#Rhode Island quarter

[casually-cool-collecting]

2001 D Novelty Statehood Quarters

These are the real 2001 Statehood Quarters, but they've been made holographic in some parts!

[scleroticstatue]

As today is the Birth of America, I'd like to share with y'all a story you probably didn't hear in class

This man is Jack Sisson. (The black guy.)

In 1777, British Forces captured the American second-in-command Charles Lee. In order to exchange for him, America needed the British second-in-command, a Major General Richard Prescott. Knowing it was very likely a suicide mission, the American army called for volunteers to go on the first ever special ops mission in American history. On July 4th, 40 men, twenty black and twenty white, stepped forward.

After five days of preparation and travel, those 40 men boarded rowboats and rowed across British-controlled Narragansett Bay. Their paddles were wrapped in cloth to avoid making a sound and they rowed past three British frigates that would've meant their death. They passed through multiple security watches without a single man dying, only challenged by one sentry who was promptly dispatched by Jack Sisson, to get to the General's quarters and when they got there, they... Couldn't get him. He was locked behind a door as thick as a fort door — six inches at least and probably a foot.

Jack Sisson had originally been chosen as a rower because he was a large, strong man, big enough to row a boat filled with men fast. As the other men debated what to do, he stepped forward and headbutted the door. Twice. The latch shattered. He entered the room, threw the general over his shoulder, and carried him back to the whaling boats, leaving the rest of the team to follow in his wake. He alone is responsible for the kidnapping being successful, though, as a slave and a black man and a common soldier, was not credited, though he did later serve with the First Rhode Island Regiment.

For many years, July 10th was celebrated in Rhode Island annually.

To Jack Sisson.

[thehellenisticworld]

Hellenistic Alexandria

When Alexander founded in the Nile Delta one of his many Alexandrias in 331 BCE, he would have been overjoyed to know that this settlement would later become one of the cultural capitals of the ancient world—a city that still bears his name today. This location was not entirely unknown to the Greeks. In fact, it was on the nearby island of Pharos, just across the limestone ridge where Alexandria would rise, that Homer situated the abode of Proteus, a prophetic sea god. Nor was Alexandria completely barren; the small Egyptian fishing village of Rhakotis, which would later become one of the city’s neighborhoods, was already established there. The site’s potential as a trading hub was evident from the thriving nearby ports of Canopus and Heracleion.

Researching Alexandria presents significant challenges. One major obstacle is that the city has been continuously inhabited since its founding, which severely limits opportunities for excavation. However, recent archaeological surveys and explorations of the old harbor—now submerged beneath the Mediterranean—have uncovered remarkable treasures and provided invaluable insights. For example, the discovery of several statues depicting Ptolemaic kings as pharaohs has challenged the long-held perception of Alexandria as a purely Greek-looking city. While the predominance of Greek culture is not disproven, these findings add nuance to previously accepted views. Nevertheless, much of what we know about Hellenistic Alexandria still relies heavily on literary sources, such as the writings of the geographer Strabo.

After Ptolemy I Soter gained control of Egypt following the Partition of Babylon in 323 BCE, he initially ruled briefly from Memphis before relocating with his retinue to Alexandria. Under his leadership, the city continued to grow and prosper. Alexandria was organized as a Greek polis and has often been regarded as distinct from the rest of Egypt. This distinction is notably reflected in its later Roman designation, Alexandria ad Aegyptum, meaning "Alexandria by Egypt," rather than "in Egypt."

Alexandria has often been described by ancient authors as being shaped like a cloak (chlamys), stretching approximately 6 kilometers from east to west and only about 2 kilometers from north to south. The city’s neighborhoods were laid out according to an organized grid plan, a design attributed to Deinokrates of Rhodes. Historically, both scholars and the public were quick to regard this type of urban organization as an enlightened Greek invention. However, the Egyptians had been building towns in this manner for centuries. One of the defining features of Alexandria, which astonished its visitors, was its broad streets lined with numerous stoai, giving the sides of the streets the appearance of a continuous colonnade.

The city was dominated by the vast palace complex of the Ptolemies, located to the east of the Great Harbour, primarily on Cape Lochias. This grand district housed the renowned Museum and Library, the tomb of Alexander the Great, and the sepulchers of the Ptolemies, eventually united within a pyramid-shaped structure commissioned by King Ptolemy IV (r. 221–204 BCE). The palatial quarter spanned between one-third and three-quarters of the city's area and included open spaces accessible to the public. These spaces hosted significant festivals, such as the Adonis festival, vividly described in Idyll 15 by Theocritus. Such celebrations were pivotal in nurturing a shared "Alexandrian" identity. Nearby, the Temple of Poseidon and the Theatre on Hospital Hill added to the city's cultural and architectural splendor.

One of the most celebrated architectural projects initiated by Ptolemy I was the renowned Lighthouse on the island of Pharos, designed by Sostratos of Knidos. Over time, the lighthouse became synonymous with the island itself. However, Ptolemy I did not live to see its completion. Beyond its practical function as a beacon for seafarers, the lighthouse served as a powerful piece of state propaganda, symbolizing the might and grandeur of the Ptolemaic dynasty. Later hailed as one of the “Seven Wonders of the World,” the Lighthouse of Pharos stood as a testament to ancient engineering and ambition. Sadly, earthquakes and the subsequent reuse of its materials have reduced this once-majestic structure to little more than its foundations.

Diodoros tells us that in his time (1st century BCE), approximately 300,000 "free" inhabitants lived in Alexandria. According to Jane Rowlandson, this suggests a total population of around 500,000. Most of these inhabitants were of Greek and Macedonian descent. As vividly portrayed by Theocritus in his Idyll 15, many settlers from the Hellenic world initially retained the identity of their mother city during the 3rd century BCE. However, a study by Willy Clarysse (1998) indicates that by the 2nd century, wealthier citizens had begun to develop a distinct "Alexandrian" identity.

In addition to Greeks and Macedonians, many other ethnic groups lived in the metropolis, including Egyptians, who resided in the neighborhood of Necropolis. The hostility and racism prevalent in the city are vividly depicted in the aforementioned Idyll by Theocritus, which describes Egyptians as nothing more than thieves. Another important community in Alexandria was the Jewish population. According to tradition, it was here that the Hebrew Bible was translated into Greek by 72 translators at the request of King Ptolemy II (r. 285–247 BCE). Over time, a significant portion of the Jewish community came to embrace Greek culture, in stark contrast to their northern counterparts, who fought wars to resist such assimilation.

Near the Egyptian quarter stood the Temple of Serapis, also known as the Serapeum. The temple, in its recognizable form, was constructed under Ptolemy III (r. 246–222 BCE). Serapis was a syncretic deity, arising from the combined worship of Osiris and Apis. He was often depicted in a Hellenized style, and tradition holds that Ptolemy I introduced this god to the settlers of Alexandria. The goal was to provide them with a local yet familiar deity they could relate to, in contrast to the traditional Egyptian gods, whose animal-headed forms were alien to the Greek settlers. At the same time, the Osiris and Apis elements in the cult ensured that Serapis also resonated with the local Egyptian population. Over time, Serapis became an immensely popular god, venerated throughout the entire Mediterranean.

Another focal point of Alexandria’s religious life was the dynastic cult. After their deaths, the monarchs of Egypt were venerated as gods, and festivals were held in their honor, such as the Ptolemaieia, the Arsinoeia, and the Basileia. The queens, in particular, were widely celebrated throughout the city. 

The will of the Alexandrians was poorly represented in political life, with key institutions, such as the bouleuterion, wielding little power. There is also no evidence of an assembly of the people. The political arena was dominated by the royal family, and understandably so, as Alexandria served as the center of a Hellenistic kingdom. Nevertheless, the people found other ways to express their opinions on matters of public interest. In our sources, riots are frequently mentioned, such as the unrest that occurred after the murder of Arsinoe III.  Olivier Goossens

[tainbocuailnge]

realistically shalem was having all kinds of sex with his fellow second rate actors back in the troupe because that's just what happens when you're a bunch of teenagers growing up in close quarters being raised to commit acts of depraved passion for the drama and realistically phantom was not partaking in any of that because he was too busy being put on world's highest pedestal to make all these other kids try to fuck marry kill each other so when shalem in rhodes island finally gets pent up enough that he grabs the only person for miles who could possibly understand the ffffucking difficulty in getting laid when you have this kind of backstory he's going to find out there's one thing lucian never did better than him and he's not going to like what the knowledge of this uncharacteristic bit of naivety will do to him.

[startrekfangirl2233-writes]

You Are My Soulmate

Bradley 'Rooster' Bradshaw x Reader

Status: In Progress

Last Updated: July 30th, 2024

Disclaimers: Female!Reader

A/N: This is a Soulmate!AU with a spin. Instead of having a single soulmark, a quarter of the population have multiple. Tinkerbell and Rooster are two of those people. I love Soulmate AUs, and well, the Top Gun Brain-Rot is still ever present, so here we go. This one is going to be a bit different for me, as I'm going to be trying out flipping perspectives within the chapters between Rooster and Tinkerbell (Reader's Nickname throughout the fic).

Themes: Angst, Smut, Soulmate!AU, Bradley is a bit of a dick, Rivals to Friends to Lovers, Unrequited Love (Slight, One-Sided)

Summary: You're ecstatic when you find out you have five soul indicators at midnight on the day of your twenty-first birthday, right before you start Officer Candidate School for the Navy in Rhode Island. OCS is so complex you can’t devote time to searching for your soulmate. On graduating from Officer Candidate School, Naval Aviation Command School, and Aviation Maintenance School at the top of your class, you are given the primary selection of detachment and travel worldwide as an Aviation Maintenance Duty Officer. The excitement you felt on your twenty-first birthday has changed over the past seven years, and you’re impatient to see who your soul is. After years of constant movement, it’s a relief to learn you have been assigned to run maintenance on a squadron’s planes out of Naval Air Station North Island. San Diego is sunny and gorgeous, an absolute dream after being stuck on an aircraft carrier in the middle of the ocean for the past six months. The Dagger Squad is a newly-permanent squadron based out of NAS North Island. Each member welcomed you to Miramar as a part of their maintenance crew with warmth and friendliness. Except for one pilot, callsign: Rooster. He’s the most unpleasant pilot you’ve ever met. He’s full of himself, cocky, arrogant, rude, and condescending. If only he didn’t feel so familiar. If only you didn’t feel so drawn to him. 

Bradley Bradshaw is sure he’s never going to find his soulmate. He’d been in mourning on his twenty-first birthday, still grieving the loss of his mother, followed by the loss of the only father he’d ever known, his Uncle Mav. It isn’t until Bradley is across the country at Officer Candidate School that he realizes he never received his soul indicators. Years later, and thousands of miles away, recovering from a plane crash, Bradley, now known as Rooster, jolts awake to the half-remembered scent of citrus and glistening hair in a thick braid. Without any other indicators, Rooster gives up. After all, who’d want a soul disfigured by something they loved? That’s when Bradley gives up. He sinks into the reputation of the piano-playing, mustachioed casanova and gives up on his dreams of finding a love like his parents had found in each other. And he’s content with his life until he runs into the feisty, loud AMDO officer newly assigned to NASNI. Something about her feels like everything Bradley’s been searching for, at least, if she weren’t completely committed to Bagman already. You can call him what you want, but Rooster doesn’t steal another man’s girl.

You Are My Soulmate on AO3

You Are My Soulmate on Wattpad

Prologue

Chapter 1

Chapter 2 - Tinkerbell

Chapter 2 - Rooster

Chapter 3 - Rooster

Chapter 3 - Tinkerbell

Chapter 4

Chapter 5 - Tinkerbell

Chapter 5 - Rooster

Chapter 6 - Tinkerbell

Chapter 6 - Rooster

Chapter 7 - Tinkerbell

Chapter 7 - Rooster

Chapter 8 - Tinkerbell

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[livingforstars]

The Moon and All the Crashes - September 19th, 1996.

"A clear blue summer sky finally grows dark and the new telescope, hastily set up in the backyard, generates excitment and anticipation. "I bought it for the kids..." Dad assures himself as he over-anxiously supervises the two young boys' efforts to center a bright, first quarter Moon, in the finder. The evening's first target acquired, James adjusts the focus knob and falls silent. Suddenly, "Wow, looks just like on Apollo 13!" His younger brother Christopher takes his turn. "Do you see the Moon?" James asks, eager to provide guidance based on his own observing experience. Christopher echoes his brother's enthusiasm, "Yes, and I see all the crashes too!" The view they shared was not too different from the above image of a six day old Moon, recorded in July, 1995, by Rhode Island amateur astronomer Jim Hendrickson. Along the terminator, the line between lunar night and day, the shadows outline to advantage the spectacular craters - caused by all the crashes."

[todaysdocument]

A True Copy by Theodore Foster, Town Clerk, Detailing a Town Meeting of the Freemen of Providence, Rhode Island Regarding the Issue of Troops being Barracked upon the Population

Record Group 360: Records of the Continental and Confederation Congresses and the Constitutional ConventionSeries: Papers of the Continental CongressFile Unit: Letters Addressed to Congress

171

State of Rhode Island

At a Town Meeting of the Freeman of the Town of Providence, holden by Adjournment at the State House in Providence on the 3d Day of July 1779.

Whereas many of the Inhabitants of this Town have been at great Expense and have suffered much on account of the Troops having been Barracked upon the Inhabitants since the Enemy have been in Possession of Rhode Island: and As the whole community of the United States are Equally concerned in and benefited by the War and as far as may be ought Equally to Bear and Support the Burthen thereof and it is Right and Just that the Expense of Providing Barracks for the Troops should be defrayed and borne by the Public in General:

It is therefore Voted and Resolved That Nicholas Brown Esq. Ephrain Bowen Esq. and James Michel Varnum Esq. be and they hereby are appointed a committee to draft a Letter or this Subject to the Delegates in Congress from this State representing this situation of the Town and requesting them to use their Endeavors that Barracks be provided at the Expence of the United States for the Accommodation of the Troops in case it shall be necessary that any be Quartered in this Town the approaching Winter

A True Copy

Attest. Theodore Foster Town Clerk

[on-partiality]

Today's the 250th anniversary of the Boston Tea Party so here's some information on the Sons of Liberty, the lead up to the Boston Tea Party and what happened after!

apologies for any inaccuracies, I wrote this pretty late

The conflict between the American colonies and New England started after the French and Indian war ended with the Treaty of Paris on the 10th of February, 1763. The French and Indian war started because of conflicting territory claims in North America between the British and the French. Originally it was fought between only the British Americans and the French colonists with Native Americans helping on either side (especially with the French because they were severely outnumbered). However two years into the war the United Kingdom - except for ireland - decided enough was enough and officially declared a war with France which started a large world-wide conflict over many territories. In the end, the war was won by the Colonial Americans and British, the French lost all of their North American territory and what used to be their territory was split somewhat evenly between the Spanish and the British but that was only sorted out after the British fought in a war against the Spanish called the Anglo-Spanish war (the first one). So a victory, that sounds good for America right? Wrong. Wars are expensive, maintaining an army is expensive and the British were dealing with many other wars in all different territories at around the same time so England had a national debt of nearly 177.645 MILLION modern day USD.

England had a HUGE poverty crisis. They had to come up with a way to get money and quickly so on April the 5th 1764 the British parliament amended their pre-existing Sugar and Molasses Act. A tax on the importation of wine, molasses, indigo and sugar from places that weren't part of Britain, mainly the non-British Caribbean. This act also banned all foreign rum. Then on March the 22nd, 1765 the British parliament passed the stamp act. A tax on playing cards, newspapers, legal documents. The main problem with this tax was that it couldn't be paid in the paper money used in the 13 colonies, it had to be paid off using the British Sterling which wasn't easy to obtain in America. That and paper was possibly the most important resource in the 18th century. Later in October 1765, a Stamp Act Congress was held in Philadelphia to discuss all of the problems with this act. Then on March the 24th the British passed the Quartering Act which stated that if British troops want to stay at your house you have to provide them with food and let them inside of your house. This was a clear invasion of two very basic rights of Englishmen, private property and personal security.

The Americans fought back against these acts like with Boston's non-importation agreement where merchants from Boston agreed not to buy or sell anything from/to Britain and the Golden Hill riot in New York and the Gaspée Affair which was when a group burned a British ship while the soldiers were off looking for smugglers in Rhode Island, the group was then accused of treason. The most notable of all of these protests though was the later Boston Tea Party.

The Boston Tea Party happened because of a group called the Sons of Liberty which was created in 1765 out of a strong hatred of the Stamp Act. They believed that it was ridiculous that the British could tax the Americans when the Americans didn't even have a representative in parliament, their phrase was 'no taxation without representation'. There's a lot of dispute over what kind of organisation the Sons of Liberty actually was. I might go into all of the theories in another post but for the moment if you want to come up with your own idea on it I suggest looking into them yourself, for this post I'm just going to call them a group or organisation because it's pretty ambiguous. Anyway, the Sons of Liberty usually met at liberty poles/liberty trees which are believed to have been marked as meeting places using the Sons of Liberty's flag. The group was founded in Boston in the Massachusetts Bay colony and it's leader was Samuel 'Sam' Adams.

The Sons of Liberty's first big really move was to burn an effigy of the local Stamp Act enforcer, Andrew Oliver and then burn his office and destroyed the house of his associate. The group's protests were more often then not violent but they got their points across. It didn't help when the Boston Massacre happened in 1770, which only further outraged the colonists, expect the Boston Massacre to get it's own in depth post one day because the court trial was super interesting. Then on the 10th of May, 1773 the British made another act called the Tea Act which made it so that the colonists had to pay more for tea that wasn't legally imported. The Tea Act was meant to help the British East India Tea Company because they were making most of Britains money and they'd gone into a huge debt which caused 20-30 English banks to collapse and started the British Credit Crisis of 1772-1773. The problem was that because the imported tea from Britain was really cheap people didn't buy from local businesses which caused farmers to go completely bankrupt. The Tea Act was the final straw for the Sons of Liberty and many Americans.

Britain sent a shipment of East India Company Tea to America and all of the American colonies that the tea was going to be sent to convinced the people on the ship to resign except for Massachusetts. So the Dartmouth, a ship full of tea arrived in Boston Harbour, Samuel Adams called for a meeting at Fanueuil Hall and thousands of people turned up so they had to move meeting places. During the meeting the Colonists discussed possible resolutions, they decided to have a medium group of men watching the tea to make sure it wouldn't be unloaded and pleaded for the ship to leave. The governor of Massachusetts refused to let the ship leave and two more ships arrived. On December the 16th, 1773, Samuel Adams met with the people of Massachusetts again to tell them about the governors refusal, the meeting caused total fury amongst all of the colonists.

In protest of the Tea Act and all of the other taxes the British had put on the Americans, the people ran out of the meeting room, some of them put on Native American costumes both in an attempt to conceal their identity because what they were about to do was illegal and as a symbolic choice to show that America's their country, not Britain. They then ran onto the 3 tea ships while Samuel Adams was telling everyone to calm down and stay for the end of the meeting. And spent 3 hours hurling all of the chests of tea into the water.

The British did not respond well, they believed that the Colonists needed to be punished so they passed the infamous Intolerable Acts which consisted of the Boston Port Act, meant to force Boston to pay for the tea by closing the port until the people of Boston paid for the tea which the Colonists argued was unfair because it was punishing the whole population for something only about half of them did, the Massachusetts Government Act which changed the way that the government of Massachusetts worked by giving people appointed by the British Parliament/King far more power, this made it easier for the British government to manage the Massachusetts Bay colony from England, the Administration of Justice Acts which state that any accused Royal officials can get a trial in England if they don't believe that they would be judged fairly in Massachusetts - which seems like a strange thing to add given how the Boston Massacre trial with John Adams went? - And I've already talked about the last intolerable act, the Quartering act which states that you have to let British troops stay in your house if they want to and you have to give them food.

[littlequeenies]

Carmen Jane Plant

Carmen Jane Plant is the daughter of Maureen and Robert Plant. She works as a professional dancer and teaches belly-dancing and ethnic dancing. She produced the 2018 show ‘The Serpent Slayer’.

Early Years and Family

[Robert, Maureen, and little Carmen at the family's farmhouse near Kidderminster, Worcestershire, 1970]

Carmen Jane Plant is the eldest children and the only daughter of Led Zeppelin's frontman Robert Plant and his wife Maureen née Wilson. She was born on 21st October 1968 in Birmingham, England and has two younger brothers, Karac Pendra Plant and Logan Romero Plant. She has a younger half brother from her father's side, Jesse Lee Plant aka Jordan Plant.

Carmen is of Indian descent from her mother's side and of Romani descent from her father's. The 1972 Led Zeppelin song, “The Ocean,” actually references Carmen in one of the lyrics: "‘I’m singin’ all my songs to the girl who won my heart/She’s only three years old but it’s a real fine way to start".

[Robert with his children Karac and Carmen at their farm, filmed in 1973 and seen in Led Zeppelin film's "The Song Remains the Same", released on 1976.]

During the 1970s, she attended the Elmfield Rudolf Steiner School in Stourbridge, West Midlands.

On October 2007 Robert admitted he regrets staying on tour throughout the 1970’s because he feels his daughter grew up without knowing who he was. Robert claimed she once mistook him for a burglar after he came home from a particularly long tour: "What I recall for the first two years is my daughter not really knowing who I was and getting rather agitated when I came back off tour, as she thought I’d come to rob the house."

In an interview for the People magazine (December 20 1976) Robert explains: "Carmen used to think she had two fathers—the one whose singing she heard through the speakers and the one on whose knee she was sitting. They [Carmen and Karac] love it when I come back to tell them tales."

Car accident and Karac's death

[The Plants with Scarlet Page (C) in 1976]

Carmen was also a passenger in Robert and Maureen Plant's car involved in a road accident on the Greek island of Rhodes on 4 August 1975. Maureen was driving a hired Austin Mini with her husband and their children plus Scarlet Page. The Plant family were seriously injured when the car skidded off the road and collided with a tree but Scarlet Page was unhurt. In the back-seat, Carmen suffered a broken wrist, cuts and bruises. Scarlet's mum Charlotte Martin and Maureen's sister Shirley Wilson, who were following in the car behind managed to get medical help.

In 1977, Carmen also became ill with the same stomach enteritis which took the life of her younger brother Karac Plant, aged only 6.

Personal Life

[Carmen and Robert in 1988]

On 21 November 1989, Led Zeppelin reformed with Jason Bonham on drums, for Carmen's 21st birthday party at Hen & Chickens public house in Oldbury, West Midlands. They performed 'Trampled Under Foot', 'Misty Mountain Hop', and 'Rock and Roll', with Chris Blackwell and Phil Johnstone in support. The Nashville Teens and Jimmy Page's daughter Scarlet Page, were also in attendance.

[Carmen with Charlie Jones]

Carmen Plant got married to Jimmy Page and Robert Plant's bass player Stephen Charles "Charlie" Jones (born 13 Oct 1965), at St. Peter's Church, on 18 May 1991. Their wedding reception was held in a series of marquees at Robert's farm at Kidderminster. Roy Harper's song 'Evening Star' was written for Carmen for the occasion.

Carmen and Charlie Jones have three children, their eldest a daughter named Sunny Plant-Jones (born 1993). The family lives in Bath, Somerset.

Professional Career and Recent Years

Carmen Plant Jones works as a professional dancer and teaches belly-dancing and ethnic dancing. She was tutored in belly-dancing by Serena Ramzy, wife of Hossam Ramzy who performed in Page and Plant's "No Quarter Middle Eastern orchestra". Carmen Plant has appeared at the Rivermead Womad Music Festival, Glastonbury Festival, and with the Babylon Arabic Ensemble.Carmen continues to carry on the family’s musical legacy through Middle Eastern-inspired performing arts. In a 2018 article about her dance production ‘The Serpent Slayer’, Carmen Jane Plant acknowledges her fortunate upbringing: “I come from a musical family, obviously through my dad, my husband, and my children as well. Thanks to my dad, I grew up listening to an alternative and eclectic range from a young age and that really provided the inspiration for me to get involved with all kinds of music. It’s all that I’ve known really, so it’s great that I can put this all in to practice.”

*CHECK OUR CARMEN PLANT PHOTO ALBUM HOSTED AT GOOGLE PHOTOS*

[vague-humanoid]

In the Old Town of Rhodes, a picturesque tourist destination in the Aegean Sea, stands a monument to a dark period in the island’s past. In the former “Djuderia,” the Jewish quarter, a marble obelisk commemorates the deportation of the island’s small but vibrant Sephardic Jewish community to Auschwitz-Birkenau on July 23, 1944.

The 1,700 Jews of Rhodes had the misfortune not only of experiencing deportation late in the war, when Allied victory was almost in sight, but also of enduring the longest journey of any Jewish community sent to Auschwitz — a treacherous voyage that lasted 24 days.

In July 2024, 80 years after the tragic deportation, scholars, government officials, community leaders and Jews from Rhodes and their descendants — known as Rhodeslís — gathered on the island, which has been part of Greece since 1947, for a week of commemorations. I participated as a historian from Seattle – home to a large Rhodeslí community – and as chair of the University of Washington’s Sephardic Studies Program.

The fate of the Jews on this remote island is testament to the scale and reach of the Holocaust: how the genocide of Jews remained a Nazi priority to the end, and the range of Jewish cultures decimated during the war. The Holocaust destroyed not only Yiddish culture of Eastern Europe, but also Ladino culture of the eastern Mediterranean.

[nomodave]

Neurotic mouse but arknights idk

Geronimo Stilton 6* specialist Geek

Profile

Geronimo Stilton, a renowned zalak journalist and head editor of the Rodents Gazette. It is a rare and incredible collaboration with Rhodes island to have such a celebrity show his support for the infected, both in his work and on field.

Archive file 1

The renowned journalist mouse! Ive rarely got to read the newspaper from the zalakian areas of terra but its hard to not know this guy. There was murmur all across the landship when it was revealed he would visit Rhodes island for a collaboration. Hell even the elite operators were out of their personal quarters! You could say that hes more of a celebrity rather than the head of his newspaper. After reviewing his file i was blown away how much this scrawny zalak already went through and can do, i couldn't decide what role to assign him but eventually after a quick chat revealed that a specialist will serve him well.

- Closures notes

Archetype: Geek specialist

Trait: Continually loses HP over time

Talent one: All-Rounder

Can be deployed on both melee and ranged tiles. Depending on tileset, range and stats change. Deployed on melee tileset: Range decreases, DEF increases and regenerates 3%HP per second. Deployed on ranged tileset: ASPD increases, regenerates 10% HP per hit, increases atk to 150% when attacking enemies with abnormal statuses

Talent two: chief editor of the Rodents gazette

Enemies are slowed 0.2s everytime they are hit by this operator and refunds 50% of initial DP cost upon deployment.

Skill 1 "Newsflash"

Attack interval decreases slighty, attacks two targets prioritising seperate enemies ,abnormal status durations are increased by 2.5x

Skill 2 "Cheese connoisseur"

Offensive recovery, next attack recovers HP based on this operators 300% ATK and grants them 25 ASPD to the healed operator

Skill 3 "Deadline due"

Auto recovery, 110% ATK, gains sanctuary, attacks 3 targets prioritising seperate enemies, abnormal status durations are increased by 1.5x, each enemy suffers 20% ATK as true damage per abnormal status in this operators range

[foreverlogical]

The National Retail Federation (NRF) — the top lobbying group for retail corporations in Washington, DC — recently admitted that its data about "organized retail crime" causing huge losses was significantly off base.

In 2021, the group initially stated that out of the approximately $94.5 billion in store merchandise losses that year, roughly half was attributed to "organized" shoplifting campaigns. NRF head of asset protection and retail operations David Johnston told CNN in November that retail chains were "seeing unprecedented levels of theft coupled with rampant crime in their stores, and the situation is only becoming more dire."

However, the New York Times reported Friday that the NRF's figure of 50% of losses attributed to organized shoplifting was actually closer to 5%.

"It would be a bit like the census claiming that nearly half of the U.S. population lives in the state of Rhode Island," Trevor Wagener, the chief economist at the Computer & Communications Industry Association, told the Times.

Retailers themselves admitted that they overestimated losses to shoplifting. In January of 2022, drugstore chain Walgreens said its closure of five stores in the San Francisco area in 2021 was due to a spike in organized shoplifting. But then-Chief Financial Officer James Kehoe said in January of 2023 that its shrink rate (losses attributed to shoplifting, theft and fraud) was just 2.5% in the first fourth quarter.

"Maybe we cried too much last year," Kehoe said.

Civil rights attorney and media critic Alec Karakatsanis told the Times that media outlets failed to critically examine retailers' claims about shoplifting, and were "used as a tool by certain vested interests to gin up a lot of fear about this issue."

"In fact, it was pretty clear all along that the facts didn’t add up," Karakatsanis said.

Karakatsanis asserted that retail chains used the media panic over organized shoplifting — in which groups of shoppers allegedly steal items from brick-and-mortar stores and sell items online for higher prices — to lobby for tighter regulations on their competitors in the e-commerce industry.

The panic resulted in concrete policy changes from lawmakers on both sides of the aisle. Californa Governor Gavin Newsom (D) called for stricter prosecution of shoplifters in 2021, and Florida Governor Ron DeSantis (R) signed a bill into law that same year imposing stricter penalties on retail theft.

[mask131]

Greek mythology media (1)

To begin this overview of Greek mythology in media, I originally wanted to start with some of the most famous American pieces of fiction - those that shaped, for the better and for the worse, the "Americanized" perception of Greek mythology... Including Disney's Hercules.

However after some thought, I think I need to cover something else beforehand... What I like to call the "Hercules saga".

(Picture courtesy of greekgodsparadise.com)

Have you ever wondered why Disney made a movie about Herakles and yet named him "Hercules"? Why would Disney commit such a blatant mistake, using the Roman name of the hero despite everything else being (vaguely) Greek-inspired? Because Roman mythology is better known than the Greek (see my Medusa posts)? Not exclusively...

The reason why Disney made a movie named "Hercules" instead of "Herakles" was because their animated piece was very obviously a follow-up of an entire GENERATION of movies based on the figure of Herakles, but being sold, publicized and shared with the name "Hercules". Beyond this "mistake of Disney" is actually an entire generation of cinema history that people today completely forgot about, and that explansi why, of all the Greek myths, the one of Herakles is supposedly the one with the most movies attached to it...

I/ The beginning of it all

To start this deep dive we need to begin with the movie that started it all. The 1958 "Hercules" movie - at least it was its English title. Its original title was "The Labors/Trials of Hercules", "Le fatiche di Ercole". For yes, this movie was an Italian production (with some Spanish and French collaborations).

This movie's story is... quite more confusing than you would expect. Yes, the title is correct: Hercules is the main hero of the story. This being an Italian production, all the names were taken from Roman mythology rather than Greek - Hercules, Jupiter, Venus... And this is precisely why the name Hercules would go on to become so famous, but that's for later. However, despite what the title hints, this story isn't about the Twelve Labors of Herakles. Two of these trials appear in the first third of the story: the Nemean Lion and the Cretan Bull. However, the actual literary work of Antiquity this movie is based on is... the Argonautica of Apollonios of Rhodes. Yes, this movie is also about Jason, and the Argonauts, and the quest for the Golden Fleece, but with Jason being only a secondary character. In fact, most of the Argonauts's adventures aren't even told since the actual quest for the Golden fleece is massively reduced, with a good quarter of the movie entirely dedicated to the Argonauts' stay on the island of the Amazons... So this movie is a bit of everything. A bit of Herakles but not too much, a bit of Argonauts but not too much - though there's a LOT of the Amazons...

Fun fact: the lighting and the special effects were done by Mario Bava, who would later become of the iconic names of horror in Italy.

The movie being in public domain, you can find it pretty easily online, and having watched it, what is my opinion? Well... On one side the movie definitively aged badly. Many elements of it at now laughable today. The main love interest's costume is to the toga what the bikini-chainmail is to an armor, and her obviously modern makeup is very distracting. The fights of Hercules with the Nemean Lion and the Cretan Bull very obviously involve him punching fluffy puppets. Somehow a very modern fountain sitting by an ancient Greece palace... Ominous storm clouds are just a mud-stain on the camera's lense in an otherwise clear blue sky. Of course when the Amazons arrive the camera focuses twice on their naked legs ; and their cemetery is properly hilarious. The adorable Nemean Lion forgets he is supposed to play dead and shouldn't blink one he is "strangled". Oh yes, and there is also a VERY racist moment during the arrival in Colchides, where our heroes are faced with what is supposed to be primitive, savage, cavemen-like people... But who are in effect just black men wearing furs, a few prosthetics, and making monkey sounds. Very racist.

One of the things with this movie is that there is also several versions of it going around. We are lucky to have the cinematic, clean and properly-dubbed version on Youtube for free - right here ; but you will also find around the Internet versions of a much poorer quality which were designed for television airing, and which have a different English dub. Such a version can be found here for example. And then you apparently have yet a third version somewhere with yet a third dub that makes pretty big flaws (such as changing Hercules' entire rant to the oracle/sybil about immortality into a rant about "strength" which changes the entire idea of the movie). That's one of the evils of the public domain: re-dubs are everywhere.

Now all that being said... While this movie has definitively aged, I can still see why it became one of the classics of mid-20th century cinema, and why it caused such a big reaction upon its release.

Some of the ideas and concepts brought up are very interesting - for example weaving an entire motif of "revenge is not the answer" in a story where both Hercules has to bent to the unfair treatment of a king, and Jason has to find the murderer of his father. The treatment of the characters can also be interesting - from an Hercules who actually seeks humanity instead of immortality, and has to live in a world where his divine powers are actually freaking out people and shunning him as a monster ; to a king Pelias that is not actually actively evil or cartoonishly malevolent, but rather a fearful, suspicious and worn-out man who still does evil things out of anger, cowardice and bad advice, but who has been exhausted and burdened by guilt and regret to the point he enters the story only wishing to give up the throne and die... There is also a fascinating angle where the movie insists on the fact that Hercules is just as much intelligence as strength - for example with a wonderful scene of him proving even an average human person can shoot incredibly well arrows without a divine strength, but just good advice and observation of the environment and a well-formed technique... that ends with the big twist that those excellent bow-lessons he gave to the "random boy" he selected where given to ULYSSES out of all people. Yep, we have a movie where Herakles was Odysseus' mentor...

Mind you, while there are great ideas and concepts which make the movie stand on its own, in terms of mythological adaptation it is very poor, because as I said it mixes together edulcorated and scrawny versions of the myth. You've got two of the 12 labors done in a very different context. You've got a brand new Hercules characterization that doesn't touch upon his actual legends. You've got a Jason and the Argonauts story without sirens, Medea or giant ship-crushing rocks, and where Jason is just a background character. This "mixed" nature extends to the very tone and focus of the movie. It is a rich movie, no doubt, that blends and mixes the genres - but while it is precisely its charm (you are never bored with it), it is also what causes it to feel a bit unfocused. It starts with the naive and cliche romance between Hercules and a princess, leading to the angsty "I don't want to be immortal" scene of Hercules... It continues in what is basically a Gothic story about a strange and dysfunctional family burdened by the dark mystery shrouding a past crime that still haunts the present, and who lives in a half-abandoned palace where a ghostly murderer and treacherous whisperer haunts the shadows... We then cut to what is basically a PSA for athletism and sports, and then we delve into your typica adventure-movie alternating comic book humor with fights against monsters ; and then we have an entire mini-movie inside the movie at the Amazons island which unfolds as a romantic tragedy... This movie has everything, and perhaps a bit too much of everything, and feels like four different movies crammed together in one.

The other big "good point" of this movie is DEFINITIVELY the visuals. This movie allows me touch upon what was one of the big qualities of the good mythological movies of the mid 20th century: they truly knew how to make visual delights. The opening visual of a sheperd playing a Pan's flute while being listened to by his goats? The oracle all shrouded in a black veil suddenly revealing a blood-red dress? The three royal children going to the throne room - only for the two actual innocents one to be fascinated by the Golden Fleece while the brat immediately sits on the throne? Hercules climbing a shadowy mountain towards the red-lit temple of the gods? The visual of the Golden Fleece hanging from its tree, above a mount of dead leaves that turn out to be the asleep dragon? There are so many parts of these movies that just speak so much with just the sights. And it isn't just the sights, but some details in this movie are particularly head-turning. Ranging from the subtle - Hercules and the oracle locking gaze upon first meeting, and not saying anything but clearly showing a link because they are two beings of the world of the gods recognizing each other, and are thus set apart from the other humans in the room... To the more obvious: this movie had the genius idea to decide that the dragons of Ancient Greece were actually just FRIGGIN DINOSAURS that the gods somehow protected from extinction X)

II/ Omphale comes on stage

1958's Hercules was a HUGE success in Italy - and by extension in most of Europe. It was such a huge success that its director, Pietro Francisci, released the VERY NEXT YEAR the sequel, known in English as "Hercules Unchained". A quite silly title given the "unchained" part refers to a segment of the original 1958 movie. The actual title of this movie is "Ercole e la regina di Lidia", "Hercules and the queen of Lydia". For this movie, Francisci took the same team: Mario Bava for the special effects, Steve Reeves to play Hercules (he had been selected for the first movie because he had freshly won the title of Mister Universe - in fact, people did note that due to lacking an acting background he was quite stiff and unnatural in the first movie).

Many people at the time - including Howard Hughues himself - considered that this movie was a better one than the original, with enhanced acting, a much more "punchy" writing, more convincing action scenes, as well as very impressive baroque sets (which, fun fact, had been heavily inspired by the art of Flash Gordon). But the same audiences and critics of the time recognized a structural flaw in the piece, saying the various elements and tones were unbaIanced and that the movie felt as if it continued dozens of minutes after its plot actually ended. I... kind of disagree?

Just like the original movie mixed together the legends of Herakles' labors with the Argonauts' journey, this movie tries to tie together Herakles' time at Omphale's palace and the "Seven against Thebes" events, aka the battle between Eteocles and Polynices for the throne of Oedipus their father. I have to say I much prefer the first movie somehow, perhaps because it was a bit simpler? This piece is even less faithful to the Greek mythology material (which wasn't hard given the first movie was already a very loose adaptation), and in fact here we really feel the "sword and sandal" flavor. As in, this movie bears more common points with your typical sword-and-sorcery or heroic-fantasy short story/novella than with Ancient Greek epics or theater plays. Though the latter point is to be nuanced, because this movie is VERY theatrical. It is very staged, very visual, very dramatic - and perhaps too much because in many scenes the dramatic overcomes just basic logic or common sense (Hercules' repeated "arms up while invoking the gods" scenes do get ridiculous), and while some scenes are impressive, they do feel like someone filmed a stage-play rather than a movie. Let's not talk of an even greater fantasmagoria when it comes to the setting (the usurper of Thebes has Roman "pit of tigers"-type of gladiator plays, while the queen of Lydia who works with Egyptians and has an Egyptian-decored lair, organizes "Arabian Nights"-like dances and wears definitively 20th century fashion dresses... My last grief would be that this movie is actually repeating its predecessor (Omphale's palace being the island of the Amazons, the final fight being identical to the one of the previous movie), though it does bring to the table some new elements that are quite charming (Ulysses grows on me here as we see him growing into his trickster self, while being a plucky, comical young clever sidekick ; and the fountain of the "Water of Oblivion", aka a non-trademarked Lethe, is a great set piece).

But no matter what I may think of it, this movie was still an even bigger success than its predecessor, to the point it made its producing company, the studio Galatea, one of the biggest movie companies of all of Italy. Unfortunately, it also was the end of the "original" Hercules movie series. The producer of the two first pieces, Lionello Santi, part of the Galatea studio, decided at the surprise of everyone to abandon the newborn ad successful franchise. He entrusted it to a certain Achille Piazzi, who decided to name as a new director for the third Hercules movie Vittorio Coffatavi, pushing Pietro Francisci away. Since Steve Reeves only wanted to work for Francisci and no one else, the actor of Hercules was also replaced, by Lou Degni - better known by his stage name, Mark Forest. And finally, "Hercules Unchained" marked the end of the Francisci-Bava collaboration. For you see, Mario Bava did even more work and poured even more effort (or so he claims) into "Hercules Unchained" than into the original "Hercules" , to the point he asked to be designated as a co-director in the movie's credits. But Francisci refused, claiming Bava hadn't done so much work as he claimed: Francisci insisted "Hercules Unchained" was his piece before all things, and that Bava just wanted to take credit for his work, and refused to change Bava's function in the official rolling credits. This battle led up to the two of them not working together anymore.

III/ Hercules becomes... Goliath?

The result of all these changes was a third Hercules movie release in 1960, called... "Goliath and the Dragon"?

This third movie's actual title is "Hercules' Revenge", "La vendetta di Ercole". However, the American distributors changed it to "Goliath and the Dragon" because they needed to make this movie a sequel to an earlier success, the Franco-Italian movie "Goliath and the Barbarians". Which... isn't even a movie about Goliath, but rather a historical movie about a guy named Emiliano in the 6th century... Ah those wacky American distributors, back at their hijinks...

New director, new actor, new team... But also new scenario! Indeed, with this movie we have a fresh start, and a return to a more accurate depiction of Greek mythology... Well kind of. They kept numerous elements of the old movies, but brought in many more from the old Greek legends - the Twelve Labours for example (that Hercules finishes at the beginning of the movie with the taming of Cerberus), or his wife Dejanira. The story in itself, while trying to be more "Greek myth-flavored", is still a unique story mixing elements from various other tales. Hercules' son (turned into Goliath's brother in the American dub) is in love with Thea, who is unfortunately the daughter of a wicked king that wants to take the control of Thebes, Hercules' city. At first it seems the story will be just about the various manipulations and schemes of the wicked king and his allies to try to get rid of Hercules (for example making his son believe he wants to take Thea for his own, and using treacherous messengers to try to convince the poor boy to poison his father without realizing what he is doing) ; but then the third/fourth act of the movie completely takes us into a different direction, as now a prophecy by the gods overlaps with the conflict against the wicked king and... Its a bit convoluted.

I kind of skimmed through the movie because by now the "sequelitis" had started to really kick in. I will admit two good points for this piece: one they attempt to return to more mythologically faithful material, and even though they tell a new story they try to keep Greek elements in it (impossible love triangle between a son and a father, betrayals and tragic deaths within a same family, a hero going up against a wicked usurper king, prophecies the hero will try to fight against...). These efforts are unfortunately completely ruined by the American dub which changes the nature of everything. The second positive point would be the final part of the movie - when we leave the simple "romantic drama and political treacheries and other Shakespearian schemes" to enter the "let's fight a prophecy" domain. Hercules receives a prophecy that his son will take over the throne of the wicked king... in exchange for the life of "the woman who loves Hercules" (interpreted as his wife, Dejanira). As a result, the entire family of Hercules will struggle against this prophecy and try to avoid it - from Hercules becoming obsessively protective of his wife, to his son growing suicidal to protect his mother ; and here we really go into a much more emotional and human side of the story. We even have Hercules turning against the gods for this prophecy - despite having just finally cleared up his curse and made peace with them after his Labours, he still can't accept having his family doomed like that - going for the help of an oracle only for her to get KILLED when she disobeys the gods to bring him aid ; and it comes to Hercules being forced to make a heroic sacrifice, destroying his life to save others... There's really something more unique and touching in all that, that also reasonates well with Greek myths.

All that being said: the bad points. The Hercules movie of the era grew by the 70s and 80s to be synonymous with "hilarious kitsch comedy". Nobody could take them seriously anymore - and this movie really shows why. The first two Hercules pieces have laughable elements - but many were intended as light-hearted comedy, and the others still leave room for the seriousness of the piece. But here? Nah. On one side you have the special effects that aged very, very badly - resulting in the goofiest dragon and most ridiculous Cerberus battle you will ever see and the cheapest lightning effect ever made. And if the bad special effects weren't enough, you also have the American dub that changes the whole stories and tries its harder to rewrite the Greek myth into a more generic-fantasy things (while also fitting to a previous unrelated movie), resulting in a plotline even MORE convoluted than what it already was... This movie can be fun to watch just to see how ridiculous it all got, and unfortunately the most serious and interesting parts only come to us after bunch and bunch of cliches, convoluted writing, very bad dialogues (like REALLY bad) and papier-mache monsters.

[As a quick note here, this movie was also a step-up in the genre when it comes to the supernatural. You see, the first two movies actually had a more... let's say "realistic" approach to the magical elements of mythology. The gods and the supernatural was definitively real, but the movies made sure to frame it in a quite "realistic" light. The gods themselves never appear, and only speak through oracles or manifest through sudden changes in the weather. The monsters our hero fights are all just regular animals (a lion, a bull - well a bison they try to pass off as a bull), and even the "strange land of Colchides filled with wonders" is framed realistically as a sort of patch of land where prehistoric times continued on untouched (with the "monsters" there being just cavemen/Prehistoric men ; and the "dragon" being a dinosaur). And from the realm of the divine we have people with clearly supernatural abilities (Hercules with his immense strength, the oracles able to predict the future), but they still look like ordinary people... This all served the purpose of conveying the fantasy of the myths while working within limitations of budget and special effects.

This movie decided to actually bring the fantasy to screen by having actual monsters, and having the oracle fade in and out like a ghost, and a centaur turning into a satyr, and having the gods speak directly to the heroes or shooting lightning bolts at those they dislike... But as I said those special effects aged very, very poorly, and it is precisely by trying to do a "big show" that they actually ruined this strange worldbuilding-charm that worked so fine for the first two movies. "Showing less does more", as they say.]

IV/ Hercules against... vampires?

While Francisci and Bava never worked together again, both returned to the making of Hercules movies later on, each on their own.

Francisci released in 1963 a movie called "Hercules, Samson and Ulysses" (in its original title "Ercola sfida Sansone"), taking back the duo of Hercules and his sidekick Ulysses from the original movies, and having them confront the Biblical Samson... But given we are entering mythological crossovers, I will not be looking at this movie in any more details.

As for Mario Bava, in 1961 he released a movie co-made with Francesco Prosperi (and with Western Germany), "Ercole al centro della terra" - Hercules at the center of the earth. In America it was released as "Hercules in the Haunted World", but in many European countries, includng France, this piece's title was... "Hercules against the vampires". Why? Simply put: because the main villain is played by none other than Christopher Lee, and he plays a character with similarities to Dracula... As a result advertisers decided putting a big "vampire" stamp on this movie would work, despite it having no actual vampire.

The story is simple: Hercules returns to his home in Italy (remember we are still in a Greco-Roman mythology setting) after a war, only to discover his fiancée Dejanira (or Deianira as you English people like to call her) has fallen into an unexplained state of madness... An oracle tells Hercules the only way to save her is a magical stone from the realm of Hades. Hercules and his friend Theseus descend into the Underworld, unaware that Dejanira' caring uncle (Christopher Lee) is actually the one who caused her madness, and an evil sorcerer conspiring with the forces of evil to conquer the world...

Unlike the previous movie, "Hercules in the Haunted World/Hercules at the Center of the Earth" is much more of a "must watch" - or rather of a far better quality than its predecessors. We return to the charm and power of the earlier Hercules movie, but are then taken into a completely different direction thanks to Bava being able to truly make a movie of his own, with all the experience he gathered since the first Hercules. While the story veer into a much more... "fantasy" tone and plot, it is still a definitively "Greek mythology-inspired" type of fantasy, as elements of the legends of both Herakles and Theseus abond (descending into the Underworld, Deianira, the Hesperides and their golden apple, Procrustes and other of the bandits/threats Theseus had to face during his journeys...). Mind you, it is not because the Greek mythology elements and influence are everywhere that this movie is faithful to the legends, oh no, great liberties are taken here... Medea is now an oracle for the gods, Pluto becomes an evil god, you have references to Dante's Inferno while travelling through Hades, the Hesperides become daughters of Helios cursed by Pluto and entrapped in a land of endless midnight... This is definitively not a class about Greek mythology.

But the real strength of this movie, its real greatness (beyond Christopher Lee's presence, because come on, every Christopher Lee scene is great), is its visuals. This movie is a visual delight. Bava really used all of his tricks as a lighting and special effects guy - despite the movie having a not so big budget, Bava managed to created a gigantic fantasmagoria and epic sets and deeply oniric scenes simply through the use of colors, ciaroscuro, optical illusions, set design, and the power of not doing too much. In many ways this movie is the complete reverse of "Goliath and the Dragon": the "Goliath" movie tried to have these big impressive special effects but just became a cheesy, badly-aged kitsch piece ; while the Mario Bava movie is deeply otherwordly and haunting despite a quite limited budget and not doing "too much". (Mind you, not all things aged well, for example Procrustes' costume aged a lot, but the scene of Hercules climbing the giant tree of the Hesperides for example is wonderful).

Another slight flaw I would point out is that they have a very annoying "comical relief sidekick character" that... literaly serves no real purpose and I don't know why he is here, and he kind of ruins the mood (except for maybe one good joke). But this is definitively a movie to WATCH (not obviously appreciate, but just watch) - and it is disponible freely on Youtube in HD if you ever want to watch it. This movie, in fact, caused a brief wave of "creepy peplum" movies, a sort of... sub-genre crossing the "sword and sandal" with elements of horror movies (the "trio" of these morbid peplum movies tend to include Riccardo Fera's "Maciste in Hell" (The Witch's Curse, by American title), and Corbucci & Gentilomo "Maciste against the ghost/Goliath and the vampires/Maciste contro il vampiro".

What else to say... This Hercules was played by Reg Park, who would become the mentor of Arnold Schwarzenegger, who himself would later play Hercules. And oh yes, as a side note here: I haven't talked about this before in detail, but a departure from the Greek mythology is that in all those movies, and it is a common link between all of them, the character of Hercules is not a mortal who after death becomes a god, but the reverse. A great deal and great stress is placed on the fact that Hercules is an immortal among mortals, and a "god among men", and many times you will see or hear Hercules deciding to renounce his immortality or use his immortality as a bargaining chip... This builds an entirely different character, and a sort of meta-continuity for the cinematic incarnation of Hercules that neatly separates him from his mythical counterpart.

V/ The importance of the Hercules saga, and why it shaped Disney's Hercules

So... four movies (plus one mentioned). I said that the 1958 Hercules movie had been a huge success not just in Italy but in Europe as a whole. What I however did not say, because I wanted to keep it more of a surprise, is that this movie was an ENORMOUS success in the USA. Probably much bigger than you think.

The first two movies, "Hercules" and "Hercules Unchained" as they were named in English, were bought, translated and transported to the USA by Joseph E. Levine. Levine poured a LOT of money into a very aggressive and intense advertisement campaign to promote those movies, which not only were everywhere in theaters, but also aired on television. And this all resulted in a massive success, which gave Levine an entryway to build a big career in the movie industry, and the Hercules movies a lasting fame up until the 70s. By the mid-70s their fame and success slowly died out, from the tastes changing (making these pieces look ridiculous by modern audiences) to the television-copies of the movies being of very poor quality and badly preserved. By the 80s, these movies were a laughingstock, and the original duo of "Hercules" and "Hercules Unchained" even got a full-on parody in 1997. The two movies were recut into one, a whole new comical dub was made, and this resulted in "Hercules Recycled", about a TV exercise show-host who battles dinosaurs, fast-food obsessed mutants and insurance salesmen to save Earth by retrieving a secret formula inscribed onto a golden bath-mat...

But another one of the reasons the "Hercules" movies ended up being rejected and mocked mercilessly was oversaturation.

When people saw that "Hercules" and "Hercules Unchained" were HUGE successes both in Europe and America... The hunt was open, and it was free market for all. Everybody tried to recreate the movies, everybody tried making sequels of the movies, everybody did blatant rip-offs of the movies... In Italy at least, which was where the whole craze took place. It was the era of the "mythological peplum", of the "sword-and-sandal", of the "muscle-opera". During the 60s, around TWO HUNDRED movies based on the same principles, cliches and formulas were made for European and American audiences: movies taking place in a vague and unclear Antiquty, inspired by Greco-Roman mythology or Biblical stories, with a very muscular, oily, barely-dressed bodybuilder playing the hero, and him punching his way through soldiers and bandits and monsters, while trying to win the heart of a beautiful princess (or avoiding the deadly charm of wicked queens and enchantresses) - and with sometimes a plucky sidekick or comical relief by his side. Many were the protagonists of these tales, but ultimately they were all avatars of the same archetype: Hercules, Samson, Goliath, Ursus, Maciste were all replacable with each other.

Such an intense and fast mass-production of course brought the early death of the genre, that became "out" just as fast as it was "in"... Before it was replaced by the new cinematic craze coming from Italy and imported to the USA: the "western spaghetti", star of the 70s.

But this era left a deep mark onto America (and Europe too). In America, they were the reasons why the name "Hercules" became more famous than "Herakles". These movies were a prolongation of the bodybuilding trend, and of the athletic culture and body-worship and sport craze that had been started by the Mister Universe contest and the Charles Atlas celebrity. And - more interestingly perhaps for this website - these movies were also very influential and appreciated by homosexual communities of the 60s and 70s... I mean you literaly had muscular hunks bare-chested, oily and sometimes almost entirely naked, wrestling constantly with other half-dressed men, and surrounded by pretty girls and erotic sex-icons and pin-ups, who wore the toga-equivalent of the "chainmail bikini" of Conan fantasies... These movies were bound to attract gays and lesbians of their time.

There is a LOT of those Italian Hercules movies in the 60s, like a LOT. I can't possibly cover them all, but I will leave here the titles of some I will definitively not talk about (due to not being "Greek mythology" enough for my taste): 1961's "Sansone"/"Samson against Hercules" ; 1962's "La furie di Ercole" (The fury of Hercules) ; 1963 "Ercole contro Moloch" (Hercules against Moloch), 1964's "Ercole contro Roma" (Hercules against Rome), 1964's "Il trionfo di Ercole" (Hercules' Triumph), 1964's "Hercules against the sons of the sun", 1964's "Ercole, Sansone, Maciste e Ursus gli invincibili", 1964's "Hercules against the tyrants of Babylon"...

And even by leaving out those eight movies, with the five others I described before, I have still left, in the span of the Italian 60s, SIX more movies I could possibly talk about... As I said, we know around 200 movies were released during this decade in Italy - though hopefully for us, all the lesser and cheap ones faded into obscurity...

[kc5rings]

If you're doing the sticker prompts I rolled 1 for Nian

I more intended it as a game for folks who want a prompt for themselves for art or fic, but luck is on your side because I happened to be thinking about Nian already this morning after seeing some metal gear that made me insane

(Not taking any other prompts at the moment but the game is here if anyone wants to use it for themselves)

Under the cut: Chastity, heat reference, improper use of medical equipment, improper definitions of medical equipment, Nian Gets Trolled.png

“I should have figured when Hibiscus messaged me to come drag you out of medical that it would be something ridiculous like this.”

Nian crossed her arms, grinning and unrepentant, as ever immune to Lava’s scathing reprimands.

“All I’m saying, is you’d think an open minded medical facility like Rhodes Island would be a little more receptive to a holistic, non medication approach to a very common medical concern for many of its op-“

Lava cut into Nian’s speech before she wound herself up into full pitch mode, leaning heavily on her cane with one hand while gesturing vaguely at what Nian was wearing.

“Is that what we’re calling….. all this then?”

Far from being deterred Nian’s grin only widened as she did a little turn to make sure Lava got a good look, which she happily did, taking a moment to appreciate forge hewn muscle before sighing and taking in Nian’s “outfit”

Her regular clothing had been discarded the moment Lava had shut the door to her quarters, Nian having been in a hurry to show off her latest project. Across her chest was a tight band of steel, with a cup covering the entirety of each breast. Continuing down from there revealed a steel waist corset cinched reasonably tight, though Lava couldn’t begin to imagine how that was accomplished with metal.

Finally, there was the belt.

Just a bit below the edge of the corset sat the waist band of what could only be described as what it was, a chastity belt. Perfectly shaped to fit the lines of Nian’s body, with a ring in the waistband to settle at the thick base of Nian’s tail, a sturdy, contoured, front shield and capped off by a pair of wide metal bands on her thighs. As with the rest of the ensemble it was all secured with ornate locks and polished to a near mirror shine.

Lava pinched the bridge of her nose

“Nian, this is obviously fetishwe-“

“Medical aids, Lil Lava, please”

“Not calling it that.”

Despite her curt tone Lava knew this was a losing battle, once Nian had a concept she wanted to talk about she refused to let it go until someone heard her out and that someone was usually Lava

“Fine. I’ll bite.”

“Promise?”

“Just make your pitch Nian. How is any of this possibly medical?”

Lava could swear she saw a literal flame in Nian’s eye for a moment before Nian gave her an overly dramatic bow, setting the many locks adorning her accessories jingling

“It’d be my pleasure. Ya see I’ve done my research and found that a sizable number of Terran species experience heat, now heat is the common term for-“

“I know what heat is Nian, you know I do.”

“Fine, fine, I’ll skip ahead.”

Nian made a placating gesture and rolled on with her pitch, pointing to each relevant piece of gear as she went

“The cups on the top prevent contact with sensitive nipples even during rigorous activity or while laden with equipment, the front shield prevents contact that might worsen symptoms and splits at the back for comfort, the bands on the thighs and tail help keep everything in place and secure. Obviously it’s all padded, every measure had been taken to ensure both comfort and hygiene during long term wear while-“

“And the corset? What “medical” benefit is that providing”

Nian flashed her teeth again, despite her protests Lava was an excellent “yes and” partner when she felt like it, and now Nian had gotten her to play.

“Well you see.” Nian drew herself up to her full height, head and shoulders over Lava to the point she almost loomed.

“They are great for your posture.”

Lava rolled her eyes, sure that Nian was familiar enough with the movement that she’d recognize it even with Lava wearing her visor

“Right. Well putting aside the frankly astounding number of ethical problems with all of that, it still wouldn’t work here at Rhodes.”

Nian tilted her head, curious.

“Oh? And why’s that?”

It was Lava’s turn to grin, she knew she was playing Nian’s game now, no helping that. But they’d been at this for years and Lava had gotten very good at playing.

“Haven’t you ever seen the combat logs of some of our operators once they get riled up in a fight? That pretty belt of yours wouldn’t last a second against someone like operator Horn in heat, no chance in hell”

“Lil Lava you wound me! In my pride as an artisan no less.” Using her tail Nian fished something out of her pile of discarded clothes and with a flick, sent something through the air at Lava. “Catch.”

Lava snatched the object with one hand before taking a moment to look it over. “Key” would be an accurate description but a very reductive one, the body of the key was cylindrical, with the teeth numbering in the dozens all around its circumference. Stranger though, was the fact that as Lava stared at the key it’s teeth became less defined and fuzzy, seeming to almost move.

“Give me fifty years and I *might* be able to produce that same exact key from memory, anybody who’s not me though? No chance.” Only Nian could make admitting she couldn’t do something in less than fifty years sound like a boast. “And that’s not all.”

Nian lifted one clawed finger up for Lava to see, the tip glowing forge hot after a moments concentration, and reached down to drag it up the front shield of the belt. Lava winced at the terrible screech and sparks the contact made, but when Nian finished her little display the belt hadn’t even lost its shine. “I built this piece as sturdy as I can make something, trust me when I say that without that exact key it’s not going anywhere.”

“….. Ok I’ll admit it, that’s pretty impressive.” Lava had seen Nian shape ingots by hand and shear chunks off of them with those same claws, that belt really was something else.

Lava pocketed the key.

From the same pocket she’d stored the key in Lava produced a small injection gun, with casual ease she reached out and pressed it against the exposed skin of Nian’s hip, right in the gap between the bottom of the corset and the top of the belt and pulled the trigger.

Nian, for her part, made no move to stop Lava and barely reacted to the injection. Lava had the basic medical training afforded to all higher level Rhodes Island operators and had long since become adept in administering her own meds so Nian hardly felt a thing.

Aside from a sudden burning curiosity.

“What was-“

“Highly concentrated heat inducer.” Lava let the now empty injector clatter onto a nearby table. “Gavial slipped it to me when I was coming to get you, mentioned something about how she owed you a prize after handing her a string of losses and that because you never had a proper physical she had to take a “Gavial Guess” at the dosage.”

Lava took advantage of a rare moment of stunned Nian silence to close the gap between them. “You’re so sure this stuff is a good answer to heat? Fine, but you’re doing the testing. Be sure to record your findings while I’m gone.”

Lava allowed herself a smile only after turning away from Nian’s dumbfounded expression, trying to process what had just happened. Only the last word of “gone” snapped her out of it. “Wait, what do mean by “gone” Lil Lava?”

Lava tossed a hand up in farewell as she headed out the door. “Oh didn’t I mention? I’m leading an away mission of new recruits later today, shouldn’t be gone more than three weeks, probably.”

With that, Lava turned down the hallway, the staccato rhythm of her cane on metal flooring slowly growing distant. Leaving Nian reeling.

“Ok Lil Lava I get it, you got me fair and square this time, you can come back now!” The only answer Nian received was a sudden involuntary muscle clench, a spike in temperature and sweat slowly beading on her brow.

“L-Lava?!”

[hometoursandotherstuff]

This pretty 1856 Italianate stick style house in Middletown, Rhode Island is currently an Inn with 10bds & a total of 12ba. It's been remodeled, but not to look like a business. You could move right in as a residence. Anyway, it's priced at $3.295M.

Isn't this an impressive entrance? Nice wainscoting, but the floor is the star here.

The sitting room is stunning. They made it very light and bright. Sometimes, I think that contrasting paint is more stunning than wallpaper.

What a grand dining room, large enough to seat many more guests.

The 2nd sitting room is just as lovely. I like the way they made the fireplace different in this room.

Look at the kitchen- a built-in screen. See what I mean, you don't have to convert anything back- the Inn looks like a house. The kitchen is beautifully redone.

This is so clever. I like how they put a neat little office in there. And, it's in the 2nd fl. hall, so they even made a little waiting area.

There are more than enough baths for each room to have its own. Isn't this nice? It's certainly roomy.

A few of the 10 bedrooms. No problem moving right into any of them.

According to the description, there's an Innkeeper's quarters and a 2nd quarters for a staff member. Maybe at least one of them is up this floor.

It's nice up here in the hall.

This room looks like it could be a staff suite, or something similar.

This aerial picture is the only one they have of the grounds.

[iboatedhere]

Thanks @liminalmemories21 for the tag.

I have a bunch of holiday themed fics from my Check Please era.

--

Cookies And Conversations - Jack and Bitty spend Christmas in Georgia.

Down On The Waterfront- The waterfront is packed. Jack has never seen this many people along the bank of the river. He didn’t even know there was this many people in Providence.

You Can Count On Me-“Hey, Bits. You’re probably still asleep. It’s quarter after five here so that means it’s what….seven-fifteen in Rhode Island? The time differences have been screwing me up all week but I’m pretty sure that’s right. You’ve definitely hit the snooze buttons a few times at least. Anyways, I’m just calling because I’m still at the airport. There’s a snowstorm coming into Denver and they’ve delayed a ton of flights. It sucks but I promise I’m going to make it in time, okay? You don’t need to worry about it. A promise is a promise and I’ll be there even if I have to Trains, Planes, and Automobiles my way home…….shit. They just delayed us again. But I’ll be there. I love you. Both of you. I’ll call you when we start to board. See you soon.”

Let Your Heart Be Light -“Jack. Sweetheart. If these cookies don’t work out,” he drops his voice to a whisper, “I’m going to have to bring store bought cookies to holiday parties.” “I won’t let that happen.” He pats Bitty’s butt and tells him to get going.

Christmas In The Air-Snowflakes swirl around them as Jack follows Bitty through the maze of trees.

Mistletoe Kisses -Shitty hangs the mistletoe in the entryway to the kitchen and it feels like a personal attack.

Snowmen and Snowball Fights- Shitty flings his bag towards the porch and dives into the snow. “C’mon Jack. The kids grow up so fast.” He points at Bitty and Bitty gasps in offence. “We have to enjoy the time we have with them.”

Do You See What I See?- Jack might have one eye on Tater but the other is on Eric Bittle, Head of Public Relations, who is standing very close to him and smells very good. Like vanilla and sugar and the spice of the mulled cider that he’s ladling into his cup.

Beneath The Winter Moon- Bitty has checked his phone every two minutes for the past hour and the only thing that ever changes on it is the time. There’s never a new text or a missed call that he didn’t hear over the sound joyful sounds of kids and adults laughing and singing as they skate around the ice. The minutes tick by, there’s no stopping them. There’s no stopping the feeling in the pit of his stomach either. He got stood up. There’s no way around it.

Love And All The Other Intangibles- Eric Bittle's fraught and opaque relationship with Christmas.

Warm Your Bones By The Light Of My Fire -Jack heads out to check on the team in the middle of a blizzard. Bitty stress bakes.

Every Time A Bell Rings- Jack gets injured during a game and when he wakes up in the hospital he's pretty sure he's looking at an angel.