“Script Writing
So, before Alan Parker was brought into the project Roger and I worked together for some time, discussing ideas in my in my house and I thought it would be a good idea to write it into some semblance of a script and had my secretary transcribe my notes, titling it ‘The Wall - Screenplay by Roger Waters and Gerald Scarfe’. We had another week of spasmodic script meetings. This time Roger had it transcribed and I couldn’t help but notice when it arrived that my name had disappeared and it now said ‘The Wall by Roger Waters, copyright Roger Waters’. Fair enough.”
— Gerald Scarfe, The Making of Pink Floyd The Wall
36 notes
·
View notes
You do get the sense that the fallout of Roger's death and the Roger pirates disbanding not so much traumatized Buggy and Shanks indifferent ways but instead generated such drastically different reactions to the trauma.
While the trauma of everything seemed to push Shanks into the future, always constantly waiting for something, putting plans on hold and then later in place, for this great moment, this great coming that he sees on the Horizon. For Buggy it rooted him firmly in the past keeping him trapped in this grief masquerading as anger.
While Roger's death forced Shanks to grow up fast, it kind of arrested Buggy's development keeping him stuck in those same feelings, rooted int that same place.
You get the sense that Buggy's whole east blue schtick is just one long overdue rebellious phase one big fuck you to Roger and his ideals. He's rebelling against Roger's principles. One of their rules was don't steal from innocent people and Buggy was keeping a whole town in poverty. If Roger and Luffy's pirating styles are diametrically opposed to someone like Blackbeard, who might be the most literal pirate in the entire series, then buggy is the parody of that Blackbeard piratism. He is playing up cruelty, being the most piratey pirate possible, hell he's literally a clown on a stage. It's all a show! It's his own special way of trying to "get back at Roger" of trying to discard everything Roger taught him for this overacted, over exaggerated clownish cruelty. Mentally he never left that execution square. He is still 15, alone and scared.
Hell he literally never left either, while I'm pretty sure Shanks' booked it out of the east blue as fast as he could, Buggy never lef, might have never left, if not for Luffy. It's part of why Luffy bothers him so much, he's just like Roger everything that Buggy is trying hard to forget and here comes this kid, whose never even met the Captain but is wearing his hat, shoving it right back in his face.
It makes sense that he never leaves the east blue till Luffy literally forces him out of it (fucking with Luffy gets him captured and imprisoned) and it makes sense that it's Luffy that literally breaks him out of prison, literally sets him free, and on the path to greatness that maybe he was always meant to achieve (even if he trips his way into it). This boy that is tragically so much like his old captain but so beautifully unabashedly himself, is what Buggy needs to start letting go off the past, to start trying to move forward.
Maybe that's why Buggy, at what could arguably be described as his lowest moment, gets the strength to free himself from his own self imprisonment, realizing that even back then he was locking himself away and pinning his own dreams on Shanks. And, maybe for the first time ever, Buggy really own his dream. He declares to his tormentors and his crew and the entire world that; actually He wants to find the one piece, him, as captain of his own crew, this crew, not just a part of someone else's. That's his dream and he's willing to turn the world upside down to do it.
174 notes
·
View notes
buggy drunk, flirting with marco: heyyy~ marco
marco responding because if nothing else it'll make shanks mad: heyyy~ bugs
shanks, halfway across the grandline, tense as hell as he gets a that's so raven like premonition: buggy and marco are fucking
benn with his head in his hands, halfway to crying because this is the fifth time kashira has turned the ship around because he cant stop chasing after that fucking clown and he doesnt get paid enough for this and-: this ship is fucking NIGHTMARE!!!
191 notes
·
View notes
your eyes (1996) - original broadway cast of rent (article from genius)
“in an arc that has spanned from ‘one song glory,’ we see roger finally write and perform ‘one song to leave behind.’ unfortunately, it’s bad.”
1K notes
·
View notes
captain america: the winter soldier (10th anniversary tribute)
Are you sure you're ready for the world to see you, as you really are?
for @catws-anniversary <3 | focusing on the movie as a whole so not any one prompt but amongst other things: PTSD, mission, compromised, project insight, soundtrack/music, favourite Steve quote impromptu insiprational speech
157 notes
·
View notes
Look I like Roger enough, I understand what he represents and I generally don’t think he was a bad dude. I do however think he was shit at interpersonal relationships because, what the fuck. Whitebeards crew is infinitely more well adjusted and I’d say he arguably had the more traumatic death.
Like what even, what kind of planning leads a 53 year old man to sire a child knowing he is dying of an incurable illness and is about to turn himself in to be excuted by the marines where he will cause so much chaos it is literally still turning the world on its head 22 years later. He knew he was going to cause so much of a stir that he literally disbanded his crew and told them to spread far and wide to keep them safe. Because he knew the marines would hunt them far and wide But yet he still brought a baby into the world. Babe. What the fuck? What even is that? What was the thought process. I sincerely hope it was an accident and not a deliberate attempt to bring about a new era.
Because if so babe I need to see the recipe or I’m afraid we can never let you cook again
54 notes
·
View notes