culminate in him destroying them--and his chance at earning/owning them--entirely.

And this is Sauron's ultimate point of no return (which we will hopefully see in S3 🤞). The razing of Eregion and slaying of Celebrimbor were acts of petty rage he committed when his pride was injured. This was the final nail in the coffin. Galadriel, in her rejection of him, ruins what he sees as his true chance for redemption.

Galadriel, now stepping into the role of Eönwë, re-opens the invitation: "Heal yourself!" (2x08). But in rage and shame and stubborn pride, he turns it down again. I believe this is where his desire to heal Middle-earth shifts fundamentally into desire to dominate Middle-earth. He always wanted to rule, but now he wants to own.

[shipmansflannels]

welcome home, cheater | jackie taylor x reader

oh, hi! well, sorry for promising I was going to post something yesterday but ending up not doing it. I was trying to take some time out of the computer and trying to organize my creativity. so, this is what I could manage to post after a day off. hope it's fine. enjoy! sorry if it's too short, it was actually based on a youtube video I saw a long time ago and I couldn't remember all the details in it. hope you enjoyed it anyway. thanks for all the support, and the rebloggs, and the likes, and the following!

enjoy!

sorry for any grammatical or coherence errors, english is not my first language and I'm trying to improve!

------------------------------------------

welcome home, cheater | jackie taylor x reader

-> prompt: after an embarrassing situation at the mall, jackie has a jealous crisis. <-

warnings: non cannon, no crash, most fem!reader but it works for gender neutral readers too, jealous!jackie, jackie being a girlfaillure, 1996 timeline, mentions of randy walsh, plot twist.

***

She had spent the entire trip back in silence.

It had become an awkward silence in the car and you couldn't help but look at her and make sure everything was okay in the passenger seat, but Jackie hadn't said a word since you left the mall and she hadn't said anything when you were driving home either.

Her parents were on a business trip, and as two teenage girlfriends who did everything in secret, you were taking advantage of those days to be together. But suddenly, everything had become a confusing mess.

Opening and closing the car door with force, Jackie grabbed the bags of clothes that were hers and set off into the house in a hurry, before you could even park the car properly in the Taylor's huge garage.

Picking up your purchases and following her into the house, you threw them on the couch and promised that you would organize it after finding out what was wrong. As you imagined, Jackie had locked herself in her room and was probably listening to loud music on that damn Walkman you had given her for her last birthday.

In fact, if you had known that it would be the cause of all your ruin, you would have thought twice when you saw him in the store window begging to be taken home.

Knocking on the door three times just to be sure, you kept your voice low, hoping she would hear you anyway, over the loud music.

"Jax, can we just talk for a minute?"

There was no response. And instead of insisting, you just pulled the handle, not at all impressed that the door wasn't locked.

"Jackie, I'm serious. What did I do? Could you please talk to me for a second and sort things out?"

She looked at you, clearly listening to you, and with a sigh, she took the Walkman from her ears and threw it back hard, those huge eyes staring into your face. Like a stubborn child, she crossed her arms and sighed again.

“I think I should be the one asking that question,” she whispered, her voice a little firmer than you were usually expecting. Generally, while you had a calmer and more relaxed posture, Jackie was always excited, always outgoing, always talking loudly, as if she was always filled with sugar all over her body.

You frowned. "What the hell does that mean?"

"What did I do wrong, (Y\N)? What did I do wrong for you to leave me so easily, and right in front of my face, for Randy Walsh? What's different about him?”

Once again, you frowned, looking at her. "Jax, I don't get it. What the hell are you talking about?"

She huffed, returned to her normal expression and, with a roll of her eyes, leaned against the headboard. That was the signal she used for you to start a cuddle session on ordinary days, but now, you didn't know if you should join her.

So you just sat on the edge of the bed, still with your eyes fixed on her. "Is there something wrong? You can tell me, I promise I won't explode. You know I hate it when we fight, Jackie."

"You. Randy Walsh. At the video game store. Small talk. That pissed me off."

She explained, in pauses, now avoiding looking at you. Relaxing your expression, you gave an incredulous smile, but waited for her to continue, just to prove your point, and not to interrupt her in the middle of her justification.

"And what's worse, you left me waiting for hours in front of that stupid ice cream shop with my stupid raspberry cone in my hand, with my stupid shopping bags in my hand. Not hours, but…", she counted on her fingers, like if she was trying to remember. "... fifteen minutes, approximately."

You laughed again, scratching the back of your head. And she continued rambling.

"And you two were giggling, and you looked like a fool in love. I wouldn't care if it was a girl or a nice guy, I swear, but Randy Walsh! It's unacceptable, (Y\N)! How many times have you bumped into each other? through the school hallways? Once? Half a minute?”

You looked at her. "Look, love, listen… You got it all wrong."

"And I know I'm freaking out like it's a nightmare, like it's the worst thing I've ever seen in my life - and it really is, but whatever -. It's just… what would you expect me to do? I swear, it made me want to take your car, go home and leave you there alone, just to welcome you with a fucking sign stuck in the living room saying "welcome home, cheater"… But of course I didn't do that, I'm freaking out like it's the worst thing I've ever seen in my life, (Y\N), do you happen to realize what you fucking did? Randy Walsh, really? Are you fucking kidding me?"

You laughed again. "Jackie, please let me explain."

"Ah, now you want to explain? Well, go ahead. Explain yourself."

You sighed, looking at her and thinking exactly how you were going to put each thing into words, regretting it soon after, but knowing that you should move on. Looking straight into her eyes, you decided to start slowly, as you should.

"Do you remember the last day we went shopping? The day we spent at the new game store that opened on floor three and you saw that Nintendo 64 and your eyes lit up? So…", you bit your lip, nervously. "That day when you saw me talking to Randy for the first time, after coming back from practice, I was just trying to see if I could buy one cheaper, since he works at the game store in the other mall and I didn't have money specifically for the Nintendo from that store… And he promised me that he would try to ask his boss for an order, and that he would give me answers later…"

She widened her eyes, following you speaking as if it were the most important thing in the world, and from her reactions, you realized that you had made a mistake, and you realized that she also knew that she had made a mistake in judging you so early.

"Today, we were just passing by the aisle at Randy's game store, so I thought I would try to see if he had gotten the Nintendo yet… He told me yes, that it was on order and should arrive in a few days. And that made me extremely happy, Jackie, because… because it was my gift to you and because it was… well, it was your surprise birthday present."

With another bite on your lip, you laughed softly as you avoided looking at your girlfriend, who had her eyes even wider and her mouth open.

"That-? What-? How-? Oh, my God, babe… I…"

You nodded, laughing again.

"I screwed up, didn't I? I got it wrong and screwed up-"

"No, it's okay, I also overreacted, I should have told you… not told you, but at least given signs."

Jackie pouted regretfully and opened her arms. You fit into them well and breathed in her strawberry scent while ruffling those still wet hair. She whimpered a few times and hid her face in your neck, embarrassed. Her cheeks were too red, almost rosy.

"Shit, I'm so sorry, love. I didn't mean to ruin the surprise," she whispered. "It's just that seeing you and Randy together, I thought-"

"It's okay, Jax, I said it's okay. It was half my fault anyway…"

You shrugged and lifted her face to kiss her slowly. It started with a peck and then turned into a kiss that lasted a few seconds longer. When you pulled away from her, you whispered, touching the white blouse with butterflies sewn on the chest, looking down.

"Listen, I told you that I want to be clear about my feelings, and that I want to make us work, so… if I were cheating on you, which obviously I'm not, I would probably tell you. There's no reason I hide this from you, Jackie. Not even out of shame." You touched her lips with your fingers. "I love you. I wouldn't trade you for anything in this world. I swear to all that is sacred. You are the most incredible girl I have ever met and you are the woman of my life, I have never been so sure of that as I am now. "

She sighed and smiled, making another pout that you couldn't resist kissing, laughing softly and taking a moment to pull away from her.

"Besides, Randy Walsh isn't my type, and I'm not his type either…", you laughed again. "And when I say that, I mean it literally…"

Jackie frowned, her clear eyes emanating curiosity. "What you mean?"

“Jackie…” you shrugged, scratching your forehead. "He is gay."

[copia]

THIRTY-ONE DAYS OF GHOST ⛧ DAY TWO

the song that made you a fan — Spillways

“This is an elegy for the darkness that most people have inside. When you have a dam, spillways are the run-offs so the dam won’t overflow. That darkness inside us needs to find its way out,” — Tobias Forge

Job 10:1 "I loathe my own life; I will give full vent to my complaint; I will speak in the bitterness of my soul."

[nerdetiquette]

I don’t think Juno is one to open a halfway house or anything like that, but I get this feeling that his office will become something like that after the finale.

Like all the kids and young adults in new town (or anywhere else honestly) who need help and places to stay and have lives to rebuild all coming to his office at odd hours of the night only for Juno to find them passed out in front of door, let them in, and give them a guide on how to reset their life.

He has regular students coming in after school for help on how to get money and he helps them with jobs and scholarships and little tips he’d learned. There are people he only sees once and people he’s seen three or five times before but he still helps them because they’re trying.

It starts so slow at first, but eventually there’s as many kids as cases and he has to hire another secretary to help keep the kids organized and work out the logistics. Even though he does that, he still talks to the kids by himself, every one of them, and Detective Steel becomes a common name in new town if you need help, investigative or getting your life on track.

[heybiji]

dande's dying btw

[screechingfromthevoid]

not to be like that but also I feel like I was right when it came to "Dorian knows Orym is in love with him"

When I watch the confession and Orym word vomits out "ihavefeelingsforyou" Dorian does not act shocked. Dorian does not act bashful or oblivious. He goes on to say that hes wanted a moment alone with him for days.

Dorian hears Orym's love confession and he goes on his own monologue about how much he loves Orym. Because it was never a question whether or not Orym loved him.

The question has always been "Does Orym know I love him too?" That's why he spends so much money on him. That's why he defends Orym's need for the sword. That's why he's always healing Orym in battle and gets pissed when is not given credit. He has been trying to show Orym that he loves him through his love language.

(Dorian said words of affirmation was his love language and yeah totally. And I totally believe that Orym's is acts of service with a secondary gift receiving)

Idk I've just been thinking about that small moment between them for a while.

[snuize]

some more BTAS redraws, this time with my wip Harlivy designs