Locri, Calabria, Italy
Locri Epizefiri (Greek Λοκροί Ἐπιζεφύριοι; from the plural of Λοκρός, Lokros, "a Locrian" and ἐπί epi, "on", Ζέφυρος (Zephyros), West Wind, thus "The Western Locrians") was founded about 680 BC on the Italian shore of the Ionian Sea, near modern Capo Zefirio, in Southern Italy's Calabria, by the Locrians, apparently by Opuntii (East Locrians) from the city of Opus, but including Ozolae (West Locrians) and Lacedaemonians.
Due to fierce winds at an original settlement, the settlers moved to the present site. After a century, a defensive wall was built. Outside the city there are several necropoleis, some of which are very large.
Locris was the site of two great sanctuaries, that of Persephone and of Aphrodite. Perhaps uniquely, Persephone was worshiped as protector of marriage and childbirth, a role usually assumed by Hera, and Diodorus Siculus knew the temple there as the most illustrious in Italy.
In the early centuries Locris was allied with Sparta, and later with Syracuse. It founded two colonies of its own, Hipponion and Medma.
During the 5th century BC, votive pinakes in terracotta were often dedicated as offerings to the goddess, made in series and painted with bright colors, animated by scenes connected to the myth of Persephone. Many of these pinakes are now on display in the National Museum of Magna Græcia in Reggio Calabria. Locrian pinakes represent one of the most significant categories of objects from Magna Graecia, both as documents of religious practice and as works of art. In the iconography of votive plaques at Locri, her abduction and marriage to Hades served as an emblem of the marital state, children at Locri were dedicated to Persephone, and maidens about to be wed brought their peplos to be blessed.
During the Pyrrhic Wars (280-275 BC) fought between Pyrrhus of Epirus and Rome, Locris accepted a Roman garrison and fought against the Epirote king. However, the city changed sides numerous times during the war. Bronze tablets from the treasury of its Olympeum, a temple to Zeus, record payments to a 'king', generally thought to be Pyrrhus. Despite this, Pyrrhus plundered the temple of Persephone at Locris before his return to Epirus, an event which would live on in the memory of the Greeks of Italy. At the end of the war, perhaps to allay fears about its loyalty, Locris minted coins depicting a seated Rome being crowned by 'Pistis', a goddess personifying good faith and loyalty, and returned to the Roman fold.
The city was abandoned in the 5th century AD. The town was finally destroyed by the Saracens in 915. The survivors fled inland about 10 kilometres (6 mi) to the town Gerace on the slopes of the Aspromonte.
Today, the modern town of Locri boasts a National Museum and an Archaeological Park, etirely dedicated to the ancient Greek city. The museum preserves the most important findings of the time, such as vases, pinakes, tools used in everyday life, architectural remains from the various excavation area.
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A Plutarchian Woodcut Wednesday
We’re spending our Woodcut Wednesday with this stunning sixteenth-century edition of Plutarch’s classic Parallel Lives featuring the work of artists Jost Amman and Tobias Stimmer.
The allegory of Fama, otherwise known as Fame or Renown, by Tobias Stimmer opens Plutarch’s Parallel Lives on the title page.
Various scenes from the life of the legendary Athenian monarch Theseus, including the hunt of the Calydonian boar and the hero throwing Sciron off a cliff edge. Plutarch pairs the Greek Theseus with the Roman Romulus.
The founding of the city of Rome under Romulus. The murder depicted in the foreground could be Romulus slaying Remus in the dispute over where Rome ought to be built.
Plutarch (ca. 46-after 120 A.D.) was born under Roman rule in Chaeronea, Boeotia, to a wealthy and established Greek family. Plutarch traveled to Athens in the mid-60s to study a variety of subjects, including medicine, physics, Latin, and philosophy. Though they were technically the conquering rulers, Romans at the time valued their Greek subjects’ culture of learning, and Plutarch was among those invited to tour Italy as a lecturer. Plutarch’s moral and philosophical lessons enjoyed success and formed the basis of his later written works. Parallel Lives was penned towards the end of Plutarch’s life when he had returned to Greece and was serving as a statesman and head priest of Apollo.
The unfortunate demise of the scholar Archimedes at the hands of Marcellus’ forces as they sack Syracuse. Plutarch relates that Marcellus’ greatest regret was the death of the famous mathematician.
Parallel Lives (Gk., Bioi paralleloi) is a moralistic set of biographies that examines the lives of notable Greek men and their Roman counterparts. The biographies are moralistic in the sense that Plutarch did not intend to write historically accurate accounts but rather wanted to draw out the lessons to be learned from the examples, both good and bad, of the lives of famous Greek and Roman individuals. Parallel Lives had a profound influence on readers from Plutarch’s contemporaries in the Roman Empire up through to the Middle Ages and early Renaissance. For example, William Shakespeare drew heavily on Plutarch’s Parallel Lives to write the plays Coriolanus, Timon of Athens, Antony and Cleopatra, and Julius Caesar.
Coriolanus and his forces, in the Volscian camp, hear the pleas of his mother, wife, and the women of Rome to stop his attack on the city. Coriolanus relents and the women are later honored with the building of a temple to the goddess Fortuna.
The edition of Parallel Lives featured in this post was printed by Frankfurt am Main publisher Sigmund Feyerabend (1528-1590) in 1580. The text is the Latin translation of Heidelberg University scholar Wilhelm Xylander (1532-1576), who famously produced the first Latin translation of Marcus Aurelius’ Meditations. The woodcut illustrations are the work of the prolific Swiss-German artist Jost Amman (1539-1591) and Swiss painter Tobias Stimmer (1539-1584). As an interesting sidenote, several of the woodcuts appearing in this edition of Plutarch were recycled from Feyerabend’s 1568 edition of Livy’s History of Rome.
Battle between two armies, one on horseback and the other on war elephants. This generic illustration is repeated for Plutarch’s Life of Alexander (the Great) and Life of Pyrrhus (of Epirus). The former famously fought against forces that used elephants; the latter notably used them in battle.
As a change of pace from all the foregoing imagery of bloodshed and gore, we'd like to end with this elaborate woodcut of Aristotle seated at a table of scholars. Aristotle is not among the lives covered in the Bioi paralleloi, but this edition adds a brief biography of the philosopher by Guarino Veronese.
Images from: Plutarch. Vitae illustrium vivorum Graecorum et Romanorum. Frankfurt am Main: Sigmund Feyerabend, 1580. Catalog record: https://bit.ly/3DUnWhl
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Pyrrha Dve and Pyrrha of Thessaly: Survivors of the Flood
“If I’m God, I can start over. The flood, you know? You can wash things clean. That’s all the end of Earth was … making things clean.” --Nona the Ninth, p. 435
“You want Gideon the First, and Gideon the First is dead. He’s not coming back. Oh, God, Gideon,” said Pyrrha, suddenly. “Gideon … G—, you died for nothing.” --Nona the Ninth, p. 390
tl;dr: Pyrrha Dve shares a name with Pyrrha of Thessaly, one of the only two survivors of Zeus’s great deluge in Greek myth, which might connect to why Pyrrha alone seems to remember G1deon’s real name from before Jod’s “flood.” Unpacking this allusion brings to light other suggestive parallels between the two Pyrrhas’ stories, including:
Zeus and Jod’s destruction of the Earth with the intent to replace flawed humanity with a new, pious version of humankind who would worship them as gods
how the Greek Pyrrha survives without Zeus’s knowledge by hiding in her husband’s “chest” (sound like someone we know?)
Pyrrha of Thessaly’s role in repopulating Earth by disturbing her “mother” Gaia’s grave and casting her bones (aka stones) to the ground, from which arose the new human beings (who else disturbs “Earth’s” Tomb?)
and some other more out-there parallels, including a connection to the tower in the River; some thoughts on Zeus, Jod, and cannibalism; a verrrry tangential connection between Pyrrha and Gideon Nav; and thoughts on other survivors
So, following the release of Nona the Ninth, we’re now all familiar with Jod’s conception of the end of the Earth as a literalization of the flood myth with him as God. Afterwards, he claims he brought back all his friends without their memories – and, based on his discussion of renaming Ulysses and Titania and the fact that the Lyctors’ old names are all dashed out, many of us have assumed with new names. But somehow, Pyrrha Dve seems to remember her necromancer’s original name. What’s going on with that?
I don’t have an explanation, but I do have a very interesting parallel, which is almost entirely not the same thing while still justifying writing meta! :P (I mean, if you’re looking for an explanation, my best guess is that Jod talks about altering memory through changing the brain’s biological structures, suggesting that the soul still remains a blind spot of his. Pyrrha no longer has her physical corporation/brain and is solely existing in Gideon’s body, so maybe there’s something there? Soul memories, idk lol.)
Lots of past meta I’ve seen about Pyrrha Dve’s name has focused on Pyrrhus of Epirus, who gave his name to the term “Pyrrhic victory”: a victory whose losses were so severe as to call into question whether such a “victory” was really worth it at all. On that reading, Pyrrha’s name is a nod to how attaining Lyctorhood was a Pyrrhic victory for Gideon and the other Lyctors, because they had to sacrifice their most beloved companions (brother, wife, best friend, etc.) to achieve this “lesser”/imperfect Lyctorhood. I’ve also definitely seen people point out how the name Pyrrha itself comes from the Greek adjective “πυρρός”, which can mean flame-colored or redheaded: clearly apt for our girl/my wife Pyrrha. I think all of that is right, and also I think tazmuir was drawing on yet another mythological parallel for Pyrrha’s name: that of Pyrrha of Thessaly, survivor of the Flood.
Pyrrha of Thessaly and Pyrrha Dve
In Greek myth (well, more or less, depending on the version – I’m quoting Dryden’s Ovid here, so Roman reception, but I’ll stick with Zeus to make things easier), Zeus decides to wipe the Earth clean after judging humanity irredeemable. When he shares this plan, the other gods immediately complain that, should he destroy humankind, “Neglected altars must no longer smoke,/If none were left to worship, and invoke.” Interestingly, he immediately reassures them: “Lay that unnecessary fear aside:/Mine be the care, new people to provide./I will from wondrous principles ordain/A race unlike the first, and try my skill again.” In other words, after the cleansing flood, he’s going to create a new crop humanity to worship him and his pantheon at those neglected altars … sound like anyone we know yet?
However! Two humans survive Zeus’s deluge: Deucalion, ruler of Phthia in Thessaly, and his wife Pyrrha. Here’s where it gets especially intriguing, because depending on the version you read, this Greek Noah and his wife survive for different reasons! Ovid’s Metamorphoses has them surviving because they’re the two best people around – the most holy, upright, worthy, etc. But in other accounts, such as that in the Bibliotheca of Pseudo-Apollodorus, they actually sort of sneak past Zeus. Deucalion’s father is the Titan Prometheus (whom you may remember from other Zeus-defying escapades like “giving humanity fire”), and Prometheus instructs Deucalion on how to build and provision a chest that will survive the flood. Thus, when Zeus goes to destroy humanity, Pyrrha survives inside Deucalion’s chest until the flood ends and the two reach dry land and propitiate Zeus. (OK, so it’s an actual physical wooden trunk, BUT ALSO Pyrrha survives by hiding in her husband’s chest I’m just saying.)
After surviving, the two ask the gods (usually Zeus through an intermediary) how to repopulate the planet. They are told to “throw … your mighty mother’s bones” to the ground – a suggestion that horrifies Pyrrha, who refuses to defile her mother’s grave, crying out, “Forbid it Heav’n, said she, that I shou’d tear/Those holy reliques from the sepulcher” (we’re back to quoting Ovid here btw). But after carefully pondering their instructions, they find a different meaning: perhaps, Deucalion suggests, “This Earth our mighty mother is, the stones/In her capacious body, are her bones.” So they gather up “Gaia’s bones”, i.e. rocks from the ground, and when they cast those stones behind them, new human beings spring up from where they fall.
Pyrrha’s calling Gaia her mother, her disturbing Gaia’s remains from their “sepulcher,” and Gaia’s “bones” repopulating the Earth are all very interesting! It probably goes without saying that there’s a Gaia-Alecto connection here (in fact, I think you could even say John makes that connection fully textual when he calls himself John Gaius, if you read it as a Lyctoral name). I read the Greek Pyrrha’s identifying Gaia as her mother as a neat inversion of the parental relationship between Pyrrha and Nona (note that in the myth, Gaia isn’t Pyrrha’s actual mother – that’s Pandora, while her dad is Prometheus’s brother, Epimetheus (which technically makes Gaia her paternal great-grandmother)). Our Pyrrha is, obviously, involved in unearthing (heh) Alecto’s body from the Tomb, just as the Greek Pyrrha felt she was being called to disturb her mother/Gaia’s resting place.
Alecto the Ninth Speculation: Gaia’s Bones and the Resurrection
All of the above I think is reasonably textually supported, but with the last “parallel” – the repopulation of the planet from Gaia’s bones – I’m going to step off the deep end, lol, and move away from literary analysis of existing parts of TLT to pure speculation about the future. First off, the key caveat is that, obviously, I don’t think Tamsyn Muir is trying to write a literal beat for beat version of the Greek flood myth with Pyrrha Dve, so I think the actual likeliest explanation here is that the actual limit of Pyrrha Dve’s connection to Pyrrha of Thessaly is just that both (sort of) survived their respective divine “floods.” But I do have a couple thoughts about directions that “Gaia’s bones” and the resurrection could point at, which I’ll list roughly from most to least likely; and I’m also interested in hearing others’ ideas.
I think this parallel could pay off in one of two directions: either the Resurrection in the past or something in the future, in Alecto, involving a collaboration between Nona/Alecto and Pyrrha. In the past, we obviously don’t know yet how the Resurrection actually went – John’s confession in Harrow’s Alecto-dreams didn’t extend that far – but it’s easier to speculate (and to pick out speculative parallels). It certainly seems apparent that Jod’s going to be majorly drawing on Alecto’s power to do it – just as Zeus claimed he was creating a whole new crop of humanity to worship him, but was actually digging up Gaia’s bones to make the magic happen. Making bodies from earth and stones is a classic mythic motif, so I don’t think the Pyrrha flood myth is necessarily being referenced here, but there sure is something neat about John’s making Alecto’s body “from the dirt, my blood, my vomit, my bone.” Beyond that, some versions of the Greek flood myth suggest that humanity’s nature was changed by being reborn from stones, with Ovid writing, “Hence we derive our nature; born to bear/Laborious life; and harden’d into care” (the Greeks were generally huge fans of the pun possibilities between λαός (people) and λᾶας (stone)). You could maybe connect that to the suggestion that there seems to be something slightly off in Jod’s new version of people – the sickliness that affects necromancers? (I don’t think that’s quite right, though, because you’d expect stones to be harder, not brittler and easier to break.)
But the myth isn’t just about how Zeus uses Gaia’s bones to resurrect humanity – it’s also about how Pyrrha and her partner (Deucalion/G1deon) bring back humanity. Maybe the importance of Deucalion in revitalizing humanity via Gaia could pay off if it turns out G1deon has a key role in the Resurrection (Jod keeps talking about how he has “big plans” for Gideon’s arm, and he even says that “G—’ll be easiest” to bring back, although in context I think he just means that he won’t have to wipe as much of his memory because he wasn’t even at the compound)? I think that’s a reach, though, and that the arm is just important so he has biomaterial on hand (lol). But the reachiest possible connection here is to say that maybe Pyrrha’s going to play a role in some future Resurrection: something in Alecto the Ninth that resolves Jod’s “missing math” (the people he didn’t bring back, possibly the souls clogging up the river?) and brings more people back, or brings back people “correctly.” Certainly, in terms of any role Pyrrha could play in collaborating with Alecto/Gaia in something like a resurrection or rebirth of humanity in the next novel, it’s worth noting that she is now strongest remaining link from Alecto back to Nona, with all of Nona’s compassion and love.
Remaining Errata
OK, that’s all for immediate parallels from the meat of the Greek flood myth! But there are some remaining pieces of the myth that caught my attention, so those get to go at the end of this piece of meta.
The Tower
Whatever’s going on with the massive new Tower in the River is obviously going to be important! I have a LOT of thoughts about this, but that is for another meta. What I’ll say here is that, while I think the clearest reference there is to the Tower of Babel (what with Nona being the only person who can still understand all languages), another famous mytho-religious tower-y structure often identified with the Tower of Babel is the towering pile of mountains that the Greek Giants built to reach the gods when they tried to challenge Zeus et al. Per Ovid, observing the Giants’ building this tower was one of the things that made Zeus despair at the current state of the world and decide to set off the flood that Pyrrha survived in the first place.
Cannibalism
Other reasons Zeus was angry enough to flood the earth: eating human flesh! One of the impieties that drove Zeus to damn the first version of humanity was King Lycaon daring to test whether Zeus was truly omnipotent by serving him human flesh. Go on, dive in, I know y’all are thinking of that bit in Harrow where Jod says, “Ten thousand years since I’ve eaten human being, Harrow, and I didn’t really want an encore.”
Gideon Nav as Pyrrha Dve’s Achilles?
Finally, Phthia, which Deucalion and Pyrrha ruled, was later Achilles’s home. You could possibly say something here about our Pyrrha and G1deon as not-parents to Gideon, who ~invaded~ the planet of Priamhark Noniusvianus, just as Achilles invaded the city of Priam in the Trojan War. I think that’s probably squinting too hard, buttttt you could still make the case. Also, that takes us full circle back to the other Pyrrhus that Pyrrha could be named for, because Plutarch seems to suggest that Pyrrhus (he of the Pyrrhic victory) got his name from family tradition because Deucalion and Pyrrha were the first rulers after the flood in Epirus.
Other Flood survivors?
OK, I have no idea what to do with this piece, but obviously Pyrrha isn’t the only potential “survivor” of Jod’s “flood” – the fleeing trillionaires (or potentially other human outposts?), etc. Similarly, some versions of the Greek flood myth suggest that in addition to Pyrrha and Deucalion, a few other humans slip through, such as Cerambus, grandson of Poseidon. This seems kind of tangential, but hey, if someone named “Cerambus” shows up in AtN and seems to know a lot about Earth without Jod’s blessing, we should probably listen to him! ;)
Sources
Ovid’s Metamorphoses
The Pseudo-Apollodorus
Other Greek and Roman flood accounts overview
Pyrrha and Deucalion in Greek and Roman writing
On Pyrrha, Deucalion, stones, and puns
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