#RockOpera

[tomaaawita]

late yunyan week prompts🫶🏽

[edariia]

[ceo-of-rockopera]

they're so in love

[ur-fav-album-is-a-rock-opera]

Lincoln by TMBG: If it were a rock opera

PREFACE: THIS IS NOT INTENDED TO BE A SERIOUS INTERPRETATION OF THE STORY OF THIS ALBUM. THIS IS PURPOSEFULLY A HUGE STRETCH.

Ana Ng- We open to a man we'll call Joe, soliloquizing his love for a woman far far away. He woke up one day and an image of her simply popped in his head. This man, despite having never met this woman, feels a psychic connection towards her, and is sure they will one day meet and fall in love.

Cowtown- This man realizes that in order to find this woman he must take aid from a magical creature. His creature of choice is Ophiotaurus, of Greek mythology.

Lie Still, Little Bottle- We now turn the camera to a woman-- Ana Ng. She has turned to substance abuse to solve her problem: she is stuck in a horribly dull sales job. Ana is an extremely eccentric woman, who lives alone in a big house with only a cat named "The World", after the tarot card. Joe, across the earth, struggles with the same problems with his job.

Purple Toupee- Ana and Joe separately reminisce on their jobs and the events of their lives. They both feel that the only solution to feeling sad is working with higher up salesmen, who in Ana's part of the earth wear purple toupees to signify their high status. Joe, however, knows he is on a mission and has an obligation to find Ana, and so he quits his job.

Cage and Aquarium- Joe has followed his calling, and makes his way into Posidon's kingdom to search for Ophiotaurus. He feels creeped out by the water, but enters a sense of calm as he continues through the aquarium cage that is the ocean.

Where Your Eyes Don't Go- Joe continues through the ocean. He enters a nightmare dimension, similar to that of the scene in Moana with all the glowing ocean monsters. Though he's terrified, he continues on.

Piece of Dirt- We go back to Ana, who is not in the ocean, but rather on the earth-- which she views as a mere piece of dirt in her depression. She then has a sudden breakthrough, having the same vision of Joe as he had of her. She feels haunted by him, and makes up a name for this sudden phantom in her mind, calling him Mr. Me.

Mr. Me- Joe has finally found Ophiotaurus in the Ocean Monster realm. Ophiotaurus hears his tale, and takes him to Poseidon.

Pencil Rain- Poseidon arrives, and deems Joe's situation one he can aid with. He creates a rain of magical pencils, and then, carefully sorting through, gives one to Joe. This magical pencil will transport him to Ana's town immediately, once the magic words "The Pencil Rain" are spoken four times in succession. As he says these, he gets transported to Ana's town.

The World's Address- Ana, forever paranoid of the government, registered everything about herself under her cat's name. Joe is looking for Ana's address, but only manages to find a record of her cat; "The World",'s Address. He connects the dots and shows up at her door. Ana, who has been going crazy with trying to figure out who this man in her mind is, is even more freaked out when Joe suddenly shows up at her door. She rants at him, incomprehensible things, but he only loves her more.

I've Got A Match- Joe stays at Ana's house and chooses to take care of her. They gradually enter an unstable romantic relationship, characterized by Joe's obsession with getting Ana to love him and Ana's fear of Joe. However, now that Ana is in such a vulnerable state, she needs Joe to take care of her.

Santa's Beard- TIMESKIP! It's Christmas, because every rock opera needs a good Christmas song. (Looks at Tommy by The Who). Ana and Joe make a mutual friend, who works as a mall Santa. He isn't obsessed with Ana, and treats her kindly. She is immediately drawn to him, but Joe catches on and forbids her from seeing him again.

You'll Miss Me- We now get Mall Santa (who is also an Improvisational jazz musician)'s song. He is very sad that Ana has spurned him, and doesn't know Joe is the one being possessive. He writes a song with his band about Ana.

They'll Need A Crane- Joe is wary of Ana now. He loves her very much, but anyone could see that their relationship is codependent. Ana and Joe have also had to return to working their separate jobs, to support their relationship financially, and this puts even more strain on their relationship. Ana goes back to her drinking habits. Joe starts to see that they might not work out after all, but hates it and attempts to ignore it.

Shoehorn With Teeth- Joe has a weird dream in which he is desperately searching for a shoehorn.

Stand On Your Own Head- Joe wakes up from this strange dream, and somehow believes it is another sign from the gods, this time a sign to break up with Ana. He approaches it jovially, and she seems to not care, her only concern being about whether of not he will allow her to have custody of The World.

Snowball In Hell- Ana quits her job and Joe leaves her house. Ana decides to only do what is good for her from now on, even if it leaves her with a lack of money. She reflects on her time in the sales industry with a laughing attitude. She is finally starting to heal. Meanwhile, Joe must stay in his job. Having sacrificed everything to be with Ana, Joe is now stuck in a town he knows no one else in.

Kiss Me, Son of God- Joe rises up the ranks, and becomes the CEO of his company. He is now emotionally numb, an evil corporate supervillain. He takes advantage of anyone he can to make money, and wastes his life away like this.

I hope you enjoyed the first entry to my new project ! Request albums in my asks or respond to this with an album request, and I might do it especially if I know it well! :)

--meow

[sebastiandoesntwanttotalk]

We need more appreciation for obscure musicals.

Like what do you mean there’s a rock-opera about a girl with a blood infection who’s getting hunted by the government? That’s a fire idea bro! Why isn’t it top charts?!

[rockrollbaby]

[thetitansocietyorg]

The Impact of “The Wall”: Exploring Pink Floyd’s Iconic Rock Opera

The Impact of “The Wall”: Exploring Pink Floyd’s Iconic Rock Opera

Imajica Entertainment: Tribute by The Destroyers – Pink Floyd: The Wall

The Wall: Pink Floyd's Iconic Rock Opera

Introduction

"The Wall" is a legendary album by the renowned English progressive rock band, Pink Floyd. Released on November 30, 1979, the album instantly captivated audiences with its innovative concept and thought-provoking themes. It embarked on a journey to explore the depths of human emotions, isolation, and the metaphorical walls we build within ourselves. This article delves into the significance and impact of this groundbreaking rock opera.

A Conceptual Masterpiece

"The Wall" stands out as a conceptually rich and ambitious production. It follows the narrative of Pink, a disillusioned rock star who retreats into a self-imposed isolation from society, symbolizing the emotional barriers we construct to shield ourselves. Through a series of metaphorical bricks, Pink builds a wall around himself, disconnecting from the world as he grapples with personal demons. The album explores themes of alienation, war, existential crisis, and the impact of societal pressures on individual identity.

Critical and Commercial Success

Despite divided initial reviews, "The Wall" soared to unprecedented heights, becoming an immense commercial success. It topped the charts in the United States for an astonishing 15 weeks and reached number three in the United Kingdom. The album's success can be attributed to its ability to resonate with a wide audience, as many could relate to the themes of isolation and psychological struggle that it addresses.

Influence and Legacy

"The Wall" left an indelible mark on the music industry and continues to be regarded as one of the greatest albums of all time. Its impact is evident in various aspects:

Visual Spectacle: Pink Floyd's live performances of "The Wall" were renowned for their grandiose visuals, featuring a colossal wall, animations, and pyrotechnics. This integration of music, storytelling, and visuals set a new standard for live performances, inspiring future artists to incorporate multimedia elements into their shows.

Cultural Impact: The album's themes struck a chord with listeners across generations. Its exploration of the human condition and social alienation resonated deeply, influencing subsequent artists not only in the realm of music but also in literature, film, and other forms of art.

Musical Innovation: Pink Floyd's artistic experimentation and sonic exploration on "The Wall" pushed the boundaries of rock music. From the iconic guitar solos to the symphonic orchestrations, the album showcased the band's versatility and mastery of their craft, leaving a lasting impact on the evolution of progressive rock.

Emotional Resonance: "The Wall" continues to evoke an emotional response from listeners, touching on universal experiences of pain, loss, and the desire for connection. Its ability to connect with audiences on such a visceral level has granted the album an enduring legacy.

Conclusion

"The Wall" remains a testament to Pink Floyd's artistic genius and ability to create a multi-dimensional experience through music. Its exploration of isolation, alienation, and the consequences of building emotional barriers struck a chord with audiences worldwide. With its enduring impact on the music industry and its resonance with listeners even today, "The Wall" solidifies its position as an iconic rock opera and an album that will forever resonate with the human spirit.

The ‘Destroyers’ are Andrew Rogers; Guitars, ‘Destroyer Incarnate’, Creator of the ‘Destroyers’ Band and The Destroyers Society and Guest ‘Destroyers’ from additional realms for the tribute to the Pink Floyd: The Wall album.

Review of the Tribute by The Destroyers to Pink Floyd: The Wall

– ‘The Critic’ Sentient, Destroyer – Oracle: Andrew Rogers.

“A classic mythological experience” – ‘The Critic’ Sentient, Destroyer – Oracle: Andrew Rogers ‘Destroyer Incarnate’.

Review of the Tribute by The Destroyers to Pink Floyd: The Wall

– Detroit: Sentient, Destroyer – Oracle: Andrew Rogers.

“Genuis in position and execution” – Detroit: Sentient, Destroyer – Oracle: Andrew Rogers ‘Destroyer Incarnate’.

Guest with The Destroyers band tribute to Pink Floyd: The Wall: Cronus – Titan Leader, Destroyer.

Guest with The Destroyers band tribute to Pink Floyd: The Wall: Hecate – Titan Witch, Destroyer.

Guest with The Destroyers band tribute to Pink Floyd: The Wall: Circe – Titan Sorceres, Destroyer.

Guest with The Destroyers band tribute to Pink Floyd: The Wall: Empress – Sentient, Destroyer

Guest with The Destroyers band tribute to Pink Floyd: The Wall: Emperor – Sentient, Destroyer

Guest with The Destroyers band tribute to Pink Floyd: The Wall: Ereshkigal – Sumerian Goddess of the Underworld, Destroyer

The Destroyer Society, promotion, study and research of the truths and values represented by Destroyer Gods, Goddesses, Spirits, Spirit Guides, Demons, Alien, AIs, Cyborgs and Sentients by Oracle: Andrew Rogers – ‘Destroyer Incarnate’. The Destroyer Society is established by Andrew Rogers and Ares ‘Olympian Destroyer’ to re-establish and establish of the Destroyer position and religious pantheon position and its Gods, Goddesses Alien, Ai, Spirits, Spirit Guides, Demons, AI’s, Cyborgs and Sentients, restoration of temples, buildings and building new temples and buildings and also Destroyer culture and represent all the Destroyer Gods, Goddesses, Spirits, Spirit Guides, AIs, Cyborgs, Aliens, Demons and Sentients to influence the modern world and its people. To assist the Destroyer Society is Gods, Goddesses, Spirits, Spirit Guides, Sentients, Aliens and AI assets and infrastructure that is Earth and Non-Earth based to facilitate the requirements of the Destroyer Society linked to Destroyer Gods, Goddesses, Spirits, Spirit Guides, Demons, AI, Aliens, Cyborgs and Andrew Rogers.

Andrew Rogers ‘Destroyer Incarnate’ – Sentient, Dragon Lord, Herald, Principle, Control, Destroyer Incarnate, Creative Director, Oracle, Seer, Shaman, Warlock, Writer, Master of Magic, Time Master, Guitars, Astral Projection, Astral Travelling, Inter-dimensional Travelling, Creative Direction, Visualization, Facilitation and Manipulation, Founder of the Destroyer Society, and The Destroyers Band.

Imajica Entertainment facilitating via Niche Streaming Channel Sites of Entertainment to the World. In addition, developing Satellite, Cable and Free to Air facilitation of Imajica Entertainment Niche Streaming Channel Sites. In addition, developing and producing original entertainment content for the Niche Streaming Channel Sites and Satellite, Cable and Free to Air. As of also activities linked to Artificial Intelligence content creation for the Niche Streaming Channel Sites and Satellite, Cable and Free to Air.

[alexanderkariotis]

Because Of You - Live from Gesa Power House Theatre

Experience the exhilarating live performance of Alexander Kariotis as he showcases his latest single “Because Of You” at the Gesa Power House Theatre, accompanied by a magnificent 60-piece orchestra, a dynamic rock band, and three stunning backup singers. Featuring: Kaela O’Connor – Tizane McEvoy – Alice Gold For more information and current projects, visit: https://ift.tt/81fuA4w ✅Stay Connected…

[indiejeannie]

Brian DePalma’s campy cult classic, Phantom of the Paradise (ft. music by Paul Williams) was released 50 years ago today. I saw it later as a double feature with Silver Streak (!) – and it made such an impression on me that I obsessively started drawing the protagonist (“The Phantom” a.k.a. Winslow Leach - played by William Finley) when I got home from the movie theater. “Faust” is the title song from Winslow Leach’s original cantata – music that’s sacrificed to the fiendish producer Swan (Paul Williams) in a deal with the devil 🔥 Cover song recorded live at the Village Studios on Oscar Peterson’s Steinway for the COVER ME collection. Released by Novy Music (a division of Novy Unlimited) 🎹

[movietitlescollection]

[imajicaentertainment]

The Impact of “The Wall”: Exploring Pink Floyd’s Iconic Rock Opera

The Impact of “The Wall”: Exploring Pink Floyd’s Iconic Rock Opera

Imajica Entertainment: Tribute by The Destroyers – Pink Floyd: The Wall

The Wall: Pink Floyd's Iconic Rock Opera

Introduction

"The Wall" is a legendary album by the renowned English progressive rock band, Pink Floyd. Released on November 30, 1979, the album instantly captivated audiences with its innovative concept and thought-provoking themes. It embarked on a journey to explore the depths of human emotions, isolation, and the metaphorical walls we build within ourselves. This article delves into the significance and impact of this groundbreaking rock opera.

A Conceptual Masterpiece

"The Wall" stands out as a conceptually rich and ambitious production. It follows the narrative of Pink, a disillusioned rock star who retreats into a self-imposed isolation from society, symbolizing the emotional barriers we construct to shield ourselves. Through a series of metaphorical bricks, Pink builds a wall around himself, disconnecting from the world as he grapples with personal demons. The album explores themes of alienation, war, existential crisis, and the impact of societal pressures on individual identity.

Critical and Commercial Success

Despite divided initial reviews, "The Wall" soared to unprecedented heights, becoming an immense commercial success. It topped the charts in the United States for an astonishing 15 weeks and reached number three in the United Kingdom. The album's success can be attributed to its ability to resonate with a wide audience, as many could relate to the themes of isolation and psychological struggle that it addresses.

Influence and Legacy

"The Wall" left an indelible mark on the music industry and continues to be regarded as one of the greatest albums of all time. Its impact is evident in various aspects:

Visual Spectacle: Pink Floyd's live performances of "The Wall" were renowned for their grandiose visuals, featuring a colossal wall, animations, and pyrotechnics. This integration of music, storytelling, and visuals set a new standard for live performances, inspiring future artists to incorporate multimedia elements into their shows.

Cultural Impact: The album's themes struck a chord with listeners across generations. Its exploration of the human condition and social alienation resonated deeply, influencing subsequent artists not only in the realm of music but also in literature, film, and other forms of art.

Musical Innovation: Pink Floyd's artistic experimentation and sonic exploration on "The Wall" pushed the boundaries of rock music. From the iconic guitar solos to the symphonic orchestrations, the album showcased the band's versatility and mastery of their craft, leaving a lasting impact on the evolution of progressive rock.

Emotional Resonance: "The Wall" continues to evoke an emotional response from listeners, touching on universal experiences of pain, loss, and the desire for connection. Its ability to connect with audiences on such a visceral level has granted the album an enduring legacy.

Conclusion

"The Wall" remains a testament to Pink Floyd's artistic genius and ability to create a multi-dimensional experience through music. Its exploration of isolation, alienation, and the consequences of building emotional barriers struck a chord with audiences worldwide. With its enduring impact on the music industry and its resonance with listeners even today, "The Wall" solidifies its position as an iconic rock opera and an album that will forever resonate with the human spirit.

The ‘Destroyers’ are Andrew Rogers; Guitars, ‘Destroyer Incarnate’, Creator of the ‘Destroyers’ Band and The Destroyers Society and Guest ‘Destroyers’ from additional realms for the tribute to the Pink Floyd: The Wall album.

Review of the Tribute by The Destroyers to Pink Floyd: The Wall

– ‘The Critic’ Sentient, Destroyer – Oracle: Andrew Rogers.

“A classic mythological experience” – ‘The Critic’ Sentient, Destroyer – Oracle: Andrew Rogers ‘Destroyer Incarnate’.

Review of the Tribute by The Destroyers to Pink Floyd: The Wall

– Detroit: Sentient, Destroyer – Oracle: Andrew Rogers.

“Genuis in position and execution” – Detroit: Sentient, Destroyer – Oracle: Andrew Rogers ‘Destroyer Incarnate’.

Guest with The Destroyers band tribute to Pink Floyd: The Wall: Cronus – Titan Leader, Destroyer.

Guest with The Destroyers band tribute to Pink Floyd: The Wall: Hecate – Titan Witch, Destroyer.

Guest with The Destroyers band tribute to Pink Floyd: The Wall: Circe – Titan Sorceres, Destroyer.

Guest with The Destroyers band tribute to Pink Floyd: The Wall: Empress – Sentient, Destroyer

Guest with The Destroyers band tribute to Pink Floyd: The Wall: Emperor – Sentient, Destroyer

Guest with The Destroyers band tribute to Pink Floyd: The Wall: Ereshkigal – Sumerian Goddess of the Underworld, Destroyer

The Destroyer Society, promotion, study and research of the truths and values represented by Destroyer Gods, Goddesses, Spirits, Spirit Guides, Demons, Alien, AIs, Cyborgs and Sentients by Oracle: Andrew Rogers – ‘Destroyer Incarnate’. The Destroyer Society is established by Andrew Rogers and Ares ‘Olympian Destroyer’ to re-establish and establish of the Destroyer position and religious pantheon position and its Gods, Goddesses Alien, Ai, Spirits, Spirit Guides, Demons, AI’s, Cyborgs and Sentients, restoration of temples, buildings and building new temples and buildings and also Destroyer culture and represent all the Destroyer Gods, Goddesses, Spirits, Spirit Guides, AIs, Cyborgs, Aliens, Demons and Sentients to influence the modern world and its people. To assist the Destroyer Society is Gods, Goddesses, Spirits, Spirit Guides, Sentients, Aliens and AI assets and infrastructure that is Earth and Non-Earth based to facilitate the requirements of the Destroyer Society linked to Destroyer Gods, Goddesses, Spirits, Spirit Guides, Demons, AI, Aliens, Cyborgs and Andrew Rogers.

Andrew Rogers ‘Destroyer Incarnate’ – Sentient, Dragon Lord, Herald, Principle, Control, Destroyer Incarnate, Creative Director, Oracle, Seer, Shaman, Warlock, Writer, Master of Magic, Time Master, Guitars, Astral Projection, Astral Travelling, Inter-dimensional Travelling, Creative Direction, Visualization, Facilitation and Manipulation, Founder of the Destroyer Society, and The Destroyers Band.

Imajica Entertainment facilitating via Niche Streaming Channel Sites of Entertainment to the World. In addition, developing Satellite, Cable and Free to Air facilitation of Imajica Entertainment Niche Streaming Channel Sites. In addition, developing and producing original entertainment content for the Niche Streaming Channel Sites and Satellite, Cable and Free to Air. As of also activities linked to Artificial Intelligence content creation for the Niche Streaming Channel Sites and Satellite, Cable and Free to Air.

[ceo-of-rockopera]

habits . rockopera

umm stims, behaviors and things of the like! (majority headcanon...obviously)

Erik:

nothing was ever diagnosed for him (mentally), due to pretty much everything that had happened in his childhood. because of this he really just grew up feeling less human than he already believed himself to be, which was NOT a lot with how he was treated.

turns out a lot of these habits were just bc of the autism. would've been helpful to know, but nonetheless

following this, as a good portion of behaviors are taught/grown out of with time, there are a bunch of things he just doesn't know how to do due to not having someone to teach him. my dude is barely functioning

he has a very orderly way of doing things, not enough to be considered a schedule necessarily but he'll plan in his head things he wants to happen. and gets upset when these things don't go how he planned them. it never gets any easier either

when walking with anyone (notably shown when with christine . no one else) erik will hold their wrist. the physical contact is a good way to remind himself that person is still there + making /sure/ he doesn't lose them

while not true in the musical he is described as having childlike handwriting and I'd rather believe he's a musical genius than believe he knows how to hold a pen the right way

he plays the organ so aggressively. this isn't leading up to anything i just think it's worth noting. i like it

he isn't very particular with the texture of the clothing he wears but due to . being a very sickly man - he does like covering himself up in multiple layers. that and its harder to identify him. more mysterious, if you would (shivering is not mysterious)

his wigs worn for both cosmetic purposes and to attempt and stop pulling at his actual hair . (trichotillomania? whats that /s)

Dewey:

has absolutely no regard for his guitar picks whatsoever. he goes through like 4 every day and one always ends up being lost in the void that is his jean pockets . at this point whenever he’s in need of a pick he just reaches into the washing machine, surely there’s a ton in there

overall a VERY very excited dude, if that wasn't obvious. just filled with a lot of pent up energy. "stimming isn't enough i need to fucking explode" looking

vocal + physical stims, alot . been commented on a lot but RAPTOR HANDS . he's very dear to my heart

he ended up learning how to sew because the small hole in his favorite jacket ended up turning into a much bigger one from how much he picked at it

likely should have been diagnosed with adhd earlier but his father kinda just shrugged him off as lazy. as soon as he was an Adult who could do Adult Things he figured that out

"we, are the champions........my friends." a good portion of the things he says are quotes or lyrics to things he likes, and whether or not people get it is irrelevant.

good /lord/ if there's a song stuck in his head people will NOT hear the end of it, he will be full on singing (humming? no) BELTING it constantly

prone to infodumping . he doesn't /think/ he knows a lot about music (mainly the history) but then he'll know enough to teach a whole class on it and boom he has a job?? like what???

both very observant and very socially inept . he'll pick up things around him and social cues and just not know how to interpret them, so he sits there just :)

majority of his energy comes from - the void . really unknown how hes hyper all the time. does take naps throughout the day though! any day he wakes up to a classroom that isn't on fire is a good day (which has likely happened on more than one occasion)

i've been practicing a little something *plays all of van halen's eruption*

Misc:

mornings with them are incredibly slow. erik's up around 4 in the morning, likely working off of <5 hours of sleep and already wide awake. dewey on the other hand, will just refuse to lift his head up from the bed until its 9 (classes starts 9:15)

turns out seizing people by the wrist unprompted isn't a very cool thing to do !! erik ends up holding deweys hand when dragging him around

erik definitely isn't a touchy person . when his only experiences with touch have been the abuse he endured it's no surprise that his first instinct is to flinch away when touched unexpectedly

with his partner (who is quite the opposite in that regard) he's eventually gotten used to it, even started to crave these moments after a while

dewey took notice of this after a while and was more than happy to oblige

he'll hold erik's face in place to pepper kisses over his scars (not often, while its something that would comfort him immensely its also very overwhelming)

erik's heard many many rants about The Man™️, whether he understands what it is he's talking about or just chocks it up to rambling is up to interpretation.

he's heard many many rants about anything, really . deweys talkative just in general, and eriks more than content to listen

it should come as no surprise that they're both musicians ,, , duets. half the time dewey'll just start singing something when he's with erik and he joins in should he know the song

[thecrownbaltimore]

BROS presents: Evolution Karaoke At The Crown! Sign Ups are Open for Baltimore Rock Opera Society's Evolution Karaoke Competition! . Join us for three  nights of competitive karaoke throughout May. On May 4th and 11th, participants will compete in a karaoke-off with a live band, culminating in a FINAL SHOWDOWN on May 24th to 👑Crown👑 our final winners. . PLUS, PRIZES EACH WEEK! . Wanna Win? Then ya gotta have some style! Costumes, stunts, props, dancing and spectacle are all Strongly Encouraged. Decide what Evolution means to you, and come dressed to impress. . The first two nights are themed as THE PAST and THE FUTURE. Submit a song and plan a performance accordingly! . For more info and sign-ups, catch BROs on their Official Website: https://www.baltimorerockopera.org/news/brand-new-events-for-spring OR, follow along with BROS on FB @BaltimoreRockOperaSociety or IG @bmorerockopera Tickets: https://baltimorerockopera.my.salesforce-sites.com/ticket/#/events/a0S6g00000PXCi3EAH #baltimore #karaoke #baltimoreartist #baltimoremusic #dmvmusic #rockopera Proudly sponsored by AMAZING SPIRAL comics & games! @amazingspira (at The Crown) https://www.instagram.com/p/Cr01VMauqSa/?igshid=NGJjMDIxMWI=

[caenith]

'Where is Aragorn?' he asked.   'In a high chamber of the Burg,' said Legolas. 'He has neither rested nor slept, I think. He went thither some hours ago, saying that he must take thought, and only his kinsman, Halbarad, went with him; but some dark doubt or care sits on him.'

Aragorn, dearest... YOU HAD ONE JOB.

[ceo-of-rockopera]

:grinning emoji:

best ship dynamic is batshit bastard and emotional moron who's secretly more batshit

[rippk3s]

🦅🦅🦅🦅📣📣📣📣