#RG TV

[madspeed]

twewy in persona 4... think about it .. .............. (I'm run over by 15 semitrucks)

[remarcely]

Something was itching me about Kipperlilly as a character for a while that I couldn't place down but I just got it.

There is so much of a connection between her storyline and the radicalization a white suburban kid can have to something like white supremacy that it's not even that deep, it's surface level.

Think about it:

She has a strong hatred for a minority kid in her school because he's got great grades and is viewed as a hero

She's envious of the hardships he's gone through and starts hating her family for being so 'normal' (a lot of white people can feel angry about their identity and what they think is a lack of a culture because they 'don't feel oppressed enough' to justify their own feelings of unfairness)

She takes all that anger and infects the people around her, hurting them and 'radicalizing' a few others

Is so insistent that this random kid had an unfair start because of his family situation that she wants to permanently change the bylaws in her school so he's put at a crazy disadvantage, just so she feels like she has an upper hand (think of racist people being mad that there's more POC going to college and crying that they're only getting in because they're a minority, ignoring the real work those students put it despite the disadvantages they might have faced)

She doesn't do any self introspection, doesn't decide to put more effort into her grades or personal relations, she takes that hatred and lets it poison her from the inside out. She rants about fairness when she doesn't put the work in and chooses to despise the people that do, just because they're not as miserable as her.

Her guidance counselor doesn't know how to combat that anger because he doesn't agree with her politics, a creepy adult in her life recognizes her hate and takes advantage of it to stir up the flames, we don't even see her parents but it's safe to say they're not exactly involved or watching her.

I don't know, I'm just annoyed because I keep seeing people say 'if you hate Kipperlilly that's just misogyny' as if she is not a genuinely hate-able character.

You can hate a woman for being evil, you're allowed.

And on the whole 'redemption' thing, sure that's entirely possible but let's face it. You cannot force someone to change, that's not how redeeming yourself works, you have to want it. Kipperlilly has no desire to change because she believes she is right. What use is it to her to abandon a worldview that suits desires her so well?

There was no way that could have been covered in an epilogue well enough to justify it and do you really think all the people that had their lives ruined and were literally murdered (Lucy, Oisin, Ivy, Ruben, Mary Ann, Buddy, etc.) would be bending over backwards to check on their killer?

[anarchypumpkincowboy]

Seeing posts from folks getting genuinely angry at the intrepid heroes and Brennan (or putting full blame on the ih and acting like Brennan can’t handle a campaign) for them taking out opponents is like… like I’m not one to say “go touch some grass” but if you’re getting so angry over not just a dnd show but over the characters trying to stay alive by taking out their enemies then please go look at the fucking sky or read a fanfic or log off like wtf y’all??? I think rat grinder redemption arc would be great too but you cannot genuinely expect the bad kids to let themselves be killed by trying to non lethally attack these fucking insanely high level enemies

Cause the rat grinders aren’t gonna just be convinced to not do this, regardless of possession or not they’re pretty in with the plan and they’re also really high level like a lv9 spell?? What else would you expect the bad kids to do?? If I were in the campaign I too would be going for the kill. It’s the smart move. And also the finale is next week like if they’re gonna get to revive Lucy they’ll also more than likely revive the others they have to kill

Just log off a bit and chill the fuck out it’s just a show

[th3b4dk1dzz]

Lucy Frostblade was dead in that forest for months, her soul trapped there. It literally took a miracle from Kristen to free her.

Since Yolanda renounced her divinity to teach kids, I like to think she chose to go with Lucy to the afterlife of her god so she wouldn't have to go alone.

[dozydawn]

Lyasan Utiasheva Rope Routine, 2002.

Big Beat by Touch and Go.

[irrolyphant]

Justified Rewatch:

[v88sy]

"we were supposed to assume the priest was gay because of his ringtone, that was the joke" is certainly...a take that I just saw out in the wild.

[23-4-7]

@dr-stanford-pines

((ATAATG TCGO ATTATGCCAGCGACAATCGAAAATACC, ACTCACATATCG TGGGCCTCA TCTUCCGCCGOTCTGAAGAC ACAO AATGAA TTCOCGG ACCOATGOCGGCGTOTGG AACUACA ATAACTTCT GCTCTCCTG ATC GGAOACG GGTOATCAATGGC OAAT

[duranduratulsa]

Now showing on DuranDuranTulsa's Television 📺 Showcase...The Andy Griffith Show: Ellie Saves A Female (1961) on classic DVD 📀! #tv #television #comedy #sitcom #theandygriffithshow #elliesavesafemale #andygriffith #RIPAndyGriffith #DonKnotts #ripdonknotts #RonHoward #FrancesBavier #ripfrancesbavier #elinordonahue #rgarmstrong #60s #DVD #durandurantulsa #durandurantulsastelevisionshowcase

[mercurycft]

𝐓𝐎𝐎 𝐒𝐖𝐄𝐄𝐓 — 𝐊𝐌

## katie mccabe x reader !!

hi pookies!! once again i apologise for the lateness.. but i really hope you enjoy this.. my little tattoo-lover heart got a little carried away with this, but i love this concept so much and i hope you do too! its a little different than the original idea for the direction of this, but either way, i really enjoyed this!! happy reading! love always - RG! x

i would also like to say! this is inspired by a fic i saw on my feed about a tattoo artist x alexia (i think) and i loved it! if i find the account i will top the link to their fic here!

contains: tattoo artist reader! shameless flirting! angsty make up sex, cocky!katie, fight for dominance, oral - both receiving, rough grabbing, dirty talk, fingering, useless lesbians, top!katie and brat!reader, foul language.

r's masterlist - requests open!

4.6k words

CONTAINS ADULT LANGUAGE & CONTENT 18+

a knock at your door was a disruption to your night time routine - pyjamas already on, makeup off, hair tied back and your toothbrush hanging from your lips. you slipped on your slippers and headed down the stairs, still brushing your teeth when you pulled the door open to reveal a familiar face.

she was in a similar state. hair tied back messily, loungewear on and no makeup accept for her eyelash extensions. your eyes lifted from the floor to finally meet hers on the other side of the threshold

“katie..?”

“can i come in?”

3 months ago.

a notification past 7pm would usually be ignored.

and it was the first time, then the second, then the third. the fourth, however, was followed by a groan from your sprawled-out position on your sofa. although tempted to put your phone onto 'do not disturb' and continue the twilight marathon you started the previous night, you stretched across the empty space and patted around to locate your phone - simultaneously pausing the tv and shifting to sit with your back against the pillows for a change.

katie_mccabe11 liked your story.

katie_mccabe11 liked your post.

katie_mccabe11 started following you.

you have 1 new message.

"katie mccabe.." you whispered into the emptiness of your apartment, crossing your legs beneath you and clicking on the notification on your screen. "why do i know her.." you racked your brain, pursing your lips. you noted the football shirt in her profile picture alongside the blue verified tick beside her username and used your critical thinking skills to put two and two together, chuckling at the thought of your younger sister losing her mind at another footballer dming you.

you waited a few seconds before opening her message, reading it carefully and silently. "that's how i know her.." you replied to yourself, whilst alone.

last week you had beth mead in your seat at the shop, getting a small paw print behind her ear and chatting yours off in the process. you spoke about a lot of things, you're used to that though. sometimes people just need someone to talk to - and who better than their tattoo artist? you liked beth, she was lovely, easy to talk to. the kind of person you would be friends with. she wasn't with you for long, an hour tops and it flew by. at the end of the appointment you exchanged socials and she left with a 'i'll tell the girls about you!".

you didn't really watch football, but you knew enough - and you would be lying if the thought of your name being chucked around between a very attractive group of women didn't make your stomach twist.

you typed your reply to katie quickly. starting with your usual friendly opening, explaining your upcoming availability and then ending with a single kiss. you had no available appointment spaces for the next three weeks, but you hoped that beth really sold you and your passion enough that she would consider waiting. she read it almost immediately, making your eyes widen and quickly swipe away from the message in an effort to not seem like a total weirdo.

her reply flashed across the top of your screen a few seconds later.

'ill take it x'

—————————

appointment day.

it was appointment day and god were you a nervous wreck. you arrived at the shop an hour earlier than normal to open up and clean before she arrived - she was your first and only appointment of the day and you wanted to make a good first impression. you prepared what you would need, laying your tools out on the table beside you and making a coffee - which would no doubt be freezing cold by the time you actually got around to drinking it.

you connected your phone to the bluetooth speakers around the room and shuffled your playlist just as the doorbell rang from the front of the shop. 7:59. you didn't know much about katie, having restrained yourself from going full-on stalker mode over the last few weeks leading up to her appointment. but clearly she was punctual.

as you unlocked the door and smiled to her through the glass, you couldn't help but realise how strikingly attractive she was. her hair pulled into a tight and slick ponytail at the back of her head, a deep green tracksuit complimenting her tanned skin and bright eyes.

"good morning!" you greeted cheerfully, welcoming her in.

you watched as her eyes scanned around the room, studying the artwork on the walls before they landed back on you and a smile spread across her face to match yours.

"mornin' hope i've not been a fuss this early.." she joked as you embraced each other in one of those awkward-but-friendly-first-meeting hugs, causing you to laugh softly.

"oh it's no bother, serious." you waved her comment off, shutting the door behind you both and leading her over to your station at the back of the shop. you didn't expect her accent to be so thick, but the way her voice sat heavy in the space between you had you clenching your jaw.

the pair of you made small talk as she got situated and sat on the leather bed whilst you pulled up a stall and your phone to take another look at the pictures she had previously sent, grabbed a pen and then pulled a pad of paper onto your lap. laying the phone down so she could see as well.

you sat across from katie, discussing designs and what she would and wouldn't like. she was engrossed in the conversation, her eyes sparkling with enthusiasm as you shared ideas and suggestions. you found yourself doodling on the paper, absentmindedly drawing whatever came to mind as she chatted about the specifics of what she wanted. every now and then, your eyes would meet hers, and a playful smile would tug at the corners of your lips.

there was silence between you for a few beats as your pen etched across the paper and completed the first sketch of the possible design. when you finished you looked up and turned the paper towards her before you could ask how she felt about it she spoke up.

"how do you do that?"

"do what?" you replied playfully with a smile.

"how can you just listen and draw? it's so cool.." she sounded genuinely bewildered for a moment and you couldn't help but laugh lowly.

"honestly, it just happens. when someone describes what they want i see it in my head and just let my pen translate it." you explained with a shrug, looking at her again.

"well its sick, i won't lie!"

"thank you.. i'm a woman of many, many talents.." it came out a lot more suggestive sounding than intended, mental cursing yourself and begging internally that she wouldn't see the pink tint you could feel spreading across your cheeks. you looked back down at the page before she could notice, avoiding her eyes.

"oh i bet." she added, smirking across from you.

you both sat like that for another ten minutes, brainstorming ideas and katie watching you bring them to life like a magician until you both finally settled on a design. you couldn’t believe how natural the interaction was coming and conversation flowing. you embraced the shared banter between you and leant into her jokes.

the design she had settled on was small and intricate but you knew you could free-hand it, so decided against using a stencil for the work. “right, i am gonna wash my hands and get everything sterilised, you get comfy and have a think about where you want it. okay?” you said as you stood up and ripped out the page you were using, placing it beside your other supplies so it was easy to use as a reference. katie replied with a small “sounds good to me,” and you heard her shuffle around the bed and as you made your way to the sink you could feel her eyes on you, following you away.

when you returned to her, she was sat more comfortably and had discarded her hoodie. the ribbed vest she was hiding left little to your imagination, revealing her arms and more of that heavenly tanned skin to your prying eyes. you tried not to look, but were made too aware of yourself failing miserably when she caught your gaze and you watched her suppress a chuckle.

once you were situated on the stool again, you took a deep breath and turned towards her. “so where are you thinking?” she sat silently in response, deep in thought.

“either here,” she pointed to the inside of her bicep to punctuate her point “or here..” she added quietly as her thumb hooked into the waistband of her joggers and shimmied them down a couple of inches until you could see the skin at the bottom of her stomach- in line with her hip. perhaps you looked for a second too long, or she heard you gulp, or maybe your fears were real and she could in fact hear your heart rattling against the boney cage of your ribs in your heaving chest - but the way you heard her exhale a humorous breath and tense her stomach muscles snapped you back into reality.

“which one would you prefer?” you questioned, professionally.

“probably my hip.” you nodded in agreement, smiling and internally celebrating at her decision. “and as a bonus i get to watch you gawk at me for however long it takes,” she teased, earning a small smack to the upper thigh and an eye roll.

“i was absolutely not gawking!” you defended with a smile.

“oh yeah, alright then..”

you rolled your eyes again and stood to grab a small bottle of sanitiser and a disposable razor, placing them on the table - once you made sure she was comfortable you sat down again.

“i’m going to pull your joggers down a couple inches, is that okay?” you waited for her reply before making any moves closer to her.

“of course,”

“perfect.”

you got straight to work, dragging them down until the area she had pointed out was revealed again - only this time you could see the band of her underwear peaking out from beneath the fabric and it had you drawing in a careful breath. you circled the skin with your pinky finger lightly and showed her the length and width the ink would cover, double checking that was exactly where she wanted.

the tattoo itself took no longer than forty minutes to complete. once you were finished you sanitised and made sure it was exactly how she wanted before moving to discard any disposables used. she took it like a champ the entire time, only slightly flinching when the needle grazed a particularly tender spot.

you spoke to her about the aftercare and how to take care of it whilst it healed, then covered it with second skin and soothed the area - moving to wash your hands and stand against the counter. “any questions?”

you sat speaking for another hour, and you were sure at times she was stalling so she wouldn’t need to leave.

“when do you finish?”

“whenever you want to go,”

“why didn’t you say! i don’t want to hold you up, love..” she tutted and began collecting her stuff. you laughed at her huffing like a child and led her towards the front desk.

the petname made your stomach jump, twisting and twitching in your abdomen as you studied her. the way she moved and smiled, how her eyes pierced through you like she was reading your mind - how you were so sure she actually could see and read the filth behind your own eyes.

at the front she paid and thanked you another couple hundred times as you let her out the door. she stepped over the threshold and gave you another small hug. “thank you again, i really love it.”

“stop thanking me! i’m just glad i could do your vision justice..” you smiled and shrugged, “you’re welcome anytime, just pop me a message!”

“that’s just because you want to look at my stomach again..” she called, walking to her car and waving.

“shut up.” you rolled your eyes, laughing. “don’t be a stranger!”

—————————

during the appointment you and katie exchanged numbers and for days, weeks, months you texted each other everyday. you met for coffee, went to watch her and the team (who you got along with swimmingly) practice, you even went to watch all of their matches.

you had been inseparable since that first meeting, you shared things about each other previously unknown by anyone, spent evenings and nights at each others homes and got aquatinted with family and friends.

after spending so long together, the pair of you had become incredibly close - often sharing a bed, and clothes. you couldn’t help but feel things for her, for katie. your stomach became a harvest ground for butterflies and your heart rattled with longing for her.

you came close to telling her, to explaining how you felt - until one day, it just stopped.

the meetings stopped,

then the match invites,

then the messages,

everything stopped.

—————————

present day - 2 months later.

over the last months without talking to katie, you threw yourself into work and university in an attempt to distract yourself. you felt like you were going through a break up - could you even call it that? could you categorise this into the break up section? a friend break up? whatever it was, it hurt, and you found yourself still thinking about her.

friday nights felt weird now. usually sat on the sofa with a takeaway, katie sat on the other side with her food in her lap - laughing at some stupid program she had put on. now it was empty in the apartment, and you sat on the sofa alone with a cup of tea watching telly until it was time to get ready for bed.

you showered, careful to avoid putting soap the area of your newest tattoo addition on your wrist - letting the warm water run over the skin. when you were done, you made sure to moisturise and then cover it up again before getting dressed into your pjs.

you brushed your hair, and then began brushing your teeth - staring at yourself in the mirror and studying the ink that now littered your arms and chest.

you were deep in though when a a knock at your door disrupted your night time routine - still brushing your teeth when you pulled the door open to reveal a familiar face. your eyes lifted from the floor to finally meet hers on the other side of the threshold.

“katie..?

“can i come in?”

“uh, yeah- yeah- sure,” you stammered and stepped back to open the door wider for her, stepping away into the kitchen area to spit the froth from your toothpaste into the sink and quickly rinse before running back to shut the door behind her.

it was awkward. she stood in front of you in silence for a few beats, looking down at the ground as if she was figuring out what to say. you stood a few steps away, leant on the wall beside you with your arms crossed across your chest.

"why are you-"

"look i dont know why-"

you both spoke over eachother, breaking the silence that sat heavy between the walls. you shared a smile, it was brief, but it was there as you met her blues and waved your hand - gesturing for her to continue.

"look, i don't know why i'm here. i just got in my car and then i was on the drive and i just needed to speak to you. i just wanted to see you-"

"oh god you never shut up mccabe.." you whispered with an eye roll as you advanced towards her.

one step. what if she doesn't want this?

two steps. what if i've read this all wrong?

three steps. jesus her perfume..

every step you took was narrated by that voice in your head, you know, that one that tells you to shut up in uncomfortable situations and the one that speaks to you when you watch something brilliantly but so stupidly funny. you couldn't stop to think out loud, you couldn't stop full stop. point blank. period.

your feet were moving faster than your thoughts, and your thoughts were moving faster than your logic until you were so close you could feel her soft breath caressing the skin of your face.

"tell me not to, and i won't." you said softly

"god, you've always been too sweet for me."

there was no time to register what she said, her lips were on yours. they were everything you had thought of, they were soft but she kissed you with urgency. breathing heavily as her hands raised to either side of your face, pulling you closer than physically possible. your lips moved together sweetly, full of love.

you stayed like that for a few minutes, soaking each other in until she pulled away. lips swollen, taking a deep breath. there were no words exchanged between you, only eye contact - the sound of breathing shared. then you crashed together again, lips connected for a second time in the space of five minutes.

this time however, was harsher, and fast-paced. she was in control, gagging for it. hands grabbing at whatever fabric they could find on the opposing body, a small moan falling from your lips when her hands squeezed the skin of your waist and her lips broke from yours momentarily to grunt out a "jump." to which you gladly obliged, legs wrapping around her waist and her hands finding the skin at the top of your thighs - she held you like nothing, with no struggle as she passed through the hall and up the four steps to your bedroom.

when she placed you back down onto your feet you were quick to tug your top up and over your head, discarding it on the floor. before you could continue she grabbed your hand, finger tracing gently over the still-fresh tattoo across your wrist.

"this is new," katie whispered.

"i had a lot of time on my hands." you replied at the same volume, shrugging. she chuckled lightly, reading the words now littering the skin. "and you were always saying i was sweet.."

"aye, and you're yet to prove me wrong."

"don't start something you can't finish, katie."

"oh i'm very, very good at finishing, actually."

"shut up."

this time you had her, hands on the back of her neck as you pulled her in. grabbing the fabric that sat at the nape of her neck and pulling it over her head, only breaking the kiss until your path was cleared again. you span around, walking backwards until the back of her knees hit the edge of the bed causing her to lay down. you wasted no time in straddling the top of her thighs, arms on either side of her head.

"behave." she muttered, hands gripping your thighs and switching your positions on the bed, now towering over you, arms replacing yours on the bed. mouth moving to your neck, nipping at the skin beneath your ear. "stop acting like you don't want me to have my way with you."

"stop acting like you've got it in you." you quipped back, smirking when her teeth grazed your earlobe roughly. her hand raising to grip your jaw and forcefully turn your head to face her.

"is that a challenge? hm?" it was rhetorical, her eyebrows raised and voice low.

"prove it."

she didn't need further pushing, lifting herself off the bed and taking a few steps back. you propped yourself up onto your elbows to watch, head tilted when she stared at you blankly. eyes flicking to your shorts before back up to your face.

"take em' off."

"you take them off."

"take. them. off. i won't be asking again."

you gave in with a huff, rolling your eyes and lifting your hips to peel your shorts off. biting down a smirk as you lifted your legs back onto the bed - revealing yourself to her.

"awfully cocky there, love."

"as if you don't love it."

"do you always have such a smart mouth?"

"i have a very lovely mouth."

"oh i bet."

she was on her knees then, face level with you. eyes locked on your gleaming pussy, fingers gliding through your folds and collecting your slick before bringing her digits to slip between her lips - tasting you. she laid her fingers back against you, prints flat against your clit, applying the perfect amount of pressure to make your head fall back on the bed behind you with a desperate moan.

she drew tight circles, watching you throb beneath her fingers. you moaned at the contact, your clit already sensitive. you didn't know how she managed it, but she had you falling apart from the pressure alone - and you could tell she loved every second of it with her lips drawn into a cocky smirk at the sight of your mouth falling agape when you began rutting up into hands as a plea for more.

“does that feel good darlin'?” she asked from between your thighs, her lips pressed against the soft skin of your leg, stopping their sloppy kisses for a second. you whimpered in response, nodding slowly. “use your words, love.”

“yes it feels good..” you whispered, licking your lips, your mouth increasingly dry.

“good girl..” she added, jaw clenched when she attached her lips to your thighs again. you savoured the feeling, the delicious feeling as she dragged her fingers roughly against you. the praise made your legs tense against her lips, sending a rush of pleasure down through the depths of your stomach.

“i want more. please.”

"hm? what was that?”

“i want your fingers..” you confessed, dragging your own teeth along the back of your hand which you were using to muffle the sultry sounds tumbling from your lips - biting down against the skin when you felt your face flush.

“please,” you begged, hips rising off the bed in a desperate act for more friction. she shut you down quickly, using her free hand to pin your hips back to the mattress.

“please what, darling..” she stalled, slowing down to an unbearable speed.

“i need you to fuck me,” your words made you squirm, eagerly waiting as you felt a single finger travel down and tease your hole before she pushed into you slowly. her own thighs clenching at the sound of you gasping as she added another finger, curling them methodically inside of you.

she stretched you out perfectly, her fingers moving at just the right speed to have you moaning with every thrust into you. her pace and pressure increased with the volume of your whimpers, back arched into her touch and face buried in your arms as her fingers pressed perfectly inside of you. she curled her fingers to press against your g-spot, mentally noting how perfect you sounded chanting her name. taking advantage of you being preoccupied by the pleasure, she moved to lay her tongue flat against your clit. fingers still moving inside you as she carefully flicked the bundle of nerves between her lips.

a moan rattled from the back of her throat as you coated her taste buds, the vibrations travelling straight to the fire now raging in the pit of your stomach and coursing through your legs - coaxing out a moan of your own.

she felt you tense and squeeze around her fingers, your clit throbbing against her mouth when she lifted her eyes to survey the scene above her. your eyes screwed shut and teeth gripping your bottom lip so tight it was sure to leave a mark. chest heaving and hands twisting in the sheets.

"you going to cum for me?"

“y-yes,” you stuttered, eyes rolling into the back of your head when her fingers curled a final time and she took your clit into her mouth with a pop.

“thats it. good girl.”

that was all it took for you, your orgasm crashing through your body and shaking through your limbs. legs shaking beside her head and cunt tensing around her fingers. back arched and screaming out her name.

katie let you ride it out, only stilling her fingers and withdrawing her tongue from you when your back finally laid against the bed again - catching your breath. she brought her fingers up to your mouth and slipped them past your lips for a second as she moved to straddle you, climbing up from the floor. her fingers dragged down the length of your chin and were replaced with her mouth, her tongue finding yours - allowing you to taste yourself from her mouth.

"wanna taste you," you managed to croak out through the kisses, gulping and lifting your hands to press against her chest. pushing her back and towards the pillows at the head of the bed until she was laid down. "my turn.." you whispered seductively in her ear, lips pursed and leaving small kisses in your path as you travelled down the length of her body.

her tracksuit bottoms were removed quickly and your fingers were hooked into the band of her underwear, pulling them down her tanned legs until they followed the rest of the clothes to reside on the floor. she was dripping, and the sight alone was enough to have you salivating below her.

the scrunchie in your hair had loosened after the previous events of the evening, and your hair was limp enough for her to slide her hand into the back of your locks. gripping tightly and pulling you closer to her pussy.

"go on, make me feel good."

you needed no further instruction, moving closer to her before she had even finished the sentence. you laid your tongue flat against her, lapping her up. she tasted almost as good as she looked. her eyes focused on you and her hand tight against your scalp, guiding you.

you couldn't look away, allowing her to take you as she wanted. moving your head against the rhythm of her hips - moaning your name when your eyes met hers innocently. her head fell against the headboard when you whimpered against her, her own noises mirroring yours as her legs started to close around your head.

"fuck, thats it. i'm gonna cum," she groaned, both hands on the back of your head as you drank her in. nodding eagerly between her thighs, silently begging for her to cum for you.

and she did. hard. crying your name out into the room around you, followed by a string of curses until she finally released your head from her hands and her legs laid limp beside her on the bed.

"jesus christ."

"nope, just me." you teased, now occupying the space beside her on the pillows. both of your bodies coated in a sheen layer of sweat and your eyes threatened to close with the sound of her steady breathing when her arms moved to embrace you.

"i didn't mean to just disappear how i did," she began, causing you to look at her again. "i just didn't want you to get caught up in the shit show that is my life,"

"katie, you could've just said you needed a bit of space,"

"but i don't think that's what i wanted, i just didn't to ruin what we were doing, and well, making.." she paused, taking one of your hands into her own and bringing her lips to press against the skin.

"you were just too sweet to me,"

[chaoticbiguysblog]

Lately I see this (dumb) argument about Ryan not wanting to kiss a dude, hence Buddie even if it goes canon, wouldn't be as impactful. And first of all, Idk what Ryan Guzman needs to do and say to make people believe that he's on board with the Buddie ship as long as the writers maintain the vulnerability between the two characters, but even if that were true, who cares if they never kiss?

911 isn't even a PDA heavy show, the intimacy is usually shown with eyes and faces, and RG and OS excel at that already. As for Buddie, sure the soft kisses in the morning and the passionate makeout when one or both of them gets out of danger would be cool, but it's all a bonus for me. What matters to me is these two characters finding their way to each other, finally realising that the kind of partners they were looking for happens to be close to them all along. Narrative wise, these two men have the qualities the other guy is looking for in a relationship and yet they haven't seen it yet, they haven't realized that the other man is the missing piece of their heart which has caused them pain for so long. I want a confirmation that the family unit they've built in the last six years with each other and Chris will not drift apart (let's be honest here, it's bound to happen if they are to remain platonic), I want to know that these three boys will have each other forever, no matter what. I want them having discussions about moving in together, or fights about little things, a cutesy proposal instead of the same ol same ol regarding a revolving door of failed relationships.

I don't need to see them kiss (which again, I'd love to, but it's all bonus for me), their soft touches and hugs and deep eye contact would be enough, basically everything that they do now, just with them being canon. Which I guess is saying something regarding their dynamic. Buck and Eddie's relationship is so much more than physical intimacy. At least to me.

PS: This is all subjective so I'm not saying my perspective is 100% right. Also I genuinely don't believe the RG and OS wouldn't go all in to portray a same sex firefighter couple on primetime network tv.

[ryanguzmansource]

Full Audio Transcript (6.17.24)

The following episode contains potentially disturbing content and we want to alert trauma survivors. It contains material that for some may be difficult to discuss or listen to.

This is He Said, Ella Dijo with Eric Winter (EW) and Rosalind Sanchez (RS).

RS: Como estas, Eric?

EW: Oh, bien bien, and you?

RS: Hoy tenemos una persona muy especial, mi gente. Guys, we are, I know you don't, but you're learning. We are excited about our guest today. He's an actor currently on ABC's 911, which is a huge show.

EW: In the ABC family.

RS: Yes, you may know him from Step Up dance films or from playing the sexy boy next door opposite Jennifer Lopez.

EW: That's right, we have Ryan Guzman. He's here with us today to talk about his new film, The Present, out tomorrow. We're excited not only to dive into his career, but so many other personal things he's opened up about—mental health, his career, so many other things he's been talking about. So let's bring him in.

RS: Yeah, looking forward to Ryan Guzman.

Ryan Guzman (RG): How you guys doing? You guys sweating in that room?

EW: Yeah, man, it's been hot in here. We don't want that air running because you're gonna hear it in the background. So we're just like, this is all for you, Ryan. We're just gonna be sweating the whole podcast.

RS: My armpits almost stink, I hate it!

EW: Yeah, that's great. Great way to open up the podcast.

RS: It’s terrible. Anyways, we're so happy that you are joining us. Thank you so much for doing this.

EW: Yeah, fellow ABC star now. I know you guys jumped over from Fox. You're now on the network where I'm at.

RG: Yeah.

EW: How's that transition been? Has it been weird? I've never been a part of a show that jumped networks. Did it feel totally seamless to you?

RG: Honestly, I've never been a part of something like this either. I mean, I've been on four other TV shows and this one—it felt like a revamp for our show. So it's just like, as soon as we went from Fox to ABC, all of this promotional that we've never even seen in six seasons happened.

EW: Yeah, like a relaunch almost.

RG: Yeah, it was a relaunch. So it was, you know, a blessing. We're all grateful for it.

EW: Which is great. You guys came out with a bang. The ratings were great. You guys were sitting pretty in a good position.

RS: How many seasons now?

RG: Now we're gonna be going on our eighth.

RS: And you've been part of it since the very beginning?

RG: Since the second season.

RS: Since the second, wow, long gig. That's awesome. Good for you!

RG: It happened perfect timing right before I was about to have my first born.

EW: Really?

RS: Oh my God, perfect.

EW: Congrats. So your first born is how old then right now?

RG: Five.

EW: Five. And you have just one right now? You have a second?

RG: No, two. Yeah, I have two. I have a three year old. Little boy, Mateo and my baby girl, Genevieve.

RS: Oh, that's beautiful.

EW: Changes your perspective on everything, right?

RG: Amplified everything. Yeah, yeah. I mean, I'm also losing hair quicker than I'd like, but.

RS: Yeah. We just did a podcast and we were talking about parenthood, you know, and generational trauma and how I understand my mom now that I'm fifty-one more than ever. You know? My whole life, it was all about, I don't get her. I don't get it. I don't get her. Why, why, why? And now as a mom of a twelve-year-old girl, I just go, okay, now I get my mom.

EW: Yeah, you're not there yet. You're getting some challenges, I'm sure. You know that they say with the terrible twos, the terrible threes, the fucking fours, the fucking fives. That's it! It'll beep those curse words out. But I mean, there's challenges at every level, but there's also so many blessings and so much fun.

RG: Yeah, I'm sure right now as a twelve-year-old girl in this day and age—I'm sure it's insane.

RS: It is work. It's a little work. It's beautiful, listen, it's delicious, it's amazing. She's awesome. We have a little star. She's a tennis player. She's a good girl. But she is so fierce. She's fiercely independent, and she's at the age that I know everything and you don't know anything and just leave me alone because I am finding who I am. And sometimes you want to slap her and be like, you don't know, you don't know shit. So it's interesting.

EW: Let me ask you this, Ryan, because we were just having a conversation about our son is very, very passive. And I mean, he's coming out of his shell more and more, but we have some good friends that started their kids at a very young age in jujitsu and all these things that are just great training grounds to learn for self-esteem, for self-defense, for all these things, right? You grew up doing taekwondo, correct? Got your black belt in taekwondo. Started where you were like around eight, am I right? In that range?

RG: Yeah, it was my seventh year old birthday I started, yeah.

EW: What was the reason that, was that just, why not, I'm gonna try something new? Or was there something that prompted you to go, ah, taekwondo, I wanna jump in?

RG: Way too many Bruce Lee films.

EW: Yeah, I was gonna say, because I used to love watching movies like that too and get excited. So that—it just became a cool thing. You're like, I wanna do it.

RG: It was, honestly, it was everything. Bruce Lee was my idol, he still is my idol. From the philosophical to the physical, it was just a key component in my own evolution. So as I got to read more books, I mean, I was a young kid reading Bruce Lee books and Richard Marchenko books, which are Navy Seal books. I don't know why my interest led me there, but I feel like I needed that kind of structure. And that structure has been such an incredible foundation for, I mean, all of the success that I've been able to be grateful to get. So I highly advise every parent to put their kids into Jiu-Jitsu, wrestling at least, if not some Taekwondo or karate or some kind of martial arts, especially if you're a boy.

RS: I told you.

EW: I'm open to it. I have no problem with it.

RS: We just talked about this.

EW: I have no problem with that. I just know my kid's not gonna do it yet. He's six. I just know like his personality. He did a version of like a Taekwondo for a bit. He lasted, it was like, you know, little kids running around.”

RS: No he never—he did karate.

EW: Well karate. I think it was Taekwondo.

RS: No, it was karate.

EW: It was for sure a blend.

RS: Really?

EW: For sure a blend, it wasn't just straight cut. But he did it for a few years and then kind of got bored, right? And like with any discipline, it takes a lot of work, a lot of patience. I think the age you started feels like a pretty solid age to dive into something that takes that much focus and patience as well to learn.

RS: Did they get hurt though? At six and at seven, when you see them fighting and doing Jiu Jitsu, that is such a physical and a contact sport, do they get hurt?

RG: Yeah, I mean, they can get hurt, but they can also heal really quick. They're young. So I mean, when I was doing Taekwondo, I ended up sparring guys that were like actually twenty-years old to even my master and actually got taken out of—what was it?—a tournament because I broke my hand trying to break, I'm trying to block one of his kicks.

EW: Oh wow.

RS: Oh no.

RG: Yeah. I would say there's different, you know, personality types. I think from one to six, it's less about the structure and less about the discipline. It's more about play.

EW: Yeah.

RG: How can you allow them to feel comfortable in their own bodies and know their movement and then play with this now new martial art? And then after that, then yeah, you start to develop more structure and discipline and say, this is, you know, we got to tame the mind before we tame the body. And you start to understand a little bit more of why it's called an art, martial art.

EW: And when you first started competing, what age were you when you jumped in and then you started fighting, taking shots?

RG: I think it was right away. I was like, I'm around maybe eight, nine. Yeah, around that time.

EW: You learn life lessons quick, right? Like Mike Tyson says, everybody's got a plan till you get punched in the face. Then you have to figure it out.

RG: Yeah, yeah, I wanted to be quick. I wanted to be powerful. And I think another reason why I liked Bruce Lee so much is he was a tiny man. He wasn't a massive, like Michael Jai White kind of guy. So he was able to demand respect just off of his own technique. And I thought, you know, okay, I need to copy that. Technique can beat power and strength or technique can beat strength. So I ended up doing that and proving to myself like, oh, even at eight years old, I can be a force. And as soon as I started doing actual sparring, I just kind of fell in love with it, with the competition of it.”

RS: So Taekwondo and then MMA, right? Because you did a little bit of MMA. So all this is just fighting. When did acting came to the table? Like, and how?

RG: The acting was something I never even thought of coming from Sacramento, I mean, that's not even something that we talk about out there. And it's either martial arts or working for the state or an automotive job. But none of that called me. I was doing modeling in San Francisco. I got offered to do a photo shoot in LA, and I just asked my modeling agency from San Fran to hook me up with an agency in LA, not knowing the racket that modeling is. And I stayed in a one bedroom with five guys creating a massive amount of debt before I learned there was commercials and there was acting available. And I think the competitive streak just kind of clicked. And I was like, well, I want to get out of this situation. That seems to be making a lot more money. And this is the time and day where commercials—the nationals were actually bringing in some money. I don't know if the landscape's the same anymore.”

EW: It's very different for sure.

RG: Yeah, so I was very fortunate at the time to catch the tail end of that. And then I remember being a new twenty-three year old in LA. I'm going to clubs, I'm enjoying, I'm having a great time. And I'm seeing some of the guys that are being successful as actors. And they're kind of like, they were idiots, to be honest. So I was like, how are these guys, you know, so successful? Like I got to try this acting thing out. And I remember I didn't have enough money to download scripts. So I would just take the same page or pages that I had in my place and I'd write my own scripts off of the internet. And I would invite two or three, maybe even five guys over to the house, and I'd just start doing those scenes in front of them. And that was kind of my acting class. And then I went and auditioned for a manager, didn't get that manager, got another one who is my manager today. Three months after that, I booked the lead in Step Up and my life forever changed.

RS: Oh my God. So it was fast.

RG: Within nine months. So yeah.

RS: That's incredible. Good for you. That's incredible.”

EW: I can relate to your journey in a lot of ways. I had a similar—I went from sports to modeling to the same thing, curiosity with acting, reading different books about acting, seeing people do commercials. And like you said, back in the day, you could do one national commercial and if it was a good one, you could actually make your living for the year off of just one commercial. And little by little, just very, very similar path. I didn't get one big movie out the gate that changed my career. It took a lot of grinding. That's an amazing blessing to have something like that happen. And then you have to balance the ebbs and flows of this business at that point, right?

RS: The dancing was just organic to you? Or you were a dancer? A lot of people have that question. Does he really dance?

RG: It was something, I think it's—culturally, I don't know, just being Mexican-American, I was literally raised with my family going to do, like Quinces' [Quinceañeras], or like just parties in general, we'd always dance. And it was less about the one, two, three, ba, one, two, like doing any kind of structured kind of stuff, more of the feel. And I've always loved dancing, but never on that level.

RS: How was it having to follow choreography?

RG: It was kind of like fighting. I put it next to it because the amount of hours we did—we did eight hours every single day for about two, three months. I remember seeing the guy that, and I feel bad because I gave him such a hard time. He was supposed to be my dance double, but my competitive streak was just like, no, no, no. I gotta be that guy. So I would do the eight hours with everybody and then I'd videotape our session and I'd go home and I'd do another two, three hours by myself. And just go over and over, and then I ended up being in every scene.

RS: That's awesome.

EW: Good for you.

RS: Have you done a movie playing a fighter, like an MMA, a boxer or something like that? Have you done that already?

RG: I've not. I've wanted to for the longest time. And I don't know if—I think it'll come. Everything's happening for a reason. I believe in... to, actually what you were saying earlier, getting that job right out the gate, it was overwhelming. It was too much for me at the time. I wasn't ready to be catapulted in the way I was. And I wasn't an actor really. I wasn't really a dancer. I had kind of just been fooling everybody.

RS: How old were you?

RG: I was twenty-three.

RS: Oh baby, okay.

RG: Yeah, so I'm brand new with all this.

EW: Months in, like you said, months in.

RG: Yeah, and everybody's thinking that I'm this thing and I'm kind of taking it. My ego was like, yeah, yeah, yeah, maybe I am. And then reality kind of checked me and the next movie I did and two movies after that were bombs and I realized I don't know anything about this business. So I would say up until maybe three years ago, I didn't really call myself an actor and I was just lucky to count my stars that I was amongst other actors that were like a Jennifer Lopez or working with the Richard Linklater and now Glenn Powell being who he is now. So just super grateful that I got the time and maybe the hustle that I had, those combined allowed me to stay and have some longevity in this career.

RS: Did you get caught up in the whole business—the ugly dark side of Hollywood because you were so young and it came so fast?

RG: I didn't get caught up, but I definitely got put onto it, and it quickly showed me I want no part of it. That's why I kind of say to myself, I stay with my kids. I rarely do any press, but that was just like, the fame game was never something... I don't want to be seen too much and then have to speak in front of thousands of people as if I'm speaking for them. I can only speak for myself and my experience and hopefully people connect to it. But I saw a lot of people that were not necessarily skilled in any asset becoming really famous and rich. And it kind of just wasn't feeding anything other than a hole in the soul. So it kind of made me go a different direction.

RS: That's amazing.

EW: Do you remember on your climb at any point—maybe an older actor you came across that maybe, maybe not a full mentor—but somebody who guided you or gave you some words of wisdom early on that might have helped you navigate this business or any of that even failed you and just set you back going, oh, that was a horrible example of somebody on set? You don't have to name names if you don't want, but I'm just curious if you had people that hit those marks.

RG: I've definitely been blessed to be, I mean, I've worked with some of the greats, Edward James Olmos, Jennifer Lopez, I mean, Juliette Lewis. I've worked [with] some amazing actors and actresses. I could, yeah, I would never name names, but I have gotten some really good advice and some really like [makes a noise] advice. And... so grateful for the good advice. Eddie Olmos has given me some incredible advice. He's just a sound individual.

EW: He's a great human.

RG: Yeah, and his son, Michael Olmos, another sound individual. But I think it was just on all aspects—just stay true to you. I think that's the general narrative that I've gotten from plenty of other individuals. It's just, no one can do you. And your uniqueness is meant to kind of shine in its own unique way. So if you're trying to be—I can't be Antonio Banderas I can't be, even though I'm a Latin actor, I can't be somebody else that's already had that role. I need to just kind of explore myself and allow that to shine, and that's what I feel like I'm just starting to tap into these past couple of years. So I'm really excited to see where it goes.”

RS: Before we talk about your movie coming out tomorrow—and listen, we don't have to talk about it if you don't want to, because we want to be very respectful—but we read that and you came out openly saying that you had to deal with some mental situations, and you battle a little bit of depression at some point in your life. Only if you want to talk about it, otherwise we don't have to. I was just very curious, where did depression come from? If you even know.

RG: Yeah, I've spent many, many years dissecting where the depression has come from, and it's essentially from people pleasing. It's a trauma coping mechanism that I started a long time ago when I was a child, and I didn't even realize it. And it's kind of these things that I'm aware of now raising my own children to give them less to work on later on in life and give them a better foundation. But yeah, as I got older, I started to realize that I was people pleasing so much to a detriment that I had nothing left for myself. And I've even watched old interviews and where I'm smiling the whole time and trying to say the right thing and do the right thing and be the perfect individual, be the all-American boy, and that's not who I really am. I'm flawed and I have my own issues, and I think being raised a Mexican-American man who's not supposed to tap into his feelings or understand them, let alone, that set me back a lot. So I came to a point about seven years ago where I reached my limit, and I had just seen my parents' divorce. I had just gone through a horrible relationship, and I was looking around for some kind of aid, somebody to be there, and no one was there.

And I realized that I had been leaning on the wrong people. So feeling that lonely, feeling like you wake up and you just know what's gonna happen every single day is just kind of a time suck and it's quicksand, and that's how the depression kind of starts. And luckily, I got a second chance, and from that moment forward, it kind of just awoken—I awoke into something new, something better and a path towards a purpose. So. Yeah.

RS: The second chance came from within, from a person, from a book?

RG: The second chance came from my attempt at not working. So I'm a very extremist person type, and right after my attempt did not work, I just started crying like crazy. And I was in a horrible environment. Somebody was yelling at the other side of the door. You know, just horrible things were happening at the time. And then after I stopped crying, I remember sitting on my bed and just having this moment of like this epiphany. You can't ever be the same. You got to be something different because you've already reached the absolute limit with this type of person you are. You got to deconstruct, break everything down because the foundation you've been building on is so fractured and cracked. And for the last six, seven years now, I've broken myself down and try to stay as humble as I possibly can and look at all the horrible things about me and then kind of start from there and rebuild and heal and allow myself to be a different individual and actually show and implore people to change via changing myself.

RS: That's amazing.

EW: Yeah, thank you for sharing that. I think a lot of our listeners will gain a lot just hearing. Maybe they don't go through something to the extent you went through, but everybody deals with some sort of down moment, whether it gets as far as a deep depression or not, and a lot of people don't know how to even pull out of the simplest thing. And you, like you said, hit a level of rock bottom and had that epiphany. Thank God. Now, I mean, you're a dad and you have so much to offer your children and let alone your own— yourself and your life. You have so much more to do—so thank you for sharing that. That's powerful.

RS: I'm assuming spirituality is very important in your life at the moment.

RG: Yes. Yes. Yeah. That's part of my purpose as well. I was raised a Catholic. I was an altar boy at one point in time. I went into the seminary for a little bit. And then I kind of disassociated with the church and religion in general. I saw the underbelly of it. But yeah, my spirituality is—I started to reread the Bible and tap back into my spirituality and just be open to Eastern and Western, allowing all forms to kind of really like be permeable. So I think there's so much to this life that to say that you know it all is kind of cutting yourself off of so much opportunity and abundance. Yeah, so that's kind of where I'm at right now. Just—I'm exploring that with like-minded individuals, and propelling love rather than fear, so.

EW: It's great that you're putting all this into perspective in your life now because especially—I know every business has challenges, but I think in a business like ours, where so many people—their happiness hinges on the ups and the false belief that people around you have all the time—and the moment you don't deliver, the moment people's attitudes or perceptions of you change, or the moments—it's such a roller coaster emotionally, the business that we're in, that a lot of people, I think, aspire or want—they want it so bad because they see fame, they see that meaning, the all-encompassing success. You must be happy because people know who you are. It's like nobody has to know who you are to be happy.

I like what you said—just staying out of press unless you want to do something or maybe you have a social media presence when you want. But it's not because you feel the need to feed the ego to be seen by everybody else. It's something that speaks to you, so I'll do it. But it's not to please people. And that's what this business has become for so many others. I need to constantly please. And when I'm not pleasing, I failed. And when you fail, you feel like, what have you accomplished? You could have accomplished—you could be an Oscar winner and it still wouldn't be enough. Because you're gonna fail at some point again. Like it's very rare that someone just rides high all the way through in this business. And so I think our business is such a tough one to navigate the waters you've been through. But thankfully you're putting those pieces in perspective now, which I think is perfect timing because your career is just gonna continue to go and go and go and go and go like that, because that's just what the business does. But you've got the tools now.

RS: It's brutal, to be honest. So it's good when we find spirituality and when we have all the things going for us that are so much more important, like parenthood. Because for me, I decided to be a mom late in life because it was all about career, career, I need to make it. And I wasn't searching fame. My problem with the business—and the lows were low. Not because, oh, I'm not where I wanna be because I wanna be famous. It was more about why do I have to constantly prove myself? I've done big movies, I've done huge TV shows and then why is there, what I call in the meantime, this moment of nothing that all the stuff that you have accomplished basically becomes nothing and you have to do it all over again. And it's the constant, I'm swimming against the current. It's not about being famous. It's about why, like it's been almost 30 years. Why do I still have to prove to you that I can do this when just look at my body of work? I've done it many times before. And it is very frustrating.

RG: Both of you guys have great points. I mean, and both of you guys' careers speak for themselves. I would say that I've been blessed now again with this new chance at life that I've come to understand it's more about connectivity. Connectivity to like minded individuals and loved ones and connectivity to a purpose, which for me is creativity. So to your point, I always felt that same way where I was like trying to outdo my last thing and that was so fleeting—or get some type of money, some type of recognition, and it was all fleeting because at the end of the day, after you pass away, that's all gone.

But if you create something, you connect with somebody, that remains even after you pass. So that's what truly matters. So I find myself having deep conversations with individuals. I find myself getting lost in my art or my poetry or writing screenplays and just kind of just creating, allowing my own storytelling to come in and flourish. But it can be very defeating in the time and age that we're in right now. So many people are trying to be social media stars and do the next TikTok dance and say the next absurd thing to get all the views.

And I think they're gonna find what I ended up finding a long time ago, which—one example sticks out in my mind. I'd always wanted to throw a first pitch in a baseball game or at least be a part of a baseball game, and I luckily got invited to the LA Dodgers game. And I remember getting that experience and the people that I wanted there weren't there. So it felt meaningless. And it felt like I had no true connection. I'm like, my mom, my dad, my brother, somebody should be here. Why are they not here? I've lost all contact because I've been so busy working. I've been so focused on creating this brand of Guzman. And now I understand. It's like, none of this means anything without the people that you care about right next to you.

EW: 100%. Talk to us about your movie. This is exciting. The Present.

RG: Yeah, The Present is an awesome film. It's a good wholesome family film. Nice little comedy in there. Cause you know, Isla Fisher, Greg Kinnear, they're incredible individuals. The kids kill it in this. I mean, they're the star pupils in this film. And then it was new for me. It was a little fun role to play. You know, comedic timing, trying to master that still. But I had fun with it playing opposite of Isla. And essentially the movie is about a family who's on their way to separation going on divorce and their kids get gifted this grandfather clock and this grandfather clock can turn back time. So the kids try and use this to try and save their family's relationship. And everything that ensues is really nice.

EW: You know, when I saw the premise, I was thinking to myself, cause I come from divorced parents and I remember as a kid always going like, how can I just change this? How can I take that back? And so to put that into a movie, I think is a fun concept that anybody coming from a divorced family could probably relate to in that sense. Cause you always want to turn back time and go, is there something I could have done? And even though, you know, kids take that blame, but it's a great premise. That sounds like a lot of fun.

And comedic timing, like doing comedy and stretching, even though you've done it before and you continue to do it, it's like, it's always its own art form. It is so tricky. People don't understand how difficult great comedy is. Like, I always think some of the best actors in our business, period, are comedians, because to make someone genuinely laugh, like crying laughter, to me is way harder than making someone feel like cry with tears of sadness. I think people can tap into that as a viewer much easier than like someone genuinely making you die laughing. So just doing comedy as an actor is such a fun art form to continue to explore, I'm sure.

RG: 100%. I mean, Robin Williams is the, I would say my go for that. He shows—”

EW: Do it all.

RG: The comedy that he does is so based in truth.

EW: Yeah.

RG: It's so grounded. That's why it works. And obviously it helps that he can play like 12 million personalities, but—

EW: Totally, but then he'll crush the drama at the same time. Like he'll do drama, no problem. Then to do comedy, you don't see a lot of dramatic actors come over and knock out comedy like you see comedians go over and knock out drama.

RG: Yeah.

EW: So I think like it's awesome that you got to explore that as well.

RS: Is there one thing that you see yourself in five years doing? You have a successful show, and now you're a dad, you know, you're pretty accomplished. But if you can look at your future and be like, there's this thing that is my north is the next, is what is gonna make everything make sense and be full circle.

RG: Yeah, being my own director. Right now I'm working on a film that I've written. I'm working with an incredible director, Mo McCray, mentoring under him and taking ownership of my own career and allowing myself to kind of open the space and open the door for not even just more Latinos, but just in general for newer voices and more creative voices and human experiences. But I mean, there's always that one big thing to be like a Marvel superhero at some point in time.

RS: You will.

EW: You can have more than one North for sure, but that's a great one. That's a great one.

RS: You know, it's interesting. I'm going through the process. I'm leaving to go to Puerto Rico to do this thing that I wrote that I'm gonna direct. It's my first feature that I'm directing, and it's like, I want it to be like the second stage of my career. And it's so hard, Ryan, to—it's an independent film and to be able to raise finance, you know, it's years, you know, like we had Ricky Martin a couple of podcasts back and he was saying that he learned that in this business, everything takes five years from beginning to end is five years. And now that I think about it, I'm like, you know what? Absolutely right. It's gonna be five years, you know, once I'm done, I edit, you know, locked picture, boom, it's gonna be five years.

And it's been brutal. The process, it's been brutal because it's a lot of letdowns and people offering you all kinds of things and at the end of the day, it's all BS, you know, it's all smoke and mirrors. And the only thing that keeps me going is the love of the art and the love of what we do because I wrote it and it's so special to me. It's like my third baby. And even though I'm going through logistical nightmares and finance, is it gonna fall apart? Is it here? Is it not? When I sit down to do my shot list and when I'm actually doing the creative work of it all, I can do that all day long. All day long, because it's amazing if you love it.

RG: Yeah. Yeah, the business part of it is just—it's defeating. The creativity part of it is incredible. And I'm sure this is just gonna be, you know, an abundance of opportunity and knowledge, you know, for the next thing. And like anything you do in life, as soon as you begin something new, you probably suck at it, unless you're one of those rare few individuals that can do everything. But there is a learning process, a learning curve. And this was gonna probably be one film that spurs on so many other films now.”

RS: Amen.

RG: Watch and enjoy.

RS: Yeah, amen. Anyways, thank you.

EW: Well, Ryan, thanks for hanging with us today. This was awesome, man. Thanks for sharing everything. Wish you the very best. Obviously you're crushing it and you have a lot of great aspirations still to come. So we truly wish you the best.

RS: Thank you.

RG: Alright, guys, you guys have a great day.

RS: You too, bye bye.

EW: That was great.

RS: Oh my God, he's so wonderful.

EW: Yeah, such an awesome guy. And truly wish him the best with the trajectory and everything he has planned for his career beyond 911. I love that he's writing and wants to direct. Check out The Present movie coming out tomorrow.

RS: Tomorrow. On demand.

EW: On demand. Till next time.

RS: Bye, love you.

[canonicallyobserving911]

Buck & Eddie: "Is she staying in the picture?"... because Buck's not going anywhere!

In a recent article, RG was asked about M and his response was:

His response was similar to all his other answers regarding the status of Eddie's "relationship" with M or the lack thereof which could mean they will not be doing whatever they are or were attempting to do for long.

Also, as I included in a previous post (linked here), the colors of the t-shirt and hoodie Chris wore in 6x18 when Eddie was talking on the phone with M, illustrated something different than what he said about "Why is he so bad at this?" It showed that Chris is not ok with Eddie dating her, probably since he doesn't know her.

When asked what Chris thinks of Eddie's relationships, RG responded...

I've also stated in other posts that whoever Eddie dates, they have to love both him and Chris and so far, the only person who fits that description is Buck!

Let's talk about M shall we?

In season 6, before 6x17 aired, I included in a post (linked here) that Eddie saw the way M looked at her brother in 6x5 with raised eyebrows and he witnessed the same thing the audience did... a sibling relationship that reminded him of that "Folgers TV commercial" from the 1980s. Also, reminder, most viewers didn't even remember who she was and based on several comments that were posted on social media both after the episode aired and recently, a lot of them still don't. Additionally, she doesn't have a last name (neither does Connor and Kameron but I'll elaborate on that in another post) so that illustrates how much the show cares about her character.

In this post, I'm elaborating more on the previous one and I'm taking things one step further by looking at the totality of Eddie's interactions with her in S6 and providing my opinion at the end.

In 6x5, when the 118 arrived at M's home, Eddie didn't really even look at her, so it was interesting to see him do a double take later in the season.

After they freed her brother from her attic, they put him in the ambulance and she rode with them to the hospital. This is the scene where Eddie peeped the fact that she might be in love with her brother and the looks on Eddie's and Chimney's faces were priceless. It's also the scene that prompted many comments from the audience about M's interaction with her brother.

Later, in the same episode, Buck and Eddie returned with some additional firefighters (???) to help her repair her ceiling but please look at Eddie, he's wearing shades but IT WAS CLOUDY, THEREFORE THE SUN WAS NOT SHINING. Why was he wearing them when no one else was? Also, he arrived with Buck and they were looking at each other the same way they always do with Buck looking over his shoulder at Eddie (post linked here).

In 6x17, when he saw her at the hardware store, he was there looking for something for Chris the same way he had been the last two times with SD and AF instead of him looking for something for himself (post linked here).

In 4x13, Carla told him, "BE SURE YOU'RE FOLLOWING YOUR HEART AND NOT CHRISTOPHER'S, OK!" But it was more than two years later and he was still searching for the person who loves both him and Chris even though he was right in front of him. That person is Buck.

In 6x18, when he was thinking about texting her, the scene where he got her number was never shown and viewers were trying to figure out when it happened. Reminder, in 6x5 Buck was there too and if he had gotten her number then, Buck would have said something when they were at the cemetery in 6x15 but he didn't.

Later, when he finally did call, he said, "It's Eddie from the hardware store" and the reason he said it like that was because he told Buck in 6x15 that it never works out with someone they meet on a call. Well, Eddie in fact did meet her on a call which means their relationship or whatever... is/was DOOMED from the start just like Buck's was with N.

Now I have many thoughts about his interactions with M but I'll share the one I believe is the most relevant and the most important. When Eddie first met her, he didn't even notice her and later during the ambulance ride, he SAW the way she interacted with her brother, hence his raised eyebrows. Both him and Chimney were like WTF is this? And the audience felt the same way when we saw it too.

M is not memorable and most people had completely forgotten about her and the episode she first appeared in which I think was the point that was being made by 9-1-1. Nothing had changed about her from 6x5 to 6x17 so what exactly did he SEE months later that he didn't see before?

IMO, when Eddie saw her in 6x17, based solely on what he saw in 6x5 (the way she acted with her brother), he may have thought asking her out wouldn't be a big deal and it wouldn't go anywhere so he didn't have to worry about them getting too serious. And, the double take he did later in 6x17 when he bumped into her at the hardware store kind of proves it. Also, since he told Buck while they were at the cemetery, "Really? Dating someone you rescued? You know that never ends well!"; it appears they both knew that to be true but for whatever reason, they attempted to date M and N anyway (I have thoughts about this too and they're related to their conversation and other things that happened during season 6).

The point of this post is to highlight the possibility that Eddie knew going in with M that it wouldn't get too serious and it would end quickly. Now some people have created a whole life for Eddie and M even though he's only known her for a few weeks or a couple of months tops (depending on the time jump which is practically nonexistent). Please understand Eddie's number one priority is Chris and his number two is Buck, therefore M is so far down on the totem pole that anything she suggests about his son, his Buck, his job or his life would be laughed at by Eddie and viewers too and RG's comment about "if she's in the picture" kind of proves that point.

Let's talk about Buck, the love of Eddie's life shall we?

Eddie's relationship with Buck is a once in a lifetime, love of their lives, soulmate type of love that transcends space and time. I've said it numerous times (linked here) and I'll continue to say and scream it because they're in love with each other and NO ONE (no random love interest or hookup) will ever be able to give them what they've continued to share with each other for the past five years. Buck's definition of love in 5x18 described everything he already has with Eddie and Eddie putting Buck in his will as Chris' legal guardian was the second time he gave him his heart. Buck gave Eddie his heart too in 5x14.

In RG's most recent interview, he confirmed Eddie loves Buck and not only does he love him, he said, "I love you to the core!"

If that's not a soulmate, love of my life type of love then, I don't know what is.

Reminder, not only is M not in the picture, she's also NOT EVEN IN THE HOUSE. Even though AF stayed at Eddie's house during the blackout, he broke up with her after Buck told him he should🤪😜. Then he went home and told AF, "Maybe you should go home first" (I still LOL at that moment to this day). I wonder what he's going to say to M? Something like "Maybe you should go back to the hardware store." I know he won't but if he did, it would be EPIC.

They're in love your honor!

Anyway, please remember Buck's not only been in the house but Eddie's home is his home too because Buck's not a guest there (post linked here).

Buck and Eddie have keys to each other's places (they've had them for years).

Furthermore, Eddie's couch is Buck's couch too and he's slept on it many times.

He's everything Eddie's been searching for in a partner and all he's been waiting for is for Buck to get it.

Will Buck finally realize Eddie gave him his heart years ago or will it be more wash, rinse and repeat scenes with both of them "looking for love in all the wrong places with too many faces?" (It's a song lyric.)

From the way OS talks about how much Buck loves Eddie and the way RG talks about how Eddie loves Buck, maybe, just maybe Season 7 will be the one that they finally go CANON but only the showrunner, writers and producers know if they will.

[irrolyphant]

Justified Rewatch:

[nysocboy]

Jamar Pusch, bodybuilder and social media personality

The full profile is on RG Beefcake and Boyfriends

[ballet-symphonie]

Is pre pro ballet more toxic/problematic/unhealthy/abusive than rhythmic gymnastics or figure skating?

Ooof, I'm not super interested in which is worse, they all have a lot of similar problems in terms of abuse and systemic problems. However, I'm inclined to say ballet is slightly better, for one reason only: more opportunities for success leading to longer careers.

It's so hard to 'make it' in RG or FS without being on your country's world or Olympic team. I suppose that's changing a bit, but in terms of career stability, there are so few ways to make it without competing at the highest level. What happens to talented gymnasts or skaters once they no longer make world teams? Skating shows aren't what they were in the 90s, most skaters or gymnasts either switch to coaching or completely transition or play the influencer game. The super lucky and famous ones get into TV broadcasting.

Compared to ballet where there are hundreds of classical, neoclassical and contemporary companies, the commercial dance market, entertainment market, live theater, choreography, etc and then there's teaching, at studios, conservatories, or at the university level. Ballet is less cutthroat in this sense, it's not inherently competitive and there is simply more space available for more people to make a living, and make a living for longer- the ballet industry is much more expansive in my opinion.