#Ramayana lessons | Explore Tumblr posts and blogs

andmaybegayer · 1 month ago

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Last Monday of the Week 2024-11-11

Getting into situations

Listening: New job which means I have need for a quick and easy source of music that I can throw down on any device with internet while I figure out exactly where I draw the line on mixing personal music files with corporate hardware. Hence, soma.fm, a really good family of internet radio stations that I enjoy a lot.

There's several stations here but to call out ones I like in no particular order:

Beat Blender: Slower house music and electronica

Metal Detector: What it says on the tin, mixed metals

Sonic Universe: Weird jazz

Secret Agent: Normal jazz

SF 10-33: The San Francisco emergency radio broadcast channel mixed with ambient music

Vaporwaves: Look we all have to get stupid sometime

Watching: Movie Night was also a sort of belated Diwali Night because a friend of mine has been getting extremely into indian food, so we watched "Sita Sings the Blues", an 82 minute, Creative Commons, mostly one-woman animation project that is a retelling of the Ramayana and also a breakup jukebox jazz musical.

youtube

There's about 30 minutes of a decent movie in here and another 15-20 minutes of the breakup part that would be hard to cut since it's the reason it exists. It's an animation from 2008 and you can see that it's exactly what it needs to be to run on one person who knows Flash reasonably well. The "blues" part is because there's numerous musical segments that use pre-existing 1920's jazz numbers to set the tone which reportedly cost the author tens of thousands of dollars to license, and she's now a free culture advocate so this is how you get Cory Doctorows I guess.

Is it good? I mean there's some really good parts. The legend is delivered in the form of three shadow puppets half-remembering the story to put it together which is very endearing in a Bill Wurtz History Of Japan kind of way. The amount of effort on display for 2008 is enormous. The concept is impressive, in that you found all these songs, but you could have probably cut the songs and got this down to a tight 40.

Reading: Work! Documentation! Learning so much about [REDACTED]. Very weird not working in an open source company again.

Also started The Book of All Skies on the metro the other day, and have gotten to the end of the first act. Compelling! Love an Egan, one of very few authors who can put a topology lesson into a book without it sucking ass.

Making: Made Gulab Jamun for movie night. From spreading my diwali cooking over more than three days I'm learning that actually this shit is easy if you don't try to cram it all into three days. I should make this stuff more often.

Playing: Poking and fiddling with things a little. Still not in the headspace to pick up a full game again. Once I have a schedule I can get back into video games but when I don't have a schedule that includes video games.

Tools and Equipment: Keyd is the new-ish hotness for client-side remapping of keyboard keys. It's not quite a custom build, but it's close.

Allows you to get 99% of the way to whatever zany custom mapping you want under Linux with fairly universal coverage and minimal faff in a very compact and manageable package.

#last monday of the week #Youtube

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deepakbatra · 2 months ago

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A sense of purity is a way to perfection -Learning

Hare Krishna! 🙏 What a profound reflection on the deeper layers of the Ramayana and the purpose behind the trials of Sita Mata and Shri Ram. It’s true that each incident in their lives holds powerful lessons for dharma, resilience, and societal responsibility. Sita Mata stepping beyond Lakshman Rekha was indeed a catalyst that revealed Ravana’s true nature and set the stage for the battle of good over evil. It exposed not only Ravana but also brought forth the struggles and challenges in adhering to dharma, especially when society is quick to judge without understanding.

Sita Mata’s Agni Pariksha and eventual return to Mother Earth reflect the sacrifices made to uphold purity and righteousness, even if misunderstood by the world. This sacrifice not only illustrates her own unwavering commitment to dharma but also shines a light on the shortcomings of society itself. Through this, she left a legacy of strength, purity, and resilience that lives on, inspiring us to pursue our own truth in the face of judgment.

Her sons, Love and Kush, symbolize the continuation of dharma and the grace of Sita Mata and Shri Ram, reminding us of the eternal blessings of their lineage.

May we all find inspiration in these timeless stories to lead lives filled with compassion, dharma, and respect for the divine play unfolding in every soul's journey. Hare Krishna, and may their blessings be with you always. 🙏

#spiritual awakening #spirituality #holy spirit #new age and spirituality #philosophy #spiritual disciplines #truth #quotes #love quotes

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phynewrites · 4 months ago

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🍓 Author Ask tag 🍓

Thank you for the tag! @leisoree (here) and @at-thezenith (here!) These are all wonderful questions and a perfect moment to share with others

This is a long post ahead so I'm going to put this here already:

Gently tagging (no pressure) @writingamongther0ses @distortedsense @alnaperera @sm-writes-chaos @bluet-s @silviathebard @caxycreations @inseasofgreen @sableglass

Your questions are:

Which OC are you most fond of and why?

Is there any form of media (other movies, books, theater, news, etc.) that inspired your wip/s? How so?

What wip-related activities do you do aside from writing your wip? (making moodboards or playlists, etc.)

What are you most proud of in your wip/s and why?

What tropes are common among your wip/s? Why do you enjoy incorporating these tropes?

Which part of your wip are you most struggling and how do you plan to overcome it?

Any advice/ words of encouragement or just really a greeting to any writeblr who would have read this far?

From @leisoree

What is the main lesson of your story (e.g. kindness, diversity, anti-war), and why did you choose it?

This is kind of tricky. Karikultura is essentially a satire/social commentary on the woes of my country as a former colony of Spain and America, as well as the neo-Imperialism that I learned during my years as an activist. I guess I wanted to impart my ideals there that we, as a nation, continue to operate in a colonial mindset by patronizing the foreign and especially putting attention on foreign needs instead of the welfare of our own people. We have not learned, that's essentially what I want to say

For In Death, Forever, at its core is just about how love endures everything, even the universe itself. But at the same time, there are things that are beyond our control no matter how we fight it for. Despite that, fate can be kind and it can work out in our favor even though the outcome is not something we want.

What did you use as inspiration for your worldbuilding (like real-life cultures, animals, famous media, websites, etc.)?

I'm going to mention a wip that I think hinted at it before and that is Mantra (I think I remember talking about it with @yesireadbooks and @holdmyteaplease I don't know why I can't tag you HAHAHA), although I never got to fully flesh out the story I did go HARD! on the lore, which is mainly inspired by Hinduism and Philippine mythology. It has a polytheistic religion, each person has a specific deity they worship (except if you're a sage, you're mandated to have more than one deity to worship). The landscapes, I was not able to flesh out but I wanted to take inspiration in ancient India. It was also at that time that I was rereading the Ramayana and Mahabharata that I wanted to incorporate the same values of heroism, bravery, remaining true to ones vows, etc.

Karikultura isn't so deep in worldbuilding, but it's heavy on symbolism. Each character represents an idea that is personified. The main character, of course, represents our country. His friend represents our countrymen. His sister represents language. His mother represents glory. I guess that counts as worldbuilding?

In Death, Forever was supposed to be a simple time-leap story, until it just, like any other wip as you would know, expanded. I included, like in Mantra, a polytheistic system but they are not a form of religion. These gods, compared to the ones in Mantra, are not worshipped. They are considered personified forces in the universe that control various dimensions of human life. (Father Time, Sister Fates, Mother Death, I'm not sure if I'm gonna add someone else, maybe if I thought of it and if they play a relevant role in the story.) The time leap structure was based similarly on Tokyo Revengers, to which I still am an avid fan of today.

What is your MC trying to achieve, and what are you, the writer, trying to achieve with them? Do you want to inspire others, teach forgiveness, help readers grow as a person?

Felipe in Karikultura appears to be a businessman who intends to expound his reach and conquer the world together with his American friends. As I've said, what I want to achieve in this story is neo-imperialism awareness through the decline of his character, that this is a faux success and the real success would rely on the prosperity of the people and not the foreigners.

Mary in In Death, Forever's goal is simple: find a way to stop the death of her husband Connor. Compared to Karikultura, there isn't really a deeper meaning in her journey apart from showing her resilient and determined nature despite her hardships, which in itself is, I think, a worthy message to the readers. It's going to a be a story about her grief, understanding the ways of the world, pushing its limits, and the raw power of the human mind against the universe and those that govern against it. In the process, she gains an unlikely ally.

How many chapters is your story going to have?

Well, I'm not really one to set a wordcount or number of chapters for my wips, but Karikultura is finished now! YEHEY! And I have finished editing it! It has Three Acts: Act 1 with 15 Scenes, Act 2 with 8 scenes and Act 3 with 6 scenes, a total of 19 scenes of 18,967 words (Kinda short but I think it's an ample size for a playscript)

In Death, Forever currently has 12 chapters with 9,519 words in, and that's not even halfway (or even a thirds) of the original plot I have in mind.

Is it fanfiction or original content? Where do you plan to post it?

Oh boy HAHAHHA, all my wips are original content. My top contenders of where I plan to post it are in Wattpad and A03. Actually, Karikultura is available in Public now, in Wattpad at https://www.wattpad.com/myworks/374982617-karikultura

It's in Filipino and English, a little bit of Spanish.

When and why did you start writing?

I formed the love for writing when I was in 3rd grade. The first book I read was Roald Dahl's The Magic Finger and I thought I wanted to write stories like that. I started to read more -- a hobby that I got from my mom -- and that's where I started concocting stories. I would write in notebooks about stories in schools and ideas that pop in my head. I started formally writing in high school, when I was 14 years old I think. It was a retelling of the Little Red Riding Hood except werewolves. I posted it on Wattpad then and it got good reads for a while, but I didn't get to update it frequently due to busy studies. I picked up on my writing slump when I was a college student again, a few moments before I made my writeblr account. Truly, the reason why I started writing was because I wanted to put my thoughts on paper and have an outlet for my emotions

Do you have any words of engagement for fellow writers of Writeblr? What other writers of Tumblr do you follow?

Keep being you. Don't lose sight of why you write in the first place, and that is for yourself, your leisure, your feelings, and your story. Don't be discouraged if there are challenges, these are normal. The way you handle and react to them is completely in your control, so keep going and always remember to write because it is what you love to do. It is not for anyone else to dictate to you. All the love <333333333333

From @at-thezenith

what was the first piece of writing you did where you thought "wow I'd love to be a writer"?

Okie, so I said a while ago that technically it was reading first that got me into writing, but I think the first piece that I wrote that really inspired me was a story I made about my friends in 5th grade. We were playing a royalty roleplay-esque game that my friend invented. I wrote about it in my diary, and then a flash of inspiration came into me that I could turn it into a fantasy story where each of us were queens from distant lands with different powers, each needing the other to balance the world. Kind of like that. I think that's the earliest wip I've had.

how do you gather inspiration for your works? (pinterest boards, writing prompts, etc)

The biggest inspiration for most of my wips just come into my head from either a (1) dream or (2) various media. I remember specifically having an abandoned about attending a magic school that was based on a dream, and then another about venturing into the depths of a volcano to retrieve an ancient artifact and then using lucid dreaming to travel to another dimension. (please don't ask me to revive these I literally don't know anything about them anymore, maybe in the future something might inspire me)

However, a good chunk of my serious works are from other stories, that's why one of my inspiration as a writer is also to instill inspiration to others (and that's how I also get inspiration from my lovely moots!)

For example, Karikultura is specifically a mishmash of Oscar Wilde's The Picture of Dorian Grey and Chinua Achebe's Things fall apart. The story is literally an adaptation of The Picture of Dorian Grey and at it's core is the message of Things fall apart.

In Death, Forever is an awful mishmash of Ken Wakui's Tokyo Revengers and Chinese series Link Click in regards to the time travelling logistics, Crisostomo and Maria Clara from the Television series Maria Clara and Ibarra as well as the extreme grief I felt from Demon Slayer: Mugen Train. I think even the atmosphere and the multiple universes of Sonny Boy also had an influence.

Another wip (unnamed but what I have in mind is "Berserker" or something like that) is based on Carnby Kim's Bastard Manhwa in regards to the atmosphere and the motivations of the main character. It also has elements of Venom such that the alien specie is like a symbiote but not really.

All these unrelated media mix together to create the shitshow I am brewing now.

what genre is easiest to write? what's the hardest? why?

For me, fantasy and science fiction is the easiest to write because of my exposure with the genre. With all the books and movies I have read and watched in this genre, I find it easy to pick apart how to make an effective story and create a world that is intricate according to this genre.

On the other hand, the hardest for me to write is Romance. Listen, sometimes love can be an overwhelming thing to write for me. I feel like I might be overdoing it or underdoing it. Do the characters have chemistry? Am I glamorizing a red flag? Do normal couples even do this? And it doesn't help that there are a lot of romance books that I have criticized a lot. That may be one of the reason I'm skeptical of my own writing when it comes to romance (which is kinda ironic considering In Death, Forever is also a romance story. Anyway, it's always good to go outside of our comfort zones once in a while)

what does a typical day of writing look like for you?

My job required me to write a lot of technical stuff so really, it's also a part of my daily life now (just not the type of writing I do to enjoy.)

When I'm writing for my wips, I want to remain focused and undisturbed as much as possible. If you would observe, I reblog some others writers' works here sometimes. That would mean I'm not in my headspace and want to get there, and most of the time I read stuff to get in the writing headspace. I also put on ambient music, mostly piano, to stay in that headspace. I have a notebook where the ideas are propped up and its sitting in a book stand next to my laptop. I have my favorite mechanical keyboard propped up, and a cup of cold coffee by the side. I really need the external orderliness to coordinate well with my headspace HAHAHA.

free space! ramble about a character you've most enjoyed writing about

Oh boy, this is actually from a short story that I posted here a long way back, it's a prompt fill that just sparked something in my brain and I knew I had to write it down, get it done. I don't care that I have a class in the next few hours, we still have time to get this shit.

Not just the characters, but I really love the worldbuilding I did here, especially since it was all in a whim but I'm really proud of it. I really like Luna and Skye's character. Actually there was another one that was supposed to appear which is a childhood friend of Skye. I think I have written her story somewhere, I just need to find and edit it before I get it out here. I wish I could expound more on their world, but there's nothing that coming out of my brain right now lol HAHAHA. I think what I most enjoyed writing about them is the spontaneity and how I was able to come up with their stories as fast as I could, on a deadline before my classes start.

I have a lot of babies, most of them are residing in my subconscious and I love them all.

if you could pick the brains of one author, who would you pick and why?

That would be Khaled Hosseini. I was deeply moved when I read The Kite Runner and it really made me feel... feelings. There's something in the way that Hosseini weaves words into not just a story but a prose. He was the first writer that I truly admired for the way he placed words together. I said that I want to have that kind of poetic way of writing and I would love to get into Mr. Hosseini's train of thought while writing so I could write like him and string the hearts of people like what he has done for me.

7. what's one writing tip that has stuck in your head?

Write for yourself. It's very simple but powerful because it reminds me why I'm doing this in the first place: because I love it. It gives me a chance to bring my stories to life, be productive, do something meaningful, and create. Also, I'm the kind of person who believes that the universe will give people what they need the moment they do. I might not be writing just for myself. There might be someone, somewhere out there who needs to read what I wrote just as how the countless works of other authors have found me. But for now, these stories will not be finished unless I do it for myself first.

#tag games #author ask games #thank you so much this was so fun to do!#It gave me a chance to ramble about my works a little more and bring in a little introspection for myself #hope we can have writer interviews like this again

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thoughts-of-ghanashyam · 5 months ago

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𝕽𝖊𝖙𝖍𝖎𝖓𝖐𝖎𝖓𝖌 𝕷𝖊𝖆𝖉𝖊𝖗𝖘𝖍𝖎𝖕: Lessons from ancient wisdom

In an era marked by a growing skills shortage across all sectors and a widening gap between what employers offer and what employees expect, it is crucial to rethink the fundamental principles of collaboration. Emphasis must be placed on factors such as empathy, communication, mindfulness, and meaningfulness.

Both employers and employees need to find a balanced compromise to ensure sustainable, respectful collaboration and secure the long-term success of their organizations—both economically and interpersonally. However, managers must lead the way as role models for their employees, particularly in conveying respect, motivation, and the achievement of common goals.

But what makes a good leader?

Current analyses, marketing, and employer branding trends and too many so called coaches offer many “ultimate solutions” for a leadership rethink. Yet, ancient wisdom may provide deeper insights through active self-reflection and reorientation. Despite massive changes in our material world, fundamental human needs like protection, health, genuine happiness, and contentment have remained relatively the same. This growing gap between employers and employees contributes to psychosocial problems in our society, with the rapid economic and technological advancements outpacing our mental capacity to keep up, leading to mental distortions, especially among younger generations.

Ancient wisdom in modern leadership

A profound example of a good leader is Lord Hanuman from the revered Indian epic Ramayana, composed by Vālmīki between the 4th century BC and the 2nd century AD. At the center of the Ramayana is Lord Rāma, an incarnation of Vishnu, who descends to earth to save the world from the demon lord Ravana. The epic narrates the life of Rāma and his beloved wife Sita, their abduction to Lanka (the later Sri Lanka) by Ravana, and their eventual rescue with the invaluable help of Hanuman, the monkey god.

Hanuman, an incarnation of Shiva, is one of India's most cherished deities. His devotion and friendship with Rāma and Sita epitomize "Dasya Bhava," the devoted love of a servant for his Lord. Hanuman’s legendary physical strength and iron will, complemented by several key qualities, make him a timeless role model for today's leaders:

Emotional Intelligence Hanuman’s emotional intelligence is one of his most crucial attributes. Known for his ability to perceive and respond to the emotions of those around him, he forges deep connections with powerful deities. His compassion and understanding enable him to bridge divides and promote cooperation even in the toughest situations. Emotional intelligence is invaluable for leaders, helping them build trust, inspire loyalty, and encourage collaboration.

Simplicity and Humility Hanuman’s devotion to those around him, his empathy, and his heart hold more value than wealth or fame. Free of false ego or vanity, he only showcases his abilities when necessary. Goal-oriented action, coupled with empathy and compassion, serves as a great motivator for others.

Composure and Decisiveness Throughout the Ramayana, Hanuman remains calm in complex situations, enabling him to make the right decisions based on a balanced mind. Clear decisions and solution-oriented behavior strengthen the common course of an undertaking, ensuring balance, security, and optimism for all involved.

Effective Communication Hanuman’s effective and open communication is another vital quality. As a diplomat, strategist, and messenger for Rāma, he persuades Bhibhishan (Ravana's brother) to support Rāma, a decisive factor in Rāma's victory. Hanuman’s communication skills extend beyond speech; they encompass listening, observing, and empathizing, fostering trust, conveying ideas, and motivating others to action.

Honesty and Integrity Hanuman's honesty and deep commitment are central to his character. As a servant of Rāma, he lives by dharma, embodying ethical and moral principles by following his heart. Good leaders also need honesty and integrity to build trust and establish and maintain ethical standards.

Strategic Thinking Renowned for his strategic thinking, Hanuman meticulously assesses Lanka’s army's strengths and weaknesses, gathering crucial information for the impending war. Strategic thinking is essential for leaders to achieve long-term success and seize opportunities.

Collaboration and Teamwork at Eye Level Hanuman exemplifies teamwork at eye level. As a key member of King Sugriva's Vanarsena, the Monkey Army, he works collaboratively, showcasing his teamwork skills in the monumental task of constructing the Ramsetu sea bridge from India to Lanka. Leaders must foster collaboration and teamwork at all levels to drive innovation, achieve goals, and build strong, respectful relationships.

These qualities, exemplified by Hanuman, are timeless themes that we often forget in our daily "monkey business." The Ramayana and the poem "Hanuman Chalisa" are rich in wisdom and guidance, offering insights that can help us become better leaders, team players, professionals, and friends.

So let us be inspired by these enduring values and endeavour to embody Hanuman's qualities in our daily lives - for ourselves and for all those around us.

Thank you for your attention! Jay Shri Hanuman.

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hindulivesmatter · 10 months ago

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pls post this ask bc not many ppl r taking it very seriously. sita sings the blues. is. not. an. accurate. representation. of. the. RAMAYANA!!!!! share this post as much as possible. it paints shree rama as a toxic husband and completely erases the good lessons of the story just to stir hate among the audience. dont belive me? do ur reaserch. u will be disapointed in how much potential was wasted in the making of this film.

very well. i have not watched it but others can take note.

#anon asks #answered

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prabhushriram · 2 years ago

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HOW MANY VISHNU AVATARS ARE THERE?

Reading time- 5 mins

In Hindu mythology, Lord Vishnu, the preserver, and sustainer of the universe, is believed to have taken various avatars (incarnations) throughout history. These avatars serve a divine purpose, restoring balance and righteousness in the world. Let's explore the fascinating stories behind the ten most significant avatars of Lord Vishnu.

1. Matsya Avatar (The Fish Incarnation):

As Matsya, Lord Vishnu appeared as a giant fish to save humanity from a catastrophic flood. He guided the sage Manu's boat to safety and preserved life during the deluge, symbolizing protection and preservation.

2. Kurma Avatar (The Tortoise Incarnation):

In this avatar, Vishnu assumed the form of a giant tortoise to support the mythical Mount Mandara during the churning of the cosmic ocean. The Kurma avatar represents stability and patience.

3. Varaha Avatar (The Boar Incarnation):

As a boar, Vishnu rescued the earth goddess, Bhudevi, by lifting her out of the primordial ocean. Symbolizing strength and protection, the Varaha avatar restored order and ensured the continuity of life on Earth.

4. Narasimha Avatar (The Lion-Man Incarnation):

Lord Vishnu took the form of Narasimha, a half-lion, half-man being, to protect his devotee Prahlada from the demon king Hiranyakashyap. Narasimha is considered a symbol of divine wrath against evil forces.

5. Vamana Avatar (The Dwarf Incarnation):

In the Vamana avatar, Lord Vishnu appeared as a dwarf Brahmin to restore balance by curbing the arrogance of the demon king Bali. Through humility and righteousness, Vamana regained control over the three worlds.

6. Parashurama Avatar (The Axe-Wielding Incarnation):

Parashurama, an embodiment of Lord Vishnu, manifested as a warrior sage wielding a mighty axe. He eradicated the corrupt and tyrannical Kshatriya rulers to restore justice and righteousness.

7. Rama Avatar (The Ideal King Incarnation):

The epic tale of Ramayana narrates the life of Lord Rama, an exemplary ruler, and embodiment of righteousness. As Rama, Lord Vishnu defeated the demon king Ravana and showcased the ideals of dharma (righteousness) and devotion.

8. Krishna Avatar (The Divine Flute Player Incarnation):

The charismatic Krishna, a beloved deity in Hindu mythology, embodied love, compassion, and divine wisdom. As the central character of the Mahabharata, Krishna guided Arjuna on the path of righteousness in the Bhagavad Gita.

9. Balarama Avatar (The Elder Brother Incarnation):

Balarama, the elder brother of Krishna, represents strength and loyalty. He supported Krishna in his divine mission and was revered as a symbol of agricultural prosperity and power.

10. Kalki Avatar (The Future Incarnation):

The Kalki avatar is yet to come, as Lord Vishnu's final incarnation. It is believed that Kalki will appear at the end of the Kali Yuga (the current age of darkness and moral decline), riding a white horse, to restore righteousness and initiate a new golden age.

The avatars of Lord Vishnu are not merely mythical tales but carry profound symbolism and teachings. Each avatar reflects a divine purpose, illustrating various aspects of Lord Vishnu's role as the preserver and the protector of the universe. The stories of these avatars continue to inspire millions, imparting valuable lessons about righteousness, devotion, and the triumph of good over evil.

Our brand Prabhu Shriram- India’s Best Agarbatti and Dhoop is based on the ideologies & life lessons of Lord Vishnu’s avatar Lord Rama. Our bestselling product, India’s First ever award-winning masterpiece Incense Collection, the“Shripad Ramayana Series” Divine Box is a one-of-a-kind collection of ten amazing variants illustrating Prabhu ShriRam’s ten major life episodes:

Prabhu Avataran; Guru Kripa; Dhanush Khandan; Sita Aagman; Kevat Prem; Swarn Hiran; Sugriv Sahyog; Vatika; Ram Darbar; Agni Pariksha.

The exclusive packaging of these incense sticks is curated and hand painted by artists from Mithila and represented in the world-famous “Madhubani Paintings” to create a pack as special as the product. These incense sticks invite profound prayers with their exquisite and unique fragrance. Dive into a fragrant experience infused with essential oils & fabled herbs that bring you closer to your Indian roots.

#madhubanipainting #mandala #hindu #hinduism #narsimha #vishnu #incarnation

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compassionmattersmost · 2 months ago

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Ramayana No. 16: The Birth of Creation: How Compassion and Sorrow Sparked the First Verse of the Ramayana

Inspired by Chapter 1.2 of the DeBroy Translation of the Ramayana We often think of creativity as a product of inspiration, but the creation of the first verse of the Ramayana reminds us that profound art can also emerge from sorrow and compassion. In this ancient tale, the sage Valmiki witnesses a cruel act—the senseless killing of a bird—and from his grief, he unintentionally composes a verse…

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ramayantika · 2 years ago

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I am moving out from here on 14th April. My brother has his jee on 13th after which we will head back home to Durgapur. I have lived here in odisha, my native state for three years now. As a child, we never visited other tourist places much. We only got time to visit our grandparents and cousins. My cousins lived where I live now: Nalco, Angul. I wanted to live here when I was a kid just to stay with my cousins and play with them until I was forced to stay in odisha instead of completely my high school in kolkata like we were supposed too and then living here in Angul was suggested by chacha chachi, so we did, with hopes of getting something good out of it.

I am here only for nine more days. I had arrived here on 15th August where the physics sir had told us to quickly study S block and give a test in two hours. I remember how I felt like crying. We had just reached this place, barely opened our luggage, and I was hearing this neet jee for an hour and then a test. I wanted to sleep, but somehow I studied and I had scored really bad. Like I do often, I ended up crying in the car. I was like mummy dance class band kar dete hai abhi padhai pe hi dhyan dungi. For someone who loves dance a lot, I have told my mother to cancel dance classes because I thought that I wasn't good enough to do both because I was lacking in my studies, and as for every middle class person, job and money comes first and then your dreams until your job money dream everything lies in one single thing.

Well, my dance class continued, I gave my dance exam online, completed learning a few items too, wrote stories and studied hard. I have wasted time too by crying or by simply procrastinating or sometimes I would engage myself in dance or writing for a much longer time than scheduled. And now all of this will end. I will wrap my things again and go home. Now I have lived in durgapur for only a month. I loved it so I am looking forward to it now.

It feels surreal. I wanted to move out of this place so badly in the initial months. I still want too. But now looking back, this experience has made me feel grateful and wiser about so many things. My school friends from kolkata still complain that why I had to go to odisha and stay there, but I am happy I did. As a tenth grader, I lived in my own world and had a pink dream idea of being with my friends, wearing fashionable clothes, attending parties and fests and studying ofc, nothing much.

Over here each and every expectation, every dream was broken. Like they say, to find yourself one needs to lose themselves too, which I did. That was a really dark phase. Alone, with no one and no idea how and why is this happening to you. But some time later I rediscovered myself again. It was art, poetry, stories and dance. It was me connecting back to God, whom I had forgotten in the glitz and glamour of big cities. I read the same ramayana mahabharata and folk tales, but I had begun finding learning lessons from them which as a child I was only enamoured by the story, the drama and visuals.

The things 13year old samridhi enjoyed, I no longer enjoy them anymore. The clothing, the music, the lifestyle everything has taken a 360 degree turn. Once I enjoyed parties and loud music, we used to have some in kolkata sometimes and I loved it. Now, I don't think I can. I want to have friends and make memories and enjoy, but no longer with music drinks and stuff. Somewhere simple and meaningful.

I know that in the upcoming months there are going to be many changes, but these experiences shall stay with me and remind me to be humble and rooted to the ground. I have seen the rich, sparkles and exciting rush and also the slow life, muddy roads, farms and simple people simple towns. There is still more to see in the near future, but to live through all this is a big thing for an 18 year old.

And if it were not sambalpur and angul, I wouldn't have known how strangers can be loving, how certain people hold such a great mark over you and your story, and how colourful life can be.

#samridhi speaks #bahut gyan de diya idhar lol

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indiansareedesigns07 · 2 years ago

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#festive #hanuman #shreenathji #lordrama #hanumanjayanti #lifestyle #indian #india #celebration #india love #religión #life #teaching #learning #lifelessons

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werindialive · 4 days ago

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Sonakshi Sinha Stands Up for Father, Criticizes Mukesh Khanna’s Statements

Actor Sonakshi Sinha has responded strongly to veteran actor Mukesh Khanna for his recent comments blaming her father, Shatrughan Sinha, for her lack of knowledge about the Ramayana. The controversy stems from a 2019 episode of Kaun Banega Crorepati (KBC) 11, where Sonakshi was unable to correctly answer a question about the Ramayana. The question pertained to whom Hanuman brought the Sanjeevani booti, a detail Sonakshi admitted she didn’t recall at the time. This is the latest entertainment news India from the industry.

In a recent interview, Mukesh Khanna criticized Shatrughan Sinha, suggesting it was his responsibility to teach Sonakshi about the epic. His remarks have reignited the debate, prompting Sonakshi to issue a detailed statement on Instagram.

Sonakshi Asks Mukesh to Let Go of the Incident

Taking to her Instagram Stories, Sonakshi expressed her frustration with Mukesh repeatedly bringing up the KBC incident. She wrote, "Dear Sir, Mukesh Khanna ji, I recently read a statement you made saying that it’s my father’s fault I didn’t answer a question about the Ramayana correctly on a show I attended many, many years back."

Sonakshi pointed out that she wasn’t the only one who couldn’t answer the question, but Mukesh chose to single her out. “There were two women on the hot seat that day who did not know the answer to the same question, but you choose to keep taking my name, and only my name, for reasons which are quite obvious," she added.

Sonakshi Reflects on Forgiveness

Addressing why she was unable to answer the question, Sonakshi explained that it was a momentary lapse. “Yes, I may have blanked out that day, a human tendency, and forgotten who the Sanjeevani booti was brought for, but clearly, you have also forgotten some of the lessons of forgive and forget taught by Lord Ram himself,” she wrote.

Sonakshi emphasized the importance of moving on from the incident, saying, "If Lord Ram can forgive Manthara, Kaikeyi, and even Ravan, surely you can let go of this extremely small thing in comparison."

Sonakshi Responds to ‘Distasteful’ Remarks About Her Father

Sonakshi concluded her statement with a warning for Mukesh Khanna. She expressed pride in the values her father instilled in her and criticized Mukesh’s remarks as “distasteful.” “The next time you decide to say anything about the values my father has instilled in me... please remember it's because of those values that I have only said what I said, very respectfully,” she wrote.

Mukesh Khanna’s Controversial Comment

In an interview with Siddharth Kannan, Mukesh Khanna indirectly referenced Sonakshi while discussing how modern generations lack knowledge about traditional values. He said, “It’s not Sonakshi’s fault; it’s her father’s fault. Why did you not tell your kids? Why did you let them be so modern?”

Mukesh also hinted that today’s generation needs guidance from characters like Shaktimaan to connect with cultural values.

A Plea for Closure

Sonakshi’s statement serves as a reminder of the importance of letting go of past incidents and respecting individuals and their families. As the debate continues, her dignified yet firm response has resonated with fans, many of whom have praised her for handling the situation with grace.

For more top news headlines India in Hindi, subscribe to our newsletter!

#werindia #leading india news source #entertainment industry #entertainment news #entertainment #bollywood movies #bollywood news #bollywood actress #bollywood

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rampanditjiii · 11 days ago

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The Spiritual Science Behind the Ram Shalaka Prashnavali

The Ram Shalaka Prashnavali Chart is more than just a tool for divination; it is a window into the spiritual essence of Hindu philosophy. This article explores the metaphysical and psychological dimensions of the Ram Shalaka and its relevance to seekers of truth.

Metaphysical Dimensions

The Ram Shalaka embodies the principles of cosmic harmony. According to Hindu philosophy, the universe operates on divine laws, and every individual is a part of this cosmic order. The chart’s grid symbolizes the interconnectedness of all things, and each verse within the grid represents a universal truth.

By meditating on Lord Rama’s name and using the chart, seekers align themselves with the cosmic energy that governs life. This alignment enables them to receive guidance that resonates with their soul’s journey.

Psychological Impact

Using the Ram Shalaka has a profound psychological impact on devotees. The act of seeking answers from the chart fosters introspection and self-awareness. The verses act as mirrors, reflecting the seeker’s inner state and prompting them to evaluate their thoughts, emotions, and actions.

Additionally, the process of consulting the chart cultivates a sense of surrender. By trusting the divine wisdom of Lord Rama, individuals let go of anxiety and embrace faith, which enhances their mental well-being.

Symbolism of Lord Rama

Lord Rama, as depicted in the Ramayana, is the epitome of virtue, courage, and compassion. His life story serves as a guide for overcoming challenges while adhering to dharma. The Ram Shalaka, therefore, becomes a conduit for connecting with these ideals, offering practical lessons for living a righteous life.

Modern Applications

In the contemporary world, the Ram Shalaka Prashnavali Chart serves as a tool for spiritual counseling. Its messages inspire individuals to adopt a balanced approach to life, blending material pursuits with spiritual growth. Psychologists and spiritual practitioners also recognize its therapeutic value in reducing stress and fostering resilience.

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spardhaschool · 11 days ago

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the spiritual journey of bharatanatyam - from temple dance to global stage | Spardha School Of Music

This ancient dance form reflects the sacred connection between art and spirituality. Bharatanatyam’s graceful expressions and precise movements narrate epic tales, celebrating life and divinity. Its journey from temple sanctuaries to international stages highlights its universal relevance. Spardha School of Music proudly carries forward this legacy, nurturing passion and creativity https://www.spardhaschoolofmusic.com/blog/the-spiritual-journey-of-bharatanatyam-from-temple-dance-to-global-stage

One of India's oldest classical dance forms, Bharatanatyam, was performed in the temples of Tamil Nadu. Traditionally, this dance was not only an art but also a form of worship, a language of the faith, and a way of expressing stories.

Today, it has grown and reached across the globe, but even then, it remains a divine dance form. Students who have been eager to learn this dance form are enrolling in offline or online dance lessons. Below is a glimpse of its exciting history, from temple sanctuaries to the world's stage.

1. Ancient Origins

Bharatnatyam art originated more than 2000 years ago as Sadhir Attam and was practiced and performed only in temples. The devadasis (temple dancers) dedicated their lives to the dance of prayer and gift to deities.

Their dance moves convey messages associated with Hindu gods and goddesses.

They enacted scenes derived from epics such as the Ramayana and Mahabharata.

Every twist, turn, and face (or mudra) in Bharatanatyam has a specific message—a significance felt by both dancers and the audience.

This is why they have managed to keep Bharatanatyam going and take shape for other generations.

Perhaps the best revelation by Dance Scholar Sunil Kothari was his remark about Bharatanatyam, “It is not just dance; it is divinity in a language-like form, beyond words.”

2. The Colonial Era and Revival

The British colonial era had several problems regarding this. The devadasi system was tainted, and even the temple dancers of Bharatanatyam were banned from performing in temples.

However, it was again brought into practice in the 20th century by leaders like Rukmini Devi Arundale and the Late E. Krishna Iyer, who spread the abstract concept of the dance form with a highly spiritual message.

They brought the art form to mortuary arches and altered it so that the secular world could sustain itself outside the temples.

3. Bharatanatyam in the Global Context

Today, Bharatanatyam has become a recognized dance form internationally with many complex, beautiful, and spiritual impressions.

However, it is still traditional even in today’s stories and looks broader in its appeal.

Contemporary performers keep using Bharatanatyam to portray today’s story and highlight social issues, hence appealing to many.

Bharatanatyam focuses on the beauty of its movements, which commands respect and calls out to the spirit.

Even when performed outside the temple, the soul of Bharatanatyam is always devotion or bhakti, and the gestures also speak across space and time, conveying basic human sentiments.

The experts say that whenever this dance form is practiced in an auditorium in New York or any temple in Chennai, it conveys the same spiritually charged message that makes it timeless.

4. Final Thoughts

The stage growth of Bharatanatyam from the temple sanctum to the world stages is a rich testimonial.

With a quote from Rukmini Devi Arundale, a pioneer in retrieving Bharatanatyam, art should be defined as “The art in its real terms is the representation of spirit in the domain of the infinite.”

Bharatanatyam, which is all about spirituality, tradition, and flexibility masked in an overly aesthetic form, has remained a wondrous form of art that has created wonders for audiences for centuries.

To learn this excellent art form, join the Spardha School of Music now for the best online dance lessons!

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