#Renoly Santiago

[haveyouseenthismovie-poll]

[celluloidrainbow]

PUNKS (2000) dir. Patrik-Ian Polk Marcus is a photographer and hopeless romantic who shoots beautiful men and imagines fairytale love stories that he never actualizes. Hill is married and living with HIV, and currently going through a rough patch with his husband, Gilbert. Dante is a spoiled, slightly rebellious rich kid and the baby of the group. Crystal is a highly polished queen living her best life while going through the wringer with her girl group. These four friends' never-ending search for Mr. Right is about to take a surprise detour into totally unexplored territory. (link in title)

[soapdispensersalesman]

Hackers (1995)

Dir. Iain Softley

Costume design by Roger Burton

[of-fear-and-love]

Matthew Lillard in Hackers (1995)

[discdogs]

I love absolutely all of the costume pieces in Hackers, they’re all such unique pieces and are so fitting for each respective character but i just wanted to share just a few of my favs that i saw on hackers curators!!

Dades party pants - “Dade wears these checkered wide-legged bondage pants to Kate's party. They were designed for Vivienne Westwood and Malcolm McLaren's World's End label, for the 1984 Hypnos collection. Dade's pants are blue and orange checked with orange details, but a light blue and yellow color was also produced.”

Phreaks BW jacket - “Phreak wears this black and white Pierre Cardin leather jacket on top of the Empire State Building during the hack battle and again when the Hackers gather around a pool table to score the battle”

Cereals velvet underground Tank - “Cereal wears this ripped 1980s The Velvet Underground tee during both Cyberdelia scenes and at Lord Nikon's apartment when he shows up to watch Hack The Planet. The shirt features the cover art from Michael Leigh's controversial novel from which the band got their name.” (i made a version of this for a cosplay awhile ago)

Curtis’ Jacket - “Curtis wears this jacket by Solar-1 to Cyberdelia on the night Dade beats Kate's top score.. It is an EMT jacket that is available in several colors and has distinctive silver reflective stripes to help Curtis look slick all day (and night).”

Kates backpack - “Kate's "backpack" is a USAF C9 Parachute quarter deployment bag. The straps were added for the film” extra: “Deepdive information is coming soon, but in the meantime, check out the video process of our recreation.”

https://youtu.be/jTXmRBjQXVE

Razors Boots - “Razor wears these long "yeti" fur boots in the club scene when he and Blade agree to help hack the Gibson. These boots are vintage goat fur après ski boots by Italian label Oscar Sport, likely from the 1970s. Oscar still makes this style, called the Capra 01, although a few small details have changed in the past few decades. If the current model is any indication, the boots are handmade in Italy out of Tibetan goat fur and are wool-lined. Razor must be cold-blooded to dance all night in these babies!”

[im3x80]

Oh to be a silly hacker and to wear silly stuff

[genderfuckpirate]

attention everyone — especially gender and fashion lovers — new behind the scenes photos have dropped from the set of Hackers (1995) (see all of them here)

[yewknee]

Never-before-seen Polaroids from the set of cult cyber classic Hackers

[da-vedere]

Hackers (1995) ☰

[smashing-yng-man]

Hackers (1995)

[specific90saesthetics]

[crealkller]

yey 🥰

[adafruit]

Phantom Phreak, the King of NYNEX - HACKERS 1995) and Steve Wozniak "Woz" aka Berkeley Blu…

Couple signed disks photos to post up, a few days after the Marchintosh activities since they were not exactly retro Mac, but sorta! Renoly Santiago (Phantom Phreak, the King of NYNEX - HACKERS 1995) and Steve Wozniak "Woz" aka Berkeley Blu…

…history of phone phreaking, Exploding the Phone, engineer and consultant Phil Lapsley details the story of the 1960s and 1970s culture of hackers who, like Tufte, devised numerous ways to outwit the phone system. The foreword of the book is by Steve Wozniak, co-founder of Apple—and, as it happens, an old-school hacker himself. Before Wozniak and Steve Jobs built Apple in the 1970s, they were phone phreaks. (Wozniak’s hacker name was Berkeley Blue; Jobs��� handle was Oaf Tobar.) - Slate.

[rookie-critic]

Con Air (1997, dir. Simon West) - review by Rookie-Critic

What an absolutely wild time the late '90s must have been that this was a big blockbuster production. 1997 alone was absolutely wild, with this, Event Horizon, Contact, Face/Off, and so many others dropping all within the same cycle around the sun. Studios were really just throwing absolutely anything at the wall to see what stuck, and sometimes it really paid off (Strarship Troopers), and other times it didn't (Speed 2: Cruise Control), and sometimes I think it landed right in the middle, somewhere between good and awful, where it's really riding that line, but is just self-aware enough to be incredibly entertaining, and that's where Con Air lives. You have Nic Cage there to bring the zaniness, to give us brilliant moments like the classic "put the bunny back in the box" scene, and the absolutely asinine premise completely backs him up and gives him as much room to play around in this bananas space as he wants. There are some side characters that also help the zaniness move itself right along (I'm lookin' at you, Danny Trejo and Dave Chappelle). The one-liners range from eye-roll inducing to exceedingly clever, and the action set pieces are big and bombastic and generally just a crazy, explosive good time. All of this is fun. It doesn't hold together in the slightest, but it is fun. However, you then have Ving Rhames, Steve Buscemi, and John Malkovich delivering absolutely great performances that aren't Cage's brand of "good by humorous proxy," they're actually just really good. I found myself slack-jawed from the whiplash between bonkers scenes of Cage using the body of a dead con to send a message to ground level (something that I really don't think would have actually worked, which is indicative of a lot of the stuff in this film), and these amazing scenes where Malkovich or Buscemi just get to interact with their environment or even just give a line read that is way above and beyond the quality of the line itself. I know that Malkovich, at this point in his career, has almost become a bit of a meme (possibly in part due to the general goofiness of his name, probably in part due to the 1999 cult classic film Being John Malkovich, which I don't think he ever really was able to reclaim himself from fully), but damn, he's just an amazing actor, and this is someone saying this in reference to his performance in Con Air, of all things!

I don't want to just rant my bias for goofy self-aware action films on this one, though. For one, I already did that recently with Plane (which Con Air is vastly more ridiculous than), and two, there are quite a few problematic things in this film [TW AHEAD: mentions of rape]. I think firstly is Danny Trejo's character in general, who is a con doing time for raping 23 women, possibly more. His entire arc as a character is that there is one female guard that is a hostage onboard the plane, and Trejo wants nothing more than to... well, you get the idea. Granted, everyone else in the film, even the other criminally insane convicts, try to prevent him from accomplishing this, and the film is not so depraved as to ever actually let him get away with it, but it was something that was massively uncomfortable anytime it was given attention, and something that was, at the time, probably seen as "edgy" or "envelope pushing," but really was just incredibly problematic. The film is also just kind of vaguely racist any time a white character is referring to a nonwhite character, especially at the beginning. There's also a character, referred to in the end credits of the film as "Sally-Can't-Dance," (I have looked it up and the character's name is actually Ramon Martinez, which I think they're maybe only referred to as once in passing) that is a... problematic(?) portrayal of a character that is trans (again, while watching the film I wasn't entirely sure they were being presented as trans, but every article and piece of writing I've looked at refers to them as trans, so I'm going with that). I put a question mark next to problematic in the last sentence because, while Ramon never does or says anything that is inherently problematic or questionable, the way that everything surrounding them presents is like the butt of a joke, like we as the audience are meant to be laughing at "how ridiculous this character is." Maybe that's an incorrect read, but regardless it didn't sit right with me. It also has that classic, cheesy as all get out opening and closing with an incredibly sappy song that has no business being in a movie that is even remotely like Con Air. In this case, the song is the Dianne Warren-penned, Trisha Yearwood-performed "How Do I Live," which I had no idea was actually written for the film and was even nominated for an Oscar at that years' Academy Awards, where Con Air was also nominated for Best Sound. Granted, those are two fitting categories I guess, but the fact that this film was nominated for not one, but two Oscars is absolutely baffling. Getting back on track, it follows in the steps of songs like Top Gun's "Take My Breath Away" and Robin Hood: Prince of Thieves' "Everything I Do (I Do It for You)" as songs that clash in every possible way with the films they were written for, and it's an aspect of action films from that era that I am so, so happy has not carried over to the present. Despite all of these many faults, I can't lie and say that I didn't have a lot of fun with Con Air. I'm not sure I can recommend it in good faith, but if you're a fan of dumb, bananas action movies like I am, then Con Air basically fits the bill.

Score: 6/10

Currently unavailable to stream unless you have the Live TV add-on on Hulu. It is available to rent/purchase on digital (iTunes, Amazon, Vudu, etc.) and on Blu-ray & DVD through Disney/Buena Vista.

[of-fear-and-love]

Angelina Jolie's armor ring from Hackers (1995) by Marché Noir of Chicago

(source)

[chris-in-eugene]

That entire movie was the one token straight, the non-straight who thought they were straight, and then a wide array of genders/queers/you-name-it. Oh and the police, but they really don't count.

Matthew Lillard and Angelina Jolie as “Cereal Killer” and “Acid Burn” in Hackers (1995)