#Rockin The Nation

[da-ill-spot]

Cinemills TV: LA’s Graffiti Underground: Stroe One

[elvisqueso-iii]

Jack White - Seven Nation Army, Live at Michigan Central Station, Detroit (with Daru Jones on drums)

[timmurleyart]

Happy 2023 to the world.🎈🎉🍸🥂🍸🍾🥳

[orcelito]

i decided that i wasnt gonna do the post-chapter for the side thing just bc my brain was absolutely refusing to do it & i ended up deciding it wasnt That necessary. so y'all r getting all angst no closure for this thing. the closure is in discacc. good luck to anyone who reads this thing w/o reading discacc i guess lol

[bucketbueckers]

accounting - azzi fudd

pairing: azzi fudd x fem!reader (no use of y/n) wc: 2.8k synopsis: you're watching kk and the rest of the team fool around on live when azzi fudd walks in asking for an accounting tutor. deciding to humor it, you're surprised to find that azzi was completely serious, and even more surprised when your offer leads to something more between the two of you. notes: in honor of azzi fudd hoops last night - i was supposed to have this up before the game but i forgot i had a three hour lab and unfortunately i will not write fanfiction in the middle of the university food court. first tumblr post, lmk if we're rockin w it 🙂‍↕️

You’re settling into bed to unwind for the night when you get the TikTok notification.

KK Arnold has gone live!

For the better part of your day, you’ve had your nose in the books, trying to get ahead of your weekly homework. You have a terrible habit of letting most of it pile up during the week and finishing it all over the weekend. As an accounting major, you didn’t really have fun weekend plans, anyway, but it would be nice to lay in bed all day and not worry about something that was due at 11:59. You only had three classes today: managerial accounting, intro to auditing, and intermediate accounting. It wasn’t a rigorous schedule by any means; you were done and out of classes by lunchtime, but after two and a half hours of listening to your professors drone on, you were ready for the nap you couldn’t afford to take due to your piles of homework. 

Seeing the live notification is enough to remind you that you aren’t really that tired, so you click on it. KK’s face fills the screen and she’s unboxing Crumbl cookies. You say a silent prayer for the girls – Crumbl tasted terrible and that was a hill you were willing to die on. Paige sat behind KK, with Ayanna, Jana, Kayla, and a few other players milling about off-camera. For a painful few minutes, KK tries her best to get everyone’s attention so she can narrate about whatever monstrosity of a cookie they’re eating, but everyone’s laughing too hard to fully lock in.

Ayanna leaves to get a knife so KK can cut the cookies evenly. KK entertains the live while Ayanna is away, singing, chatting, and interacting with commenters. When Ayanna finally returns, she has the knife, but Azzi also trails behind her - a fact that the live is definitely appreciative of. “Oh, my God, look who it is!” KK intones in a shrill voice, much to Azzi’s clear bewilderment. You’ve never seen an expression of such confusion on someone’s face before. “It’s Azzi Fudd!”

Azzi buries her face in her hands and moves off-camera as everyone laughs. KK’s voice softens as she asks, “Azzi, wanna try a cookie?”

“No,” Azzi whines.

KK’s entire expression shifts, and admittedly, yours does, too. It’s no secret that Azzi was almost nationally known as the people’s princess. Perhaps you’d have to fight someone. You hope that no one’s actually done something wrong to her – first of all, you can’t even fathom the idea. It’d be like kicking a puppy. Second of all, you were just someone, along with 13,000 other viewers, watching the team interact behind a screen. You were sure that Azzi’s team would handle business, although you were willing to step in if needed, too, even if you stood a solid six inches shorter than Azzi herself. “What happened?” KK asks. Paige echoes her question.

“Ask the live if anyone can tutor me in accounting,” Azzi says forlornly.

You don’t think she’s serious until KK turns back just in time for the cowboy hat to return. “Hey, y’all! Is there anybody who’s really good at accounting for Azzi Fudd? Please send help. If you do have someone who’s really good at accounting, please DM me at k2times TikTok or at kamoreaarnold Instagram or at azzifudd Instagram! Thank yew.” The room dissolves into giggles as KK continues, “And if you DM me with edits or anything else but accounting help, I will block! Thank yew.”

You have the time today, so you switch over to Instagram as the live continues in the background, and you go to Azzi’s page and hit the Message option. You doubt she’ll see it, let alone respond, but as an accounting major, it’s basically your civic duty to help those in need, especially since you know these classes are hell.

hey do u actually need accounting help? i major in it!

Satisfied, you click back over to the live just in time for Azzi to comment, “KK, I might actually have a tutor,” she says in near disbelief. You think nothing of it as KK turns her head, humming at Azzi. “Wait, I think she’s in my class.”

That manages to catch your attention. Sure, you’re watching a live with a couple thousand people on it, but how many of those people are accounting students at UConn who happen to share a class with Azzi Fudd?

An Instagram notification pops up on your screen as Paige leaves the camera frame to most likely peer over Azzi’s shoulder. You’re shocked again to see Azzi has DM’ed you back.

Yes please this homework is killing me Are you in ACCT3201 with Cansler??? I recognize you

Discovering just how unobservant you are should not come as a great surprise. Apparently, you’ve been sharing a class with Azzi Fudd this entire semester and you didn’t even realize it. This is easily the most embarrassing moment of your entire life.

i am i can’t believe i didn’t know u were in it i’m a lot better at accounting than i am at paying attention, i promise

This draws a giggle from Azzi that you can hear over the live. It makes a flush rise on your cheeks. The fact that Azzi Fudd knows who you are combined with the fact she’s laughing at your jokes is enough for a feeling of anticipation to twist in your chest. This is your life now, apparently.

“Azzi is cheesing so bad,” KK teases. You can’t help but feel a little pride at that. “Who’s chatting her up right now? Lemme invite you. Accounting rizz is insane work.”

“Don’t scare away my tutor,” Azzi grumbles, coming back into view of the camera. True to KK’s words, a faint blush has settled on her cheeks. Feeling far too smug, you comment on the live, ‘calling it rizz is crazy, i’m just helping the people.’ Azzi’s eyes scan the screen before rolling slightly. “Look at what you did, KK.”

“Is that her?” KK shrieks. She leans in closer to the screen, blocking out much of the background. “Oh, she fine. Lock in, Azzi; she can help you with more than accounting.”

At that, you and Azzi both blush a deep scarlet red and Azzi turns on her heel. “Goodbye, KK!” The room dissolves into rambunctious laughter as Azzi walks out, calling, “I’m going to finish my homework!”

A moment passes before Azzi messages you again.

I’m so sorry about KK, she’s feral

You swipe away from the live again, grinning slightly. In your DMs, the typing bubbles appear for a few short moment. You heart her most recent message in the meantime.

Will you please help me? I genuinely don’t understand what I’m doing wrong

Yes, you’ve spent most of the day in classes and doing homework. Yes, you’re tired. Yes, you really only joined the live to unwind. But when Azzi asks for help, you can’t really say no to her.

of course, are u working on this week’s homework set?

Her affirmative response is swift, telling you what she’s having trouble with. Your fingers hesitate on your screen, trying to figure out how to put your thoughts into words before settling.

i know this is incredibly forward but would u want to ft? i can explain better verbally

Azzi sends you her number. After tonight’s events, you really shouldn’t be surprised anymore, but you can’t help it. Azzi is a nationally (and internationally) recognized college basketball player and, until now, you were just a girl who watched her team’s TikTok lives and cheered in the student section. Azzi had seemed so untouchable, by virtue of her celebrity and your lack thereof; it’s hard to believe you’re this close to her now, even if it’s just to help her with accounting homework.

The two of you talk well into the night, even hours after Azzi submits her problem sets successfully and she understands the material. You feel like you get to see a side of her so rarely seen by other people who aren’t her teammates. She’s softer, with a beaming smile on her face when she finally understands a difficult concept. There’s something so alluring about the way she speaks that you can’t help but listen to every single thing that comes out of her mouth, ranging from her frustrated rants to the smoothness of her giggle. The lamplight reflects off of the lenses of the glasses perched on her nose and you think she’s so incredibly beautiful – bare-faced and slightly delirious from staying up so late.

When the two of you finally hang up half past three, you can’t wipe the smile off your face, and somehow, you just know that this is the start of something new.

From then on, your friendship with Azzi all but flourishes. She’s incredibly sweet, soft-spoken, and so deliberate in the way she moves and speaks to you. When your next accounting class rolls around, she finds the seat next to yours, asking to sit there with an almost shy expression. When there’s lulls in the lecture, you entertain her with jokes, drawing red-cheeked giggles that she has to stifle. You’re almost like her personal TA, sitting next to her and clarifying concepts that she doesn’t understand. It helps you, too; the best study advice you’d ever received was to teach it to someone else. 

Your friendship progresses outside of the lecture room and outside of your texts. You both spend a lot of time in the library, studying in peace together or enjoying lunch in each other's company. You always thought Azzi was gorgeous, but now that you know her on a far more personal level, falling for her was a near guarantee. The far-away admiration transformed into something pure, genuine. You couldn’t imagine Azzi returning those feelings — she’s far too busy, too committed to ball — so you keep your rapidly growing crush close to your chest. 

You’ve always showed up to the UConn games, though there’s something distinctly different about them now. Azzi was never one for grand celebrations or trash talk in the way Paige was. She was intentional and lowkey, which is why you feel like you could float when she makes direct eye contact with you in the student section, throwing up three fingers to celebrate a particularly deep three. It’s why you cheese when she finds you after the game, after she’s showered and changed, and asks if you want to get ice cream with her. The better question was how could you refuse?

Azzi deliberates between vanilla and cookie dough for a long while before settling on the latter. Even as the clerk fills her bowl, she stares at the the vanilla and your choice of ice cream becomes obvious. Azzi stares at you as the clerk fills your bowl with vanilla. “What? It’s my favorite flavor,” you lie, and her lips quirk up as she studies you. 

“Said literally no one ever,” she says wryly. The clerk hands you the bowl and Azzi swipes her card before you have the chance to even contemplate otherwise. When you stare at her in disbelief, her smile widens and all fight leaves your body. What were you supposed to do about that? You were a puddle for pretty women — a puddle for Azzi, honestly — and your resolve should be commended for maintaining months of friendship with Azzi. 

The two of you find a secluded booth towards the back of the ice cream shop. Azzi shares her midterm grade — a solid 100, and you whistle lowly. “I got an 89,” you say, not hurt by it at all. As long as it was above an 80, you could care less. “You sure you still need me?”

Azzi swirls her ice cream around her bowl, suddenly quiet. The realization dawns on you immediately. Your words were meant to be a joke, but the truth to them stuns you. You really hoped Azzi would say, ‘of course not, it’s not like that!’ but her silence keeps you guessing. 

“I have a confession to make,” she says after a beat, finally glancing up at you. The vulnerability and nervousness makes your heart fall out of your ass. “Promise it won’t make anything weird?”

You open your mouth just to close it again. You clear your throat. “Promise, Az,” you say finally. “What’s wrong?”

“Nothing!” she says quickly. “Um, so here’s the thing. I struggled a lot with the first problem set. You know, the one I needed the tutor for?” You nod, confused by her words. “You helped a lot. And, like, I haven’t really needed actual tutoring in weeks. I just really liked spending time with you.” You blink at her. She stares at you right back, brows furrowed with guilt and her doe eyes wide. “I’m sorry. You must feel like I wasted your time.”

At that, you can’t help but laugh, and Azzi pouts. “Az. I thought you were about to dump me,” you explain. “Plus, I kinda figured after a while we were just like, studying together, and not me actually tutoring.”

She sighs, burying her face in her hands. You laugh again, pushing your leftover ice cream towards her. Azzi glances up again, her eyes soft and fond. “I guess I just wanted an excuse for you to stick around.”

“You never needed one,” you tell her honestly, and a blush creeps up her neck. 

“You’re not really picking up what I’m putting down, are you?”

Her words almost make you recoil. It’s no secret at this point that you can be a little oblivious, but her words make your heart skip a beat. “Az, I have no idea what you’re putting down,” you admit.

“So, I just admitted to you that I liked spending time with you and lied about needing study help just so I’d have an excuse to hang out with you,” Azzi confirms. “We are sitting here, alone, after a game while my teammates celebrate at Ted’s. All of that, and you have no idea what I’m putting down?”

The realization hits you like a ton of bricks. “Oh,” you say smartly. 

“Yeah.”

“So, you like me?” you ask just to be one hundred percent sure. 

She smiles at you. You’re certain your heart almost stops beating. “How could I not?” she asks like it’s the easiest thing in the world. “You make me laugh. You’re always so patient with me, you make me feel seen — like I can just be myself. It’s… hard to find something genuine like this. You don’t expect anything from me.”

“I just want you to be happy,” you say simply. 

Her eyes confirm everything for you. You’re not observant, sure, but your main priority has always been what was directly in front of you. And right now, it’s hard to focus on anything that’s not Azzi. Azzi’s eyes are so soft, kinder than anything you’ve ever seen before. They hold so much understanding but there’s also a silent plea of let this be mutual that you’re too happy to give into. 

“I’ve been falling for you for a while,” you admit, and her face brightens. Your shoulders feel lighter; carrying around your feelings has burdened you, but if it’s the price you had to pay to make sure Azzi felt comfortable and that she could have friendships without people taking advantage of her celebrity, then so be it. You’d bear a lot more for her if it ever came down to it. “I kept it to myself for a while,” you continued. “You deserve normal. A friendship without expectations. But, God, Az, how could anyone not fall for you?”

Azzi’s cheeks flush a pretty red. You can’t help but smile at her, growing a little braver, and you slide your hand across the table. She wastes no time before intertwining your fingers together, giving your hand a gentle squeeze. 

She walks you home that night, refusing to let go of you until you’re halfway through your doorstep. She stops you; her height would be intimidating if you didn’t know she was the sweetest person to ever walk the earth. “Can I…” She trails off, her hands gentle on your waist. 

You don’t need much more convincing — you loop your arms around her neck and tug her down to your height, planting your lips on hers with a softness that she eagerly reciprocates. You can taste the vanilla on her lips, the sweetness of the cookie dough, and the promise of something distinctly reminiscent of Azzi Fudd. You’re suddenly thankful for KK’s stupid live, for Crumbl cookie, for the accounting class you shared together. It’s all led you to where you are now, in Azzi’s arms outside of your apartment, overcome with the knowledge that all of this is so new, but you have everything you could have possibly wanted.

(You ask her to officially be your girlfriend two weeks after that, having been on three dates since — it’s only after you pop the question and the two of you are settling in to watch a movie that she admits to you the real reason she was struggling so bad with the problem sets was because she’d spend entire lecture periods staring at you. You roll your eyes, feeling inexplicably cared for in a way you haven’t experienced before Azzi, and your only true response to her confession is the lingering kiss you place on her lips.)

[hcsiqs]

| ALLIE’S MASTERLIST ! 🖇️

200 CELLY MASTERLIST

| WNBA

: ̗̀➛ # 20 KATE MARTIN, las vegas aces

˚ෆ rockin around the christmas tree

summary: after a long night of being at sofia’s parents’ christmas party, kate can’t wait to be back in their own home celebrating the holiday together.

˚ෆ bad idea, right?

summary: upcoming singer!reader is on live and kate appears in the background, causing all fans to go crazy

˚ෆ we really were timeless

summary: part two to bad idea, right? singer!reader and kate move to vegas together after kate is drafted by the aces. reader is on live giving a house tour with kate.

˚ෆ life’s better on saturn

summary: kate and reader travel together to go to an away game for the aces in minnesota.

˚ෆ we both still young

summary: kate martin with a girlfriend whose a dancer for university of iowa

˚ෆ wanna listen to the sound of you breathing

summary: kate cuddles with girlfriend!reader after an aces practice and practically crushes reader

˚ෆ i could be a good mother

summary: picking baby names with kate

˚ෆ my girl

summary: kate is super drunk and is shy around girlfriend!reader, because she forgets you two are together. but when it’s time to go home she realizes that reader is her girlfriend and gets starstruck.

˚ෆ i see kismet sinking in

summary: kate martin head cannons with a volleyball girlfriend

˚ෆ love me like a sailor

summary: kate unexpectedly shows up to andi’s house to see if there’s a future with her

˚ෆ the love club

summary: you take your daughter to a las vegas aces game, but before it can even start she runs to her favorite player, kate martin

: ̗̀➛ # 22 CAITLIN CLARK, indiana fever

ᥫ᭡ the right side of my neck

summary: you and caitlin babysit your older sisters twin boys

ᥫ᭡like a fever, like i’m burning alive

summary: you and caitlin dated in high school but after decided to go to a college hours away you break up. you two don’t see each other during college at all until and then she’s drafted by the indiana fever, which just happens to be where you’re a medical intern.

: ̗̀➛ # 1 NIKA MÜHL, seattle storm

☾ coming soon

| WCBB

: ̗̀➛ # 5 PAIGE BUECKERS, university of connecticut

✩ slut!

summary: influencer!reader who gets called a bop and is slut shammed for no reason. paige comes to her side to comfort her and reassure her.

✩ i love you, i’m sorry

summary: inspired by gracie abrams song: i love you, i’m sorry

✩ she hold me down like gravity

summary: paige bueckers with uconn dancer girlfriend

✩ you could be my silver spring

summary: the first time paige sees you is when you sing the national anthem for opening night her sophomore year. then after getting a record deal and moving away she sees you performing for the wnba all star half time.

: ̗̀➛ # 2 KK ARNOLD, university of connecticut

𖦹 pretty girl

summary: doing skin care with kk

𖦹 hit me hard and soft series masterlist

summary: aurelia’s team decides that due to her love of women sports and how much attention she had brought to it last year during march madness, they want her to fake date KK arnold in order to keep the same momentum for this upcoming season.

𖦹 begin again

summary: based on taylor swift’s begin again

: ̗̀➛ # 35 AZZI FUDD, university of connecticut

𐙚 coming soon

: ̗̀➛ # 25 ICE BRADY, university of connecticut

𖤓 coming soon

: ̗̀➛ # 23 MORGAN CHELI, university of connecticut

𓆸 now that you know me so well

summary: morgan has a crush on you but doesn’t know how to tell you, so every time she’s around you she’s internally freaking out

: ̗̀➛ # 3 GEORGIA AMOORE, university of kentucky

❉ coming soon

: ̗̀➛ # 8 JANA EL ALFY, university of connecticut

❀ coming soon

| MOOD BOARDS

: ̗̀➛ kate martin x cheerleader

[jeanxarminweek]

Hey, jearmin nation!

You asked for it, and you got it: our jearmin fic rec list is finally here!

Small disclosure: this list is by no means exhaustive and contains a small handful of fics in both canon and alternate universes. Only complete works have been included, and we've done our best to include a diverse selection of writers. If we're missing any of your absolute favorites, feel free to suggest them so they can be added!

Lastly, be sure to mind the ratings and the tags.

CANONVERSE

This section will include works that take place in the canon AOT universe. This does include a mix of post canon, canon divergent and canon compliant fics of various ratings and lengths.

love, hate, and the language of violence by pylons

T, oneshot, 21.2k

There is Safety in His Arms by Insomnia_with_dreams

E, oneshot, 2.2k

to see another tomorrow by orphanedaccount

M, oneshot, 6.3k

Obelisk by corbaccio

E, oneshot, 6.3k

Paint Tomorrow Blue by batwake

M, oneshot, 41.9k

Survival by suchakidder

M, oneshot, 4.4k

In For a Penny by fizzydreamer

E, oneshot, 4.2k

For as Long as We Have Left by xajie

E, oneshot 7.5k

Water Will Hold You by onewhodiedyoung

T, oneshot, 1.6k

the knot by orphanedaccount

Not Rated, oneshot, 1.7k

give me your strength (our life is so short) by itspointydumbass

M, oneshot, 1.2k

Torrential by malfxy

E, oneshot, 4.4k

Nightmares by MissErikaCourt

M, oneshot, 5.3k

I'll Be Seeing You by bitchbot3000

M, oneshot, 5k

Nimbostratus by imriel_montreve

E, oneshot, 2k

Stay by jearminbrainrot

E, 2/2, 16k

Worthy of You by bees_n_sunshine

E, 8/8, 34k

The Night Will Keep Our Secret by UntamedValleyOfThePatriarch

T, 4/4, 3.8k

Before / After by LoneSweetPea

M, 17/17, 36.1k

In Moments Between Battles (we find peace) by AceofAliens

Not Rated, 16/16, 27.5k

AU

This section will include works from various alternate universes.

Wicked Inheritance by wordsforjearmin

M, royalty AU, oneshot, 9k

In the Tent by xajie

E, cowboy AU, oneshot, 2k

homeward bound by yeokseobam

G, farmer AU, oneshot, 7k

Growing Pains by little_miss_jearmin

G, modern AU, oneshot, 3k

Duty’s Price by malfxy

E, royalty AU, oneshot, 4k

please take what i can give by likeanoldcardigan

Not Rated, university AU, oneshot, 1k

in shades of red and gold by aster_rain

T, modern AU, oneshot, 11k

Meet Me at Midnight by levicoffee

T, university/serial killers AU, 8/8, 30k

Cowboy Like Me by justalevisimp/levicoffee

M, cowboy AU, 6/6, 52k

No Strings Attached by cinnamonghost

E, modern AU, 26/26, 93k

Copy-Room Romance by fandomette

E, university AU, 19/19, 129k

Different From the Rest by arminloverfae

E, modern AU, 33/33, 126k

Peaches by vidnyia

T, cowboy AU, 10/10, 32k

Rockin’ Your Heart by simpingsuzuki

M, modern AU, 28/28, 229k

Wind in the Sails by vidnyia

T, 1800s/sailor AU, 16/16, 60k

Blood Like Ice by luna_trancy/porgatino

M, detective/criminal AU, 28/28, 87k

Orange Sorbet & Summer Sea Breeze by bees_n_sunshine

E, modern AU, 25/25, 116k

seven years by harrystyleshotpocket

G, university AU, 4/4, 5k

A King and His Knight, Whose Hearts Become One by simpingsuzuki

G, royalty AU, 3/3, 20k

bite the hand that feeds me by likeanoldcardigan

Not rated, modern AU, 11/11, 16k

[moineauz]

𝐓𝐇𝐄 𝐒𝐔𝐍𝐁𝐈𝐑𝐃'𝐒 𝐒𝐈𝐗 ( rockin'roll ! )

"and if you don't love me now, you won't ever love me again."

★ 𝐓𝐇𝐄 𝐒𝐔𝐍𝐁𝐈𝐑𝐃'𝐒 𝐒𝐈𝐗 / the 70's rock band that took teyvat by storm

ISSUE 01. Everyone knows who The Sunbird's Six were. Their songs revited through the nations: tender and ethereal with each poignant verse. Yet, the group of six showed they could sing verses of ardour while thirsting with unrequited rage that tore souls apart in one sitting. Their debut and only album ‘Vermilion’ was hypnotic and utterly divine. It was a mosaic of winsome pieces that were put together to make one gut-wrenching album that you ultimately ugly cry to.

SO WHO WAS THE SUNBIRD'S SIX? Comprised of four founding members from Mondstadt, one from Snezhnaya, and the other from Fontaine, we get a cast of Teyvat's most talented musicians. Specifically, Diluc Ragnvindr as lead guitarist, songwriter and vocalist and ( Name ) St. Laurent as lead vocalist and songwriter. The duo bewitched the throng and perhaps themselves with both their flaming allure and vocals. Youth of the 70's wanted to become ( Name ) with all her charm and freedom while some fans died to get a strand of Diluc's hair alone. The other members include Jean Gunnhildr on keys, Rosaria on drums, Kaeya Alberich as bass guitarist, and 'Childe' as rhythm guitarist.

ISSUE 02. Yet, as The Sunbirds Six became a renowned household and rock name, their disbandment remains unknown- until now.

★ 𝐏𝐑𝐄𝐕𝐈𝐄𝐖 𝐎𝐅 𝐓𝐇𝐄 𝐈𝐍𝐓𝐄𝐑𝐕𝐈𝐄𝐖 𝐖𝐈𝐓𝐇 𝐓𝐇𝐄 𝐒𝐔𝐍𝐁𝐈𝐑𝐃𝐒 𝐒𝐈𝐗

Kaeya Alberich ( bass guitarist ) : Ha! We were good... too good.

Rosaria ( drummer ) : Back then- things were simpler. You wanted to play? Grab an instrument and fucking play. That was our original motto... until things started getting messy. And by messy I mean Diluc and Childe. Maybe even ( Name ) too. *Sighs* Actually, all of us. But, you can't write an album like 'Vermilion' without going through all that shit.

Jean Gunnhildr ( pianist ) : When the four of us first came together, we were decent. We all loved playing- some more than others- but we were okay! *Smiles slightly* But, if you're going to go beyond the walls of the Ravginder basement- we needed more.

Childe ( rhythm guitarist ) : Do I sit here? *Laughs* Oh okay. When I was invited to join the band- I said, "Okay, my partner will join too." and of course, there was zero objection cause you don't find a musician like ( Name ) anywhere... a small part of me selfishly wishes that she [ ( Name ) ] said no when I asked. *Laughs* But who am I kidding? I'd go through all that again and again... even if it meant dealing with Diluc-

Diluc Ragnvindr ( lead guitarist ) We only needed another vocalist, a female one. So, we found one.

Kaeya : I was the one who told him we needed a female vocalist and I found her and Childe.

Rosaria : Rockin' roll is not serious till you really add whatever emotions ( Name ) had in the mix- and that's exactly what she did.

( Name ) St. Laurent : *Smiles sweetly* It was ugly, so ugly. However, bygones be bygones. It was only rockin' roll.

Diluc : It was not just rockin' roll.

★ ARTISTS AND OTHERS. Diluc Ragnvindr, 'Childe' or Ajax, Jean Gunnhildr, Rosaria, Kaeya Alberich, Zhongli, Lisa, Neuvillette, Albedo Kreideprinz, Xinyan, Pantalone, Rosalyne Lohefalter and more.

UPDATES AND POSTSCRIPT. Updates at least once a week (subjective to change). Female pronouns and vocal references.

SIDE COMMENTS. I love rock so let’s combine both. (If you genuinely understand the song reference in the beginning you are my friend now). Inspired by Fleetwood Mac, Stevie Nicks, Florence Welch, the ambient sounds of the 90’s (Mazzy star and Mojave 3), Daisy Jones & the Six and of course the 70’s. Warnings will be in each chapter.

WHAT DO THEY SOUND LIKE? Here is a playlist of the previous artists and more to give you a feel!

★ 𝐕𝐄𝐑𝐌𝐈𝐋𝐈𝐎𝐍 / the album , track 01

expect occasional changes to the track as the story develops

PREFACE — who are you? WILD CHILD — don't stop the music!

Vermilion

Stay Around (or not)

Reverie

Don’t Look Back Now

Runner Up

Tell Me You Love Her

Bright, Young, Woman

The Voices

White Lies

Visceral

Underneath My Skin

Valberry

Gone to Waste

Shoot Your Shot

From Afar

Dawn’s Shadow

In Leather and Faux Fur

Two for Two

My Monoceros Caeli

Deep Six

INWARDS NOT OUT — tell me, how have you been honey?

TAGLIST. @aphrodict @tragedy-of-commons @tipheeweefee @nyoomiin @https-mika @stvrdew @kascar-chronicle if you are interested in becoming part of the taglist, then drop by through an ask!

[la-guns]

An about me post that’s probably too long ♡ feat. my room ^^

I finally fully embraced my true love this year with the 80’s, and its rock/metal music scene. I’ve always loved the decade and its music, but have jumped between interests that didn’t hold me for long for most of my life. But now I’m here, and it feels right. And I can thank my dad.

He’s a metalhead. He had the classic long, shaggy hairstyle in the 80’s. I always remember him blaring his favorite Metallica and Alice in Chains albums from the garage, where he worked on cars and occasional motorcycles. He still does that.

Every morning before elementary school, he’d have the huge box tv playing music videos. My favorites were AC/DC. And while I watched, I had Pop-Tarts, but little me never had the heart to tell my dad I didn’t like them toasted when he brought them to me 😅

Growing up, he introduced me to the best classic movies from the 80’s. Back to the Future, Spaceballs, the Goonies, the Lost Boys (my dad loved vampire stuff, and I do, too), National Lampoon, Princess Bride, so much more. I grew up pure classic. And I like staying that way. It’s a huge comfort.

Now, not much has changed. I prefer 70’s, 80’s, and VERY early 90’s music (like Hollywood Vampires. I can’t do the grunge stuff, sorry! 80’s metalhead heart ♡). I rarely listen to modern music, and when I do it’s mostly for the novel I’m writing to get in the zone. I love Vlad Dracula (the historical Vlad), and have been writing a historical novel about him, and using the real facts in my research from Romanian sources (on here, I love the user @/vladdocs for info about Vlad).

L.A. Guns…the love I have for them came out of nowhere, and that kind of love is usually the best in my experience. I love their style. It’s metal/heavy rock but…in an L.A. Guns uniqueness. Bluesy, invigorating, rockin’. I wish they got to reach stadium level like Mötley Crüe.

I love the “classic” lineup of L.A. Guns. Mick, Phil, Tracii, Kelly, Steve. Love each them to bits, and miss Steve. Kelly is my comfort person, I’d say. I share common interests with him, and from what I’ve watched and read about him, I love how goofy and true to himself he is. Like he embraces his inner child, and I love that. He’s a cutie pie for sure, but his personality is what gets me most. He’s not afraid to be bold with what he likes (like pirates! I LOVE pirates. My dad raised me on Pirates of the Caribbean, and I love the overall history of pirates). Sometimes I wish I could just talk to Kelly about graphic design. That’d be so cool. I’ve been dabbling in it since middle school, and am now going to college for it.

So, my room is my safe space and I like to really have it just scream me. It’s full of original stuff, down to the cassettes, magazines, ‘89 Mötley concert bandana, and magazine pinups. The only original thing I DON’T own is the shirt. It’s a reprint. I love it all so much, and I’m still getting more. My favorite piece is the original Cocked & Loaded vinyl signed by the classic lineup ♡

The bands I love most are L.A. Guns, Mötley Crüe, Cinderella, Dokken, Danger Danger, Def Leppard, KISS, AC/DC, Billy Idol (got to see him in May!), Bulletboys, Poison, Van Halen, and so many more it’s a lot 😭 ♡

This definitely isn’t everything about me, but it’s a taste of the main part. I’d love to get to know others who love the 80’s scene. My inbox and dm’s are always open for polite chat. ♡

[tobiasdrake]

Digimon Adventure 01x33 - Pump and Gotsu are Shibuya-Type Digimon / Out on the Town

Previously on Digimon Adventure: In the middle of a blistering summer day, DeathMeramon showed up to make things even hotter. Internet contrarianism at its finest. Bet he's also one of those clowns who retools their truck to produce more emissions and trigger Libs. Fortunately, the youth of the nation turned out and voted to throw him off a building so it's all good.

Now we turn our attention to another pair of kids. The recap offers a bit of extra information to set the stage for what's happening.

(Oh fuck me, it's this one. I am not ready. I am not ready.)

Narrator: On the night of the same day they fought DeathMeramon, Yamato escorted his younger brother Takeru to their mother's place and they headed in the direction of Shibuya.

Thit bit of setup doesn't make it into the dub's recap, which simply tells us what happened in the previous episode as usual.

As the episode begins, a CGI readout informs us of the date: It's August 2nd, 1999. The children still have about a month left in their summer vacation.

To put our current location into perspective, here's some of those familiar map markers from last episode. Black circle is Vamdemon's lair at Daiba Park. Green is Shibaura. Blue is Tokyo Tower. We are now one city over from Minato City in Shibuya.

Shibuya is well-known for being, as they say, hip with the youngsters. Imagine if a stereotypical American shopping mall in the 90's with all its associated teenage memes was a city. That's Shibuya. It's like the capitol of youth fashion trends in Tokyo.

So these two Digimon roll up on the roof of a car.

Pumpmon: (excited) This place is even famous in the Digimon World: Shibuya!

The narrator wastes no time going into their rundowns.

Pumpmon is a Perfect-stage Data-type Puppet Digimon. Did you guess Nightmare Soldier? Because he's a Nightmare Soldier. He's kind of a catch-all. Any Nightmare Soldier can evolve into Pumpmon as a Jogress Evolution but no Nightmare Soldier directly evolves into him.

His name is, unsurprisingly, derived from "pumpkin" for his pumpkin head.

Narrator: Pumpmon. A stuffed doll with a pumpkin for a head. His scary but cute appearance is popular with girls. Tonight, he plans to run wild in Shibuya as if it were Halloween. His special attack is Trick-or-Treat.

That little guy next to him is Gotsumon, a Child-stage Data-type Ore Digimon. Gotsumon is a Nature Spirit and the mid-tier evolution for Mochimon. He evolves into a few Digimon you may recognize such as the Monochromon from File Island, Gekomon, and in the 0.5 update, Tailmon - though Tailmon would later receive a more official pre-evolution.

Gotsumon: These are Shibuya-type humans! Narrator: Gotsumon. His body is tough, but he's a cheerful and playfully naughty Digimon. He goes with the flow and was made for Shibuya! He plans to rock out tonight! His special move is Angry Rock. Pumpmon: Something exciting is about to happen! Gotsumon: Let's have fun! Ahahahaha!

Gotsumon and Pumpmon bound off the car roof and disappear into the city.

The dub adds some silence-breaking dialogue to their intro. It also somehow thinks those two are driving the car even though they're clearly on the roof of it.

Gotsumon: Let me drive! You're going the wrong way. Pumpkinmon: How do you know which way to go? You've never been in the real world before. Gotsumon: What's the difference? I've never driven a car before either! Pumpkinmon: Well, it's my first time too! Both: Ahahahahaha!!! Pumpkinmon: Whoa, check 'em out! Uh-huhuhuh Uhuhuhuhuh! Gotsumon: Ew! Pumpkinmon: So these are city people in the real world. They don't look like much fun. Gotsumon: (rundown) Well, Pumpkinmon? You're the right guy to teach them what 'fun' really is. You are, without a doubt, the most rockin' creature to ever have a pumpkin for a head. Remember: Chicks dig evil Digimon. Gotsumon: At least that's what I keep telling myself, anyway. Pumpkinmon: (rundown) Gotsumon, you are the mon! We're going to have such a blast here in the real world; They might even name a building after you: The Gotsumonument, where they keep all the party supplies. Pumpkinmon: 3... 2... 1... LET'S GO!!!

Dub Pumpkinmon and Gotsumon are weirdly judgmental about the Shibuya people's party qualities. Though I will say: "Chicks dig evil Digimon" is a surprisingly pragmatic adaptation of Pumpmon having a "scary but cute appearance that's popular with girls." That's not what they said, but... it's not not what they said either.

While Pumpmon and Gotsumon disappear into Shibuya, we join Yamato and Takeru on their way to say goodbye to one another. The brothers sit in silence while the music of Yamato's harmonica plays in the background.

From the luggage rack, Tsunomon and Patamon discuss their situation for the audience's benefit.

Tsunomon: Yamato and Takeru's parents divorced four years ago. Patamon: So even though they're brothers, Yamato lives with his dad and Takeru lives with his mom, right?

Now that we've laid down that reminder, Takeru checks the time on his Digivice. It's 7:07 PM.

Takeru: It's late. Onii-chan, you should get off at the next stop. Yamato: No. I'm taking you all the way to Sangenjaya. Takeru: It's okay-- Yamato: (firmly) Takeru. Takeru: What? Yamato: Let me do this. Takeru: Okay.

Rip my heart in half, and the episode's only just started.

The purple circle on the map is Sangenjaya. As you can see, it's a bit of a trip from the red circle Odaiba. Depending on your timing, it's about an hour to an hour and a half one-way by train. Takeru's worried because Yamato isn't going to get home until like 9. Which is pretty late for an 11-year-old.

We're about to come up on Shibuya Station, which means another 20 minutes to Sangenjaya. For Yamato, that's another 40 minutes added to the length of his round-trip if he goes all the way.

The dub adds a silence-breaker to this scene that completely kills the tone of the boys sitting in awkward, strained silence.

T.K.: How much longer, Matt!? Matt: Relax, T.K. You're almost home.

I guess T.K.'s getting impatient to split up. Their faces are onscreen for most of the extended silence, so the dub still has to go through with Matt and T.K. sitting there unmoving and not speaking. But the vibe is completely killed by T.K.'s whining.

Tsunomon: Matt and T.K.'s mom and dad aren't together anymore, Patamon. So even though they're brothers, they don't live together. Patamon: So T.K. lives with their mom and Matt lives with their dad? That explains why they try so hard to stay together all the time. (T.K. checks Digivice for the time) T.K.: It's sure late. Matt: Yeah? So? T.K.: The next stop's good enough. Matt: No. I'm gonna take you all the way home, little brother. T.K.: You don't have to. Matt: I know I don't have to but I'm going to, okay? I've got my reasons! T.K.: What reasons? Matt: You're my brother. T.K.: Thanks Matt.

This part's pretty well adapted. Matt uses a lot more words to explain where he's coming from, whereas Yamato captures basically all of that in the four words "Let me do this." But he still gets to the same point.

Things are pretty tense here in the train car. But then Patamon asks a question that's more insensitive than he realizes.

Patamon: Are you upset because you're splitting up (wakareru)? Takeru: Shut up! Yamato: (surprised) Takeru! Patamon: You don't have to yell at me like that! Takeru: Even if it's you, Patamon, you shouldn't talk about us brothers like that! Patamon: Fine! I won't talk anymore! Tsunomon: Patamon!

To understand why Takeru lost his shit all of a sudden, you need to understand the nerve Patamon struck. The word he used, wakareru, means to divide or to separate. He was trying to politely ask if the fact that they're going to go their separate ways soon is what's causing all this tension in the train car.

But it's also the word for divorce. Patamon accidentally brushed on Takeru and Yamato's mutual insecurity, that their parents breaking up has broken them up.

Meanwhile, in the dub:

Patamon: Ahhh, nothing like sweet brotherly love! Tsunomon: That's a Digi-mouthful! Patamon: We like when you guys get mushy! T.K.: Hey, quit it! Matt: Easy, T.K.! Patamon: You don't have to be mean about it. I thought what you guys said was ni-- T.K.: MIND YOUR OWN BEESWAX!!! Why ya listenin' to our conversation anyway!? Patamon: FINE!!! If you don't want me around, I'll leave! Tsunomon: Patamon!

Patamon abruptly starts talking about how cute the boys are, and T.K. gets so embarrassed that he snaps at Patamon about it.

The anime's always been uncomfortable talking about the divorce. So uncomfortable that they initially posed these two as half-brothers but I think we've officially done away with that. But they did bring it up a second ago, so I'm a little surprised they suddenly back down from it here.

Patamon's feelings are so hurt by the argument that he bails as soon as the train doors open.

Patamon: I'm getting off here! Yamato: Patamon!

Yamato and Tsunomon try to chase Patamon, but only get as far as the door. He's gone.

Yamato: Takeru! Patamon flew away! Takeru: (bristling) Who cares.... Tsunomon: The door's about to close! Yamato: (firmly) Takeru....

Right as the doors are about to close, Takeru's anger breaks. At the last possible second, he and Yamato jump out onto the platform of Shibuya Station to go find Patamon.

In the dub:

Patamon: I know when I'm not wanted! Matt: Patamon, don't! (Patamon's gone) Matt: Patamon got off the train, T.K.! Don't you want to go after him? T.K.: Who cares about him!? Tsunomon: I think you care about him. Matt: Don't you? (beat) Tsunomon: T.K.? Matt: Better decide, T.K.; The door's closing! (T.K.'s anger breaks and he jumps off the train with Matt) T.K.: Where'd he go!? Tsunomon: Where are we!?

Again, it's wordier but it hits all the important points. Tsunomon and Matt having to spell out T.K.'s inner turmoil might be a bit over-expository but it doesn't feel intrusive to me. The scene still flows pretty well.

Leaving the station, the brothers hit the streets of Shibuya to find Patamon.

Tsunomon: Where could Patamon have gone? Yamato: This is your fault for yelling at him, Takeru. Takeru: (snaps) I couldn't help it! Yamato: Hey, don't take it out on me.

Takeru stops walking suddenly. His eyes soften.

Takeru: Onii-chan, I'm sorry.... Yamato: You went too far with Patamon. Takeru: I know, it's just.... He wasn't wrong.... Yamato: (gently) I know how you feel. Tsunomon: Let's go look over there!

Tsunomon's doing a pretty terrible job of being a plushy, I gotta say.

The dub, I guess, adds a timeskip as the brothers exit the train station?

T.K.: Seems like we've been walking around for hours.... Tsunomon: Yeah, I'm tired! And I don't even have any feet or legs! Matt: You shouldn't have yelled at him like that, T.K. T.K.: Hey, it's not my fault! Matt: Well, actually, it is. (T.K.'s eyes soften and he stops walking.) T.K.: Oh, I'm really sorry.... Matt: I understand, T.K. I know you didn't mean to hurt his feelings. T.K.: Well, I thought he was making fun of us.... Matt: No way, dude! You know Patamon better than that. Tsunomon: Hey, why don't we try looking over there.

Well. Uh. Glad we got that resolved. T.K. was making mountains out of molehills and he gets that now. Emotional drama: Over.

While Yamato and Takeru search for Patamon, they pass a pachinko parlor. We pan inside, where Pumpmon and Gotsumon are spending their night on the town not gambling.

Pachinko is a pretty huge industry in Japan, proving not-gambling entertainment services. Comparable to a slot machine, pachinko is an easy way to burn through your disposable income by turning a knob and seeing what you get.

The reason I keep saying not gambling like that is because pachinko exploits a legal loophole to dance around Japan's strict gambling laws. Legally, it's simply classified as entertainment. This is because you can't win any money from the machines.

When you play pachinko, what you win from it are balls which are then exchanged for prizes at a nearby prize center. Sort of like an arcade. Those prizes can then be sold to a vendor in exchange for money.

See! It's not gambling! You're winning prizes, not money. And then turning those prizes into money. Not gambling!

So. yeah. These two are basically in a Japanese casino. It's an open secret that pachinko's cheating the system but it's also a pretty major industry, puts a lot of money into taxes, and the law still restricts minors from playing so everyone sorta goes along with it. There's stuff like that in every country.

We join Pumpmon inside as his machine pays out a ton of pachinko balls. Behind him, he has five separate trays filled with balls.

Pumpmon: This is really fun! Gotsumon: Hey, give me some. Pumpmon: Again!? Gotsumon: Don't be selfish! Pumpmon: But I am selfish. Gotsumon: I'll pay you back. Pumpmon: Promise? Gotsumon: Promise.

Before Pumpmon can turn any balls over to Gotsumon, a casino worker finds them.

Worker: You two. You're kids wearing costumes, AREN'T YOU!?!?

He drags them both from the casino and throws them out onto the escalator.

Worker: Next time I see you in here, I'm calling your school!

Once the two Digimon hit the bottom, they get up and yell back at him.

Pumpmon: WE'RE NOT CHILDREN!!! Gotsumon: We're just short! Worker: WHY ARE YOU STILL HERE!?!? Both Digimon: WAUUUUGH!!! (flees)

The funny thing is, he's half-right. Gotsumon is a child.

In the dub:

Pumpkinmon: Haha! Alright, another winner! Gotsumon: So will you give me a few? Pumpkinmon: What, again!? Gotsumon: I'll pay you back, I promise! Pumpkinmon: You'll pay me back with what!? Gotsumon: With what I'm about to win! Pumpkinmon: But you never win. Gotsumon: I'M HOT TONIGHT!!!

I don't think Gotsumon knows what that phrase means. Also, sad that we dropped "But I am selfish."

Nonetheless, pleasantly surprised that they correctly adapted the pachinko parlor as a casino by any other name. This is casino dialogue.

Worker: Hey, you two! You kids just don't get the message! Get out and STAY OUT!!! (Worker throws them out) Worker: If you have to try sneaking in here dressed as cartoon characters, at least get a decent costume! (Pumpkinmon and Gotsumon hit the ground floor) Pumpkinmon: Boy, it's a good thing we were just about to leave! Gotsumon: Or we'd teach you some manners! Worker: WHAT DID YOU JUST SAY!?!? Pumpkinmon: Uh-oh! Gotsumon: Oh boy! (They flee)

These two are clowns in both versions. I love it.

Fleeing from the casino, the two Digimon run into a young woman, knocking her to the ground.

Gotsumon: IT'S A SHIBUYA-TYPE GIRL!!! Pumpmon: Let's hit on her to celebrate our first night in Shibuya! Gotsumon: What's up, babe? Woman: What do you want!? Gotsumon: Do you know what time it is? Woman: (checks her watch) Hey! Don't come any closer! You two look like rejects from "Kinchan no Kasou Taishou"! Pumpmon: What is that? Gotsumon: I don't get it. Pumpmon: You're dressed funny too!

Pumpmon demonstrates the peculiarities of the woman's attire by yanking her out her nose stud. This proves to be a terrible mistake, as the next we see of them, they're fleeing for their lives while she chases them in a blood fury.

Woman: YOU ASSHOLES!!!

Needless to say, their attempt at hitting on the woman they knocked down did not go well.

The TV show she brings up is a Japanese variety show that's basically a professional talent show. People would come on and do their own skits, then be rated by a panel of judges.

In the dub:

Gotsumon: Whoa! I think you knocked over a monster! Pumpkinmon: Even worse, I think I knocked over a teenager. I've heard about these strange looking creatures. Woman: Hey! It takes one to know one. Gotsumon: Excuse me, do you know what time it is? Pumpkinmon: TIME FOR NEW CLOTHES AHAHAHAHA!!! Woman: Get lost, you creeps! And what's with the costumes!? Aren't you guys a little late for Halloween!? Pumpkinmon: What's Halloween? Gotsumon: I don't think I like these teenage things! Pumpkinmon: Me either. Maybe I can reprogram her if I pull out her safety mechanism. (Pumpkinmon tugs the woman's nose stud, provoking the fury) Woman: COME BACK HERE, YOU LITTLE MUTANTS!!! THIS 'TEENAGE THING' IS GONNA TEACH YOU SOME MANNERS!!!

It's August, so we're more early for Halloween than late.

Pumpkinmon talks like a grumpy old man in this scene and it's weird. His lines here are generation-gap Boomer Humor, and it feels bizarre coming from what are supposed to be two fun-loving imps having a night on the town.

I mean, he is an Ultimate Digimon so maybe he is a boomer but it doesn't fit the tone.

That said, the payoff in the woman's final line is hilarious. XD

Fleeing the infuriated teenager, Pumpmon and Gotsumon's trajectory brings them down an alley and straight towards Yamato and Takeru.

Tsunomon is not playing. The second he lays eyes on these two coming down the alley, he evolves to Gabumon.

Gabumon: Pumpmon! Gotsumon! Takeru: Do you know these Digimon? Gabumon: I think they work for Vamdemon. Pumpmon: We're being chased by a Shibuya-type girl who's much scarier than Vamdemon-sama! Gotsumon: You should hide too!

The pair grab Gabumon by the arms, dragging him away to a hiding place.

In the dub:

Gabumon: Hold it right there! Why are you two in such a hurry!? T.K.: Do you know these guys? Gabumon: I sure do! They work for Myotismon. Pumpkinmon: You're right! But, right now, we're being chased by something even scarier than Myotismon. Gotsumon: There's a really mad teenage human after us! Come to think of it, you'd better hide too!

Losing the repeated references to these humans as "Shibuya-type" doesn't seem like that big a deal, but it does take a bit of the unique characterization and charm away from Pumpmon and Gotsumon.

While the Digimon take cover, Yamato faces the furious Shibuya-type teenager.

Woman: WHERE THE HELL DID "KINCHAN NO KASOU TAISHOU" GO!?!? Yamato: (points) They went that way. Woman: Thanks! (runs off)

Classic misdirect. Once she's gone, it's time to find out what's going on with these guys.

Gabumon: Did Vamdemon order the two of you to come here and find the Eighth Child? Pumpmon: That's right.

Yamato tenses up at the confirmation. The music takes on an ominous tone as Gabumon and Takeru withdraw to Yamato. Steeling themselves for the--

Pumpmon: But Shibuya is much more fun! (Tension killed instantly) Yamato: (lost) Shibuya is much more fun?

Both: (dramatic pose) We've become Shibuya-type Digimon! Takeru: Shibuya-type Digimon? Gabumon: What is going through your heads? Both: ABSOLUTELY NOTHING!!!

Yamato, Takeru, and Gabumon all exchange weary glances over whatever the hell this is. But when they look back, the Shibuya-type Digimon are gone.

Yamato: WHERE DID THEY GO!?!?

In the dub, the teenager opens this scene with a valid point.

Woman: YOU CAN RUN BUT YOU CAN'T HIDE DRESSED IN THOSE STUPID COSTUMES WHERE ARE THEY!?!? Matt: (points) Uh, they went that way. Woman: THANKS!!! (runs off) (The Digimon come out from hiding) Gabumon: I think I know why you two troublemakers are in the real world. Did Myotismon happen to send you here to find someone? Pumpkinmon: Yeah! That Eighth DigiDestined kid. Matt: Huh! Then you're our enemy! Pumpkinmon: No, we're not! We just want to cruise around the city and have some fun! Matt: Well, we thought you two were evil Digimon. Gotsumon: Evil schmevil! We love it here! In fact, next stop: Hollywood! (dramatic pose) TA-DA!!! T.K.: (flatly) They're not ready for TV. Gabumon: Typical. Everybody wants to be in show business. Both Digimon: Lights! Cameras! And action! (The trio all exchange glances and disgusted noises) Gotsumon: Hey! There's some lights! Pumpkinmon: YEAH!!! (Everyone looks back and they're gone) Matt: What are they doing up there!?

The dub's aversion to quiet moments prevents it from even competing with the original. Also, the nonsequitur about Hollywood is clearly written in there because they had no idea what to do with the Shibuya-type animations they were saddled with.

Now, where did those two get off to?

Gotsumon and Pumpmon jump onto a streetlight, shaking it and scrambling its signals. The ensuing confusion causes a traffic calamity.

Gabumon: YOU TWO!!! WHAT ARE YOU DOING!?!?

Suddenly, police sirens start up in the distance.

Takeru: Police sirens! Yamato: They'll arrest us if they see this! RUN FOR IT!!!

Yamato, Takeru, and Gabumon cheese it before the bacon patrol can arrive. Gotsumon and Pumpmon consider their options.

Pumpmon: They're running away. Gotsumon: Let's go too. Both: WAIT UP!!! (flee)

Wise decision.

Over in the dub, Matt yells at them as soon as they jump on the streetlight.

Matt: HEY!!! GET DOWN!!! (Gotsumon and Pumpkinmon cause a pileup) Gabumon: That's enough! That's not funny; It's mean! (Police sirens) T.K.: Sirens! Matt: Get down or the police will arrest you! We'd better get out of here, guys; Let's run! (T.K., Matt, and Gabumon flee) Pumpkinmon: Did he just say let's run? Gotsumon: Sure did! Both: WAIT FOR US!!! (flee)

Mostly the same, though Gabumon's gentle admonishment isn't as fun as original Gabumon's furious outburst.

After cheesing it from the cops together, the brothers realize they've misplaced the Shibuya-type Digimon.

Yamato: H-Hey, what happened to Pumpmon and Gotsumon? Takeru: They were keeping up with us a minute ago. Gabumon: Those two are so impulsive... ACK!!!

Gabumon suddenly spots Pumpmon and Gotsumon trying on outfits inside a clothing store through the display window. Pumpmon is rocking a pink dress while Gotsumon's trying on blue shorts and a white shirt.

Brothers: ...those guys.... Pumpmon: I think this dress would look better on you. Gotsumon: I agree!

They swap instantaneously.

Yamato, Takeru, and Gabumon enter the store to confront them.

Yamato: Pumpmon! Gotsumon! Gotsumon: Oh, did you want to dress up too? Pumpmon: PUT THIS ON!!!

Gotsumon and Pumpmon dress Yamato, Takeru, and Gabumon each up in goofy outfits. The camera lingering on each in turn.

Gotsumon & Pumpmon: YOU LOOK GREAT!!!

Right at that moment, Patamon flies past the window.

Takeru: AH! PATAMON!!! Yamato: AFTER HIM!!!

The trio throw off their costumes and frantically exit the store, chasing after the lost Patamon.

Pumpmon: Should we follow them? Gotsumon: Sure!

In the dub, Gabumon takes this as an opportunity to be zen.

Matt: Hey, where are Pumpkinmon and Gotsumon? T.K.: They were right behind us. They must have gotten lost or something. Gabumon: Those two... Even when they're found they're lost. AUGH!!! (Gabumon spots the pair in a storefront window) Matt & T.K.: Man oh man.... Pumpkinmon: I think this one makes me look fat. But what do you think? Gotsumon: Well then, let's switch! (Brothers and Gabumon enter) Matt: You guys need to change your attitude! Gotsumon: You need to change your clothes!

XD "You need to change your clothes" got me.

As the camera pans over each of the dressed up protagonists, Gotsumon and Pumpkinmon get some silence-breakers.

Pumpkinmon: (on Matt) This look says you're not afraid to think big! Gotsumon: (on T.K.) Here's a sporty look! Course, I haven't figured out what sport it is yet. Pumpkinmon: (on Gabumon) And finally something nice and a little teddy. Well, what do you think? (Patamon flies by) T.K.: OH!!! PATAMON!!! Matt: HEY!!! PATAMON, COME BACK!!! (The brothers run out) Pumpkinmon: ...so, should we follow those guys? Gotsumon: And why not?

XD Again, they got me. "I haven't figured out what sport it is yet," was a solid follow-up to the innocuous seeming setup, and the timing on that line was pretty good.

Yamato, Takeru, and Gabumon chase Patamon to a nearby park, but then they lose him.

Takeru: We lost him again.... Yamato: Patamon must still be upset. Gabumon: He's not usually this stubborn.

Suddenly, Pumpmon and Gotsumon show up with ice cream cones.

Pumpmon: Now now, cheer up! Gotsumon: Have faith that you'll find him eventually.... Pumpmon: ...and have some ice cream!

Yamato and Takeru both gasp with alarm when they see what the pair are holding.

Gabumon: Where did you get that ice cream? Both: WE STOLE IT!!!

As if on cue, the ice cream vendor comes running into the park behind them.

Vendor: ICE CREAM THIEVES!!!

So the whole group has to start running once again.

Yamato: Why do we have to run!? Gabumon: She's seen us with them! Gotsumon: Want some ice cream while we're running away? Takeru: GET RID OF IT!!!

Once they've evaded yet another Shibuya-type pursuit, Yamato and Takeru stop to catch their breath.

Pumpmon: (holding out the cones) Want some? Yamato: Not me. Takeru: Me either. Gabumon: ... (Beat) Gabumon: I'll eat. Yamato: HEY!!! GABUMON!!!

XD Yamato's trying so hard to present a unified front here but it's ice cream. I mean, no point letting it go to waste; Damage already done and all that. You can't unpop that cork.

In the dub:

T.K.: Do you see him anywhere, Matt? Matt: No. Looks like we lost him again, T.K. Gabumon: Patamon doesn't usually hold a grudge but he was mad as a bull with a Black Gear.

It's funny to me that they're still bringing up Black Gears. That was more than half the series ago. On the one hand, new viewers are going to have no idea what that's supposed to mean. But from a writing perspective, I kinda like that their initial File Island adventure left a mark on everyone's psyches.

Like they're just waiting for Black Gears to become a thing again.

Pumpkinmon: Hey now, don't look so bummed out! Gotsumon: Yeah! I'm sure you'll find your little flying pig friend somewhere! Pumpkinmon: Maybe some ice cream will cheer you all up, huh? Brothers: !!! Gabumon: You guys don't have any money so how did you get ice cream? Both: WE STOLE IT!!! Vendor: (running into the park) YOU CROOKS!!! COME BACK HERE WITH MY ICE CREAM!!! (Everyone runs) Matt: I CAN'T BELIEVE YOU TWO!!! EVERYWHERE YOU GUYS GO, THERE'S TROUBLE!!! THE NEXT TIME YOU TWO GET SOMEONE ANGRY, MAKE SURE THEY CAN'T RUN VERY FAST!!! (Everyone stops to catch their breath) Pumpkinmon: So, want some ice cream? Matt: Not me. T.K.: You stole it! Gabumon: ... Matt: Gabumon won't take it either. Right? Gabumon: Ice cream... Ye-- Brothers: GABUMON!!!

Not sure why Gotsumon knows they're looking for a flying pig; He hasn't laid eyes on Patamon. But they did say Patamon's name so he's probably familiar with the species. That's fine.

The dialogue exchange while everyone's running is replaced with Matt scolding the pair of troublemakers for the entire sequence. Though, funnily, he seems more upset that they got caught than that they stole the ice cream in the first place.

The Gabumon joke at the end is slightly different but still nails the landing.

Suddenly, a bolt of lightning from the stormy sky strikes the road in front of them, kicking up a cloud of dust. And then everything stops being funny.

Vamdemon: Pumpmon. Gotsumon. Both: Y-Yes, sir!? Vamdemon: Why are you eating ice cream with the Chosen Children? Both: Y-you see.... Vamdemon: Weren't you supposed to be searching for the Eighth Child? Both: We haven't found them yet! Vamdemon: Then why haven't you taken the Crests from these children!? Both: We were just about to do that! (Pumpmon and Gotsumon turn on Yamato and Takeru) Gabumon: RUN!!!

Gabumon shields Yamato and Takeru with his body and the three of them run for it. Gotsumon and Pumpmon let out adorable little battle cries and give chase.

Over in the dub, Myotismon opens by telling these two what he really thinks.

Myotismon: Losers! Failures! Both: No no! Don't say that! Myotismon: Instead of causing pain and suffering, I find you here eating ice cream! Both: ...well, it is stolen-- Myotismon: I DON'T CARE ABOUT ICE CREAM!!! Have you found the Eighth DigiDestined Child yet? Both: Well, we were about to find him! Myotismon: Redeem yourselves by stealing the Crests from these children OR ELSE!!! Both: No problem, boss! That's just what we were about to do! (Pumpkinmon and Gotsumon turn on Matt and T.K.)

Gabumon doesn't say anything when they run this time. He lets out some scared vocalizing like Matt and T.K. are.

Different openings to the same result. Honestly, both openings have merits. I prefer the first one, because Vamdemon's stonefaced "Why are you eating ice cream with the Chosen Children?" is a beautiful Oh Fuck moment. There is no possible answer they can give to that question that won't incriminate them further.

But also, Gotsumon and Pumpkinmon pointing out to Saturday Morning Cartoon Villain Myotismon that the ice cream does qualify as a crime, only for him to scream "I DON'T CARE ABOUT ICE CREAM!!!" is hilarious. XD

So, in the original, Vamdemon opens the conversation with an impossible-to-defend accusation in what is very much the voice of a boss catching an employee goofing off at work. Meanwhile, in the dub, they get him. They win that verbal joust and he's livid about it. Both versions are so good.

Takeru: Why did they attack us all of a sudden!? Yamato: It can't be helped. They were working for Vamdemon from the start! Gabumon: But I can't bring myself to fight those two!

Pumpmon and Gotsumon are troublemakers, but there's no malice in it. They've sort of become the kids' friends, in an odd way.

In the dub:

T.K.: Can you believe those two turning on us!? Matt: And I thought Pumpkinmon and Gotsumon only wanted to have fun, not fight! Gabumon: I suppose they'd rather fight us than fight Myotismon.

Gabumon's line in the original is an expression of his own personal feelings towards Gotsumon and Pumpmon. He's asserting his growing fondness for the pair. In the dub, he explains their motive for the betrayal, which we saw for ourselves half a minute ago, so it's not as interesting.

Cut to Patamon hunkering down on top of a streetlight. He's finally run out of angry and is starting to have post-fury regrets.

Patamon: I left in the heat of the moment, but I wonder what Takeru's doing now?

Down below, he overhears a pair of girls in school uniforms chatting.

Girl 1: Yeah, if you want to meet up with someone, it should be in front of Hachikou's statue. Girl 2: Hachikou's statue is the best place to meet up! Patamon: Hachikou's statue....

Patamon takes to the air again, his mind set on a destination.

For context, Hachikou was a dog whose owner brought him to Shibuya. His owner would take the train to work, and every day Hachikou would wait at Shibuya Station for his owner to return.

His owner died one day from a medical complication at work, and never came home to Hachikou. From then on, every day for the next ten years, Hachikou would come to Shibuya Station and wait, unaware that his owner would never return. He kept this up until the day he died.

(Yeah, that Futurama episode that made you cry is based on a real event that happened in Japan.)

In his memory, a statue of Hachikou was erected outside the station. He's been immortalized in movies, anime, and video games. There's even an annual memorial in his honor.

So. Y'know. Lot of cultural significance to using Hachikou's statue as a place to meet up with people. Which isn't going to translate into the dub very well.

Patamon: I just can't stay mad at T.K. anymore. Besides, I really miss him! Girl 1: So I told Rebecca and Sarah to just find us at the park later. That'll work. It's like... It's so easy to find somebody at the park! Girl 2: Yeah! It's totally easy to find somebody there! Patamon: Oh, in the park!

(sigh) They could have at least used the statue as a landmark. Even if kids don't understand the cultural significance, that's fine. Neither does Patamon. Someone said "Hey, Hachikou's statue is a great place to meet!" and that's all the context he has. It's fine if that's all the context the audience has.

"The park"? This is a metropolitan city. Which park?

While Patamon's heading to Hachikou's statue, Yamato and Takeru find themselves cornered by the formerly friendly Gotsumon and Pumpmon.

As they round a corner, they see Pumpmon ahead, cutting off their exit.

Yamato: AUGH!!! Takeru: PUMPMON!!! Pumpmon: This is as far as you go! Gabumon: He cut us off from the front. Yamato: Get behind me, Takeru.

Gripping Takeru by the shoulders, Yamato moves him back towards the rear. Unfortunately, it's not safe from that side either, as Gotsumon brings up the rear.

Takeru: (spots Gotsumon) Ah! Yamato: (turns) Gotsumon! Gotsumon: This is as far as you go.

I like the symmetrical taunting from Pumpmon and Gotsumon as their trap is sprung. These two are such a double-act, even as the enemy.

The pair backs Yamato, Takeru, and Gabumon into a vacant lot. Nowhere to run now.

In the dub:

T.K.: Hey, how'd you do that!? Pumpkinmon: Aren't I amazing!? Gabumon: Well, you might make a nice pie. Matt: Come on! Let's turn around! (moves T.K. behind him) T.K.: Whuh!? Gotsumon: (approaches from the rear) Hehe, I don't think so! Matt: We're surrounded! Gotsumon: Sorry we have to do this to you guys, but orders are orders. You understand.

"You might make a nice pie." Holy shit, shots fired. Gabumon threatens to eat Pumpkinmon.

Matt's also given a tone-shifting silence-breaker when Pumpkinmon and Gotsumon back them into the lot.

Matt: Alright, if it's a fight you want, LET'S DO IT!!!

This is one of those lines the dub likes to use when the kids are in extreme peril to make it seem like it's not so dire.

With their backs against the wall of the lot, Yamato, Takeru, and Gabumon prepare to have to defend themselves. Pumpmon and Gotsumon slowly advance on the Children with determination and menace in their eyes. Then, at last, Pumpmon--

Pumpmon: I quit. Gotsumon: Ugh, me too! Pumpmon: Playing around in Shibuya is way more fun than fighting the Chosen Children! Gotsumon: Yeah yeah! Come hang out with us! Group: Huh!?

Yamato, Takeru, and Gabumon have tonal whiplash over how this night has gone. But the tension's been deflated, our new friends are still our friends, and--

A bolt of lightning suddenly strikes nearby.

Pumpmon: V-VAMDEMON'S COMING!!! Gotsumon: Go hide!

Things may have de-escalated with these two, but there's still the big guy lurking around. It's not safe to be out in Tokyo at night.

In the dub:

Pumpkinmon: Uhh, I quit. Gotsumon: Yeah, me too. Group: Huh? Pumpkinmon: Why should we fight? Somebody always gets hurt. Besides, it's way more fun just hanging out and cruising around the city! Gotsumon: That's for sure! Hey, why don't you guys hang out with us? Group: Huh!? (Lightning bolt strikes nearby) Pumpkinmon: Whoa, Myotismon's coming! Gotsumon: You should all hide!

It's worded a little different but mostly the same. I like Pumpkinmon's new point about how violence sucks, actually. Like. Unless you're Son Goku, on a scale of 1 to Fun it's a 0.

Takeru, Yamato, and Gabumon all hide while Pumpmon and Gotsumon go out to confront their boss.

It does not go well.

Vamdemon: Where are the Chosen Children? Pumpmon: Unfortunately, they got away from us. Gotsumon: We almost had 'em! Vamdemon: You LIARS!!! I have no further use for you. NIGHT RAID!!!

Pumpmon and Gotsumon's deception confirms Vamdemon's suspicions, provoking a rare break from his typically cool demeanor.

We're going to see in a moment that he does know where the Yamato, Takeru, and Gabumon are. It's too late to hide. He's giving Pumpmon and Gotsumon an opportunity to tell him and prove that they haven't deserted their posts. A test that they fail.

In the dub:

Myotismon: Where are the DigiDestined!? Pumpkinmon: Uh, they were here just a second ago! They must have got away! Gotsumon: Yeah! You can't believe how fast they are! But we almost had 'em, boss. Myotismon: Yes. I can imagine. You had your chance; Now I'm condemning you to my dungeon in the Digi-World! GRISLY WING!!!

...yeah, we'll. Uh. We'll talk about Myotismon's dungeon in the Digi-World in a moment.

The acting for Pumpkinmon and Gotsumon is so good in this scene. They do a fantastic job selling these claims as pathetic excuses from dipshit minions.

There is, however, a bit of a narrative shift here. Pumpkinmon and Gotsumon are lying to protect their friends in both versions. However, in the original, Vamdemon sees through their lies and attacks them for betraying his side. Myotismon is just executing them for failure. This was their opportunity to "redeem themselves" for not finding the Eighth Child, and they bungled it.

Well. Shit. Vamdemon's on the attack, as his bats swarm Pumpmon and Gotsumon. Nothing to lose now; Go for the Hail Mary.

Pumpmon fires off his Trick or Treat, conjuring a colossal pumpkin above Vamdemon and dropping it. The Night Raid bats quickly return from their attack, moving into defense and catching the pumpkin. They ravenously devour Pumpmon's best move.

While his bats are distracted, Gotsumon tries to blindside Vamdemon with his Angry Rock attack. But. Like. It's a rock being thrown by a Child-stage Digimon, and Vamdemon's Perfect. He telekinetically stops the rock with a sharp gaze, then shatters it in midair.

The dub calls these moves Pumpkinmon Power and Rock Fist Attack respectively.

Once the bats have finished eating Pumpmon's pumpkin, they go back on the attack. Pumpmon and Gotsumon have nothing left to defend themselves.

Vamdemon's Night Raid descends upon Pumpmon and Gotsumon once more. They both let out the most bloodcurdling screams, and we pan away to Yamato, Takeru, and Gabumon in a nearby alley.

Gabumon: Pumpmon! Takeru: Gotsumon!

Yamato throws himself around Takeru and pulls him away, using his own body to break Takeru's line of sight.

Yamato: Don't watch, Takeru!

The axe from Pumpmon's head and one of Gotsumon's rocks clatter to the ground. Then they dissolve into pixel dust. The incorrigible pranksters are dead. Vamdemon takes a step forward, his boot landing where these parts of the prankster pair had dissolved, as if crushing their bodies underfoot.

There is no change in the dub. Even their bloodcurdling screams as they die are retained. This is because the dub already changed the context of this scene a moment ago. This is where "My dungeon in the Digi-World" comes in.

They pre-emptively altered the context of Gotsumon and Pumpkinmon's disintegration so they could present the death scene in all its gory detail, unhindered by the need to appease the censors. They went to the dungeon, so it's fine for them to die screaming while Matt yells at T.K. not to watch.

...honestly, clever. Points to the dub for managing to make the censors happy and preserve the emotional punch of this scene. Though if you're hoping for a follow-up episode where we spring them from Myotismon's dungeon, I... Uh... I have some bad news.

(Now that I think about it, his entire castle and the mountain it's situated on got obliterated the day after he left. He doesn't know about that. So... I guess they're fine. Dub Pumpkinmon and Gotsumon popped into existence in a vacant lot in the Digital World, then ran merrily off into the woods. The joke was on Myotismon in the end.)

With the deserters disposed of, Vamdemon next advances on the alley where Yamato, Takeru, and Gabumon are hidden away.

Vamdemon: The three of you are next. Yamato: (voice breaking) They were good people.... Gabumon: Yamato.... Yamato: YOU HAD NO REASON TO KILL THEM!!!

To understand how big a deal this eruption from Yamato is, you need to understand something. Much like children's media in the U.S., children's media in Japan generally frowns on the word kurosu, meaning "to kill". It's considered vulgar and inappropriate for young audiences.

Like western children's cartoons, Children's anime will generally favor other terminology. "Defeat him. Destroy him. Take him down."

Yamato here uses the word. We are not pulling any linguistic punches. This motherfucker murdered Pumpmon and Gotsumon.

Gabumon evolves into Garurumon, slamming Vamdemon against the wall of the storefront across the road. He gets a hit in, but Vamdemon easily punches him away.

Garurumon keeps up the assault while Yamato shakes with fury.

Yamato: Those guys... It may only have been for a little while... (voice breaks) But they were our friends! GARURUMON!!!

Vamdemon catches Garurumon in his Bloody Stream, whipping him away and tossing him at a building. Just then, Yamato's grief activates his Crest, pushing Garurumon into Super-Evolution.

In the dub, Myotismon is cruelly dismissive of Pumpkinmon and Gotsumon.

Myotismon: (Advancing on the alleyway) Well, that wasn't very difficult. Now it's your turn. Matt: (voice breaking) Those two... They were really trying to save us. Gabumon: You're right! Matt: Rrrrgh! And you just condemned them for no reason at all!

The dub does not have the nerve to say kurosu here. Though they have dropped in some "kill" words in the past. I think this is contextually too dark for them.

Garurumon attacks Myotismon, and Matt's speech here is:

Matt: Go get him. He should pay for what he did to those two! Those guys just wanted to be our friends! GARURUMON!!!

Tonal shift. Yamato's speech is a furious eulogy centered on Pumpmon and Gotsumon, while Matt's is a vindictive battle cry against Myotismon. As usual, the Americans are more comfortable in the realm of aggression than emotional sincerity, which often gets put on display with Yamato/Matt specifically.

WereGarurumon catches himself, landing on his hind legs on the building and then springing back at Vamdemon. Kicking off the most public Digimon fight we've had yet right here in the streets of youth culture center Shibuya.

We cut briefly to Patamon resting in a tree at Shibuya Station above the statue of Hachikou.

Patamon: Aww... Those girls said that if I wait here, I'd find Takeru...

In the dub:

Patamon: Aww... Those girls said the park was the place to find someone, but where's T.K.?

The spirit of Hachikou is strong today, however, and Patamon will be reunited with Takeru. The sound of screaming alerts him to something happening nearby. He looks up in time to see glowing signs on distant buildings destroyed by WereGarurumon and Vamdemon's fight.

(We aren't retreating this time; Yamato's out for blood. Also, fun fact: I'm sure I brought this up before but WereGarurumon himself is a Nightmare Soldier.)

The public below look on in horror as werewolf and vampire duke it out in Shibuya. WereGarurumon dodges away from a stabbing Bloody Stream and counters with Kaiser Nail. His claws form an X-shaped projectile that slams Vamdemon back through the wall of one of the neighboring buildings.

Startled humans inside leap to their feet as the fighting progresses indoors. WereGarurumon jumps in through the hole, but Vamdemon's back on his feet. A Night Raid hits WereGarurumon dead-on; The bats lifting him through the air and crashing him through a neon sign.

Though the fight started off promising, the neon sign costs WereGarurumon dearly. Vamdemon now has the upper hand. Before WereGarurumon can recover and get back to his feet, Vamdemon lashes him with Bloody Stream.

The fight has completely turned. Vamdemon has the unassailable advantage now. WereGarurumon finally makes it back to his feet, holding his stomach, badly hurt. Only to take another Bloody Stream to the face and knock him back down.

Yamato and Takeru watch in horror while Vamdemon lifts WereGarurumon into the air on his Bloody Stream whips, shocking or burning or doing something to him. WereGarurumon screams in agony.

While the violence unfolds, Takeru isn't even thinking about it. He's buried in his guilt.

Takeru: (thinking) If I hadn't gotten so mad, Patamon wouldn't have left us. We never would have met Pumpmon and Gotsumon in Shibuya. And Pumpmon and Gotsumon... wouldn't have been killed by Vamdemon!

Holy shit, that is a lot to lay on the shoulders of an 8-year-old. Takeru believes his mistakes got Pumpmon and Gotsumon killed. He's... he's not right but he's not wrong either.

I love that he calls out Vamdemon as the killer. That's vital perspective that people struggling with guilt don't always have. Vamdemon killed them, not Takeru. He is not to blame. It's good that he recognizes that.

But the chain of events that led to their deaths did begin with him exploding on the train. He's not to blame, but he's still going to be telling his therapist about this when he's forty.

In the dub:

T.K.: (thinking) WereGarurumon's in big trouble and it's all my fault! If I hadn't been so mean, Patamon would still be with us and we would never have met Pumpkinmon and Gotsumon! And if those poor guys had never met up with us, they wouldn't be stuck where they are now! Ohhhhh....

Good effort. Doesn't land quite as strongly, but that's mainly because there's only so hard they can go on T.K.'s trauma when Pumpkinmon and Gotsumon are simply in a dungeon cell somewhere. They still put in as much effort as they can to sell this.

Takeru's grief and trauma and fear is so overwhelming at this point that it all comes crashing in together, pushing him over the edge for the second first time. Patamon SHINKAAAAAA!!!

FINALLY, a full 19 episodes following his death and reincarnation, Angemon is back in play. Patamon doesn't even know what's happening when the surge of Takeru's emotions hit him all at once and bring him into the fight.

Angemon soars over the onlookers in the streets below and straight on into battle. Vamdemon notices him at the last second, swerving out of the way of Angemon's swing - but the attack still goes through. Angemon's staff crashes through the whips of Vamdemon's Bloody Stream, breaking the bonds that are holding WereGarurumon down.

Angemon's intervention buys WereGarurumon a moment to finally catch his breath and get back up.

WereGarurumon: Angemon!? Angemon: Are you okay, WereGarurumon? WereGarurumon: Uh, sort of? Takeru: Angemon! Yamato: Takeru's feelings reached Patamon!

It's great that Angemon is back in the fight, but WereGarurumon's still hurting. We're not out of the woods yet.

Though the dub ratchets up the positivity.

WereGarurumon: Angemon.... Angemon: Are you alright, WereGarurumon? WereGarurumon: Yes. Thanks to you, I am. T.K.: Angemon rules! Matt: Well, I guess we don't have to look for Patamon anymore!

Matt, is that the most pressing matter right now? Dracula is still right there.

WereGarurumon gets his second wind while Angemon stares down Vamdemon.

Vamdemon: So you're the one who possesses holy powers. WereGarurumon: Let's go, Angemon. Angemon: Right.

In the dub, Myotismon is weirdly dismissive of Angemon?

Myotismon: Hmph. Angemon. They must be desperate if they sent you! WereGarurumon: Angemon, shall we take him? Angemon: Let's go!

Uh, Angemon is kind of a big deal? I mean, he's still only Adult-stage; He'd get wrecked in a straight fight. But Myotismon is talking about him like he's the team bottom-feeder.

Angemon doesn't even respond to Vamdemon. He and WereGarurumon go straight on the attack as soon as WereGarurumon's recovered.

Angemon goes high, raising his staff for an overhead swing, while WereGarurumon goes low. WereGarurumon feints with a spin kick. Just as planned, Vamdemon dodges upwards to evade, coming straight into Angemon's attack range. He's forced to raise his arm to block the follow-up from Angemon.

With Vamdemon momentarily pinned down in melee with Angemon, WereGarurumon rebounds off the building that was behind him and comes in for his real attack. He throws himself up into the fray, coming straight up at Vamdemon's defenseless back.

And then I guess we ran out of time and budget because a big blue light blob conceals the entire rest of this fight.

Vamdemon retreats, attempting to save face with a parting taunt and his weird robotic monotone laugh.

Vamdemon: I'll finish this fight later. Ah Ha Ha Ha Ha Ha Ha Ha.

So fucking creepy every time he does that. He laughs like a Text-to-Speech generator with a reverb played over it

Myotismon continues to have a much less Uncanny Valley laugh.

Myotismon: It's time I take my leave; We will fight again! HuhuHAHAHAHAHAHAHA!!!

Myotismon has a villain laugh and Vamdemon has this eldritch thing masquerading as mirth.

Now that the fight is over, WereGarurumon and Angemon revert to Gabumon and Patamon. (Not Tsunomon? Odd.) Yamato and Takeru race over to check on their Partners.

Yamato lifts Gabumon into his arms as much as he can.

Yamato: Gabumon....

He looks concerned, but Takeru is distraught, with tears in his eyes. Considering what happened to Patamon last time he evolved, you can understand why he's freaking out.

Takeru: Patamon!? Are you.... Patamon: Yeah. I'm okay, Takeru. Takeru: T_T I'm sorry for getting mad.... Patamon: Don't cry, Takeru.

Of course, Takeru's fears are misplaced. The reason Angemon died last time was because he channeled the full holy might of all seven Digivices through his body at once. It was that desperation play that killed him.

But Takeru has had a fucking hell of a night and he can be forgiven for thinking he was about to cap it off by watching Patamon die again.

In the dub:

Matt: I hope they're alright! T.K.: Me too! (Both boys grab their Digimon Partners) Matt: Gabumon? T.K.: Ohhh... Patamon! Are you okay? Patamon: Yes. I'm alright now, T.K. T.K.: I'm sorry, Patamon. I'm sorry I got mad. Patamon: Don't cry, T.K. It's alright.

There's some extra dialogue leading into it but it's otherwise the same.

Yamato and Takeru walk back through Shibuya with their Partners, headed for the station. Along the way, they can't help but see the ghosts of the memories they made tonight, with two friends who paid a tragic price for it.

They were Shibuya-type Digimon to the very end.

Takeru: Onii-chan, over there....

Takeru points out the storefront where Pumpmon and Gotsumon dressed up, and the memories flow in from there. Thirty seconds of silent flashbacks while a mournful piano melody plays in the background.

Yamato: (quietly) ...let's go home. Takeru: Yeah.

As the boys leave, a pair of shooting stars twinkle by overhead. A parting symbol of the lives that were lost tonight.

The dub tries to keep things light and upbeat, which really doesn't work for this scene.

T.K.: Hey, look in that window! That's where those crazy Digimon tried on all the clothes, remember?

Due to the dub's aversion to silence, the flashbacks contain voice lines from Pumpkinmon and Gotsumon, of the various things they said in those scenes.

T.K.: Aww, they were funny. Matt: I know what you mean, T.K. I miss them too.

Yeah, you can't lighthearted a scene about grief. T.K.'s lines end up underselling the severity of what's happening in this scene. Though I guess that's to be expected since Pumpkinmon and Gotsumon went somewhere else.

While Yamato finally takes Takeru back to Shibuya Station to drop him off, we turn our attention back to Odaiba.

The camera pans across the Rainbow Bridge, passing over Daiba Park where Vamdemon's base is located.

Narrator: The children saw the cruelty Vamdemon is capable of with their own eyes.

Then we cut to the Yagami home from outside. Hikari is in her room doing homework. The camera slowly pans up to reveal Tailmon on the roof. Watching.

(What she is watching, I have no idea. All she can see from her vantage is the balcony of the apartment above Hikari's.)

Narrator: Soon they would realize that this was only the prologue to the great battles ahead. Once the Eighth Child discovers their destiny, the flames of battle will flare in an instant and devour everything.

Then we close on a shot of Hikari's Digivice lying in a nest made from stolen hangers. Because crows.

Narrator: There's not long now until that time arrives.

Since the dub has no narrator, Matt takes the mic and uses it to spell out the Moral of the Episode.

Matt (V.O.): I guess we shouldn't take our friends for granted! T.K. nearly lost Patamon's friendship and who knows if we'll ever see Pumpkinmon and Gotsumon again! (Shift to the Yagami home) Matt (V.O.): But one thing's for sure; I know Myotismon isn't through with us yet! His henchmen are out there right now searching for the Eighth DigiDestined! Gatomon: (thinking) You may be sweet, little Kari, but next time I will get my claws into you. Narrator: Will Kari survive her next encounter with Gatomon, Myotismon's most loyal servant? Find out on the next Digimon: Digital Monsters.

Oh fuck me, I guess we DO have a narrator all of a sudden.

Remember, kids: Treasure the friends that you have. Because you never know when Dracula will murder them lock them in a dungeon.

The dub still doesn't quite understand what's going through Tailmon's head right now. She wasn't thwarted in her attempt to kill Hikari; She ran away because Hikari makes her feel feelings that are freaking her out.

She's fence-riding. Trying to monitor Hikari because she's pretty sure Hikari is the Eighth Child, but using "We don't know FOR SURE" as an excuse not to take further action.

But the dub's still playing Gatomon as super determined to kill Kari, but struggling to find an opportunity. Even though she had a perfectly good opportunity that she fled from.

Assessment: Fuck me, this episode. Hahahahaha hi shit is dark today. Between this and Angemon's first outing, Takeru will be in therapy until he's ninety.

This episode's a bit of a cheater. Like, it's kinda bullshit that Tsunomon can go straight to WereGarurumon in the same night he recovers to Gabumon after how much time was spent building up the drawbacks of Super-Evolution - and then revert back to Gabumon instead of Tsunomon.

I'm not sure if this is going to be the new standard going forward. The Digimon do get stronger over the course of the series; It was a plot point on File Island that practice made them better at being able to evolve to Adult-stage more frequently and consistently. So it may be that we're getting better at Super Evolution too. We'll see if this sticks. But it's still weird that he can hit Perfect in an episode he starts out in Baby.

Of course, Pumpmon and Gotsumon tore my heart in half like I knew they would. And Takeru, just... Just... Takeru. It's not exactly the episode from Fullmetal Alchemist (both versions, you know the one) but it's brutal nonetheless.

The dub... This is another one of those episodes where they were screwed from the outset. The censors were never going to let them do this episode justice. It's dark as shit. They didn't want to deal with angry parents calling because their children are screaming and crying over a pumpkin boy.

But for what they'd be allowed to do, they did a better job with it than I expected. It's still a pale imitation of the original, but there's more definition to that imitation than I thought I was going to see. A C for the overall product but an A for effort.

[hooked-on-elvis]

ELVIS' DEBUT ON TV — 📺 [CBS] The Dorsey Brothers 'Stage Show'

Elvis with Tommy and Jimmy Dorsey at CBS Studio 50, New York, March 17, 1956 [that would be Elvis' 5th appearance on their TV show, out of 6 total.].

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By December 1955 Elvis had still not made an appearance on national television. His manager Colonel Tom Parker negotiated a deal through Steve Yates with CBS's "Stage Show" for four appearances on the show in January 1956 at $1,250 each and an option for two more at $1,500 each.

On the January 28, 1956, Elvis was broadcast for the nation for the very first time, performing "Shake, Rattle and Roll", "Flip, Flop and Fly" and "I Got a Woman".

[ABOVE: the January 28th 1956 FULL PERFORMANCE]

On Elvis' first appearance on American television, Bill Randle, one of the most influential disc jockeys of the time, was the man who actually presented Elvis Presley to the nation. He said:

"We'd like at this time to introduce to you a young fellow, who like many performers, Johnnie Ray among them, come up out of nowhere to be overnight very big stars. This young fellow we met for the first time while making a movie short*. We think tonight that he's going to make television history for you. We'd like you to meet him now - Elvis Presley. And here he is!" — Bill Randle, Disc Jockey, the man presenting Elvis Presley to America for the first time. January 28, 1956.

After this, things would never be the same, specially the society. Such a good beginning for a year, that special day in a January month! ♥

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🎞️THE SHORT-FILM THAT NEVER SAW THE LIGHT OF DAY (for the general public... at least until now...)

The movie short Bill Randle referred to during his introduction to Elvis was "The Pied Piper Of Cleveland - A Day In The Life Of A Famous Disc Jockey" a short film made by Universal pictures about Bill Randle himself. Filmed on October 20th, 1955, at a concert in Brooklyn High School, Cleveland, it featured the stars Bill Haley & The Comets, The Four Lads, Pat Boone, plus the addition of a little-known Elvis Presley.

The original forty-eight-minute film was supposed to be cut down to a twenty-minute "short" for national distribution, but never made it that far. We're in 2024... 69 years went by since this shortcut was produced but the movie remains unreleased.

There is some dispute over whether or not this film actually exists, although it's said it was shown publicly, albeit only once in Cleveland, and excerpts were also aired on a Cleveland television station in 1956. Marshall Lytle, bass player for Bill Haley's Comets, corroborates the existence of the film in his memoir, "Still Rockin' Around the Clock", but he makes the unsubstantiated claim that Colonel Tom Parker, Presley's manager, bought the film and destroyed the existing copies. According to historians, tho, DJ Bill Randle, before his death in 2004, sold the rights to the film to PolyGram (it has been reported that Universal Studios has the negatives of the film in its vaults).

Much uncertainty about this short film, but can you imagine this film being release in Elvis' birthday centenary celebration? We watched, and listened, on Elvis' 89th birthday a few days earlier this year, to them playing during his birthday celebration at Graceland the original "That's All Right" record as it was cut at Sun Records studio in 1954, so who knows? There's always rare things surfacing here and there, so... we better keep our hopes this Bill Randle's 1955 movie, with some new 'baby Elvis' footage, will be release any day now [such as we know there's 'Elvis On Tour' and 'Elvis: That's the Way It Is' never seen before footage coming our way, as confirmed by the "Elvis" 2022 biopic's film director, Baz Luhrmann — finally! We hope it will be released soon].

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But enough daydreaming... Back to Elvis' 1st television appearances.

After the premiere on America's television on January 28th, 1956, Elvis would do five more appearances on 'The Dorsey Brothers Stage Show" for the next eight weeks. Those would take place on February 4, February 11, February 18, March 17 and March 24th, 1956.

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February 4th, 1956 | "Baby Let's Play House" and "Tutti Frutti"

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February 11th, 1956 | "Blue Suede Shoes" and "Heartbreak Hotel" *

* This is a special arrangement for 'Heartbreak Hotel', so good! Jazzy, dramatic, really rarity. I loved this! ♥

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February 18th, 1956 | "Tutti Frutti" and "I Was The One"

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March 17th, 1956 | "Blue Suede Shoes" and "Heartbreak Hotel" *

* This is the usual arrangement for the "Heartbreak Hotel" song. On February 11th, 1956, Elvis performed this same song onstage of 'The Dorsey Brothers Show' but it sounded something more… dramatic (I guess it matched the lyrics after all, but I love the usual arrangement better yet).

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And the last one... the 6th appearance on 'Dorsey Brothers Stage Show':

March 24th, 1956 | "Money Honey" and "Heartbreak Hotel" | [FULL PERFORMANCE]

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We can see how on those first TV shows Elvis still looks quite shy. Although he moves the usual lot, he doesn't flirt with his audience as much as he would on the upcoming TV appearances (and throughout his life, actually). It's funny how he grew comfortable with being in front of the cameras so fast tho. As his photographer Wiliam Speer said, "I guess you must really like being photographed."

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Elvis with Tommy and Jimmy Dorsey at CBS Studio 50 in New York, on March 17, 1956. That would be Elvis' 5th appearance on their TV show. 'The Dorsey Brothers Stage Show' (CBS) was the place Elvis debut in his TV appearances, on January 28th 1956. He would appear on the show for 6 times total, from January to March 1956. ♥

Performing on the 'Dorsey Brothers Stage Show' at the CBS Studio 50, New York City, on March 24th, 1956. His 6th and final appearance on the show.

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EDIT: THE BLUE MOON BOYS

I hate it when I forget to mention such important, trivial, facts — and this shouldn't be footnote info and I feel guilty it is now but I forgot mentioning — The Blue Moon Boys. I love them so much! I watch those footage looking at them as much as I look at Elvis.

Like, I love Bill Black's energy onstage! I love him hollering, vibing to their sound, as loud as Elvis (on occasion). I love how he seem to love chewing gum (Bill is chewing gum in some of those footage), because it makes me look at the Blue Moon Boys and Elvis as a unit, real close friend who look alike, just how it should be. We know although EP for obvious reasons can't chew gum while singing, he loooooved gum and kept this - should I say "habit?" - throughout his life. It's sounding silly what I'm saying, I know, but I think this Elvis habit in fact date from back when he was rocking onstage with Bill, Scotty and DJ Fontana and it makes my heart warm how close and similar they seem to be, as friends, real friends. Bill is actually said to be the one cheering the crowds onstage when they first begun performing, when Elvis was still learning how to be the great leading man he became. When EP was still learning how to act onstage, how to manipulate the audience, creating the mad passionate reactions he learned to create whenever he wanted, Bill was the one heating things up, joking with the audience, cheering, hollering. Bill is amazing! His energy is intoxicating, and we can see it clearly on those first TV appearances performances. ♥

--

I also love how hot Scotty Moore looks! I kinda laughed thinking 'Oh my goodness' ... So this thing about rock and roll bands always having hot vocalists and hot guitar players as a rule, it looks like it all started from the 50s with EP and Scotty! (really, at least the singer and guitar player in most rock bands are hot AF, am I lying? *lol*). I have a thing for Scotty... When he smiles at times on those footage, I'm like: 🤤🥹🥴🫠 And I also love how he's elegant but at the same time menacing looking holding and playing his guitar like the guitar hero he was. Really, if you haven't yet, do yourself a favor and read Scotty's book "THAT'S ALL RIGHT, ELVIS: The Untold Story of Elvis' First Guitarist and Manager, Scotty Moore", by Scotty as told to James Dickerson (1997). Scotty's life story is fascinating and as interesting as Elvis'. ♥

--

And last, but never least, I love how together, calm and concentrated DJ Fontana looks. Ok, unfortunately being the drummer has it's disadvantages. We can't see DJ Fontana as much as we see the other boys onstage, but I listen to the songs until the very last minute and it's amazing how the music always has the closing, the important and dramatic ending, done by DJ's talented hands. I love that guy. ♥

Elvis Presley and The Blue Moon Boys were the best rock and rollers! I love their energy together. As much as I adore 70s Elvis onstage, the TCB Band, the Sweets Inspirations and all, if I only had one performance of Elvis' I could attend, just one to choose, I would go for - undoubtedly - the 50s ones, when those guys, The Blue Moon Boys and Elvis, were playing together.

That's Rock and Roll royalty. ✨👑 ♥

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There you go. All the videos together so you can watch of them easily. ♥

[haveyoulistenedtothisalbum-poll]

Tracklist:

Brother's Gonna Work It Out • Not Another Drugstore (Planet Nine Mix) • Block Rockin' Beats (The Micronauts Mix) • Ride The Rhythm • It's Just Begun • Makin' A Living • Hot Wheels (The Chase) • The Theme (Unique Mix) • Gimme Some Love • The Jazz • Sidewinder (312 Vs. 216 Stomp Mix) • Doin' It After Dark (D-Ski's Dance) • Don't Stop The Rock • To A Nation Rockin' • Morning Lemon • Mars Needs Women • Thunder • Losing Control • Mother Earth • The Riot • Trip Harder • Everything Must Go (Chemical Brothers Remix) • I Think I'm In Love (Chemical Brothers Vocal Remix)

Submitter's Note: This is a roughly 1 hour and ten minute long DJ mix by The Chemical Brothers, so its technically a compilation release, but the track selection, and the flow of siad tracklist + how the tracks are blended/mixed/transitioned between, absolutely makes it a must listen.

Youtube

[orcelito]

Idr if I posted this one yet but I've been obsessed with this song

[kemetic-dreams]

Long before it arose in New York City and became an influential style of music around the world, salsa music has its seeds in African rhythms and traditions that came to the Caribbean through the slave trade. Centuries of enslavement caused many cultural changes in Cuba, including the music that led to salsa.

Some people know Bobby Day’s 1958 “Rockin’ Robin” or Michael Jackson’s remake but the origin of the song goes back to the days of slavery.

The majority of the Africans that were enslaved and brought to the Americas were of West African descent where the drum was used as a form of communication. In the Americas, enslaved Africans used the drum in the same way — communicating with the enslaved on distant plantations and ultimately planning uprising.

The enslavers caught wind of this and enacted a ban.

It is absolutely necessary to the safety of this Province, that all due care be taken to restrain Negroes from using or keeping of drums, which may call together or give sign or notice to one another of their wicked designs and purposes. — Slave Code of South Carolina, Article 36

That ban went down in 1740 and soon spread throughout Colonial America.

But the beat is in the heart of the African.

We soon found other ways to imitate the sound of the drum; stomping, playing spoons, washboards, or anything other household item. We also “slapped Juba” or played “hambone” where the body became an instrument where the player slaps their thighs and chest for the drum beat. (How did young boys in 1980s Park Hill, Denver know “Hambone?”)

Although we kept the beat, we lost the tradition, a cultural marker snatched away from us.

While the American enslaver worked feverishly to destroy any vestige of African culture, the Spanish enslaver of Cuba felt that it was in his best interest to allow the enslaved African to maintain his culture. In support of that, the Spanish allowed the Africans to organize Cabildos (or social groups) based on their nation of origin. Thus you had the Abakua (or Ekpe) from the nations known as Nigeria and Cameroon, the Madinga (or Malinke) from Sierre Leone, etc.

Our focus is primarily on the Lucumi, the Cabildo founded for the Yoruba of Benin and Nigeria. This lineage would be the cornerstone and origin point for what is now called “Salsa.” And what is this “Salsa?”

When we spoke of the drum being forbidden among the enslaved Africans in America, we forgot to mention that there was one place that didn’t enact that ban. That place was the port city of New Orleans, Louisiana — some even call New Orleans the Northernmost Caribbean city.

Similar in the way that the Spanish allowed for Cabildos in Cuba, the Louisiana enslavers permitted Sundays off and were okay with the dance and celebration so long as the enslaved African did so outside of the city limits in a place called Place des Negres (eventually known as Congo Square).

After the Civil War, Africans in America were able to get a hold of surplus brass instruments and shortly thereafter began composing music based on the popular music in the Caribbean at the time, the Cuban Habanero. Many say that this is one of the foundations of jazz music itself and the basis of the habanero, the tressilo, can be heard in second lines. Self-proclaimed jazz inventor, Jelly Roll Morton had this to say:

Now take the habanero “La Paloma”, which I transformed in New Orleans style. You leave the left hand just the same. The difference comes in the right hand — in the syncopation, which gives it an entirely different color that really changes the color from red to blue. Now in one of my earliest tunes, “New Orleans Blues”, you can notice the Spanish tinge. In fact, if you can’t manage to put tinges of Spanish in your tunes, you will never be able to get the right seasoning, I call it, for jazz. Jelly Roll Morton

Because of those qualities, a young musical prodigy from Cuba, Mario Bauzá recognized the similarities between jazz and Cuban music straightaway. Bauzá fell in love with jazz having heard it on Cuban radio but it was his trip to Harlem, NYC in 1927 that convinced him that New York was where he wanted to be and jazz was the music that he wanted to play.

Bauzá returned to New York in 1930, immediately found work, eventually landing a gig in the Cab Calloway band. Here he brought on the legend in the making, Dizzy Gillespie, and the two became fast friends. Bauzá attempted to play his “native” music to many in the band but they dismissed it as “country” music. Gillespie, on the other hand, embraced it.

For the next eight years Bauzá played in predominately African jazz bands having seen discrimination from white Cubans. Yet he longed to start a group that incorporated the music from his home and his second love, jazz. He shot this idea to his childhood friend/brother-in-law and in 1939 at the Park Palace Ballroom the Machito Afro-Cubans would debut.

“I am Black, which means my roots are in Africa. Why should I be ashamed of that?” Bauzá said in reference to the name.

Bauzá replaced the drum kit, which at that time had only been around for 20 years, with the hard to find congas, timbales, and toms. “The timbales play the bell pattern, the congas play the supportive drum part, and the bongos improvise, simulating a lead drum”. In the 40s these drums could only be found at Simon Jou’s bakery, La Moderna, locally known in East Harlem simply as Simon’s.

Next, the Afro-Cubans needed a home and they would find that not in Harlem nor the Bronx, but instead in Midtown Manhattan, a club called the Palladium.

Salsa is a set of Afro-Caribbean rhythms fused with jazz and other styles. The truth is that its origins have always been much debated, although as a general rule it is mentioned that it comes from a fusion that came from Africa in the Caribbean when they heard European music and wanted to mix it with their drums

These origins focus especially on mambo, danzó, cha cha chá, guaracha and son montuno, later enriched with instruments such as saxophone, trumpet or trombone.

It was the Cuban exiles and those from Puerto Rico who popularized salsa in New York back in the 1950s. But it wasn't until the last third of this century that salsa dancing began to take off all over the world.

Cuba played a leading role in the origin of salsa. Already in the 1930s, melodies and rhythms from Africa were playing on the Caribbean island. Among them was the danzón, a musical piece acquired by the French who had fled Haiti.

History tells us that it was these first rhythms that were then mixed with rumbas such as guagancó and sonero to begin to create their own Afro-Cuban rhythms, including Afro-Cuban jazz, mambo, guaracha, Cuban son and montuno.

The exquisite melody of these new rhythms soon set in other Latin American countries. Puerto Rico and Colombia were the first to welcome these new sounds from the Cuban country.

However, it was not until their appearance in the United States, and more specifically in the Bronx neighborhood of New York, when these rhythms acquired a greater impact. It was the moment in which new musical instruments were added that today form an indissoluble part of salsa.

The great Cuban musicians who moved to New York along with the wave of these new rhythms created the famous tumbadoras, congas or son montuno, and were responsible for introducing trombones and guaracha.

The Origin of the Salsa Dance Steps

Once salsa was defined as a musical genre in the 1970s, the movements and steps of its dance were collected through a fusion of the African with the European.

These steps and movements of salsa fundamentally reflect the influence of the dances that the Africans brought to the Caribbean and the European dances that have been danced in Cuba since the 1930s.

So much so that the basic steps of salsa are precisely the same steps as the Cuban son, just as it also includes steps that can be seen in rumba, danzón and mambo.

The origin of these variants is in the regions where this style comes from, which are the ones that developed each dance, always under the same umbrella of the term salsa.

It is not surprising, then, that salsa is defined as the result of a series of social conditions and the evolution of a series of rhythms and melodies from Cuba, which were developed and achieved repercussion in the United States.

There are those who assure against this mixture that salsa is neither a rhythm nor a style, but rather a term that serves to represent all the music of Afro-Cuban origin that emerged in the first decades of the twentieth century.

In short, the origin of salsa has always been, and will continue to be, much discussed. American musician Tito Puente was right when he said, "Salsa doesn't exist. What they now call salsa is what I have played for many years, and this is mambo, guaracha, cha cha chá and guagancó".

[oldschoolhiphoplust]

Know Your Hip-Hop Pioneers: Lisa Lee

Bronx-born and raised Lisa Lee is one of hip-hop’s vital female pioneers. Her days of rockin’ the mic at Afrika Bambaataa park jams led to her becoming the original Zulu Queen of the Zulu Nation. Her spits can be heard on the Zulu Nation anthem “Zulu Nation Throwdown.” Lisa Lee is also known to be the first and only female member of the Soulsonic Force, and best recognized for her roles in prime hip-hop films Wild Style and Beat Street. She was also part of the first female cipher, solidifying her legacy as a female MC.

By Ime Ekpo

*Originally published in 2016

[nomagicartz]

Pleaseeee tell us more about your TC lore :3c it's been a delight to see old mc art in this day and age and the middleschooler in me is having a blast

cracks my knuckles . chat ur in for a long one and this is just basics

TC lore okay basics . world works like if minecraft and real life were combined . game things yknow . think mcsm .

World is split up into three sections, the main lands (occupied by players), the oceans (occupied by various aquatic races), and the farlands (occupied by elves), as seen here,

Elves are quite uncommon in the main lands ! Most fled to the farlands when notch ascended to godhood or whatnot

TC's story mainly takes place in the main lands !

got that cool okay now for actual tc things

TC is a sort of special group sent on various missions to keep the main lands safe. Sometimes they are in battles and sometimes theyre just off to go meet some king or smth

For a majority of the story, several aquatic nations are at war with many land kingdoms. The war started right after a major virus outbreak (zombie infection if you will, taken from Endstone and the older Truemu stories)

Okay time for the actual team in . Almost oldest to youngest order (Except for ssun and husky)

Ssun is the 'leader' of tc, being the second eldest and the one with the most combat knowledge. He's pretty against anyone else going on combat missions, this guy is a boydad . Unfortunately his eyes are sensitive to light, so hes rockin shades all the time to help

Husky is the healer, being the eldest he prefers to be out of direct combat. They're the glue that keeps the team from falling apart, being the one that has the braincell .

Mitch is the best up front fighter for the team! He's literally coded to be a fighter, and good lord does he get even better once he gets his fancy sword (as seen in the Warzone music video). He is the one token straight, and is very brutal with his words

Jerome is the second best fighter ! He is a heavy hitter, switching between an axe and a mace for fights ! hes the family dog and weighted blanket /j

Sky is the second team 'leader', despite his lack of braincells, hes pretty good at quick thinking! They keep the morale up and often is the "face man" ! this guy just fucking rocks shades for no reason . adhd central pt 1 over here

Ty is. well . hes there. Hes there to look good and to chew gum and hes all out of gum /j (Ty and sky are a package deal)

Jason ! He's the mechanic (and the dj)! Fuckin guy made his own spacesuit and weapons ! Everyone else out here using swords and bows this guy is using literal guns ! His suit doubles as mobility aids (Specifically his lower half, his boots / leg pads have support and compression sleeves built in :]) adhd central pt 2

Seto ! this guy is the youngest of the team, often put outside of combat both because hes not built for it and Ssun will not let a kid fight. He uses his magic to help defend and distract the enemy! this fuckin guy is autistic as hell, but thats okay his spinterest in magic and elven history helps alot

okay time for out of context fun facts that i may expand on more later someone remind me to do that

there are two types of players, born and spawned (Age is based on body age, not how long one has been conscious), all mobs and elves are born, but not all players are spawned (or human)

Jason, sky, ty and seto are all under the trans umbrella ! Trans rights and wrongs

Jason was trapped in space for 4 going on 5 years . its where he taught himself how to build suits (Even with many failure)

Ty is somehow the most mentally stable team member

no one here is fully human. the one closest to being fully human is like . Jason i think

They r one big happy family chat trust me