#Rather than the elements just popping up in people.

[the-ninjago-historian]

I KNEW I HEARD THIS SOMEWHERE! So, has this been retconned since Dragons Rising, orrrrrrrr....

[lord-squiggletits]

Wanted to send an ask as well to hopefully provide some distraction from…recent events.

Are there any parts of world building in the TF IDW universe that you wish were explored/expanded upon more? Or that you want to explore in your writing? Like certain aspects of pre-war Cybertron, cybertronian culture, post-war Cybertron, etc?

Okay this is actually perfectly timed for a rant I wanted to go on about the way mnemosurgery is written in IDW1 because I hate how JRO basically made it an ontologically evil field of medicine both intrinsically and in terms of the average person who does it, like

First of all I want to preface this by saying I'm not accusing JRO of having any particular beliefs, this is just my commentary on how things came off and how his writing style contributes to both virtues and flaws in his writing. So I might say "he's basically saying this" but in the sense of "unfortunate implications, accidental or purposeful, in his writing."

But like... it makes me so mad because the worldbuilding around mnemosurgery kind of makes no sense to me? It seems like a really fucking wasted opportunity to cast basically every mnemosurgeon in the continuity as evil and to make it so that even just doing mnemosurgery is basically a toxic, destructive act that will literally kill you? Honestly, I don't think JRO even came up with mnemosurgery as like, "here's a thing that exists in this world and how it works" so much as, he took a character-first approach to writing (as he always does) and wrote mnemosurgery to work whatever way would work best for Chromedome and other character-related conflicts and plot points.

Like, mnemosurgery can view/alter memories from a living person but from a dead person it can only get moments from right before death. Makes sense. Mnemosurgery slowly kills you every time you do it??? Uh... honestly that comes off more as a handwave to make it so that any time the LL needs information they can't just needle it straight out of whoever's mind they need bc of course Chromedome can only do it when it's really important after all. Mnemosurgery... is only ever used for brainwashing people? Like, literally every mnemosurgeon except Chromedome is evil (and cartoonishly so, for Trepan and Sunder, like literally unredeemable monsters in every way) and any time they actually enjoy their field of medicine it's bc they're a sadist that likes to manipulate and oppress people? Kind of... uncreative.

Mnemosurgery is ADDICTIVE?? You're addicted to needling people's brains because mnemosurgery is ontologically evil and then it literally kills you? Okay like... do I even need to explain how tone-deaf it is to incorporate addiction of all things into the worldbuilding here? "You're an addict which makes you dangerous to society. The good ones stop doing the addictive thing because they're morally strong/care about others/aren't hedonists, but the bad ones who only care about doing their drug of choice are evil because the fact that they don't quit shows that they don't care about other people and OF COURSE the main/only fate that awaits addicts is their inevitable death by their own addiction!" Like, we get enough of that shit in real life, JRO. Did you really have to take an already heavily stigmatized condition like ADDICTION and slap it onto your ontologically evil mnemosurgery where the evil ones are evil because they love abusing/manipulating people and don't care enough about dying to stop being addicted to mnemosurgery? Come the fuck on.

Like, I understand that "the science of studying/altering memories" is heavily laden with nightmare fuel as is, and I don't have a problem with that (and stuff like the Institute) because the mind/memories are an intrinsic part of personhood, so any scientific field around it (or any government that wants to sponsor it) will abuse that knowledge just like with any other field of medicine. But to use human examples, why the fuck does mnemosurgery have to be inherently evil? What about stuff like Alzheimer's that degrades ppl's memories to the point of not even remembering a few seconds ago? Wouldn't it be beautiful if mnemosurgery could help with that? What about psychological issues where maybe people with intense PTSD/trauma/etc could have their worst memories be removed/dulled so that they become mentally stable enough for psychiatric/therapeutic interventions to become effective? What if someone has a TBI and wants help recovering the memories they lost?

What about non-scary, non-medicinal applications of mnemosurgery? What if someone just really treasures the memory of a particular day with their best friend and visits a mnemosurgery every couple years so that information creep doesn't slowly alter their memories of that precious day? What if it was possible for mnemosurgeons to intensify memories, so that maybe someone could have a happy memory intensified and think of it any time they're sad, struggling, having mental health struggles, etc? What if mnemosurgeons could take/copy memories from people's brains and convert them to video format in a way that other people could watch it? Imagine the sheer potential present in that when it comes to preserving history through literal firsthand testimonials of what happened! What if a mnemosurgeon could transfer memories from one person to another-- what kinds of breakthroughs in empathy, communication, and understanding others could happen if you could LITERALLY see a conflict from another person's perspective? In those ways, mnemosurgeons would basically be able to act as a hybrid of doctor, psychologist, diplomat, mediator, and archivist all in one!

But no... instead we just got "Mnemosurgery is evil and pretty much only used for brainwashing, 99.8% of all mnemosurgeons are evil creeps, oh by the way it's also addicting and will literally kill you if you do it too much." SMFH.

[thesirenisles]

Based on research and observation. If it does not apply, let it fly. Copyright Protected. All rights reserved. © 2024 The Siren Isles

“I lay at your feet. Your body is my temple.

Searching for eternity within you.”

aries

FIRESTARTER These natives desire fireworks and a whirlwind of passion in a relationship. Women can be like trap-hunters, rather than warrior-style direct. They'll set the trap for their target and pounce with feral efficiency. With this dynamic, the native can possess a voracious sex drive. This is because when Mars comes into contact with Venus, it is like a kid in a candy shop! Mars asserts and Venus indulges. Inhibitions are of no worry. They are in their element. A blend of the physical and sensual. Sexual attraction, power, and even attention could be factors in the choosing of their mate. But, the power must come with ACTION. They want the spontaneous lover that pops up with plane tickets and a "Surprise! We're going on a trip!" They need high energy, vibrant lovers that are all about them. The rush of adrenaline and desire is a MUST. Being a stick-in-the-mud or boring is the quickest way to turn them off. The problem here is that when Aries does rush in and attain the object of their desire, they are often disillusioned in some way. Sometimes it isn't what they expected or... they get bored and realize it was more about the chase. And there begets the plot. There is much to learn in matters of love in this lifetime with this placement. Ideally, these lovers need someone who will join them on their explorations and keep the spark of youth alive. Motion is vital. Drama is welcomed.

taurus

MATERIAL GIRL Sugar baby indicator. Venus is in her domicile here and the energy is lovely. Lush green gardens, pearlescent royal baths, and water adorned with rose petals. Venusian vibes! This native often has a natural aesthetic, being inherently prideful of their own beauty. I notice that they aim to perfect the "barely there" makeup. Women probably ask you for advice all the time and this placement has the tips! Great skin placement, unless otherwise chart afflicted. Blessed with all of these gifts, they want a worthy suitor. A PROVIDER. This native wants security, both in spirit and the physical. Comfort. Quality. Elegance. You must be consistent to win this lover. They want the man who believes in honoring his word. (Jon Snow vibes) The love needs cannot be met with a flighty lover. In their boudoir, you can expect to have all of the senses tantalized. Good eats (does not mean they have to cook, but they def know the best food spots), soft fabrics, sweet aromas, and tender touches! They are very physically intuitive and their partner must be able to speak fluent body language and love them tenderly. They want commitment ideally. They are the mature princesses, waiting on the one with whom she can spend forever. A stable, mature, and responsible partner. No dusties! Love is just not enough to overcome financial hardship for this native & that’s fine! Adhere to your standards!

gemini

WORDSMITH With this placement, Venus grasps the caduceus and takes flight with Gemini qualities of language, trickery, and a thirst for knowledge. Got rizz? I hope so, because it takes quite a tongue to dazzle this native. Sapiosexual indicator. Party over here!! Jokes. Laughter. Witty Banter. Quite popular, they can often meet their partners among friends and engaging in diverse conversations, sometimes online. These varying social circles create new experiences and the Gemini is more than open to them. (; I imagine this placement with cupid energy! Winged love goddess, fluttering from heart to heart and making people fall in love! This can be online, in person, over the phone, by letter... they're diverse! They leave a string of broken hearts in their wake, often too busy with their laundry list of hobbies to provide closure. "It was fun while it lasted!" The Venus in Gemini native wants to survey their options. In love, they desire an open air of communication and a partner that will never judge or rain on their parade. Being closed minded or vapid is a major turn off. You must be able to hold up your end of the conversation because this native loves mental connection. No dramatic displays of emotion needed. Similar to Aries, there is much to learn here before one can settle down successfully and that’s okay! Get out there and live!

cancer

QUEEN OF CUPS Venus saunters in the sand and basks in the moonlight that beckons the tide that is her tears. Happy tears. Sad tears. Doesn’t matter. She is deeply emotional here, nurturing, and an intuitive lover. Feminine energy is second nature, but in a cardinal disposition. Venus in Cancer has the ability to create safe spaces for their lovers to feel freely. This is perfect because this lover desires, on a soul level, to be needed. They want someone a bit needy and even dependent upon them for emotional security. Cry babies are welcomed. They do not mind the mama's boy, even. This side of either lover may not even be known to others or publicly. But, those who know them personally, have witnessed the crazy displays of passion. They need emotional transparency. Their Cancer claws want to take hold of their lover, console them, and wipe their tears. Venus here is the emotional life guard coming to their lover's rescue, utilizing the moonlight to guide them through the ocean of emotions. Can you even tell if someone is crying in the ocean? No nonchalant or emotionally unavailable lovers welcome! They need an honest and open lover who is unafraid to be vulnerable. EMOTIONAL INTELLIGENCE is key. When young, the cancer can attract the emotionally unavailable types... but they will not fill the cups of this deserving queen. Soul bonds are formed with this placement. and people can become attached to your healing or nurturing abilities.

leo

SOVEREIGN Powerful placement! Venus struts in the rays of the sun for an adoring crowd. Gold exudes from her womanly form. She is proud and fierce. The Sun and Venus collaborate to create a dazzling energy that attracts a sea of suitors. GLITZ. GOLDEN GLOW. GLAMOUR. However, this native desires a lover who equally glows! They are looking for their royal consort.. a king or queen with whom they can rule. The aesthetics or status of their partner matter here and they prefer to have arm candy. The type that will increase their value to the public, thus flattering the Ego (sun). Extravagance. Luxury. Grand gestures of Romance lol. But, very often absolutely stunning! This native desires to be seen and adored while in love. Their coupling can be considered the "couple's goals" type. Definitely posts their love on social media. They may shower their lover with their energy, gifts, talents, and love. (Venus blesses them with an abundance of all.) But, they expect this and then some in return. DIVA. They are your Goddess and their body is the temple you worship. These purring cats demand attention, compliments, and genuine appreciation. These lovers do not desire a shy or reserved partner in matters of romantic expression. No insecurity is allowed! You must be ready to shine with the Venus in Leo native, not hold them back.

virgo

WIFE Venus is a gracious girl boss in Virgo. She brings beauty to daily routines and acts of service and values these activities. These are the hardworking hotties that manage to make it all look so aesthetically pleasing. Fresh-fruit infused water. High-quality skin care. Matching workout fits. Strict exercise regimen. These natives can quite literally spend their lives working to be the ideal Venus. The ultimate maiden. Very natural aesthetic, similar to Taurus. ORGANIZED. MATURE. FEMININE. Venus in Virgo loves to check off her task list. “Finding the perfect partner” is at the top. It'd be a lot easier if she wasn't so picky. A keen eye for detail makes for an unusual journey in love. (Think: Charlotte from SATC. Dumped a guy on the SPOT because his home decor preference was different than her own.) This native often believes that she is not picky at all and does not like to waste time. This is because she feels that these requirements are something every bachelor should have. COMPETENT. STABLE. RESPONSIBLE. She desires a type that completes their daily task list efficiently while managing to be a consistent lover. A PRACTICAL and sensible partner. No overly grand gestures are needed (chart could vary). Small actions hold the greater weight here, because the Virgo notices and appreciates the details. Well-Spoken. Honest. Book Smart. An intelligent, mature, and stable partner is ideal. Someone who can help or assist them in someway, making their lives flow easier. The intense or emotionally heavy relations are not typically for them, unless otherwise influenced in the chart. They want to be apart of something steady and trustworthy, in regards to long term relationships. Being of service & being serviced by a great partner.

libra

PRINCESS Venus is in her other ruled sign here, making for a harmonious placement. Venus in Libra attracts people like flies to honey & takes on the role of socialite here. Blessed with charm, the native impresses others in one on one contact. This opens many doors and begets many opportunities! They are the must-have on the guest list. They will come dressed, classy, and add value to the social atmosphere. They even dress aesthetically going to bed. This energy also begets followers! There is great social media potential here. In love, they desire someone with class or attractive status in some way. CLASS. AFFLUENCE. LUXURY. They like those who can create connections. Open doors. Authorize Purchases. Good manners. Proper dress. INTELLIGENCE. Charm and social skills are a must. Social status is even better. They want to be a wife to a powerful man usually, due to Sun's unfavorable positioning in Libra (in fall.) Marriage could be a foundational value. That means they are a bit picky. No dusties. No boring people. If you're a homebody, this is not the person for you. This placement can also be a bit shallow, preferring a partner that they feel a physical attraction to. Others must find them fine too! This reflects back on the Libra’s ego. They need open and clear communication to establish some kind of balance in their relationships. Equal partnership. Cardinal energy here is all about the pursuit of fine living, EXTRAVAGANT social experiences, and LAVISH settings. The lover must be an asset to this. These are the folks who post from Barbados on a Tuesday. We love to see it!

scorpio

SORCERESS Venus rises from the black waves of the Underworld reborn when in the sign of Scorpio. BOW DOWN. Your Goddess has entered the room. BEWITCHED. SPELLBOUND. Possibly many secret admirers. Many suitors are drawn to this native, for reasons they can’t explain. This native demands abject loyalty. They desire every ounce of affection, love, commitment, and passion within you. Even if that comes with obsessive tendencies or public professions of love and fealty. Venus becomes a savant in the world of sex, death, and regeneration. This native desires intense emotional exchanges. They want you to prove that you love them, but never with just words. This sorceress excels in the transmutation of energy. POWERFUL stuff. The witch is in the room. Screaming. Shouting. Crying. They welcome the emotions. Their love can render you a slave to their whims. They conjure emotion out of you, command your energy, and then proceed to have incredible makeup sex. WHEW. "I can't live without you." -A Scorpio Venus outside your house at 3AM. (the witching hour). These natives need a devoted lover who can offer security and good sex. Match their freak. Someone powerful but lowkey is ideal. The lover is ideally not loud, but commands respect and attention in other ways. Plutonian energy likes those silent, but deadly vibes. They do not tolerate the meek, timid, or disloyal for long. It wouldn't be smart to double cross these natives. One word. Vengeance. There is much to learn here, being in such a heavy sign. They are here to transform in love, while also transforming others. You will never forget this placement!

sagittarius

GLOBETROTTER Venus leaps upon the back of a magnificent stallion and rides through the annals of wisdom collected by Jupiter. She is a collector of wisdom, interesting artifacts, and exhilarating experiences. Venus stationed here is an indication that the native will have to undergo a travel or journey (Sag) in order to find love (Venus). This could be literal travel or mental enlightenment. Both are profoundly powerful and significant to the development of this soul. ADVENTURE. EXPLORING. TRAVEL TO FOREIGN LANDS. STUDYING ABROAD. Venus values learning from experience and expanding the mind here. Their lover must be a student or even teacher of life. Wise. Sagacious. Confident. Venus in Sagittarius brings luck (Jupiter) to the natives love life. They attract those who can seemingly teach them something, that assists them on their life path, and creates opportunities. This person must be incredible and one of a kind. A practical homebody will not cut it. They need a fascinating best friend and adventure partner for their odyssey through the splendors of this Earth. They possess the globetrotter energy. Passport ready. Spontaneous personalities are a plus. Surprise this native with tickets or an activity. Invest in their higher education. Their lovers can often be foreign in some way or attracted in the educational space.. where this native shines!

capricorn

MATRIARCH Venus in Capricorn moves with an air of royalty. She is almost too aware of the cosmic hands of time (Saturn) and she is serious about not wasting a second of it. "Do you have a savings account? Do you have any assets? Do you want to get married and have kids?" This is small talk for this native! You're not on a date, you are on a job interview and you can assure there are prerequisites! Venus here may present in the old money aesthetic, if not a classic look. She is WOMAN. Queen of Pentacles. AMBITION. STABILITY. SUCCESS. MATURITY. These natives desire a steady lover that promises structure and some type of status. They desire to build and create something great. Something ENDURING.Something for others to envy. "The Power Couple." Even if the lover does not have status, they must possess the desire to attain power by any means necessary. CUTTHROAT. BUSINESSMAN. MOGUL. TYCOON. Venus in Capricorn is looking for that fiery ambition in someone and they are attracted to those who show this potential. She desires to be by their side in support, but also adding her own value to the union or "business deal" LOL, These native do not like games or unserious characters that live for "exhilaration". They need physical, financial, and emotional stability to be fulfilled in love. They are looking for their life partner. Saturn tasks them with waiting for the one they desire. But, this will be worth the wait. Quality and true love.

aquarius

PEOPLE'S CHOICE Venus is high above the clouds in her sky castle within the heavens of Aaru. Here, the Goddess has the ability to charm the ENITRE collective at once. Social media potential! This native also has a ton of friends. Possibly several best friends. INNOVATION. GENIUS IDEAS. REBELLION. Uranus and Saturn convene with Venus on the matters of humanity. Venus in Aquarius is in love with humanity, while also being the love of humanity. They desire a lover who does not mind sharing their time when they feel the need to be a humanitarian. This is a true INDIVIDUAL. Their expression of Venus is unique and one of a kind. They may even redefine what the themes of Venus mean to them in this lifetime. In love, they desire a best friend. A confidant. They need a soul partner who is not overly emotional, but cool as a cucumber & light. LAUGHTER. LOGIC. FUN. Friends to Lovers. Someone ready to learn and explore NICHE topics. Someone who they can discuss literally anything with.. from conspiracies to futuristic world ideas. Uranus and Saturn create a very evolved character in matters of creating, but in love... there is much to learn. Love may not be high on the priority list. However, Venus rules balance and this native must learn to balance their lover vs the world. There may be something eccentric or unique about their lover, but this does not have to mean blue hair. It can simply be someone cut from a completely different cloth than they are used to.

pisces

SIREN Venus meets Neptune in a sprawling grotto. The primordial waters of Nun enrich Venus with a knowledge of all the signs. Venus is exalted here and she morphs into the perfect lover. Venus here has the ability to recreate (Primordial) herself into the likeness expected of her (water). SHAPESHIFTER. SIREN. GLAMOURS. Her sense of love is fluid. She inherently understands what all of the signs need. This is the Venus who can be an immaculate lover to every single one of the signs. Venus here is love incarnate. The catch is that Pisces cannot be fulfilled by all types of love. She may flirt with the idea of belonging to extremely different types of people. Venus here is a sensitive, PSYCHIC, and SPIRITUAL soul. She is in tune with the unconscious thoughts of the collective. Water can be soothing with regenerative qualities for this native after being drained. But, they usually willingly give this power up, due to weaker boundaries. This is the lover who already knows what to say, where to kiss, and what hurts. So much energy can be spent on their partner. Their love is potent and transcends the realm of physical feeling. When this person comes into your life, it’s most likely because you truly needed unconditional love. In a lover, this native needs someone to be their rock! They need a steady and consistent lover to bring stability to the waters of Pisces. More importantly, they need a SOULMATE. This yearning for soul connection can lead to rose-tinted glasses. The lover must be sensitive, spiritual, and in tune with the emotions of the Pisces Venusian. Their love must be a fated one, full of understanding. These lovers must beware the energy leeches and manipulators. Venus' energy here is SO potent, that a disturbed few may try to possess or capture it. Fatal attraction and even envy from others is possible.

Thank you for reading!!

Check out my blog for more in-depth astrology and mythology posts!

@thesirenisles | masterlist | venus mythology

© 2024 The Siren Isles All rights reserved.

[pleaselmhau]

Random scenario I’ve been thinking about of single parent reader

Accidental-boyfriend-and-stepdad-Ghost who had fuck all to do in between deployments. He spent his time wasting away. half at the pub near his dingy flat and the other half in said dingy flat. His fingers curl around the cool glass containing his bourbon. He knew he probably looked like a intimidating, sitting on the absolute end of the bar up against the wall with his hood up, but hey, at least he wasn’t wearing his mask in a civilian pub. That surely would raise a few alarm bells, a jacked, 6’4 man in a mask is probably the line drawn where civilians might start to freak. Not many people really bother him here, that’s why he likes it. He always found people watching occasionally interesting, as long as he could sit back and stay uninvolved.

So he’s a little more than surprised when sweet, attractive you pops right up next to him all sugary smiles and batting lashes. It becomes clear quickly with how your hand brushes against his bicep and you keep giving them flirty looks that you were looking for a fling. A one time hookup. It’s been awhile since he’d fucked so even though you aren’t his usual type, he bites. Not his usual type not in that he doesn’t find you attractive, he does, it’s more he thinks you’re out of his league- or rather out of your element. You seem a little too friendly, chatty even. It’s nothing really in particular that you do, he can just tell you’re the type to get attached. Though you did approached first so maybe he’s wrong, he decides.

The hookup is rather run of the mill at first, sloppy make out session from the front door to the bedroom. Both of you bumping into various furniture and walls as you lead him through your small apartment. His foot brushes against some hard object on the floor but he pays it no mind, too wrapped up in how you’re kissing him like he’s the air you need to breathe. You’re so full of life, passion, it nearly flusters him. But he is nothing if not adaptable, so once close enough to the bedroom he can see where you two are heading he just leans down and scoops you right up with one arm around your thighs. Faster, more efficient. It takes a mere nudge of his shoulder and lean before you’re falling back on the bed and he’s following you. His mouth slots over yours again, hot and heavy. Your hands tug at his shirt and he obliges, letting you pull the fabric off. It’s dim in your bedroom, only the moonlight filtering in through the window but he can see your silhouette clearly when he pulls back your last layer of clothing, and fuck is it a pretty sight.

He didn’t mean to spend the night, he really didn’t. But when you were bouncing on his lap, pressing fresh kisses to his throat after two rounds already he knew it was gonna be a long night. He wakes to find you draped all over him, wrapped up in the sheets like you’re trying to be some renaissance painting. He squeezes his eyes shut for a few moments, blinking away the grogginess of just waking up. Never being one to just lounge around in bed he detangles your limbs from around him and slips out. Bending down he retrieves his clothes, tugging his pants and shirt. When he has all his things he risks a glance back, hoping you’re not awake, he’s never really been good at the whole morning after shit, always preferring to leave during the night. Though for some reason the way you were all over him, the way you clung and kissed at him like he was the only man in the world made him want to revel in it, in you, long enough until he simply was too tired to consider leaving last night. His eyes flicker over you for a moment as if he’s subconsciously trying to commit you to memory, maybe he’ll meet you again sometime at the pub, he wouldn’t mind a repeat, but he’s not staying. Or so he thinks because as soon as he steps out the bedroom he’s met with the sound of two small feet pitter pattering on the floor then big eyes staring up at him.

His brows furrow in confusion, he didn’t notice a kid last night, actually he’s sure there wasn’t any kids in the apartment last night. For a long few moments he just stares down at the kid, not sure what really to do. The little girl, probably no older than ten stares right back up at him. “Can you make pancakes?” She asks, head tilting a little in curiosity. “Uh.. sure.” As she leads him through the living room he realizes what he kicked last night was her toys scattered about the floor.

So now he’s in the kitchen with Lily, as he found out the little girls name was, sitting on the counter. He figured out her aunt watched her last night and brought her home this morning. shes stirring up the batter as he puts butter into a pan. “You’re a friend of mom’s/dad’s?” She asks, stirring maybe a little harder than need be. “Something like that,” he responds, dipping in a random measuring cup then pouring the batter onto the pan. He can hear her still stirring even after. “that means we’re friends now too right?” She asks. He glances over taking in her kiddish hopeful expression and finds himself nodding immediately. “Yeah, we’re friends now too.” He responds, trying to not sound so flat. Truthfully he hasn’t a clue what he’s doing or what he should do. He tries to put himself in your shoes, how weird it’d be to stumble out and see your one-night stand still here cooking breakfast with your daughter. Though at the same time it feels rude too to just dismiss her.

When the pancakes are done he watches her jump off the counter and scamper over to the lower cabinet, pulling out a tray. “Well bring mom/dad some too!” She announces, grabbing at the pancakes with her hands and plopping them on the plate. Once the tray is all made up, a few pancakes stacked and a glass of orange juice she picks it up again. “You helped make it so you have to come too,” then she’s waddling off back toward the same bedroom he woke up in, orange juice splashing out of the glass in her excitement. He wonders if he should just slip out now while Lily is distracted, though he finds himself following, opening the door for her then watching as she pushes the tray right on the bed next to you before jumping on it and pressing her hands into your shoulder to shake you awake. He stands in the doorway awkwardly, watching the scene with a hint of… well he doesn’t really know. Warmth? A breakfast in bed from Ghost and your daughter wasn’t really what you were expecting when you woke up, though you can’t help but to smile as you see the jagged pancakes and half filled orange juice, rest on the tray itself.

The three of you spend the rest of the morning watching movies until it’s late enough that the three of you end up going out for lunch. Then end up making dinner together. And Ghost realizing maybe being off duty wouldn’t be so bad if he had a family to come home too and seems the perfect one was placed right in his hands.

Sorry if this is word vomit it’s very late and I was just swooning over the idea of Ghost with single parent reader

[natewriteslol]

housewardens with a reader who, despite being magicless, she is very good at robotics and after a few months she can create a robot that can use elements in combat too?

Reader is gender neutral!

Riddle:

-He honestly was highly impressed that you found a solution since you're magicless and the redhead wondered if you could possibly combine both magic and your inventions

-A little bit wary of another tech genius because of the incidents surrounding Idia but he quickly corrects himself because he shouldn't make assumptions just on the basis you two share a talent

-After seeing your inventions perform in battle he is giving you all of your kudos (and is a lil intimidated) and often tells others about your endeavors regarding your gadgets if your name pops in the conversation

-As for your robot, as much as he doesn't exactly hate it BUT is a little bit scared however M.O.R.T.O.N (Mobile Object-Oriented Technological Operator Network) has done so many useful things that he couldn't help but let him live in peace and not chew you out but please make sure you control M.O.R.T.O.N and you will have no problems

-Overall, thinks you're really cool and admires you because you are stellar at something he has no clue about :)

Leona:

-Polar opposite of Riddle and shamelessly assumes you would be like Idia because he is not at all messing around and assuming that you're harmless

-Especially after seeing how your gadgets were able to perform against magic users, he is very wary of you openly and asks Ruggie to keep an eye on you

-And I'm not gonna lie to you Y/N... once seeing M.O.R.T.O.N... he is not pleased whatsoever because he is enormous AND can control elements...you're done because that isn't something to joke with

-But eventually, he warms up to you? Kinda? Warm is more like lukewarm since he sees how you and Idia are absolutely not like one another and that you genuinely want to help others with your assets. Especially since your little doohickeys have gotten him out of a pickle or two

-Lowkey defends if you're getting flack for your hobby and is more open to robotics now

Azul:

-Another person who is wary about your contraptions because of Idia, he is NOT trying to get kidnapped and experimented on again

-However, he sees your technological prowess and begins to start cooking (never let him cook pls)

-Azul could absolutely use your tech as a way to benefit himself and his business from cooking, serving, managing and it would cut costs in half! All he had to do was to get them from you after all there was no way you would notice since you had an abundance of different gismos

-You did notice.

-So you sent M.O.R.T.O.N after the Monstro Lounge to retrieve your gadgets, which in return you got a bouquet and apology which you decided to forgive since Azul felt genuinely sorry for disrespecting you

-Which allowed you to come to a compromise of giving gadgets safe for Azul to use and a cash payment to you

Kalim:

-Number one fan honestly

-He sees virtually no problem because you're such a nice person and all of your gadgets have been helpful on their adventures and although Kalim is airheaded, he still understands people's concerns

-But he always defends you and tries to reason with them especially because M.O.R.T.O.N has done so much to defend the school which includes the haters of your inventions

-Secretly also tries to play with M.O.R.T.O.N and talk to him despite you telling him that he's not going to respond but the white haired boy SWEARS on the Great Seven the robot understands him

Vil:

-Again, another person who is wary because of the whole Idia situation (I'm sorry Y/N 😞)

-But be warms up to your helpful and kind nature quickly and realizes that you're just trying to be innovative rather than a menace to society and wanting to take over the Earth :)

-Especially when you use your sweet little bots to deliver him some gifts and other things, he finds it very endearing

-As for M.O.R.T.O.N he is both impressed and a bit spooked BUT he thinks that it's super cool that you're able to be so powerful as a non-magic user! Adapting to ones environment is one of the things Vil finds extremely admirable and a skill those who want to succeed need to possess

Idia:

-...secretly a little bit obsessed with you guys share the same hobbies because he has never met someone who is just as invested in robotics as him

-He mainly admires you from afar however that does not last for long as it was only a matter of time before you met the infamous Idia who kinda gave robot mechanics a bad rep on campus

-But genuinely you were so amazing and nice to him and even decided to ask for his advice on certain areas and he was really happy

-Eventually once you guys become close enough Idia would open up about how he was a bit intimidated by you and striking up a conversation, but your guys' shared interest really allows you to connect and open his shell a bit

-Absurdly impressed with M.O.R.T.O.N as he had always thought of the concept but never created a robot that could control elements

-You guys eventually team up to create robots that make campus life a bit easier, making you a bit of money and you two become better friends and repair some damages from...previous incidents involving robots that won't be named

Malleus:

-Doesn't really care about the judgement from other people and is a major influence into people not projecting what happened with Idia

-"The Child of Man is their own seperate person, if we judged every person who has a slight similarity to another, there would be no progress nor acceptance in this world."

-Finds your hobbies very fascinating and intently listens about your inventions from your homeworld "Earth" and how they connect to your inventions present in their universe

-A big fan of M.O.R.T.O.N and he is extremely proud of his friends' talent that could rival magic users

-Is always lending an ear to listen to your latest breakthrough or gizmo you have cooking up :)

[soaringwide]

PAC: What should I focus on to achieve success in my chosen field? - Career tarot reading

Pile: 1 > 2 > 3

Today's reading is a career reading about "What should I focus on to achieve success in my chosen field?"

The reading is going to be kept open regardless of your chosen professional field to be applicable to various situations. I will focus on two aspects: 1) an analysis of your current situation so that you can asses and work on yourself; but also 2) the steps you can take in the world to better the situation.

It is important to have a chosen field in mind when picking the pile/picture as it is not meant to tell you what you should do, but rather help you move forward on your desired path, whether you're currently working in this field, or thinking of doing so in the future.

PILE 1

Cards: Wheel of Fortune rx; Justice; Death rx; 9 of Wands + Queen of Wands; Page of Pentacles rx + The Moon rx + Page of Wands; Knight of Swords rx + 5 of Wands + 10 of Pentacles; the Chariot

Let's start with where you're currently in your career to see if it resonates with you and if you got the right pile. For some of you, it seems you've recently experienced a pretty harsh turn of events in your career that was sudden and unexpected. Perhaps you got laid of or something you were hoping would work didn't. For others, it could also be that you're still waiting for luck to turn in your favor, you may be looking for the job or opportunity of your dreams and feeling quite frustrated by the constant struggle. In both case things are not exactly going well so we'll see what you can do to turn things around.

If we're talking about success, we need to define what success is like for you in your chosen field. With Justice upright, being successful for you would mean a sense of authority in your field, as in, people come to you for advice and look up to the quality of your work but also your work ethic. They would see you as someone very knowledgeable and with a form of wisdom regarding their field. Someone who's able to take hard decision where others would fail to be up to the challenge and face the dilemma. They would respect you and your position.

For the strengths you can count on in order to achieve success, with Death reversed, I definitely think you're not someone to give up easily. Regardless of the setbacks you face, you're able to stay on track and keep your eyes on the price. There is an element of stubbornness but in this position it's actually quite positive since it's what's allowing you to keep pushing where others would have given up. This determination, even in the hardest moment where all hope seems lost, is key to your future success.

Now for what's hindering you, it's quite interesting because it seems to contradict your strengths but I think it's only here to show that these weaknesses have the potential to be turned into strengths, and also bring some nuance to the reading.

What I see is that despite not giving up as we previously saw, you're also prone to feel like the underdog, doomed to be alone against everyone having to constantly fight against people richer and stronger than you for what belongs to you. You have the potential to be a leader and be fully confident in your capacities, but right now it's appearing as a weakness, showing that you haven't embraced your leader-potential just yet. You might be hesitant to take risks due to the uncertainty and you're merely reacting to events rather than taking them as an opportunity to climb higher. You need to learn to take initiatives if you want to step into your power.

3 cards popped out for you mental or emotional blockages. I definitely think that you have this ingrained belief that you're not worth the qualities I described in the previous paragraph. You feel too young, too inexperienced and perhaps not strong or passionate enough to embrace them. But it's a mental blockage and not something rooted in truth. You also have some type of trauma regarding financial abundance, as in, part of you is stuck thinking you will always lack what you need to be at ease, or that you will always miss the opportunities that arise in front of you. I would definitely work on dismantling these beliefs because they are hindering your growth. Everything is learned either from childhood or from later in life, and there is no reason for history to repeat itself unless you let it dictate the way you think and act.

As for what steps to take in order to move forward towards success in your chosen field, you need to resist the temptation to rush and be hasty in your progress. With all the setbacks you're experiencing, it can seem like a good idea to go full force but it's not what's needed in your case. Rather, you should plan ahead and take deliberate steps and building your foundations with a directed focus instead of splashing around. You also need to be mindful of your words and how you come across and keep the idea of collaboration in mind, be it through working directly with people or through networking I'm getting. With that said, you still need to be your own spokesperson so be assertive and don't let competition trample you over. Perhaps your field is very competitive so you'll have to learn to find that stimulating and bloom in that instead of feeling crushed and diminished. There is also the idea that you will be able to achieve success through the help of people around you. It can either be family, friends or work connections you networked with. Perhaps you need to team up with someone and start to make your own path. Regardless, don't look at everyone like they are a potential threat but see the opportunities that can arise when you join forces.

Finally, you need to believe in your own success and abundance. Yes things aren't so great right now but it doesn't mean it will always be the case. You need to learn to believe you're the one in control of your life and lean into that power.

PILE 2

Cards: Ace of Pentacles rx; Knight of Wands + Queen of Cups; 5 of Cups + 7 of Swords; 8 of Pentacles; 7 of Wands; King of Swords + Queen of Pentacles; the World

First of all, we need to start with where you're currently at in your journey to see if it resonates as the right pile for you. I definitely feel like you're quite early in your journey, perhaps even at the ''planting the seed'' phase. You got the Ace of Pentacles reversed in this position which to me means that the seed of your journey just hasn't landed in the soil yet. All this potential and energy is currently still in the realm of your mind.

It's underlined by the bottom of the deck being the world which signifies a world of opportunities waiting to happen in reality. You're definitely at a crossroad so we'll see what can be done about that.

I felt like it was a good idea to define what success looks like to you before looking at what to do to achieve it. So I think for you being successful entails being passionate about what you do, having the motivation to wake up every day without feeling like you're wasting your life. You want to feel in control of your life and that means spending most of your time doing something meaningful to you. I also feel like doing something that's emotionally fulfilling is important, and for some of you that might include something creative or artistic. In both cases, the financial abundance is important but it's a byproduct of doing what you feel fulfilled by.

As to what are your strengths, I think you're someone who's not afraid to take twisted path to achieve your goals. You might be ''street smart'' in the sense that you learn things on the go and in unusual ways and are able to see shortcuts where others only see the main road. I also get the sense that you're able to take a loss because you know that not everything is ever going to waste and that there's always something to learn from every defeat.

For your weakness, I definitely see a lack of experience and skills, which is good because it only take time and energy to remediate. However you need to be set on putting in the work in the long run in order to actually kick of your career otherwise it's remain nothing but a dream. I'm also getting that some of you might struggle with procrastination and feeling overwhelmed by tasks easily.

As for your blockages, and it is in line with my warning of the last paragraph, you might have a tendency to get discouraged easily and give up, where, again, success is all about being determined and working in the long run. Do not let setbacks or obstacles waver your motivation and ambition. It would be a good idea to reflect on what situation triggers such reactions and where it is rooted from.

Finally, for the steps to take toward your success, you definitely need to learn to be disciplined and structure your thoughts, and I'm getting, learning journey. Be clear with what you want to achieve, set down goals and work earnestly towards them. You also need to be practical about your goals and nurture yourself like you would a garden. You're not gonna shout at the plants because they don't grow fast enough. Instead, you research how to better care for them and you provide. Stay flexible in your mind and actions in order to react to events with grace, build onto your strengths to sharpen them, and stay focused on your goal. I'm getting drawn to the idea that the task you're trying to tackle requires many different elements of things to learn or acquire, so really focus all your attention toward one at a time, make it stable and fully integrated, and move onto the next stage of your progress.

PILE 3

Cards: Ace of Swords; Ace of Pentacles; 10 of Swords + the Fool; 5 of Wands; 3 of Wands; 5 of Swords + Ace of Cups rx + Temperance + 4 of Wands rx + the Moon rx

Let's start with where you're currently right now, so that we can make sure it resonates and that it's the right pile for you.

Right now, with the Ace of Wands, you seem to be at the very start of this venture, whether it's a new career path or your very first idea. More precisely, you're in the planning stage, using your mind to figure out what's the best course of action to take in the future, weighting the pros and cons and drawing out a path for the future. I see you gathering information and knowledge about your chosen field so that you can make your entry in the best condition possible.

As to what success looks like to you, with the Ace of Pentacles, I think it's simply pointing at when you'll be able to make money from it. Not that you don't want to aim for something more, it's almost like a symbol of making your first coin, that will lead to many more. With the Ace there's always the idea of potential to come, so I definitely see that at the moment success for you will be to get your foot in the door so to speak, in order to build on it later on. It's also possible that this venture for you is a new chapter of you life and putting the gear into motion is what success is to you.

As for the strengths you can count on in order to achieve success, I definitely feel like you've been through a lot and that it's taken it's toll on you, but that it actually became a strength for you since it's paired with the Fool. I was trying to express this idea when I thought about a qhote from Nitzsche which I think expresses it perfectly:

"One returns regenerated from such abysses, from such a severe self-consumption of grave suspicion, having shed one's old skin, more ticklish, more wicked, with a finer taste for joy, with a more delicate tongue for all good things, with more joyful senses, with a second and more dangerous innocence in joy, at once more childlike and a hundred times more refined than ever before." - Nietzsche - the Gay Science

So yeah, I think you are now rejuvenated and you heart is strong and you're full of desire to take on life and make something glorious and beautiful out of it.

For your weaknesses regarding your career, I think you lack a competitive mindset and that you compare yourself too much to others, thinking you're somewhat lacking in various departments. You're overthinking what others think about what you do and you overheat yourself instead of directing this energy towards your goal. Definitely something you can work on if you find the roots of this lack of self-esteem.

For what mental or emotional blockage you hold, I think you're blocked in the thinking stage of you project and you fear taking the first step. It's like, you know it's not going to be easy so you navigating the waters because you feel safer on the shore even if nothing happen. Perhaps you just need more time but really nothing is ever going to happen if you don't take the plunge so be careful with that. Putting your project into action is not going to be easy, but it will be even harder if you never leave the harbor.

For advice on how to move forward, a whooping four cards came out.

You need to recollect your strengths and prepare for the next battle. Take stock at what you've learned in the past, what has been lost vs won, and how you can build on it in order to propel yourself forward and get out of your current situation.

There is also the need to feed your own emotional fulfillment and not think about money and practical aspects only, which might be a reaction to our current capitalistic world but is not going to feed your soul. Whatever you chose to do next, make sure it aligns with your heart's desire and not just what will bring you a quick buck.

[kiefbowl]

this is going to sound silly but it isn't silly, and I'm seriously saying this. I do think there is a slight feminist concern to alien abduction stories in so far as we can assume that when people, especially women, talk about their abductions and their abilities to communicate with extra terrestrials et cetera, they are someone who is mentally unwell and who has likely experienced something traumatic. alien abduction stories tend to have common elements even if there are details wildly different from each individual. those details are different because they likely didn't happen, but the common elements tend to be things like being taken from home, being violated, being exposed, having things implanted in the body, experiencing pregnancy, having secret knowledge, having a special connection to the extra terrestrials...

you can start putting some pieces together. yes, sometimes these elements are shared because they are what's heard in pop culture. you're more likely to imagine the details of a book you read or a tv show you saw than come up with something so fantastically new and original. you can imagine, for example, if someone is a say a seven year old girl being manipulated into sexual favors by a trusted adult and doesn't understand what's happening to her and has seen alien media and perhaps even has other messaging around her wrt sin, purity, worthiness, karma (what have you), and also perhaps is predisposed to mental illness, it's easier to believe she's a special person being abducted by other worldly creatures who don't truly mean her harm. you can see how a vivid child's imagination could lead to an adult believing memories that never happened.

and so the feminist concern is to not treat these stories as complete jokes and hoaxes and roll our eyes. I'm just reminded today of something I saw years ago. I think it was a Penn and Teller Bullshit episode on aliens, and they had a group of hard core believers talking about their experiences with aliens, and it felt like we were supposed to be laughing at them when at least one of them was a woman who truly believed an alien husband took her way sometimes and forced her to give birth and she had several children she didn't get to see in space, and she was clearly not very well adjusted socially. all I could think was is this a woman who's been raped? is this a woman who has been forced to have abortions? is this a woman who has had multiple miscarriages? is this a woman experiencing domestic abuse from a husband or boyfriend? but the episode wasn't interested in exploring that, and she stuck out as "one of these things is not like the others" when juxtaposed to fake professors trying to sell their weirdo books as a living or whatever else was in the episode.

when we say believe women, that includes "crazy" women. women who say ghosts are trying to kill them, who talk about people living in their walls coming out at night to steal their body parts, women who believe they are married to alien overlords since they were 12 and have birth 50 alien babies. these women are probably telling us something and I think we can say "I believe something has happened to you" rather than make a mockery of them.

[sometimesanalice]

A prompt party, Alexa? How in the world did I miss that? I'd be over the moon if you could write a little something for Bradley + "i’m gonna marry you one day." 🪩 ✨

Rebecca! Now you know I’m always down to write a little something for a smitten Bradley! I hope you enjoy!

It was a surprisingly quiet night at the Hard Deck.

You could actually hear the music playing out of Penny's old juke box, rather than just the faint essence of notes for whatever oldie was queued up over the usual rowdy ruckus. And there were more empty chairs scattered about than there were taken ones.

It was one of the rare rainy days they got in San Diego. The gray skies and drizzle driving even the best of Uncle Sam's finest under blankets and curled up on couches.

Bradley always liked the moody weather. He liked the way the clouds seemed to cling to the coastline. He liked the rough rolling waves as they broke against the shore with more force than they usually did.

But he wasn't look out the bank of windows out towards the beach, in fact, he had his back turned to it.

Because he was looking at you.

Bradley had been trying to ask you out for the better part of two months now. And he was starting to think that you were giving him the runaround.

He'd learned that first evening that you were only filling in as a favor to Penny- she and your mom went way back as sorority sisters- for a few months as Jimmy recovered from his knee replacement surgery.

Under normal circumstances, he’d take the hint and move on. And even if his mom hadn’t raised him right- which she had- Rooster knew that just because someone was nice didn’t mean they were interested. Especially when it was their job.

But he couldn’t kick the feeling that there was something there.

All he needed was one date to prove it.

It was more than the way you always seemed to catch him looking, because you were looking right back. Or the way you’d slip him a free drink every now and then, saying it was on the house. Or the way you found a way to brush past him a little too close whenever you'd swing by with more peanuts for Bob or a fresh round of drinks for his friends.

You were so damn smart and funny as hell. He’d taken to spending less time on his ESPN app and more time on the NYT trying to find interesting topics to get to spend a extra few minutes with you. Nothing felt better than earning a smile from you.

But any time he got close to asking you out or asking for your number, you were pulled away by something or another. The sound of broken glass. A pointed throat clearing from a thirsty patron. An emergency trip to the storage closet.

Rain was good luck in some places, and Bradley needed all the luck he could get. It hadn’t been on his side in the past two month, but tonight was his night. He was sure of it.

Especially considering he was the only person seated at the bar.

You'd been popping out and checking on people, delivering refills personally to the few people who had braved the elements instead of having them come up to the bar.

Rooster was patient, he didn't mind waiting his turn. After all, he had a shiny new NYT subscription to keep him company.

He smiles to himself when you work your way back to the bar, grabbing the bowl of limes and a cutting board, and setting up right in front of him. He watches as you deftly slice and quarter the limes into wedges, their bright scent clinging in the air.

“Why does it feel like I’ve seen less of you tonight than I do when this place is packed?” Bradley asks, saving the article he was midway through before closing out of the app completely.

“I’m just a one woman show here tonight, I told Penny to stay home." You're tidy and efficient in the way you store the prepped wedges and work to clean up the already immaculate bar. "It's means a bit more running around for me. But I don't mind, I like to keep busy."

"So I've noticed."

You look up at him from under your lashes, as you wipe down the prep space. "Have you been keeping tabs on me, Rooster?"

"Now I know you're teasing me." He sets his phone down and levels a look at you. "Because we both know you catch me looking often enough to know the answer to that."

You press your lips together, but the corners curl up anyways.

"Oh, Bradley," you say with a soft sigh. "Bradley, Bradley, Bradley..."

And then your eyes drop purposefully down.

The two of you stare at his phone sitting on the shiny bar top.

"You wouldn't," he rasps.

"I think I'm legally obligated to. There's a very official wood sign and everything." You look the picture of innocence, but you don't fool him.

"Sweetheart, c'mon."

"Are you asking me to bend the rules for you? Just because Penny isn't here?" You tsk, with a self-satisfied smile. "And here I thought you were a Boy Scout."

Bradley just shakes his head amused as you sashay up to the bell and give it a loud, long ring. A couple whoops go up in response, but no one gets up. Yet.

You walk back towards him with an all too pleased smile.

"I think you enjoyed that."

You smile wider and don't deny it. "I can't lie, it is a fun perk of the job."

He sighs. "And here I thought we had something special."

"Stop that, you're too pretty to pout," you tease. "You gave me no choice. I don't make the rules, I just follow them. And as much as I love Penny, I have a healthy dose of-"

"-fear-"

You smirk. "I was going to say respect. But also you're not wrong."

"And what about me?" he asks, sitting up straighter on his stool. "What are your impressions of me?"

"Oh you?" You tilt your head to the side, letting your gaze linger on his face as you muse. "You look like trouble."

"Do I now?"

"Mmhm. I thought it from the moment I saw you strut through that door." You say it like you're letting him in on a secret. "And there’s something you should probably know about me."

He leans in closer. "And what's that?"

You mirror him, leaning in as well and resting your elbows on the counter. Your face is just inches from his. “I’m really good at getting into trouble.”

He grins. “I’m gonna marry you one day.”

You tip your head back and laugh, it’s the best sound he thinks he’s ever heard. 

“That’s a bold statement from the man who still has yet to ask me out on a date.”

He opens his mouth, to do just that, after months of failed attempts. And then another one of the patrons saddles up to the bar, waving you down for your attention.

Rooster groans.

"Alas, it appears I have another gentleman caller," you sing, reaching for the towel and waving it like a handkerchief in his direction. "Guess I'll be seeing you around, Bradley. Maybe at the end of an aisle, who knows, the night is young."

The smile you give him promises that this conversation isn't over yet.

You spin away from him and don’t give him a second glance as you head over towards the thirsty man whose beer is going on his tab, but there’s a sway in your hips that wasn’t there before.

And Bradley thinks to himself, this is going to be fun. 

[sadesluvr]

Kiss It Better

Seven minutes in heaven with Ethan Landry turns out to be the therapy you both needed.

(Ethan Landry x Reader)

A/N: My first (overdue) Ethan fic! Pre ejac with Ethan is one of my guiltiest pleasures…Minors/Ageless blogs DNI

Word count: 1.5K

Tags: SMUT / Fem! Reader / Enemies to lovers / Handjobs / Fingering / Premature ejaculation / Virgin! Ethan + Experienced! Reader / Dirty talk / Dom + Sub elements, if you squint

Ethan didn’t know how he’d gotten here; back pressed against the narrow walls of a shoe cupboard whilst he fought the process of perspiration, which seemed damn near impossible given the stuffiness of the frat house. 

His heart pounded in his chest as he squirmed uncomfortably, desperate not to look you in the face. You, the bane of his existence,  had become stuck together, counting the seconds as the time passed for the dreaded seven minutes.

It was a Friday night, and expectedly, Chad had dragged him to another party, filled with cheap alcohol and set to the aura of low, coloured lighting. He hadn’t expected you to show up - people usually only showed up to parties for one thing, and you were already dating Bryce, someone who happened to be his classmate. 

To put it simply, Bryce was an ass. He was a self entitled econ student, with a Fortune 500 father and a future budding stint in jail for fraud - should he ever be caught - though guys like Bryce never did.  

Two things made it worse - One, the fact that he seemed to target Ethan himself, and two, that you, his girlfriend, never seemed to do anything about it…to the point that it was encouraged.

There was never a moment where Bryce hadn’t threatened Ethan for ‘help’ (it was much, much more than that) to the latest assignment, or made a snide comment towards him in the hallways. He hated it, but he’d always been kind of a pushover.

So wasn’t it ironic that you’d ended up rolling him at a game of ‘Spin the Bottle?’

“I’m sorry,” Ethan said, clearing his throat. “I know you probably wanted someone like Chad…”

You snorted.

“He definitely wouldn’t have hurt,” you sighed, staring up at the ceiling, likely begging for someone to rescue you. “But I’ve been there, done that….plus, I’ve already got a man,”

Ethan raised his brows at your flippant admission. Chad hadn’t mentioned that before.

“…Does Bryce know you’re here?” he stammered.

“Yup,” you said nonchalantly, popping your tongue. “He didn’t stop me, so I guess our chapter’s closed,”

“Y-You broke up?” Ethan said, throat dry as he choked on his own words. This probably meant that the bastard would be even more of an ass to him, if that were even possible.

You nodded.

Ethan stared at you with wide eyes, about to speak when you raised a finger.

“I don’t need your pity. It’s just a college fling, I’ll move on to the next.”

He raised his brow and puffed his cheeks at that statement. He’d heard the exact opposite, but who was he to speak about someone else’s relationship?

It was silent for a few moments, with you finding a particular interest in your nails before you looked up at Ethan, studying him intently. He was rather big for a nerd; tall, with surprisingly wide shoulders and arms - a direct contrast to his boyish curly hair. He’d always been nothing but shy and polite - something even Bryce had echoed - but you’d never really taken him seriously. At most, he was just some dude from Econ who happened to room with one of your past flings.

Still, whether it was the liquor induced haze from cheap alcohol or the fact that you were moping over your breakup, the little dork seemed rather appealing. After all, what was a better way to get over a failed relationship?

“Look, I’m sorry for how that came out, okay?” You huffed, making eye contact with him. “I’m a little hurt, and I can be a total ass sometimes…Just like Bryce. I’m sorry for how he treated you. Totally not cool.”

You tried not to giggle at the way the boy's eyes widened.

“Y-You don’t have to apologise, it’s not really your fault!” the boy stammered. “Bryce is — He’s Bryce. And I actually liked doing his assignments, they’re kinda fun when you’re really into the topic…! I-I mean not to—“

His rambling was silenced by your lips on his, taking charge as you smeared the taste of your lipgloss across his lips, consuming every one of his stifled gasps. You pulled away, unable to hide a smirk as he ran a hand through his hair; face flushed and panting. He was so animated in his actions that it was hard to believe he was real.

“Y-You kissed me…”

“Sorry,” you hummed. “I won’t do it again,”

“No! No, I liked it…” Ethan said desperately. “A lot…” he mumbled, rubbing the back of his neck. “I didn’t think you’d be into a guy like me…”

You smirked and shrugged your shoulders.

“You’re pretty cute for a nerd. Besides, it’s pointless to waste our time here, isn’t it?”

“I-I think time should be up soon —“ the boy continued to stammer, but you rolled your eyes and placed a finger to his lips, silencing him.

“I wouldn’t be so sure about that,” you whispered, draping your arms around his neck before you began to kiss him again, this time running your fingers through his hair, your graceful fingertips sending chills down his spine. He reciprocated, opting not to go too far and settling with his hands on your waist, tracing the curve of your spine as he relaxed into the motions of your lips against his.

Was he dreaming? 

His somewhat emboldened move made you smirk, and you pressed your body against his, breasts pushing against his chest and thigh rubbing along his crotch, causing him to gasp. 

“Shit…” he mumbled, pulling away as he tried to adjust himself. “I’m sorry, I —“

“Ethan,” you sighed, cupping his cheeks. “You don’t have to be sorry, I like it. And as long as you do too, I’m down. Just relax, okay?”

He nodded, mesmerised as you took his hand, and interlocked your fingers, guiding them from the soft mounds of your breasts to past your thighs, eventually slipping them under your skirt. Ethan’s fingertips had pushed your panties to the side with ease, and the boy almost choked as he enveloped his digits in your folds.

You were warm and wet, and so his movements inside you came easy. If the fact that he was touching you weren’t mesmerising enough, it was your unwavering eye contact that made his heart clench. You were taking control, and yet you were still submissive enough to let him explore you - solidified by the entranced look in your eye. 

He must’ve been doing something right.

“Feel good?” you hummed, not really listening out for an answer. Ethan’s low, ragged breaths told you everything, and you almost took pity on him for what was to come.

Sliding your hands down his torso, you stopped at his jeans, cupping his bulge and giving it a gentle squeeze. He gasped; involuntarily pulling you towards him as his head draped slightly on your shoulder. He was practically keeling over and you’d barely even touched him.

Smirking, you skilfully unzipped his fly and dug around in his briefs, gripping your hands around his cock before pulling it out. His precum dripped tip grazed your thigh, twitching as you began to stroke the vessel, admiring its girth.

Ethan whimpered, shutting his eyes as he parted his lips, lost in the flurry of sensations. He’d just found your clit, and he revelled in the way you’d moaned as he rubbed it, causing your walls to clench on his fingers…and now here you were, jerking him off.

“Is this your first handjob, Eth?” you purred into his ear. He could barely fathom an answer, instead nodding vehemently, tousling his hair in the process.

“Aw,” you giggled, giving his balls a gentle squeeze as you kissed his reddening neck. “I’m so lucky to be your first…I bet you’ve been dreaming of this for a while, hm?”

Ethan squeezed his eyes shut, gasps slowly getting louder as he took deeper breaths. He withdrew his face from your shoulder to look at you, a beautiful devil, eyes clouded with lust as they glimmered in the dim lighting of the house around you. In this moment, nothing mattered, and he took the opportunity to kiss you - to which you eagerly returned.

His movements became more frantic as you squealed at his sudden aggression, your mixture of shock and fear somehow turning him on even more. It reminded him of all the screams of fear when he —

“Fuck, Eth,” you whined further, drawing him from his thoughts. “You’re so big, no wonder why Bryce hated you…” you mused before letting out a chuckle. “…You know, I’ve always secretly had a thing for nerds.”

Whether you were being genuine or not, Ethan immediately spilled his load at the statement, moaning loudly in your shoulder as his body convulsed and fingers twitched. His rich cum coated your fingers, and you laughed as he writhed against you, riding out his high. He’d only lasted three minutes, but they were the best three minutes of his life.

He hid his face shyly as he looked back up at you.

“That quick, hm?” you giggled, licking the excess off of your skin. “You continue to flatter me, Landry,”

“Let me make it up to you,” he said boldly, wholly serious as he stared you in the eye. You cocked a brow, expecting him to be apologetic, but you couldn’t help but admire his newfound confidence.

Fixing your clothes, you nodded and curved your lips into a smile.

“I think I will,” you hummed, taking his hand in yours. “Your place or mine?”

[anthurak]

Takeaways from the Volume 9 Epilogue:

--

One thing I really like about Oscar’s ‘If there was anything I wish I could borrow from you…’ monologue is that it laid out/confirmed something I’ve always felt was a major aspect of Oscar’s dynamic with Ruby that I nonetheless feel a lot of the fandom has missed: That Oscar very much sees Ruby as a mentor and an example to follow, and how their dynamic is specifically a foil to what we saw between Ruby and Ozpin. That Ruby acts as a mentor and example to Oscar in the same way Ozpin was to Ruby, and that Ruby is a far BETTER mentor and example to Oscar than Ozpin ever was to her. Which, as an aside, is a dynamic I can’t help but feel a lot of people have been misinterpreting as ‘ship-teasing’ and is one of the main reasons I’ve simply never been able to see Oscar as any kind of viable love-interest to Ruby. Frankly the dynamic of ‘Ruby is the mentor and example to Oscar that Ozpin couldn’t be for her’ is simply so much more INTERESTING than any kind of romance could ever hope to be.

--

Even in animatic form, Winter basically going overdrive on the maiden powers was a sight to behold. And her own monologue had all the self-deprecation we were expecting. Our girl is clearly holding on by a thread and it’s going to be REAL interesting seeing how she reacts and adjusts to her sister not actually being dead. As in, I can imagine a situation where Winter tries to throw herself into a heroic sacrifice with the belief that Weiss would make a better Maiden than her.

Also, Winter’s monologue giving major focus to how Penny is super-super-dead-dead-and-definitely-not-coming-back-for-really-realsies, as she is talking to the sister who she ALSO believes is DEFINITELY also dead? Specifically with the words that Penny is gone, when Penny’s last words to her were that she’d be ‘part of you’?

Yeah, there is no way in hell we’ve seen the last of Penny XD

--

The CROWN. Like it was only a few shots, but as someone who read the CFVY Books (which you totally should if you haven’t, they’re great), holy shit I was NOT expecting them to pop up here.

I mean, in hindsight it makes perfect sense that they’d be involved in Volume 10. They’re basically Vacuo’s equivalent to Vale’s criminal element and the White Fang splinter faction as Salem’s co-opted insurgency group, with Jax and Gillian joining Roman, Adam and Jacques as the latest of Salem’s unwitting patsies. It’s definitely going to be real interesting seeing the crew deal with them. Like it’s really fun to imagine Team RWBY in particular being kind of exasperated at seeing Jax’s probably doing a whole ‘With Salem’s help I shall be King!’ shtick after everything they’ve seen with Roman, Adam and Jacques.

Oh and if you don’t know, Jax has a mind-control semblance, so him trying to use that on Yang could actually lead to a sneaky callback to the Justice League crossover, ie; Yang doing a ‘Yeah, I’m not doing THAT shit again.’ XD

--

Qrow’s whole vibe through this is fascinating. Like his section may have been the one we already saw, but after seeing the abject depression and growing despair of all the other characters, Qrow actually being OPTIMISTIC hit so much harder.

--

Raven showing up at the end is… interesting.

I’ll admit that ever since we saw that specific clip a few months back, I’ve been rather conflicts about Raven showing up to deliver RWBY+J to Vacuo, particularly after Ruby’s tree vision. Like for one it felt a bit random and unnecessary. The tree already deposited the Ever After team outside of Vacuo so they didn’t exactly need help getting there. Not to mention that it kind of clotheslines the story-thread set up by Ruby’s vision; that she now has a reason to track Raven down to get the ANSWERS to what happened to Summer. Finally, it’s just kind of… random? Like where did Raven even come from to get the team?

But now having seen the clip with its intended context, I’m definitely more on board with it. Particularly hearing from Kerry and Eddy that the original ending for the penultimate episode had RWBY+J going through the portal to arrive at their memorial stone, and met by a ‘Mysterious Figure’, ie; Raven. Here it feels like were getting more set up to get answers later as to what Raven was doing at the memorial.

And really, now that I’ve thought about it more, this method kind of puts the thread of Ruby going to Raven for answers even MORE into focus. Like the story reintroduces Raven in the present right after Ruby got a vision basically saying ‘hey, Raven is important’. And now going into Volume 10, we’re pretty much perfectly positioned for Ruby to pull Raven aside for those all-important ‘Why were you fucking my mom? What happened to my mom?’ questions.

--

Finally… yeah that ending hit me a LOT harder than I was expecting. Like that ending was HOPE in its purest form and it was honestly beautiful to see. Particularly right now with the future of the show seeming so uncertain. I’ve personally been optimistic about RWBY’s future (in a manner not unlike Qrow’s vibes I suppose lol), but damn the hopefulness of that ending hit especially hard, and was something I’ll admit I needed. And I imagine the rest of us could use as well.

We'll be getting Volume 10. And 11, and 12, and however many more it takes to finish this story. At this point, I have no doubt of that.

[not-your-bro]

what i did and didn't (but mostly didn't) like about until dawn remake's character trait changes

hello friends and fans. i am super excited to welcome all my pals back to the latest episode of Laura Yaps About Until Dawn Remake. i've talked about the prologue here and here, and i plan on talking about other elements of the game (visuals, gameplay, narrative changes) whenever life and time allows.

before i go off about the character traits, thanks to @claarria for posting this handy side-by-side of old vs new. super helpful! i'll be using those images here.

and generally speaking, let it be known that i think the font change is so fucking ugly 💖 like god bless but it is so bad 💖💖 and they've made the layout so much less dynamic by just listing all the traits straight down, bullet point style?? it is all very microsoft powerpoint core and it sucks. anyway. onto the characters, in order of appearance.

sam

off topic but very importantly, how did they fuck up sam's face THAT bad?? ballistic moon sapped the life out of her and now there is literally nothing behind those eyes. HOMEGIRL WAKE UP 👏👏

one trait change here: adventurous -> brave. not wrong, but super redundant, because brave is one of the character stats in the menu, so like. at any point when i'm playing her, i can pop in the menu and see exactly how brave she is. it's pointless to put it here.

chris

one change: methodical -> loyal. and honestly. this one slays i can't lie. like yeahhhh 🔥🔥🔥🔥🔥

i know everyone loves to hate on chris now, but he pushes to help sam even when it puts himself at risk and he goes to the shed to get josh even though josh just traumatized the hell out of him lmao. boy is loyal asf and i'm more than happy to see it replace methodical.

jess

big changes here. i'm not jazzed to see confident go. i always thought smg included it purposefully, because this is how jess is trying to come across, even though she's actually insecure.

and imo trusting fits her far better than, say, driven. based on em's comment about her grades (and the fact that jess doesn't deny it lmao), i don't think she has much drive or ambition at this point in her life. she's always struck me as the kind of person who doesn't have a big dream or passion, and as high school graduation approaches she would feel sort of aimless? like she doesn't know where to go next.

i don't mean these as negatives, btw. jess is a top 3 ud character for me. i just don't think she's driven. and i think she is irreverent. and that's fine. 💖

emily

one change: persuasive -> forthright. like sam's change, this isn't wrong. emily is definitely forthright. but i don't like that we're shifting her further from mike (more on that later), and this change makes her use of words seem less purposeful. like she says what she wants just for the sake of it, instead of: she knows what to say to get people to do what she wants.

matt

matt's trait changes make for a much different impression. motivated and ambitious have been swapped with obliging and dependable, which shifts the focus from himself to others. we're drawing attention to an agreeable, go-with-the-flow personality, rather than the fact that he's got big dreams for himself (get that scholarship, bud).

i'm not sure i'm the biggest fan, because it kind of makes him seem like a doormat? it's possible that he never talks to emily about how she treats him, and he does film the prank on hannah even though he doesn't seem like he would. still...i guess i wish there was more of a mix here. he can be obliging and dependable, but he doesn't have to be, depending on your choices, and this really makes him feel like everything he does is for the sake of others.

mike

i appreciate ballistic moon pulling these shots back a little - some of them were really, like, up the character's nose lmfao. but bro those traits are unreadable against mike's skin 😭😭

anyway, mikey gets a complete overhaul. i've been over brave with sam. it's a waste of a slot. and it's not that mike isn't driven or charismatic. i mean, he is definitely charismatic, given his popularity in fandom. even i have this feeling of 'man, i should not be charmed by him' <- is definitely charmed by him. but i think we're losing a lot by separating him from emily, with whom he used to share 2 out of 3 traits (intelligent and persuasive). i always thought that said a lot about why they would be drawn to each other and start a relationship - but also why that relationship wouldn't last.

if i were to give mike any new trait, it'd probably be impulsive, which i think is a great fit for him. mike may be intelligent, but when it comes to decisions, he's a man of action - a doer, not a thinker. which is just as likely to lead to a bad outcome as it is a good one.

ashley

one change here (forthright -> sensitive), but god does it fucking suck. SENSITIVE?????? be fr. is ashley sensitive or is she traumatized nonstop for eight hours? she was upset when she was chained to a wall and thought she was going to die! when she thought her friend died! when she thought her other dead friend's ghost was trying to communicate with them! when she was put in a life-or-death trap a second time! that sure was sensitive of her!

if i could revert only one trait change, it would be this one. 0/10.

josh

must be said that josh's shot is much better in the remake. it could not have been worse, like i will never understand how anyone looked at that half-closed eye and open mouth and was like yeah that's a good first impression LMAO. so, cool with that.

tbh i also like josh's trait changes? this is another total overhaul, but honestly, at the risk of getting booed offstage, i'm happy with this. if i'm being real, complex was always a waste of a slot. like...yeah? i hope so? all of your characters should be complex to some degree. it feels like a weird shade to the other characters to point out one guy, specifically, as complex. so the rest of them are simple, then? 🤨 it's not that i would argue against josh being the most complex - i do think he is (though i realize my stance on that means little because i'm up this man's ass). it's just weird to draw attention to it.

as for the other traits, yeah, josh is thoughtful and loving. for sure. but i feel like these are sort of...level 2 traits. ykwim? and the new traits are level 1. if you hung out with josh in a casual way, in a group setting, remake traits would be more likely to spring to mind, to match that initial impression. i think you'd have to look more closely or spend more time to clock that he's thoughtful and loving, because outside of his sisters, i don't think he's particularly straightforward or overt in the way he conveys those things, and he wouldn't draw attention to them. maybe i'm leaning too hard on the version of him i've fleshed out in my mind, but josh is the kind of guy who would, like, remember one offhand comment matt made about liking a specific brand of beer. months later, at the next lodge trip, it's there in the fridge, and josh says nothing about it. but he remembered, and he got it. that's josh's brand of thoughtfulness. in my opinion.

none of these six traits are wrong, i just think the new ones are better 'first impression' traits for him.

[darkficsyouneveraskedfor]

Dirty Work 44

Joyous Walpurgisnacht: Part II

Warnings: this fic will include dark content such as bullying, familial discord/abuse, and possible untagged elements. My warnings are not exhaustive, enter at your own risk.

This is a dark!fic and explicit. 18+ only. Your media consumption is your own responsibility. Warnings have been given. DO NOT PROCEED if these matters upset you.

Summary: You start a new gig and find one of your clients to be hard to please.

Characters: Loki

Note: Please share your screams in my ask or a reblog!

As per usual, I humbly request your thoughts! Reblogs are always appreciated and welcomed, not only do I see them easier but it lets other people see my work. I will do my best to answer all I can. I’m trying to get better at keeping up so thanks everyone for staying with me.

Your feedback will help in this and future works (and WiPs, I haven’t forgotten those!) Please do not just put ‘more’. I will block you.

I love you all immensely. Take care. 💖

Laufeyson returns with a second drink. You still have your first, nursing it as you find your head spinning with the activity all around. As more guests stream through, raucous as they meet others they know, the stage hums and the speakers crackle to life. 

Bragi begins his set, a brief tidings for the event before he strums into a tune. You wiggle your foot to the beat, peering over at the full band behind the lead. It's all so big and bright.

You turn back, reaching for your glass, as Laufeyson draws from his own. He watches you over the brim, eyes traveling down your body, focusing on the movement of your foot. You still it and uncross your legs, setting your soles flat.

He puts his drink down, half-finished. You sit back and fold your hands in your lap, peering around evasively. He probably saw you slouching or was annoyed by your fidgeting. You blow out between your lips as the party blooms around you.

Voices thrum in ripples beneath the steady rhythms of the stage, hollers go up now and then, piquing your interest as you look over to see a group cluster. They stand around smaller tables framed by two chairs each. You can barely see those sitting at them moving small pieces around the board.

“Hnefatafl!” The cry goes up as Thor stands and the pieces scatter on the table before him. You quickly look away as his head pops up above his audience.

“An old game,” Laufeyson explains, “rather dry for an event like this.”

You raise your brows curiously. You’re almost tempted to ask him more but think better of it. He hardly seems interested. Distant thunks bring another roar from a crowd further down. You twist in your chair to see across the field large round boards set up. A man with blond hair hurls an axe towards the wood, embedding it. You flinch and face the table again.

“Chaos,” Laufeyson mutters.

“Yes,” you agree, your toe tapping on the grass until you stop it again.

You sink into a silence which exists only between you and him. The furor of the party crackles around you, circling you in a whirlwind. There in the eye of the storm, there is no sound. It is deafeningly hollow.

“Ahem,” the clearing of a throat and tap on your shoulder brings you around. Laufeyson looks over your head, fixing his posture as you face Odin, “hiding in the corner?”

“Not exactly, father,” Laufeyson says, once more taking up his drink.

“There is much to enjoy. Your mother’s put in so much effort, I’d for her to see you glowering like this,” Odin reproaches.

“I do not glower,” his son snips.

“Mm, yes, well, you are more than welcome to wallow alone,” Odin replies flippantly, “but you needn’t cast a cloud over others…” he shifts to face you, opening a hand to you, “might I be so humbled as to request a dance from the lovely lady?”

You look up at him and your mouth falls open, “dance? I don’t know… how.”

“Well, then it is a good thing I must take it slow,” Odin insists, “it isn’t so hard to learn.”

Laufeyson sighs and drains the last of his whiskey. He stands abruptly, “I need to top up.”

Odin eyes him tensely but doesn’t remark. He looks back to you, “you don’t need to sit in his shadow all night. One dance, fair maiden of Walpurgisnacht, I see you can barely contain yourself.”

You look down as his gaze falls to your foot, once more wiggling. You still it and accept his hand. You hope Laufeyson isn’t too upset. It is only his father after all, he can’t be too put out.

“Thank you,” you stand and let him lead you away.

Odin brings you amid the other dancers, on a flat white floor laid out over the grass. He guides you to face him and helps you place your hands before he hooks an arm around you. He’s gentle but firm in leading you, counting with the rhythm between directing you how to move your feet.

“That’s it, dear, you’re a natural,” he praises as you let the music guide you, “and a beauty. That dress is very becoming, though it pales on you. You look immaculate…” he continues to sway with you, “my son is a fool not to say it himself.”

“Odin,” you look past him sheepishly.

“It is the truth. You are glowing and he is playing the troll, secreting you away from the light,” he tuts and shakes his head.

“It isn’t my party,” you utter.

“You belong here,” he insists, “don’t you think otherwise.”

“I am the house manager–” you rebuff.

“You aren’t,” he says, “my son didn’t get his senselessness from me. No, that is bred of mistrust. Fear, truly.”

“Odin, it’s true–”

“If he says it, it cannot be,” he counters, “when he looks at you, he is not looking at a house manager. He will claim I do not know him but he is my son. I see through him, it is only a pity he looks in the mirror and cannot do the same.”

You stare at the button of his vest. You don’t believe him. You don’t want to. You’re too afraid to think it could ever be true. Yet how can you tell him the truth? That would be humiliating. You are only half-right, your son wants more of me but only to sate his worst urges. It isn’t sentiment, it is convenience.

“Pardon,” a voice has you tripping over your own feet but Odin keeps you balanced, turning you as another figure stands close, “father, may I… take over?”

“Ah, but we are having such fun,” Odin taunts and twists you away from Laufeyson again.

“Yes, it seems so,” Laufeyson says thickly, “perhaps the next song…”

“Oh, don’t be so mopey,” Odin stops you as he chuckles, “I was only trying to pep you up, yes? It’s a party.” Odin raises your hand and kisses it gently, “thank you, dear, for humouring an old man.”

He stands straight and lets you go. He faces his son but you cannot see his expression, only the way Laufeyson’s eyes gleam back dangerously. Odin departs and Laufeyson’s attention flits onto you. He takes a step forward, once more looking you up and down.

The music ebbs and a new song begins. The soft plucking begins, then the reedy tone of a flute. Mr. Laufeyson offers his hand and you accept it, awkwardly coming closer as he sweeps his arm around you, his hand stretched over your lower back. He looks down to place his feet with yours before he begins. He is lithe and graceful, you feel otherwise.

“This is your song,” he says as the melody comes clearer.

You tweak an ear as you follow it, then lyrics begin.

“Moon River, wider than a mile…” 

Your heart pulses in recognition. You smile towards the stage. You didn’t expect him to truly do it but it’s wonderful.

“I like it,” Laufeyson says, “it is very… whimsical.”

You turn your head straight, focusing on your footwork, careful not to trod his feet, “it is.”

He’s silent as you feel his gaze upon you, bearing down. He must be annoyed by how you follow his lead, uncertain in your body. How pathetic; never had a birthday cake, never had a dance. You look up and gulp shakily.

You almost stop dead in your heels as you see something less than agitated in his expression. He is fixated on you without a trace of chagrin. His hand shifts on your back, his other on your hip as you hold his shoulder and his upper arm. He is handsome in the dimming approach of the evening.

“When I said before that you look nice,” he begins, “I was remiss. You look… beyond anything I could ever put into words. You are magnificent, pet.”

“Mr. Laufeyson,” you stutter, “well, you look very handsome as well.”

“I am not looking for compliments,” he dismisses, “and I think I owe you more than that.”

You don’t know what to say. Is it an apology? You don’t know entirely what he means. He’s had three glasses of whiskey, just like that night, and in the morning, he was just the same as before. You won’t count on the kindness he finds at the bottom of a bottle.

A sudden flash makes you squeak. You look over as Yvonne smiles over the large lens. You give a nervous giggle and brace Laufeyson tighter. He sweeps you away from the camera.

“Tomorrow, we will talk,” he avows, “but we can enjoy tonight. It is Walpurgisnacht and it is a new beginning.”

“Yes, Mr. Laufeyson.”

He winces and exhales, “can I be Loki for tonight?”

“Loki,” you echo, “yes.”

As the song ends, the heat speckling in your skin licks to flames. You don’t know if it’s being so close or his constant gaze or the thought of tomorrow and whatever you might talk about. You’re sweating and you're uncomfortable and you need a breath.

“Excuse me, um, I need the bathroom,” you gently pull away. 

He reluctantly lets you go, his hand lingering on your hip as he points, “there, in the tents, I believe mother had facilities put up.”

“Thanks,” you offer a weak grin and step away from his grasp.

“I’ll be here,” he promises as you go.

You try not to hurry. You don’t want him to see how desperate you are to be away. It isn’t him, it’s you. This is all too much for you. It isn’t you. You’re not one of these people but they treat you like one. You’re just a poor girl born of cigarette ash.

You find your way to the tent housing the stalls. You take your time and try to collect yourself. Your nerves are tingling in your fingertips and where he held you; just along your lower back and your hip. It’s that urge that worries you, the one that made you think of resting your head on his shoulder.

You emerge and use the outdoor sinks set up in front of the stalls. You dry off and measure your breaths. You can do this. You go back down towards the fervour and as the night sets in, the large lights come to life and light the crowd.

You search the clusters of bodies. Where is Mr. Laufeyson? As you inch along the threshold, a shadow shifts to your right. You glance over but the figure disappears. You shake off the eerie sensation creeping down your spine and march forward into the tide of people.

You weave around bodies and tables, dizzy from the flurry all around you. You stagger as you’re nearly stampeded by a rowdy group of guests and you spin around to face a table in the far corner. There you find a scene that makes your heart plummet into your stomach.

You can’t stop yourself as you near the pair. Laufeyson, Loki, sits in a chair, two drinks on the table; his whiskey and another bright purple concoction. But beside him is Sif. She leans forward, her wrist clutched in his grasp as she whispers through the curve in her delicate lips. He stares back at her, eyes fiery, jaw locked.

“Loki, we had something good…” you hear her slither as you get closer. Her blue eyes dance over to you and her lips curl, “I still love you.”

She looks at him again and smashes her lips into his. He winces and turns his head, his gaze finding you as you stop, paralysed as you watch helplessly. You blink and swallow, wetting your lips as you bring your hand up to your sickened stomach.

“I’m sorry,” you murmur, “I didn’t mean to interrupt.”

You turn and race away on clacking heels. You don’t look back as you elbow through bodies, running without direction, without escape. You just need to be away from it. All of it.

You find the pathway into the garden, plunging into the brush as your heels wobble with each step. You stumble and grunt in frustration. You stop and bend to unbuckle the shoes, tossing them away before you hurry on.

You find the stone gazebo, lit only by moonlight, and throw yourself inside. You land on a stone bench and hang your head in the frame of an arched window. You deflate as you hunch over, trembling so much it hurts.

You won’t cry. Why would you do that? It doesn’t matter. It shouldn’t matter. Mr. Laufeyson only said you looked magnificent then turned around to kiss his ex-wife. And why wouldn’t she? She’s much more than you’ll ever be. She fits neatly into their puzzle.

“Ah, little maid,” the gazebo darkens as the moonlight disappears as if a clouds passed over the nocturnal guardian, “what is the matter?”

You sit up and shudder as Thor’s burly silhouette limns in silver. You brace the edge of the bench and stand.

“N-nothing, I was only… having a break, I should head back–”

“It is peaceful out here,” he says, unmoving as you gesture around him. He fills the entire doorway.

“Yeah, but er, I should–”

“How do you like Walpurgisnacht? Are you having fun?” He asks, propping and elbow against the stone.

“Sure, I guess.”

“And did you play any games?” he sneers.

You falter and lean back on one heel. You have a bad feeling. You wring your hands as the air breezes in, a shiver rattling you.

“No…”

“That is too bad. This is a day of fun! Games are fun, aren’t they?”

“Please, Thor, I have to get back–”

“Let’s play a game,” he ignores your protest and steps into the gazebo, “I know a special game.”

“Thor,” you croak as you glance towards the windows. You see the lights above the trees and hear the muted noise of the partygoers and Bragi’s tunes. You look back to him as he takes another step towards you.

“You can be the mouse…” he says, “and I shall be the cat.”

“No, please, I don’t want–”

“You best be nimble, mouse. for the cat is hungry,” he growls as he looms closer, “and ready to pounce!”

He lunges and you jump back. Your shoulder hits the wall and you cry out. You turn and feel around, nearly falling through the opposite doorway as your feet slip over the stone steps. You stumble at the bottom, slipping in the grass as twigs and stones poke into your bare soles.

You hear him behind you, laughing as he makes a steady but easy pursuit. You sprint across the small field towards the row of brush, skirt catching on bramble as you dive into the wilderness. You don’t know where you’re going, you just need to get away.

Your feet slip on moss as dirty sticks to your skin. You puff as you pump your arms, glancing back over your shoulder frantically. He isn’t running, but he is coming. You can hear him laughing.

You swerve around, towards the noise of the party. You just need to get back there. You need to find a path. You don’t know where you are, the further you go, the more lost you are. The noises fade further and further. Oh god, wrong way!

Suddenly, your toe hits something hard and you nosedive forward. You don’t have time to get your hands up as your face crunches into a thick trunk and you collapse to the ground. You roll over as you taste iron on your tongue. Ow.

You sit up and touch your throbbing nose. As you plant your feet to stand, you hear a rustle and suddenly, you’re pushed flat to your back. Thor snickers as he holds you down by your shoulders, straddling you beneath him as he huffs.

“Ah, I’ve caught you, mouse,” he taunts as you squirm and whimper, “now the cat must feast.”

[canmom]

How do you live?

I (finally!) saw Miyazaki's new film 君たちはどう生きるか (How Do You Live?/The Boy and the Heron)! It's been out in the States for a while, and in Japan considerably longer, but it took a while to make its way over here.

I remember at the time it came out, people were having fun riffing on the incredibly cryptic marketing campaign, which consisted only of this rather abstract poster...

In the spirit of this, I resolutely avoided watching any trailers or knowing anything at all about the plot of the film. I picked up a thing or two here and there - I knew to expect some amazing Shinya Ohira animation for example, and you couldn't really avoid seeing the bird with teeth! - but overall, I had no idea.

There's plenty of great writing about this film in English already, such as kvin's fantastic sakugablog piece which discusses the physicality of Ghibli's animation, its weight and springiness, as a throughline. The stuff that kvin talks about really stood out to me as I watched this film. You can likewise read detailed interviews with Toshiyuki Inoue (fantastic interview for sakubutas) and Akihiko Yamashita on fufuro.

First up, the credits of this film are pretty much a who's who of the greatest jp animators of the last 30 years, and they've had some 7 years to cook it, so naturally this film looks fucking amazing. This is absolutely the kind of film that only Miyazaki could direct - its design language feels so familiar and yet it's iterating in all kinds of visually imaginative directions that show that yeah, the old bastard's still got it.

And like, god, man. This film's animation is really something special. Its real-world scenes in particular are full of shots that require an unbelievably strong sense of space, of both subtle and broad acting, the classic Ghibli attention to detail on mechanical objects and everyday tasks. It's full of bouncing and squishing and squeezing and oozing things. It loves to draw crowds and swarms of people and animals. It's the kind of film where any given shot would be the absolute star-of-the-show sakuga moment in just about any other anime film. If you wanted a complete statement of the Ghibli school of animation, it would be hard to do better.

And yet, for all that Miyazaki's known for his tight control over animation and heavy corrections to animators, in this film he had to step back from that kind of role and hand over the sousakkan reins to Takeshi Honda, who steps up admirably - as kvin writes above, bringing in more realist elements to the bouncy Miyazaki style to create a really effective unity that grounds all the big fantastical elements of the film and fills the first act with tension.

Alongside all that excellent key animation, the film's colour and photography departments evidently understand that well-chosen colours and good highlight shapes beat all the digital gradients and overlays you can imagine - the drawings get plenty of form from the strength of the animation, and the flat shading really pops. The backgrounds are as delicious as ever, skyscapes and vegetation and opulent interiors with the just-slightly desaturated and harmonious colours that just kind of remind you that oh yeah, it is still possible to do it this way.

Basically it's a Ghibli film lol. You know how it is.

But what of the story...? What's all this technical magic in service of?

The film's story has something of the feel of a serial story, perhaps reflecting Miyazaki's (in)famous process of working out the film gradually as he draws the storyboards. Certain ideas, like the parakeet empire, arrive in the film rather suddenly and then become fairly central to the plot. There's a clear emotional throughline, but this is not a film that is in a hurry to explain itself more than it absolutely has to. It wants to keep its magical elements numinous and mysterious. I would say, though, it's generally more satisfying in this approach than some of Miyazaki's other later films like Howl's Moving Castle, and resolves a lot more clearly.

So what is it like, About? Well, Miyazaki has been pretty open about channeling a lot of his personal relationships into the film, and a lot of it seems to reflect more or less obliquely on him. It's what they call a 'personal film'. The protagonist's position as the son of an aeroplane factory owner during WWII is straight-up from life. What about the old sorcerer, haphazardly stacking blocks to keep a world alive, and looking for someone to succeed him? The reading's kinda obvious, even if Miya himself says this guy is based on his memory of Takahata. Well, he can be both...

To say more I'm gonna have to delve into the spoiler zone. See you below the cut.

OK so! Let's try and get some thoughts in order.

first, a plot summary type of thing

Our first act introduces us to Mahito at roughly the moment his mother Hisako dies in a hospital fire. This is midway through the war, which is present mostly in the background - now and then we see soldiers marching around, and of course Mahito's dad runs a factory producing warplane parts, not entirely unlike Miyazaki's own father although seemingly a bit higher up the ladder.

We jump forward a little and Mahito's father remarries - to his deceased wife's sister, no less, and she's already pregnant. This is Natsuko, who does her best to play the role of mother, but Mahito still has big traumas and he is understandably not entirely on board with the idea of welcoming a mum 2 who looks almost exactly like mum 1. He moves with Natsuko into a huge old house complex, a mix of older Japanese architecture with a more recent Western wing where the family currently sleeps - and staffed by a small army of colourful old ladies who are eager for any canned meat or cigarettes they can get their hands on.

Also there's this freaky heron that keeps bothering Mahito. It seems to have something to do with a mysterious tower which turns out to have been built by his great-uncle. Mahito visits the tower, but can't make his way inside. Natsuko tells him not to go into the tower.

Mahito goes to school, but naturally they don't much take to the new rich kid on the block, and so after being attacked by his classmates on his way home he injures himself with a rock. (His dumbass dad is like, who did this to you son, I'll fuck 'em up.) For the rest of the movie, he has half his head shaved to accomodate a bandage, which is the sort of attention to detail this movie loves.

The heron has started growing teeth and talking to Mahito, telling him to come to the tower. Mahito is convinced it's a trap, and after a maybe-dream sequence in which Natsuko shoots an arrow to drive off the heron, he steals cigarettes from Natsuko in order to get one of the servants to sharpen his knife, and then constructs a bow and arrow out of bamboo - using a couple of the heron's feathers. Constructing the bow and arrow is shown in immense, loving detail.

In the process, he witnesses Natsuko walk into the forest, and also stumbles on a book: How Do You Live? by Genzaburō Yoshino, which contains a handwritten message from his mother. He looks at this book briefly... and this is about the extent of the connection of the film to the book, beyond thematic parallels.

The maids notice that Natsuko is missing. Mahito tells one of the maids, Kiriko, that he saw her go into the forest, and they follow, finding an old road that gives another approach to the tower. They're greated by the heron man, who is increasingly emerging from the heron's beak to reveal a big warty nose. He's some kind of like... heron selkie or something, a gnome in a heron skin. There's some wonderfully grotesque animation around this guy.

Heron dude taunts Mahito with an illusion of his mother Hisako. Mahito threatens him with the bow - the heron guy is like, do your worst, not realising it's a maaagic arrow. The arrow chases him around the room and pierces his beak, fucking up his magic. At this point, the tower master shows up and orders the heron to guide Mahito. Heron guy sends everyone through the floor into a fantastical world...

Mahito arrives in front of a huge, sinister tomb. He approaches the gate, and a swarm of pelicans walk up behind, crawling all over him and pressing him through the gate. This causes a storm to start brewing, since opening the gate seems to piss off the stones or something...

A fisher woman resembling a much younger Kiriko runs up and chases the pelicans away. She takes Mahito under her wing, explaining that this world is inhabited mostly by dead people, but there are also these little round guys called the wareware, who gain the ability to fly when they eat a fish's guts.

Kiriko, uniquely in this world, has the ability to kill, so she catches fish to sell to the other inhabitants and feed to the wareware; she and Mahito butcher a huge fish. Mahito fairly quickly figures out that she is somehow the same Kiriko that entered with him. She has tiny charms representing the other maids, which serve an apotropaic function.

That night, staying on Kiriko's huge derelict ship of a home, they watch the wareware rise into the sky to be born as humans in Mahito's world. They're attacked by the pelicans, but a fire-wielding magic user called Hisa (hmmmmmmmmmm) drives the pelicans away. Mahito shouts at her not to harm the wareware, but Kiriko assures him that more of the wareware will survive thanks to Hisa's intervention.

Later, a singed and dying pelican explains the pelicans' predicament to Mahito in a scene that calls to mind the animals in Mononoke-hime. The pelicans are foreigners in this world, they don't have anything to eat, so they take it as their role to eat the wareware. The heron man arrives on the scene too, offering to help Mahito find Natsuko as Mahito - coming in to his own as a protagonist more - buries the pelican. Mahito distrusts him but eventually Kiriko persuades them to give working together a try.

Mahito and the heron set out. As they pass through a forest, the heron reveals that thanks to Mahito's arrow, he can't fly and do heron shit anymore - and by magic law, only Mahito can fix the hole. Mahito applies his new woodworking skills to fashion a bung for the hole. The heron tries to stage a top 10 anime betrayal, but then the bung needs more work, so Mahito fixes it, and from that point on, the heron joins the party and he and Mahito are fast friends.

(You might wonder why I just call him 'the heron' and not by a name. He never gets named! He's just the heron man.)

Mahito and the heron arrive at the house of a blacksmith who's supposed to help them find Natsuko, only to find it guarded by big buff parakeet men. The parakeets are splendidly goofy round guys - they remind me of the heedra in Nausicaa. The heron draws the parakeets away, and Mahito enters the house, only to find, uh oh! More parakeets. The parakeets prepare to eat Mahito, who is not carrying a child and therefore fair game unlike Natsuko, but Hisa shows up and burns them with fire magic. She looks just like a young version of Mahito's mum! Funny that. Hisa helps Mahito escape into her house through the fire, and then takes him to infiltrate the parakeets' empire.

In the human world, the maids explain the backstory of the tower to Mahito's dad. It's a weird meteorite that came from space, it turns out, and Mahito's great-uncle built the tower on top of it before eventually disappearing inside. Mahito's dad overprepares in an elaborate getup complete with katana, and goes to try to rescue everyone.

Hisa leads Mahito to a corridor full of doors which open into all the different worlds, including his own world. Mahito briefly glimpses his dad coming to try and rescue him - the two see each other briefly, but the parakeets catch wind of the whole thing and attack, and so Mahito and Hisa have to flee back into the magical world. We see that the parakeet guys turn into regular parakeets when they come into the human world. Mahito's dad becomes convinced he turned into a parakeet.

Mahito and Hisa make their way to the delivery room where Natsuko is resting, waiting to give birth. On their way, lightning starts emerging from the stone - Hisa explains that the stone is sentient and pissed with them. Mahito insists on approaching Natsuko despite this being a huge taboo. They have a heart to heart - Natsuko's mask breaks and she tells Mahito she hates him, while he finally starts calling her mother, as he's assaulted by paper charms that tear at him violently. They part, with Hisa burning the charms to free Mahito, but it's too much and they both pass out.

Mahito dreams of meeting the sorcerer, who stacks irregularly shaped wooden blocks, and explains that stacking the blocks is necessary to maintain the world, buying a few days at a time. The sorcerer reveals the huge flying rock that is the source of his power; he also shows Mahito some blocks, but Mahito somehow divines that these blocks are 'stone for building tombs' and stained with malice. The sorcerer approvingly says this is a good sign for Mahito's ability to succeed him.

While they were asleep, the parakeets have captured Hisa and Mahito. One of them is preparing to eat Mahito, but the heron arrives just in time to save him. They Metal Gear Solid their way through the kingdom while the Parakeet King - a big swaggering guy very like the colonel in Castle in the Sky - goes to press a claim on the wizard, using Hisa and Mahitos' taboo act of entering the delivery room as a bargaining chip. There's some very funny scenes where the parakeets cheer for their king.

Mahito pursues the parakeet king, but the king destroys the staircase behind him, and talks to the sorcerer. The sorcerer is inclined to wave away the transgression, because he wants to let Mahito succeed him, but the parakeet king seems to be bringing him around. I kind of forget how this part went, but the parakeet king goes away from the sorcerer for a bit while Hisa is freed from her prison thing.

Mahito climbs back up with the heron man's help, arriving in the sorcerer's little subplane. The parakeet king quietly follows him, after telling his aides to inform his subjects he was a good king. Mahito approaches the sorcerer, who reveals he has found a new set of blocks, unstained by malice, and again invites Mahito to succeed him. Mahito says that his self-injury is proof of his malice, making him unfit for the job.

At this point, the parakeet king intervenes. Angry at all this sorcerous malarky, he desperately attempts to stack the stones himself, but when they don't stack, he flies into a rage and slices them with his sword. This naturally causes the world to start collapsing, and everyone runs to the doors to escape into the human world.

Mahito has by this point figured out that Hisa is his mum, and he asks if she really wants to go back to their world, knowing that she will very definitely die in a fire not much later. But she is naturally on board with this. Young!Kiriko goes with her, suggesting that she and Hisako entered the magical world at the same time. Meanwhile, Mahito returns to his own time, with Natsuko and the heron. All the various parakeets and pelicans come out through this door too. Old!Kiriko is restored from her apatropaic charm.

As everyone celebrates their safe return (and the appearance of a fuckton of birds), the heron tells Mahito that he ought to forget what happened in the magic world. We skip forward again, with Mahito - now with a baby sibling - setting off to Tokyo. Roll credits!

now let's comment on it

This is not a film that necessarily prioritises an internal logic playing out - new elements enter unexpectedly even quite late in the film. The sorcerer's motivation is murky until late on; the parakeets become major antagonists despite entering only halfway through the film.

There is a certain temptation, knowing how autobiographical this film is, to take it is a roman à clef. Mahito is of course a young Miyazaki; the old sorcerer's concern about finding a successor might be about Miyazaki wondering who should take over Ghibli or if it should just be allowed to die. Under this schema, the parakeets might be Ghibli's legion of fans, or the merchandising empire that prints their designs on every possible product. kvin's article develops this kind of reading, finding some angles I wouldn't have even considered, such as how the idea of weight communicated by the animation factors in to such an allegaroy. It's also something suggested in Miyazaki's own comments about the film, where the sorcerer is Takahata, the heron man is producer Toshio Suzuki...

It definitely helps to know a bit about Miyazaki's background when approaching this film. However, I think it would be reductive to go too far with this kind of reading, and take everything as an allegory for something in Miyazaki's life. The film still has to stand on its own feet!

'Coming of age' is the spin put on it by some outlets, like the BBC. And this is accurate to an extent. The arc of this film is similar to Spirited Away: Mahito starts out sullen and traumatised, but like Chihiro he transitions over the course of his journey in the magical world into the kind of determined Miyazaki protagonist we're used to. On this coming of age angle... well, also like with Chihiro, I don't find the Mahito of the first part of the film especially unsympathetic, his alienation is extremely natural given his situation. Mahito's dad kinda sucks! Living in wartime Japan also really kinda sucks, even if you're the son of a rich dude. But definitely over the course of the film Mahito has a change of heart towards Natsuko, and forms friendships that motivate him to try to protect them. His character arc definitely sees him become 'more prosocial'.

However, there's another angle that's pretty important - the idea of the weight of 'malice', the cursed existences of the pelicans and the like, and the fantasy of building a utopian world that is free of these things. This returns to a theme of Nausicaa, the manga in particular, where Nausicaa discovers that the world she knows - the toxic forest in particular - is actually an elaborate artificial system for cleansing the world of pollutants, that the clean world on the other side will be uninhabitable to her and her people, and that the architects of this system wait in stasis to replace them in this utopian future world. Nausicaa destroys them, commiting instead to an uncertain future.

In Mononoke-hime likewise, we encounter the lepers and former sex workers of Irontown clinging on to the 'cursed' world. Their extractivist project proves incredibly destructive, but the film still regards them sympathetically, and the resolution sees them perhaps finding a new way to live - and San, the feral girl, reconciling herself to the idea of humans.

Here, although the parakeet king forces the decision, Mahito has already declared that he doesn't believe he's fit to oversee a utopia, but instead that his place is in the awful, violent human world.

The film, and the book it's vaguely based on, are titled How do you live? In Japanese, that's a plural 'you' (君たち). There's a lot of ways you could read it, depending on who you take as 'you' - a child asking an adult how to live, or equally a future question of how will you live. This is a lot more explicit in the novel - which I have not read, but here is a summary courtesy of wiki:

Junichi Honda is a fifteen-year-old junior high school student, known by his nickname Koperu, after the astronomer Nicholas Copernicus. He is athletic and academically gifted, and popular at school. Koperu's father, a bank executive, passed away when he was young and he lives with his mother. His uncle (on his mother's side) lives nearby and visits frequently. Koperu and his uncle are very close. Koperu shares about his life and his uncle gives him support and advice. His uncle also documents and comments on these interactions in a diary, with the intent to eventually give the diary to Koperu. The diary writing, which is interspersed with the narrative, provides insight into the ethical and emotional trials that Koperu shared with his uncle. The diary entries, which cover themes such as "view of things", "structure of society", "relation", etc. are in the style of a note written to Koperu.[8]

Thinking like Copernicus that our Earth is a celestial body moving within the vastness of space, or thinking that our Earth is fixed at the center of the universe, are two ways of thinking that, in reality, are not only related to astronomy. Even when we think about things like the world around us or our own lives, the truth is that we are still revolving around them after all.

In the end, Koperu writes a decision on his future way of living as a reply to his uncle, and the novel ends with the narrator asking the question "how do you live?" to the reader.

The author of the novel was a socialist, who had been imprisoned by the nationalist government, and wrote the book intending to impart lessons on ethics. The version of his book published after the war was heavily edited to strip the book of political content. But it's also, perhaps paradoxically, a book that centres on very wealthy characters, aimed narrowly at educated boys, though it became a widely read classic.

Studio Ghibli's films, from both Miyazaki and Takahata, have a habit of being framed as imparting something to the younger generation - something the pair seem to have seen as a mission all the way back in the days of Panda Kopanda. For example, while Grave of the Fireflies is seen as the classic tragic war movie, for Takahata it was also aimed at criticising what he saw as the careless, consumerist generation of the 80s; the stubborn arrogance of the protagonist supposed to reflect on this. It's an attitude that also emerges in their comments about Chihiro. And, indeed, one of the first things we heard about How Do You Live? was that it was aimed towards Miyazaki's grandson - and more broadly towards that generation.

So what does this film have to say to the younger generations? Let's have a look at it from Mahito's POV.

For Mahito, the adults in his life are all pretty complicated. His father is enthusiastic and well-meaning but incredibly oblivious to what his son is going through (we might recall some of what Miyazaki wrote about his father in Starting Point, describing him as basically a grifter). Natsuko is masking pretty hard, trying to play the role of Good New Mum and connect to her newly acquired son, but there's an intrinsic distance. It is understandable that Mahito would want to reject them.

Mahito is... not entirely a passive character, he goes to some efforts to for example fashion the bow and arrow and repair the heron man's beak, but mostly he is pulled around by the plot into a strange world he doesn't understand. At first, his instinct is to retreat, even to the point of self-injury. Once he arrives in the magical world, he has acquired something of a purpose (finding Natsuko), but he gets pushed into near-disaster situations (the pelicans piling up to push him through the gate at the tomb) or stumbles into circumstances where something is expected of him (hey kid, gut this fish!). Gradually though his exposure to this world pulls him out of his shell. He runs into conflicts and injustices that seem intractable - the wareware and the pelicans - and has little power to intervene except to bury the bodies.

Eventually, he gets to carry out his main objective - finding Natsuko - but despite finally deciding to accept Natsuko as his new mother, he finds himself rejected, not just by her but also by the earth. Perhaps feeling responsible for getting her into trouble, his new objective becomes rescuing freshly-damsel'd Hisa. But now new adults want things of him - his great-uncle has decided he'd make a fine successor. Mahito has to make a decision here about what relationships he wants to commit to, what sort of life he wants to build - and he chooses the world he found so alienating at the outset of the film, the one which hurt him by taking his mother, not to the secondary-world fantasy.

It could be a 'this world is all we have' sort of statement, perhaps. But also the last act of the film feels like it gets a bit caught up in Castle in the Sky-style adventure-story beats.

I do feel like some aspects of the film ended up a little underbaked - which is an odd thing to say because it's not a short film and there is so much in it already. But Hisa for example - she's got badass powers and all, but I feel we barely get a chance to get a sense of what motivates her. Why did she enter the fantasy world? She acts at first like she doesn't know Mahito is her future son, but rapidly becomes incredibly devoted to him (in a way that reads a little romancey lmao). So much of her screen time is dedicated to having her convey the secrets of the world that it's hard to get a bead on her as a person.

Likewise, Natsuko - why did she enter this world to have her baby in this special ritual delivery chamber? She clearly knows more than most of the characters, but she gets kind of sidelined after Mahito confronts her, with wizard shit becoming more central. The animation does such a fantastic job of selling her feelings in the first part of the film that it feels like a shame that she drifts away at the end.

The progression of the film feels rather like a dream, where everything is arranged by symbolic significance to Mahito. It makes sense... on a magical level, where the secondary world is shaped primarily by parallels in the real one. So the tiny apatropaic statues of the old ladies protect him because they represent the role the real old ladies have in his life. Hisa has fire magic because Hisako died in a fire. Once Mahito has come to his personal resolutions about returning to the world, the magical one is no longer needed, and it collapses.

This is not such an uncommon role for magic in a story. In Miyazaki's own works, we have Totoro and Spirited Away, where a magical world provides direction or relief to a child's real struggles. Or take for example Okiura's film A Letter To Momo, in which the three yōkai recognise taking care of the grieving Momo as their explicit purpose as spirits. This magical world comes to Mahito to help him come to terms with losing his mother, and reorient himself towards living in a painful world.

Meanwhile, the sorcerer, whether he be Miyazaki or Takahata, is quite a distant figure. He may maintain the magical world by stacking his blocks, may be the authority which factions within it must plead to, but he also rules from afar in a vast empty palace full of long halls and open air spaces. His main company seems to be a big fucking rock, with which he made a 'contract'. He's generally handling it a bit better than, say, Ushiromiya Kinzo - he receives the parakeet king with good humour - but he's a pretty flawed god of his little world. So much of this world seems to pre-exist him, it's not something he constructed. Still, when he shows up, you pretty much have to do what he says.

If this is about Miyazaki's relation to Takahata, it seems like quite a sad portrayal. But 'unapproachable patriarch' does sorta describe their role in the studio from what I understand (c.f. Oshii's infamous article comparing them to the Kremlin).

When it comes to the question of who should succeed Miyazaki, we should probably consider the matter of Yoshifumi Kondō, who was being set up as the next big Ghibli director until his untimely death - which allegedly Takahata was willing to accept the blame for. The mythology built up around Miyazaki and Takahata is double-edged.

Here are some rather startling comments from Toshiyuki Inoue's interview. Inoue is one of the most impressive animators who ever lived in my book, the other star of the realist line besides Okiura. Just have a look at his booru page: iconic scenes from GitS, Akira, Millenium Actress; even in more recent films, he pretty much carried Maquia, and steals the show with his scenes in Miss Hokusai.

And yet even he was intimidated to be working alongside Miyazaki when he first came on board for Kiki's Delivery Service, fresh off Akira:

I believe you’ve always been a fan of Miyazaki’s, why were you scared to work with him? Toshiyuki Inoue: I had heard quite a few scary stories. A lot of acquaintances had worked on Nausicaä, Laputa and Totoro before that, so I knew how scary he could be when he got angry – I had heard stories of people being fired mid-production, things like that. How was it actually? Toshiyuki Inoue: Not as scary as I had imagined. He’d only rarely scream in the studio. But he did get angry. I’d sometimes be called to some separate room and lectured alongside Kōji Morimoto and Masaaki Endō. It felt like being in school all over again.

'Only rarely'. Honestly. Inoue describes how difficult it was for him to adapt his logical, analytical style to Ghibli's stretchy, bouncy characters - and how Miyazaki would disparage him if he, for example, drew a ship inaccurately.

For Inoue, coming back to How Do You Live was something like a 'return match'. He talks about how an older Miyazaki was no longer able to strictly correct the animation, and in general age was limiting him, but he still feels that Miyazaki is fundamentally superior:

Toshiyuki Inoue: I’ve always wished for a return match or a way to redeem myself. But even if I say that, I know I can’t even pretend to rival Miyazaki. I just can’t win. He’s extremely smart and learned, and on top of that, as an animator he always transcends common sense: he’s so talented that I know very well there’s nothing I can do against it. The more I learn about him, the more I realize I’ll never be on that level.

Miyazaki's genius is undeniable, but man... it's not a good mindset to cultivate if you want to find a successor lmao. If even Inoue doesn't feel he can measure up, who the hell could?

Mind you, it does rather seem that Miyazaki had mellowed out by the point of How Do You Live?. Here's Yamashita:

Akihiko Yamashita: As I said, the core of an animator’s job is to follow what the director asks, so whenever I had trouble with that, I’d go see Miyazaki to show him my roughs. He’d advise me on the things that were missing and reassure me about those that were good. He really helped me to gain more confidence in myself.

Reading these interviews underlines pretty hard that we shouldn't get too caught up in the mythology of Miyazaki the mighty auteur. While the story may be all on Miyazaki, and most of the character designs (with the notable exception of Natsuko)... so much of the details of the animation, the stuff that really makes this film land, is primarily shaped by everyone else - Honda in particular, but also the individual key animators who interpreted his scenes. I really need to get my hands on a copy of that Industrial History of Studio Ghibli book to get a less Miyazaki-centric perspective on the studio's history.

I do not feel, having come out of this film, any closer to knowing the answer to that eternally pressing question of how do you live - I guess I'm still working out my answer to that one, and I will be until I die. And maybe that's rather the point. I think this film still carries some of the flaws of Miyazaki's later films - despite having so many iconic scenes, it doesn't quite seem to know where it's going. But I am so glad to have seen this in the theatre (I saw it at the Prince Charles theatre in Soho with friends, the theatre was completely packed!), and glad Miyazaki managed to get this one out before he goes. Whatever happens to Ghibli without its sorcerer, it's been a hell of a thing to witness.

[sparkly-sediment]

Tf2 Mediscout headcanons pt 1

This was requested! If you have any little tf2 desires, my asks are open, as are fanfic commissions! Feel free to dm

Personally this ship awakens a beast within if you catch my drift

It started off just like the others. No jarring attraction, no electricity, no 😩🫦💦. Just two dudes who are now very weird coworkers

Medic def has a type and Scouts fit the bill. Skinny lanky boy toy! During various experiments and totally inconspicuous injections (he told Scout it was penicillin) he notes the slender frame and the lean muscles but he is a professional after all

Scout, however, is not

He’s initially unnerved by Medic and attributes it to the threatening, could-vivisect-you aura, but the tightness in his chest when Medic comes too close or Scout catches a hint of his french cologne isn’tfear

They work fairly separately for a while. Yes, they live together, but they also live in a chaotic team of nine with very different jobs. Their conversations aren’t close like Medic and Heavy or Scout and Sniper

Different peers groups yk? And with the age gap, Scout isn’t exactly knowledgeable in whatever the fuck old people talk about

Scout isn’t a little bitch. He got his ass beat as a kid, so he could handle a bloody nose or split lip, and going to the med bay means close contact with a man who makes him feel funny (like, more than any chick ever had), so Scout keeps out

Medic doesn’t like that. Medic usually corrals someone onto the operating table, and Scout becomes his main target. The others don’t mind since they aren’t being sliced up but there are a few comments between Engineer and Heavy about it

They aren’t uncomfortable, but they notice. No one had made it weird so Engie wasn’t about to do so and neither was Heavy. They just notice an uptick of scout/medic conversations, the two bumping into each other a bit more, and the brutality of experiments on Scout decreasing

They’re highkey jealous LMAO who knew the doctor wouldn’t hurt you if he thought you were hot

Medic starts insisting Scout come in the med bay more. That doesn’t last long, because Scout quickly starts going on his own will

“I uh, need a bandaid” absolutely bitchless and unsure of himself it is pitiful! Medic finds it endearing

By this point Scout is aware he finds Medic attractive but is repressing the shit out of it. Internalized homophobia, tragically.

The way Medic towers over him, with his broad stature completely enveloping Scout haunts the runner and Scout starts having some silly little thoughts he just can’t control

During fights with BLU, he watches Medic haul the medigun and really starts spamming E ifykyk

What if Medic was rough with him? What if Medic held him down, or pinned him against the wall? Scout can’t help the images that pop into his head despite his best efforts, and he really can’t help the flush his skin takes when Medic touched him or speaks in a low tone

Scout is folded like a five dollar lawn chair and foolishly thinks he’s hiding it well

Medic knows and is toying with Scout like a cat. Bats at the mouse, holds his leg a little too long after looking at Scout’s ankle. He backs off and acts like there’s nothing tense about leaning over Scout for something on the counter

Medic is surprisingly chill if he’s in his element. Find him in the med bay, cleaning or tinkering with something fleshy, and he is really just vibing. If you’re Scout sitting on the counter watching, then Medics dropping knowledge of the human body

Medic exercising his intelligence sends Scout into heat highkey. Boy has no idea what the fuck he’s talking about but damn those hands that accent the big words!! He is desperate!!

Apologies for the set up rather than active relationship head canons. I’ll post some getting together, fluffy, and maybe nsfw headcanons for this pair!! Didn’t want a too long post and am tbh exhausted 😜

[sleepimali]

Candlelight spirits 🕯🔥

If you wanna get these as a print and sticker set, you can do so until the end of May over on my Patreon by pledging to the Professional Napper tier or above <3

Or if you just wanna read about these little friends, that's more than okay too 🥰

Candlelight Spirits Lore:

First off, don't worry, that mouse can pop in and out of the lantern at will, it's not trapped :)

If there’s one thing candlelight spirits know, it’s that the best stories are the ones told in the light of flickering candles and around campfires. And so fire became the very essence of their being! They burn bright, curious and passionate, with an appetite for good tales.

Back when humans and magic folks were at war, they used to hide to listen to the stories of both sides, which was not always the easiest. As a fire elemental they could hide within the flames themselves, but in the face of interesting stories, it was terribly hard for them to not burst out of their hiding spot and ask a thousand questions.

But alas, that was what they had to do. Humans were wary of magic folks and creatures of any kind, and the magic folks did not like that the candlelight spirits would not disclose information about the humans.

But how could they pick sides when they have hearts that melt as easily as wax, and when they knew that if either side won, millions and millions of stories would be lost forever?

So for them, it was heaven when the Long War finally came to an end. There was an abundance of tales like never before, and they did not need to hide any longer.

However, as society started to advance, the introduction of electricity and magic lights ended up thinning out the opportunities they had in the end. And even more sadly for them, storytelling was no longer the primary method of entertainment, at least not in the same way.

From a time where fire was the source of all light in the night, to one where it’s rarely used at all… The poor spirits are nowhere near as common now, given that their presence is tied to the flames, which act as portals for them to come into the same plane as us.

But they persist! Because as long as there are people, there will be good stories to tell.

And if you want to find them, your best bet is arranging a cosy candlelit dinner or campfire night with loved ones, or you can go to a temple or church, or sometimes even a restaurant – any place where there’s always some kind of fire burning.

However, tragically enough, candlelight spirits are banned from the places they adore the most; libraries. This is for understandable reasons, as they cannot control their flames, unlike other flame elementals such as stove bunnies. After all, they came into existence at a point in history when books had not even been invented yet, and fire was what brought people together. And yes, sadly this ban applies even to candlelight spirits in the protective casing of a lantern.

An endearing fact about the candlelight spirits is that they’re shapeshifters from birth, their forms flickering between different shapes much like the flames themselves, but at some point their bodies become stable and stop shifting. In the end they take on the form of whichever character first truly resonated with them. So for that reason it is very common to see candlelight spirits resemble storybook characters, or a storyteller’s loved one.

Sometimes this can be a little bit strange for those who tell their stories to suddenly come face to face with a tiny version of a member of their family or beloved, but it’s usually strangely soothing.

Some who have had these little spirits take on the appearance of their loved ones who’s passed say that instead of being upset, it makes them cherish the memory of that person even more. After all, they took on that form out of sheer love for the person they were in the storyteller’s heart, rather than being disrespectful to their memory.

The candlelight spirits are also excellent storytellers themselves! Who wouldn’t be after listening to so many tales for decades and even centuries?

And they share those stories with joy, which is why a lot of the time historians in particular love them, even though stories are just stories and may not be entirely truthful. But regardless, they’re a goldmine of information from the past.

However, as much as historians love listening to the tales of the candlelight spirits, the love isn’t always mutual. They’re more than happy to tell their stories, but they’re not as excited to hear what the historians have for them. Why? Because they’ve already heard those stories long ago, over and over again, and more accurately too. So they would rather be somewhere else.

Or at least that’s how it used to be. Because in a plot twist this caused a lot of historians (and academics in general) to turn into absolute party animals and adventurers and extroverts in general to appease the spirits’ appetite for good stories so they’d hang around more. It’s to the point that the history department in any given university now has a reputation to be the wildest one there is.

(Please note, this is not to imply historians are boring, I know few people who are more interesting than folks with a passion for history😂)

[luffysscraps]

So hybrid AU’s kinda popping off-👀

Already working on a Zoro and Sanji one

Here’s the main guys animals if you’re curious

Luffy- Dog hybrid: Greyhound Mutt. I feel like Luffy would be a Mutt because of just how different he is and how his family is mainly a mystery. I added a Greyhound element because of how much energy they have and how boundless their affection is. Just like Luffy!

Zoro- Tiger hybrid: It’s a no brainer, this man just has big cat energy. Naps all day, while being the fierce king of the jungle. His intimation goes hand and hand with them, they only attack when provoked or threaten. Translate that to Zoro and he’s the same intimating, big softy once you get to know him. Just now he has tiger ears and a tail.

Sanji- Goat hybrid: So Sanji was kinda hard to figure out- at first I was going to make him a secretary bird since they’re known for their powerful kicks and they have that elegance and class. A kangaroo also came to mind since their kicks are strong as well but- I then realized everyone basically sees him as a goat so I went with that instead! It oddly fits him, only thing is that goats rather head butt than kick but ehh. I think Sanji with horns and a little goat tail is the cutest thing ever so we’re rolling with it.

Ace- Dog hybrid: Dalmatian Mutt: Just like Luffy I don’t think many people would think much of him at first glance so I made him a mutt. The Dalmatian side was mainly picked because of the firemen thing and Ace’s power and the spot pattern being adorable! I feel like some of his other mutt genes would be wolf, and Rottweiler. Making him strong, fearless and a good leader.

Sabo- Dog hybrid: Golden Retriever: The classic good boy. Come on what else could Sabo be. It’s another no brainer, they’re very obedient and affectionate just like Sabo. The man was made with Golden Retriever energy. Just hearing his name makes his tail wag in happiness. Need I say more?

Law- Snow leopard hybrid: Law is another person who gives off big cat energy. And I made him a snow leopard mostly because of his spot like clothing choices and fits. But I can also see Law as a person who loves the cold and the snow. He has a freaking polar bear how could he not love the snow? Snow leopards are very calm and timid just like Law from a far but if you get in his way he’ll fuck you up. Plus giant cat ears and a large fluffy tail on law? Oh god I’m melting.

Kid- Honey Badger hybrid: Okay so hear me out. I was thinking about Kid and got stuck- like for the most part I find him annoying? But in a good way- I was going to make him a patriot but then I was like what is the most annoying animal that doesn’t give a fuck and I came up with a Honey Badger. They generally don’t care about other predators size or number and will jump into battle at any time anywhere. They’re really reckless and very strong so I thought it was perfect for an idiot like Kid <3

And that’s as far as I got for now- more headcanons coming soon- maybe-