#RG TV

[madspeed]

twewy in persona 4... think about it .. .............. (I'm run over by 15 semitrucks)

[remarcely]

Something was itching me about Kipperlilly as a character for a while that I couldn't place down but I just got it.

There is so much of a connection between her storyline and the radicalization a white suburban kid can have to something like white supremacy that it's not even that deep, it's surface level.

Think about it:

She has a strong hatred for a minority kid in her school because he's got great grades and is viewed as a hero

She's envious of the hardships he's gone through and starts hating her family for being so 'normal' (a lot of white people can feel angry about their identity and what they think is a lack of a culture because they 'don't feel oppressed enough' to justify their own feelings of unfairness)

She takes all that anger and infects the people around her, hurting them and 'radicalizing' a few others

Is so insistent that this random kid had an unfair start because of his family situation that she wants to permanently change the bylaws in her school so he's put at a crazy disadvantage, just so she feels like she has an upper hand (think of racist people being mad that there's more POC going to college and crying that they're only getting in because they're a minority, ignoring the real work those students put it despite the disadvantages they might have faced)

She doesn't do any self introspection, doesn't decide to put more effort into her grades or personal relations, she takes that hatred and lets it poison her from the inside out. She rants about fairness when she doesn't put the work in and chooses to despise the people that do, just because they're not as miserable as her.

Her guidance counselor doesn't know how to combat that anger because he doesn't agree with her politics, a creepy adult in her life recognizes her hate and takes advantage of it to stir up the flames, we don't even see her parents but it's safe to say they're not exactly involved or watching her.

I don't know, I'm just annoyed because I keep seeing people say 'if you hate Kipperlilly that's just misogyny' as if she is not a genuinely hate-able character.

You can hate a woman for being evil, you're allowed.

And on the whole 'redemption' thing, sure that's entirely possible but let's face it. You cannot force someone to change, that's not how redeeming yourself works, you have to want it. Kipperlilly has no desire to change because she believes she is right. What use is it to her to abandon a worldview that suits desires her so well?

There was no way that could have been covered in an epilogue well enough to justify it and do you really think all the people that had their lives ruined and were literally murdered (Lucy, Oisin, Ivy, Ruben, Mary Ann, Buddy, etc.) would be bending over backwards to check on their killer?

[anarchypumpkincowboy]

Seeing posts from folks getting genuinely angry at the intrepid heroes and Brennan (or putting full blame on the ih and acting like Brennan can’t handle a campaign) for them taking out opponents is like… like I’m not one to say “go touch some grass” but if you’re getting so angry over not just a dnd show but over the characters trying to stay alive by taking out their enemies then please go look at the fucking sky or read a fanfic or log off like wtf y’all??? I think rat grinder redemption arc would be great too but you cannot genuinely expect the bad kids to let themselves be killed by trying to non lethally attack these fucking insanely high level enemies

Cause the rat grinders aren’t gonna just be convinced to not do this, regardless of possession or not they’re pretty in with the plan and they’re also really high level like a lv9 spell?? What else would you expect the bad kids to do?? If I were in the campaign I too would be going for the kill. It’s the smart move. And also the finale is next week like if they’re gonna get to revive Lucy they’ll also more than likely revive the others they have to kill

Just log off a bit and chill the fuck out it’s just a show

[th3b4dk1dzz]

Lucy Frostblade was dead in that forest for months, her soul trapped there. It literally took a miracle from Kristen to free her.

Since Yolanda renounced her divinity to teach kids, I like to think she chose to go with Lucy to the afterlife of her god so she wouldn't have to go alone.

[dozydawn]

Lyasan Utiasheva Rope Routine, 2002.

Big Beat by Touch and Go.

[irrolyphant]

Justified Rewatch:

[v88sy]

"we were supposed to assume the priest was gay because of his ringtone, that was the joke" is certainly...a take that I just saw out in the wild.

[23-4-7]

@dr-stanford-pines

((ATAATG TCGO ATTATGCCAGCGACAATCGAAAATACC, ACTCACATATCG TGGGCCTCA TCTUCCGCCGOTCTGAAGAC ACAO AATGAA TTCOCGG ACCOATGOCGGCGTOTGG AACUACA ATAACTTCT GCTCTCCTG ATC GGAOACG GGTOATCAATGGC OAAT

[duranduratulsa]

Now showing on DuranDuranTulsa's Television 📺 Showcase...The Andy Griffith Show: Ellie Saves A Female (1961) on classic DVD 📀! #tv #television #comedy #sitcom #theandygriffithshow #elliesavesafemale #andygriffith #RIPAndyGriffith #DonKnotts #ripdonknotts #RonHoward #FrancesBavier #ripfrancesbavier #elinordonahue #rgarmstrong #60s #DVD #durandurantulsa #durandurantulsastelevisionshowcase

[athena-gunpla]

the KO lfrith jiu still looks pretty great tbh, although it looks like it doesnt have all the foil stickers the official HG does

Gunpla Review Journal!!

So. After building the Wing EW Ver Ka. I was finding myself really enjoying the design of the Wing Gundam, so I decided to pick up the

Wing TV Ver Real Grade

So, as you may see in the photo, I put a lot more effort into the build of this kit than i usually do.

I decided to brush down the entire inner frame with a brass metallic, in order to make it feel really regal, as the wing gundam should. and i tried my best to avoid stickers, even reverse washing the eyes with black enamel paint. The articulation on this thing is actually amazing to be honest. It's super solid, the super long skirts barely get in the way because they're on a hinge joint as well as a ball joint. The kit is just so multifaceted. especially with those updated wings. It really lives up to it's namesake. The gimmicks in the weapons are great too. the buster rifle with it's actual ammunition packs, and the shield with it's droop snoot ejecting beam saber with an awesome gimmick. The Bird mode does as well as it can with how the wing gundam is designed though. The buster rifle makes it really long, and the wings do a lot of the heavy lifting. the Talons on the arms are the only thing that kind of get in the way here though.

8/10

after having built quite a few complicated kits, I decided I should step back for a little bit and enjoy some simple builds. And since hobby lobby often does 40% off sales, I decided to pick up the cheapest thing in the store

2. The Entry Grade RX-78-2 Gundam

This kit is actually super simple and great for beginners, at least if they don't want to play with it. It's incredibly cheap and that shows in the joints. Usually in something like the Leo, or any 30MM or any Lfrith style kits, the tolerances on the plastic on plastic joints would be tight enough to hold up to some play. But in Entry Grades i've found, the plastic is so soft, and so loose in its tolerances, that the joints warp out and just become flaccid. Aesthetically, this kit isn't terrible. If you're planning to fully paint this kit, I'm sure it would tighten up, and I might to be honest. The one I got came with a whole lot of weapons and accessories. Which my mark ii is currently weilding the gundam hammer from. Not amazing, but it's nice that it's included.

5/10

I often check Target for any new or clearance transformers toys and I stumbled upon the HG Immortal Justice from the Seed Freedom movie, which I had just watched and absolutely loved (you guys should go watch it, you don't even need to watch seed destiny to really get it, it's literally a redo of destiny's plot but if it was good).

3. Immortal Justice

This kit is a masterpiece. I love the colors on this kit, I love the articulation and the silhouette is super muscular, more similar to a furai rather than a typical gundam, and its awesome. Being only 25 dollars with such amazing articulation and interesting gimmicks, it's a steal. I painted the grey parts with some vallejo gunmetal and I think I elevated the look a whole ton that way. It comes with a whole lot of beautiful effect parts for the shield rocket, the shin lasers and for the beam boomerangs. The rifle has a surprising amount of detail and color separation. I really really love how the pack kind of flares out with the wings. Much more than I liked the rising freedom gundam. Also the torso had a kind of weird ratcheting feeling to it that I love. The only things I don't super like about this kit are some little detail parts on the waist that tend to fall off, but if you have cement it's no problem. And I'm not a huge fan of the bulbous shape of the backpack and the shield. Strangely the backpack has a cockpit, but when it transforms its completely upside down?? That's about it though.

9/10

So I bought this one a while ago for a fully custom painting project, and because I love Chuck Keith in the OVA I got the

4. GM Cannon II

So this one is really cool. It's a bulky version of the gm custom with chobam armor and a gun cannon backpack. It's like all my favorite songs on one record. I expected this kit to share a lot more with the gm custom than it actually did. The only things that seem similar or identical are the limb joints, the shield and the guns, and that's it. The armor is completely new, the feet are new (which was surprising to me) a new head. The most welcome surprise was the movable rear skirts, which not even the gm custom had. So far its a great kit. There will be another update with a more in depth review in the future once I have painted it. Keith will be proud of me

6/10

Okay so this one is a purchase I'm not super proud of. I really like the witch from mercury line of model kits, and I've never purchased from p bandai before, but I was late to the races on the lfrith jiu. And the tiger fist was so cool, so I restored to aliexpress. I think it would be really funny if I just called this one 1/144 HG Model kit because that's what the box and the manual say but idk.

5. Gundam Lfrith Jiu

okay, so I've kind of learned my lesson with buying from China, the runners were full of voids and warped plastic, the runners said they were made of ABS and the manual said Polystyrene so I'm not sure which to trust. The stickers were kind of terrible. Unfortunately I already bought a bootleg SDEX hello kitty for a friend's Christmas present so.

Okay, enough dogging on the Chinese manufacturing. This design is so fucking cool. It's a lavender and white robot with a huge white and blue robot arm. The muted purple tones on the body make the design feel really premium and not toylike. I painted the inside of the body's shell unit with black enamels and then highlighted the grooves with chrome. I think it really makes the details pop out through the misty clear blue parts. Okay. So it's super cool, and it's a decently solid build, because it's mostly built on the base of the lfrith, but the attachment of the tiger fist a little bit awkward, the low quality molding on the parts lends the hard points for attaching the tiger fist aren't as tight or secure as I'd like them to be unfortunately, but the phalanges themselves on the tiger fist, are really decent, they don't have articulation on any of the distal phalanges, but it gets you most of the poses you could ask for.

7/10

[mercurycft]

𝐀 𝐓𝐄𝐀𝐌 𝐄𝐅𝐅𝐎𝐑𝐓 - 𝐋𝐖

## reader x leah williamson !! MINI FIC

hi pookies!! i’ve really been enjoying writing shorter and fluffier fics recently! somehow this ended up being a bit longer than intended! i hope you enjoy this! more to come. you’ll be able to find them under the “mini fics” section on my masterlist!! love always - RG x

2k words!

no warnings. pure in-love sweetness.

"so, what do you think, le?" you asked, eyes sparkling with excitement as you held up a newly-purchased jersey with the number six emblazoned on it.

leah looked up from her laptop, a smile playing on her lips. "it's perfect, lovie, just like everything else you pick." you replied with a sweet smile and a gentle eyeroll, folding the shirt neatly and pushing it to the side of the sofa which remains empty beside you.

the two of you sat in leah's living room, which as of a few days ago was now officially also yours too, cozied up beneath a blanket. you sat surrounded by boxes containing all of your beloingings, labelled by room and organised neatly into piles. re-runs of old shows playing on the tv ahead of you, casting flashes of colour across the room, overpowered by the lamp light from the corner of the room.

though you sat close together, leah had angled her body and screen away from you. tapping away on the keys with narrowed eyes of concentration. "what're you tip tapping away so furiously at?" you teased, lifting your head exageratedly to sneak a peak at her screen.

"hey, no peaking!" she quipped back, pulling the screen down to sheild it. "good things come to those who wait, love." she spoke after a second, lifting her hand and brushing her knuckles against your cheek gently.

"fine," you huffed, tilting your head to kiss her hand softly before turning back to the screen in front of you; attempting to drown out the noise of her tapping with the serene sounds of gavin and stacey.

the football season was in full swing, and your weekends were usually spent cheering from the stands, so a saturday in together was a rare but valued gift. you spent the time relaxing, allowing yourself to potter around. leah, on the other hand, seemed consistently distracted. whether that be by training, or whatever it is she seemed to be doing on her laptop or phone. you paid it no mind, aware of leah's growing responsibility. unbeknownst to you, that evening, leah had announced to the team her plans for the coming days.

you woke on sunday to leah leaning over you, training kit on and hair slicked into a ponytail at the back of her head. "good morning, love. im off in a minute, call me when you get up okay?" through the stirring of your sleep you murmured a small response and lifted to kiss her gently, before waving her out of the room.

it was past nine when you finally woke up fully. leah long gone and already at training as you made your way around the house carefree. after a swift call to leah, a lazy breakfast and a hot shower - you stumbled into the kitchen; towel still in hand and scrunching the last of the water out of your hair.

the sun shone through the kitchen windows, casting a warm glow on the gleaming counters. it was quiet without leah's usual 'morning country session' as you called it, and the sound of her soft singing echoeing through the hall. you grabbed a cup of coffee and sat down at the kitchen table, scrolling through your phone.

your thumb froze mid-swipe when you saw a message from leah pop to the top of your screen. "hey, the girls keep bothering me about seeing you. wear your new jersey. love you x" you stifled a laugh at the thought of beth forcing leah to type and send the message, shaking your head softly and typing small reply.

you took your time getting dressed, slipping on the jersey adorned with leah's number six with a sense of pride. wearing it felt like a silent declaration of your support and love for her. as you made your way to the living room, the sound of the doorbell echoed through the house.

your face screwed together with confusion, taking a second to swipe your phone out of the back pocket of your jeans to check the time. half ten. "can't be leah then," you thought aloud as you made your way to the front door, you swung it open to reveal beth. stood in her kit and holding two take-away cups of coffee in her hands.

"good morning, my favourite wag." she spoke cheerfully, moving into the open space you had created by opening the door further to let her in. you shared a small hug as she came in, laughing at her comment.

"you know i hate when you guys call me that," you laughed, but shook it off, taking one of the cups from her as she thrusted them towards you. "you're the best, but can i ask what you're doing here and not at training?" you shut the door behind her as she advanced further into the house.

"i have a late start and leah said to come and get you because-"

"she took the car," you both said in unison, breaking into a small shared laugh over leah's predictability.

"give me two minutes and ill be ready to go, just have to go put on my jewellery."

you retreated back into the bedroom, as you reached for your necklace, the doorbell rang again. you huffed quietly to yourself, confused on who else could possibly be at the door.

"i got it," beth called from downstairs, opening the door.

"what was it?" you asked as you made it down the stairs, clasping the necklace around your neck and shaking your hair onto your back.

"just a parcel," she said shrugging, placing it on the kitchen counter and turning back to you. "ready?"

you nodded, grabbing your keys and checking for your phone one last time before flicking off the lights and locking the door behind you.

the car ride was quick, and you and beth chatted the whole way. once you arrived at the grounds, beth led you around to the side entrance, away from the usual doors at the front. "whats going on?" you questioned with a quizzical look, "leah said to bring you here." she replied with a seemingly unbothered shrug.

you followed her down the corridor and into the changing room, which was unusually quiet and empty. beth stopped you just before the double doors, forcing you to turn around and face her one last time. she smiled at you, with nothing over than love with a small hint excitement. "where is everyone? you lot are stressing me out." you laughed, attempting to break the confusing silence.

"they're all outside, probably running circles around your mrs." she teased, eyes flicked across your features and hair, then down to the jersey. you watch as a smile spreads across her features and she reaches for your phone out of your hands.

"you're scaring me, i dont want to go out there alone if everyone is out there!" you whined like an anxiety ridden child, taking a deep breath as beth pushed your hair off your shoulders and looked directly into your eyes.

"you'll be fine. trust me, go out there."

beth nudged you gently towards the doors, the sound of your heartbeat growing louder in your ears. you took a deep breath and stepped out onto the field, squinting against the sudden burst of light. once they had focused to the brightness, your eyes skimmed across the pitch searching for leah.

your gaze finally fell into the middle of the pitch where players and staff seemed to crowd around someone down. your face fell into concern when you realised leah wasn't standing with them, and instead they were stood around her.

"leah?" you called, eyes wide as you sped up to reach the group. the sound of your voice brought a hush over the crowd, who all shared the same concerned look as they concealed leah from your view. you tried to calm your breathing as you made your way closer, mind reeling with the worst possible scenarios of why leah is on the floor. "leah?" you called again, now close enough to reach for some of the girls to move them aside. as your hand extended to push past katie, the girls in front of you parted - finally giving you a full view of leah.

however, it was not the view you expected. you had expected to see her on the floor, injured and writhing in pain. instead, what you found had you stopped dead in your tracks.

leah, knelt on the grass, her eyes glued to yours. her hand outstretched, a small velvet box balanced on her palm and clasped between her fingers. you couldn't read her expression, and couldn't bring yourself to say anything. the world around you seemed to fade into the background as you stared at her, your eyes wide.

you watched as she took a deep breath and began. "i have loved you from the moment we met on this very pitch, during that first interview all those years ago. i have loved you everyday since and will continue to love you everyday for the rest of my life. since that first day, you have changed my life in ways i will never be able to explain to you. i knew from the first time you laughed at one of my stupid media trained jokes that i would marry you. so, im down on one knee, ready to love you forever. will you marry me?" leah's voice was shaky and hopeful, her eyes never leaving yours.

you felt like the air had been knocked from your lungs. your hand flew to your mouth to cover the shock that washed over your features. the crowd around you was silent, their eyes flicking between leah and you, their expressions a mix of excitement and nervous anticipation.

slowly, you stepped closer to her, the realization of what was happening settling into your heart. "are you serious?" you whispered, tears pricking at the corners of your eyes.

"as serious as i've ever been," she replied with a hopeful smile.

you dropped down to your knees in front of her, wrapping your arms around her and pressing a swift kiss to her lips. "yes," you choked out, the word barely audible but clear enough for the entire field to hear. the crowd erupted into cheers, their claps and whistles piercing the quiet air like a gunshot.

leah's face broke into a grin so wide it could've split her face in two as she watched the tears fall down yours. she brought the box closer to you, revealing the ring nestled inside. it was simple, a silver band with a small diamond in the center - but to you, it was the most beautiful thing you had ever laid eyes on.

you took the box from her, watching as she lifted the ring out and slipped it onto your finger. it was a perfect fit, as if it had been made just for you. "yes," you repeated, louder this time so that everyone could hear the conviction in your voice. "i'll marry you, leah."

the crowd around you grew closer as the teammates you had come to know so well rushed in to embrace you both. the warmth of their arms around you, the sound of their cheers in your ears. they wrapped around the both of you, all smiles and laughter.

as the congratulations died down, you took a moment to swat her shoulder with a stern look "i thought you were hurt!" you muttered, looking down at the ring sat perfectly on your hand, then looking back to leah who mirrored your wide smile. before you could continue back and fourth, the sound of renee's voice called everyone back to training.

"you two got something to celebrate," she said with a knowing smile, "but remember, we've got a game on tuesday." you both laughed, as well as the rest of the girls surrounding you as leah moved to give renee a quick hug. around you the team split back into their usual groups to continue with their session, but leah made her way back to you.

"mrs williamson. it suits you."

[chaoticbiguysblog]

Lately I see this (dumb) argument about Ryan not wanting to kiss a dude, hence Buddie even if it goes canon, wouldn't be as impactful. And first of all, Idk what Ryan Guzman needs to do and say to make people believe that he's on board with the Buddie ship as long as the writers maintain the vulnerability between the two characters, but even if that were true, who cares if they never kiss?

911 isn't even a PDA heavy show, the intimacy is usually shown with eyes and faces, and RG and OS excel at that already. As for Buddie, sure the soft kisses in the morning and the passionate makeout when one or both of them gets out of danger would be cool, but it's all a bonus for me. What matters to me is these two characters finding their way to each other, finally realising that the kind of partners they were looking for happens to be close to them all along. Narrative wise, these two men have the qualities the other guy is looking for in a relationship and yet they haven't seen it yet, they haven't realized that the other man is the missing piece of their heart which has caused them pain for so long. I want a confirmation that the family unit they've built in the last six years with each other and Chris will not drift apart (let's be honest here, it's bound to happen if they are to remain platonic), I want to know that these three boys will have each other forever, no matter what. I want them having discussions about moving in together, or fights about little things, a cutesy proposal instead of the same ol same ol regarding a revolving door of failed relationships.

I don't need to see them kiss (which again, I'd love to, but it's all bonus for me), their soft touches and hugs and deep eye contact would be enough, basically everything that they do now, just with them being canon. Which I guess is saying something regarding their dynamic. Buck and Eddie's relationship is so much more than physical intimacy. At least to me.

PS: This is all subjective so I'm not saying my perspective is 100% right. Also I genuinely don't believe the RG and OS wouldn't go all in to portray a same sex firefighter couple on primetime network tv.

[ryanguzmansource]

Full Audio Transcript (6.17.24)

The following episode contains potentially disturbing content and we want to alert trauma survivors. It contains material that for some may be difficult to discuss or listen to.

This is He Said, Ella Dijo with Eric Winter (EW) and Rosalind Sanchez (RS).

RS: Como estas, Eric?

EW: Oh, bien bien, and you?

RS: Hoy tenemos una persona muy especial, mi gente. Guys, we are, I know you don't, but you're learning. We are excited about our guest today. He's an actor currently on ABC's 911, which is a huge show.

EW: In the ABC family.

RS: Yes, you may know him from Step Up dance films or from playing the sexy boy next door opposite Jennifer Lopez.

EW: That's right, we have Ryan Guzman. He's here with us today to talk about his new film, The Present, out tomorrow. We're excited not only to dive into his career, but so many other personal things he's opened up about—mental health, his career, so many other things he's been talking about. So let's bring him in.

RS: Yeah, looking forward to Ryan Guzman.

Ryan Guzman (RG): How you guys doing? You guys sweating in that room?

EW: Yeah, man, it's been hot in here. We don't want that air running because you're gonna hear it in the background. So we're just like, this is all for you, Ryan. We're just gonna be sweating the whole podcast.

RS: My armpits almost stink, I hate it!

EW: Yeah, that's great. Great way to open up the podcast.

RS: It’s terrible. Anyways, we're so happy that you are joining us. Thank you so much for doing this.

EW: Yeah, fellow ABC star now. I know you guys jumped over from Fox. You're now on the network where I'm at.

RG: Yeah.

EW: How's that transition been? Has it been weird? I've never been a part of a show that jumped networks. Did it feel totally seamless to you?

RG: Honestly, I've never been a part of something like this either. I mean, I've been on four other TV shows and this one—it felt like a revamp for our show. So it's just like, as soon as we went from Fox to ABC, all of this promotional that we've never even seen in six seasons happened.

EW: Yeah, like a relaunch almost.

RG: Yeah, it was a relaunch. So it was, you know, a blessing. We're all grateful for it.

EW: Which is great. You guys came out with a bang. The ratings were great. You guys were sitting pretty in a good position.

RS: How many seasons now?

RG: Now we're gonna be going on our eighth.

RS: And you've been part of it since the very beginning?

RG: Since the second season.

RS: Since the second, wow, long gig. That's awesome. Good for you!

RG: It happened perfect timing right before I was about to have my first born.

EW: Really?

RS: Oh my God, perfect.

EW: Congrats. So your first born is how old then right now?

RG: Five.

EW: Five. And you have just one right now? You have a second?

RG: No, two. Yeah, I have two. I have a three year old. Little boy, Mateo and my baby girl, Genevieve.

RS: Oh, that's beautiful.

EW: Changes your perspective on everything, right?

RG: Amplified everything. Yeah, yeah. I mean, I'm also losing hair quicker than I'd like, but.

RS: Yeah. We just did a podcast and we were talking about parenthood, you know, and generational trauma and how I understand my mom now that I'm fifty-one more than ever. You know? My whole life, it was all about, I don't get her. I don't get it. I don't get her. Why, why, why? And now as a mom of a twelve-year-old girl, I just go, okay, now I get my mom.

EW: Yeah, you're not there yet. You're getting some challenges, I'm sure. You know that they say with the terrible twos, the terrible threes, the fucking fours, the fucking fives. That's it! It'll beep those curse words out. But I mean, there's challenges at every level, but there's also so many blessings and so much fun.

RG: Yeah, I'm sure right now as a twelve-year-old girl in this day and age—I'm sure it's insane.

RS: It is work. It's a little work. It's beautiful, listen, it's delicious, it's amazing. She's awesome. We have a little star. She's a tennis player. She's a good girl. But she is so fierce. She's fiercely independent, and she's at the age that I know everything and you don't know anything and just leave me alone because I am finding who I am. And sometimes you want to slap her and be like, you don't know, you don't know shit. So it's interesting.

EW: Let me ask you this, Ryan, because we were just having a conversation about our son is very, very passive. And I mean, he's coming out of his shell more and more, but we have some good friends that started their kids at a very young age in jujitsu and all these things that are just great training grounds to learn for self-esteem, for self-defense, for all these things, right? You grew up doing taekwondo, correct? Got your black belt in taekwondo. Started where you were like around eight, am I right? In that range?

RG: Yeah, it was my seventh year old birthday I started, yeah.

EW: What was the reason that, was that just, why not, I'm gonna try something new? Or was there something that prompted you to go, ah, taekwondo, I wanna jump in?

RG: Way too many Bruce Lee films.

EW: Yeah, I was gonna say, because I used to love watching movies like that too and get excited. So that—it just became a cool thing. You're like, I wanna do it.

RG: It was, honestly, it was everything. Bruce Lee was my idol, he still is my idol. From the philosophical to the physical, it was just a key component in my own evolution. So as I got to read more books, I mean, I was a young kid reading Bruce Lee books and Richard Marchenko books, which are Navy Seal books. I don't know why my interest led me there, but I feel like I needed that kind of structure. And that structure has been such an incredible foundation for, I mean, all of the success that I've been able to be grateful to get. So I highly advise every parent to put their kids into Jiu-Jitsu, wrestling at least, if not some Taekwondo or karate or some kind of martial arts, especially if you're a boy.

RS: I told you.

EW: I'm open to it. I have no problem with it.

RS: We just talked about this.

EW: I have no problem with that. I just know my kid's not gonna do it yet. He's six. I just know like his personality. He did a version of like a Taekwondo for a bit. He lasted, it was like, you know, little kids running around.”

RS: No he never—he did karate.

EW: Well karate. I think it was Taekwondo.

RS: No, it was karate.

EW: It was for sure a blend.

RS: Really?

EW: For sure a blend, it wasn't just straight cut. But he did it for a few years and then kind of got bored, right? And like with any discipline, it takes a lot of work, a lot of patience. I think the age you started feels like a pretty solid age to dive into something that takes that much focus and patience as well to learn.

RS: Did they get hurt though? At six and at seven, when you see them fighting and doing Jiu Jitsu, that is such a physical and a contact sport, do they get hurt?

RG: Yeah, I mean, they can get hurt, but they can also heal really quick. They're young. So I mean, when I was doing Taekwondo, I ended up sparring guys that were like actually twenty-years old to even my master and actually got taken out of—what was it?—a tournament because I broke my hand trying to break, I'm trying to block one of his kicks.

EW: Oh wow.

RS: Oh no.

RG: Yeah. I would say there's different, you know, personality types. I think from one to six, it's less about the structure and less about the discipline. It's more about play.

EW: Yeah.

RG: How can you allow them to feel comfortable in their own bodies and know their movement and then play with this now new martial art? And then after that, then yeah, you start to develop more structure and discipline and say, this is, you know, we got to tame the mind before we tame the body. And you start to understand a little bit more of why it's called an art, martial art.

EW: And when you first started competing, what age were you when you jumped in and then you started fighting, taking shots?

RG: I think it was right away. I was like, I'm around maybe eight, nine. Yeah, around that time.

EW: You learn life lessons quick, right? Like Mike Tyson says, everybody's got a plan till you get punched in the face. Then you have to figure it out.

RG: Yeah, yeah, I wanted to be quick. I wanted to be powerful. And I think another reason why I liked Bruce Lee so much is he was a tiny man. He wasn't a massive, like Michael Jai White kind of guy. So he was able to demand respect just off of his own technique. And I thought, you know, okay, I need to copy that. Technique can beat power and strength or technique can beat strength. So I ended up doing that and proving to myself like, oh, even at eight years old, I can be a force. And as soon as I started doing actual sparring, I just kind of fell in love with it, with the competition of it.”

RS: So Taekwondo and then MMA, right? Because you did a little bit of MMA. So all this is just fighting. When did acting came to the table? Like, and how?

RG: The acting was something I never even thought of coming from Sacramento, I mean, that's not even something that we talk about out there. And it's either martial arts or working for the state or an automotive job. But none of that called me. I was doing modeling in San Francisco. I got offered to do a photo shoot in LA, and I just asked my modeling agency from San Fran to hook me up with an agency in LA, not knowing the racket that modeling is. And I stayed in a one bedroom with five guys creating a massive amount of debt before I learned there was commercials and there was acting available. And I think the competitive streak just kind of clicked. And I was like, well, I want to get out of this situation. That seems to be making a lot more money. And this is the time and day where commercials—the nationals were actually bringing in some money. I don't know if the landscape's the same anymore.”

EW: It's very different for sure.

RG: Yeah, so I was very fortunate at the time to catch the tail end of that. And then I remember being a new twenty-three year old in LA. I'm going to clubs, I'm enjoying, I'm having a great time. And I'm seeing some of the guys that are being successful as actors. And they're kind of like, they were idiots, to be honest. So I was like, how are these guys, you know, so successful? Like I got to try this acting thing out. And I remember I didn't have enough money to download scripts. So I would just take the same page or pages that I had in my place and I'd write my own scripts off of the internet. And I would invite two or three, maybe even five guys over to the house, and I'd just start doing those scenes in front of them. And that was kind of my acting class. And then I went and auditioned for a manager, didn't get that manager, got another one who is my manager today. Three months after that, I booked the lead in Step Up and my life forever changed.

RS: Oh my God. So it was fast.

RG: Within nine months. So yeah.

RS: That's incredible. Good for you. That's incredible.”

EW: I can relate to your journey in a lot of ways. I had a similar—I went from sports to modeling to the same thing, curiosity with acting, reading different books about acting, seeing people do commercials. And like you said, back in the day, you could do one national commercial and if it was a good one, you could actually make your living for the year off of just one commercial. And little by little, just very, very similar path. I didn't get one big movie out the gate that changed my career. It took a lot of grinding. That's an amazing blessing to have something like that happen. And then you have to balance the ebbs and flows of this business at that point, right?

RS: The dancing was just organic to you? Or you were a dancer? A lot of people have that question. Does he really dance?

RG: It was something, I think it's—culturally, I don't know, just being Mexican-American, I was literally raised with my family going to do, like Quinces' [Quinceañeras], or like just parties in general, we'd always dance. And it was less about the one, two, three, ba, one, two, like doing any kind of structured kind of stuff, more of the feel. And I've always loved dancing, but never on that level.

RS: How was it having to follow choreography?

RG: It was kind of like fighting. I put it next to it because the amount of hours we did—we did eight hours every single day for about two, three months. I remember seeing the guy that, and I feel bad because I gave him such a hard time. He was supposed to be my dance double, but my competitive streak was just like, no, no, no. I gotta be that guy. So I would do the eight hours with everybody and then I'd videotape our session and I'd go home and I'd do another two, three hours by myself. And just go over and over, and then I ended up being in every scene.

RS: That's awesome.

EW: Good for you.

RS: Have you done a movie playing a fighter, like an MMA, a boxer or something like that? Have you done that already?

RG: I've not. I've wanted to for the longest time. And I don't know if—I think it'll come. Everything's happening for a reason. I believe in... to, actually what you were saying earlier, getting that job right out the gate, it was overwhelming. It was too much for me at the time. I wasn't ready to be catapulted in the way I was. And I wasn't an actor really. I wasn't really a dancer. I had kind of just been fooling everybody.

RS: How old were you?

RG: I was twenty-three.

RS: Oh baby, okay.

RG: Yeah, so I'm brand new with all this.

EW: Months in, like you said, months in.

RG: Yeah, and everybody's thinking that I'm this thing and I'm kind of taking it. My ego was like, yeah, yeah, yeah, maybe I am. And then reality kind of checked me and the next movie I did and two movies after that were bombs and I realized I don't know anything about this business. So I would say up until maybe three years ago, I didn't really call myself an actor and I was just lucky to count my stars that I was amongst other actors that were like a Jennifer Lopez or working with the Richard Linklater and now Glenn Powell being who he is now. So just super grateful that I got the time and maybe the hustle that I had, those combined allowed me to stay and have some longevity in this career.

RS: Did you get caught up in the whole business—the ugly dark side of Hollywood because you were so young and it came so fast?

RG: I didn't get caught up, but I definitely got put onto it, and it quickly showed me I want no part of it. That's why I kind of say to myself, I stay with my kids. I rarely do any press, but that was just like, the fame game was never something... I don't want to be seen too much and then have to speak in front of thousands of people as if I'm speaking for them. I can only speak for myself and my experience and hopefully people connect to it. But I saw a lot of people that were not necessarily skilled in any asset becoming really famous and rich. And it kind of just wasn't feeding anything other than a hole in the soul. So it kind of made me go a different direction.

RS: That's amazing.

EW: Do you remember on your climb at any point—maybe an older actor you came across that maybe, maybe not a full mentor—but somebody who guided you or gave you some words of wisdom early on that might have helped you navigate this business or any of that even failed you and just set you back going, oh, that was a horrible example of somebody on set? You don't have to name names if you don't want, but I'm just curious if you had people that hit those marks.

RG: I've definitely been blessed to be, I mean, I've worked with some of the greats, Edward James Olmos, Jennifer Lopez, I mean, Juliette Lewis. I've worked [with] some amazing actors and actresses. I could, yeah, I would never name names, but I have gotten some really good advice and some really like [makes a noise] advice. And... so grateful for the good advice. Eddie Olmos has given me some incredible advice. He's just a sound individual.

EW: He's a great human.

RG: Yeah, and his son, Michael Olmos, another sound individual. But I think it was just on all aspects—just stay true to you. I think that's the general narrative that I've gotten from plenty of other individuals. It's just, no one can do you. And your uniqueness is meant to kind of shine in its own unique way. So if you're trying to be—I can't be Antonio Banderas I can't be, even though I'm a Latin actor, I can't be somebody else that's already had that role. I need to just kind of explore myself and allow that to shine, and that's what I feel like I'm just starting to tap into these past couple of years. So I'm really excited to see where it goes.”

RS: Before we talk about your movie coming out tomorrow—and listen, we don't have to talk about it if you don't want to, because we want to be very respectful—but we read that and you came out openly saying that you had to deal with some mental situations, and you battle a little bit of depression at some point in your life. Only if you want to talk about it, otherwise we don't have to. I was just very curious, where did depression come from? If you even know.

RG: Yeah, I've spent many, many years dissecting where the depression has come from, and it's essentially from people pleasing. It's a trauma coping mechanism that I started a long time ago when I was a child, and I didn't even realize it. And it's kind of these things that I'm aware of now raising my own children to give them less to work on later on in life and give them a better foundation. But yeah, as I got older, I started to realize that I was people pleasing so much to a detriment that I had nothing left for myself. And I've even watched old interviews and where I'm smiling the whole time and trying to say the right thing and do the right thing and be the perfect individual, be the all-American boy, and that's not who I really am. I'm flawed and I have my own issues, and I think being raised a Mexican-American man who's not supposed to tap into his feelings or understand them, let alone, that set me back a lot. So I came to a point about seven years ago where I reached my limit, and I had just seen my parents' divorce. I had just gone through a horrible relationship, and I was looking around for some kind of aid, somebody to be there, and no one was there.

And I realized that I had been leaning on the wrong people. So feeling that lonely, feeling like you wake up and you just know what's gonna happen every single day is just kind of a time suck and it's quicksand, and that's how the depression kind of starts. And luckily, I got a second chance, and from that moment forward, it kind of just awoken—I awoke into something new, something better and a path towards a purpose. So. Yeah.

RS: The second chance came from within, from a person, from a book?

RG: The second chance came from my attempt at not working. So I'm a very extremist person type, and right after my attempt did not work, I just started crying like crazy. And I was in a horrible environment. Somebody was yelling at the other side of the door. You know, just horrible things were happening at the time. And then after I stopped crying, I remember sitting on my bed and just having this moment of like this epiphany. You can't ever be the same. You got to be something different because you've already reached the absolute limit with this type of person you are. You got to deconstruct, break everything down because the foundation you've been building on is so fractured and cracked. And for the last six, seven years now, I've broken myself down and try to stay as humble as I possibly can and look at all the horrible things about me and then kind of start from there and rebuild and heal and allow myself to be a different individual and actually show and implore people to change via changing myself.

RS: That's amazing.

EW: Yeah, thank you for sharing that. I think a lot of our listeners will gain a lot just hearing. Maybe they don't go through something to the extent you went through, but everybody deals with some sort of down moment, whether it gets as far as a deep depression or not, and a lot of people don't know how to even pull out of the simplest thing. And you, like you said, hit a level of rock bottom and had that epiphany. Thank God. Now, I mean, you're a dad and you have so much to offer your children and let alone your own— yourself and your life. You have so much more to do—so thank you for sharing that. That's powerful.

RS: I'm assuming spirituality is very important in your life at the moment.

RG: Yes. Yes. Yeah. That's part of my purpose as well. I was raised a Catholic. I was an altar boy at one point in time. I went into the seminary for a little bit. And then I kind of disassociated with the church and religion in general. I saw the underbelly of it. But yeah, my spirituality is—I started to reread the Bible and tap back into my spirituality and just be open to Eastern and Western, allowing all forms to kind of really like be permeable. So I think there's so much to this life that to say that you know it all is kind of cutting yourself off of so much opportunity and abundance. Yeah, so that's kind of where I'm at right now. Just—I'm exploring that with like-minded individuals, and propelling love rather than fear, so.

EW: It's great that you're putting all this into perspective in your life now because especially—I know every business has challenges, but I think in a business like ours, where so many people—their happiness hinges on the ups and the false belief that people around you have all the time—and the moment you don't deliver, the moment people's attitudes or perceptions of you change, or the moments—it's such a roller coaster emotionally, the business that we're in, that a lot of people, I think, aspire or want—they want it so bad because they see fame, they see that meaning, the all-encompassing success. You must be happy because people know who you are. It's like nobody has to know who you are to be happy.

I like what you said—just staying out of press unless you want to do something or maybe you have a social media presence when you want. But it's not because you feel the need to feed the ego to be seen by everybody else. It's something that speaks to you, so I'll do it. But it's not to please people. And that's what this business has become for so many others. I need to constantly please. And when I'm not pleasing, I failed. And when you fail, you feel like, what have you accomplished? You could have accomplished—you could be an Oscar winner and it still wouldn't be enough. Because you're gonna fail at some point again. Like it's very rare that someone just rides high all the way through in this business. And so I think our business is such a tough one to navigate the waters you've been through. But thankfully you're putting those pieces in perspective now, which I think is perfect timing because your career is just gonna continue to go and go and go and go and go like that, because that's just what the business does. But you've got the tools now.

RS: It's brutal, to be honest. So it's good when we find spirituality and when we have all the things going for us that are so much more important, like parenthood. Because for me, I decided to be a mom late in life because it was all about career, career, I need to make it. And I wasn't searching fame. My problem with the business—and the lows were low. Not because, oh, I'm not where I wanna be because I wanna be famous. It was more about why do I have to constantly prove myself? I've done big movies, I've done huge TV shows and then why is there, what I call in the meantime, this moment of nothing that all the stuff that you have accomplished basically becomes nothing and you have to do it all over again. And it's the constant, I'm swimming against the current. It's not about being famous. It's about why, like it's been almost 30 years. Why do I still have to prove to you that I can do this when just look at my body of work? I've done it many times before. And it is very frustrating.

RG: Both of you guys have great points. I mean, and both of you guys' careers speak for themselves. I would say that I've been blessed now again with this new chance at life that I've come to understand it's more about connectivity. Connectivity to like minded individuals and loved ones and connectivity to a purpose, which for me is creativity. So to your point, I always felt that same way where I was like trying to outdo my last thing and that was so fleeting—or get some type of money, some type of recognition, and it was all fleeting because at the end of the day, after you pass away, that's all gone.

But if you create something, you connect with somebody, that remains even after you pass. So that's what truly matters. So I find myself having deep conversations with individuals. I find myself getting lost in my art or my poetry or writing screenplays and just kind of just creating, allowing my own storytelling to come in and flourish. But it can be very defeating in the time and age that we're in right now. So many people are trying to be social media stars and do the next TikTok dance and say the next absurd thing to get all the views.

And I think they're gonna find what I ended up finding a long time ago, which—one example sticks out in my mind. I'd always wanted to throw a first pitch in a baseball game or at least be a part of a baseball game, and I luckily got invited to the LA Dodgers game. And I remember getting that experience and the people that I wanted there weren't there. So it felt meaningless. And it felt like I had no true connection. I'm like, my mom, my dad, my brother, somebody should be here. Why are they not here? I've lost all contact because I've been so busy working. I've been so focused on creating this brand of Guzman. And now I understand. It's like, none of this means anything without the people that you care about right next to you.

EW: 100%. Talk to us about your movie. This is exciting. The Present.

RG: Yeah, The Present is an awesome film. It's a good wholesome family film. Nice little comedy in there. Cause you know, Isla Fisher, Greg Kinnear, they're incredible individuals. The kids kill it in this. I mean, they're the star pupils in this film. And then it was new for me. It was a little fun role to play. You know, comedic timing, trying to master that still. But I had fun with it playing opposite of Isla. And essentially the movie is about a family who's on their way to separation going on divorce and their kids get gifted this grandfather clock and this grandfather clock can turn back time. So the kids try and use this to try and save their family's relationship. And everything that ensues is really nice.

EW: You know, when I saw the premise, I was thinking to myself, cause I come from divorced parents and I remember as a kid always going like, how can I just change this? How can I take that back? And so to put that into a movie, I think is a fun concept that anybody coming from a divorced family could probably relate to in that sense. Cause you always want to turn back time and go, is there something I could have done? And even though, you know, kids take that blame, but it's a great premise. That sounds like a lot of fun.

And comedic timing, like doing comedy and stretching, even though you've done it before and you continue to do it, it's like, it's always its own art form. It is so tricky. People don't understand how difficult great comedy is. Like, I always think some of the best actors in our business, period, are comedians, because to make someone genuinely laugh, like crying laughter, to me is way harder than making someone feel like cry with tears of sadness. I think people can tap into that as a viewer much easier than like someone genuinely making you die laughing. So just doing comedy as an actor is such a fun art form to continue to explore, I'm sure.

RG: 100%. I mean, Robin Williams is the, I would say my go for that. He shows—”

EW: Do it all.

RG: The comedy that he does is so based in truth.

EW: Yeah.

RG: It's so grounded. That's why it works. And obviously it helps that he can play like 12 million personalities, but—

EW: Totally, but then he'll crush the drama at the same time. Like he'll do drama, no problem. Then to do comedy, you don't see a lot of dramatic actors come over and knock out comedy like you see comedians go over and knock out drama.

RG: Yeah.

EW: So I think like it's awesome that you got to explore that as well.

RS: Is there one thing that you see yourself in five years doing? You have a successful show, and now you're a dad, you know, you're pretty accomplished. But if you can look at your future and be like, there's this thing that is my north is the next, is what is gonna make everything make sense and be full circle.

RG: Yeah, being my own director. Right now I'm working on a film that I've written. I'm working with an incredible director, Mo McCray, mentoring under him and taking ownership of my own career and allowing myself to kind of open the space and open the door for not even just more Latinos, but just in general for newer voices and more creative voices and human experiences. But I mean, there's always that one big thing to be like a Marvel superhero at some point in time.

RS: You will.

EW: You can have more than one North for sure, but that's a great one. That's a great one.

RS: You know, it's interesting. I'm going through the process. I'm leaving to go to Puerto Rico to do this thing that I wrote that I'm gonna direct. It's my first feature that I'm directing, and it's like, I want it to be like the second stage of my career. And it's so hard, Ryan, to—it's an independent film and to be able to raise finance, you know, it's years, you know, like we had Ricky Martin a couple of podcasts back and he was saying that he learned that in this business, everything takes five years from beginning to end is five years. And now that I think about it, I'm like, you know what? Absolutely right. It's gonna be five years, you know, once I'm done, I edit, you know, locked picture, boom, it's gonna be five years.

And it's been brutal. The process, it's been brutal because it's a lot of letdowns and people offering you all kinds of things and at the end of the day, it's all BS, you know, it's all smoke and mirrors. And the only thing that keeps me going is the love of the art and the love of what we do because I wrote it and it's so special to me. It's like my third baby. And even though I'm going through logistical nightmares and finance, is it gonna fall apart? Is it here? Is it not? When I sit down to do my shot list and when I'm actually doing the creative work of it all, I can do that all day long. All day long, because it's amazing if you love it.

RG: Yeah. Yeah, the business part of it is just—it's defeating. The creativity part of it is incredible. And I'm sure this is just gonna be, you know, an abundance of opportunity and knowledge, you know, for the next thing. And like anything you do in life, as soon as you begin something new, you probably suck at it, unless you're one of those rare few individuals that can do everything. But there is a learning process, a learning curve. And this was gonna probably be one film that spurs on so many other films now.”

RS: Amen.

RG: Watch and enjoy.

RS: Yeah, amen. Anyways, thank you.

EW: Well, Ryan, thanks for hanging with us today. This was awesome, man. Thanks for sharing everything. Wish you the very best. Obviously you're crushing it and you have a lot of great aspirations still to come. So we truly wish you the best.

RS: Thank you.

RG: Alright, guys, you guys have a great day.

RS: You too, bye bye.

EW: That was great.

RS: Oh my God, he's so wonderful.

EW: Yeah, such an awesome guy. And truly wish him the best with the trajectory and everything he has planned for his career beyond 911. I love that he's writing and wants to direct. Check out The Present movie coming out tomorrow.

RS: Tomorrow. On demand.

EW: On demand. Till next time.

RS: Bye, love you.

[hag-darling]

5 more episodes... I can do this...

How does Gundam Wing drag harder than Mobile Suit Gundam

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Justified Rewatch:

[buddieisgoingcanon25]

Wait so rg went on a podcast and said he's celibate for a year and wants a slowburn friends to lovers and for a second when I read people saying he wants a slowburn I was like aww he wants buddie canon so bad and I thought he was talking about buddie 😂😂😂😂 no but like I hope he gets he slowburn irl and on tv I mean we all know he wants both so I hope he gets both a win for us if we get buddie 🥺🥺🥺

I know the moment he said those words got me going like… OMG. He wants what Oliver wants. A SLOOOOOOWWWWWWW BUUUUUUURRRRRNNNNNN.