#Rodger centric

[eye-spy-au]

Welcome to EYE SPY a Dandy’s World AU

— This is my first time posting content like this online pls bear with lol. Also this au is more mature btw.

Eye Spy is an AU primarily about Rodger and Dandy but there’s still lots of the other toons !

In this universe the twisted ichor gets out due to Rodger’s negligence, now infected and trying to hide his guilt he turns to the one man who seems to know what he’s done, Dandy.

Though, unfortunately, Dandy doesn’t hold his or any of the other toons best interests to heart. Though he will keep Rodger’s secret all for the simple price of helping him study the ichor and its effect.

DUN DUN DUNNNNN…..

And that’s about all, there’s more but I’ll just post it as it comes into what I’m drawing yk, I’ll post some comics, some drawings, mainly doodles, lil lore dumps, even if I want ! This is just to allow me to share an au I made that I personally adore :P

Like I said before it is more mature I am a whole 18+ adult lolll so like I’ll warn stuff as I go but just so that’s abundantly clear :3

Take a non-related wip for the road,, glisten and his wives

[harperd]

School doodles but Jesus I cant take it anymore!! Where the hell are all the Rodger centric angst fics?? Please I'm begging I'm about to resort to wattpad at this point I'm so desperate

[jollyimposter]

Rodger centric doodles

and a short comic based on my first time playing

Full comic under cut

[wheelsgoroundincircles]

1955 Chrysler C-300

1955 Chrysler C-300: A Glimpse into the Golden Age of American Automobiles

The year 1955 marked a significant milestone in the history of American automotive engineering and design. It was a time when automakers were pushing the boundaries of performance, style, and innovation, and one car that epitomized this spirit was the 1955 Chrysler C-300. Often regarded as the first modern American muscle car, the C-300 not only represented a radical departure from conventional automobiles but also left an enduring legacy in the world of automotive enthusiasts. In this extensive exploration, we delve into the history, design, performance, and cultural impact of the 1955 Chrysler C-300, a symbol of the golden age of American automobiles.

The Birth of a Legend

The 1955 Chrysler C-300, where "C" stood for "Continental," was more than just a car; it was a statement of power, luxury, and style. Born out of Chrysler's desire to reclaim its position as a dominant force in American automobile manufacturing, the C-300 was a bold departure from the brand's previous offerings. It was the brainchild of Chrysler engineer and visionary, Bob Rodger, who saw an opportunity to marry a high-performance V8 engine with a full-sized luxury car, creating a new breed of American automobile.

Design: Classic Elegance with a Touch of Sport

The design of the 1955 Chrysler C-300 was a harmonious blend of classic elegance and sporty aesthetics. The car featured clean, uncluttered lines with a distinctive grille that became one of its signature design elements. The iconic, vertically stacked quad headlights and a wide, bold grille made a bold and unmistakable statement on the road. The subtle yet pronounced fins at the rear added a touch of sophistication and conveyed a sense of motion even when the car was at a standstill.One of the most striking design elements of the C-300 was its two-tone color scheme. Many C-300s featured a contrasting roof color, which accentuated the car's sleek profile. The attention to detail and craftsmanship in the exterior design set the C-300 apart as a true luxury automobile.

The interior of the C-300 was equally impressive. It featured sumptuous materials, tasteful chrome accents, and a driver-centric dashboard. Plush leather seats provided both comfort and support, making long drives a pleasure. The cabin was spacious, allowing passengers to enjoy the ride in style and luxury.

Performance: The Birth of American Muscle

What truly set the 1955 Chrysler C-300 apart was its groundbreaking performance. Under the hood, it was powered by the legendary Hemi V8 engine, which had already gained a reputation for its power and efficiency. In the case of the C-300, the Hemi V8 was tuned to deliver a staggering 300 horsepower, an unprecedented figure for a production car of its time. This made the C-300 the most powerful American car of 1955.The combination of a high-performance engine and advanced engineering made the C-300 a formidable force on the racetrack. In fact, it dominated the NASCAR circuit in its debut year, winning eight of the 16 races it entered. This racing success solidified the C-300's reputation as a true performance car, earning it the nickname "Banker's Hot Rod."

Engineering Innovations

The 1955 Chrysler C-300 introduced several engineering innovations that set the stage for future developments in the automotive industry. The Hemi V8 engine was at the forefront of these innovations. It featured hemispherical combustion chambers, which allowed for better airflow and combustion efficiency. This, in turn, contributed to the engine's remarkable power output and smooth operation.

Another notable innovation was the use of power-assisted brakes and power steering, both of which enhanced the car's drivability and safety. These features were a testament to Chrysler's commitment to providing a superior driving experience.

Cultural Impact and LegacyThe-1955-Chrysler-C-300

The 1955 Chrysler C-300 had a profound cultural impact that reverberates to this day. It represented a paradigm shift in American automotive manufacturing, heralding the dawn of the muscle car era. The C-300's racing successes on the NASCAR circuit elevated its status and contributed to the popularity of stock car racing in the United States.The car's blend of luxury and performance appealed to a new generation of consumers who desired both power and style. It embodied the American spirit of innovation and ambition, and its success inspired other automakers to explore the concept of high-performance production cars.

The legacy of the C-300 extends beyond its time. It laid the foundation for the muscle car movement of the 1960s and 1970s, influencing iconic models like the Ford Mustang, Chevrolet Camaro, and Dodge Charger. The C-300 remains a coveted collector's item, a symbol of an era when American automakers pushed the limits of engineering and design.

Conclusion

The 1955 Chrysler C-300 is a testament to the ingenuity, ambition, and creativity that defined the golden age of American automobiles. It represented a bold departure from the norm, marrying luxury with high-performance engineering in a way that captured the imagination of a generation. As a cultural icon and a pioneering force in the automotive world, the C-300 continues to inspire and captivate enthusiasts and collectors, ensuring its enduring legacy in the annals of automotive history.

[lzzyyyyyyyyyyyyyyyyyy]

ART DUMP + ANNOUNCEMENTS!!

1) ANNOUNCEMENTS!

So I’m still tryna set up RedNote, but episode 3 is gonna be Rodger-centric!! (YAAY) And I’m really excited to finish it n whatnot <33 I’m sorry shrimpo fans, he’ll make his appearance soon…

And a question! What do you folks think about episodes told through the eyes of other characters? I’d like to explore the perspectives of the mains so what better way to do so yk?

2) ART DUMP!!

A lot of Dandy’s World, a LOT of oc’s! Gonna say this now, the DW drawings don’t have anything to do with the Toodles au, they’re just for fun. Also pls don’t attack me for the ship art (I’m a multishipper and I ship literally anything as long as it isn’t weird) As for that reindeer? That’s my oc, vixen. I made him for funsies.

My oc’s are smth I’d love to talk about sometime, I’m super open to questions about them cause I’m a certified yapper!! Also Ik my art isn’t the best so sorry abt that T-T but feel free to ask abt my silly little oc’s ٩( ᐛ )و

[weclassybouquetfun]

When Phil Dunster finishes Rodgers & Hammerstein’s Oklahoma!, he must keep the boots and must always pair them with shorts. He has to!

In promotion for the musical, Phil was on Ed Gamble and James Acaster food-centric podcast "Off-Menu".

Toheeb and Brett have both appeared on the podcast, Brett a few times, and has had a collaboration with the duo with his podcast "Movies to Be Buried With" called "Menus to Be Buried With".

But if you want to hear the absolute best "Off Menu", listen to the one with Rafe Spall. He's fun, he's funny and a foodie.

And not a foodie in the sense of, "We must pair this meat with this wine", but in the sense that he loves eating. He's so joyful about it.

Ed and James needs to get James Lance on.

I want to her him talk about food the way he talks about cars and clothes.

[autumnthorns]

"It's Going To Get Better From Here Onwards (Right?)"

Dandy's world fanfic!

https://archiveofourown.org/works/59635138/chapters/152095906

No ships (I know a lot of you like them but I wanted this to be available to everyone plus I'm not a shipping kinda person 🌒👄🌘)

But if you pay attention you will most certainly see a few things in there that might set off your ship radar but don't worry it's all platonic (I'm sorry shippers but It'll probably kill you if there was a ship, you'll understand once you read)

There are lots of character interactions and I try to give each character in the run their time to shine.

Characters in the main run are:

Astro

Vee

Sprout

Pebbles

Glisten

Toodles

Goob

Rodger

I try to keep them as close to canon as possible with a bit of leeway for the story (things like Astro and dandy still seeing each other as friends but astro joining vee on the dark side. You'll understand once you read)

Characters will be dealing with a lot of complex emotions and may act a bit off but that's because of the stress and badness of the situation.

and I'm not gonna lie this has angst (with a bit of comfort) but there is also comedy.

You can't spell manslaughter without laugher after all!

The characters all have reasons for being down there and as they go deeper many truths will come to light.

Also this is Astro-centric but I do switch character perspectives, mostly when something I deem important is happening.

Happy reading! 🤗

[buttermander]

Hey DW fandom I'm thinking of making my first askblog

I have two ideas for an au centric ask blog and want your help deciding which on to go with. Either concept would also be open for rp as well once the blog gets made.

First up we have the contoonment au where most of the toons were apprehended after gardenview shut down in 2002 and are kept in a research facility for several years slowly deteriorating. The captive toons are pretty much having their biology and origins researched with little to no chance of escaping themselves. Among those captive are Goob (Subject - GB) , Boxten ( Subject- BXTN ), Glisten ( Subject - GLSTN ) , among many others that would be open for asks. Others managed to avoid capture and plot how to save their fellow toons from captivity, the resistance would be open to asks in several special events.

My other au is the " Twisted Rehabilitation Program " where Rodger made the decision to take glisten back with the group and came up with the idea of how to fix the twisteds from the mirror's testimony. Rodger and a small team of toons work to round up each of their twisted friends and work to restore their sanity by reintroducing them to their old life. The toons working in the program along with the twisteds who have recovered enough to be coherent would be available for ask.

Whichever au you choose I'm excited to start my first ask blog.

Alternatively I could attempt to run two blogs , if you would like that idea you can tell me in the comments. If you do I'll start with the one that gets the most votes and later make the other one.

[trensu]

Put your music on shuffle and list the first ten songs that come up, then tag ten other people.

Tagged by @xoxoladyaz! I've got like a bajillion playlists (and currently working on a good omens 2-centric one to give my eddie-centric ones a rest lol) so I decided to just shuffle my "liked" songs on my spotify and see what happened.

1. Tight Rope - The Greatest Showman soundtrack

2. Rising From Ruins - Judas Priest

3. Doubt Comes In - Hadestown soundtrack

4. When Can I See You Again - Owl City

5. Stepsister's Lament - Rodgers + Hammerstein's Cinderalla soundtrack

6. I Wanna Get Better - Bleachers

7. The Doctor is Dying - Chameleon Circuit

8. Rats - Ghost

9. Lights Out - Mindless Self Indulgence

10. Robot Builder - Night in the Woods soundtrack

Okay, i'm gonna tag some people, but please don't feel obligated to participate if you don't want to, okay? I'm just gonna pull usernames at random from my notes because there's no way I'll come up with people to tag otherwise

Tagging: @dogsnameisfrank, @if-i-were-your-raven, @crhodey, @woolasaur, @writeitinsharpie, @androgynousfeline, @strangeweathers, @chaos-and-chill, @jill-question-mark, @amyoosh

[night-gay]

Into the Anthill pt 27 - The Crossing

As Marvel made a move toward longer, franchise-wide events, Hank found himself playing a major part in Avengers: The Crossing. This was a mostly Iron Man centric plot where Kang took control of him as a tool for murder. During the event’s climax, Kang revealed that he would have preferred to use Hank as his pawn, but Hank fought back until it broke him each time. This confirmed on-page that Kang was directly responsible for Hank’s major mental breakdowns over the years. While I did find this kinda hand-wavey as far as excuses go, I did appreciate that it in no way removed his bipolarity.

It just served to prove that he was never really crazy or a danger to the people around him.

🐜🐜🐜

Avengers vol 1 #390-395, Avengers: The Crossing, Iron Man vol 1 #321, 323-325, Avengers: Timeslide, Age of Innocence: The Rebirth of Iron Man

Tony hosted a party at the new Avengers Mansion to celebrate another Avengers-founding anniversary. As they settled into poker and other festivities, mystery assailants appeared from a portal in the sky and dropped off the aged body of Gilgamesh. He died shortly after. Once the struggle was over, two more were found dead: Crystal’s nanny Marilla and Yellowjacket (Rita Demara). Hank and Tony sent the other Avengers to Jan’s estate while they studied the vault in the basement, now more sure than ever that something was amiss with it. That night, Marianne Rodgers (a telepath who hated Tony) assaulted him and he was saved by Madame Masque. 

With the mansion under lockdown, the Avengers met up at Jan’s to use Hank’s memory inducer to help Luna visualize what she saw the night of the murders. When it was revealed that Tony murdered Yellowjacket, he went on the offensive and shot Jan with his repulsor before fleeing to his arctic bunker to meet with Masque and Marianne. Hank rushed Jan to his lab to save her life, subjecting her to a second round of the process that gave her wasp powers and unintentionally mutating her into an insectoid form. Black Widow, Century, and Moonraker arrived from Force Works later that day to confirm that Tony killed their publicity manager Amanda Chaney and activated a bomb in their basement.

At Tony’s bunker, Marianne probed his mind and discovered that Kang had reprogrammed him years ago to be used as his pawn, even forcing him to kill his friends. She alerted the Avengers telepathically when they came looking for him and sent them away for their safety. As they teleported back home, Kang and Mantis captured Moonraker to torture him. He was saved and brought home by a teenage version of Luna who told them they had to find someone like Tony to beat him. Not knowing who else could keep up with him, the Avengers decided that they needed to go back in time to recruit a pre-Kang version of Tony. Teen Luna helped Hercules unlock the mysterious time-vault door to allow Cap, Jarvis, Black Widow, and Vision to jump back and recruit a 19 year-old Tony Stark. They returned to the present by using Doctor Doom's time platform.

Young Tony joined the Avengers in battling Tony in his bunker but was mortally wounded by his older self. Kang stepped in to protect his pawn; Tony was too useful to give upl, but wasn’t his first choice. He revealed that he originally targeted Hank, but found him more willing to break than bend to his will, which had been the cause of all of his major mental breakdowns. This led Kang to Iron Man, who he swayed easily. With time running out, Tony sacrificed himself to stop Kang. His last act before dying was to pass schematics for his chestpiece to Hank as a way of saving his younger self. With Hank in the operating room to oversee the surgeons, Young Tony was saved.

Iron Man vol 1 #326, Avengers vol 1 #396

Iron Man, Captain America, and Thor united to stop Zodiac’s attempt to trap NYC under a dome and steal all of it’s power. Tony used the last of his chestpiece’s power to open a passage for people to escape the dome but nearly died because of it. Hank was able to reroute some power from his gauntlets to keep him alive. At the Zodiac base they fought to keep Libra distracted while Hank found and destroyed the dome’s generators.

Minor/Cameo appearances from this period:

Thor vol 1 #495

Untold Tales of Spider-Man vol 1 #3

[hypers-space]

Clone Wars: Episodes 1-11

Introduction:

Hello there everyone! As I mentioned in my introduction post, this is my first ever time watching the Clone Wars. I’ve spent the last couple of days writing reviews for the episodes, and I decided to share them here for all of you! I hope to do this for every episode so I can document my thoughts as I watch and have something to look back on. I hope you all have fun reading my thoughts and honest reviews.

Enjoy! ✨

Episode 1: Ambush

Rating: 5/10

I didn’t understand a lot of this episode, but I loved all the teamwork learned and shown through the clones.

Episode 2: Rising Melevolence

Rating: 5/10

Great episode full of action! Still trying to catch up with the lore a little bit, but this episode made me excited for what’s to come!

Episode 3: Shadow of Malevolence

Rating: 7/10

I loved this episode. It was full of battles and aircraft. The only reason I gave it a seven was because Anakin kept ignoring and dismissing Ashoka. Appreciate her!!!

Episode 4: Destroy Malevolence

Rating: 9/10

C3PO was the highlight of this episode. I love how the Rodger droids get pushed around. Also, the “Hello there,” said by Grieveious was super cool on his own, but if you notice, the next thing said after that greeting is “General Kenobi” (also said by Grievious). I thought that was clever. Although I definetly think that there will be episodes to top this, episode three is defienetly one I’d rewatch.

Episode 5: Rookies

Rating: 8/10

A clone centric episode! This episode was so chaotic and sad at the same time. Heavy scrificing himself was devestating. I love how the clones interact with oneanother. Great episode!

Episode 6: The Downfall of a Droid

Rating: 5/10

This episode was basically Anakin being angry and yelling at people the entire time. I understand where he’s coming from but Anakin needs to chill. R2 is a strong droid; he’s alive. And stop yelling at Goldie!!!

Episode 7: Duel of the Droids

Rating: 9/10

This episode was so fun! I can’t believe that Goldie was a bad guy this entire time! There were some parts that I thought were a little bit boring in this episode, but there were definetly more things that were entertaining rather thant unengageing. I loved the fight between Ashoka and Grievious, and the fight between R2 and Goldie was hilarious. “R2 isn’t just a droid; he’s a friend.” was one of the best things that Anakin has said this entire season.

Episode 8: Bombad Jedi

Rating: 10/10

This episode reminded me of how much I loved Jar Jar as a kid. He’s super funny and oddly resourceful. I loved the different perspectives of this episode. Jar Jar being called a Jedi was funny, C3PO is an icon, and Padme is so sweet to everybody. I also loved the moral of this episode. It just goes to show that “It’s not what you know, it’s who you know. (I also really like the swamp caterpiller slug thing. So cute!)

Episode 9: Cloak of Darkness

Rating: 10/10

I love it when women take initiative. No but seriously this episode was awsome. Ashoka taking the lead, Luminara learning to trust someone younger and less experienced than her, Ventress!!! this episode had it all. I was entertained throughout and had a good time watching this one.

Episode 10: Lair of Grieveous

Rating: 10/10

Kit Fisto! He’s so cool! This episode was awsome. I loved the message, and the fight scenes were top notch. Also I love Grieveous’s medical droid. I was sad when he died.

Episode 11: Dooku Captured

Rating: 10/10

I really liked this episode! You could really see the familial connection between Anakin and Obi Wan in this episode. They bicker all the time but really they’re there for each other to the very end, which was great to see. I also liked all the scenes with Ashoka. She’s got a lot of sass too and helps out whenever is needed, always doing an excellent job in the process.

Conclusion:

I really like this show so far! It’ll be interesting to see how season one develops and references the prequels. Overall, I’m very excited to watch more of this series, and I hope to do more in depth reviews of certain episodes on their own in the future. Thanks for reading!

[evilelitest2]

To be clear here, the "Coup" in question is the Euromaiden Uprising, where millions of UKranians rose up against a right wing authoritarian goverment and drove him out of power, something that you'd think that Communists would like, and regardless is not a coup. A coup is a very specific term, it refers to a rapid seizure of the leadership of power, normally by the military. The 10 Tragic Days was a Coup, Pinochet took power in a coup, Franco attempted a coup before resorting to a civil war. Half a million people occupying the capital for months isn't a coup, not unless you think the February Revolution was a coup (and i really hope you don't)

As for provocation, the main provocation that Russia faced is that its former colonies are joining NATO because they are afraid of being reconquered (Gee I wonder why). NATO sucks, but if you view a colonized nation democratically voting to join NATO out of fear of there colonizing neighbor (I mean look at the last 500 years of Russian history), then you are basically seeing the entirety of Eastern European from a Russo centric perspective, like Russia is an empire guys, how do you think they got that territory in the first place?

Its genuinely weird seeing communist simp for Putin because if the White Russians had won the Civil War in 1920, Putin's Russia would be pretty close to what it would look like, deeply nationalistic, racist, steadily turning into an Orthodox theocracy, autocratic on the verge of crypto fascist, heavily corrupt and deeply conservative. This is a regime that is deeply oppressive of its queer population, to the point where Putin's recruitment adds say that the war is about preventing Trans people from "infecting" russia, seeing Marxists/Leninists take there side is...well i'm disappointed but not surprised.

I mean the fact that Ron Desantis, Alex Jones, Rodger Stone, Le Penn, Viktor Orbain and Donald Fucking Trump all are agreeing with you about NATO "provoking" Russia really should get you to rethink your world view.

By Yuliy Dubovyk 

If you live in the United States, the only government you can actually influence through demonstrations and other forms of protest is our own. I absolutely think it is a crime right now to support the U.S. government’s drive for war, sanctions, or further escalation of tensions in Ukraine. The U.S. government has been fueling this conflict for decades. Washington has funded coups and fueled a civil war in Ukraine. Now, U.S. corporations stand to greatly benefit from what is happening.

[yourroofingconsultant]

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[cocoabubbelle]

Personal Opinion:

I think Halle Bailey looks cute as Ariel and her voice is pretty.

Maybe I don’t have a huge problem with race-swapping or multi-racial (?)/blind race casting because I grew up with and loved films like Rodgers and Hammerstein’s Cinderella (1997).

You know, the one with Brandy, Whitney Houston, and Bernadette Peters + her extremely fraternal biracial twin daughters? (the last part was in jest)

The one where Prince Charming is Filipino and his parents are African-American Whoopi Goldberg and Victor Garber?

Maybe Disney is just doing a check box for diversity points, who knows? (I wouldn’t put it past them.)

I do see the aggravation of constantly race-swapping European-centric/made fairy tales, stories, myth, and folklore when there are PLENTY of POC-centered and oriented fairy tales, stories, and folklore that deserve to be and should be told.

That being said, I will call back to my previous post and politely ask fans, both old and new, young and grown, whatever race/culture/religion/orientation/etc you may be, to PLEASE be COOL to each other no matter what your opinions may be and however the film turns out.

[fatehbaz]

Global conceptions of Antarctica are dominated by colonial narratives [...]. The politics of Antarctica remain firmly rooted in notions of discovery and sovereignty on a ‘tabula rasa’, where the intersection of nationalism and resources leads to particular challenges and consequences. [...] [These] dominant historical Antarctic narratives and claims [...] have far-reaching consequences for present policy and governance. [...]

Despite Indigenous involvement in [...] science in Antarctica, scientific practice, state-centric governance and decision-making has excluded Indigenous knowledge, interests and aspirations [...].

In the Southern Ocean, the migratory pattern of whales, and the humans that have charted and followed them, is just one relationship that connects Indigenous peoples and Antarctic seascapes. Humpback whale migrations through the seascapes of Tahiti, Tonga and other Polynesian islands across the Pacific have led to strong cultural associations and non-human kin relationships with migratory cetaceans that are embedded in many Polynesian stories.

---

Human voyaging into Antarctic waters by Hui Te Rangiora and his crew on the vessel Te Ivi o Atea in around the seventh century may have followed cetacean migratory routes from Rarotonga in the Cook Islands. In so doing, they were perhaps the first humans to set eyes on Antarctica; evidence of their likely discovery lies in its name Te tai-uka-a-pia which denotes the frozen ocean, as well as oral accounts handed down through the generations.

Similarly, accounts of the flora, fauna and physical geography indicate sub-Antarctic as well as likely Antarctic visitation by Hui Te Rangiora and his crew; thirteenth century Māori sub-Antarctic exploration is well-established [...].

Other noted Māori explorers of the Antarctic region include Tamarereti, who pursued the origins of the aurora australis.

---

These traditions record enormous ice cliffs with towering mountain ranges behind them, with nowhere to gain a footing, and suggest that those with Tamarereti gained an understanding of the physicality of the Antarctic region, including the Antarctic Circle. Hui Te Rangiora’s descendant Te Aru Tanga Nuku hundreds of years later also journeyed far into southern waters.

In Aotearoa New Zealand, these explorers are of such importance that they remain commemorated in elaborate carvings and recalled in navigational and astronomical knowledge. 

For example, Hui Te Rangiora’s voyage and return are depicted in carvings at the source of the Riuwaka River at the top of the South Island, as well as on the meeting house of the Ngāti Rārua people. For Māori, the Milky Way in the night sky is more than a navigational system; it represents Tamarereti’s seafaring vessel, or waka, Te Rua o Maahu. In this visualization of astronomical knowledge, the Southern Cross is the anchor and the two pointers the rope for the waka.

These visual memory aids underscore the skills required to navigate southern oceans, and place Māori firmly in relationship with the southern oceans. [...]

[A]n Indigenous paradigm from Aotearoa New Zealand offers a relational perspective [...]. By highlighting Māori connections with Antarctica the continent, Antarctica the seascape and Antarctica the living entity of human-kin relationships, we challenge the intellectual legacies of Antarctica framed within existing mindsets and expand these to grow alternative conceptions of human relationships and responsibilities to Antarctica and the seas that surround it.

---

Figure, captions, and all text published by: Priscilla M. Wehi, Vincent van Uitregt, Nigel J. Scott, Tasman Gillies, Jacinta Beckwith, Rata Pryor Rodgers, and Krushil Watene. “Transforming Antarctic management and policy with an Indigenous Maori lens.” Nature Ecology & Evolution 5, 1055-1059. May 2021. [Bold emphasis and some paragraph breaks/contractions added by me.]

[just-a-poor-boy-queen]

Okay but I can’t for the love of god think of a BoRhap sequel that would make sense? Like... the way they left it in the film has pretty much left the Queen/Freddie story done and dusted. All they’ve got left is Freddie’s final years, maybe the tribute concert, Brian and Roger’s solo projects, Paul Rodgers and Adam Lambert??? It’s just weird material for a sequel - like who wants to see a film about that???? If it’s meant to be a “biopic” what story are they going to spin? Is it still going to be Mary-centric even though she pretty much becomes irrelevant after Freddie’s death? UNLESS they make it into a movie about Freddie and Jim, and more or less the struggles the LGBT diaspora went through in the AIDS crisis but let’s be serious they will never make a movie like that. Other than that, I can’t think of a story that warrants a sequel.

Also I watched Brian’s live, and tabloids (also kids on TikTok) have made it into a much bigger deal than what he actually said. It’s another one of those moments where his words kind of got twisted lol. I doubt Brian and Roger are actively trying to make a sequel happen. He got asked about a sequel and his answer was basically like “we are not 100% against it but it would be hard to make and hard to follow the film we have. If it’s going to happen, the script has to be really good and there needs to be an occasion for it.” And then everyone made it out to be “Brian May CONFIRMED Queen is looking at a BoRhap sequel”. What Brian said has already been said by Roger last year - there would have to be a genius idea and scenario for a sequel to happen, and even if it were to happen, it won’t for another several years. Everyone just heard “BoRhap” and “sequel” in the same sentence and went crazy.

Yeah, I cannot comprehend what they can possibly show now. But whatever will be enclosed within this hopefully hypothetical script, it'll probably be as bad as the first one, or worse. I do not see them letting go of their homophobic and superficial narrative that will once again glorify Mary, and may even find a way to diss on Jim and demonise the gays.

But yeah, I think it's being made a bigger deal than it is. I haven't watched Brian's live video so I don't know what was said in exact terms, but I won't be surprised if it turns out that the media has exaggerated and twisted his words. I saw an example of it the other day in an italian article as well.