#ROBERT A. COVELLE
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dalekofchaos · 10 months ago
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90's Thrawn Trilogy fancast
If Timothy Zahn approached George Lucas about the Thrawn trilogy and they collaborated for a new Star Wars Trilogy
My other Star Wars fancasts
Thrawn:A Star Wars Story Fancast
Canon Fancast
Legends
my KOTOR fancast
my KOTOR II fancast
The Force Unleashed
Shadows Of The Empire
KOTOR
KOTOR II
The Force Unleashed
Darth Plagueis
Boba Fett
The Thrawn Trilogy
Mark Hamill as Luke Skywalker/Luuke Skywalker
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Michelle Pfeiffer as Mara Jade
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Harrison Ford as Han Solo
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Carrie Fisher as Leia Organa Solo
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Billy Dee Williams as Lando Calrissian
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Peter Mayhew as Chewbacca
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Anthony Daniels as C-3PO
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Kenny Baker as R2-D2
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Dennis Lawson as Wedge Antilles
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Caroline Blakiston as Mon Mothma
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Ian McShane as Talon Karrde
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Gillian Anderson as Winter Celchu
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Max von Sydow as Garm Bel Ilblis
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John Hurt as Borsk Fey'lya
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Nick Chinlund as Aves
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Hugo Weaving as Grand Admiral Thrawn
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Sam Eliot as Captain Gilad Pellaeon
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Jeff Bridges as Joruus C'baoth
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Robert Downey Jr as Gillespee
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Clancy Brown as Niles Ferrier
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James Remar as Freja Covell
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Courtney Cox as Sena Midanyl
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Jeff Goldblum as Mazzic
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Christine Hewett as Shada D’ukal
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Seth Green as Zakarisz Ghent
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Kane Hodder as Rukh(voiced by Robert Englund)
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Ken Kirzinger as Khabarakh
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Derek Mears Ralrracheen
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if-you-fan-a-fire · 5 months ago
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"By Sunday morning the rain had ceased, and the sun shone brightly. Now the scene around the Banner Mine became one of bustle and excitement as crowds of the curious began to arrive. These "excursionists" came on the trains of the L & N and the Southern; they came by automobile, jarring along the dirt roads; the less affluent and more practical arrived by wagon and "on horseback and mules." One observer was repelled by the scene and reported that the
sights outside were enough to tum a heart of stone. The day being Sunday, the crowds flocked to Banner by the hundreds, and a holiday spirit seemed to possess the most of them."
There
clustered about on the hills and under the trees were the crowds of sight-seers. The air was filled with jokes and ribald jests, while the air also was heavy with the odor of mean whiskey.
Deputy Sheriff Dave Kennybrook and his guards strung up rope and patrolled their lines with rifles and shotguns in an overzealous effort to enforce order and to keep a way clear for the rescuers. The guards dispersed neighboring free blacks who were searching through the castaway clothes of the dead - they were unaware that the prisoners had no valuables. Through it all photographer Bert Covell of Birmingham took pictures of the crowd and of the yawning mine mouth - its darkness a testimony to mystery and fear and tragedy.
Inspector Hillhouse's strategy of reversing the fans to clear the mine gradually proved successful, and the rescue teams were able to penetrate farther into the galleries. Now tram car loads of bodies began to arrive at the surface, and a rush order was made to the Green Coffin Company of Birmingham for one hundred coffins. Other coffins and shrouds came from the John's Undertaking Company in Birmingham, but the supply was soon exhausted, and a special shipment was obtained from Nashville, Tennessee. After being cleaned in the prison washhouse, the bodies were embalmed by Echols and Angevin of Ensley. Their task was so great that the morticians had to be assisted by some of the surviving convicts. Unless families or next of kin called for the bodies, they would be buried on the mine's premises. A gang of twenty convicts began the process of digging "a long trench in the convict cemetery."
If there was curiosity and the compelling ambience of tragedy, there were few signs of bereavement and loss. One elderly black woman cried for her dead nephew. Another sorrowing black woman wept for her husband in the prison morgue. (There was mistaken identity here, and she was led away still crying.) People expected friends and relatives to appear on the scene, and the ambulance chasers of the legal profession were on hand to suggest a claim against the company. But there was little business to be done at the Banner. (Also, Pratt Consolidated's own lawyer, R. B. Watts, was there to safeguard the company from the dangers of litigation.) The locale contrasted sharply with the event. As the sun sank behind the Alabama hills, soft green with the beauty of spring, the observer who had been critical earlier was reinforced in his cynicism. "The crowds began to divide," he wrote.
Food was scarce, and so was whiskey, and the crowds left with the feeling of having had a good time. The blind-tigers [illegal liquor stands] did a land office business and so did the Pratt commissary, where a thin slice of ham and crackers cost ten cents.
- Robert David Ward & William Warren Rogers, Convicts, Coal, and the Banner Mine Tragedy. Tuscaloosa: University of Alabama Press, 1987. p. 22-24
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elektramouthed · 1 year ago
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One of Potts’s favourite reminders to the reader is that these matters ‘are upon Record’, and ‘amongst the Recordes of the Crowne at Lancaster’, but we have to treat his reassurances with care. Original readers may have believed that these ‘reproductions’ were proof of the truth of the account, and infused with the authority of the original, but we would now think of the reproduction as having lost the ‘aura’ of the actual document. The way Potts, the publisher (William Stansby) and the printer (John Barnes) exhibit them suggests they hoped to convince readers that what they saw was an exact copy, as good as seeing the document itself. But we should not mistake representation for reality in the same way, because we can also see that Potts wants us to read in awe of the justice of the legal system and the truth of its records – and of his account. To some extent, Master Covell presents the gaol calendar to us too: we are the judges, sitting through the trial forming opinions based on the evidence represented to us. For example, Potts speaks to the reader to ‘commend to your examination and judgement’ his interpretation of Grace Sowerbutts’s evidence. But we are not judges of the fact, only of Potts’s representation – which must be carefully examined for deliberate misrepresentation or confusion, and examined alongside other representations to gain an impression of what it foregrounds, omits or downplays as compared with other sources. When we do this, we see at once that Potts tries to dazzle us with ceremony, and silently edits out sections of more convoluted procedure against the Lancashire witches – procedure not focused on the heroised judges.
Robert Poole, from The Lancashire Witches: Histories and Stories
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backatthechickenshack · 3 years ago
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Back at the Chicken Shack on WFDU.fm HD2 Playlist
WFDU.fm HD2 113th Show 8/25/21
Jimmy McGriff - Step One
Marion James - That's my Man
Cliff Carlisle - Chicken Roost blues
Roy Gaines - dangerous
Freddie King - Woke up This Morning
Taj mahal - Done Changed my Way of Living
Andy Starr - Just a walkin
Buddy Covelle - Lorraine
The Five Chavis Brothers - Baby Dont Leave Me
Dale Hawkins - Tornado
Ersel Hickey - Bluebirds Over the Mountain
Dale Hawkins - Cross-Ties
Ike & Tina Turner - a Fool in Love
Ike & Tina Turner - You cant Miss Nothing You  Never had
Ike & Tina Turner -  Tell Her I'm Not Home
Ike & Tina Turner - 3 O'clock in the Morning
Ike & Tina Turner -  I'm through with love
Ike & Tina Turner - Cussin' Cryin' & carryin' On
Morton Stevens - Hawaii 5-O theme
Henry Mancini - Lease Breaker
C Guest/B Murray - Mr Roberts meets the Bass player
Allman Bros Band - Whipping Post
the Pierce Bros - Death Row
Merle Haggard - Sing Me Back Home
Eddie Noack - Invisible Stripes
Merle Haggard - Branded Man
Stonewall jackson - Life to Go
Merle Haggard - Huntsville
Kempy & the Guardians - Love for a Price
Deepest Blue - Pretty Little Thing
the Barons - Drawbridge
Jerry Cole & his Spacemen - Racing waves
Lynyrd Skynyrd - Down South Jukin'
Robert Palmer - Sneakin Sally Through the Alley
Chuck Berry/Bo Diddley - Chuck's Beat
http://wfdu2.streamrewind.com/bookmarks/listen/331063/back-at-the-chicken-shack
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apunctureinthesky · 4 years ago
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Chernobyl nominated 14 times in the TV BAFTAs 2020!
Winners of the 2020 British Academy Television Craft Awards will be revealed on Friday 17 July and the Virgin Media British Academy Television Awards on Friday 31 July.
LEADING ACTOR
CALLUM TURNER The Capture - Heyday Television, NBC Universal/BBC One
JARED HARRIS Chernobyl – Sister Pictures, The Mighty Mint, Word Games, HBO/Sky Atlantic
STEPHEN GRAHAM The Virtues - Warp Films, Big Arty Productions/Channel 4
TAKEHIRO HIRA Giri/Haji – Sister Pictures/BBC Two
MINISSERIES
A CONFESSION Jeff Pope, Paul Andrew Williams, Tom Dunbar, Johnny Capps - ITV Studios, Urban Myth Films/ITV
CHERNOBYL Production Team – Sister Pictures, The Mighty Mint, Word Games, HBO/Sky Atlantic
THE VICTIM Rob Williams, Niall MacCormick, Sarah Brown, Jenny Frayn – STV Productions/BBC One
THE VIRTUES Shane Meadows, Jack Thorne, Mark Herbert, Nickie Sault - Warp Films, Big Arty Productions/Channel 4
SUPPORTING ACTOR
JOE ABSOLOM A Confession - ITV Studios, Urban Myth Films/ITV
JOSH O’CONNOR The Crown - Left Bank Pictures, Sony Pictures Television/Netflix
STELLAN SKARSGARD Chernobyl – Sister Pictures, The Mighty Mint, Word Games, HBO/Sky Atlantic
WILL SHARPE Giri/Haji – Sister Pictures/BBC Two
COSTUME DESIGN
CAROLINE MCCALL His Dark Materials - Bad Wolf/BBC One
JOANNA EATWELL Beecham House – Bend It TV/ITV
MICHELE CLAPTON Game of Thrones - Bighead, Littlehead, Television 360, Startling Television/HBO/Sky Atlantic
ODILE DICKS-MIREAUX Chernobyl – Sister Pictures, The Mighty Mint, Word Games/Sky Atlantic
DIRECTOR: FICTION sponsored by 3 Mills Studios
HARRY BRADBEER Fleabag – Two Brothers Pictures/BBC Three
JOHAN RENCK Chernobyl – Sister Pictures, The Mighty Mint, Word Games/Sky Atlantic
SHANE MEADOWS The Virtues – Warp Films, Big Arty Productions/Channel 4
TOBY HAYNES Brexit: The Uncivil War – House Productions/Channel 4
EDITING: FICTION
DAN CRINNION Killing Eve (Episode 4) - Sid Gentle Films/BBC One
ELEN PIERCE LEWIS Giri/Haji – Sister Pictures/BBC Two
GARY DOLLNER Fleabag - Two Brothers Pictures/BBC Three
JINX GODFREY, SIMON SMITH Chernobyl – Sister Pictures, The Mighty Mint, Word Games/Sky Atlantic
MAKE UP & HAIR DESIGN sponsored by MAC Cosmetics
DANIEL PARKER, BARRIE GOWER Chernobyl – Sister Pictures, The Mighty Mint, Word Games/Sky Atlantic
INMA AZORIN The Trial of Christine Keeler - Ecosse Films, Great Meadow Productions/BBC One
KIRSTIN CHALMERS Catherine the Great - New Pictures, Origin Pictures/Sky Atlantic
LOZ SCHIAVO Peaky Blinders - Caryn Mandabach Productions, Tiger Aspect/BBC One
ORIGINAL MUSIC
ADRIAN JOHNSTON Giri/Haji – Sister Pictures/BBC Two
ANDREW PHILLIPS War in the Blood – Minnow Films/BBC Two
DAVID HOLMES, KEEFUS CIANCIA Killing Eve – Sid Gentle Films/BBC One
HILDUR GUDNADOTTIR Chernobyl- Sister Pictures, The Mighty Mint, Word Games/Sky Atlantic
PHOTOGRAPHY & LIGHTING: FICTION sponsored by ScreenSkills
ADRIANO GOLDMAN The Crown - Left Bank Pictures, Sony Pictures Television/Netflix
JAKOB IHRE Chernobyl - Sister Pictures, The Mighty Mint, Word Games/Sky Atlantic
JOE ANDERSON Top Boy - Cowboy Films, Easter Partisan Films, Dream Crew, SpringHill Entertainment/Netflix
SUZIE LAVELLE His Dark Materials (Episode 3) – Bad Wolf, BBC Studios, HBO/BBC One
PRODUCTION DESIGN sponsored by Microsoft
LAURENCE DORMAN Killing Eve - Sid Gentle Films/BBC One
LUKE HULL, CLAIRE LEVINSON-GENDLER Chernobyl – Sister Pictures, The Mighty Mint, Word Games/Sky Atlantic
MARTIN CHILDS, ALISON HARVEY The Crown – Left Bank Pictures, Sony Pictures Television/Netflix
SAMANTHA HARLEY, MIRI KATZ Sex Education – Eleven Film/Netflix
SCRIPTED CASTING sponsored by Spotlight
DES HAMILTON Top Boy – Cowboy Films, Easter Partisan Films, Dream Crew, SpringHill Entertainment/Netflix
LAUREN EVANS Sex Education – Eleven Film/Netflix
NINA GOLD, ROBERT STERNE Chernobyl – Sister Pictures, The Mighty Mint, Word Games/Sky Atlantic
YOKO NARAHASHI, SHAHEEN BAIG, LAYLA MERRICK-WOLF Giri/Haji – Sister/BBC Two
SOUND: FICTION
DILLON BENNETT, JON THOMAS, GARETH BULL, JAMES RIDGEWAY His Dark Materials – Bad Wolf, BBC Studios, HBO/BBC One
IAN WILKINSON, LEE WALPOLE, FRASER BARBER, STUART HILLIKER A Christmas Carol – FX Productions in association with the BBC, Minim UK Productions, Scott Free, and Hardy Son & Baker/BBC One
SOUND TEAM Chernobyl – Sister Pictures, The Mighty Mint, Word Games/Sky Atlantic
SOUND TEAM The Crown – Left Bank Pictures, Sony Pictures Television/Netflix
SPECIAL, VISUAL & GRAPHIC EFFECTS
BEN TURNER, CHRIS REYNOLDS, ASA SHOUL The Crown – Left Bank Pictures, Sony Pictures Television/Netflix
FRAMESTORE, PAINTING PRACTICE, REAL SFX, RUSSELL DODGSON His Dark Materials – Bad Wolf, BBC Studios/HBO/BBC One
LINDSAY MCFARLANE, CLAUDIUS CHRISTIAN RAUCH, JEAN-CLÉMENT SORET, DNEG Chernobyl – Sister Pictures, The Mighty Mint, Word Games/Sky Atlantic
MILK VISUAL EFFECTS, GARETH SPENSLEY, REAL SFX Good Omens – Amazon Studios, BBC Studios, Narrativia, The Blank Corporation/Amazon Prime Video
WRITER: DRAMA
CHARLIE COVELL The End of the F***ing World – Clerkenwell Films, Dominic Buchanan Productions/Channel 4
CRAIG MAZIN Chernobyl – Sister Pictures, The Mighty Mint, Word Games/Sky Atlantic
JESSE ARMSTRONG Succession – HBO Entertainment, Project Zeus, Hyperobject Industries, Gary Sanchez Productions/Sky Atlantic
SHANE MEADOWS, JACK THORNE The Virtues – Warp Films, Big Arty Productions/Channel 4
Good luck to team Chernobyl!
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Julia Faye (born Julia Faye Maloney, September 24, 1892 – April 6, 1966) was an American actress of silent and sound films. She was known for her appearances in more than 30 Cecil B. DeMille productions. Her various roles ranged from maids and ingénues to vamps and queens.
She was "famed throughout Hollywood for her perfect legs" until her performance in Cecil B. DeMille's The Volga Boatman (1926) established her as "one of Hollywood's popular leading ladies."
Faye was born at her grandmother's home near Richmond, Virginia. Her father, Robert J. Maloney (born c. 1865), worked for the Atchison, Topeka and Santa Fe Railway. Her mother, Emma Louise Elliott (1872–1955), was from New Castle, Indiana.[9] Her parents had married in 1890 in Newton, Kansas. Faye's paternal grandfather, Thomas Maloney, was born in Ireland and had immigrated to the United States in the 1850s.
Faye's father died sometime before 1901, when her widowed mother married Cyrus Demetrios Covell (1862–1941) in Indiana. Faye took her stepfather's name and listed him as her father.
She had lived in St. Louis, Missouri, prior to coming to Hollywood in 1915, to visit friends. She visited one of the film studios and was introduced to actor and director Christy Cabanne. The two reminisced about St. Louis and discovered that they had lived next door to one another there. Cabanne persuaded Faye's reluctant mother to allow her to be in motion pictures.
Faye made her debut in silent films with bit roles in Martyrs of the Alamo and The Lamb, both directed by Christy Cabanne for Triangle Film Corporation in 1915. Her first credited and important role was as Dorothea opposite DeWolf Hopper's Don Quixote in the 1915 Fine Arts adaptation of the famous Miguel de Cervantes novel. Neil G. Caward, a reviewer for the film journal Motography, wrote, in his review of Don Quixote, that "both Fay Tincher as Dulcinea and Julia Faye as Dorothea add much enjoyment to the picture." Faye's growing popularity increased with her appearances in several Keystone comedies, including A Movie Star, His Auto Ruination, His Last Laugh, Bucking Society, The Surf Girl, and A Lover's Might, all released in 1916. She also worked for D. W. Griffith, who gave her a minor role in Intolerance (1916).
Faye's first role for Cecil B. DeMille was featured in The Woman God Forgot (1917). She continued working for DeMille in The Whispering Chorus, Old Wives for New, The Squaw Man and Till I Come Back to You (all 1918).
In 1919, Faye played the stenographer in Stepping Out. Cast with Enid Bennett, Niles Welch, and Gertrude Claire, Faye was complimented by a critic for playing her role with "class". In DeMille's Male and Female (1919), she played Gloria Swanson's maid.
Her next film, It Pays To Advertise (1919), was a Paramount Pictures release adapted by Elmer Harris from the play of the same name by Rol Cooper Megrue and Walter Hackett. It was directed by Donald Crisp. Faye was among the actors with Lois Wilson depicting the leading lady.
Faye was listed as a member of the Paramount Stock Company School in July 1922. Its noteworthy personalities included Rudolph Valentino, Gloria Swanson, Betty Compson, Wallace Reid, Bebe Daniels, and Pola Negri.
In 1923, she played The Wife of Pharaoh, one of her most famous roles, in the prologue of DeMille's The Ten Commandments.
Faye joined Raymond Griffith and ZaSu Pitts in the screen feature Changing Husbands (1924), a Leatrice Joy comedy adapted from a magazine story entitled Roles.
When DeMille resigned as director general of Famous Players-Lasky, in January 1925, he became the production head of Cinema Corporation of America. He planned to direct two or three films per year and supervise the making of between ten and twenty more. Faye came along with him as did Joy, Rod La Roque, Florence Vidor, Mary Astor, and Vera Reynolds.
The Volga Boatman (1926) was directed by DeMille and named for the noted Russian song. William Boyd, Elinor Fair, and Faye have primary roles in a production DeMille called "his greatest achievement in picture making." Faye's depiction of a "tiger woman" was esteemed as the most captivating of her career, to this point. Before this role she had been known for "silken siren roles". Theodore Kosloff played opposite her as a stupid blacksmith.
Faye played Martha in The King of Kings (1927). Christ, portrayed by H.B. Warner, is introduced with great majesty in the DeMille photodrama. A blind child searches for the Lord and the producer/director turns the camera gradually down to the child's eyes. The viewer sees Christ initially like the blind child whose sight is restored. Faye traveled to New York City for personal appearances in association with The King of Kings and to address a sales convention in Chicago, Illinois.
Faye won critical acclaim for her leading performance in the 60-minute silent comedy Turkish Delight (1927), directed by Paul Sloane for DeMille Pictures Corporation. She was featured as Velma in the 1927 DeMille-produced film adaptation of the play Chicago; she has the distinction of being the first actress to portray Velma on-screen.
Faye had a small role as an inmate in DeMille's The Godless Girl (1929), which featured some talking sequences, but she made her "talkie" debut playing Marcia Towne in DeMille's first sound film, Dynamite (1929), co-starring Conrad Nagel, Kay Johnson, and Charles Bickford. Dynamite was also her first Metro-Goldwyn-Mayer film. She also appeared in two other MGM productions, the Marion Davies comedy Not So Dumb (1930) and DeMille's third and final remake of The Squaw Man (1931), before her brief retirement from films in the early 1930s.
After a short-lived marriage, Faye returned to films with a minor role in Till We Meet Again (1936) and would go on to appear in every one of DeMille's films after Union Pacific (1939), which marked her return to DeMille films. In Samson and Delilah (1949), she had a prominent supporting role as Delilah's maidservant, Hisham. In The Ten Commandments (1956), she played Elisheba, Aaron's wife. Her last role was as a dowager in the 1958 remake of DeMille's The Buccaneer, produced by DeMille himself but directed by his son-in-law Anthony Quinn.
Faye married Harold Leroy Wallick on August 2, 1913, in Manhattan. Wallick predeceased her, and she is listed as a widow in the 1930 census.
Faye first met Cecil B. DeMille in 1917 and became one of his mistresses. In 1920, Faye resided at 2450 Glendower Avenue in Los Feliz.[32] She later bought a Colonial Revival-style mansion at 2338 Observatory Avenue, also in Los Feliz.
Faye married screenwriter Walter Anthony Merrill on October 24, 1935, in Los Angeles. In April 1936, she announced that she had obtained a Nevada divorce from Merrill.
Faye began writing a memoir, Flicker Faces, in the mid-1940s. Although it remains unpublished, some excerpts from the memoir are included in author Scott Eyman's 2010 biography of DeMille, Empire of Dreams: The Epic Life of Cecil B. DeMille.
Faye died of cancer at her home in Pacific Palisades, Los Angeles, on April 6, 1966, at the age of 73. Her cremated remains rest in the Colonnade at Hollywood Forever Cemetery.
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robertcovelle-blog · 7 years ago
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Covelle & Covelle – Choosing The Right Tactics
Skill, Tactics, Composure As Bob Covelle reveals, Italy, like many other countries in Europe, is known for cultivating a lesser known sport that in the summer months across Europe can be seen being played in parks all over the continent. In England, they call it boules, in France petanque, and in Italy, bocce. It is a sport that has had its rules refined and cultivated over thousands of years of playing by Europeans, and thankfully was brought over to the US by Italian immigrants who were among the first wave of immigrants to reach the New World. Today, it is still practiced by many Italian- American communities, who relish the sport as much as a social occasion to spend time with family and friends than as a competitive rivalry. So how exactly does bocce work? Well, in principle it is fairly simple. The aim is to throw the metal balls as close to the small yellow ball, or the 'pill', in order to achieve points for the team. The more balls one team has closer to he pill, the more points they gain. It is a hugely addictive sport, and requires skill, tactics and composure to help get the best results. (For further instructions about this extraordinarily addictive pastime, please see ' Covelle & Covelle, Public Accountant In Stoneham, MA). Indeed, Bob Covelle is the captain of the team COVELLE, started by his father, who play in the Italian-American league at a very competitive level. The team is made up of Bob himself, his best friend, his son, nephew and his best friend. They are a tight knit team, who have played some memorable matches in their time - tasting the bitter ashes of defeat as well as drinking deeply from the bowl of victory. Bob Covelle is an extremely competent player, and as the captain enjoys going first to set the standard. Setting the first throw is important as it can dictate the course of the rest of the game.  Twenty nine other teams compete in the league, and whilst team COVELLE are not number one, they are certainly up there with the best. As Covelle & Covelle on Facebook details, Robert Covelle is an Italian-American sports enthusiast, who takes every opportunity to play the competitive leagues in bocce within his community. As part of the Italian-American Citizens Club in Malden, MA, Bob Covelle has followed in the footsteps of his father, who also passionately played the sport. Indeed, it was his father who originated the team within the club's league. For Bob Covelle, one of the best things about bocce is that it gives him a chance to spend valuable time with family members and friends.Bob Covelle is an extremely competent player, and as the captain enjoys going first to set the standard. Setting the first throw is important as it can dictate the course of the rest of the game.  Twenty nine other teams compete in the league, and whilst team COVELLE are not number one, they are certainly up there with the best.
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Special Programming for ICOM International Museum Day
Join us for ICOM International Museum Day on Friday, May 18th!
We’re celebrating the day with researchers in the galleries and two exciting livestream events.
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Live Animal Encounter: Debuting Antonio the Anteater
Visit the museum in the afternoon for the public debut of the newest member of our Living Collection! Antonio, a lesser tamandua (also known as an anteater), is a fascinating animal that wins the hearts of those who meet him. Living Collection Manager, Mallory Vopal, will introduce Antonio in Earth Theater at 1:30 p.m. Cost is $2 per person. Or join them live online on our Facebook page.
Architecture and Geology in the Grand Staircase
Researchers from both Carnegie Museum of Natural History and Carnegie Museum of Art will have a lively discussion on the architecture of our museum in Oakland. Join geologist Albert Kollar and manager of architecture Alyssum Skjeie at 12:30 p.m. in the Grand Staircase area or online on the Carnegie Museum of Art Facebook page.
Meet the Researchers
Visit the museum during regular hours (10 a.m.-5 p.m.) to chat with museum researchers. This is your chance to ask questions and learn the stories behind the exhibitions. They’ll be in the galleries throughout the day. Here’s where to find the experts:
12:15-12:45 p.m.
Albert Kollar, Collection Manager for Invertebrate Paleontology, in the Grand Staircase
1:00-2:00 p.m.
Andrew McAfee, Scientific Illustrator, in Dinosaurs in Their Time
Bonnie Isaac, Collection Manager of Botany, in Hall of Botany
1:00-3:00 p.m.
Catherine Giles, Curatorial Assistant, in Third Floor Exhibition Foyer
Debra Wilson, Collection Manager of Minerals and Gems, in Wertz Gallery: Gems & Jewelry in Hillman Hall of Minerals and Gems
1:30-2:30 p.m.
Robert Androw, Scientific Preparator, in Grand Staircase
1:30-3:00 p.m.
John Rawlins, Curator of Invertebrate Zoology, in Third Floor Exhibition Foyer
Jim Fetzner, Assistant Curator of Invertebrate Zoology, in Third Floor Exhibition Foyer
2:00-3:00 p.m.
Nicole Heller, Curator of the Anthropocene, in We Are Nature
Matt Lamanna, Assistant Curator of Vertebrate Paleontology, in Dinosaurs in Their Time
John Wible, Curator of Mammals, in Hall of African Wildlife and Hall of North American Wildlife
Steve Rogers, Collection Manager of Amphibians and Reptiles/Birds, in Bird Hall
Timothy Pearce, Assistant Curator of Mollusks, outside Earth Theater
3:00-4:00 p.m.
Amy Covell, Curatorial Assistant, Alcoa Foundation Hall of American Indians
Mason Heberling, Research Fellow in Botany, in We Are Nature
Gretchen Anderson, Conservator, Collection Care and Conservation, in Hall of North American Wildlife Temporary Visible Conservation Lab
3:30-4:30 p.m.
Robert Androw, Scientific Preparator, in Grand Staircase
3:00-5:00 p.m.
Robert Davidson, Collection Manager of Invertebrate Zoology, in Third Floor Exhibition Foyer
4:00-5:00 p.m.
Suzanne McLaren, Chair of Collections, Mammals, in Hall of African Wildlife and Hall of North American Wildlife
Erin Peters, Assistant Curator of Science and Research, in Walton Hall of Ancient Egypt
For more information about our researchers, visit our ICOM International Museum Day page.
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ericvick · 5 years ago
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Boston-area virtual open houses: 6 for $650,000 and under
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With the stay-at-home advisory in effect to prevent the spread of the novel coronavirus, open houses in the Boston area are out, and virtual tours via Instagram, Facebook, YouTube, and other means are in. Join us now for a vicarious look at six listings, from a renovated townhouse in Arlington Center to a condo near a future Green Line stop in Somerville to a high-rise perch in East Cambridge.
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Engel & Volkers/Robert Cohen
Where: 169 Monsignor O’Brien Highway, #315, Cambridge Specs: 2 bedrooms, 2 bathrooms; 868 square feet Selling points: This condo in the Glass Factory building in East Cambridge features windows throughout the unit, two full baths, and an open living/dining layout. Asking price: $650,000 Listed by: Engel & Volkers/Robert Cohen View virtual tour here
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Compass/Tom Sheehan
Where: 21 Edmands Street, #3, Somerville Specs: 3 bedrooms, 1 bathroom; 1,234 square feet Selling points: This top-level condo features an updated bathroom, hardwood floors throughout, and in-unit laundry. It will be less than half a mile to the future Green Line stop at Gilman Square. Asking price: $585,000 Listed by: Compass/Tom Sheehan View virtual tour here
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Commonwealth Standard Realty Advisors/Caroline Fromkin
Where: 193 Brookline Street, #1R, Cambridge Specs: 1 bedroom, 1 bathroom; 615 square feet Selling points: Located in the Cambridgeport neighborhood, this condo has an open floorplan with living, kitchen, and dining areas with windows throughout. Asking price: $550,000 Listed by: Commonwealth Standard Realty Advisors/Caroline Fromkin View virtual tour here
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Gibson Sotheby’s International Realty/Dino Confalone
Where: 12 Swetts Court, #12, Watertown Specs: 4 bedrooms, 1.5 bathrooms; 1,222 square feet Selling points: This Watertown townhome was renovated in 2013, and features an updated kitchen, added half-bath, and private fenced-in backyard. Asking price: $539,000 Listed by: Gibson Sotheby’s International Realty/Dino Confalone View virtual tour here
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Compass/Erica Covelle
Where: 56 Mystic Street, #3, Arlington Specs: 2 bedrooms, 1 bathroom; 825 square feet Selling points: This condo features designer elements such as teak ceilings, new stainless steel appliances, and a private deck off the second bedroom, situated in the heart of Arlington Center. Asking price: $519,900 Listed by: Compass/Erica Covelle View virtual tour here
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Moor Realty Group/Michael Falotico
Where: 393 Broadway #1, Cambridge Specs: 0 bedroom, 1 bathroom; 463 square feet Selling points: Located in Mid-Cambridge, this studio includes a combination living/bedroom area with three closets, a separate kitchen, and a renovated bathroom. Asking price: $429,900 Listed by: Moor Realty Group/Michael Falotico View virtual tour here
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kheirfakhreldin · 5 years ago
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History of Lyons: La Grange (1884)
History of Cook County, Illinois, From the Earliest Times to the Present Day, Complete in One Volume
By A. T. Andreas
Chicago: A. T. Andreas, Publisher. 1884.
History of Lyons
La Grange
This beautiful suburb, attested by large boards along the line of the Chicago, Burlington & Quincy Railroad to be the “garden spot” of Cook County, is situated on that railroad about fifteen miles from Chicago. It has two depots on this line, one situated at Fifth Avenue and the other at Stone Avenue, the old depot, however, which was called West Lyons, was situated a short distance west of the Stone-avenue depot. At this point the first settlement was made, although it comprised but a few persons. The land upon which Kensington Heights, and subsequently La Grange, was laid out was a part of four hundred and forty acres owned by Robert Leitch. 
Robert Leitch was born in Orleans County, N. Y., in 1820, of John and Catherine Leitch, and came to Cook County May 2, 1837. He worked by the month as a farm-laborer for nearly four years, and for the same length of time for Wadsworth, Dyer & Chapin, of Chicago, in the packing business. He came to the section of country where La Grange now is, purchasing four hundred and forty acres of land. At that time there was no one resident of the immediate vicinity, except Thomas Covell, who resided in the timber, and he has stood upon the porch of his house and shot wolves and deer. Mr. Leitch followed farming for a number of years in connection with cattle-dealing and stock-raising and shipped a great many cattle to New York. He was the first man to settle on the prairie and broke the first land between Lyons and Brush Hill. In 1844, he married Miss Mary A. Wilder, daughter of Colonel Benjamin and Elizabeth Wilder. They have eight children—Maria F., Benjamin J., Robert, Belle, Edward B., Zephaniah G., Walter B., and Dollie F. Mr. Leitch was Commissioner of Highways for eight years and also served on the school board for eight years. In 1870, he moved to Chicago and engaged in the distillery business; the distillery burned down in 1872, after which he was connected with the Garden City Distillery. Mr. Leitch sold the tract of four hundred and forty acres to Mrs. Breed, and sold part thereof to Franklin D. Cossitt, who laid out the town. He now, however, resides on a portion of his original tract, having returned to La Grange in 1881.
In this connection, it is germane to remark upon the adventitious booms that elevated the prices of real estate temporarily, as some locality would seem especially favored by the suburban fever, or an imagined right of way, and under such speculative conditions a great deal of money was realized and lost in real estate. In the vicinity of La Grange some much mutations have been experienced, and also in that vicinity settlement has been retarded because of tenacious holding of real estate for speculative prices instead of being willing to accept a fair price from actual settlers. Franklin D. Cossitt and D. B. Lyman, however, have manifested a liberal and public spirit in their transactions and by their exertions La Grange is a garden spot; the natural bleakness of the prairie transformed by the liberal planting of thousands of deciduous trees, and the grassy waste made into a garden; the landscape testifying to the enterprise of the projector and the hundreds of handsome dwellings manifesting the appreciation of the property buyers.
To revert to the antiquities of the town. Mr. Leitch states that the first road that ran through there was about a mile wide, and was called the Chicago & Dixon road; the road traversing the same route, although circumscribed in its width, is now designated Ogden Avenue. The Chicago, Burlington & Quincy Railroad came through about the year 1862, being opened on June 1st. The depot at West Lyons was established about 1868, the agents being J. J. Kimmons, W. E. Smith, W. F. Billings, A. Potter, J. A. Bryden, John Unold, A. McMillan, W. E. Stanger, E. O. Smith, A. W. Ladd, and E. O. Smith. John Van Ottrick, who was president of the road at the time, predicted that it would never pay. “A prophet come to judgment!” The road then ran to Aurora, and thence to Batavia, intersecting the Chicago & North-Western at Turner Junction. Prior to this, the stages of Frink & Walker ran to Doty’s at Lyons, thence to Naperville, and from there to Aurora. The first school was established about 1852-53, and was taught by Miss Gertrude Smith.
Samuel Vial, one of the oldest living settlers of Lyons Township, lives in the vicinity of La Grange; he was born in Chester, Orange Co., N. Y., in 1819, son of Joseph and Louisa (Smith) Vial; he came to Chicago with his parents in the fall of 1833, the family locating in Lyons Township in the spring of 1834. Mr. Vial was married in 1846, to Miss Margaret McNaughton, daughter of George and Jane McNaughton; she died in 1856, leaving four children, Jane, George M., Joseph and Louisa. In the fall of 1856 he married Mrs. Gertrude North, who died in 1879. Mr. Vial was Supervisor of Lyons Township for five years.
The subdivision of La Grange was made by Franklin D. Cossitt in 1871, and since that time its progress has been steady and material. Before this subdivision there was a little coterie settled where John Unold’s store now is, but there was no extended settlement.
On May 26, 1879, a petition was filed for the incorporation of La Grange as a village, and upon June 11 of that year an election was held to ascertain whether Section 4 and the east half of the east half of Section 5, Township 38 north, Range 12 east, of the third principal meridian, should be thus incorporated; and the following vote was cast:
For village organization forty-two votes, against village organization, thirty-four votes.
On July 10, 1879, the election for town officers resulted: F. D. Cossitt, L. L. Bassford, P. G. Gardner, J. D. Myers, E. B. Clark and T. W. McMillan, Trustees, of which board Mr. Cossitt was subsequently elected President; William G. Little, Police Magistrate, and Benjamin T. Lewis, Clerk.
July 24, 1879, D. B. Lyman was appointed village attorney, and the Trustees divided themselves by lot into holders of one and two year terms of office, as follows: One year, L. L. Bassford, P. G. Gardner and T. W. McMillan; two year, F. D. Cossitt, J. D. Myers, and E. B. Clark. J. K. Philo was also made Village Treasurer. The poll-tax was declared to be $1.50, for which two days’ labor could be substituted.
August 27, 1879, the prohibitory four-gallon measure became one of the ordinances of the village, and there is not now (1884) a saloon within its limits. The same day David C. Crain was made constable.
Election of April 26, 1880 resulted: P. G. Gardner, T. W. McMillan and F. H. Vallette, Trustees for two years, B. T. Lewis, Clerk and Gustaf A. Johnson, Constable. P. G. Gardner was made President of the board, and J. K. Philo continued in office as Treasurer. William Walmsley was elected to fill the place of J. D. Myers, Trustee, on June 19, 1880, removed from the village, and Samuel Lewis was made Postmaster. The annual appropriation bill for 1879-80 was $350.00—not a very lavish expenditure. The office of village marshal was created August 20, 1880, and Charles P. Amet appointed thereto for two years.
Election April 19, 1881, resulted: William Walmsley, W. W. Weatherstone and E. B. Clark, Trustees, and J. A. Brydon, Clerk. P. G. Gardner was made President of the Board of Trustees, and J. K. Philo, re-appointed Village Treasurer. The office of pound-master was created in May, and George D. Unold appointed thereto; he declined the office, and Gustaf A. Johnson was thereupon appointed.
Election April 18, 1882, resulted: F. D. Cossitt, E. G. Squire, James Travis, Trustees, and J. O. Metcalf, Clerk. E. B. Clark was elected President of the board. The Board of Trustees is composed of six members, three being elected each year for two years. On November 1, 1882, George D. Unold resigned as village marshal, and William LeBerge was appointed.
Election April 17, 1883, whereat one hundred and forty-four votes were cast, resulted: G. M. Fox, H. B. Parker and William Walmsley (President), Trustees; B. T. Lewis,* [*To the courtesy of B. T. Lewis, the collaborator is indebted for an inspection of the village records.] Clerk; Charles Thornton, Police Magistrate—commissioned by the Governor, April 17, 1883—and W. W. Bowker, Constable. J. K. Philo was continued in office as Village Treasurer, and on June 20, 1883, Herbert Morgan was appointed village marshal and pound master.
The post-office is managed by J. K. Philo, Post-master, who thinks the office was established about 1867. To provide the inhabitants, who number about one thousand, with news, the Suburban News is published every Saturday morning by Whitney & Clevinger at 53 and 55 Michigan Avenue, Chicago. The Suburban News is also published in the interest of other suburban towns on the Chicago, Burlington & Quincy Railroad.
It is contemplated to erect a high school at La Grange, very shortly, the present scholastic facilities being composed of a common school and a kindergarten. Of the former, Miss Dora Winds is principal, and Miss Lillie Winds and Mrs. Emily H. Stuart, assistants, and the kindergarten is taught by Miss Mary F. Fox. The number of pupils in both schools is about one hundred. The school directors of the district, which includes Western Springs, are W. B. Wickersham, president; D. B. Lyman, clerk, and John Unold.
Emanuel Episcopal church is an elegant edifice, constructed in the rural English style of architecture. It is built of stone, and presents one of the prettiest exteriors of any church in the county, outside Chicago. Ground was broken in the spring of 1875, and the corner-stone was laid June 5, of that year. The church cost $8,000, and is out of debt. The vestry are deliberating upon the purchase of an organ, subsequent to which the interior of the church will be embellished and architecturally re-modeled to comport with the exterior. The vestry is composed of D. B. Lyman, senior warden; A. W. Mitchell, junior warden; J. K. Philo, treasurer; Franklin D. Cossitt, W. Walmsley, R. F. Ludwig, H. B. Parker and J. Travis.
The Congregational Church is situated at the corner of Cossitt and Fifth avenues and has a congregation of thirty-six members, and an average attendance of eighty-five persons. The church cost $3,000, is a neat and pretty edifice, and was dedicated in September, 1882. The pastor is William Barnes Frazelle, and the deacons are J. E. Snyder and W. E. Little.
There is also a Baptist Society, numbering about forty members, that meets at Masonic Hall, whose pulpit is supplied by theological students.
La Grange Lodge, Under Dispensation, A. F. & A. M., was inaugurated September 1, 1883. The officers are P. G. Gardner, W. M.; E. G. Stiles, S. W.; E. I. Sackett, J. W.; J. H. Borwell, S.; T. W. McMillan, T.;—Howard, S. D.; C. E. Thornton, J. D., and Charles Thornton, tyler.
La Grange Lodge, No. 693, I. O. O. F., was instituted in May, 1881, with the following officers: L. W. Briggs, N. G.; D. M. Roberts, V. G.; Charles Thornton, secretary; George D. Unold, treasurer, and Charles E. Thornton, P. G. The present officers are G. B. Walker, N. G.; J. W. Darnley, V. G.; Richard Vorpahl, secretary; W. G. Little, treasurer, and W. W. Bowker, S. P. G. The members are thirty-eight.
There is one manufacturing establishment at La Grange, where silversmithing and manufacturing for the jobbing and wholesale trade is performed under the management of J. P. Weatherstone.
The existence of one other institution has to be noted, an unfortunate parenthesis in the history of La Grange, the home of Mrs. Anna Schoeck, particulars whereof can be studied at length in the newspapers of the present year.
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citizen0ne · 8 years ago
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Have Humans Been Abducted by Extraterrestrials? A prestigious Harvard psychiatrist, John Edward Mack, thought so. His sudden death leaves behind many mysteries.
                 BY RALPH BLUMENTHAL  MAY 10, 2013 12:00 AM
If you’re abducted by alien beings, are you physically absent?
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Anne Ramsey Cuvelier’s Victorian mansion in Newport, Rhode Island, where, once a year, alien experiencers gather and exchange stories. Inset, John Edward Mack at Harvard University, where he earned his medical degree in 1955., Courtesy of Anne Ramsey Cuvelier (house), courtesy of JPL-Caltech/UCLA/NASA (cosmos), courtesy of the family of John E. Mack (Mack).
This happens to be an important issue for the media-shy people gathered one afternoon last July on the porch of Anne Ramsey Cuvelier’s blue Victorian inn on Narragansett Bay, in Rhode Island, once called “the most elegantly finished house ever built in Newport.” Co-designed in 1869 by a cousin of Ralph Waldo Emerson’s, it has been in Cuvelier’s family since 1895, when her great-grandfather bought it as a summer getaway from his winter home blocks away, just as the Gilded Age cottages of the Vanderbilts and Astors began springing up across the island, redefining palatial extravagance. Still imposing with its butternut woodwork, ebony trimmings, and four-story paneled atrium frescoed in the Pompeian style, the harborside mansion turned B&B seemed a fittingly baroque setting for the group of reluctant guests Cuvelier describes as “not a club anyone wants to belong to.”
She had gathered them to compare experiences as, well, “experiencers,” a term they prefer to “abductees,” and to socialize free of stigma among peers. Cuvelier, an elegant and garrulous woman in her 70s, isn’t one of them. But she remembers as a teen in the 1940s hearing her father, Rear Admiral Donald James Ramsey, a World War II hero, muttering about strange flying craft that hovered and streaked off at unimaginable speed, and she’s been an avid ufologist ever since. “I want to get information out so these people don’t have to suffer,” she says. “Nobody believes you. You go through these frightening experiences, and then you go through the ridicule.”
So, for a week each summer for almost two decades, she’s been turning away paying guests at her family’s Sanford-Covell Villa Marina, on the cobblestoned waterfront in Newport, to host these intimate gatherings of seemingly ordinary folk with extraordinary stories, along with the occasional sympathetic medical professional and scientist and other brave or foolhardy souls not afraid to be labeled nuts for indulging a fascination with the mystery. I had been invited as a journalist with a special interest who has been talking to some of them for several years.
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Betty and Barney Hill pose with John G. Fuller’s book The Interrupted Journey, which chronicles the 1961 abduction that the two say they experienced. © Splash News/Corbis.
Perched on a wicker settee was Linda Cortile, a mythic figure in the canons of abduction literature, whom I’d come to know by her real name, Linda Napolitano. A stylish young grandmother in a green T-shirt, black shorts, and a charcoal baseball cap, she had agreed to meet me months before at Manhattan’s South Street Seaport to point at her 12th-floor window overlooking the Brooklyn Bridge, where, she says, one night in 1989 three small beings levitated her “like an angel” into a hovering craft in view of horrified witnesses, including, it was said, a mysterious world figure who might have been abducted with her. “If I was hallucinating,” she told me, “then the witnesses saw my hallucination. That sounds crazier than the whole abduction phenomenon.”
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A plaque in Portsmouth, New Hampshire, commemorating the Hills’ experience as “the first widely-reported UFO abduction report in the United States.”, © Splash News/Corbis.
The short-haired Florida woman in white capris and a fuchsia flowered blouse was, like Cuvelier, not herself an abductee but the niece of two and the co-author of a book on the first widely publicized and most famous abduction case of all. Kathleen Marden, the director of abduction research for the Mutual UFO Network, or MUFON, one of the oldest and largest U.F.O.-investigating groups, was 13 in 1961, when her aunt and uncle Betty and Barney Hill returned from a trip through the White Mountains of New Hampshire with the stupefying tale of having been chased by a giant flying disc that hovered over the treetops. They said they had stopped for a look with binoculars, spotted humanoid figures in the craft and, overcome with terror, sped away with their car suddenly enveloped in buzzing vibrations. They reached home inexplicably hours late and afterward recovered memories of having been taken into the ship and subjected to frightening medical probes. Their car showed some peculiar markings, and Betty’s dress had been ripped, the zipper torn. She remembered that the aliens had fumbled with her zipper before disrobing her for a pregnancy test with a needle in her navel. I was surprised to hear from Marden (but confirmed it) that the garment is preserved at the University of New Hampshire, in Durham.
Also present was Barbara Lamb, a tanned and gold-coiffed psychotherapist and family counselor from Claremont, California, who studies crop circles, the enigmatic patterns left in fields, often in England, and practices regression therapy, treating personality disorders by taking people back to previous lives. She told me what she remembered happened to her about seven years earlier: “I was walking through my home and there was standing this reptilian being. It was three in the afternoon. I was alert and awake. I was startled somebody was there.” Ordinarily, Lamb said, she is repulsed by snakes and lizards, “but he was radiating such a nice feeling. I went right over and had my hand out. He was taller than I, this close to me”—she held her hands a foot apart—“with yellow reptile eyes. Then he was suddenly gone.” She said she had recalled more of the encounter when a colleague put her through hypnotic regression. “He said telepathically, ‘Ha, Barbara, good, good. Now you know that we are actually real. We do exist and have contacts with certain people.’”
Chatting with this group were two astrophysicists from a leading institution and the director of the Harvard-affiliated McLean Hospital Southeast. I was intrigued by these eminent outsiders, who may have been risking their careers.
But I was interested most of all in the dead man who remained an icon to many on the porch. John Edward Mack, a Pulitzer Prize–winning biographer and Harvard Medical School psychiatrist, spent years trying to fathom their stories and reached an astonishing conclusion: they were telling the truth. That is, they were not insane or deluded; in some unknown space/time dimension, something real had actually happened to them—not that Mack could explain just what or how. But weeks after attending the 2004 Newport gathering, days before his 75th birthday, he looked the wrong way down a London street and stepped in front of a drunk driver.
Aside from those of his circle and university colleagues, Mack is scarcely known today. But 20 years ago, when he burst onto the scene as the Harvard professor who believed in alien abduction, he was probably the most famous, or infamous, academic in America, “the most important scientist ever to dare to admit the truth about the abduction phenomenon,” in the words of Whitley Strieber, whose best-selling memoir, Communion, introduced millions of Americans to alien encounters.
Tall, impulsive, and magnetic to women and men, Mack was everywhere, or so it seemed—on OprahandNova; on the best-seller lists; in The New York Times, The Washington Post, The Wall Street Journal, and Time; at his Laurance S. Rockefeller–supported Program for Extraordinary Experience Research; in scholarly journals, documentaries, poems, theater pieces, and Roz Chast cartoons. And then suddenly he was under investigation at Harvard, the target of a grueling inquisition. “I didn’t think people would believe me,” Mack had confided to his longtime assistant, Leslie Hansen, who was in Newport last July. “But I didn’t think they’d get so mad.” In the end he achieved a measure of vindication, but his freakish demise denied him a final reckoning in an unpublished manuscript he saw as his cri de coeur against scientific materialism and “ontological fascism.”
He left behind another unpublished manuscript, with another mystery he was seeking to unravel, a secret as dark as death itself. And now his interrupted journey may be heading to the big screen. After a four-year negotiation, the film and television rights to Mack’s story were granted by the Mack family to MakeMagic Productions, which has partnered with Robert Redford’s Wildwood Enterprises, and a major feature film is currently in development. But two decades after Mack took alien abduction from the pages of the National Enquirer to the hallowed halls of Harvard, the question remains: why would a pillar of the psychiatric establishment at America’s oldest university court professional suicide to champion the most ridiculed and tormented outcasts of society?
On Cuvelier’s porch, a Vermont shopkeeper who wanted to be known as “Nona”—the way Mack identified her in Passport to the Cosmos, his 1999 follow-up to Abduction—remembered filling 300 pages with “abduction recollections,” which Mack struggled to accept as real. Had she actually traveled on shafts of crystalline light? “John, I know when I’m physically gone,” she remembered replying. “I know when I’m going through a wall.” Mack had had one nagging disappointment, Nona recalled. He had never undergone an abduction, or even spied a U.F.O. Why can’t I see one?, he wondered. Nona would twit him. “Probably because you’re not patient enough, John.”
‘I was raised as the strictest of materialists,” Mack told the writer C. D. B. Bryan. “I believed we were kind of alone in this meaningless universe, on this sometimes verdant rock with these animals and plants around, and we were here to make the best of it, and when we’re dead, we’re dead.” A great-grandfather of his had pioneered the use of anesthetics in eye surgery, and a great-uncle had been one of the first Jewish professors at Harvard Medical School. His father, Edward, was a noted literary biographer and scholar at the City College of New York who had remarried a widow with a young daughter after his wife died of peritonitis eight months after John was born. John’s socially prominent stepmother, Ruth Prince, was an eminent feminist economist and New Dealer whose first husband, a great-grandson of the founder of Gimbels department store, had jumped or fallen from the 16th floor of the Yale Club as the Great Depression deepened.
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John Edward Mack with his then wife, Sally, and their first child, Daniel, in Japan, 1960. Courtesy of the family of John E. Mack.
Mack graduated cum laude from Harvard Medical School and, while only a resident, founded one of the nation’s first outpatient hospitals. He took his social-worker bride, Sally, to an Air Force posting in Japan and, once home, introduced psychiatric services to incarcerated youths and impoverished nursery schoolers. He started the first psychiatric department at Cambridge hospital, winning a prize for a study of childhood nightmares, a field he would explore further in his first book, Nightmares and Human Conflict. His second book, a groundbreaking psychological study of Lawrence of Arabia, A Prince of Our Disorder: The Life of T. E. Lawrence, won the Pulitzer Prize for biography in 1977. He traveled in the Middle East, lecturing on the Arab-Israeli conflict and going on “bomb runs,” traveling from city to city warning what would happen if a one-mega-ton bomb exploded overhead, and getting arrested with his family at nuclear-test sites. He cornered Dr. Edward Teller, the father of the H-bomb then pressing President Reagan for a Star Wars nuclear-weapons shield in space. Teller denounced peacenik physicians and told Mack: “If you are not in the pay of the Kremlin, you’re even more of a fool.” After the cold war ended, Mack studied consciousness expansion with Stanislav Grof, a Czech-born psychoanalyst who had experimented with L.S.D. Grof and his wife, Christina, had developed a breathing discipline called Holotropic Breathwork to induce an expanded state of consciousness. In one breathwork session with Russians at California’s Esalen Institute, Mack recounted that he became, “a Russian-father in the 16th century whose four-year-old son was being decapitated by Mongol hordes.’’ He owed a lot to the Grofs, Mack later said. “They put a hole in my psyche, and the U.F.O.’s flew in.”
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Mack, at left, performs an autopsy as a student at Harvard Medical School, 1951. Courtesy of the family of John E. Mack.
They flew in with a man named Budd Hopkins.
It was January 10, 1990, Mack recalled, “one of those dates you remember that mark a time when everything in your life changes.” A woman he had met at the Grofs’ introduced him to Hopkins, a nationally known New York Abstract Expressionist and intimate of Willem DeKooning, Jackson Pollock, Mark Rothko, Franz Kline, and Robert Motherwell, whose works hung with his in the permanent collections of the Museum of Modern Art, the Guggenheim, and the Whitney. According to Hopkins, he had spotted a U.F.O. on Cape Cod in 1964, and he went on to investigate the case of a badly shaken neighbor who had reported seeing a spaceship with nine or ten small beings land in a park near Fort Lee, New Jersey. Hopkins wrote a story about it for The Village Voice that was picked up by Cosmopolitan. He was soon being thronged by abductees, whom he examined under hypnosis, and he would win renown as the father of the alien-abduction movement, starting with his book Missing Time, in 1981, and its 1987 sequel, Intruders: The Incredible Visitations at Copley Woods.
Hopkins was then beginning his investigation of the so-called Brooklyn Bridge U.F.O. abduction of the woman he called Linda Cortile, which would become his third book, Witnessed, in 1996. It would involve two security guards for an international figure Hopkins never named but believed to be U.N. secretary-general Javier Pérez de Cuéllar, who, Hopkins would conclude, appeared to have been abducted with her. (I had a local reporter in Lima ask the 92-year-old retired Peruvian diplomat directly about the matter in April 2012. He responded enigmatically, saying, “I’m not interested in those types of curiosities.” Asked if he recalled being questioned by Hopkins, Pérez de Cuéllar, who was in the process of updating his 1997 memoirs, said, “I don’t remember, but it is possible. I can’t assure it nor deny it. My memory at this age fails me.”)
Hopkins gave Mack a box of letters from people reacting to aliens. “I think most of these people are perfectly sane, with real experiences,” Hopkins recalled telling Mack when I visited him in his art-filled Chelsea town house shortly before his death of cancer at 80, in August 2011. But, he added, Mack could decide for himself. He was the doctor.
“Nothing in my nearly 40 years of familiarity with psychiatry prepared me,” Mack later wrote in his 1994 best-seller, Abduction: Human Encounters with Aliens. He had always assumed that anyone claiming to have been abducted by aliens was crazy, along with those who took them seriously. But here were people—students, homemakers, secretaries, writers, businesspeople, computer technicians, musicians, psychologists, a prison guard, an acupuncturist, a social worker, a gas-station attendant—reporting experiences that Mack could not begin to fathom, things, he reflected, that by all notions of reality “simply could not be.”
As he later said, “These individuals reported being taken against their wills sometimes through the walls of their houses, and subjected to elaborate intrusive procedures which appeared to have a reproductive purpose. In a few cases they were actually observed by independent witnesses to be physically absent during the time of the abduction. These people suffered from no obvious psychiatric disorder, except the effects of traumatic experience, and were reporting with powerful emotion what to them were utterly real experiences. Furthermore these experiences were sometimes associated with UFO sightings by friends, family members, or others in the community, including media reporters and journalists, and frequently left physical traces on the individuals’ bodies, such as cuts and small ulcers that would tend to heal rapidly and followed no apparent psychodynamically identifiable pattern as do, for example, religious stigmata. In short, I was dealing with a phenomenon that I felt could not be explained psychiatrically, yet was simply not possible within the framework of the Western scientific worldview.”
With the new millennium, Mack began showing up at Newport, Leslie Hansen remembered. She had been hired to help Mack transcribe recordings of his sessions, and she came to believe in the process that she had buried her own troubling childhood memories of aliens at her bedside. Mack’s household was in turmoil. Sally was unhappy with Mack’s treatment sessions in the house, especially the screams. Mack was also deeply in love with his research associate, Dominique Callimanopulos, the glamorous daughter of the Greek shipping tycoon who owned Hellenic Lines. “John had a lot going on, but he was kind of like a child,” Hansen recalled. “He kind of regarded every person as a fresh slate.” And, she added, “he was very attractive.” Hansen had heard about Cuvelier’s gatherings, and she invited him to attend. Mack was dubious. “What’s this going to cost me?,” he asked. Hansen laughed. “John,” she said, “you’re a guest.”
Two years after meeting Hopkins, Mack was working with dozens of experiencers, and one day he told incredulous fellow psychiatrists at Cambridge Hospital about alien abduction. In 1992 he and David E. Pritchard, a pioneering physicist in atom optics at M.I.T., got that institution to open its doors to a revolutionary alien-abduction conference. Mack presented his findings, as did Hopkins and David M. Jacobs, an associate professor of history at Temple University who was teaching the nation’s only fully accredited college course on U.F.O.’s, and who had just published a provocative book detailing alien encounters, called Secret Life. C. D. B. Bryan, the author of the best-seller Friendly Fire, was among a few select writers invited, for another book, Close Encounters of the Fourth Kind, which Knopf would publish in 1995.
“If what these abductees are saying is happening to them isn’t happening,” Mack demanded, “what is?”
Conferees argued over the validity of a poll done by the Roper Organization for the hotel and aerospace mogul and U.F.O. advocate Robert T. Bigelow that sought for the first time to quantify alien abduction in America. Because few were likely to admit to being an abductee, the pollsters asked the 5,947 respondents if they had ever experienced five key abduction-type symptoms: waking up paralyzed with the sense of a strange presence or person in the room, missing time, feeling a sensation of flying, seeing balls of light in the room, and finding puzzling scars. (A trick question asked if “Trondant” held any secret meaning for them. Anyone who answered yes to the nonsense word was eliminated as unreliable.) Two percent of the respondents, or 119 people, acknowledged at least four of the five experiences, which Roper said translated to 3.7 million adult Americans. At a minimum, Hopkins reported, the results suggested that 560,000 adult Americans might be abductees.
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Mack, a year before his death, with Budd Hopkins, the American artist and abduction researcher, at the International U.F.O. Congress Awards in 2003. © Stuart Conway.
The beings didn’t have to come from outer space, Mack theorized, maybe just a parallel universe. But by the time he wrote Abduction, he said his cases had “amply corroborated” the work of Hopkins and Jacobs, “namely that the abduction phenomenon is in some central way involved in a breeding program that results in the creation of alien/human hybrid offspring.” He concluded furthermore that the aliens were carrying warnings about dangers to the planet; almost all of his abductees emerged with “a commitment to changing their relationship to the earth.”
Some respected colleagues, asked to comment on his manuscript, were dismayed. Anyone could espouse alien abduction, but Mack was a renowned Harvard professor. “Can I believe any of this?,” wrote the editor of a psychiatry journal who turned down publication even though all of the peer reviewers urged it. An eminent Harvard ethicist and philosopher responded: “Clearly you cannot easily go ahead with publication so long as you do not have more incontrovertible evidence.” Even Hopkins called Mack “gullible.”
Indeed, Mack soon stepped into a minefield, adding to his circle of abductees a 37-year-old Boston writer who intrigued him with a bizarre tale of being taken into a spaceship with Nikita Khrushchev and President John F. Kennedy during the Cuban missile crisis. Then, saying she was a double agent out to expose Mack’s U.F.O. cult, the woman, Donna Bassett, supplied tapes of her sessions to Time, which ambushed Mack with the hoax, calling him “The Man from Outer Space.” Mack countered that Bassett had a troubled history at his office, but the betrayal stung. The Boston Globe followed up with a gleeful headline: ALIENS LAND AT HARVARD!
Undaunted, Mack appeared on The Oprah Winfrey Show with five of his lucid, articulate, and normal-acting abductees. “He believes them when they say they have been on the aliens’ spaceships,” declared Oprah. “And Dr. Mack believes them, he says, when they say that they have had children with aliens.” Mack put it differently. “Every other culture in history except this one, in the history of the human race, has believed there were other entities, other intelligences in the universe,” he said. “Why are we so goofy about this? Why do we treat people like they’re crazy, humiliate them, if they’re experiencing some other intelligence?”
Harvard had had enough. In June 1994 it convened a confidential inquest under a former editor of The New England Journal of Medicine, Professor Emeritus Arnold Relman. “If these stories are believed as literal factual accounts,” Relman wrote Mack, “they would contradict virtually all of the basic laws of physics, chemistry and biology on which modern science depends.” Some went further, accusing Mack of ushering in a new dark age of superstition and magic.
Mack recruited a potent legal team: Daniel P. Sheehan, of the Christic Institute, who had helped to uncover the Iran-Contra drugs-for-arms deals of the Reagan administration and had represented Karen Silkwood’s family in their successful lawsuit against the Kerr-McGee nuclear power plant, and Roderick “Eric” MacLeish, former general counsel of the Civil Liberties Union of Massachusetts, who was to achieve fame for exposing sexual abuse by Catholic priests in Boston.
Experiencers who had appeared on Oprah with Mack testified for him. Peter Faust, an acupuncturist in his 30s, told of having been recognized on a spaceship by another abductee and of possibly having been an alien himself in a previous lifetime.
And then, as if scripted for dramatic timing, BBC journalist Tim Leach in Zimbabwe called Mack’s office about a flurry of U.F.O. sightings. Mack and his research partner Callimanopulos flew off to investigate a report that on September 14, 1994, a large, saucer-shaped spacecraft and several smaller craft had landed or hovered near a schoolyard in Ruwa, 40 miles northeast of Harare.
The children told Mack and Callimanopulos on tape that the beings had large heads, two holes for nostrils, a slit for a mouth or no mouth at all, and long black hair, and were dressed in dark, single-piece suits. “I think it’s about something that’s going to happen,” said one little girl. “What I thought was maybe the world’s going to end. They were telling us the world’s going to end.”
“How did that get communicated to you?,” Mack asked.
“I don’t even know. It just popped up in my head. He never said anything. He talked just with his eyes. It was just the face and the eyes. They looked horrible.”
By mid-December 1994, with Mack back in Cambridge, the Harvard committee accused him of failing to do systematic evaluations to rule out psychiatric disorders, putting “persistent pressure” on his experiencers to convince them they had actually been abducted by aliens, and preventing them from obtaining the help they really needed. Mack countered with a fervent rebuttal.
As the inquiry hit the press, Harvard Law School professor Alan Dershowitz wrote an op-ed picked up by The Washington Post and The Harvard Crimson: “Will the next professor who is thinking about an unconventional research project be deterred by the prospect of having to hire a lawyer to defend his ideas?”
When the final report came out, Mack was dumbfounded. In a short statement, Harvard Medical School cautioned him “not, in any way, to violate the high standards for the conduct of clinical practice and clinical investigation that have been the hallmarks of this Faculty.” But Harvard “reaffirmed Dr. Mack’s academic freedom to study what he wishes and to state his opinions without impediment. Dr. Mack remains a member in good standing of the Harvard Faculty of Medicine.”
Mack had prevailed, but he realized in retrospect that he had made a fateful error. As he wrote nearly a decade later in a manuscript he was seeking to publish as his masterwork, “When Worldviews Collide”: “I can see now that I had to a large extent created my problem with the literalness that I had treated the encounter phenomenon in the 1994 book. It is possible that in some cases people are taken bodily into spacecraft. However, the question is more subtle and complex.”
Whether space aliens were visiting, what planet they came from, and whether they were friendly to humans seemed increasingly less important than what such spiritual encounters revealed about the cosmos, Mack wrote. The Western materialist worldview was closed to such mysteries. But even without physical proof of the encounters, scientific investigation could proceed through study of the abductees themselves. What was needed, Mack argued, was a new “Science of Human Experience” stressing “the value of the authentic Witness.”
In any case, the aliens’ abduction phase may have ended, Mack and his associates theorized. Had whatever hybrid-breeding program existed been accomplished? What was the next step? The emergence of aliens among us? How would humanity react?
On Cuvelier’s porch in Newport, a staff astronomer at a renowned astrophysics center, in a short-sleeved sport shirt and cargo shorts, explained what he was doing at a gathering of abductees. “I don’t mix the two,” he said. “As a scientist, I would say we don’t have enough data.” So far, he said, “it’s hearsay: somebody says they saw a light, somebody is telling a story what they saw.” But that didn’t mean, the astronomer added, that the stories weren’t interesting. He was joined soon by a towering, bullet-headed friend of Mack’s who had arrived straight from McLean Hospital Southeast, a psychiatric facility affiliated with Harvard Medical School, where he is the medical director. Jeffrey D. Rediger, who also holds a master-of-divinity degree, is no stranger to anomalous experiences. A decade ago in Brazil, where he had gone to study the claims of a mystical healer called John of God, Rediger said, he had witnessed surgeries without instruments and experienced, on his own chest, a sudden episode of spontaneous bleeding from an unexplained incision that quickly healed.
Rudolph Schild, a noted astrophysicist at the Harvard-Smithsonian Center for Astrophysics who had spoken up for Mack at the Harvard inquest, joined the group. I had talked to him several times about one of Mack’s friends and veteran experiencers, a woman named Karin Austin, who, some two decades ago, recalled somehow arriving at a clearing in a forest, where she and other humans had been presented with their “hybrid” children. Schild had interviewed Austin and was struck by her uncanny familiarity with the double suns orbiting one another in the Orion belt. How, he marveled, was she able to give such accurate descriptions of seasonal changes particular to a binary system?
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Mack presents the Dalai Lama with a copy of his book Abduction: Human Encounters with Aliens in 1999. By Carl Studna.
With the new millennium, Mack’s interest had shifted to a new mystery, the survival of consciousness, particularly the story of his friends Elisabeth Targ, a psychiatrist with an interest in the paranormal, and her husband, Mark Comings, a theoretical physicist specializing in alternative energy. Targ’s grandfather William, as editor in chief of G. P. Putnam’s, had published The Godfather, and her father, Russell, an inventor of the laser, conducted top-secret extrasensory experiments for the C.I.A. in “remote viewing,” the ability to visualize objects thousands of miles away. Elisabeth’s mother, Joan, was the sister of chess grandmaster Bobby Fischer and had taught her little brother the game of chess. Elisabeth was also a prodigy, with unusual mental powers. As a psychiatrist, she practiced distant healing on AIDS patients, and, later, on patients with rare brain tumors, glioblastomas. Then, in a cruel twist of fate, she contracted the same type of cancer and, despite her practice of the non-traditional prayer therapies she championed, died. She was only 40. But now her husband was telling Mack that she was sending him messages of love from beyond the grave. Mack was writing a book about it, Elisabeth and Mark Before and After Death: The Power of a Field of Love. He sent the proposal off to his literary agent with a note: “There is a bit of urgency about this.” In a few days he would be leaving for London to deliver a lecture on his idol, T. E. Lawrence, killed at 46 in a motorcycle accident in England in 1935.
In Newport with the other experiencers, a Tom Hanks look-alike who wanted to be known as “Scott,” the way Mack referred to him in Abduction, remembered their last meeting at Cuvelier’s villa, in the summer of 2004. Mack was excited about his new book, on the survival of consciousness. Scott confessed his own fear of death. Mack reassured him. “You never know when it will be your time,” he said. “We could all go at any time. I could walk out on the street and get hit by a car.”
Raymond Czechowski, a 50-year-old computer technician, had spent three-and-a-half hours at the Royal British Legion, a military charity in north London, planning the latest poppy drive to aid the troops, in the course of which he downed five or six pints of shandy—beer mixed with lemonade and ice. Then, on that mild, clear Monday night of September 27, 2004, he pointed his silver Peugeot north and started driving home.
Just ahead, shortly after 11 P.M., in the north London suburb of Barnet, John Mack climbed wearily out of the Underground station at Totteridge and Whetstone. His talk had gone well, and many in the audience had brought copies of his Lawrence biography, which they asked him to sign. He had also spoken about the death of his father, Edward Mack, who, 31 years before, almost to the day, had been driving home with the groceries to their summer home in Thetford, Vermont, when his car collided with a truck. In London, Mack was staying with a family friend, Veronica Keen, a widow who told him she had been receiving messages from her deceased husband—more evidence, Mack thought, of survival of consciousness. She had said to call her from the station and she would pick him up, but Mack decided to walk. He crossed a divider and stepped into the busy street. His American instinct was to look to the left.
Czechowski hit the brakes, but too late. Mack’s body flew into the air, shattering the Peugeot’s windshield before traveling over the roof and landing heavily on the ground. “He just stepped there, bang,” Czechowski told the police, who registered his alcohol level at well over the limit.
Mack never regained consciousness. From a crumpled paper with an address on it found in his pocket, the police learned his destination and his identity.
Keen, who sat with Mack’s body at the morgue, said he materialized and told her, “It was as if I was touched with a feather. I did not feel a thing. I was given a choice: should I go or should I stay? I looked down at my broken body and decided to go.”
At Mack’s funeral, many recalled one of his favorite quotes, from Rilke’s Letter to a Young Poet (as translated by Stephen Mitchell): “That is at bottom the only courage that is demanded of us: to have courage for the most strange, the most singular and the most inexplicable that we may encounter. That mankind has in this sense been cowardly has done life endless harm; the experiences that are called ‘visions,’ the whole so-called ‘spirit-world,’ death, all those things that are so closely akin to us, have by daily parrying been so crowded out of life that the senses with which we could have grasped them are atrophied. To say nothing of God.”
Barbara Lamb and other friends also reported visitations.
Roberta Colasanti, one of Mack’s research associates, said he communicated to her a cryptic message on the abductions they had been studying: “It’s not what we thought.” Colasanti waited breathlessly for the solution to the mystery, but it didn’t come. Mack promised to return with more information. So far he hasn’t.
Go ahead tell yourself he was just a crazy conspiracy nut.
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covelleandcovelle-blog · 7 years ago
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Robert A.Covelle – Choosing The Best Strategies
Financial Strategies That Work
As the document, 'Robert A. Covelle - Bob Covelle - Robert Covelle, Stoneham, MA' on Pinterest details, he managed a staff of five and owned all finance and accounting functions, and prepared monthly comparative and consolidated financial statements. He supervised all facets of accounts receivable, accounts payable, payroll and general ledger and also led reconciliation of all Federal Grants and State Modernization funds. Bob Covelle was required to work closely with the Executive Director, to discuss the financial picture of the authority, in order to strategize and maximize revenues while reducing expenses. He controlled and reconciled budget of forty million dollars and prepared all month end and year end GAAP adjusting entries.
Furthermore, he ensured and certified SOX compliance and supervised the year end audit and interacted with auditing staff.All of this gave Bob Covelle a wealth of experience which today he is able to  channel into running his own private accountancy firm alongside his brother, forming Covelle & Covelle.
Today, with their 50 years combined experience in the business, they have been able to help myriad businesses achieve their financial goals and find the best solutions to keeping their books legitimate and healthy.
Robert Covelle, a thorough and meticulous professional if ever there was one, strongly believes that being an accountant requires a lot more than just knowledge of how to put together a balance sheet. It requires in-depth experience of the industry while learning the subtleties of the job. Only once this has beeen achieved will the tyro accountant know how to create strategies and directives in order to optimize the performance of the company. Knowing how financing initiatives work in these sectors is vital in making sure the company operates within the required legal boundaries and can make the most out of its financial situation.
Bob Covelle is one such accountancy expert who has worked in the industry for many decades. In this time, he has worked extensively with housing associations and helping them navigate the financial labyrinths of the property markets. One such high-profile role he undertook for twelve years was as the director of finance for the Somerville Housing Authority in MA. Here he was subject to a number of important responsibilities that helped him build the experience he has today and achieve the success he has in his career.
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mikepelletiernl · 5 years ago
Video
vimeo
Kelly - A Short Short Film from Joe Roberts on Vimeo.
Woman - Maddy Anholt Man - Scroobius Pip Dog - Smillia Postman Tim Gibson Bus Stop Man - Adam Fletcher Little Girl - Bella O'Brien
Director - Joe Roberts Producer - Shion Hayasaka Production Manager - Hannah Joy Cooney Production Coordinator - Michelle Cheung Executive Producer - Nick Crabb & Aly Moffat
Editor - Sam O’Mahony & Ben Putland
Director of Photography - Karl Poyzer 1st AC - Matt Choules 2nd AC - Rory Power Camera Trainee - Elliot Poyzer Camera Car Driver - Hank Vadim
Production Designer - Tim Gibson Master Props - Conor O’Hagan
Production Sound - Adam Fletcher
Make Up Artist - Amy Clarke Animal Handler - Sandra Strong Production Assistant - Algy Bruce
Digital Undertaker - Joe Lawrence Composer - Jeremy Warmsley Sound Designer - Tom Pugh @ GCRS Colourist - Yoomin Lee @ MPC
Thanks to:
Debbie Cave Dogs on Camera Cafe Yukari Sleeve Notes Records TFL Alex Rusher at Independent Charlie Covell Wieden+Kennedy Amsterdam Panavision PixiePixel Lift & Shoot MPC GCRS
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miamiclasica · 5 years ago
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This slideshow requires JavaScript.
Compositores
Giya Kancheli, Christopher Rouse, Michel Legrand, Hans Zender, Dominick Argento , Jacques Loussier, Joao Gilberto, Theo Verbey, Ivo Malec, Mario Davidovsky, Barrington Pheloung, Ben Johnston, Michael Colgrass, Schaeffer, Sven-David Sandström, Ami Maayani, John Joubert, Chou Wen-chung, Ib Norholm, René Samson, Jerry Herman, Jean Chatillon, Alfred Kunz, Thanos Mikroutsikos, Heinz Winbeck, Atli Sveinsson, Frantisek Thuri, Ivan Erob, Gagik Hovunts, Gerhson Kingsley, Thanos Mikroutsikos, Joan Guinjoan, Enrique Iturriaga.
  Directores
Maris Janssons, Andre Previn, Raymond Leppard, Jerzy Semkow, Stephen Cleobury, Michael Gielen, Simon Streatfeild, Elio Boncompagni, Werner Andreas Albert, Ján Valach, John Curro, Colin Mawby, Jacques Grimbert, Jean Perisson, Radomil Eliska, Laszlo Heltay, Reto Parolari.
  Pianistas: Jörg Demus, Paul Badura-Skoda. Dina Ugorskaja, Daniel Wayenberg, Alexander Tamir, Karen Shaw, Paola Bruni, Márta Kurtág, Dalton Baldwin, Abbey Simon, Ethella Chupryk,
Instrumentistas
Aaron Rosand, Elliot Golub, Marya Columbia, Christian Stadelmann, Jerry Horner, Yossi Gutmann, Uzi Wiesel, Vladimir Orloff, Vagram Saradjian, Anner Bylsma, Michael Grebanier, Susanne Beer, Jean Guillou, Peter Hurford, Peter Noy, Robert Kohnen, Gerd Seiffert, Richard Weiner, Norman Schweikert, Wolfgang Meyer, Alberto Ponce.
Cantantes
Jessye Norman, Hilde Zadek, Heather Harper, Rolando Panerai, Ekkehard Wlaschiha, Erika Sziklay, Margit Laszlo, Charity Sunshine Tillemann-Dick, Marcello Giordani, Felice Schiavi, Joseph Rouleau, Mira Zakai, Spiro Malas, Deborah Cook, Sanford Sylvan, Wilma Lipp, Francisco Casanova, Ann Crumb, Peter Schreier, Theo Adam, Ruth Margaret Putz, Gerald English, Grayston Burgess, Colette Lorand, Joseph Ward, Yang Yang, Helmut Froschauer, Rosemary Kuhlmann, Umberto Grilli, James Christiansen, Miguel Sierra, Art Sullivan, Alle Willis, Patxi Andión, Charlie Karp, Yann Fanch Kemener, Bob Wilber, Camilo Sesto, Eric Morena, Marie Laforet, Dick Rivers, Diahann Carroll, Alain Barriere, Marie Fredriksson.
  Directores de escena, cineastas, coreografos, etc:
  Jonathan Miller, Johannes Schaaf, Hal Prince, Franco Zeffirelli, Agnes Varda, Pieter Verhoeff, Alex Weil, Jean Claude Brisseau, Eva Kleinitz, Knut Andersen, Ennio Guarnieri, Sebastián Alarcón, Pierre Lhomme, Jukka Virtanen, Guido Levi, Alicia Alonso, Julia Farron, Stanley Donen.
  Empresarios, Musicólogos,Críticos Musicales
  Victor Hochhauser, Walter Homburger, Naomi Graffman, Peter Noy, Laura Liepins, Paul J Pelkonen, Claude Gingras, Robert Henderson, Roger Covell, Martin Bernheimer, Ferdinando Bologna, Peter Gammond, Vivian Perlis, Clive James, John Simon, Alejandro Planchart, Ferenc Bonis, Scott Timberg.
  Cine y teatro
  Bruno Ganz, Valentina Cortese, Bibi Andersson, Rutger Hauer, Peter Fonda, Sue Lyon, Anna Karina, Doris Day, Carol Channing, Albert Finney, Carol Lynley, Claudine Auger, Rip Torn, Valery Harper, Sylvia Miles, Tim Conway, Danny Aiello, Anemone, Lee Radziwill, Cameron Boyce, Katherine Helmond, Bruno Scipioni, Sylvia Kay, Peter Zander, Seymur Cassel, Muriel Pavlow, Julie Adams, John Rone, Mario Bernardo, Susan Harrison, Vladimir Etush, Wenche Kvamme, Richard Erdmann, Tom Hatten, Eduardo De Santis, Jospeh Pilato, Alessandra Panaro, Irene Sutcliffe, Barbara Perry, Jane Hayward, Lis Verhoeven, Nancy Holloway, Wendy Williams.
  Artes Visuales, Letras, diseñadores, etc.
Carlos Cruz-Diez, Peter Larkin, Emily Mason, Imre Varga, Gerd Jaeger, Luca Alinari, Michael Lyons, Mavis Pusey, Rafael Coronel, Kate Nicholson, Armando Salas, Eduardo Meissner, Gloria Zea, Toni Morrison, I.M. Pei, Karl Lagerfeld, Gloria Vanderbilt, Emanuel Ungaro, Piero Tosi, Verena Wagner-Lafferentz, Christopher ‘Kiffer’ Finzi.
  Argentina
Adelaida Negri, Jorge Pérez Tedesco, Cesar Pelli, Osvaldo Romberg, José Martínez Suarez, Eduardo Rovner, Alberto Cortez, Isabel Sarli, Andrew Graham-Yool, Mónica Galán, Ricardo Monti, Graciela Araujo, Leopoldo Brizuela, Analia Gade, Lorenzo Quinteros, Osvaldo Brandi, Santiago Bal, Thelma Tixou, Christian Bach, Beatriz Taibo, Amelita Vargas, Silvia Montanari, Patricia Shaw,  Narciso Ibañez Serrador, Lucho Avilés, Beatriz Salomon, Rodolfo Zapata, Fabio Zerpa, Cacho Castaña, Hugo Gambini, Roberto Livi, Juan Martini, Silvina Bosco, Luz Kerz, Roberto Yanés, Guillermo Cervantes Luro, Max Berliner, Malena Marechal, Antonio Caride.
Los Adioses 2019 Compositores Giya Kancheli, Christopher Rouse, Michel Legrand, Hans Zender, Dominick Argento , Jacques Loussier, Joao Gilberto, Theo Verbey, Ivo Malec, Mario Davidovsky, Barrington Pheloung, Ben Johnston, Michael Colgrass, Schaeffer, Sven-David Sandström, Ami Maayani, John Joubert, Chou Wen-chung, Ib Norholm, René Samson, Jerry Herman, Jean Chatillon, Alfred Kunz, Thanos Mikroutsikos, Heinz Winbeck, Atli Sveinsson, Frantisek Thuri, Ivan Erob, Gagik Hovunts, Gerhson Kingsley, Thanos Mikroutsikos, Joan Guinjoan, Enrique Iturriaga.
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capecoddaily · 6 years ago
Link
Deck: Recent activity for Plymouth Police…Towns: PlymouthTopic: Police BlotterHub Category: Police and FireAuthor: CapeCodToday StaffTeaser: Recent activity for Plymouth Police…Main Image: Thumbnail Image: Body: Plymouth Police Department Media Log Page: 1 Dispatch Log From: 08/07/2018 Thru: 08/08/2018 0600 - 0600 Printed: 08/08/2018 For Date: 08/07/2018 - Tuesday Time Call Reason Action 0715 Transfer Ambulance Transfer Ambulance Location/Address: [PLY P02871] BENCHMARK ASSISTED LIVING - SOUTH ST 0800 Alarm Sounding Cancelled Response Location/Address: MASS DOT - INDUSTRIAL PK RD 0842 Warrant Arrest Arrest(s) Made Location/Address: [PLY P02203] PLYMOUTH POLICE DEPARTMENT - LONG POND RD Refer To Arrest: 18PLY-18080-AR Arrest: HADLEY, ROBERT A Address: 14 MAIN ST Apt. #1 PLYMOUTH, MA Age: 44 Charges: WARRANT-STRAIGHT(DOCKET#1859CR001544) 0852 General Services No Services Necessary Location/Address: BLDG D - SCHOONER WAY 0853 Transfer Ambulance Transfer Ambulance Location/Address: [PLY P04094] PLY REHAB & HEALTH CARE CENTER - SOUTH ST 0858 Transfer Ambulance Transfer Ambulance Location/Address: [OTH] GREENSIDE WAY SOUTH 0908 Transfer Ambulance Transfer Ambulance Location/Address: GRANDVIEW DR 0909 Animal Complaint Spoken To Location/Address: COURT ST 0920 Found Property No Action Required Location/Address: [PLY P01390] REGISTRY OF MOTOR VEHICLE (MA) - INDUSTRIAL PK RD 0920 Transfer Ambulance Transfer Ambulance Location/Address: LONG POND RD 0949 Abandoned Call Accidental Location/Address: [PLY P02791] GOLDEN LIVING CENTER - OBERY ST 0952 Abandoned Call Accidental Location/Address: [PLY P02435] HILTON GARDEN INN - HOME DEPOT DR 0953 Larceny Report Location/Address: [PLY P02243] AVALON BAY COMPANY - AVALON WAY 0955 Warrant Arrest Arrest(s) Made Location/Address: ROUND HILL AVE Refer To Arrest: 18PLY-18091-AR Arrest: MCLEAN, SHERI L Address: 10 CLEARWATER DR PLYMOUTH, MA Age: 33 Charges: WARRANT-DEFAULT DKT # 1615CR003422 WARRANT-DEFAULT DKT # 1632CR005623 WARRANT-DEFAULT DKT # 1832CR002339 1003 911 Accidental Call Accidental Location/Address: ANAWON RD 1005 Abandoned Call Accidental Location/Address: [PLY P02430] SOUTH BAY MENTAL HEALTH - ALDRIN RD 1007 Disabled MV Vehicle Towed Location/Address: WARREN AVE 1033 Building Check Report Location/Address: JOYCE DR Plymouth Police Department Media Log Page: 2 Dispatch Log From: 08/07/2018 Thru: 08/08/2018 0600 - 0600 Printed: 08/08/2018 1041 Motor Vehicle Accident Report Location/Address: HERRING POND RD 1042 Suspicious Activity Other Agency Cont Location/Address: LONG POND RD 1044 Warrant Arrest Arrest(s) Made Location/Address: [PLY P04170] BETH ISRAEL DEACONESS HOSPITAL - SANDWICH ST Refer To Arrest: 18PLY-18099-AR Arrest: NAYLOR, NATHAN Address: 15 BEACH ST MIDDLEBOROUGH, MA Age: 26 Charges: WARRANT-DEFAULT(DOCKET#1859CR001526) 1100 Larceny Report Location/Address: Commercial Financial Consulting - COURT ST 1119 Transfer Ambulance Transfer Ambulance Location/Address: MEMORIAL DR 1145 Motor Vehicle Accident Report Location/Address: STATE RD 1158 Fraud Report Location/Address: ELLISVILLE RD 1205 Motor Vehicle Complaint Arrest(s) Made Location/Address: FLINT LOCKE DR Refer To Arrest: 18PLY-18105-AR Arrest: COVELL, RICHARD B III Address: 26 LISA AVE PLYMOUTH, MA Age: 30 Charges: OUI LIQUOR, 3RD OFFENSE(1759CR002670A,NH08-1430) NEGLIGENT OPERATION OF MOTOR VEHICLE 1232 Alarm Sounding Cancelled Response Location/Address: [PLY 92] CECCARELLI, PAUL - DOTEN RD 1244 Alarm Sounding Building Checked/Secured Location/Address: ALLEN,KAREN - SUNRISE AVE 1254 Property Damage Report Location/Address: [PLY P00937] MARKET BASKET - COMMERCE WAY 1308 Building Check Building Checked/Secured Location/Address: STATE RD 1319 Alarm Sounding Building Checked/Secured Location/Address: VICTORY LN 1355 Suspicious Activity Spoken To Location/Address: FRESH POND CIR 1404 Transfer Ambulance Transfer Ambulance Location/Address: RESNIK RD 1410 Check Wellbeing Gone on Arrival Location/Address: COURT ST 1410 Property Damage Report Location/Address: [PLY P02312] WALMART SUPER CENTER - COLONY PL 1418 Transfer Fire Transfer Fire Location/Address: BRIDGE GATE 1420 Transfer Ambulance Transfer Ambulance Location/Address: SPRING LN 1421 Larceny Arrest(s) Made Location/Address: [PLY P02754] STOP & SHOP - SAMOSET ST Refer To Arrest: 18PLY-18119-AR Plymouth Police Department Media Log Page: 3 Dispatch Log From: 08/07/2018 Thru: 08/08/2018 0600 - 0600 Printed: 08/08/2018 Arrest: ALONGE, DENISE M Address: 243 ONSET AVE Apt. #2 E WAREHAM, MA Age: 51 Charges: SHOPLIFTING $250+ BY ASPORTATION c266 §30A($313.79) 1427 Transfer Ambulance Transfer Ambulance Location/Address: [PLY P00322] CLYDES DELI-CATERING - COURT ST 1445 Harassment Report Location/Address: FOREST AV CT 1447 Transfer Ambulance Transfer Ambulance Location/Address: SOUTH MEADOW RD 1507 Transfer Ambulance Transfer Ambulance Location/Address: [PLY 478] RANCOURT, AMANDA - PATRIOT CIR 1507 Alarm Sounding Building Checked/Secured Location/Address: LUNN’S WAY 1530 Transfer Ambulance Transfer Ambulance Location/Address: CRESCENT ST 1535 Disturbance General Report Location/Address: [PLY P03260] BANK OF AMERICA - SAMOSET ST 1545 Police With Ambulance Transported to Hospital Location/Address: CRESCENT ST 1555 Harassment No Action Required Location/Address: FOREST AV CT 1556 Transfer Ambulance Transfer Ambulance Location/Address: [PLY P02470] PLY CROSSINGS - SOUTH ST 1600 Suspicious Activity Spoken To Location/Address: SILVER BIRCH AVE 1613 Transfer Ambulance Transfer Ambulance Location/Address: [PLY P02702] PLYMOUTH-CARVER PRIMARY CARE - LONG POND RD 1615 Abandoned Vehicle No Services Necessary Location/Address: OLD SANDWICH RD + CLARK RD 1617 Transfer Ambulance Transfer Ambulance Location/Address: [PLY P02702] PLYMOUTH-CARVER PRIMARY CARE - LONG POND RD 1624 Community Policing Activity Community Policing Location/Address: [PLY P00073] ALGONQUIN HEIGHTS - ALGONQUIN TER 1630 General Services Other Agency Cont Location/Address: [PLY P03939] WENDY’S - LONG POND RD 1636 Noise Complaint Spoken To Location/Address: CHILTON ST 1644 Attempted Service 258E Unable to Serve Location/Address: CHAPEL HILL DR 1706 Property Damage Report Location/Address: [PLY P02309] TRU GREEN/ CHEM LAWN - RAFFAELE RD 1809 Attempted Service Summons Unable to Serve Location/Address: CHERRY ST 1835 Attempted Service Summons Services Rendered Location/Address: HOWLAND ST 1841 Animal Complaint Services Rendered Location/Address: [PLY P02864] ULTA COSMETICS AND BEAUTY SALON - COLONY PL Plymouth Police Department Media Log Page: 4 Dispatch Log From: 08/07/2018 Thru: 08/08/2018 0600 - 0600 Printed: 08/08/2018 1903 Motor Vehicle Stop Report Location/Address: [PLY P04369] Express Mart - COURT ST Refer To Arrest: 18PLY-18148-AR Juvenile Arrest Age: 17 Charges: DELINQUENT CHILD TO WIT: UNLICENSED OPERATION OF MV 1906 Alarm Sounding Accidental Location/Address: [PLY P02131] NORTH EAST TRAFFIC - SCOBEE CIR 1917 Parking Complaint Spoken To Location/Address: [PLY P03965] OCEAN POINT CLUB - HIGHLAND TER 1923 Check Wellbeing Spoken To Location/Address: ALLERTON ST 1935 Motor Vehicle Accident- Injury Report Location/Address: STATE RD 1938 Suspicious Activity Spoken To Location/Address: HIGHLAND PL 2054 Transfer Fire Transfer Fire Location/Address: ANDREW’S WAY 2114 Transfer Ambulance Transfer Ambulance Location/Address: ROUTE 3 2115 Motor Vehicle Accident Report Location/Address: STANDISH AVE + CHERRY ST 2135 Suspicious Activity Spoken To Location/Address: LONG POND RD 2152 Community Policing Activity Community Policing Location/Address: [PLY P00073] ALGONQUIN HEIGHTS - ALGONQUIN TER 2211 Suspicious Activity Area Search Negative Location/Address: MINUTEMAN LN 2220 Suicidal Person Spoken To Location/Address: STATE RD 2226 Suspicious Activity Spoken To Location/Address: MINUTEMAN LN 2234 Suspicious Activity Gone on Arrival Location/Address: [PLY P03728] L Pro Ice Cream - NELSON ST 2301 Larceny Report Location/Address: VINE BROOK RD 2321 Alarm Sounding Building Checked/Secured Location/Address: [PLY P03625] PLYMOUTH BAY MANAGEMENT CO - COURT ST For Date: 08/08/2018 - Wednesday 0007 Police With Ambulance Transported to Hospital Location/Address: [PLY P01238] BENNYS - COURT ST 0011 Noise Complaint Spoken To Location/Address: SOUTH ST 0101 Check Wellbeing Spoken To Location/Address: [PLY P03016] PLYMOUTH STARR PROGRAM - STATE RD 0529 Suspicious Activity Area Search Negative Location/Address: [PLY P03218] LITTLE RED SCHOOL HOUSE - LONG POND RD
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hollywoodages-blog · 7 years ago
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Alexa Vega Height Weight Measurements
New Post has been published on http://hollywoodages.com/alexa-vega-height-weight-measurements/
Alexa Vega Height Weight Measurements
Alexa Vega Biography
Alexa Ellesse PenaVega born on August 27, 1988 is an American performer and vocalist. She is referred to for her part as Carmen Cortez in the Spy Kids film arrangement and Shilo Wallace in the film Repo! The Genetic Opera (2008). In 2009, she featured as the title character Ruby Gallagher in the ABC Family arrangement Ruby and The Rockits. Alexa Vega was conceived in Miami, Florida however put in the initial four years of her life on a farm in Ocala, Florida. Her dad is Colombian and her mom, Gina Rue, is an American previous model. Vega has six kin: fatherly relative Margaux Vega (b. 1981), sister Krizia Vega (b. 1990), sister Makenzie Vega (b. 1994), maternal relative Greylin James (b. 2000), maternal relative Jet James (b. 2005), and maternal relative Cruz Hudson Rue (b. 2009). She moved with her crew to California when she was four years of age. In 1996, Vega featured as youthful Jo Harding in Twister. She visitor featured in various TV programs and movies, including ER (TV arrangement) Follow the Stars Home, Ghost Whisperer, and The Bernie Mac Show. She got to be known worldwide in 2001 for her part as Carmen Cortez in Spy Kids. The main Spy Kids film was an enormous achievement, and along these lines two spin-offs, Spy Kids 2: The Island of Lost Dreams and Spy Kids 3-D: Game Over were shot. Amid the shooting of the three movies, she performed the vast majority of her own tricks. Vega repeated the part in the 2011 spin-off, Spy Kids: All the Time in the World. In 2003, she was named one of that year’s most blazing adolescent famous people in the July 2003 issue Vanity Fair. In 2004, Vega got done with shooting two movies: Sleepover and State’s Evidence. At that point the next year she featured in the Lifetime TV film entitled Odd Girl Out as a casualty of digital tormenting. She additionally taped for another made-for-TV motion picture, Walkout. In June 2006, she completed the process of taping Remember the Daze, which was discharged in restricted theaters on April 2007. She likewise got done with recording Repo! The Genetic Opera, which was discharged in 2008. Vega was affirmed as the lead part in Helix, composed and coordinated by Aram Rappaport, which started shooting in Chicago in March 2008. Vega was initially thrown in the 2009 Robert Rodriguez film Shorts, be that as it may, because of her being in Australia for the taping of Broken Hill, she must be recast. She was supplanted by Kat Dennings. She showed up on Broadway in Hairspray, as Penny. In 2009, she played Ruby Gallagher on the ABC Family TV sitcom Ruby and The Rockits, which additionally featured Patrick and David Cassidy.
Alexa Vega Personal Info.
Full Name: Alexa Ellesse Vega
Nick Name: Alex, Lex
Family: Baruch Vega – (Father) Gina Rue – (Mother) Jet James (Half-Brother) Makenzie Vega – (Sister) Krizia Vega – (Sister) Margaux Vega – (Half-Sister) Greylin James – (Half-Sister)
Education: Alexa Vega had studied at the Notre Dame Catholic High School.
Date of Birth: 27 August, 1988
Birthplace: Miami, Florida, U.S.
Zodiac Sign: Virgo
Religion: Christian
Ethnicity: White
Nationality: American
Profession: Actress
Measurements: 35-25-33 in or 89-63.5-84 cm
Bra Size: 32C
Height: 5′ 1″ (155 cm)
Weight: 106 lbs (48 kg)
Eye Color: Hazel
Hair Color: Dyed Brown
Dress Size: 06
Shoe Size: 07
Boyfriend/Dating History:
Sean Covel (2008-2012) – She wedded film maker Sean Covel on October 10, 2010 in a function held at Lead, South Dakota. In July 2012, he had reported her separation with Sean Covel by means of Twitter.
Ronnie Radke (2012) – She had an excursion with Radke (American artist) in August 2012.
Carlos Pena (2012-Present) – Vega is dating Big Time Rush TV on-screen character and band part Carlos Pena since December 2012. Their relationship was affirmed by nickutopia.com. The pair occupied with August 2013 and on January 5, 2014, they wedded in Puerto Vallarta, Mexico.
Known For: Alexa Vega caught fame for her role as Carmen Cortex in “Spy Kids” movie series.
Active Year: 1987 (present)
Favorite Food: Crab Legs with marinara sauce
Favorite TV Show: Friends
Favorite Song: Overprotected (by Britney Spears)
Favorite Animal: Hamster
Favorite Lip Gloss: Bonne Bell Cotton Candy Lip Smacker
Favorite Bands: Play and Blink-182
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Favorite Movies: Ace Ventura: Pet Detective (1994), Paper Moon (1973), Leon: The Professional (1994)
Favorite Authors: J.K. Rowling, Roald Dahl, William Shakespeare
Favorite Actor: Rupert Grint
Favorite Actress: Anthony Hopkins, Jim Carey, Natalie Portman, Jodie Foster
Official Twitter: Twitter Account
Official Facebook: FB Account
Alexa Vega Filmography:
Filmography
Film
Year Title 1994 Little Giants 1995 Nine Months 1996 Twister 1996 Shattered Mind 1996 The Glimmer Man 1996 Ghosts of Mississippi 1998 Dennis the Menace Strikes Again 1999 The Deep End of the Ocean 2000 Run the Wild Fields 2001 Follow the Stars Home 2001 Spy Kids 2002 Spy Kids 2: The Island of Lost Dreams 2003 Spy Kids 3-D: Game Over 2004 Sleepover 2005 Odd Girl Out 2006 State’s Evidence 2006 Marrying God 2007 Remember the Daze 2008 Repo! The Genetic Opera 2009 Innocent 2009 Broken Hill 2010 Mother’s Day 2010 Café 2011 From Prada to Nada 2011 Summer Song 2011 Spy Kids: All the Time in the World 2012 The Devil’s Carnival 2013 Bounty Killer 2013 Abandoned Mine 2013 Machete Kills 2013 The Hunters 2014 The Clockwork Girl 2014 Wicked Blood 2014 Code Academy 2014 Sin City: A Dame to Kill For 2014 23 Blast 2014 The Remaining 2015 Spare Parts 2015 Do You Believe? 2015 Roommate Wanted 2015 Pixies 2015 The Murder Pact
Television
Year Title 1993–94 Evening Shade 1995 ER 1995 Chicago Hope 1995 It Was Him or Us 1996 A Promise to Carolyn 1996 Life’s Work 1998 The Magnificent Seven 1998 To Have & to Hold 1999 NetForce 1999 Ladies Man 2002 All That 2003 The Bernie Mac Show 2003 Trading Spaces: Boys vs. Girls 2005 Odd Girl Out 2006 Walkout 2009 Ghost Whisperer 2009 Ruby & The Rockits 2010 The Middle 2012 The Pregnancy Project 2012 Unsupervised 2012 Royal Pains 2013 Big Time Rush 2014 The Tomorrow People 2014 The Hunters 2014 Courtside 2014 Muertoons 2014–2015 Nashville 2015 The Mentalist 2015 Dancing with the Stars
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