#Return of the Evil Dead (1973)

[k-i-l-l-e-r-b-e-e-6-9]

Return of the Evil Dead (1973)

[doomreturn]

Return of the Evil Dead (1973)

[haveyouseenthishorrormovie]

Stats from Movies 201-300

Top 10 Movies - Highest Number of Votes

Return of the Living Dead had the most votes with 1763 votes.

The 10 Most Watched Films by Percentage

The Shining was the most watched film with 78.96% of voters saying they had seen it.

The 10 Least Watched Films by Percentage

The Human Centipede was the least watched film with 74.6% of voters saying they hadn't seen it.

The 10 Most Known Films by Percentage

The Shining was the best known film with only 0.48% of voters saying they'd never heard of it.

The 10 Least Known Films by Percentage

Late Phases was the least known film with 86.64% of voters saying they'd never heard of it.

The movies part of the statistic count and their polls below the cut.

Detention (2019) Deep Freeze (2001) Five Nights at Freddy's (2023) The Boy (2016) Spree (2020) They Look Like People (2015) Proxy (2013) 28 Days Later (2002) Grave Encounters (2011) Creature from the Black Lagoon (1954)

The Cabinet of Dr. Caligari (1920) Nosferatu (1922) The Toxic Avenger (1984) The Human Centipede (First Sequence) (2009) Tetsuo: The Iron Man (1989) Haunt (2019) Blood Quantum (2019) Videodrome (1983) Splinter (2008) The Last Days on Mars (2013)

Late Phases (2014) The Wolf of Snow Hollow (2020) Watcher (2022) The Blackening (2022) No One Will Save You (2023) The Sadness (2021) Sleepwalkers (1992) Mimic (1997) His House (2020) Get Out (2017)

Barbarian (2022) Bodies Bodies Bodies (2022) Men (2022) Phantasm (1979) The Belko Experiment (2016) The Purge (2013) The Strangers (2008) The Strangers: Prey at Night (2018) Overlord (2018) Sinister (2012)

Candyman (2021) The Shining (1980) Doctor Sleep (2019) The Stuff (1985) The Blob (1988) Signs (2002) The Visit (2015) The Fly (1958) Sleepaway Camp (1983) The Brood (1979)

Intruder (1989) The Evil Dead (1981) Evil Dead II (1987) Army of Darkness (1992) Evil Dead (2013) Evil Dead Rise (2023) Pontypool (2008) Final Destination (2000) Final Destination 2 (2003) Final Destination 3 (2006)

The Final Destination (2009) Final Destination 5 (2011) StageFright (1987) Invasion of the Body Snatchers (1956) Invasion of the Body Snatchers (1978) Ju-on: The Grudge (2002) Centipede! (2004) Excision (2008) Return of the Living Dead (1985 Frankenhooker (1990)

Crash (1996) Orca (1977) Wish Upon (2017) Things (1989) Cooties (2014) Glorious (2022) Terrified (2017) Diabolique (1955) In My Skin (2002) Death Bed: The Bed That Eats (1977)

Funhouse (2019) Blood Rage (1987) Carnival of Souls (1962) The Curse of Frankenstein (1957) Horror of Dracula (1958) Bride of Frankenstein (1935) City of the Living Dead (1980) Piercing (2018) Spider Baby (1967) The Haunting (1963)

What Ever Happened to Baby Jane? (1962) Malatesta's Carnival of Blood (1973) The Blob (1958) Tourist Trap (1979) Death Game (1977) Knock Knock (2015) Funny Games (1997) Funny Games (2007) The Company of Wolves (1984) The Stepford Wives (1975)

[frankendykes-monster]

Countdown to Halloween 2023, Ranked

43. Swamp Thing (1982)

42. Curse of Bigfoot (1975)

41. The Haunting (1999)

40. Orca (1977)

39. Teenagers Battle The Thing (1958)

38. The Beast (1975)

37. Don't Go in The House (1979)

36. Countess Dracula (1971)

35. Hillbillys in a Haunted House (1967)

34. Beware! The Blob (1972)

33. Alien Space Avenger (1989)

32. Baby Blood (1990)

31. Shriek of The Mutilated (1974)

30. The Mutations (1974)

29. Phase IV (1974)

28. Curse of The Faceless Man (1958)

27. The Sadist (1963)

26. Jennifer (1978)

25. The Wasp Woman (1959)

24. Noroi: The Curse (2005)

23. Girls Nite Out (1982)

22. The Monster of Piedras Blancas (1959)

21. The Cat and The Canary (1927)

20. Tell Your Children (Reefer Madness, 1936)

19. The Company of Wolves (1984)

18. It's Alive (1974)

17. The Wolf House (2018)

16. Michael Jackson's Halloween (2017)

15. The Girl Who Knew Too Much (1963)

14. The Omega Man (1971)

13. Gamera: Rebirth (2023)

12. Student Bodies (1981)

11. Night Caller From Outer Space (1965)

10. Inhumanoids (episodes 1 - 5, 1986)

9. Blind Woman's Curse (1970)

8. Maniac (1980)

7. The Child (1977)

6. Zombie 3 (1988)

5. Return of The Living Dead (1985)

4. Spider Baby (1967)

3. Basket Case (1982)

2. Messiah of Evil (1973)

Godzilla (1954)

Woof. Okay. This has been a mostly disappointing viewing experience.

Critical difference between this year's countdown and the past two is that now that I have stable employment, there is far less time to be watching horror films. I normally begin the countdown in September but we started in July of this year and still barely managed to crack 40, with my original goal being a full 100 this year. Timing. As such a lot of my plans and possible viewings were cut short and compared to last year specifically we fell back on a lot of "seen it already" at least for the top of the list.

This year's batch of viewings were largely blah, but a step up from the shitshow I put myself through last year (watching nearly every Texas Chainsaw sequel does things to a person). As such it'll be difficult to conjure up words for a decent chunk of these mostly because yes, these movies exist, I watched them, I would not recommend that you yourself watch them. That is all. If I write briefly on a given film that's not necessarily an indictment of its quality as there a decent number of these that I saw and enjoyed it's just their impact might be a bit fleeting. You will know which ones I actively disliked. I mostly just want to write about the top five or so but I will play fair.

Our grand loser this year is Swamp Thing, the DC Comics adaptation by Wes Craven. I watched this pretty much entirely because I finally got the Alan Moore Swamp Thing run in paperback this year after quite some time of having it on my to-buy list. Longtime Rachael/Ray/Ratchet fans may recall me reading it in early 2019 alongside [REDACTED]. Still one of the best Moore comics, and a second volume of Swamp Thing wouldn't have been possible without the success of this film. For context I did read the early Swampies by Len Wein and Bernie Wrightson and my general reaction to those was a'ight but there was definitely material for a serviceable film adaptation there. This is not that serviceable film adaptation. I'm not hung up on details like how Abigail has no connection to Arcane now despite being his niece in the comics, but this film is just kind of painful in how relatively unambitious it is which is saying something for Swamp Thing sword fighting another human mutation at the end of this. It's just silly and stupid and not scary or awe inspiring or anything, the Swamp Thing suit sucks, the action sucks, any sense of pathos is not there or gone, it stretches for 30 minutes too long like it's a padded TV pilot, the only highlight is being able to see Adrienne Barbeau's breasts. Fuck this it's a miserable experience to sit through. My mistake for watching a Wes Craven film that doesn't have "Scream" in the title.

Our next shitter is the two-for-one abomination that is Teenagers Battle The Thing (1958) and Curse of Bigfoot (1975); these are the same movie except Curse of Bigfoot has a 25 minute opening scene framing device that is bizarre given that "The Thing" of the original film is a Native American mummy of some sort unearthed by a group of white high school students. It's the rare personal pet project movie made for fun by some locals but the only highlights are the occasional kill scene, Curse of Bigfoot ranks lower just for making me sit through it longer. Blah.

Speedrunning through a bunch of these because theyre all varying degrees of bad and I don't want to spend any longer writing about these than you probably do reading about them: The Haunting is awful and I don't even super care for the original film so adding shitty CGI monsters and a moral lesson of "it's about family!" doesn't help. Orca is a shitty Jaws cash-in that's like a reverse Moby Dick where the sea animal hunts down the human, nice finale where the orca and shitty poacher guy are fighting it out in the Arctic but otherwise avoid. Don't Go in The House is a mysoginistic torture porn movie that really doesn't sell the "seemingly normal guy is a closet nutcase" thing even though movies made before and after have done it well (see Maniac several paragraphs below). The Beast is advertised as this really scandalous porno film but most of it is French aristocrats sitting around in stuffy rooms arguing about real estate. I think I only watched Countess Dracula for its inclusion in the "if this is her vibe I would fucking cum" meme and it's barely worth bringing up at all. Hillbillys in a Haunted House has an absolutely lovely Tennessee country soundtrack that I wish I could listen to without having to watch the actual movie which is devoid of both scares and laughs. Beware! The Blob gives off the feeling of sitting at a funeral for a family member that was just distant enough for you to be aware of them but not actually be upset but it's still a funeral so it's not like you're smiling, stick with the 1988 Blob film. Alien Space Avenger has some decent gore effects but that's all I can recall from it. Shriek of The Mutilated has one of the best titles for an otherwise uninspired yeti movie that has a needless third act twist about it being a cover for a cult and blah blah blah fuck you. Baby Blood has an alien mutant whatever crawl up a woman's vagina into her womb and she has to eat people to feed it and yeah I'm actually struggling to remember what happens here. The Mutations has a scene where a guy cuts into a tree and it bleeds, I think he's played by Donald Pleasance. Yeah, it's like Freaks except it plays to the freak show straight so you get to laugh at all the outcasts of society, no thank you.

Some odds and ends that I'd say are decent-to-pretty-good: Phase IV has some footage of ants and synth music. All you need is some footage of ants and synth music. Curse of The Faceless Man employs a rarely seen archetype of the living statue monster, it's cute. The Sadist is another starring vehicle for Arch Hall Jr., who was also the star of last Halloween's Eegah! (1962), though this film is a bold trendsetter for the 1960's with Hall being a unhinged killer holding people for ransom until they can fix his car and he can make a getaway. The film lives and dies by Hall's performance and it's mostly the latter until we get to an absolutely superb final act with him hunting down his remaining victims, it makes the whole film worth seeing. Jennifer is an oddball that plays out mostly like a character drama ("It wasn't my fault Daddy it was that stupid hillbilly bitch Jennifer") that suddenly remembers that it's supposed to be a cash-in of Carrie (1976) in the last 20 minutes and cue our titular character being able to summon and control snakes to send after her tormentors. Girls Nite Out is a plodding meandering slasher that's oddly hypnotizing considering so much of it takes place in pitch-black night and the killer is wearing a bear mascot costume with serrated knives hidden under the glove, not sure what fully to make of it. The Monster of Piedras Blancas is made up of leftover parts from the Gillman, Mole People, and Metaluna Mutant, but still manages to star in a decent enough film that gives a sense of what a series of monster attacks would do to a small seaside community. The Cat and The Canary is "cute" for lack of a better term being a horror comedy before the former genre had fully crystalized. Reefer Madness is horror adjacent more than anything but a hilariously good time about how the use of "marihuana" will drive today's youth into becoming crazed fiends and get involved in organized crime.

We can do this.

The Company of Wolves has an excellent story book like setting an atmosphere that you can't get in films nowadays and it's a shame that it's mostly remembered for its transformation sequences. it's Alive is the best Larry Cohen film by default of not sucking but it's still not "great", genius however for playing the concept of mutant newborn killer baby completely seriously without any sense of humor to the proceedings. The Girl Who Knew Too Much is almost a parody of giallo films which is interesting given those hadn't fully sprang up in 1963; absolute highlight is the main character being interviewed in bed by doctors and reporters and the like that yes she did see a murder and no she doesn't drink. I've always been fascinated and haunted by I Am Legend and while The Omega Man doesn't really capture the novel to a superb degree it's so beautifully shot that it lands high in the rankings for that alone. Night Caller From Outer Space is hilarious to me because of how it shifts halfway through from a Hammer-esque mystery about a meteorite with radioactive properties to a film about an alien that lures women in through a modeling advertisement. Blind Woman's Curse I've mentally confused with Irezumi for a while now (haha all 1960's Japanese genre films where woman have large animal tattoos on their backs are the saaame), and it's one I mostly watched for being directed by Teruo Ishii, but there's enough bloody yakuza fights and cats licking up blood for me to stick around; not the strongest Meiko Kaiji vehicle compared to Female Prisoner Scorpion or Lady Snowblood. Maniac I find mostly interesting as a precursor to American Psycho (2000) but also it's probably the only serious film to successfully pull off it's ending trope (which I will not spoil here). The Child is an absolutely lovely 1970's only-a-dozen-people-made-this-and-not-much-more-watched-it horror that oozes atmosphere, I could watch stuff like this all day. Aaand Zombie 3 is far and away the best film that Lucio Fulci has been involved with that I've ever seen. I love random scenes and set pieces of ghouls just massacring people that are shit out out of luck.

Okay, now for the ones I actually want to write about.

The Wasp Woman is one that sticks in my head way more than any other random monster movie that Roger Corman directed in the latw 1950's. I've said on here and Letterboxd that it could have served as a standard pop-feminist piece about how the cosmetology industry is built on misogyny and invariably a monster is accidentally created because of that, but this most recent viewing has made me sort of "get it" because that might be what the film is going for considering Susan Cabot's performance leads me to believe that she is aware that she is becoming a homicidal wasp monster but views it as a tragic means to an end where she still has the ability to have a new advertising campaign with her as the star. Tragic. This is why you don't wear make up.

Both Noroi: The Curse and The Wolf House are ones I didn't care for whatsoever but I put them in places on the ranking that I thought were fair given that people should probably watch them regardless of my personal thoughts. Noroi's format didn't really lend itself to the escalation of tension and reveal of information that the plot demanded and I found myself thinking it meanders quite a bit. The Wolf House was an odd one where everything that was happening onscreen bounced off of me mostly because I felt intimately aware that I was watching a movie, that someone had made something and that I was now being shown it. Blah. People like these so don't let me stop you.

Our animated offerings this year...

Michael Jackson's Halloween more than anything feels like an unlicensed creation that later had an English fan dub commissioned, not something that actually aired on CBS twice. Any laughs that I found in this thing were the unintentional type as we open up with Bubbles talking and being Jackson's chauffeur; you know exactly what you're getting into. Very little of the plot is explained but I'm assuming Jackson (who has no lines given this was made posthumously) orchestrates a dark fantasy adventure to hook two...teenagers? People in their late 20's? And convince them to follow their dreams of performing instead of working a deadend dayjob. I'm not sure who the actual audience for this was given it feels like so much of it was made for children but I will say anything that has this much of Michael Jackson's music in it can't be all bad, though I'm not sure why they didn't largely stick with tracks from the album Thriller (in the contention for best album ever, I don't care).

Gamera: Rebirth is one I feel like I'm on the outside on compared to most other tokusatsu fans because I didn't really *love* to a serious degree even though, yes, Gamera is finally back. The first three episodes are mostly just kind of a slog for me with the backhalf not doing enough to retroactively make me think highly of it, though giving off End of Evangelion vibes may make me consider that a second viewing must be in order down the line. Rebirth's strongest attribute is that it feels like it takes into consideration and influence from every prior era of Gamera, no stone is left unturned, and it's a marked contrast from how every recent Godzilla property only captures a single facet of their respective character. But that also creates unique issues like how a lot of criticism of ongoing US military presence in Japan is undercut so there can be a white kid in the main cast (because white children were always present in half of the Showa series) or having the ancient civilization that genetically engineered the kaiju now being malicious and actively sacrificing children as a means of reshaping the world gives me vaguely anti-semitic tones, I don't know, Gamera is still here, I guess.

"I was just a little twerp who liked Scooby-Doo and Smurfs, now I was viewing Cthulhu mutants ruin the Earth."

Everyday that we have Inhumanoids is a gift. Inhumanoids is another Hasbro/Sunbow production like G. I. Joe, Transformers, or Jem and The Holograms, and it is truly tragic that it never got anywhere near that level of attention compared to its siblings. The fact that a 1980's action figure tie-in cartoon is named for its antagonists is only the start; the series follows a small paramilitary outfit of scientists named Earth Core that are tasked with more or less saving the world alongside the Mutores, elemental beings, when the Inhumanoids, eldritch abominations, are unleashed. The degree of world-building beyond your typical "good guys vs. bad guys" affair is astounding with villainous humans and virtuous monsters abounding, but Inhumanoids is mostly magical and remembered for saying fuck all to any type of broadcast standards. Seeing giant monsters destroy cities, undead armies, and spelunking deep into the Earth (where nightmares begin...) are just standard fair here, as are witnessing the actual Inhumanoids such as Metlar (basically the devil) or D'Compose (giant undead entity that can zombify people by touching them and uses his ribcage like a jail cell) in action. The first five episodes here are the pilot movie of sorts for the series which only lasted thirteen overall, and they get more grissly from here on out, but maybe it's best that Inhumanoids is the short lived cartoon and no the cartoon that went soft as early as its second season. I will never not love this show, to this day it's one of my favorite animated series from any decade, much less the 1980's.

Back to our regularly scheduled live-action programming...

Student Bodies is a fascinating film for a myriad of reasons the first of which is that there were somehow enough slasher films by 1981 for there to be a comedy poking fun at all the already established genre-cliches. It's essentially Scary Movie (2000) a full 20 years ahead of the curve only actually funny in spite of the subject matter frequently being as juvenile and prejudiced; but it also reminds me quite a bit of Scream (1996) with stuff like two killers working together. All I know is I was in for a decent time when the film opens with three identical shots of a house just with different framing text: "HALLOWEEN," "FRIDAY THE 13TH," "JAMIE LEE CURTIS' BIRTHDAY" and then the killer, The Breather, calls the opening kill girl doing nothing but breathing heavily, she hangs up, he calls back with "I SAID [heavy breathing]."

Return of The Living Dead is one of those films that should have destroyed the any artifically-imposed boundaries between "high" and "low" art. Every aspect of this film is brilliantly made, it just so happens to be made for stuff like Scooby-Doo music overlaid on top of thunderstorms over graveyards where one female character is stripping to the concept of dying. Media involving ghouls is incredibly oversaturated, and this was still the case in the 1980's where a film like this had to redefine the rules to make it so killing ghouls was basically a non-option. It only recently struck me on this viewing that that's the whole purpose of removing virtually all weaknesses they have, to keep the characters as the nail instead of the hammer. Compared to the Romero films, there's never a point where anyone is in control of the situation, it just escalates further and further until there is literally no way out. Taking that into consideration, there's no way this film couldn't have been a comedy that frames people getting swarmed and eaten by ghouls as hilarious.

The soundtrack and the faux-punk sensibilities lend this a daft feeling of "you shouldn't be watching this" in spite of it not being one of the MOST gory horror films of the 1980's. I still don't get how this never broke into the mainstream. I mean somehow people know that ghouls (in this film) speak and only eat brains but I can't go down to Target and get a Tarman action figure like I can one of Michael Myers. As such Return of The Living Dead remains a criminally overlooked film regardless of its subject matter. It's made me laugh and cringe and feel disgusted and revolt at the concept at dying but mostly it's made me feel a delicious sense of joy at seeing corpses rise out of the ground to the tune of "Do you wanna party? IT'S PARTY TIIIME!" Some of you need to sit in the corner and think about your life choices for making stupid shit like Re-Animator (1985) or fucking Shaun of The Dead (2004) more popular than this, fuck you.

The act of watching Spider Baby is like discovering the missing link. For as much as 1960 gave us an explosion of horror (Eyes Without a Face, The Ship of Monsters, Psycho, Jigoku, Black Sunday, etc.) and Night of The Living Dead (1968) reins as the perennial transition point of the genre, Spider Baby is the road by which we go from The Cat and The Canary and The Old Dark House to the likes of The Texas Chainsaw Massacre and Eraserhead, it's magical finding an essential piece of a genre you love so much. Both the former and latter points of comparison are apt as a family of now only children [and their butler] suffering from Poe-esque hereditary illness have their condemned house set upon by distant relatives and everything slowly unravels.

Lon Chaney Jr. is an actor who for the longest time I felt never got a proper chance to shine wherein the last 25 years or so of his career was spent playing as side character actor in independent films. Spider Baby is his crowning achievement. Seeing him smile through almost tears on several occasions as he has to play bridge between worlds of sanity and madness and lie to everyone that he has some sense of control over the situation is brilliant in ways I always knew he was capable of but had never seen before this point. Bravo.

I will never not love Basket Case with everything I've got. This is the epitome of 1980's horror and my clear pick for best of the decade. It has everything from being a grungy putrid grindhouse spectacle to being an intimate character drama to everything presented through a wry ironic lense where you can't tell if any "bad" performances are all done on purpose. Between this, Brain Damage (1988), and Frankenhooker (1990), there is literally absolutely no reason why Frank Henenlotter shouldn't be more popular than Stuart Gordon, Brian Yuzna, and Lloyd Kaufman *combined*. It's tragic that the world of cinema being enclosed and captured by studios again in the late 1980's prevented us from getting more from him, but realistically could we ask anymore than what we already got from Basket Case? I could watch this every day and never grow tired of it. I will never stop making more and more people watch this.

If Basket Case is the apex of 1980's horror, then Messiah of Evil is the same for 1970's horror. This is one of the most efficient horror films ever made in how not a single frame is wasted, the opening scene is literally a guy running from unseen force, seeking refuge, getting his throat slit, cue title card with synth music that then leads us to a sunburnt hallway as our narrator descends into acceptance of complete lack of control of the situation. Every night shot in this film must be 50 - 75% completely black with whatever headlight or store front there is just making the scenery look like a dollhouse that our characters are trapped inside. There's so many shots of people running away or walking down streets that make them look tiny as the camera is so far.

Every scene is an exercise in building up dread. There's no point where the film relents, something awful is not only coming, it's already here and there's nothing anyone can do. What I love particularly is that the mystery being laid out doesn't offer any answers because there's another mystery on top of what our characters find out only too late. Layers upon layers of dread that even the titular Messiah of Evil isn't the center of. The world is a cruel fucking place where this film languishes in obscurity whilst shit like The Exorcist enjoys mainstream attention. A lot of my taste amounts to "why isn't this thing I like more popular" and cases like Messiah of Evil vindicate me.

"Godzilla is the son of the atomic bomb. He is a nightmare created out of the darkness of the human soul. He is the sacred beast of the apocalypse." - Tomoyuki Tanaka

Generally a yearly trend is that a #1 pick for Halloween is self-evident to me and this year it was Basket Case for all of 30 seconds until I picked Godzilla back up.

There's something to be said how Godzilla isn't quite a horror monster? Terrifying but not necessarily creepy, but what power do things that go bump in the night have against the destruction of everything you know? Everytime I watch Godzilla is like the very first time, when flashing lights out at sea destroy fishing ships I have no idea what happened, or at least any much of a clue as anyone in film does when we're told that the entire ocean exploded.

Godzilla is a reptile, but lacks scales and its entire body is coated in keloid scars. In 1954 Godzilla must have been the largest monster every committed to film, trains are derailed from running against its ankle and bell and radio towers are throttled for being a sensory inconvenience. Godzilla's first on-screen appearance on Odo Island is obscured by a hurricane but the impression is clear; you can't fight Godzilla in the same way you can't fight a natural disaster. When Tokyo is reduced to complete ruin amidst a sea of flames, it's an onslaught of destruction never before seen in a film of this genre. Survivors being afflicted with radiation poisoning shows that Godzilla will claim victims long after being driven back to sea.

There's a sheer apocalyptic dread to all of this sensed by all the characters. Love tries to exist on the edge of annihilation. There's nothing that can be done but persevere and maybe hope tomorrow will be better. A scene that always strikes me is when Serizawa is adamant about not using the Oxygen Destroyer until forcibly confronted with the results of one night of Godzilla making landfall in Japan. The absolute pain felt by everyone in the finale starts here, things couldn't play out any differently as the "scientist of the century" can't join in and celebrate his victory.

Godzilla is a rare perfect film. I will never tire of it.

[myhauntedsalem]

The Seventh Sons Will Turn into Werewolves !

Argentina Has a Superstition That Seventh Sons Will Turn into Werewolves

According to the myth, the seventh son of the seventh son is particularly at risk, and more prone to fall victim to the curse.

In Argentina, the werewolf is referred to as el lobison; in Paraguay it goes by the name Luison, and in Brazil it’s called the Lobisomem. The Independent elaborates on the South American legend:

The werewolf-like creature shows its true nature on the first Friday after boy’s 13th birthday, the legend says, turning the boy into a demon at midnight during every full moon, doomed to hunt and kill before returning to human form.

As well as feeding on excrement, unbaptized babies, and the flesh of the recently dead, the lobison was said to be unnaturally strong and able to spread its curse with a bite.

In Guaraní mythology, the lobison is the offspring of Tau, an evil spirit, and Kerana, a mortal woman. In the cultures that believe in the lobison, that creature acts as a sort of Grim Reaper, whose mere presence means that death will soon befall those it comes into contact with.

The fear of this creature was so acute in Argentina that families sometimes murdered their seventh sons to prevent the legend from coming true. So in 1907, in an attempt to stop this practice, the Argentinean president began adopting seventh sons, which the president insisted would stop the curse.

In 1973, for unknown reasons the presidential adoption tradition was also extended to seventh daughters.

[sourweather-fics]

Hi, it's me AGAIN !!!! But i'm obsessed with Lonely Eyes and I was wondering if you have a list of all the books/movies that Will recommended and talked about!!!!! If not i'll skim through it to find them all but i thought i'd ask!!! 🫀🫀🫀 have a lovely day 💗💗💗 (- June on ao3 ☺️)

JUNE!!! you've been brightening my week so much you've got no idea<3

I, too, am obsessed with LE, so compiling this was super fun for me ehehe. theres overlap on certain things because they're in multiple categories but eh so it goes. I THINK I got everything so far? I might have missed one or two but I tried lol

Books:

Pride and Prejudice by Jane Austen

The Exorcist by William Peter Blatty

Frankenstein by Mary Shelley (Will's favorite)

At the Mountains of Madness by H.P. Lovecraft

Val Lewton: The Reality of Terror by Joel E Siegel

Slaughterhouse Five by Kurt Vonnegut (chapter title reference only)

Movies:

Poltergeist (1982)

Invasion of the Body Snatchers (1978)

The Exorcist (1973)

The Evil Dead (1981)

The Evil Dead 2 (1987)

Alien (1979)

Lawnmower Man (1992)

The Thing (1982) (Will's Favorite)

Basic Instinct (1992)

Return of the Jedi (1983)

Little Shop of Horrors (1986)

Heathers (1989)

Carrie (1976)

Pretty in Pink (1986)

Poems:

The Kiss by Anne Sexton (Will's favorite)

Just Once by Anne Sexton

Beast I, original

Song in a Minor Key by Dorothy Parker

The Triumph of Achilles by Louise Gluck

Having a Coke with You by Frank O'Hara

Beast II, Original

Beast III, Original

To You by Frank O'Hara

Songs:

Sitting On Top of the World by Doc Watson

Forever Young by Alphaville

Landslide by Fleetwood Mac

Songs Referenced in Meta (ie chapter titles):

Lonely Eyes by The Front Bottoms

Freeze Your Brain, Big Fun and Seventeen from the musical Heathers

Forever Young by Alphaville

Sorry For Me by Ricky Montgomery

Landslide by Fleetwood Mac

High Time by Kacey Musgraves

[sexymonstersupercreep]

The Movie Gallery - favorite film posters

.... The Valley (1972) .... Wings of Desire (1987) .... Man of Flowers (1983) .... Venezia (2019) .... The Evil Dead (1981) .... Come to Daddy (2019) .... Antichrist (2009) .... The Emigrants (1971) .... The Return of Magellan (1973) .... In the Mood For Love (2000) ....

[gotankgo]

Messiah of Evil: The Second Coming aka Dead People or Revenge of the Screaming Dead or The Second Coming or Return of the Living Dead

Directed by Willard Huyck and Gloria Katz - USA 1973

[k-i-l-l-e-r-b-e-e-6-9]

Return of the Blind Dead, also known as The Return of the Evil Dead (1973) written and directed by Amando de Ossorio.

[lady-of-glass-and-bone]

Duck's Halloween Movie Picks!

I love Halloween and spooky season in general. So here's my list of many, many (but not all) horror movies to watch this October!

🧠 Zombies 🧠

Sometimes dead is better.

Night of the Living Dead (1968) & (1990)

Return of the Living Dead (1985)

Diary of the Dead (2007)

Dawn of the Dead (2004)

Overlord (2018)

Pet Semetary (1989)

Dead Snow (2009)

Dead Alive (1992)

#alive (2020)

Train to Busan (2016)

Little Monsters (2019)

Scouts Guide to the Zombie Apocalypse (2015)

Zombie (1979)

Wonderfully Witchy

It isn't Halloween without a witch.

The Witch (2015)

The Craft (1996)

Practical Magic (not a horror movie but I don't care, I love it) (1998)

Hocus Pocus (a true classic) (1993)

The Blair Witch Project (1999)

Don't Knock Twice (2016)

Drag Me To Hell (2009)

Ghastly Ghouls

Ghosts, Demons, and Poltergeists oh my!

Includes but is not limited to: haunted houses and/or people, demons, cursed objects, beings from other dimensions, etc.

The Exorcist (1973)

Insidious (2010)

The Conjuring (2013)

The Nun (2018)

Poltergeist (1982)

Verónica (2017)

Hellraiser (1987) & (2022)

Candyman (1992) & (2021)

Thir13en Ghosts (2001)

The Shining (1980)

Evil Dead (1981)

The Fog (1980)

Paranormal Activity (2007)

House on Haunted Hill (1959) & (1999)

The Frighteners (1996)

House (1985)

Hell House LLC (2015)

Pumpkinhead (1988)

Gonjian: Haunted Asylum (2018)

Possession (1981)

Carnival of Souls (1962)

Ringu (1998)

The Entity (1982)

Vicious Vampires

Because they're bloody sexy.

Nosferatu (1922)

Bram Stoker's Dracula (1999) plus all the other million dracula movies

Interview with a Vampire (1994)

30 Days of Night (2007)

Boys From County Hell (2020)

Underworld (2003)

Bloodsucking Bastards (2015)

Near Dark (1988)

Salems Lot (1979)

From Dusk Till Dawn (1996)

Fright Night (1985) & (2011)

Stakeland (2010)

The Black Water Vampire (2014)

Werewolves

Fluffy and vicious, the perfect combo.

Dog Soldiers (2002)

An American Werewolf in London (1981)

Night of the Wolf: Late Phases (2014)

Ginger Snaps (2001)

The Wolf Man (1941) & (2010)

The Company of Wolves (1984)

Cursed (2005)

The Wolf of Snow Hollow (2020)

Howl (2015)

The Howling (1981)

Silver Bullet (1985)

Wer (2014)

Bad Moon (1996)

The Beast Must Die (1974)

Miscellaneous Monsters

All monsters need love, not just the classics.

The Creature from the Black Lagoon (1954)

The Mummy (1999)

Frankenstein

Wishmaster (1997)

Eight Legged Freaks (2002)

Feast (2007)

IT (1990) & (2017)

The Descent (2005)

Jaws (1975)

Jeepers Creepers 1 + 2 (2001) & (2003)

Horror Express (1972)

Cold Ground (2017)

Devil's Pass (2013)

The Ruins (2008)

Cabin in the Woods (2011)

The Monster Squad (1987)

Under Wraps (1997)

The Babadook (2014)

Slashers

Because people are scary too.

The Texas Chain Saw Massacre (1974)

Friday the 13th (1980)

A Nightmare on Elm Street (1984)

Halloween (1978)

The Collector (2009)

House of Wax (2005)

The Strangers (2008)

The Crazies (1973) & (2010)

SAW (2004)

Scream (1996)

The Hills Have Eyes (1977) & (2006)

The Burning (1981)

The People Under The Stairs (1991)

Sleepaway Camp (1983)

Slumber Party Massacre (1982)

Terror Train (1980)

Stage Fright (2014)

You Might Be The Killer (2018)

The Toolbox Murders (1978)

Hell Fest (2018)

Revenge (2018)

The Invitation (2016)

Audition (1999)

It Came From Space!

As if space isn't scary enough on it's own.

Includes: anything sci-fi related, not just space stuff.

The Thing (1982)

Alien (1979)

Predator (1987)

AVP: Alien vs. Predator (2004)

Event Horizon (1997)

DOOM (2005)

Monsters (2010)

Re-Animator (1985)

Bride of Re-Animator (1990)

Pandorum (2009)

Chopping Mall (1986)

The McPherson Tape (1989)

Extraterrestrial (2014)

Always Anthology

The more the scarier!

Creepshow (1982)

Creepshow 2 (1987)

Tales from the Hood (1995)

V/H/S (2012)

V/H/S: 2 (2013)

V/H/S: 94 (2021)

V/H/S: 99 (2022)

Body Bags (1993)

Asylum (1972)

Trick 'r Treat (2015)

All Hallows' Eve (2019)

Holiday Specials

We can't leave out these holidays during spooky season!

My Bloody Valentine (1981) & (2009)

Prom Night (1980)

April Fool's Day (1986)

Black Christmas (1974)

[weirdlookindog]

El ataque de los muertos sin ojos (1973) - German lobby cards

AKA The Return of the Evil Dead, Attack of the Blind Dead, Return of the Blind Dead, Mark of the Devil 5: Return of the Blind Dead, Mark of the Devil Part V: Night of the Blind Terror, Mark of the Devil V

[haveyouseenthishorrormovie]

Stats from Movies 1101-1200

Top 10 Movies - Highest Number of Votes

Plan 9 from Outer Space (1957) had the most votes with 1,168 votes. The Old Dark House (1963) had the least votes with 338 votes.

The 10 Most Watched Films by Percentage

Silence of the Lambs (1991) was the most watched film with 78.1% of voters out of 691 saying they had seen it. Stalker (2022) had the least "Yes" votes with 0.4% of voters out of 471.

The 10 Least Watched Films by Percentage

Winnie the Pooh: Blood and Honey (2023) was the least watched film with 79.1% of voters out of 611 saying they hadn’t seen it. Kraa! The Sea Monster (1998) had the least "No" votes with 6.8% of voters out of 381.

The 10 Most Known Films by Percentage

Silence of the Lambs (1991) was the best known film, 0.7% of voters out of 691 saying they’d never heard of it.

The 10 Least Known Films by Percentage

Kraa! The Sea Monster (1998) was the least known film, 91.9% of voters out of 381 saying they’d never heard of it.

The movies part of the statistic count and their polls below the cut.

Mother! (2017) Ma (2019) What We Do in the Shadows (2014) Swallow (2019) Suspiria (2018) Nothing But Trouble (1991) Chernobyl Diaries (2012) Return of the Living Dead II (1988) Pyewacket (2017) Hellbender (2021)

Gwen (2018) Lake of Death (2019) Leptirica (1973) You Are Not My Mother (2021) Censor (2021) You Won't Be Alone (2022) Stalker (2022) Berlin Syndrome (2017) Mandrake (2022) Raven's Hollow (2022)

Outpost (2022) Violation (2020) Unwelcome (2022) Brooklyn 45 (2023) Lovely, Dark, and Deep (2023) They (2002) Honeydew (2020) Ouija: Origin of Evil (2016) Alone (Pandemic) (2020) Alone (2020)

Dark Was the Night (2014) Animal (2014) White Zombie (1932) Venus in Furs (1969) Umma (2022) Renfield (2023) Winnie-the-Pooh: Blood and Honey (2023) The Silence of the Lambs (1991) Earth vs. the Spider (1958) Wicked City (1987)

The Uninvited (2008) The House That Jack Built (2018) Viy (1967) The Pope's Exorcist (2023) Winchester (2018) The Ruins (2008) The Old Dark House (1963) The Shrine (2010) The Head Hunter (2018) Under the Skin (2013)

The Lure (2015) The Sand (2015) Emesis Blue (2023) Where the Devil Roams (2023) The Deeper You Dig (2019) The Hatred (2017) Tokyo Gore Police (2008) Teddy (2020) The Night Stalker (1972) Wishmaster (1997)

DeepStar Six (1989) Plan 9 from Outer Space (1957) The Quatermass Xperiment (1955) The Monster Club (1981) Abbott and Costello Meet Frankenstein (1948) The Tingler (1959) Obereg (1991) The House That Cried Murder (1973) Scalpel (1977) Out of Darkness (2022)

Reincarnation (2005) Howling Village (2019) Suicide Forest Village (2021) The Forest (2015) Don't Look Up (1996) Kaidan (2007) The Dinosaur Project (2012) Exists (2014) Spook Louder (1943) Death Kappa (2010)

Red Dragon (2002) A Bucket of Blood (1959) Resident Evil: Apocalypse (2004) Resident Evil: Afterlife (2010) Kraa! The Sea Monster (1998) Stacy: Attack of the Schoolgirl Zombies (2001) Gingerdead Man 3: Saturday Night Cleaver (2011) Wake Wood (2009) The Resident (2011) Sweet Home (1989)

The Silence (2019) #Alive (2020) Lord of Misrule (2023) The Day of the Beast (1995) Rigor Mortis (2013) Bloody Chainsaw Girl (2016) Freaked (1993) Demon Seed (1977) Raging Grace (2023) Safe (1995)

[voluptuarian]

An expansion for my 365(ish) Days watch list featuring 100+ more movies from 100+ years of film, offering increasingly obscure titles and focus on world cinema.

The link above goes to the Letterboxd list, while the text list can be found below the cut. Happy viewing!

The Adventures of Prince Achmed (1926)

Un Chiene Andalou (1929)

Bambi (1942)

Ivan the Terrible pt. I and II (1944, 1958)

Alice in Wonderland (1951)

The White Reindeer (1952)

House of Wax (1953)

Carmen Jones (1954)

Night of the Hunter (1955)

Sayonara (1957)

Elevator to the Gallows (1958)

The Innocents (1961)

Carnival of Souls (1962)

The Leopard (1963)

The Great Escape (1963)

The Ipcress File (1965)

Persona (1966)

Le Samouraï (1967)

Witchfinder General (1968)

The Lion in Winter (1968)

La Piscine (1969)

The Color of Pomegranates (1969)

Satyricon (1969)

Midnight Cowboy (1969)

Donkey Skin (1970)

Don't Deliver Us From Evil (1971)

Brother Sun, Sister Moon (1972)

Aguirre, the Wrath of God (1972)

Immoral Tales (1973)

Penda's Fen (1974)

Murder on the Orient Express (1974)

Picnic at Hanging Rock (1975)

Salo (1975)

Hedgehog in the Fog (1975)

The Mirror (1975)

Marie Poupee (1976)

In the Realm of the Senses (1976)

The Black Stallion (1979)

The Blue Lagoon (1980)

Heavy Metal (1981)

An American Werewolf in London (1981)

Raiders of the Lost Ark (1981)

Son of the White Mare (1981)

The Nine-Colored Deer (1981)

Evil Dead trilogy (1981- )

The Strange Case of Dr. Jekyll and Miss Osbourne (1981)

Possession (1981)

The Return of Martin Guerre (1982)

The Living Dead Girl/La Morte Vivante (1982)

Top Gun (1986)

Little Shop of Horrors (1986)

Jean de Florette/Manon of the Spring (1986- )

Maurice (1987)

Hellraiser (1987)

Dirty Dancing (1987)

Jan Švankmajer's Alice (1988)

Who Framed Roger Rabbit (1988)

Heathers (1988)

Tetsuo: The Iron Man and Tetsuo II: The Body Hammer (1989, 1992)

The Juniper Tree (1990)

Daughters of the Dust (1991)

My Own Private Idaho (1991)

The Lover (1992)

Like Water for Chocolate (1992)

The Scent of Green Papaya (1993)

Sankofa (1993)

The Nightmare Before Christmas (1993)

La Reine Margot (1994)

The Adventures of Priscilla, Queen of the Desert (1994)

The Usual Suspects (1995)

Empire Records (1995)

To Wong Foo, Thanks for Everything! Julie Newmar (1995)

Hackers (1995)

The Watermelon Woman (1996)

Event Horizon (1997)

Starship Troopers (1997)

Kirikou and the Sorceress (1998)

The Virgin Suicides (1999)

Chocolat (2000)

Pitch Black (2000)

American Psycho (2000)

Memento (2000)

Ghost World (2001)

Irreversible (2002)

Atanarjuat: The Fast Runner (2001)

Russian Ark (2002)

Hero (2002)

A Tale of Two Sisters (2003)

Kung Fu Hustle (2004)

Blood Tea and Red String (2006)

Curse of the Golden Flower (2006)

Mongol (2007)

Repo! The Genetic Opera (2008)

Thirst (2009)

Never Let Me Go (2010)

Kick-Ass (2010)

American Mary (2012)

Skyfall (2012)

The Lobster (2015)

Kubo and the Two Strings (2016)

Loving Vincent (2017)

Annihilation (2018)

Mandy (2018)

Mad God (2021)

Hatching (2022)

[mybeautifulchristianjourney]

The Weak and the Strong

1 Accept the one whose faith is weak, without quarreling over disputable matters. 2 One person’s faith allows them to eat anything, but another, whose faith is weak, eats only vegetables. 3 The one who eats everything must not treat with contempt the one who does not, and the one who does not eat everything must not judge the one who does, for God has accepted them. 4 Who are you to judge someone else’s servant? To their own master, servants stand or fall. And they will stand, for the Lord is able to make them stand.

5 One person considers one day more sacred than another; another considers every day alike. Each of them should be fully convinced in their own mind. 6 Whoever regards one day as special does so to the Lord. Whoever eats meat does so to the Lord, for they give thanks to God; and whoever abstains does so to the Lord and gives thanks to God. 7 For none of us lives for ourselves alone, and none of us dies for ourselves alone. 8 If we live, we live for the Lord; and if we die, we die for the Lord. So, whether we live or die, we belong to the Lord. 9 For this very reason, Christ died and returned to life so that he might be the Lord of both the dead and the living.

10 You, then, why do you judge your brother or sister? Or why do you treat them with contempt? For we will all stand before God’s judgment seat. 11 It is written:

“‘As surely as I live,’ says the Lord, ‘every knee will bow before me;   every tongue will acknowledge God.’”

12 So then, each of us will give an account of ourselves to God.

13 Therefore let us stop passing judgment on one another. Instead, make up your mind not to put any stumbling block or obstacle in the way of a brother or sister. 14 I am convinced, being fully persuaded in the Lord Jesus, that nothing is unclean in itself. But if anyone regards something as unclean, then for that person it is unclean. 15 If your brother or sister is distressed because of what you eat, you are no longer acting in love. Do not by your eating destroy someone for whom Christ died. 16 Therefore do not let what you know is good be spoken of as evil. 17 For the kingdom of God is not a matter of eating and drinking, but of righteousness, peace and joy in the Holy Spirit, 18 because anyone who serves Christ in this way is pleasing to God and receives human approval.

19 Let us therefore make every effort to do what leads to peace and to mutual edification. 20 Do not destroy the work of God for the sake of food. All food is clean, but it is wrong for a person to eat anything that causes someone else to stumble. 21 It is better not to eat meat or drink wine or to do anything else that will cause your brother or sister to fall.

22 So whatever you believe about these things keep between yourself and God. Blessed is the one who does not condemn himself by what he approves. 23 But whoever has doubts is condemned if they eat, because their eating is not from faith; and everything that does not come from faith is sin. — Romans 14 | New International Version (NIV) Holy Bible, New International Version®, NIV® Copyright ©1973, 1978, 1984, 2011 by Biblica, Inc.® All rights reserved worldwide. Cross References: Ruth 3:14; Psalm 34:14; Ecclesiastes 11:9; Zechariah 14:21; Matthew 7:1; Matthew 12:36; Matthew 13:21; Mark 7:2; Mark 7:19; Luke 1:1; Luke 18:9; Acts 10:15; Romans 2:1; Romans 8:38; Romans 15:1; 1 Corinthians 8:8; 1 Corinthians 8:11; Philippians 2:10; Titus 1:15; James 4:11-12; 1 Peter 2:12; 1 Peter 4:5; Revelation 14:13

[dykhaggotry]

october horror: total count: 35 longest: Mary Shelley's Frankenstein (1994) [123 minutes] shortest: My House Walk-through (2016) [12 minutes] newest: Hellraiser (2022) oldest: Frankenstein (1931) best surprise: Rob Zombie (Halloween, Halloween II: Director's Cut, Lords of Salem) best rewatch: Ring (1998) scariest: Ghostwatch (1992) best: Ginger Snaps (2000) worst: Mary Shelley's Frankenstein (1994) best camp: [tie] Slumber Party Massacre (1982)/Flesh for Frankenstein (1973) grossest: Guinea Pig 6: Mermaid in a Manhole most stressful: Difficulty Breathing (2017) funniest: The Dentist (1996) worst sequel: [tie] Hellbound: Hellraiser II (1988)/Scream 3 (2000) best sequel: Halloween II: Director's Cut (2009) Master List:

31st Difficulty Breathing (2017) Fascination (1979)

30th Guinea Pig 6: Mermaid in the Manhole (1988) My house walk-through (2016) Ghostwatch (1992)

28th Ginger Snaps (2000)

27th Frankenstein (1931)

26th Mary Shelley’s Frankenstein (1994)

25th The Stone Tape (1972)

24th Flesh for Frankenstein (1973)

23rd Unfriended: Dark Web (2018)

22nd Unfriended (2014) The Return of the Living Dead (1985)

21st Prince of Darkness (1987)

19th The Keep (1983) Hellbound: Hellraiser II (1988) A Bay of Blood (1971)

16th Slumber Party Massacre II (1987)

15th The Lords of Salem (2012)

14th The Dentist (1996)

13th Halloween II: Directors Cut (2009) Meridian (1990)

12th Shock (1977) Evil Dead Trap (1988)

11th P.O.V. A Cursed Film (2012) Ringu (1998)

10th The Slumber Party Massacre (1982)

9th Hellraiser (2022)

8th Halloween (1978) Scream 4 (2011)

7th Scream 3 (2000) Scream 2 (1997)

6th Scream (1996)

4th The Convent (2000)

3rd Halloween (2007)

[horrororman]

Return of the Blind Dead AKA The Return of the Evil Dead was released on October 29, 1973(US).

#horror