this tiny mortified storyboard solas is my favorite one i've ever drawn
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If nothing else Koenma is a Kuwabara stan and I'm right there with him o7 (I need to write the kuwameshi fic that goes with this fr)
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Man :( My uncle kinda bummed me out about my fantasy series.
He's like "well you need humans or elves or something that readers can already relate to" and I'm like
the 10+ species I made was for nothing? The species I made to replace the human population is just,,, irrelevant? Like damn :( I really broke my back making this fantasy realm for 8 years, and I have to change it entirely now because humans need to be there for 'relatability'?
My wee little heart is shattered,, Would literally anyone read a fantasy series that doesn't have humans or elves?
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People who infantilize autistic coded characters are the weakest link in society's chain.
How are you gonna look at this mf
And then tell me he's too uwu to do anything. Open your eyes, expand your brain; he thinks of the MCnasty too. Let him say fuck !!!!
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kabru's relationship with his eyes makes for suuuuuch a fantastic trans allegory (an aspect of your body alienating you from your community, being compelled to understand the perspective of someone who also has a complicated relationship with their body in the hopes that you'll better understand your own, people straight up misunderstanding biology) it makes me kind of insane because now I feel like I can't dig into any complicated feelings he might have about his body in relation to his gender without feeling like im just ... double dipping?? like fifjpejgh ryoko kui straight up already told that story in a way that exquisitely fucks??
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Reasons why I love Tan in episode 11:
He pushed Jin without hesitation.
He said this to Phi with his full fucking chest.
He threw Phi's ass under the biggest bus by notifying the entire group that he AND PHI made this plan.
Then he looked Phi straight in his face and told him he knew Phi wasn't loyal.
Tan has been very chill with these boys, but after learning about what happened to his brother, my man snapped and let these idiots know that he had nothing to lose.
If the show is trying to tell me that Tan has gone too far, then the show done fucked up the same way The Sign did.
Because I am fully on my man's side.
And if anyone is walking out of this house alive, let it be my guy.
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The way I will simply never recover from this page:
Vegeta's Panic and then IMMEDIATE affection for his new baby
Vegeta being excited to have a daughter
Goku assuming his wife Magic'd their children out of herself
Supreme Kai being embarrassed for Goku
Beerus getting wasted
Bulma saying she will raw dog her husband frequently and expeditiously with her whole chest, in front of god and everybody
Whis being like 'i gotchu babe 💅 but i gotta borrow ur man first or there'll be no more boning for anybody lol'
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I cannot imagine being a Damian stan right now. You've got both Zdarsky's bullshit (where he clearly doesn't give a shit about your boy) and The Boy Wonder (where Juni Ba clearly gives so many shits about your boy) coming out on the same day. The whiplash must be insane. I hope y'all get some nice warm soup for your efforts jfc
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I think sometimes the way I approach fic / meta writing / analysis stems from how I character build and write my OG stuff as well, because while the classical writing advice is about asking "what does your character want?" I've always found it most useful to ask "What does your character want, and what are they willing to justify to get it?"
(Asking how they justify their actions is also incredibly useful but more on that later.)
For example, when ('good') characters are under stressful situations and respond well regardless, we take that as being indicative of who they Truly Are—heroic, helpful, selfless, often even compassionate, etc, and when antagonists behave that way, we dismiss it as just glory hounding or being selfish, when it can Be multiple things at once.
When ('bad') characters respond poorly to stressful situations—threatening harm, using dark magic to saved loved ones, being angry and cold hearted—we take that as who they are, and when it's the protags, we say they're stressed or coerced or any number of things... that are true for the antags often, too! And still true even if you don't like them or have as much compassion towards them.
But unfortunately sometimes people are rarely inclined to do the opposite. They're rarely inclined to take antagonists' good moments as honest statements of their character because "well they're mean/evil" and often dismiss protagonists' complicated or less than stellar choices because "well they're good and they feel bad" (Viren saying he'll never forgive himself for the things he's done even when they saved his son, and Claudia crying over what she's done to save her father? yeah those scenes don't exist anymore sorry).
The fact of the matter is that, at least in TDP and in many other works (including my own), actual antagonists are not always evil and awful and morally bankrupt 100% of the time, and actual protagonists are not always perfect or good or making the right choice (because sometimes there isn't one, tbh).
Who your character is at their best and their worst, regardless of circumstance, is ALL of who they are. It all has to be taken into account. No cherry picking. Rayla can be selfish and dismissive and a liar who routinely fails at whatever she sets out to do and is awful at communicating, and Viren can love his kingdom and his family and genuinely believe that's what he's doing everything for, and neither encompasses their whole character. A perfect example is Claudia, who we cheer for when she chooses Soren over the world-saving mission of the egg in 2x07, and despair at when she chooses Viren over the world-saving mission of maybe not freeing the dangerous imprisoned Startouch elf in S4 and S5. Same principle, character, motivation, different circumstance, but we're happy about Soren (because he's not Viren) and bummed about Viren (because he's not Soren), and because character traits are consistent, and whether those traits are good or bad is inherently circumstantial. Claudia's loyalty can be great, and it can be a terrible, awful justification. Both of those things are true.
To be clear, this isn't to argue for false equivalency: Viren and Claudia and other antagonists are far more often Wrong than the protagonists are, and the protagonists are routinely more Right than our two favourite dark mages are. TDP likes its complications and circumstantial stuff, but there's still some things that are Bad No Matter What (like gaslighting your child, or routine dehumanization). And some of our associations are because antagonistic characters tend to be routinely cruel and mean, which are part of the horrible things they do, and protagonist characters are routinely kinder and more compassionate to the people around them, and protecting each other / innocent people is part of what makes them a good person, but... There's no inherent difference between a lot (not all, but some) of the actions the characters across the board take, particularly in arc 2, just their perspective and who we're personally more attached to and thereby more willing to justify their decisions surrounding.
Like idk my main WIP protag buries people alive en masse and tortures someone vindictively because they killed her friend and I'd still classify her as a Good Person (fictionally), and it's just always wild to me when people don't take All Parts and Choices and Relationships of a character into account especially because TDP spells it out for us over and over that we Should with quite literally every single character, whether those actions are good or bad:
Once again I am asking for encompassing wholes and character nuances where the only time a character should be like "well it's totally fine that you did a Thing actually" (Rayla towards Callum's dark magic use or Callum towards Rayla lying to/stealing from him) or "totally not okay that you did a thing" (Runaan about Rayla sparing Marcos, or Claudia doing dark magic) is taken as an aspect of Character Bias, not a definitive Narrative get off the hook slant or condemnation, because neither of those things Get us anywhere in a writing or analytical sense thank you
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Something something of COURSE in the end it's Stolas who has the power to end the conversation and whisk Blitz away rather then keeping at it when things get rough, off script, and honest.
Stolas want's a storybook romance. He's had it fermenting and stagnating in his head since he was a kid.
Stolas grew up in an environment of putting on airs and pretending to be perfect.
Stolas has no reference point for FIGHTING in a relationship except for an arranged marriage that they both openly did not want to be in, with zero real emotional stakes re: their bond with each other. (The primary stakes were playing bare minimum nice for the kid. Which they still failed at, but that's another topic.)
Of COURSE he doesn't understand that love and resentment at past wrongs (that can be exhumed and dealt with) can exist simultaneously.
How could he? He's never had an emotional investment with an equal, a peer, at all. ;-;
Blitz is intensely fucked up. They're BOTH fucked up, obviously. But this one? Dang it Stolas. ;_; If they'd just continued the conversation instead of Stolas' actively ending it and teleporting Blitz away, they might have GOT somewhere.
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stop engaging the person with a huge fanbase and giant platform about rpf ships!!!! stop engaging the person with [checks] almost 40k followers + monstrous amplification power through reposts, reblogs, screencaps, etc. about rpf ships!!! stop it stop it stop it STOP IT!!!!!!
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Fish, 7 (For your prompts! ❤️)
Hi, anon!! Thank you for the prompt, you were the very first one to send one in! 7 was, again, the wildcard, so I randomly generated a different number to land on Yue Qingyuan (from Scum Villain)! I have no choice but to dedicate this to @bytedykes, because I told her about this prompt and she said “yqy pet fish mental health speedrun” and we went, uh, a little insane about it. Enjoy some yuefang, folks!!!!
“Mu-xiong,” Yue Qingyuan says. “I’m sorry to bother you. Are you available?”
“Yue-xiong is never a bother,” Mu Qingfang says warmly. “And I am, actually, yes. Is everything okay, Yue-xiong?”
“I think I need help.” A bit dramatic, perhaps, and Yue Qingyuan hates to trouble Mu Qingfang on a rare day off, but Yue Qingyuan and impulse have never been the best combination, and he would appreciate a second opinion.
Mu Qingfang’s voice turns hard. “Where are you? I'll come right away.”
“What—?” Yue Qingyuan stares at his phone like the blank call screen will tell him why Mu Qingfang suddenly sounds so serious. “I'm at home, but—”
“I'll be right there,” Mu Qingfang says, and hangs up.
Yue Qingyuan stares at his phone for another second, then lifts his gaze to his sparkling new aquarium. His new betta, white and black and resplendent of fin, stares back. Was his crisis of faith about his viability as a fish owner really so deserving of such urgency…?
—
“So,” Mu Qingfang says. “This was your emergency?” He looks about as unimpressed by the betta as it does by the two of them.
Yue Qingyuan feels obscurely like he’s being scolded. Mu Qingfang is one of the nicest men he knows, but that just means that his censure takes the form of a blunt instrument of mass disappointment.
“In my defense,” he points out meekly, “I didn’t say there was an emergency. Mu-xiong just assumed.”
“That’ll teach me,” Mu Qingfang huffs, but at least he looks amused. “Yue-xiong should get used to asking for help more so this gege doesn’t have to panic every time he does ask.”
Yue Qingyuan’s mouth almost drops open. He can only hope his cheeks aren’t as red as they feel. “Er—well, I asked this time, didn’t I?”
“You did,” Mu Qingfang allows, looking something horribly close to fond. Yue Qingyuan swallows and tries to hurry on.
“So—not an emergency, but I do want your opinion,” he coughs out. “I’m having… doubts. About the fish.” Mu Qingfang’s eyebrows contract. Yue Qingyuan rushes it out. “Do you think I should keep it?”
“Yue-xiong…” Mu Qingfang looks politely incredulous. “Why does my opinion matter? The fish is already yours, isn’t it? If you don’t think maintaining its upkeep will be feasible, that’s one thing, but… Surely Yue-xiong did the research before getting it?”
He doesn’t sound judgemental, but Yue Qingyuan feels his cheeks warm. “I did, but I wasn’t planning on getting a fish; I was only admiring the tanks. There was a salesperson who was… very insistent.”
Mu Qingfang regards him doubtfully, which is fair. Yue Qingyuan towers over most people he meets, and his bulk only further adds to the impression of immovability. It’s only when he opens his mouth that it becomes clear how spineless he actually is.
Yue Qingyuan falters. “I had thought… I thought it might be nice.” The bettas had seemed so majestic in their tanks, iridiscent monarchs of false grass and plastic coves, and Yue Qingyuan had thought, wildly, that one might be rewarding to keep, might breathe a touch of life into his immaculately sleek living room. The whole affair hadn’t even been expensive by his shiny new standards, forget difficult to physically arrange. It was only when installation and set-up for his new aquarium had finished and he was left to watch that jewel-bright being swim disaffectedly through its new home that doubt had seized him, all-consuming and black. He had, admittedly, panicked a little after that.
(Yue Qingyuan’s apartment is very large, and very clean, and very empty. It holds the barest amount of decoration and muss to qualify as lived-in rather than a snapshot from a magazine ad. The fish may, in fact, be the only thing in the entire place which really qualifies as his. No wonder Yue Qingyuan wanted to jettison it from his life as soon as he got it.)
Mu Qingfang’s expression hovers between concern and simple confusion. “I’m sure Yue-xiong will be a more than adequate caretaker,” he says, more gently than Yue Qingyuan and all his neuroses probably deserve. “What’s this really about, Yue-xiong?”
Ah. There it is. Being the mildest person of Yue Qingyuan’s admittedly sharp-tongued social circle doesn’t preclude Mu Qingfang’s wit from being as keen as the scalpels he works with.
“I don’t…” Yue Qingyuan falters. How to express to Mu Qingfang how manifestly unfit Yue Qingyuan is to care for any living creature at all? He changes tack. “I think he hates me,” he admits dolefully.
Mu Qingfang stares at him for a long time, long enough to imply that he’s reevaluating certain opinions about Yue Qingyuan’s intelligence. “Yue-xiong, with all due respect to your new pet—it’s a fish.”
“Fish have emotions!” Yue Qingyuan argues. He flushes at the volume at which it comes out, and at the way Mu Qingfang’s eyes go wide-eyed in startlement. But the salesperson had been very insistent about that, as well. “Bettas are intelligent animals. They dislike certain colors, apparently, and they’re very sensitive—ah, to environmental disruptions, that is. And—”
Mu Qingfang’s eyebrows are still high, but his face has relaxed into a smile. “It sounds to me like you like it quite a bit already. Isn’t that reason enough to keep it?” His tone curls with sudden mischief. “Have heart, Yue-xiong—you’ve hardly known each other for a day! Give it time to adjust to you, and I’m sure you’ll win it over as surely as you do everyone else.” And he grins, sure and easy in his trust that Yue Qingyuan won’t fumble and shatter something so small and monumental as a life that he could cup in his palms.
While Yue Qingyuan is still dazed by that, Mu Qingfang’s eyes alight with interest. “Ah, Yue-xiong—what have you named it?”
“...”
Mu Qingfang’s face falls as devastatingly as it had lit up. “Yue-xiong…”
“Mu-xiong is aware that I was unsure of whether or not I’d keep him!” Yue Qingyuan is terribly aware that his ears are now heating up to match his cheeks. Mu Qingfang’s ensuing laughter does not help with that matter.
Yue Qingyuan is not very good at holding onto things. More often than not, he makes a mess of whatever he’s set his clumsy hands to, lets it fall right through his scarred fingers. But Mu Qingfang’s words ring through his head: Isn’t that reason enough to keep it? And, well, isn’t it? Surely Yue Qingyuan is adult enough to follow through on this. Maybe happiness can be look like his new betta swimming up to the tank to observe the new colorful form moving in front of it, can come as easy as Mu Qingfang quipping that his knowledge about fish is clearly lacking and vowing casually to read up on bettas to be a better fish uncle.
Yue Qingyuan buries a smile and walks over to let Mu Qingfang know that bettas can be trained to follow fingers around. The betta’s clear preference for Mu Qingfang over Yue Qingyuan is as good a marker of intelligence as any fun fact the pet shop worker could have given him. Yes, Yue Qingyuan thinks with a smile—he thinks he’ll be keeping this after all.
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Have you thought about how Squirrelflght's second and final trial would go? (Or her nine lives ceremony, assuming she doesn't die for Bramble's manpain before receiving them.) I like to think after Ashfur's circus, perhaps even her detractors would be at least a little more sympathetic to her.
I absolutely cannot imagine it going any other way than 100% well. I don't even think she'll need a Trial the second time around. After all the shit that happens in BB!TBC??
Recognizing the impostor, definitely being among the first people to know for sure
Joining and aiding the rebellion, if not being one of its primary leaders
Taking over ThunderClan as soon as she's able (with the very frustrating Lionblaze Coup ripped out)
STILL being against the idea of killing the impostor, to try and save as many people as possible, not knowing what's going on
Getting dragged in and then escaping, her first thought being "I need to get help and go back"
Even after all Bramblestar has ever done to her, decreeing that warriors NEVER leave another cat behind
Will definitely be one of the reasons why the Sisters come in to help send so many cats in. Right there is a practical reason for her enemies to acknowledge the value of Fire Alone (though she would be frustrated they even needed A REASON when it was always the right thing to do)
And, most importantly, Ashfur fucking ate Skystar. A 'circus' is putting it nicely, Ashfur just destroyed a big part of the afterlife (the Meadow of Young Stars) and one of Squilf's biggest detractors was murdered by another one.
She looks SO correct right now, you would look stupid for even trying to say "well let's put her on trial. again. after the last one went soo well."
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I love the idea of Marco having lots of siblings. Him talking about them to Jean, getting letters from them with all the silly things they have been doing in his absence ; just him being a big brother you know? And Jean always being a little jealous of those letters because he only has his mom and her letters are nothing short of embarrassing.
And and Marco mentioning Jean so often in his letters that at some point they began writing to him too.
And and you know them still writing to Jean even after Marco's death. The Bodt siblings slowly loosing contact with Jean, as he's too busy with the consequences of finding about the outside world.
...
Jean showing up at the Bodt residence once everything is over. All the siblings getting excited over seeing Jean, happy to see him after so long. Them talking over each other while trying to get Jean's attention. Jean looking at them with a soft, tired smile on his face and thinking of Marco.
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batman: gotham knights #2
why does nobody get him 😭
like. I think it's not out of the realm of possibility to assume anyone talking about jason todd in their writing and getting paid for it would've AT LEAST read aditf. and yet. fucking yet...
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I wanna know ur Fontaine msq criticisms 👁️👁️👂I’m all ears
I'm not sure if you wanted me to talk about this secretly or publicly but! Here I go!
The TLDR: Fontaine MSQ aestheticised prison, poverty, child abuse, the justice system/court and didn't properly address any of it.
More:
Focalors/Furina has way too much of a sympathetic angle for a dictator who's lets people drown with her inaction.
Neuvillette feels Bad for sentencing some people to death/prison, but that's it. He's one of the most powerful people in Fontaine. If he felt like there are systemic injustices, I.E sending an abused Child to prison, he should be the first person to DO something about it, not just cry and be sad so the audience can be like aw, that's complex character writing isn't it? No it's not! And guilt doesn't absolve you!!!!!!! (These are stuff we deal with in OTCOJ read my fic now /j)
Meropide has children in it, both Sentenced there (Wriothesley) and BORN THERE (Lanoire), and this is just a quirk of the place. Not only that, Meropide accepts prisoners of all genders and crimes. There are abusers and abuse victims in one place. Do you know how bad that is? How much potential for crimes to happen in a place like that— oh wait, Meropide isn't under Fontaine's jurisdiction. If you are assaulted as an inmate it literally means nothing to the court.
Wriothesley had no qualifications when he took over. Depending on how long he lived on the streets, how old he was when he killed his parents, how old he was when he was first taken in by the orphanage, etc, the man might never have more than 4–5 years of formal education. Sigewinne probably had to teach him how to write reports. And do Meropide's spreadsheets. Edit because I forgot to elaborate on this one: This isn't a point brought up anywhere, which is bad, because when poverty and incarceration robs you of a proper education (and the rights to vote in many places too, too, by the way), it reduces your prospects for jobs, reduces many people's ability to get a home etc etc. Wriothesley was just, narratively, Given his position.
Meropide is an industrialized prison, and they portray this as a good thing. Prisoners are paid in coupons for their labour, and this is also portrayed as a good thing.
The One-Meal-A-Day reform was something Paimon gushed about being so great of a perk, that people might want to go to jail for food (could be interesting and reflective of systemic poverty if MHY had brains, but they don't, so I was just Pissed because essentially all Paimon wanted to say was "Prison isn't so bad, but still don't go to prison guys! Prison labour is really hard!"). By the way, in most real-world prisons they are obligated to feed you three meals a day. Because that's how much food a human needs. MHY went with one meal just so they can say "if you want to eat more, you have to work." And then the welfare meal is a goddamn gacha. So imagine you're a starving child who's too weak to work in the fucking robot assembly line, and you wander up for your first meal in 24 hours, only to luck in with a shit one. I'd kill myself.
They wrote Wriothesley, who's a victim of the system, into a guy who's say shit like "I'm the Duke I can do whatever I want" for a cool moment where he choke-slams an inmate (I know he was a bad guy. But also, in copaganda when cops are violent/disregarding protocols, they are always only portrayed to do that against bad guys, so what does our critical thinking tells us about this one?) They wrote Wriothesley, who was an inmate of a prison so bad, so notorious that it is the literal boogeyman of Fontaine, that has a legal (???) fighting pit, with an administrator who abuses his position to be unreasonable, to willingly stay in the place and become an Administrator who would choke-slam an inmate while saying a cool line about how he has the power to do whatever he wants. They wrote him, the guy who had to be fed on the streets by melusines, to think one-meal-a-day was a good enough reform (while he spends god-knows how much on his boat). This wasn't a victim-turns-into-abuser narrative either, they want all this to be seen as positive character growth.
And then, the final kicker is, they gloss over his entire abuse. You can only read about these shit in his profile, which most people don't because they don't Have Him or doesn't care to unlock it/read it online, and they jammed his entire backstory into a flaccid info-dump at the end of his character story quest. This man isn't Allowed to feel abused and neglected and show any reaction to it within the narrative of Fontaine itself, because if they actually Gave Weight to what happened to him, they'd have to confront THE FUCKING JUSTICE SYSTEM they had NO PLANS on criticising. I don't think they ever explicitly said the fucking Crime-Theatre nonsense was Bad either.
I could go on, but this is already so long. But yeah, I hope this gave you an idea.
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