#Rococo painter
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María Hahn, the Painter’s Wife (1901), (detail), by Raimundo de Madrazo y Garreta (Spanish, 1841-1920), oil on canvas, 192 × 128 cm, Museo Nacional del Prado, Madrid
#maría hahn the painter’s wife#raimundo de madrazo y garreta#painting#oil on canvas#detail#painting detail#museo del prado#madrid#20th century#realism#my upload#rococo#art#fine art
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Jean-Baptiste-Siméon Chardin (French, ) • The Monkey Painter • 1739-1740
Although not a self-portrait in the true sense, I'm including it here because it's so fascinating. The monkey is the artist as subject, gazing away from the canvas at what is perhaps the subject it is painting.
Firstly, there is the Rococo era's obsession with paintings of monkeys. Called Singerie, it is a French term describing visual arts depicting monkeys engaged in human activities. It was at the height of its popularity in mid 18th century France. It is said that even Madame de Pompadour succumbed to the monkey craze!
Secondly, this work serves as a commentary on the state of art and artists in French society at the time. Chardin was a member of the French Royal Academy, yet he was critical of the academy's narrow-minded attitudes toward what was considered art worthy of its stamp of approval. This archaic focus begged the question – does the Royal Academy want artists that can think critically, or does it simply want imitators of their narrow rules? Hence, a monkey can be trained to paint but a true artist analyzes and discerns myriad aspects of their subjects.
Pierre-Louis de Surugue (French, 1716–1772) • The Monkey Antiquarian • 1743 • after Jean-Baptiste Siméon Chardin
The Monkey Painter and the print above were frequently reproduced. The caption here translates: "In the obscure maze of ancient monuments Why, learned man, do you put yourself to so much trouble? For truly philosophical eyes, our century Provides enough to keep one busy."
#art#art history#painting#oil painting#pierre-louis surugue#prints#art prints#john baptiste siméon chardin#french artist#the monkey painter#rococo monkey craze#singerie#18th century european art#the canvas mirror art blog#art blogs on tumblr#art lovers on tumblr#artwork
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Rosalba Carriera (Italian, 1673–1757), "A Young Lady with a Parrot" (detail), 1730
#Rosalba Carriera#art#painting#rococo#rococo art#italian art#18th century#18th century art#art detail#portrait#pastel#fine art#women painters#female artists
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Serena Reading
Artist: George Romney (British, 1734 - 1802)
Style: Rococo
Genre: Portrait
Date: 1785
Collection: Private Collection
"She always has her nose in a book and her head in the clouds." ~ Grace Metalious (1924–1964)
#portrait#oil canvas#leisure#book#woman#george romney#rococo#18th century#british painter#candle#hat#red chair#candlelight#fashion#dress
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The Swing
Jean-Honoré Fragonard, The Swing, oil on canvas, 1767 (Wallace Collection, London) (photo: Steven Zucker, CC BY-NC-SA 2.0)
#art#artwork#art history#artist#paint#drawing#france#painting#art detail#rococo#rococco#the swing#french#painter#jean honoré fragonard#hedonism#18th century#18th century art
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Harlequin is the bed soldier by Giovanni Domenico Ferretti (15.06.1692-18.08.1769)
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Anne Vallayer-Coster (French, 1744-1818) • Still-Life with Tuft of Marine Plants, Shells and Corals • 1769
#anne vallayer coster#french artist#still life#rococo#woman painter#woman artist#rococo painting#art of the still life blog#painting#fine art#art#18th century painting
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The Stolen Kiss
Artist: Jean-Honoré Fragonard (French, 1732-1806)
Date: 1787
Medium: Oil on Canvas
Collection: Hermitage Museum, Saint Petersburg
Description
The Stolen Kiss is an oil on canvas painting created in 1787, located in the Hermitage Museum, Saint Petersburg. It has been historically attributed to the French Rococo artist Jean-Honoré Fragonard (1732–1806).
In the late 18th century, The Stolen Kiss belonged to Stanisław August Poniatowski, the last monarch of the first Rzechpospolita, and was hosted in the Lazienki Palace in Warsaw. With the acquisition of the palace in the early 19th century by Tsar Alexander I, the painting effectively became part of the Russian imperial collections. It was transferred in 1895 to the Hermitage Museum, where it remains.
The traditional attribution of The Stolen Kiss to Fragonard is based on a mention of him as the author, with an etching of the painting published in 1788. However, it has been noted that the style of the painting, though close to Fragonard's works such as The Bolt, is more characteristic of the artist's sister-in-law and apprentice, Marguerite Gérard; because of that, some scholars consider the painting to be either a collaboration of Gérard and Fragonard, or solely a Gérard work.
#oil on canvas#painting#stolen kiss#jean honore gragonard#french painter#man#woman#drapery#18th century painting#european#rococo#lovers
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Two portraits of Marie Adélaïde de France by Jean-Marc Nattier
#new post#historical fashion#art#portait#jean marc nattier#french fashion#french painter#Marie Leszczyńska#historical#1740s#18th century fashion#18th century#1750s#kingdom of france#rococo fashion#rococco#royals#royalty
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After The Baptism
By Johann Hamza
#art#painting#fine art#classical art#austrian art#austrian painter#beauty#genre painting#oil painting#austrian artist#rococo#european art#culture#aesthetic
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Maria Amalia of Saxony
Artist: Louis de Silvestre (French, 1675–1760)
Date: 1738
Medium: Oil on Canvas
Collection: Museo del Prado, Madrid, Spain
DESCRIPTION
Painted in relation to the sitter’s forthcoming marriage to Charles VII of Naples, future Charles III of Spain, this portrait has an elegance and refinement that reflects the prevailing Rococo court style. The splendour and grandeur of Rigaud’s court portraits is here tempered in favour of a more delicate, decorative manner. Daughter of Frederick Augustus III, King of Poland and Elector of Saxony, María Amalia is dressed “à la polonaise”. In her right hand she holds a portrait miniature of her future husband. The royal crown of Naples rests on the side table.
#portrait#maria amalia of saxony#louis de silvestre#french painter#european#polish#spanish nobility#polish nobility#18th century painting#rococo#royal crown of naples
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Federico Andreotti (1847-1930)
#art history#19th century art#18th century#18th century fashion#rococo fashion#19th century#Victorian painter doing rococo revival! super neat#you can really tell on some of these paintings he’s almost giving them a bustle…#something about them just feels very different to 18th c paintings like fragonard#but they’re still soooo beautiful
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Jean Simeon Chardin (French, 1699-1779)
The House of Cards, probably 1737
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The Malachite Room of the Winter Palace (1865) by Konstantin Ukhtomsky.
#konstantin ukhtomsky#winter palace#saint petersburg#russia#imperial russia#russian imperial family#europe#19th century art#19th century#russian painter#russian art#russian aristocracy#leningrad#palace museum#rococo#painting#home interior#interior design#interiors#nobility#russian#russian empire#romanovs#czarina#st petersburg#late 19th century#artwork#history of art#art history#19th century photography
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hand details in Sebastiano Ricci’s Triumph of the Marine Venus (ca. 1713)
#Sebastiano Ricci#oil painting#18th century art#greek mythology#Venus#italian painter#rococo#mythology#18th century#Cupid#love#beauty#italian art#art#details#painting#oil on canvas#hands
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Rosalba Carriera - Diana con una túnica rosa [Diana in a pink robe], 1725.
Pastel on paper, 40 x 32 cm
Missing in 1945 from Gemäldegalerie Alte Meister in Dresden.
#art#artwork#carriera#diana#diana con una tunica rosa#diana in a pink robe#goddess#italian art#italian painter#italy#moon#painting#pastel on paper#roccoco#rococo#roman goddess#roman mythology#rosalba carriera
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