#Read dead redemption universe

[impostores0o]

Read dead redemption 2 illustration All credits to: @Rockstar Games Story mode characters artworks Artwork appreciation

We can't always fight nature, John. We can't fight change, we can't fight gravity, we can't fight nothin'. My whole life, all I ever did was fight...—Dutch van der Linde

You know, all that ever mattered to me was loyalty. It was all I knew. It was all I ever believed in...—Arthur Morgan to John Marston

I wish I had acquired wisdom at less of a price.„—Hosea Matthews

[crimson-dianxia]

listening to my textbook is going great why do you ask

[simplegenius042]

To all my mutuals...

I'm developing a off-Tumblr list of fellow mutuals who want to be tagged for my stuff and those who wish not to be. (Me on the other hand? Please DO tag me in your stuff, I love being tagged and reading all your works even when I don't say much, which is something I'm trying to get out of the habit of).

Just so I know who actually wants to be tagged for my stuff, would you so kindly like this post? Or comment (even reblog if you want) if you want to state your answer more clearer? (A yes or a no is all I need).

My "stuff" in question includes the following:

WIPs, Publishing of my fics, Music Mondays/Playlists relating to characters/stories, Tag Games, Quizzes, maybe art and other related things (once I expand my comfort zone to become more familiar with that stuff).

While I mostly group together some of my WIPs together (which often include fandoms you may or may not be in) on the blog I'm posting from now (and then reblog them to one of my main story blogs depending on if they include the specific fandom I write for them in), there are times I will be posting from my other three main story blogs which include my @the-untitledverse-blog (fandoms greatly vary and often mix in with original writing), @the-silver-chronicles (mainly Far Cry 5 with some other fandoms mixed in and few original writing), and @life-despair-and-monsters-blog (a couple fandoms mixed in with original story, a smaller scale The UnTitledverse) as well as of course this blog which includes fandoms in all three blogs, but is mostly meant for original story and that one Fallout series I'm cooking up. In fact, my pinned post on this very blog will give you a run down on the fandoms each of these blogs focus on so if you want you can make a more clear decision there.

Anyway, remember to like if yes, or if you want to be more thorough and clear on your answer, comment or reblog either just a yes or a no.

Chow!

[rentonmark]

NEW DISCORD ROLEPLAY SERVER!!

Not new but recently gaining traction, a roleplay server engaging in both OC and fandom roleplays

Most active roleplay is currently an apocalypse rp - can post more info if wanted

As well as that we harbour rps for fandoms such as:

-one piece

-bungo stray dogs

-hannibal

-newsies

-BATIM

-komi can't communicate

-steven universe

-saw

-sonic

-bbc ghosts

-RDR

And many more!!

AUs, shipping and other fan media is both accepted and welcomed with open arms

We use tupperbox as our main roleplay bot - if you're unsure about how to use it just ask me or another mod for help

Active and friendly community, LGBTQ+ accepting and filled with creatives - artists, writers ect

We currently have 3 mods, including myself - the other 2 mods are @therealwoozie and @ilovelps44 ^__^

Send asks for further enquiries! :)

Have a nice day y'all<32

[phantom-of-the-501st]

I was actually productive today and made some progress on some uni work.

Is was f***ing exhausting.

Seriously, this year is causing some serious burn out. But I want to address this for a second.

I know this isn't what I usually post but I guess I just wanted to say that it's okay if you're feeling like you're not getting anywhere with stuff atm. Whether it's school, uni, work, hobbies, art, whatever, burn out is real and it sucks. But it's okay. You're not doing anything wrong by taking a step back.

Take a day or two off, do something you enjoy and just spend a little time to yourself.

And then if you feel ready, make a little progress on what you have going on.

And I mean little. You only wrote 5 words? That's still 5 more words than yesterday. You only drew one line? Well that line wasn't there and hour ago so progress!

Deadlines can be stressful and workloads can get too much sometimes but I know you can do it. I have to tell myself this a lot, but any progress is progress. Even just taking 5 minutes every now and then throughout the day tallies up to a decent amount of work.

Break things down. If you're feeling overwhelmed, write down what needs to be done and turn it into smaller tasks. Write "make a to do list" down and tick it off. Then you're already off to a start!

Sorry if this sounds weird or preachy or out of place (like I said, not my usual post) but workloads have been kicking my a** lately and if anything I said helps someone out then I'll take it.

Life is stressful but that's okay. You can do it. Small baby steps are okay. And going backwards is okay too. Just be kind to yourself.

And whatever needs doing, I know you can do it. :)

[memories-of-ancients]

A Fascinating Book I'm Reading

One of the best non-fiction reads I've read in a while, it's not a military history book, but details specifically the Confederate government, culture, society, the legal system, and economy.

What I find most fascinating about the book was just how fucked up the Confederacy became even from the early outset. Especially in terms of law and order. Due to the incredible manpower demands most men of military age either enlisted or were later conscripted into the army. This resulted in severe manpower shortages at home. When this happened, the system of slavery the Confederates were fighting for became a grave liability as there was no one left to control the millions of slaves that populated the south. As a result, whole plantations of slaves would run away and form free communities in the wilderness, surviving by pillaging plantations and farms, or robbing travelers on highways. In Louisiana there was a slave town hidden deep in the swamps that housed 2,000 people! At the same time thousands of Confederate soldiers were deserting as the war started going bad. Many soldiers found that their homestead and family was falling apart in their absence, so they deserted. These deserters were declared outlaws, and as a result many banded together, formed groups, and made a living as bandits and marauders.

At the same time many officers in the Confederate army who were garrisoned in specific places became de facto military dictators and warlords over the territory they controlled. They often disobeyed the law and refused to carry out orders issued by the Confederate government, but due to manpower shortages and the disorganization of the government there was little that could be done to reign them in. Often, these warlord Confederates acted as bandits, pillaging the territory they controlled not just for food and necessary supplies but for valuables as well. In many cases, whole towns and even counties rebelled against Confederate military authorities as they were sick of being pillaged by warlord Confederates. A good example was Jones County, Mississippi which actually seceded from the Confederacy as a result. Often, these rebel towns and counties survived by banditry and became marauders themselves just to make a get by.

According to the author, by 1863 much of the rural south was in a state of lawlessness and anarchy with the countryside controlled by bandits, marauders, independent towns or counties, pro-Union enclaves, and military warlords. Like bruh, this would be a good setting for an open world RPG game, perhaps something set in the Red Dead Redemption Universe.

Anyway if you are a Civil War buff I highly recommend this book.

[hihomeghere]

Hihomeghere Masterlist

I have a new masterlist! Check it out here!

Prompt list

The Umbrella Academy

Diego Hargreeves

Nightwing You try to keep Diego Hargreeves off your mind, especially after your break up. But after he breaks into your apartment begging you to patch him up. All the good and bad memories come flooding back.

Five Hargreeves

Wedding at the End of the World A reader insert for the episode Wedding at the End of the World. You and Five reminisce on your wedding/proposal before going to Luther and Sloanes wedding. You both go to the wedding with high hopes of a good evening.

Carousel Club After being dropped into 1963, you find work at the Carousel Club as a dancer. While following a tip where Luther could be, Five sees your routine. Overwhelmed by jealousy he sneaks into your dressing room.

Et tu, Brute? Based off a request, Five gets injured in a mission and you drop everything to make sure he's ok.

Insomniac Five has trouble sleeping and when he does sleep it's anything but peaceful. After a nightmare he craves your touch to remind him you're okay.

Tesoro Universe

Tesoro While working at the commission as a field agent you are assigned a new partner, Number Five.

Meet the Family Five finds a way to return to 2019, you both break your contract with the commission and you meet your in-laws for the first time.

One Bed After a failed mission with the commission, both you and Five find a hotel to rest in. The only problem is, you'll have to share a bed. (Can be read as a one-shot)

Unspoken thing Part 2 of One Bed, after that fateful night in the hotel room. Five has been avoiding you and now you're called into the Handler's office to take responsibility for the delay in exterminating the target.

Routine After the confession, Five and reader head back to a hotel room. Soft dom y/n. (Can be read as one-shot)

The Last of Us

Joel Miller

The Two C's Joel catches you smoking on your porch. Set in Jackson after the events of TLOU. Short and sweet

Red Dead Redemption 2

John Marston

Burning Love Set in the epilogue of RDR2. You stumble upon John in Blackwater after being alone for years. When he invites you to visit Beecher's Hope, will you be able to fight feelings that have been building ever since you were kids?

Gloves John goes crazy over you dressed up for a job, more specifically your white gloves

Arthur Morgan

Fakin' It After a botched robbery, Arthur and you take refuge in a hotel, hiding from the O'Driscolls outside your door. When they do decide to search for you two, how will you throw them off your track?

Fishing in the Dark You and Arthur have a private evening away from camp on the Dakota river.

Dreams Arthur starts having dreams of starting a family with you

My Eyes Only Arthur thinks you look like a work of art

Salt and Pepper Arthur notices his hair is starting to gray

Deserving 6. I won't let anything happen to you, I swear. 34. I think you're showing. 36. You're glowing. 41. The baby loves hearing you sing/speak. 83. Was that a kick?

Blue Ain't Your Color Loosely based on the song, Blue Ain't Your Color

Little Things Arthur returns from a successful job and wants nothing more than to bury himself in you

Charles Smith

Knight in Shining Armor 1. "Kiss me" "What-", 81. "Your heart is racing."

[juniperhillpatient]

I have talked about this a lot before but it’s on my mind & also it’s something that really should be discussed more in Buffy fandom -

People are constantly talking about how Spike defies all the rules Buffy was taught about demons & vampires & rightfully so. A vampire falling in love with a slayer & fighting for his soul for her is such a romantic notion & I do love it but the nuance of Spike’s arc is even more interesting than that! He does love Buffy but not only that he befriends the Scoobies too. He brings flowers for Joyce after she dies. He helps prove that Tara is not a demon when her family tries to gaslight her & isolate her. He becomes a pseudo big brother to Dawn.

And yet none of that is even what I’m here to talk about! Spike IS a hero & he does have a long spanning redemption arc before the soul (& we’re NOT here to talk about Seeing Red right now, as usual that topic is too expansive & requires its own post) that should be acknowledged & his character is rightfully praised but he is NOT the only exception to vampires having nuance & it drives me crazy that we act like he is. The Judge isn’t just talking to Spike when he says this:

“You TWO.” He’s talking about Drusilla too! He says that they share affection & jealousy. That Angelus in his total sociopathic lack of human emotion is the odd one here.

Then you have things like this -

Conversations with Dead People has Buffy sharing a very long & deep conversation with an old acquaintance turned vampire. And it’s far from the only example in universe of a vampire retaining some sense of camaraderie with people from their life!

That’s right this entire rant has been a lead up to talk about my best girly Harmony Kendall. You’ve fallen for my ruse if you’ve read this far muahaha! Admittedly Harmony’s strongest moments are mostly unfortunately on Angel but even in season four of Buffy when she dates Spike she is clearly intended at times to be sympathetic. Season 4 is also interesting because we see a lot interactions between various gangs of vampires like Harmony’s so-called minions & even Sundays gang where they’re very much evil but also sharing in living (existing?) space & acting like bickering roommates or siblings. Like creatures with bonds & personalities & intricacies.

The point I’m trying to make is that the show never truly wants to grapple with the existence of Spike in all his nuance but it’s also not just about him! In general there is so much to grapple with in the idea that vampires can change & be redeemed & I’m not saying I’m anti scary evil vampires I’m just saying the universe gave us these hints of nuance & then the characters never grappled with it & that’s lame. For Buffy killing things that have a shot at redemption however small would be a major emotional blow if she ever addressed it! Especially in her season 5 “am I just a killer 🥺” arc. Let’s deal with the implications!

Let’s deal with Xander’s trauma about killing Jessie & just how much it would/should hurt for him to see Spike increasingly choose good & work with the Scoobies. I would LOVE to know Xander’s reaction to Harmony’s arc on Angel or Cordelia befriending her & letting her go ina world where the writing acknowledges that he drove a stake through his best friends heart!

It’s just that the writers accidentally complicated their own lore & then totally refused to ever let their characters address what the cracks in the stories they tell themselves mean. Giles says that a vampire is no longer the person but instead the thing that killed them. What’s scarier: the idea that your loved one was killed & something wears their face like a mask OR much more insane (to me) the idea that your loved one came back very wrong but it’s still them? Your brother eats people now but he still remembers how you like your eggs & can quote every episode of the cartoon you watched as kids. Your mom murdered that woman from the PTA who always talked too much in cold blood but she still remembers the recipe for your favorite pancakes. The show wanted scary vampires but it got so caught up in never addressing the infinitely more complex & scarier vampires it accidentally created & sticking to the more simplistic initial idea that it did both the characters & lore very dirty. And I’ll never shut up about it!!!

[fresne999]

Half way through the journey of our analyses

I feel like roughly half of the analysis I'm reading about OFMD S2 is folks who clearly fixated on a character (it's Izzy, it's always Izzy that inspires this kind of analysis) write analyses that cause the 2nd response of, "Um…did you ever study literary analysis in school."

Now I come at this from a slightly odd place in that I did study literary analysis in school (30+ years ago) where I learned it's possible to interpret anything about any way, because we're all bringing different lenses to the analysis. Which isn't to say that an author can't have an intended interpretation. 

Dante in Canto V of Inferno (Divine Comedy) would still like folks to understand fixating on the two damned-lovers and ignoring the details that the artist is putting in there for you to catch about how they are damned because they won't change the toxic patterns that got them there in the first place. Also, they can't because they are in hell, and hell is like that. That Dante-the-writer had Dante-the-character swoon over those same two damned-lovers (because Dante-the-character is on a journey of moral correction) is hilarious, but doesn't make it any less the point of that section of the work, but I digress.

As a career, I am very aware that folks love to misinterpret what is meant to be very clear instructions. Of course, I'm writing policies and procedures, which is a bit different from writing fiction, and is worlds away from creating a t.v. show. But that's the life experience that I always bring to literary analysis. Frequently, people choose their interpretations to fit what they want to see, and that's part of being human.

I've seen a fair number of folks interpret Izzy's redemption arc in S2 as one of a queer man struggling with disabilities and mental health issues whose struggle is made meaningless by his demise. Which sure, you could interpret it that way and in that it's coming from I'm sure an emotional place, I get it. And hmmm… I might give this interpretation more credence  if I hadn't read a lot of Izzy analysis for S1 that was wildly different than the text.

So let's take a step back. 

First, know the rules of the literary universe: OFMD is a show where the reality is not ours. It is either the Core Universe or something very close to it. BTW: If you've never heard of Core Universe or read the seminal BtVS+HtLJ "When Hellmouth's Collide" (https://www.ltljverse.com/index2.htm), a Core Universe is one where everything lines up. Row boats are magic, and where there is a Badminton, he will accidentally stab/shoot himself. 

Terminology more befitting of that fancy literature degree might be to say that OFMD functions along the logic of Magical Realism. Characters will appear briefly for the purposes of the story and then disappear not to be mentioned again (Nana, Calico Jack, Mary Read & Anne Bonny). Things align because they are meant to align. It is a universe where the Gravy Basket is a real place, and meant to be taken seriously.  It's also a universe where a man may become a seagull, because he loves the sea. You change for love, but the ways you change may be positive or toxic. 

They can result in a bird that never gets to know rest. Always flying over the sea. Or they lead to becoming a bird, who can float in the sea or land on a unicorn's leg. 

Transformation. 

Anyway, S1 - Stede commissioned a ship with secret passageways. It did not have a buxom mermaid on the prow, nor something more befitting a ship named the Revenge. He commissioned a unicorn prow and went off to become a pirate. 

A not particularly violent pirate. But a pirate who didn't have a problem with the violence of piracy. See Stede telling Lucius (hardest working man on the ship in S1) to take notes during a violent raid where the show's logo was literally carved into the chest of a dead man. 

BTW: The tone about violence is darker in S2, but the violence was there in S1. It was just presented in a more whimsical way. The nose jar was full of noses in S1. We heard about Blackbeard's violence. A man was skinned alive off screen, but we focused on the Prussian (but also sort of French) party. 

What Izzy needed to be redeemed from was established in S1. The problem is that folks who interpreted Izzy as a) the central focus of the show and b) a put upon manager just trying to do right by his crew (or as one Tumblerina referred to him as the man/father of the family going out to hunt - excuse me while I vomit - and support his family as men must do), are not going to understand what Izzy's S2 arc was all about. 

Ed and Stede are the main characters in a romantic story. There are other characters with their own arcs, but they are the main characters.

In S1, Stede created a safe space where characters had a chance to breathe for the first time. Possibly ever, and as a result revisited parts of themselves they'd lost. Wee John got back in touch with his roots as the son of a seamstress. Frenchie got back to what he loves, scamming the rich. The Swede sang like a siren of the sea, because it doesn't always have to be scary. 

Ed had his first good time in years. After expressing suicidal ideation to Izzy because of his terminal boredom in S1.E4 - Discomfort in a Married state, Ed found himself some balance. Some sweet marmalade. 

Ed and Izzy were in a toxic relationship that only reinforced their toxic behavior. And yes, I'm going to overuse the word toxic. While piracy is a place where you can go be yourself and shag whoever you want (whatever happens at sea stays at sea), it's not a place where you can be soft. Gentle. Emotionally open. Available. 

Ed's only path out that he could see at the time was to plan to skin the face of the man who built a ridonculous boat with a unicorn on the prow and wear it for the rest of his life. A plan to send Stede to Doggy Heaven. 

BTW: This is why Izzy uses the line in S2.E3 - the Innkeeper, that they put Ed down like a mad dog, so that Stede could reply that they sent Ed to Doggy Heaven. Reiterating this concept of piracy as violence, as taking away faces / identity / lives, but also losing one's own. Forgetting even what day of the year it is. Also revealing that Stede knew about Ed & Izzy's plan to murder him, send Stede to doggy heaven, and had moved on. 

This is also why the respite in S2.E4 - Fun and Games is so critical. Mary Read/Anne Bonney are portrayed as direct parallels to Stede/Ed. They are selling what are, no doubt, the spoils of their piracy. But they've chosen a remote location with no community, but each other and a life where they are not actually communicating. Which on its surface is where Ed and Stede end up, and yet…the Revenge can sail back. They are on the shore facing the sea, not in a jungle lost from a clear view. I'll quote the relevant Dante in just a bit, never fear.

Ed and Stede's new inn has the potential for a solid foundation, because the unicorn has been planted firmly in the ground, and if we get an S3, I firmly expect the unicorn leg to have transformed into a tree, because I've read a lot of medieval literature and that's how that sort of thing works. 

Well, it could be a penis tree (this was a thing in medieval marginalia), but somehow I don't think it will be. 

 But I'm getting a little ahead of myself.

Back in S1, the plan to murder Stede and take his identity broke down despite Izzy trying to perform an intervention to get Ed back into the toxic soup, and ended with Ed curled up in a bathtub and opening up about murdering his father. An image the show chose to flash on the screen multiple times in S2 just in case folks forgot that this was a traumatizing event for Ed, and was itself the culmination of years of traumatic abuse at his father's hands. 

Just as Stede kept flashing back to the moment his father tells him what it is to be a man, and kills an animal, the blood splashing on Stede's wee little face. 

That this is the point of the show. Transforming past trauma. It's there. You always carry the scars. Sometimes, you decide to tattoo yourself with the image of the thing you fear, and then the thing you fear is always there, but you've got to keep moving forward. To stay in one place, to stay trapped in the same emotion/action, is hell. I've read a lot of lit crit of Dante's Inferno. Trust me, it's the same thing.

Izzy's redemption arc is firmly based in the events of S1E6 - Here Dragons Be, because it's where the pustule of his relationship with Ed breaks. His attempted intervention fails to get Ed to kill Stede, so Izzy tries to kill Stede. Not realizing that a) Stede is a main character and b) this is a Core Universe show. Where it's possible to win a duel by being stabbed in the left side of your gut and stay there for many hours and not die. So he loses the 1 thing that defines him, his job. 

Izzy's redemption arc is firmly based in the events of s1E8 - We Gull Way Back, where he enlists Calico Jack to lure Ed off the boat (with all the toxic masculinity that entailed) so that the British could show up and shoot the head off the unicorn, and kill Stede. So Izzy can crawl back into his old patterns / job / life. 

Izzy's redemption arc is firmly based in the big drama confrontation in S1E10 - Wherever You Go There You Are, when as a person whose entire identity is tied up in being Blackbeard's First Mate and after realizing that he couldn't cut it as a captain on his own, he does whatever the f- he can to get Ed back into the toxic soup so he can get his old role/job back.  

This isn't to say that Ed's off the deep end actions in S2.E1&2 aren't his own choices. He is a main character. His emotional arc is one of the driving forces of the show. But they are the choices of a man who wants to die. After a lifetime of violent action that had been increasingly drowning him, he wants to die in the violence of battle, but the enemy are never good enough. He wants Izzy to kill him, but Izzy won't. Until he does…sort of. He wants to die in a storm. He's carving notches on his wall hoping to lure Ned Low to him so that he can die in pain. But Ed is the devil and does not die.

Except Ed's not the devil. He doesn't have a head made of smoke. He's a man. Not a fisherman. Not a fisher of men, and what an interesting attempt to go Christ himself off into the wilderness only to be fired for not being that good at it, and then receive his letter from the deep. 

Because in a show full of magical realism, the bottles with messages will reach the intended recipient eventually.

"In the middle of the journey of our life, I came to myself in a dark wood for the straight way was lost. Ah, how hard a thing it is to say what that wood was. So savage and harsh and strong, that the thought of it renews my fear. It is so bitter that death is little more so. But to speak of the good that I found there, I will tell of the other things I saw…and like one with laboring breath comes forth from the deep onto the shore, who turns back to the perilous water and stares, so my spirit still fleeing turned to gaze upon the pass that has never left anyone alive." Dante, Canto 1, Inferno. 

Instead of dying, Ed goes not to Purgatory (sorry I'd quote the opening lines, but Inferno actually works better here), but to the Gravy Basket, where he confronts the spirit of Hornigold. Dead spirit. Aspect of Ed's self. Both. Neither. Hated. Self. Unkillable. 

Is saved by a goldfish incarnation of Stede. 

But just as the imaginary as Stede's vision of what / who he thinks he needs to be for Ed, this is not true. Life being what it is, Ed and Stede rush when they need to go slow. They break apart because they are saying words, but the other person is hearing based on their own interpretation. 

BTW: The clue Dante-the-writer gives the reader in Canto V of Inferno is how one of the damned lovers, Francesca, explains how she hooked up with her brother-in-law, Paulo. She describes reading an Arthurian romance. She and Paulo kissed when Gwenevere and Lancelot kissed in the story. Except the version they are reading (and Dante tells the reader which version this is) was intended as a cautionary tale. Also, Paulo and Francesca were real people who were murdered by Francesca's husband when he caught them together. So there is that too.

I always like it in fiction when characters misinterpret each other because they hear based on their life experiences and don't hear the things that are said/unsaid based on the life experiences of the other person speaking. That's good writing. It's also how we end up with wildly varying interpretations of works of fiction.

But I digress.

Izzy's S2 arc is that he must let go of his relationship with Ed and turn to others. He must learn to let go of toxic masculinity and let in softness. Not weakness. Water is not weak, but it is soft. Calypso, goddess of the sea, is not weak. Her birthday is whatever day you need it to be. She is vast and deep and soft and relentless. 

In Ro-sham-bo, it's a shame that there is not a gesture for water. Because it is not paper that defeats stone, but water that wears away the stone. Of course, scissors wouldn't do much to water either, so that would sort of break Ro-sham-bo, so I suppose it must stay as it is.

It is through a craft's project that the crew of the Revenge find healing. Turn Izzy into the unicorn. A unicorn that Izzy's own actions caused to be decapitated with a British cannon ball in S1. That Izzy rendered legless (drunk). But the Revenge is a boat. They just need to swim/sail. It is through a craft's project that Izzy is able to offer healing to Lucius, who in turn is then able to turn their art away from fixating on Ed, and the trauma that he's been through and back towards love, and Black Pete. 

But it's not possible to see Izzy's S2 arc, if you didn't interpret S1 Izzy as needing to go through his own gravy basket. 

That Izzy dies because his transformation is necessary. He can't leave Ed, and if he doesn't leave Ed, then Ed can't stop being Blackbeard. The kracken. He literally tells Ed this as he chooses to transform. To free the world of Blackbeard, so Ed can be Ed. Yet, I've read so many posts by folks saying, "But why did he have to die?" Which sure, you can choose not believe what the character says while dying.

Which is a narrative privilege. To get a good dying speech. "There he is" get to be transmutted from an attack to an actual seeing. The larger than life concept of a smoke headed pirate can waft away.

Stories are hard to kill. They live on long past us, and as long as someone is remembered, especially in a universe like OFMD, we live. 

Though always reject the gift of a clock. That's someone telling you that you've only got so many hours left of life. If you are a character in a story. 

Thus the other parallel in this season is Izzy to Auntie and Ed to Zheng Yi Sao. Auntie must allow Zheng softness. Izzy must go through a sea change to something new and strange. Also, this would be a case of Doylistically the writers needed to line up Olu with Stede for that to work, and thus the new configurations of Olu and Jim's relationship, which, shrug, could be poly. Could be friends to lovers to friends.  Woulda, coulda, had more time, but that's on Max for not giving us 2 more episodes.

Prince Richard was trying to become a concept, but was too in love with the mechanics of it. Stede was trying to become a concept too. Found his fame, and all too quickly the toxic end of that particular route. Magical Realism was on his side until he tried to face down Zheng Yi Sao, the Queen of Pirates, and then the rules of the story weren't. Because those clocks were ticking. Everyone was in a very dark wood. The memory of blood splashed on Stede's face as a little boy was a warning. It was a reminder. It was the wrong lessons we take from our childhood and must unlearn to become whole.

Having the final shot of the show being Buttons landing on the unicorn leg as a reminder that this is a show about transformation. One thing becoming another thing. Somewhere the dead are dancing in Calypso's court. A dance below the sea and on the sea and with the sea. While the living keep sailing on their magic ship to do…I don't know. 

Because the Golden Age of Piracy is coming to an end. They'll go create new worlds and new places to be. Transforming.

If we get no more of the show, this is a resolution.

Since I've been quoting Dante, I'm going to end this with the final vision in Paradiso. Because folks who haven't been reading my analysis for the last 30 years / read it, may not realize that the Divine Comedy (a story that begins in sorrow and ends in joy) ends with the vision of a 3 way rainbow. 

"In the profound and shining Being of the deep Light, three circles appeared, of three colours, and one magnitude: one seemed refracted by the other, like Iris’s rainbows, and the third seemed fire breathed equally from both. O how the words fall short, and how feeble compared with my conceiving!…Power, here, failed the deep imagining: but already my desire and will were rolled, like a wheel that is turned, equally, by the Love that moves the Sun and the other stars."

[gladiolidiaries]

Must Read Drarry fics

A compilation of the crème de la crème Drarry, all the fics that I always go back to when I want to immerse myself in the Harry Potter universe. In no particular order.

Azoth by zeitgeistic 88k

Now that Harry is back at Hogwarts with Hermione for eighth year, he realises that something’s missing from his life, and it either has to do with Ron, his boggart, Snape, or Malfoy. Furthermore, what, exactly, does it mean when one’s life is defined by the desire to simultaneously impress and annoy a portrait? Harry has no idea; he’s too busy trying not to be in love with Malfoy to care.

Right Hand Red by lq_traintracks (lumosed_quill) 73k

Harry felt Malfoy's breath on his lips as they came together over the bottle, hands firmly planted on the floor as though they each needed their familiar soil, refusing to cross into enemy territory.  Except that Malfoy no longer felt like his enemy. Malfoy felt inevitable.

All Our Secrets Laid Bare by firethesound 149k

Over the six years Draco Malfoy has been an Auror, four of his partners have turned up dead. Harry Potter is assigned as his newest partner to investigate just what is going on.

Stately Homes of Wiltshire by waspabi 57k

Malfoy Manor has mould, dry rot and an infestation of unusually historical poltergeists. Harry Potter is on the case.

Mental by sara_holmes 186k

Harry has had quite enough of sharing his mind with someone else, thankyouverymuch. A miscast Legilimecy spell says otherwise.

Temptation on the Warfront by alizarincrims0n 180k

Draco Malfoy is forced into hiding with the Golden Trio and dragged into their search for horcruxes. What ensues is a journey of redemption, unexpected friendships and an unwanted, turbulent romance with Harry Potter. Warnings for swearing, sexual content, and dark themes.

Diffraction Patterns (I Don't Know How to Forget You) by yourdifferentoctober 93k

When Harry Potter, of all people, offers to help Draco erase his Dark Mark, he has no choice but to accept. He wants it gone. He wants to forget. He wants to reconstitute the past. Never mind that erasures leave real marks on bodies, real traces on the world in its becoming. This is not how he expected his eighth year to go.

Tell Me a Secret by alexmeg 86k

In which the bond is rooted in their emotions, everything goes even more wrong, and Harry is certain that he and Draco could never feel what the curse wants them to feel for each other. Until Harry does.

The Ordeal of Being Known by louisfake 146k

When Auror Potter is anonymously cursed with silence by being forced to hide his own voice inside his mind, there's unfortunately only one person in the country with the qualifications to fix it: Certified and Licensed Healer Legilimens, Draco Malfoy, specialist in Mind Curses and Afflictions. It's obviously a terrible idea, a disaster waiting to happen, but Draco's never been able to back down from a challenge... especially from Potter.

Freedom to be by Quicksilvermaid 169k

Harry Potter is the Boy Who Lived. 12 years after the war, he's become the Boy Who Lived For Everyone Else. He has the perfect wife. The perfect house. The perfect job. The perfect friends. Only nothing feels perfect. Until one day he stumbles across a club called Release and begins a journey of self-discovery that takes him to a very different place.

Grounds for Divorce by Tepre 122k

Malfoy finds a coin. Harry finds a letter. A story about histories, a story about families. A story about a lemon tree somewhere in Upper Egypt.

The Claiming of Grimmauld Place by bixgirl1 74k

When Grimmauld Place begins fighting against Harry’s ownership of it, he decides he needs help to train the historic home — but little does he expect that it’ll be Malfoy who’s most suitable for the challenge. However, as Malfoy and Harry get closer, Harry comes to understand that expectations aren’t always the best path by which to guide his heart — and in the process learns just what is needed to make a house a home.

Lumos by birdsofshore 41k

Harry never expected to spend eighth year listening to Draco Malfoy wanking.

9 ½ Days by magpie_fngrl 69k

After the events at the Manor, Harry and Draco find themselves stranded in the countryside with a broken wand and Death Eaters on their tail. This is the story of an uneasy truce, featuring faerie forests, seaside caves, Romani camps, kind old ladies, and a shared bed in an attic. Or how two boys fell in love in the midst of a bloody coup.

The Sleeping Beauty Curse by who_la_hoop 152k

When Draco Malfoy falls into a cursed sleep and can only be woken – at least, according to the Daily Prophet, that impeccable source of truth – by ‘true love’s kiss’, Harry Potter knows there’s no way on earth he’s the answer to this particular riddle. Is he . . . ?

The Nightmare Club by Elle Gray (Elle_Gray) 85k

Hermione and Ron are going back to Hogwarts to do N.E.W.T.s, Ginny isn't. Harry hasn't decided, until he has, in front of the Wizengamot and now he's responsible for Malfoy as well. A tale of enemies who learn to get along, get it wrong and get it on. Everything is purple, some things are on fire and no-one is sleeping properly. But don't worry, there's tea!

That Old Black Magic by bixgirl1 77k

Centuries ago, marriage contracts were the norm — ready-made alliances between families, expected and complied with, without complaint. But norms have a way of changing, and when a long-dormant contract flares to life, Harry has to navigate an unexpected splintering of the path he'd thought would be easy after the war... with Draco Malfoy.

Tales from the Special Branch by Femme (femmequixotic) 257k

Three months after their brief encounter, Draco has almost forgotten about Potter--or so he tells himself. Then a Dark wizard shows up on the Auror radar and all hell breaks loose. Draco will have to choose between everything he holds dear--everything he's worked so hard for--and a few stolen moments of passion with a certain green-eyed Inspector, once his sworn enemy and now something rather different entirely. He'll make the right choice, won't he? Who is he kidding? He'll ruin everything, as per usual. Bad choices and the name Malfoy go hand in hand.

Men Who Love Dragons Too Much by fencer_x 522k

‘Kill Albus Dumbledore’ is less a challenging task and more a suicide mission, so when Draco Malfoy is presented with the option to either dispatch his Headmaster or suffer an excruciating and most ignominious death of his own, along with his parents, he reaches deep into his black little Slytherin heart and manages to scrape together enough courage to go with option C instead: Spend Sixth Year secretly studying Animagecraft in the hopes he’ll turn into something sufficiently imposing even the Dark Lord himself won’t be able to keep Draco under his thumb. But just his luck, his Animagus form turns out to be a dragon, and a rather randy juvenile at that, intent on finding its mate: one Harry James Potter.

[impostores0o]

Read dead redemption 2/Online illustration All credits to: @Rockstar Games Online Updates/Artwork appreciation. Game Appreciation.

´´Forge your own path as you battle lawmen, outlaw gangs and ferocious wild animals to build a life on the American frontier. Build a camp, ride solo or form a posse and explore everything from the snowy mountains in the North to the swamps of the South, from remote outposts to busy farms and bustling towns. Chase down bounties, hunt, fish and trade, search for exotic treasures, run your own underground Moonshine distillery, or become a Naturalist to learn the secrets of the animal kingdom and much more in a world of astounding depth and detail.``Oficial description

Read dead redemption 2/Online  Ability Cards,Game pass etc

“Vengeance Is An Idiot’s Game” Arthur Morgan

[jovialmoonprincess]

AU: Journey to Redemption (Part 5)

The Storm Within

Coriolanus Snow x Fem!reader 

First Part. / The Winter Ball / Champagne Problems / Frost and Thorns / The Storm Within

Summary: Y/N, a young idealist in Panem, dreams of making a difference in a post-war society. As the winner of the prestigious Plinth Prize is about to be announced, a mysterious woman unveils a grim fate for Coriolanus Snow, Y/N's nemesis. Offered a chance to alter destiny, Y/N must navigate her conflicting emotions and intervene in pivotal moments to prevent Snow's descent into darkness. The story unfolds against the backdrop of complex relationships, past connections, and the challenges of a changing world, as Y/N grapples with the responsibility of shaping an unexpected destiny and challenging the very fabric of fate.

Warning(s): None, enemy to lovers, back in time, destiny, Snow being in love, Snow being Snow, possible grammar and spelling mistakes

A/N: I'm on Wattpad now too, click here to read and vote there: WATTPAD

Y/N was furious; each accelerated beat of her heart echoed her indignation. The news of betting on tributes, Arachne being beheaded on camera, the snakebites on Clemensia, and the final blow was the information that they had bombed the arena with Coriolanus inside. Determined to confront Coriolanus, she relentlessly sought him, even reaching the boy's apartment, a place she had never visited before.

The boy opened the door with wet hair, his chest still exposed with bandages. Y/N couldn't help but notice, especially because Snow was much taller than her. His hair dripped, and droplets ran down his torso. She couldn't help but notice his imposing height and the sight of his wet body. That only made her angrier because, despite everything, he still exerted some kind of attraction over her.

"I've been looking for you," Y/N exclaimed, her voice laden with anger.

"I just came back from the hospital, I'm alive," Coriolanus spoke as if everything were under control, trying to maintain composure but failing to completely hide his anxiety. "I'm getting ready to see Lucy Gray shortly. If you could excuse me…" He was about to close the door when Y/N stopped him, entering his apartment.

Without hesitation, Y/N lunged at Coriolanus, her weak blows against his chest unable to affect the boy but revealing the intensity of her frustration. His warm skin matched Y/N's fury.

"You idiot!" Tears glistened in her eyes. "I can't believe you have the nerve to tell me this! Arachne is dead, Clemensia is poisoned, and when I saw the explosion live, I thought the worst had happened. And you dare to keep thinking about the games? You have no soul?" She was furious with the boy. "Why do you still participate in this?" Y/N demanded, her voice laden with disappointment.

Coriolanus laughed in denial, spitting out words full of resentment. "Y/N, I'm not Sejanus, okay? I know you wanted me to be, and I would too, but I'm not. Arachne is dead, Clemensia is poisoned, and Lucy Gray… well, that's another horrible story. I doubt she'll make it to the Games, and maybe it's even better."

"I don't want you to be like him, Coriolanus. In fact, I don't know why you have this fixation on the boy. He's lost, he's afraid just like you."

"If you came here to talk about him, Y/N, you can leave." He pointed to the door.

"You need to get over this one-sided rivalry with him, Coriolanus."

"Sejanus usurped my position, inheritance, clothes, food, and the privilege due to a Snow. Now he's trying to take my apartment, my place at the University, my own future, and had the audacity to resent his luck in getting the best tribute. I even believe he wants to date you." This thought he had never shared with anyone. It was very intimate.

Y/N was astounded, shocked by the information spilled by the boy. Despite having the height and appearance of a man, he had feelings as petty and low as a child.

"Corio, I know you've never shared this with anyone. But these thoughts and this anxiety don't suit you. I won't judge how you feel, but I want to reassure you that these feelings are unfounded. You need to think better, calmly. About what is real or not."

"Stop with the therapy, Y/N. You're making me feel like garbage." The boy tried in every way to avoid the girl's gaze.

"Maybe because you're acting like a jerk."

"You just assaulted me, came to my house to hit me, and you're still offending me with words. I could call the police." My God, this boy was 10 years old.

"Darling, I used all my strength, and you didn't even feel it." He laughed for a moment, but soon his serious demeanor returned. "If I wanted something with Sejanus, I would have had it already. Also, because I'm single." She spoke sincerely, showing her hand with no ring. "But I don't like him that way." The girl approached him.

"Don't go, I don't know what to do for you not to go." She felt a tightness in her chest, and tears returned to illuminate her eyes. "You can't win the Games, Coriolanus. You can't."

He was afraid, didn't know who he could trust. He could have been stung if Clemensia had written the proposal in his place, and if Lucy Gray hadn't come back to help, he would have died in the arena fire. He hid his head in his hands, confused, angry, and, more than anything, afraid. Afraid of Dr. Gaul. Afraid of the Capitol. Afraid of everything. If the people who should protect him played so easily with his life, how was it possible to survive? Not by trusting them, that was for sure. And if you couldn't trust them, who could you trust? Impossible to know.

"Don't you see, Y/N? Lucy Gray saved my life, and I need to help her win. She needs me. My family needs me. This is an opportunity for us, a chance to get out of this difficult life. I can't ignore that." For the first time, real emotions appeared on Coriolanus's face, as if he were, indeed, fearing the consequences of his actions.

Coriolanus ran his hand through his blond hair, frustrated. "I can't change the system alone. But maybe, if I'm in there, close to the power, I can make a difference. I can change things."

"Promise me that when you win the games, you'll protect Sejanus. Please. Promise me."

The boy was confused; what did Sejanus have to do with the story?

"It seems like you're sure I'm going to win the games," he said irritably. "Because you're so concerned about Sejanus? Doesn't my life matter?" It was never about him, Coryo.

"The problem, Coryo, is that you were the only person who appeared in all the visions, alive, well. Not Sejanus, not me, not even Lucy Gray. It was never about Sejanus, it was about you. I don't want you to become someone despicable." Y/N thought.

"I trust in your ability to survive; you're a Snow above all else. Sejanus is your friend; there has never been a reason to worry about him. Don't think of him as your rival; think of him as a loyal friend." Y/N was so close to the boy she could smell the roses and mint from his toothpaste. "I don't want to lose you, Coryo." She rested her forehead against his. "It's not about Sejanus; it's about you. It has always been about you." Her lips touched his. This kiss was more urgent, like a last kiss. It seemed that both would waste time if they stopped to breathe. Coryo's large hands guided the kiss, and their bodies pressed together as if struggling to be in the same place. Y/N placed her hands on the boy's bare chest and could feel his heart beating at an impossible speed. She didn't want to stop the kiss, didn't want to leave, didn't want to let him go. She wanted to keep him there forever. With her.

Coryo gradually guided Y/N to the sofa, lying on top of her. The kiss was more than just a meeting of lips; it was a fusion of souls, a desperate search for comfort amid the chaos. He didn't intend to do anything beyond the kiss, but he wanted more and more. The girl messed up Coryo's hair with her fingers and made sounds of approval during the kiss. It was as if the two of them fit together like two pieces in a puzzle.

Y/N's body was on fire. Coryo didn't even remember there was a war outside. He could only think about how small and defenseless the girl seemed in his arms, completely surrendered to him.

"You're mine," he whispered in her ear, making her whole body shiver.

"Come back to me, Coryo. Fight, struggle, but in the end, come back to me."

With another kiss, Coriolanus silenced Y/N, and after a few seconds, they separated. Y/N returned to her apartment, hoping that her words and the heat of the moment had touched Coriolanus, prompting a profound reflection on his actions and choices.

_____________________________

Just wanted to drop a quick note to say a massive thank you for all the love, likes and comments on my story. <3

THIS ONE IS MY FAVORITE CHAPTER

Taglist: @shari-berri @h-l-vlovesvintage @tea-bobba @daenerysqueenofhearts @commanderfreethatdust @glxzillx

TAGLIST AND REQUESTS ARE OPEN!!!!!

[lyinginahammock]

In GTA V, you can find a book entitled "Red Dead," written by a J. Marston. This has been used as proof that Jack Marston (son of Red Dead Redemption protagonist John Marston) wrote "Red Dead" in the universe of GTA.

But I want to take it one step further - I think that Jack also wrote Red Dead Redemption II in the same universe when he was an older, more experienced author, and that both of them act as historical fiction in honor of his father, with the supernatural elements added in by Jack.

Red Dead Redemption shows John Marston as a great guy - smart, clever, caring for his family, and well-meaning in general, who sets out on a quest to destroy the remnants of the Van Der Linde gang in order to save his family before being gunned down in an impossible last stand. He is an uncritical depiction of Jack's father.

Red Dead Redemption II features a more complicated protagonist in Arthur Morgan, a more morally grey character, in the final months of his life, as he's dying from TB (the result of his own actions). His last act is to save the Marstons, and the epilogues show John telling Jack stories about Arthur, almost certainly in a heroic light. I think that an older Jack decides to track down as many people who would have interacted with Arthur in order to get a more critical look at Arthur as a person, including his former lover and the family of the man Arthur kicked the shit out of, resulting in Arthur developing TB.

Dutch Van Der Linde's portrayal as almost cartoonishly stupid and evil in Red Dead Redemption II is explained by this idea. The only surviving people who knew Dutch would've seen him as a villain - Sadie, Rains Falls, etc - and Arthur as a flawed hero, and Jack would've already talked to these people about his father. That, combined with watching Dutch abandon John a number of times (and Arthur bailing John out), would've cemented Dutch as a major villain in Jack's life as well.

As I said before, this theory also explains the more...fantastical elements of the games - vampires, time travel, robots, etc. I don't think that John or Arthur actually, in-universe, encountered those things, nor would they have claimed to. In Red Dead Redemption II, Jack is seen reading about King Arthur, much to his father's approval, and John seems to be supportive of Jack's dreams of being a novelist, so I don't doubt that in the year between the two Redemption games, John would have spent a good amount of money buying books for his son, loving father that he is. Thus, as part of the homage to his father that I believe these in-universe novels were, Jack would've put in those elements of science fiction and fantasy he read about with his father's approval.

Tl;dr - The Red Dead Redemption games (I and II) are historical fiction novels in the universe of GTA, written by Jack Marston, and the supernatural elements are additions made by Jack to honor his father's support of his reading habit.

[jewish-microwave-laser]

I eventually came to understand the profound insult inherent in the messages I was receiving, both directly and indirectly, from readers expecting uplifting Jewish literature full of moments of grace—not to me as a novelist, but to my ancestors who endured experiences like those I gave to my characters, and in a sense, to al those who have endured the most atrocious moments of Jewish history. Readers who demand "coherence" from literature about the modern Jewish experience were essentially insisting that Jewish suffering was only worth examining if it provided, in the words of my reader's memorable message, "a service to mankind." In retrospect I am stunned by how long it took me to understand just how hateful this was. Consider, as I only very slowly did, what this demand really entails. Dead Jews are supposed to teach us about the beauty of the world and the wonders of redemption—otherwise, what was the point of killing them in the first place? That's what dead Jews are for! If people were going to read about dead Jews, where was the service to mankind I owed them?

This is far from a fringe attitude among contemporary readers, as just about every bestselling Holocaust novel of our current century makes fantastically clear. Holocaust novels that have sold millions of copies both in the United States and overseas in recent years are all "uplifting," even when they include the odd dead kid. The Tattooist of Auschwitz, a recent international mega-bestseller touted for its "true story," manages to present an Auschwitz that involves a heartwarming romance. Sarah's Key, The Book Thief, The Boy in the Striped Pajamas, and many other bestsellers, some of which have even become required reading in schools, all involve non-Jewish rescuers who risk or sacrifice their own lives to save hapless Jews, thus inspiring us all. (For the record, the number of actual "righteous Gentiles" officially recognized by Yad Vashem, Israel's national Holocaust museum and research center, for their efforts in rescuing Jews from the Holocaust is under 30,000 people, out of a European population at the time of nearly 300 million—or 0.01 percent. Even if we were to assume that the official recognition is an undercount by the factor of a thousand, such people remain essentially a rounding error.) In addition to their wonderful non-Jewish characters, these books are almost invariably populated by the sort of relatable dead Jews whom readers can really get behind: the mostly non-religious, mostly non-Yiddish-speaking ones whom noble people tried to save, and whose deaths therefore teach us something beautiful about our shared and universal humanity, replete with epiphanies and moments of grace. Statistically speaking, this was not the experience of almost any Jews who endured the Holocaust. But for literature in non-Jewish languages, that grim reality is both inconvenient and irrelevant.

from "Fictional Dead Jews" in People Love Dead Jews by Dara Horn, pp 79–81

[misrepresentedmorallygrey]

PROPAGANDA

Rose Quartz Propaganda

"We saw her character arc in reverse!! We first saw all the good she did and then learned of her terrible actions in the past. If her story was told the other way around, it would have been a great redemption arc. Yes, she did some terrible things, but she had no choice. She did everything she could to stop the colonization of earth peacefully buy nothing worked. Blue and yellow diamond just didn't listen to her and when they did, THEY were the ones who made the zoo and shit. Rose wanted to free them but couldn't get to them after the war! And with the corruption, there's no way she could have known that'd happen. There's so many things she wanted to do but just couldn't. And with spinel, yes it was shitty to leave her alone for so long, but again, between running her court, running the rebellion, dealing with earth, she likely wasn't a very high priority and like with the zoo, there was no way to get to her after the war since the galaxy warp was destroyed. And don't forget, she was practically a child around this time. You're saying you didn't do any stupid, selfish, or harmful things as a kid? She learned from her experiences and grew, we just saw that growth in reverse, leaving us as viewers with a poor perception of her."

"Rose Quartz is Steven Universe’s dead mom. Initially, she’s set up as sort of an ethereal perfect figure who everyone misses and compares him to. Later we get to see more of her backstory and discover that she’s actually like, a person, with flaws, who has done some bad things, but she did those bad things largely in the course of trying to escape an abusive home life and save the people and planet that she fell in love with. It’s very clear that despite her flaws she was trying to do the right thing and that she deeply cared about others. Unfortunately, a woman who was not a Perfect Martyr was way too much for the Steven Universe fandom to handle. She pretty much set off the wave of SU crit blogs because these people were furious either that she had taken violent measures to solve her problems, that she hadn’t taken violent enough measures to solve her problems, or both somehow. Lots of “Why didn’t she just murder her abusive parental figures?” Lots of “She was evil for having a baby even though she knew she’d die in childbirth!” Lots of “She should’ve been able to protect everyone from a magic nuclear weapon with the power of love somehow.” Lots of “She shouldn’t have rebelled (even though not rebelling would’ve meant the destruction of Earth) because her abusers retaliated and that’s her fault.” LOTS of people drawing her as stick thin even though she was fat in the show. People treated her like she was on the same level or even worse than her abusive parental figures who were also the main villains of the show. It was unbearable to witness."

Mahiru Propaganda

"They got unfairly voted guilty in the first round and keeps getting blamed She never meant to hurt anyone and the only reason she did was cause she couldn’t read social ques"

"Mahiru Shiina is the most traditionally feminine character in Milgram, and she’s very in love with the idea of love. That makes her an easy fandom target. In Milgram, we are introduced to ten murderers. It quickly becomes apparent that not all of these murders are conventional. By the time we are introduced to Mahiru, we already know most of these unconventional murderers. Mahiru’s first music video depicts her going on various dates with her boyfriend, even though he is not shown in the frame. At the end of the video, Mahiru wakes up, turns to the camera, and has a horrified expression. Whatever happened, she didn’t want it to happen. And then a lot of the fandom accused her of being a stalker. Was that what got her a 55% guilty/unforgiven vote? I don’t know. I wasn’t there. But she heard what the fandom said. She heard these voices saying she couldn’t be forgiven. Saying that she was a stalker or that she didn’t really love her boyfriend, even though that wasn’t true. She was beaten to near-death by Kotoko, a vigilante who was forgiven by 67%. Fuuta, who also sustained serious injuries from Kotoko, calls out the audience surrogate, saying what we did with our verdicts would have made us the same as him if Mahiru had died. And yet Mahiru doesn’t blame either us or Kotoko. Mahiru’s second music video shows that she was indeed in a proper relationship with her boyfriend. She smothered him with her love. The video slowly revealed the toxicity in their relationship. She asked why she can’t do anything right. The fandom perception was better in that she was safely voted innocent/forgiven. Still, there are issues. Some infantilize her or say that she’s delusional. Yes, she had a sheltered upbringing and has difficulties reading social cues, but that doesn’t take away her agency. On the flip side, some have theorized that she kidnapped her boyfriend and wasn’t in a proper relationship with him. (Not sure what to say about that, but this is a series about sympathetic murderers.)"

[thevioletcaptain]

Day one of the @spnficrecfest called for rec lists featuring fics set in a specific season or era, so here are five of my all-time favorite Purgatory era Dean/Cas fics! I'm also including fics which deal with the immediate aftermath of Dean & Cas' time in Purgatory, as I consider those to be part of the era as well :)

The Legend of the White Light by EllenOfOz | Explicit | 50k Angsty, pine-filled alternate season 8 fic with a happy ending! This was written for the Pinefest a few years back, and it quickly earned a place on my favorite Purgatory fics list. (Warnings: graphic depictions of violence, explicit sexual content)

Ritual by takadainmate | Teen | 10.8k This is a really unique fic that follows Dean, Benny, and an extremely changed Cas through Purgatory. I don't quite know how to describe this one without spoiling it, but... possibly sentient lightning wants Cas dead? Just go read it, it's strange and lovely. (Warnings: none)

Just After, But Before by cymbalism | Explicit | 8.7k As the title says, this fic is set just after Dean and Cas escape from Purgatory -- and unlike the show, they get out together. It's a short and sweet hurt/comfort fic, with Dean looking after Cas after the journey through the portal leaves him weak and injured. (Warnings: explicit sexual content)

What Fun It All Would Be by 8sword | Mature | 22.5k A Purgatory fic that deals with the fact that Dean's half-Amazon daughter Emma must be there, and a really inventive and twisty one at that. When you start reading you're going to be confused. Stick with it. Enjoy the journey -- but mind the tags, and be prepared for pain. This one doesn't have a happy ending. (Warnings: graphic depictions of violence, major character death, body horror, supernatural "drug" use)

Tales of Brave Ulysses by snarklyboojum | Teen | 55.9k This one is just beautifully written -- one of those fics that, despite not having re-read it in a while, I can still picture specific moments perfectly in my mind's eye. It's not an entirely happy ending, but it is a hopeful one, and there's some Where the Wild Things Are stuff in there that's especially fun. (Warnings: graphic depictions of violence)

...AND A BONUS SIXTH FIC:

Redemption Road by multiple authors | Explicit | 652k Technically, this sprawling, slow-burn, round robin masterpiece was written long before Purgatory ever appeared on screen, with fans starting the project during the hiatus between seasons six and seven. The central story follows Dean as he tries to bring Cas back to him after he's been driven to megalomania by the monster souls he consumed during season six. Seeing as a significant part of the story takes place in Purgatory, and it's still one of my all time favorite fics 13 years after it was published, it gets an honorary place on this list. (Warnings: graphic depictions of violence, explicit sexual content)

Check under the cut for links to all of the rec lists I make for this fest! I'll update with new links as I post them :)

Day One - Purgatory Era Day Two - Dean's Canon Kinks Day Three - Long Fics Day Four - Alternate Universes Day Five - Rare Pairs Day Six - Case Fics Day Seven - Tropes Day Eight - Gen Fics Day Nine - Vintage Fics Day Ten - Coda Fics Day Eleven - Mystery List