#REALLY STRETCHING IT. MAYBE.

[somecunttookmyurl]

Now I'm honestly kind of curious what that "totes real gem stones" jewelry of 300 bucks looks like, lmao

I once saw someone selling mountain crystals, small pieces, for 100 bucks. So many scammers with stones. Wonder if that person is a scammer themselves, just bullshitting, or has the worst supplier ever.

it would have to be the worst supplier ever because in less than 5 min i tracked down a wholesale supplier who will give me twenty five 3mm lab-grown sapphires for £38

that's about £1.50 each. so £3 for a pair of earrings assuming you only used one in each

thing is i could make stirling-silver-and-sapphires earrings and sell them for the price of claire's costume jewellery and still be making a huge profit on it. it's just that nobody would believe it's real at that price.

[fascinationstreetmp3]

im going full cornplate reaching mode here and zooming in on this book in daniel's apartment

"a pictorial history of the talkies" by daniel blum, published 1958. it covers the history of sound films from the late 1920s to 1958

well...... who do we know who has a fascination with cinema & projections....

(also fun fact the first publicly shown synchronised sound films were exhibited at the 1900 paris exposition)

[sunshine-zenith]

“For the record, that is nothing like me”

Bal… that is exactly like you

[incesthemes]

in provenance, the impala is depicted as quite dirty and beat-up, scuffed up and covered in mud. this is not the typical image that comes to mind when you say a man loves his car. in later seasons too, the impala tends to look shiny and new, and dean is seen performing maintenance on it pretty regularly—at least, there are many scenes that show dean taking care of it, and there are also many scenes which touch on dean's possessiveness and care for his car.

this isn't the case in season 1. season 1 dean has a beat-up hand-me-down from his dad which he loves and admires but is still willing to let it get dirty and dented and scuffed.

in season 1, the impala represents john.

based on how john talks about the car in dead man's blood, he still has a semblance of ownership over it: john gave dean the car, but he still considers it "his" in the sense that he feels entitled to judge how dean cares for it. dean, too, doesn't argue with this. in season 3, dream dean even uses this against real dean to drag out his insecurities and his abysmal self-esteem:

both john and dean agree that the impala is john's car. this makes sense because the impala is also sam and dean's literal home, or the closest to home they've ever gotten.

you have a good "home is where the heart is" kind of connection here: the impala is home, and john is the impala—john is home, john is their father, john is the thing that connects sam and dean by blood. et cetera et cetera.

so if the impala represents john, then how dean treats the impala gives the audience a lovely visual metaphor for how dean feels about john. provenance is just one episode after something wicked, where dean is finally starting to extricate himself from his father. the entire season has followed dean as he experiences betrayal after betrayal from his father, and in shadow we see evidence that he doesn't actually believe that his father will come to protect them anymore—he's effectively given up on john as someone to rely on, and he's spent the whole season separating himself from john and attaching himself to sam instead. provenance gives a nice wink and nod at this by showing the state of the impala—dean is upset with john, their relationship is crumbling, and dean doesn't know how to repair it.

one episode later john remarks on the state of the car, and one episode later dean finally defies his father for seemingly the first time.

so when dean starts destroying the impala in everybody loves a clown, what dean is actually destroying is john.

he feels angry, upset, hurt, betrayed all over again. john is dead, and his final words to his son gave him an impossible task. dean takes the crowbar to the impala right after sam corners him into another conversation about john—this is an outpouring of his emotions about him, all concentrated on the last remaining symbol of his father.

but what i think is interesting is that sam doesn't see the impala this way.

sam sees the impala as dean. the symbolism here is very, very obvious. if sam gives up on the impala, then he's metaphorically giving up on dean. and sam refuses to let dean die, so he can't let the impala die, either. to sam, the impala is dean. which necessarily means that to sam, dean is his home, as well.

which is exactly what he just chose in the season 1 finale when he picked dean over his revenge. sam spent the entire season scared to "go home," and in devil's trap he finally returns for good to his home—to dean.

and in bloodlust, the impala is fixed, and she's shining like new. from this moment on, dean shows a rather pointed possessiveness over his car.

this is also the first time dean calls the impala "baby." this is the first thing that happens after dean destroyed it in the episode prior. the dissonance gives a sense of rebirth: something happened between dean destroying the impala and dean fixing it. something happened between dean using the impala as a stand-in for his father and dean calling it his baby.

in season 2, the impala no longer represents john. john is dead, and dean killed him. "home" is no longer centered around john; their father is no longer the thing that connects sam and dean. in devil's trap they chose each other, they chose codependency, they created a relationship between them that transcends the family structure they inherited from john. john is not part of this new relationship—it's just sam and dean now, and john is dead.

dean assimilates to sam's perspective when he rebuilds the impala: his car is now an extension of himself, and he is the home that sam chose. this is now his car, not john's; he is now sam's family, not john. and throughout the first half of season 2 dean struggles with this new responsibility and what that means for him—how their codependency should work, whether or not he should try to fill john's shoes, what "home" is supposed to look like for them without john in it.

i think it's an interesting way to depict dean's emotional shift across this stretch of episodes. seasons 1 and 2 especially do a lot of great work to depict john even in his physical absence, from allegorical substitutes to his haunting presence to this, representing him through the symbol of their literal home. noticing this makes me much more emotional about the impala's role in the story, because it's a physical manifestation of the effort dean put in to become sam's home and commit to their codependent relationship. he loves his car because it's his home, and his home is where sam and dean's hearts are.

[xshinina]

Dead Silent

[lunarharp]

What led to this (orufrey comic, cw an uncomfortable/creepy scene)

[bsptourist]

gm_liminal_commercial

created by RileySV

[its-cosmerely-an-obsesh-wound]

The Stormlight sweatshirts are done! 🙌

[the-sunlit-earth]

a lot of clipping to fix, but hey I got it moving at least! I'll get the Telvanni robe properly physic'd if it's the last thing I do >:0

[art-is-kayos]

Phone games

[inthemiddle0feverywhere]

I binged all of season 3 after the finale and I can’t shake the feeling that it was changed at the last minute.

I feel like cx-2 was supposed to be Tech and the batch would have worked on reversing his brainwashing but it would have taken several episodes and they couldn’t fit it all in in time. So instead of being like oh he’s fixed after 5 seconds they just scrapped it.

Because they spent several episodes showcasing cx-2 and we ALL saw the parallels. Especially if you see some of the tiktok edits that transition between Tech and CX-2 like it’s the same build, body language and mannerisms. The accessories! Cx-2 has an ankle strap. Tech is the only one to wear a pouch strapped around his ankle that he kept even after modifying his armor for season 2

It’s not like one or 2 Tech girlies were really reaching to make the connection- the parallels really were there.

Why do all that for cx-2 end up being literally no one at the end. Just a reg with the same standard clone face that we only saw a side profile after the helmet fell off in the finale like it was quickly edited in.

Don’t get me wrong I’m so glad the helmet fell off and it wasn’t Tech because he had just been killed and that would have been super devastating.

But still why go through all those parallels for nothing?

If they did actually run out of time or didn’t want to rush his recovery, they could have made it so the batch finds him on tantiss, stuns him, lugs him onto the shuttle and back to Pabu and then while Omega and Hunter were talking under the tree it could have been like:

Omega: “Will Tech be okay?”

Hunter: “We’ll bring him back and take care of him. Together.” *pans to Phee already carting him off to the clinic or something *

And then in the epilogue he could have popped out to remind Omega one last time about evasive maneuvers because this ship is a little different than the Marauder or something. It would have shown that he really was okay and back to himself.

I think we would have been fine with that, just happy our beloved nerd boy is ok.

But nooooooooo we had to start our grieving way after plan 99

Idk I’ll never get over it. Perhaps now I’m really reaching. It just has too many gaps still for me.

[dustykneed]

Hello! Random whipper snipper! Share a WIP of your work!

ooh, with pleasure. six the musical araleyn fanart? in the year 2k24? more likely than you think xDD

i realize this looks finished, but technically i'm still deciding whether to add a background or not lol. still, for the sake of sharing a proper WIP, here's a line or two from an araleyn brainworm WIP that i started reworking yesterday (mild tw for religious guilt and period-typical internalized homophobia from aragon's pov):

She remembers sharing her bed with Anne at Henry's behest, remembers the nights of tossing and turning and trying not to think about Anne asleep next to her-- remembers waking up to dark hair spilling across her pillow and the press of blood-warm bosoms against her own, softer than sin, as hot as the Devil, remembers lying still as death, mouthing prayers into the heat of Anne's neck like an act of penance.

[hydrachea]

I love that ship where both characters are introduced as friendly, only for one to turn out to have been lying the whole time and try to kill the other, all of which eventually culminates in their defeat and dramatic (and literal) fall, only then for them to return as a reluctant ally of their once enemy who knows them way too well and whose new relationship with them is largely interpreted as bantery. What do you mean which one.

[demonslayedher]

I can't wait to see what Ufotable does with this panel:

[hecksupremechips]

Come back home when you have some sense

You can throw your life away just not at my expense

You’re not the son I raised

[daystud]

Sayaka in episode 2: Isn't she fighting witches too why is she attacking Madoka

Mami: some magical girls contend against one another for the same reward

Homura in her home 5 km afar: heart crack sfx