#Robert Lepage

[shihlun]

Robert Lepage

- Possible Worlds

2000

[topoet]

Stratford Reflections 2024

  This season at the Stratford Festival was rewarding with some stunning productions & one clunker. The stunning were the ecstatic Something Rotten!, hilarious London Assurance & the brutal The Goat. The clunker was Hedda Gabler. Even a disappointing show at Stratford isn’t such a bad thing as it reminds me what I do like & why. The weather for our drives to & from Stratford was good this year…

[davidhudson]

Happy 65th, Robert Lepage.

[politicaldilfs]

Maine Governor DILFs

Paul LePage, Clinton Clauson, Edmund Muskie, Angus King, John Baldacci, John R. McKernan Jr., Robert Haskell, James B. Longley, John H. Reed, Joseph E. Brennan, Burton M. Cross, Kenneth M. Curtis

[donnatroyprincessofthemyscira]

GoCollect

ComicListThis Week

COMICLIST: DC COMICS NEW RELEASES FOR 09/13/2023

Batman #1 (Facsimile Edition)(Cover A Bob Kane & Jerry Robinson), $6.99

Batman #1 (Facsimile Edition)(Cover B Bob Kane & Jerry Robinson Foil Variant), $8.99

Batman #1 (Facsimile Edition)(Cover C Blank Variant), $7.99

Batman #608 (Jim Lee 2nd Printing Foil Variant Cover)(Batman Day 2023 Special Edition)(available 09/16/23), $9.99

Batman ’89 HC (Joe Quinones Variant Dust Jacket)(Batman Day 2023 Special Edition)(available 09/16/23), $29.99

Batman And Robin #1 (Cover A Simone Di Meo Wraparound Variant), $4.99

Batman And Robin #1 (Cover B Stanley Artgerm Lau Card Stock Variant), $5.99

Batman And Robin #1 (Cover C Kael Ngu Card Stock Variant), $5.99

Batman And Robin #1 (Cover D Blank Card Stock Variant), $5.99

Batman And Robin #1 (Cover E Clay Mann Card Stock Variant), AR

Batman And Robin #1 (Cover F Kael Ngu Black & White Card Stock Variant), AR

Batman And Robin #1 (Cover G Simone Di Meo Black & White Wraparound Card Stock Variant), AR

Batman And Robin #1 (Cover H Stanley Artgerm Lau Foil Variant), AR

Batman And Scooby-Doo Mysteries #12 (Cover A Dario Brizuela), $2.99

Batman And The Joker The Deadly Duo #1 (Of 7)(Batman Day 2023 Special Edition)(available 09/16/23), AR

Batman And The Joker The Deadly Duo Deluxe Edition HC, $29.99

Batman Catwoman Prelude To Gotham War #1 (Batman Day 2023 Special Edition)(available 09/16/23), AR

Batman Gargoyle Of Gotham #1 (Of 4)(Cover A Rafael Grampa), $6.99

Batman Gargoyle Of Gotham #1 (Of 4)(Cover B Jim Lee), $6.99

Batman Gargoyle Of Gotham #1 (Of 4)(Cover C Frank Miller), $6.99

Batman Gargoyle Of Gotham #1 (Of 4)(Cover D David Finch), $6.99

Batman Gargoyle Of Gotham #1 (Of 4)(Cover E Jim Lee), AR

Batman Gargoyle Of Gotham #1 (Of 4)(Cover F Priscilla Petraites), AR

Batman Gargoyle Of Gotham #1 (Of 4)(Cover G Paul Pope), AR

Batman Gargoyle Of Gotham #1 (Of 4)(Cover H Frank Miller Black & White Variant), AR

Batman Gargoyle Of Gotham Noir Edition #1 (Cover A Rafael Grampa), $6.99

Batman Incorporated #12 (Cover A John Timms), $3.99

Batman Incorporated #12 (Cover B Michele Bandini Card Stock Variant), $4.99

Batman Incorporated #12 (Cover C Stephen Segovia Card Stock Variant), AR

Batman Incorporated Volume 1 No More Teachers HC (2022), $24.99

Danger Street #9 (Of 12)(Cover A Jorge Fornes), $4.99

Danger Street #9 (Of 12)(Cover B Walter Simonson Card Stock Variant), $5.99

Dark Knights Of Steel Volume 1 TP, $16.99

GCPD The Blue Wall HC, $24.99

Green Lantern #3 (Cover A Xermanico), $4.99

Green Lantern #3 (Cover B Evan Doc Shaner Card Stock Variant), $5.99

Green Lantern #3 (Cover C Rose Besch Creator Card Stock Variant), $5.99

Green Lantern #3 (Cover D Pablo Villalobos Hispanic Heritage Month Card Stock Variant), $5.99

Green Lantern #3 (Cover E Jack Herbert Card Stock Variant), AR

Green Lantern #3 (Cover F Gabriel Rodriguez Card Stock Variant), AR

Harley Quinn The Animated Series Legion Of Bats HC, $24.99

Looney Tunes #274 (Cover A Robert Pope), $2.99

Shazam Power Of Hope HC, $19.99

Superman Lost #6 (Of 10)(Cover A Carlo Pagulayan & Jason Paz), $4.99

Superman Lost #6 (Of 10)(Cover B Lee Weeks Card Stock Variant), $5.99

Superman Lost #6 (Of 10)(Cover C Gary Frank Card Stock Variant), AR

Waller Vs. Wildstorm #3 (Of 4)(Cover A Jorge Fornes), $5.99

Waller Vs. Wildstorm #3 (Of 4)(Cover B Eric Battle), $5.99

Waller Vs. Wildstorm #3 (Of 4)(Cover C Aaron Campbell), AR

Wonder Woman War Of The Gods Special Edition #3 (Of 4)(Cover A George Perez), $4.99

World’s Finest Teen Titans #3 (Of 6)(Cover A Chris Samnee & Mat Lopes), $3.99

World’s Finest Teen Titans #3 (Of 6)(Cover B Evan Doc Shaner Card Stock Variant), $4.99

World’s Finest Teen Titans #3 (Of 6)(Cover C Daniel Bayliss Card Stock Variant), $4.99

World’s Finest Teen Titans #3 (Of 6)(Cover D Dan Panosian Card Stock Variant), AR

World’s Finest Teen Titans #3 (Of 6)(Cover E Luciano Vecchio Card Stock Variant), AR

[ascle]

Au Canada, l'équivalent des Victories de la musique sont les Junos. Ils récompensent depuis les années 70 la musique canadienne et ses créateurs. Mais dans un pays à majorité anglophone, il peut être difficile pour le bastion francophone de faire entendre sa voix.

Malgré quelques clins d'oeil au Québec, soulignons entre autre l'animation de la cérémonie par Célin Dion en 1993, le belle province s'est toujours sentie boudée par l'académie canadienne.

C'est donc pour cette raison qu'en 1978 est créée l'ADISQ (Association québécoise de l'industrie du disque, du spectacle et de la vidéo). L'année suivante, un gala est mis en onde afin de souligner le talent de chez nous.

Le trophée

Le prix Félix, nommé en l'honneur de Félix Leclerc ayant reçu le premier prix "hommage" lors du tout premier gala en 1979, représente une femme assise en position du lotus se coiffant d'un tiare. Le lien avec la musique? Il n'y en a pas. ^^

Les nominations

Ce sont les membres de l'ADISQ qui choisissent les nommés ainsi que les gagnants, sauf dans les catégories:

-> Atriste masculin de l'année

-> Artiste féminine de l'année

-> Chanson de l'année

où les gagnants sont choisis par un vote populaire.

Sans surprise, c'est Céline Dion qui possède la plus grande collection de Félix avec un total impressionnant 47 trophées, suivi des Cowboys Fringants avec 29.

SCANDALE!

Rien de mieux qu'un scandale, une prise de position ou une gaffe pour voler le show! Au fil des ans, quelques moments mémorables ont marqués les mémoires.

-> En 1982, Céline Dion perd dans la catégorie "révélation de l'année" face au groupe de la comédie musicale "Pied de poule". Qu'à cela ne tienne! On l'a remise dans cette catégorie l'année suivante où (oh surprise!) elle a gagné!

-> En 1983, Robert Charlebois gagne le Félix de la chanson de l'année pour "J't'aime comme un fou", écrite en collaboration avec Luc Plamondon. Le grand parolier en a gros sur le coeur et décide de régler ses comptes, dénonçant les maigres redevances des droits d'auteur.

-> 1990! C'EST CÉLIIIIIIIIIIIIINE! La consécration de Céline se poursuit en 1990 où elle remporte le Félix de l'artiste anglophone de l'année... qu’elle refuse! C'est probablement le plus gros scandale de toute l'histoire de l'ADISQ parce qu'un Félix tu ne refuses pas ça et parce que... elle avait raison! Tellement que, l'année suivante, la catégorie a changé de nom pour: l'artiste québécois s'étant le plus illustré hors Québec.

(Laure je ne m'excuse même pas pour le C'EST CÉLIIIIIINE)

-> En 2004, Richard Desjardins brille par son absence au gala. Recevant 2 prix, c'est l'animateur Guy A Lepage qui "accepte" les trophées à sa place. Dans un discours cinglant, ce dernier accuse le chanteur de manque de respect envers le public, ses pairs et l'industrie. Hors, il s'avère que Desjardins avait une bonne raison!

-> L'année 2005 en est une toute en couleur pour Isabelle Boulay. Elle remporte le prix de l'artiste québécois s'étant le plus illustré hors Québec. Dans son élan vers la scène, elle s'arrête pour embrasser son ami Corneille, lui aussi nommé dans cette catégorie. Le problème c'est qu'Isabelle arrive ensuite sur scène avec la moitié du fond de teint de Corneille! Les joies du direct!

Le gala cette année eu lieu dimanche dernier. Grand gagnant, les Cowboys Fringants sont repartis avec 6 Félix (dont 3 hors d'onde). Seul à leur échapper est celui de l'album succès populaire, à l'étonnement de tous, même d'Alexandra Stréliski, la gagnante!

Parlant d'étonnement, devinez qui qui était là aussi? Éh ouais! J'me la pète avec les VIP!

Je vous laisse sur la chanson de l'année en citant Jean-François Pauzé "tu nous manques mon Karlo!"

[eloiseishere]

WRITING A FINAL PROJECT FOR THEATRE SUCKS CUZ ITS !!!THEATRE!!! WTF DO YOU MEAN I NEED TO WRITE A 2500 WORD REPORT ON ROBERT LEPAGE BY THIS MORNING????

[verdiesque]

this is a very general question and feel free to ignore me ofc if you already answered this but do you have any fave opera production?

Hi! Sorry for taking so long to respond to your question, especially because the answer isn't even that complicated lol.

Of course there are productions I like more and those I like less but I wouldn't say I have a definitive fave. I tend to enjoy most Franco Zeffirelli productions (and I'm including his opera films too because why not). Like, I don't care about Don Giovanni that much for example, but I do watch his productions - recordings from the Met 1991 and 2000 if I'm not mistaken - because I think they're fun and Get the opera. I wouldn't be true to one of my biggest interests if I didn't mention Nicholas Hytner's production of Don Carlo (Royal Opera House 2008/Met 2010) bc I think it does interesting things with Philip which is v important to me. I also remember watching Robert Lepage's productions of Wagner's Ring Cycle and La Damnation de Faust by Berlioz and being fascinated because he did interesting things with a huge moving stage lol. Speaking of the Ring Cycle, Patrice Chéreau's production at Bayreuth has been on my radar for some time now because a beloved friend liveblogged some of it to me and it seems fascinating.

This is all that comes to mind rn but if you're curious about productions of any particular opera feel free to ask! I'll try to respond as best as I can. And sorry for giving most examples from the Met, I basically lived off of their streams in 2020-2021, so naturally I'm most familiar with their productions of most operas lmao

[dressupjohnnyk]

Tonight I will be at the National Ballet of Canada to see “Frame by Frame” a multi-disciplinary experience from theatre director Robert Lepage and choreographer Guillaume Côté!

[sunaleisocial]

Artist and designer Es Devlin awarded Eugene McDermott Award in the Arts at MIT

New Post has been published on https://sunalei.org/news/artist-and-designer-es-devlin-awarded-eugene-mcdermott-award-in-the-arts-at-mit/

Artist and designer Es Devlin awarded Eugene McDermott Award in the Arts at MIT

Artist and designer Es Devlin is the recipient of the 2025 Eugene McDermott Award in the Arts at MIT. The $100,000 prize, to be awarded at a gala in her honor, also includes an artist residency at MIT in spring 2025, during which Es Devlin will present her work in a lecture open to the public on May 1, 2025. 

Devlin’s work explores biodiversity, linguistic diversity, and collective AI-generated poetry, all areas that also are being explored within the MIT community. She is known for public art and installations at major museums such as the Tate Modern, kinetic stage designs for the Metropolitan Opera, the Super Bowl, and the Olympics, as well as monumental stage sculptures for large-scale stadium concerts.

“I am always most energized by works I have not yet made, so I am immensely grateful to have this trust and investment in ideas I’ve yet to conceive,” says Devlin. “I’m honored to receive an award that has been granted to so many of my heroes, and look forward to collaborating closely with the brilliant minds at MIT.”

Play video

2025 McDermott Announcement Video: Arts at MIT

“We look forward to presenting Es Devlin with MIT’s highest award in the arts. Her work will be an inspiration for our students studying the visual arts, theater, media, and design. Her interest in AI and the arts dovetails with a major initiative at MIT to address the societal impact of GenAI [generative artificial intelligence],” says MIT vice provost and Ford International Professor of History Philip S. Khoury. “With a new performing arts center opening this winter and a campus-wide arts festival taking place this spring, there could not be a better moment to expose MIT’s creative community to Es Devlin’s extraordinary artistic practice.”

The Eugene McDermott Award in the Arts at MIT recognizes innovative artists working in any field or cross-disciplinary activity. The $100,000 prize represents an investment in the recipient’s future creative work, rather than a prize for a particular project or lifetime of achievement. The official announcement was made at the Council for the Arts at MIT’s 51st annual meeting on Oct. 24. Since it was established in 1974, the award has been bestowed upon 38 individuals who work in performing, visual, and media arts, as well as authors, art historians, and patrons of the arts. Past recipients include Santiago Calatrava, Gustavo Dudamel, Olafur Eliasson, Robert Lepage, Audra McDonald, Suzan-Lori Parks, Bill Viola, and Pamela Z, among others.

A distinctive feature of the award is a short residency at MIT, which includes a public presentation of the artist’s work, substantial interaction with students and faculty, and a gala that convenes national and international leaders in the arts. The goal of the residency is to provide the recipient with unparalleled access to the creative energy and cutting-edge research at the Institute and to develop mutually enlightening relationships in the MIT community.

The Eugene McDermott Award in the Arts at MIT was established in 1974 by Margaret McDermott (1912-2018) in honor of her husband, Eugene McDermott (1899-1973), a co-founder of Texas Instruments and longtime friend and benefactor of MIT. The award is presented by the Council for the Arts at MIT.

The award is bestowed upon individuals whose artistic trajectory and body of work have achieved the highest distinction in their field and indicate they will remain leaders for years to come. The McDermott Award reflects MIT’s commitment to risk-taking, problem-solving, and connecting creative minds across disciplines.

Es Devlin, born in London in 1971, views an audience as a temporary society and often invites public participation in communal choral works. Her canvas ranges from public sculptures and installations at Tate Modern, V&A, Serpentine, Imperial War Museum, and Lincoln Center, to kinetic stage designs at the Royal Opera House, the National Theatre, and the Metropolitan Opera, as well as Olympic ceremonies, Super Bowl halftime shows, and monumental illuminated stage sculptures for large-scale stadium concerts.

Devlin is the subject of a major monographic book, “An Atlas of Es Devlin,” described by Thames and Hudson as their most intricate and sculptural publication to date, and a retrospective exhibition at the Cooper Hewitt Smithsonian Design Museum in New York. In 2020, she became the first female architect of the U.K. Pavilion at a World Expo, conceiving a building which used AI to co-author poetry with visitors on its 20-meter diameter facade. Her practice was the subject of the 2015 Netflix documentary series “Abstract: The Art of Design.” She is a fellow of the Royal Academy of Music, University of the Arts London, and a Royal Designer for Industry at the Royal Society of Arts. She has been awarded the London Design Medal, three Olivier Awards, a Tony Award, an Ivor Novello Award, doctorates from the Universities of Bristol and Kent, and a Commander of the Order of the British Empire award.

[brookstonalmanac]

Birthdays 11.1

Beer Birthdays

Ferdinand Rodenbach (1714)

Benjamin Lee, Baronet Guinness (1798)

Petrus Van Roy (1830)

Arthur Edward Guinness, Lord Ardilaun (1840)

Edmund Fitzgerald (1847)

Henry Schupp (1868 or 69)

Loretta Ann Rissell, Miss Rheingold 1963 (1940)

Five Favorite Birthdays

William Merritt Chase; artist (1849)

Toni Collette; Australian actor (1972)

Larry Flynt; magazine publisher (1942)

Charlie Kaufman; screenwriter (1958)

Edward Said; Palestinian writer (1935)

Famous Birthdays

Rick Allen; rock drummer (1963)

"Whispering" Bill Anderson; songwriter (1937)

Sholem Asch; Polish writer (1880)

Jules Bastien-Lepage; French artist (1848)

Bo Bice; singer and musician (1975)

Edmund Blunden; English author, poet (1896)

Barbara Bosson; actor (1939)

Hermann Broch; Austrian-American author (1886)

Jan Brożek; Polish mathematician, astronomer (1585)

Tim Cook; Apple Inc. CEO (1960)

Stephen Crane; writer (1871)

Jan Davis; astronaut (1953)

Louis Dewis; Belgian-French painter (1872)

Lou Donaldson; saxophonist (1926)

Richard "Kinky" Friedman; rock singer (1944)

Nordahl Grieg; Norwegian poet (1902)

Michael D. Griffin; physicist and engineer (1949)

Sophie B. Hawkins; rock musician (1967)

Ted Hendricks; Green Bay Packers/Colts/Raiders LB (1947)

Shere Hite; writer, researcher (1942)

Eugen Jochum; German conductor (1902)

Mitch Kapor; Lotus & EFF founder (1950)

Roger Kellaway; pianist, composer (1940)

George Kenner; German-American painte (1888)

Anthony Kiedis; rock singer (1962)

James Kirkpatrick; television journalist (1920)

Robert B. Laughlin; physicist (1950)

Lyle Lovett; singer, songwriter (1957)

L.S. Lowry; British artist (1887)

Jenny McCarthy; model, actor (1972)

Ken Miles; English-American race car driver (1918)

Philip Noel-Baker; Canadian politician, activist (1889)

Gary Player; golf player (1935)

Aishwarya Rai; Indian actor (1973)

Grantland Rice; writer (1880)

Barry Sadler; songwriter (1940)

Jim Steinman; rock songwriter (1947)

Rachel Ticotin; actor (1958)

Fernando Valenzuela; Los Angeles Dodgers P (1960)

Marcia Wallace; actor (1942)

[agendaculturaldelima]

#ElEscenarioDelMundo

🎥💃🎭 “MUSEO DE LA FICCION [Imperio]” 🏛🖼👀®

✍️ Idea y Concepto: Matías Umpierrez (Argentina)

💥 Videoinstalación performática que recrea el clásico Macbeth de William Shakespeare (Reino Unido), en una versión contemporánea que asegura una experiencia sensorial única. donde los asistentes ingresan al escenario formado por un cuadrilátero de pantallas de gran formato muestra cuatro perspectivas diferentes. El público se acerca así a la historia de Macbeth desde una perspectiva transdisciplinar que transita entre las artes escénicas, el videoarte y las instalaciones site-specific, con las que se desafía los límites espacio-temporales de la ficción, buscando su museificación para la presente y posterior memoria colectiva.

👥 Elenco: Ángela Molina, Robert Lepage, Elena Anaya, Chema Tena, Adolfo Fernández, Ana Torrent, Tessa Andonegui, Javier Pereira, Javier Tolosa, Astrid Jones, Boré Buika, Alfonso Bassave, Tony Lam, Ziyi Yan, Olalla Hernández, Noa Sanchez Jiménez y Ángeles Arenas Ruiz

📢 Dirección: Matías Umpierrez (Argentina)

© Producción: Donostia Kultura, Museoa San Telmo, dFERIA y Studio Matías Umpierrez.

📌 TEMPORADA: Del 10 al 31 de Agosto📆 Funciones:  Jueves a Domingo 🕕 6:00pm. y 🕗 8:00pm.

🏛 Auditorio del ICPNA (av. Angamos Oeste 120 – Miraflores)

🎯 Entradas:

🎫 Adultos: S/.30

🎟️ Jubilados: S/.25

🎟 Estudiantes: S/.20

🖱 Reservas: https://www.joinnus.com/events/art-culture/lima-museo-de-la-ficcion-i-imperio-de-matias-umpierrez-63610

[nationallawreview]

In Trio of Decisions, Supreme Court Resolves Circuit Splits on Arbitration

Three recent Supreme Court Decisions—Coinbase v. Suski, Smith v. Spizzirri, and Bissonnette v. LePage Bakeries—based on consumer and employment disputes have resolved significant circuit splits over arbitration. These cases were all decided by a unanimous Court, with Justices Jackson, Sotomayor, and Roberts authoring the three opinions. Supreme Court Considers Arbitrability Based on Conflicting…

[nikolettphilippovitssns23]

1 - Gesamtkunstwerk

Definition of  Gesamtkunstwerk

Richard Wagner's idea of Gesamtkunstwerk, or "total work of art," aimed to bring together all art forms—music, poetry, drama, and dance—into a single, unified piece. He believed that ancient Greek art achieved this harmony but it was lost over time. Wagner wanted to restore this harmony in his operas. He criticized traditional operas for being disjointed, with music and action poorly connected. Instead, he wanted music, drama, and other elements to work together seamlessly. Wagner used recurring musical themes, called ‘leitmotifs,’ to tie characters and situations together emotionally.Wagner's concept influenced many later artists and movements, like the Arts and Crafts Movement, the Wiener Werkstätte, and the Bauhaus. These groups aimed to create unified artistic environments, reflecting his idea of Gesamtkunstwerk. (Wolfman, 2013)

 In the late 20th century, computers began playing a big role in live theater, dance, and performance. Innovators like Robert Lepage and Laurie Anderson used digital screens and interactive technologies to create new kinds of shows. They blended theater with videoconferencing, webcams, and virtual environments. These innovations influenced both digital performance and video games. Today, these technologies continue to reshape how we create and experience art, blurring the lines between different artistic disciplines and reaching wider audiences through the internet.

(Dixon, 2007)

Videogames as art

The debate surrounding whether video games qualify as art revolves around legal recognition and philosophical inquiry. Legally, video games are protected as creative works, yet their status as art remains contentious. Historically, museums have begun to exhibit video games as artistic works, while the emergence of "art games" designed for expressive purposes has furthered their artistic credibility. However, critics such as Roger Ebert argue against classifying video games as art due to their interactive and goal-oriented nature, which they contend deviates from traditional art forms. This ongoing debate reflects broader questions about art's definition in the digital era and the impact of interactivity on artistic expression.

Analysis

In my opinion, modern video games can be seen as total works of art, blending narrative, music, visual art, and interactive gameplay to create immersive experiences. This aligns with Richard Wagner's vision of gesamtkunstwerk, which aims to unify all art forms into a cohesive whole.

For example, The Witcher 3: Wild Hunt incorporates elements of ancient Polish folklore using detailed 3D assets, music, and storytelling. The game’s rich and detailed world allows players to explore a vibrant landscape that feels both fantastical and culturally authentic. The music enhances the atmosphere, adding emotional depth to the player's journey.

The Witcher 3's storytelling stands out for its complexity and depth, inviting players to make choices that influence the narrative and lead to different outcomes. This interactivity surpasses traditional art forms, as players shape the game's course, creating a personalized and dynamic experience, and enhancing the immersion.

The Witcher 3 engages players intellectually, emotionally, and physically, making them active participants rather than passive observers. This level of engagement creates a profound and lasting impact.

In conclusion, i think games like The Witcher 3 embody gesamtkunstwerk by integrating various artistic elements into an immersive experience. They show how modern technology can realize Wagner’s vision, creating total works of art that engage and captivate players in unique ways. The interactivity and narrative depth of these games add new dimensions to the artistic experience, making them a powerful medium for storytelling and cultural expression.

Understanding gesamtkunstwerk expanded my view of art. It made me reconsider my work. As a 3D character artist, crafting a character involves blending various art forms like painting and sculpting. I believe with my expanded perspective my artwork will be more interesting and eye-catching in the future.

Dixon, S. (2007). Digital performance : a history of new media in theater, dance, performance art, and installation. Cambridge, Mass.: Mit Press.

The Witcher (2013). The Witcher 3: Wild Hunt - Debut Gameplay Trailer. YouTube. Available at: https://www.youtube.com/watch?v=TZ_G6XiHoUA.

The Witcher 3: Wild Hunt . (2015). [Video Game] CD Project.

Wikipedia Contributors (2019). Video games as an art form. [online] Wikipedia. Available at: https://en.wikipedia.org/wiki/Video_games_as_an_art_form.

Wolfman, U.R. (2013). Richard Wagner’s Concept of the ‘Gesamtkunstwerk’. [online] Interlude. Available at: https://interlude.hk/richard-wagners-concept-of-the-gesamtkunstwerk/.