#Psycho analysis

[wonderfulworldofmichaelford]

Psycho Analysis: Freaky Fred

(WARNING! This analysis is... NAUGHTY!)

Hello dear reader, this is Fred.

You hear the words that are in his head.

To Courage the dog he is a threat,

because he’s very… naughty.

In Courage the Cowardly Dog, you see,

Fred appeared and definitely

left a mark on you and me

by being very... naughty.

So let's take a look at this creepy man,

and hopefully you'll understand

why this guy has garnered tons of fans

despite him being... naughty.

Motivation/Goals:

Fred’s a man of simple needs.

He wants to cut hair, indeed!

And his efforts would likely succeed

if he weren’t so… naughty.

He has a compulsion, you know.

He sees hair and it’s time to go!

And so he spends the\is episode of the show

being very naughty.

Performance: Paul Schoeffler is the man, you know!

He voiced Le Quack, Katz and Big Toe!

The Cajun Fox, Zalost, the Snowman, oh,

he played characters who were… naughty.

He was quite good at what he had to do,

even playing Dr. Vindaloo!

And he played our boy Fred, it’s true,

with a performance that was… quite naughty.

Final Fate: After shaving Courage’s hair,

the orderlies escort him out of there.

One could argue the ending’s unfair.

Fred was only… a little naughty.

Evilness: Is Fred evil? Who can say?

I certainly don’t see him that way.

Really, at the end of the day,

the worst you can call him is… naughty.

He shaves off hair against people’s will

because it gives him perverted thrills.

He doesn’t maim or harm or kill,

he’s genuinely just naughty.

So I suppose a 1.5/10’s the score.

I can’t really justify much more.

He’s not cruel or deadly to the core,

he’s a weird guy who’s naughty.

Best Quote: The opening lines of his sole appearance of course,

which he delivers with no remorse

as he outlines his action’s course

and explains that he is… NAUGHTY:

“Hello, new friend. My name is Fred.

The words you hear are in my head.

I say, I said my name is Fred,

and I've been... very naughty.”

Final Thoughts & Score: Alright, time to drop the rhyming act so I can actually really talk about Fred. And boy, is he ever interesting to talk about! Courage is really a cavalcade of amazing one-shot antagonists, but Fred is easily one of the best and most memorable.

A huge part of that is probably down to his single appearance being narrated from his point of view. He’s the rare Courage villain that gives us explicit insight to his thought process and why he does what he does, and what he does is… extremely strange and even suggestive. His compulsion is so strange and how he narrates it and refers to his actions really build him up to feel worse and creepier than he actually is. He’s not trying to hurt Courage in any way, he’s just trying to exercise his bizarre fetish like a G-rated Yoshikage Kira. There's a lot of ways you could read into this compulsion, but t really does make him stand out as a character due to how unique it is and how it's implemented into the story.

I think what also helps is Schoeffler giving one of his best performances on the show. Like yes, Katz and Le Quack are great, and Vindaloo is a funny meme man, but Fred is just a truly iconic character with such a bombastic and sophisticated narration that I really think he’s a contender for the best character the man played. On top of that we have a fantastic design, with his crazy hair and way-too-wide grin; literally every aspect of this guy is perfect.

But at the end of it all, you have to remember that Fred isn’t actually evil, no matter how much he seems to insist he is. At worst, he’s an anti-villain, and even then it’s in name only; the dude is just a freaky weirdo who looks like Betelgeuse and has a strange fetish he can’t help but act out on, and at worst his actions are annoying and inconvenient as opposed to horribly destructive or deadly. Like, oh no, your hair’s gone! It’ll grow back, whatever. He may be Sweeney Todd for kids, but this barber ain’t a demon; he’s just a fucking weirdo. And I love him for it.

A 9.5/10 is the score he gets,

A memorable antagonist, one of the best.

His narration will never leave your head,

and isn’t that just…

NAUGHTY?

[ilovemyselfandiwannalive]

Go into the chamber

Let complex emotions bubble and explode

See the phantom

Come out

Analyse

[mellohd]

Sitting here psycho analyzing Overtime over lunch, I also have like 6/7 pages of notes. THIS IS SO FUNNN I NEED TO DO THIS MOREE

After I take notes on Bleeding Edge I’m gonna do a more in depth character analysis of everyone I deem important! My brain is just rapid firing theories rn

PLEASE PLEASE SOMEONE ASK ABOUT MY THEORIES 😭😭😭

Again if you have any theories, interesting facts or screenshots etc please dm me, put it in my asks or comments! I’m making a video essay/wiki article over Overtime as a passion project hahaha

[moonriseoverkyoto]

I love studying psych but some days I just wanna believe humanity can be good :(

[zololacan]

BASED !

[mapstomyhouse]

“It is interesting, though, that a strong psychological tendency is now manifesting itself to restrict and defy the force of love in erotic relations, and this is because such relations do involve to every individual some measure of compulsion and dependence. One type of the present younger generation will not acknowledge any feelings of love, even for a sexual partner or a child, trying to base every human tie on reason alone, so greatly dependence feared by them” - Melanie Klein Love Hate and Reparation (1964)

[bhgy123]

Sin

https://www.youtube.com/@ziashabir7601 Kindly subscribe my channel ..I will post more informative and Life videos in future ziashabir@gmail.com +923058021983 Ghari Ikhtiar Khan, Rahim Yar Khan, Punjab 64200Pakistan ضیاء ��بیر zia shabir What is a sin according to the human psychology? A sin, according to human psychology, is a behavior that goes against one’s moral or ethical code and is…

[zuzu-draws]

So after the spoilers for Chap 257 dropped, I saw some tweets clarifying the meaning of the Kanji Sukuna used in the chapter when referring to his mother, and the overall reveals in the chapter got me thinking.

I’m making this post as a way of gathering my thoughts, personal speculations and where I think all of this connects to Sukuna’s character and the information Gege has given us over the years. Nothing I say is by any means new information, but like I said, I’m just collecting my thoughts here. By the way, just a warning, this post contains SPOILERS for the JJK Manga! If you don’t like that, please don’t read this!

Something I’ve noticed is that the theme of “Hunger” and symbolism of “Cooking/Food” is heavily referenced with Sukuna throughout the Manga. Gege in a previous Fanbook has disclosed Sukuna’s favorite Hobby to be “Eating”.

This theme is again very much ingrained within Sukuna’s cursed techniques and even his Domain Expansion, the “Malevolent Shrine”. With his two main techniques being “Dismantle” and “Cleave” are cutting-type attacks. He is also able to use a Flame-Arrow, and Fire is essential for making Food. The Shrine in his Domain Expansion literally has mouths on all sides, looking eager to chew down anything in-front of them!

This symbolism also heavily influences Sukuna’s own manner of speech, and the way he speaks to other characters in the series as well. With his post-fight chat with Jogo before his death, Sukuna mentions Jogo lacking the “Hunger” to take control of his desires, preventing him from reaching the heights of Gojo Satoru. Before the Start of their fight in Shinjuku, Sukuna called Gojo a “Nameless Fish on top of his cutting board”, and that he was going to start by “Peeling off the scales”(refering to Gojo’s infinity). There’s also further symbolism that supports this by analyzing the Kanji and meaning of Sukuna’s “Malevolent Shrine” but I’m not very educated on that so I won’t be opening that point here.

What all of this points to is that Eating and Food……is extremely important to Sukuna, to the point that it literally affects him in manners innumerable.

Eating is an instinct, a necessity for the survival of every single living being.

And In the face of extreme Hunger and starvation, even those with the strongest will could lose their Humanity and revert to the basic animalistic side of their existence. (The Heian Period also had a Famine, although I believe the timing to be a bit off, but do with this info as you see fit)

In JJK Chapter 257, it is revealed to us that Sukuna and his Twin were most likely starving in the womb of their starving mother.

On the brink of starvation, Sukuna had to consume his “other self”(his twin), so that he could survive.

Btw, this tweet and this thread gives additional characterisation to Sukuna:

Link to the original thread: Link.

More context (and reactions :P):

Link to original thread: Here

This reveals to us that indeed, Sukuna was born a twin. And as we all know, “Twins” are seen with extreme scrutiny in Jujutsu Society, they’re not well liked. This too in a period where Cursed Spirits and Jujutsu Sorcery was at its peak, it is not far-fetched to assume that his Mother may not have been treated very well by the people in her surroundings, especially as she bore twins.

When Kashimo asks if Sukuna was born the Strongest or if he made himself the Strongest, this is the response Sukuna gave to him:

When you think about it, how do you think the people around them would have reacted when the woman: who was supposed to birth two twins, gave birth to a single child instead? and that child had consumed his other twin in the womb itself?

No doubt people would’ve been horrified, disgusted and even revulsed. With the woman and her newborn child.

This would’ve led to their further ostracisation in the already very close-minded society. Unable to fend for herself and her newborn child, it must’ve been difficult for Sukuna’s mother to survive. I feel like somewhere along the line, Sukuna was left alone to fend for himself at an extremely young age. To protect himself from both Curses and Society alike.

This is why I believe Sukuna knows what true starvation, weakness and hunger feels like. Both in the emotional and literal sense. He was left without another person caring about him or his well-being, in a cut-throat period where it was “Fight or be killed”.

Powerful curses roamed all across Japan, nowhere was safe. Simply be strong, or you'll die. There's no room for weakness. And initially, a kid!Sukuna was weak, as anyone would be in the beginning when they're just starting out in this world. (and maybe, he didn't have much to eat, leading to long periods of starvation? :') )

I believe it is this debilitating hunger, and feeling of weakness that eventually led to Sukuna’s current Hedonistic mindset.

He’s essentially traumatised by it, and believes that it was his own weakness that led him to experience this sheer starvation. That he deserved to feel this way because he was weak then. Perhaps, the people around him were right, that as long as they have the power and strength to overcome anything, they’re free to do as they please; And there is nothing anyone else could do about it.

I feel like the irony here is that Sukuna himself, must’ve been a “weakling” before eventually rising the ranks to become History’s Strongest Sorcerer. This is also why he values Strength so much.

Ultimately, Sukuna has decided that there was nothing more important than being strong enough to fulfill your own desires. And “eating” is one of his most important desires. It’s his favourite thing to do, the one he derives the most pleasure out of. And like an animal, whose main focus is to consume, consume and consume. He too, simply consumes.

Most morals likely have no meaning to him. He doesn’t care who he hurts, what he does, as long as he’s able to get what he wants. And this isn’t limited to eating.

This is why people referring to Sukuna as a “Natural Disaster” is so befitting of him. Because Natural Disasters also don’t care about what or who they’re destroying, they just come and go, wreaking havoc appropriate for their nature and magnitude.

I believe Sukuna himself has said lines similar in nature, when talking to Kashimo:

Now I’m not sure how Sukuna perceives or even experiences this “Love”, because I think he has a rather very warped idea of it. I do think that this definition of love is similar to the one that Gojo also understands, but I don’t think he knows what “love” truly is. I’m not sure how I could comment on this, but I do think that Sukuna’s emotionally starved, whether he realises that or not.

Because, like Kashimo himself asked Sukuna “What is the point of dividing your soul into 20 different parts and then traversing across time if you’re satisfied with this?” we do not know the answer to that yet.

But many people have speculated that “Black Box” panels in JJK manga represent a curse (either self-inflicted or put by someone) on the speaker. Like, take a look over here where Sukuna reiterates the same dialogue, except it looks like he’s trying to reassure himself:

This once again shows that Sukuna has only ever strived for himself, in the same hedonistic fashion, to a very very extreme degree. It is possible that he's been lacking something, and he himself does not realise that he’s lacking it. Maybe it was this subconscious feeling, that led to Sukuna agreeing to Kenjaku’s plan of dividing his soul into 20 different parts, and to traverse across time as a Cursed Object.

Sukuna’s an incredibly complex character, and I’m excited to see where this goes. Gege has put extra care in the way he characterizes and depicts Sukuna, and again, I’m really sad that a lot of that characterization gets lost in translation. Still, I’m going to try my best to understand and get the most accurate feel of his character as I possibly can.

If you made it this far, Thank you for reading! And if you would like, please do leave a comment in the tags or replies because I would love to read what other people think of this and just Sukuna in general. I do not see a lot of people doing critical analysis of him, and a lot of his actions are seemingly swept under the rug. I don’t like that, so hopefully this contributes to people focusing more on Sukuna and his character. (/^v^)/ <3

[nothingbizzare]

To be a sunflower looking at the sun

[hisenemy]

[wonderfulworldofmichaelford]

Psycho Analysis: Buffalo Bill

(WARNING! This analysis contains SPOILERS!)

Back in 2019, I started Psycho Analysis with a review of one of cinema’s most overshadowed and underrated villains. Now that I’m better at this, I've decided I'm redoing those old reviews, giving them a fresh coat of paint, fitting them into the modern Psycho Analysis style, and updating the scores. I figured there’s no better place to start than with good ol’ Jame Gumb.

Jame Gumb (yes, Jame, he doesn’t have an “S” in his name) is the enigmatic serial killer from The Silence of the Lambs known as Buffalo Bill. He’s left a trail of flayed women in his wake, his motives unknown, and it’s up to Clarice Starling to stop him with a little help from a smarmy cannibal asshole. He’s the perfect sort of twisted, perverted freak you’d hope to find in a grim, gritty detective story. In fact, he almost seems a bit uncontroversial and unremarkable in terms of villains, doesn’t he?

Oh, if only. Unfortunately, there are aspects of Bill’s character that have made him the second most controversial villain of 90s cinema after Ray Finkle from Ace Ventura: Pet Detective. And we’re going to discuss all of that, because the big question when discussing Bill ultimately isn’t whether he’s good or bad, but is he good despite the unfortunate implications he ends up carrying due to what is and isn’t adapted from the book?

Motivation/Goals: Bill just wants to play dress up. Unfortunately, his idea of dressing up involves skinning women and then sewing said skin into a woman suit he can wear to dance about in his underground dungeon, penis tucked between his legs. To accomplish this Ed Gein-esque goal, he uses the playbooks of other killers like Ted Bundy to lure in unsuspecting women of considerable girth, traps them in a well in his basement, and forces them through a strict skin care regiment until it’s time to kill and skin them.

All of this is just incredibly fucked up, and also isn’t elaborated on to quite the degree the novel does due to Bill not being a character we focus on to gain real insight into. The full reveal of his plan is a shocking twist, but we don’t have the full psychological scope of his actions that was laid bare in the novel; while it doesn’t diminish Gumb in my opinion, it does leave the door open for some… problematic readings of what he’s up to, which we’ll discuss later.

Performance: While I don’t think I could possibly say he is an actor who manages to achieve the lofty heights of Hopkins, Ted Levine is still absolutely fantastic in his role. He’s an actor who always manages to inject his characters with a sort of unsettling air; just look at his brief appearance in Shutter Island if you need proof of this. Those skills are put to good use here, as he manages to make Gumb truly unnerving, and arguably far more realistic in his depiction of a serial killer than Lecter is.

Final Fate: After stalking Clarice Starling through his blackened basement while wearing night vision goggles, the tables are turned on Bill and the hunter becomes the hunted as Clarice unloads her gun into him. It’s a rather fitting death; as he preyed on women at their most vulnerable, it only makes sense that a woman strip him of all his power when he appears to be in control.

Evilness: I really don’t think there is any good argument against Bill getting the full 10/10. I mean, the man skins women so that he can wear their skin as a suit. How much fucking worse can a person even be in a story like this? It says a lot that Lecter comes off as more reasonable and less evil than the guy (even though this is decidedly not the case).

Best Scene: You know what it is:

And it’s even Jay and Silent Bob approved!

Really gotta compliment the song choice here; Q Lazzarus’ ominous dance tune “Goodbye Horses” forever had its image altered by its use here, but it really heightens the mood and feeds in to the unsettling nature of Bill’s dance. You can’t hear the opening notes of the song without this scene immediately coming to mind. And to think, its inclusion was all because she happened to pick up director Johnathan Demme in her taxi during a blizzard and showed him her demo tape.

Best Quote: From the above scene, Bill drops one of the most famous serial killer quotes in cinematic history:

“Would you fuck me? I’d fuck me. I’d fuck me so hard.”

Final Thoughts & Score: Buffalo Bill is horrendously underrated as a villain, though clearly there are some out there who appreciate him (Seth Green for example, who based Chris Griffin’s voice in Family Guy off of Buffalo Bill’s). That being said, the movie unfortunately ends up dipping into problematic territory as by excising most of the elaboration from the novel, Bill can unfortunately be read as an unflattering depiction of a trans woman.

Now you and I know that isn’t true, and anyone else who has read the book knows it isn’t true, but do you really think the average moviegoer in the early 90s cared about that? They see the freaky man dancing around with his schlong tucked away, wearing a woman’s skin, and find it unsettling and grotesque. It is incredibly easy to see how someone could see this as something akin to a villain in a crappy JKR detective novel, and it really didn’t have to be that way because the book really goes out of its way to not demonize trans people; while a bit outdated by modern standards, the book explains that trans people are not inherently violent and that Gumb is merely deluding himself into believing he is trans as some sort of warped justification for his actions. It even pointing out he was rejected for gender reasignment surgery. The movie has a few lines, but that’s kind of disappointing compared to the original novel, isn’t it? Then again, perhaps over-explaining would lead to the same criticisms the ending of Psycho gets, where laying things out for the audience in a way that tries not to demonize marginalized individuals is seen as tacky and unneeded.

Considering that Gumb was inspired by real life killers and their motivations (particularly Ed Gein, who has a higher number of fictional characters inspired by him than he does victims) and because I read the book, I don’t necessarily find his portrayal all that offensive, but I am a cis guy. If you do find his character tasteless, I won’t exactly blame you. It’s a rather unfortunate side effect of the transition from book to film that we lost the details that would ameliorate the problematic image of the character. With all that said, I still think he gets an 8.5/10. He’s certainly not as iconic as Lecter is and he’s too problematic to score any higher, but he is a very effective villain for the film he’s in and Levine’s performance is chilling and entrancing.

If nothing else, his existence led to the greatest open RP of all time. That’s gotta count for something.

[soupsnspoons]

mgs doodles part. if i counted right then 5. splitting this one up into canon + jomo though jomo is posting later if anyone likes that au ok wheeee

[exilepurify]

Studio Bones’ and ONE’s masterful work with the extremely nuanced and allusive facial expressions in Mob Psycho 100 adds so much subtext and subtlety to scenes. Like there’s a rich world of emotions behind the text of a lot of important scenes—stuff said only through furtive movements and charged looks. It’s very fun to go back through the context of the anime or the manga and really pay attention to the details. People who won’t watch or read MP100 because of the art style are really missing out

[cultpastorkevin]

Cult Tips for AFTG writers

notes from the resident ex-cult pastor

If you’re in the cult, there is nothing bizarre abt what’s happening and in fact the normal stuff that happens outside of it is what’s bizarre to you. Target? Weird. McDonald’s? Even weirder. I can like guarantee Jean and Kevin never had McDonald’s until they left the Nest.

When you leave, you’re gonna be paranoid as fuck. All the time. Ngl at least for weeks but sometimes for years. Nightmares and insomnia 24/7. Hallucinations too lmao Riko is in every corner of empty rooms and you can hear his voice echo in the confines of the lockers.

I see a lot of Jean wanting to go back to the Nest, but not a lot of Kevin wanting to go back. He definitely struggled, 100%. In fact when he was in the pits of agony from his broken hand, was when he probably wanted to go back the most. Cult is home, cult is safe. Four walls you’ve always known and while it’s a cage at least it’s dependable. They hurt you but by god it always works out and the reward of pushing through this tragic incident is greater than the terror it caused in the first place. It’s a gift, actually. A gift from Riko. He saved Kevin. Cults save you. Cults make you wanna return to them like damn homing pigeons bruh. Give me more shattered hand Kevin screaming at Wymack to let him go back home and having a breakdown when he’s denied fics thanks

Piggybacking off the last one: cults are saviors; you’re nothing without them and they make sure you truly believe that; that everything that is done to you is for you and you’re blessed for it to be happening. You’re lucky even, to be allowed in it. Everything is as it’s supposed to be and order must never be challenged, because it works, and you’re the Edgar Allan Ravens, and this is the most honorable place you could be. All the pain you go through is you earning the right to be saved and to prove your worth every day on court. Only the worthy are honored.

You justify everything that happened and you will start fights and get angry with people who try to correct you and tell you it was wrong what went on.

On the other hand, you blame yourself for everything ever that happened there whether you were at fault or not. Hurting others, hurting yourself, gaslighting the fuck out of yourself over things maybe you could’ve prevented and over things you never could’ve stopped. The guilt is crippling and it eats you alive and haunts you.

There’s a lot of shame too. I see more guilt written than shame but shame is a huge portion of emotions that cult survivors have. Shits embarassing dude like “god how did I end up thinking this wack ass shit was normal” 😐 Shame comes later in the healing process usually, it’s after you have come to terms with shit that’s happened and you understand it. Looking back, you go “Jesus fucking Christ that was a red flag what the hell. Should’ve left then, or then, or then, or then” and then you’re just plain fuckin embarrassed.

Please look up how hive minds and brainwashing are created and work; also Stockholm Syndrome; understanding these would be incredibly helpful tbfh.

Diets are big; everyone eats the same thing; food is used as a reward and a punishment.

Hype hype hype. They whip up a frenzy of one singular emotion and use that to push you into a blind hysteria because you’re more suspectible to their influence when you’re out of your mind.

Drugs. Depends on the cult. But yeah these little bitches can be a huge factor for shit and can help with the brainwashing and hysteria and stockholm. Sometimes you don’t even know you’re being drugged or poisoned until you leave.

OH I ALMOST FORGOT. Dehumanization and then being treated like a person again can be traumatic as fuck yall!! Holy shit! Sometimes it feels worse than being dehumanized!

EDIT AGAIN: you don’t know what mental illness is !! Cults don’t fucking tell you these things lmao. if you show symptoms it’s your fault. Kevin being depressed his mom died was gonna get blamed on him and he was never going to be told grief is normal and it’s okay to be insanely sad. Jean also never got told his anger was correct or his trauma responses to being raped were realistic! They just got blamed for any reactions ever that weren’t neurotypical !! that is all; do with that what you will.

Idk if I think of anything else I’ll write another one but that’s all for now; I haven’t slept much lmao 🫡

[thebabiestbatfam]

When I think about the character of Teru vs. the character of Mob, I think about how incredibly desensitized to violence Teru is. He has absolutely no issue using his powers to defend himself, sure, but he also fully waterboarded a guy and burned a guy to death in season 1 alone.

Teru has had to use violence to defend himself from a young age, because we can infer that there was no one else there to defend him. Claw has been trying to kidnap him for a long time and he lives by himself. He has fought (and won against) many Claw espers. He's not afraid to hurt them, he has before.

This has clearly deeply traumatized him.

At the beginning of the show, he has built his self image around violence being necessary, and its okay that he's hurt and possibly killed so many people, its okay that he probably has nightmares about their pain and their deaths, he had to do it. He had no choice. He had to defend himself from Claw.

That's why he's so upset that Mob refuses to fight him with his psychic powers. If hurting people isn't a natural part of self-defense, then how can he live with himself?

(This is also why it's so important that Reigen absolutely refuses to let Mob kill anyone. He's too young to be able to live with it. They're all too young.)

[shigayokagayama]

probably my #hottesttake on confession arc is that i truly do not think that shigeo lashing out at teru was based on pent up resentment for getting strangled or, if it was, it was such a minimal part of it as to be completely overshadowed by the everything else going on in that kid's head during that arc