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[realestateinsightspune]

Why Balewadi is Perfect for Buying Flats or Investing in Pune Real Estate

Introduction

Looking for a thriving locality in Pune or PCMC to buy a flat or make a real estate investment? Balewadi is the answer! Nestled in a prime location with seamless connectivity and rapid development, Balewadi has transformed into one of the most desirable areas for modern urban living. Here’s why it’s a hotspot for property buyers and investors.

What Makes Balewadi Stand Out?

1. Unbeatable Location

Balewadi is strategically positioned close to major hubs like Hinjewadi IT Park, Baner, and Aundh. Its proximity to the Mumbai-Pune Expressway ensures effortless travel to Mumbai and other cities, making it a top choice for professionals and families alike.

2. Modern Infrastructure

Balewadi boasts world-class infrastructure with top schools, hospitals, and recreational facilities. Landmarks like Balewadi High Street add a cosmopolitan vibe with premium dining, shopping, and entertainment options.

3. Hub for IT Professionals

The growing IT sector in Hinjewadi has increased demand for quality housing near the workplace. Balewadi’s convenient location and lifestyle amenities attract IT professionals, driving real estate growth.

4. Sustainable Living Spaces

Amid urbanization, Balewadi has maintained its greenery and calm environment. Many real estate projects here focus on sustainability, combining luxury with eco-friendly features for a healthier lifestyle.

5. Promising ROI for Investors

Balewadi’s real estate prices have shown steady growth over the years, offering high returns on investment. Its rental market is also thriving, making it an ideal choice for investors looking for long-term benefits.

A Glimpse Into the Future

With infrastructure projects like Pune Metro expanding to Balewadi and road improvements underway, the area is set to become even more accessible and livable. Such developments will undoubtedly enhance its appeal and boost property values further.

Discover Platinum Marvelle: Your Dream Home in Balewadi

Among Balewadi’s many premium projects, Platinum Marvelle by Platinum Buildcon stands out as a symbol of luxury and sustainability. Offering spacious 2 and 3 BHK flats with modern amenities, including EV charging points, Platinum Marvelle redefines eco-friendly living.

[spear-gsun]

Happy 20 years to the Imperishable Night

[poorly-drawn-mdzs]

The Quest Continues...

(part 1- part 2)

[quirkle2]

scenes that make me wanna eat drywall dust

[arttsuka]

Based on somewhat real events

I spent way too much time drawing this...

But yeah, Ford finally saying thank you

A continuation (kinda)

[ashlynniis-bracketeers]

Is this a massive mess?

Yes.

Is it funny?

I hope so lmao.

I couldn't help myself. I got reminded of the stark difference between Meur and Don's "Electric Screaming" Corrosions, which ended up getting linked with this meme in my connection-obsessed brain and I ended up concocting this. These are all of the Corrosion idle sprites that are on wiki.gg (so no Bygone Days Ishmael).

The four parts are "Hear it Hurgling" at the top, "Beaſt" on the right, "Just a Dude" on the bottom, and "Some Kind of THING" on the left. Things ended up getting really crowded in the bottom, left, and middle generally on the left side lmao.

I'll put a blank version under the cut for anyone else who wants to use it. Go nuts 👍‍

[coral-canary]

eepy cuddles……

[toa-arania]

I found Touhou on IMDB and then it got worse.

So there's a bit of a story behind this, as there should be with any post. I have spent the past *checks clock* fifteen minutes and counting losing my goddamn mind over this.

Touhou 1-11, including 7.5 but not 9.5 or 10.5 for some reason, are all on IMDB. This is not that strange, as many video games are listed there for their writing or voice credits. What's weird is how I discovered this. I heard a voice in, of all things, a four and a half hour video about the Lego Ninjago show and how badly it fumbles its women. One of the characters sounded a bit like Azula ATLA so I checked. It was not the same VA. Then I saw this.

And then I saw this.

Now the sharp-witted amongst you may have noticed the tiny little inconsistency that

TOUHOU DOES NOT HAVE VOICE ACTING

Touhou has never had voice acting, especially not back in 2003 when PCB came out. There's also the detail that Layla Prismriver does not appear in PCB, nor does she appear in any Touhou game outside of her mention in the character profile of the Prismrivers, which firmly establishes her as very dead and thusly incapable of speech. You'll be pleased to know that it continues to get worse.

This is not the plot of PCB. What the fuck do you mean only one of these heroines intends to stop it. The cast list is also fucking bizarre.

Merlin and Lunasa are here but fuck Lyrica I guess. Alice and Youmu are not credited and REIMU ISN'T HERE EITHER. Youki Konpaku is credited. Youki Konpaku is not in this game. The goddamn Saigyou Ayakashi (which is spelt disastrously wrong here of course) is given a voice credit. THAT IS A TREE. THAT IS A TREE THAT DOES NOT TALK IN A GAME THAT DOES NOT HAVE VOICE ACTING. I AM GOING INSANE. WHERE IS REIMU.

Now obviously what I did at this point is start checking the other ones, and th8, 9, and 10 don't really have much interesting going on other than a continued and bizarre lack of Reimu in all of them. 6, 7.5, and 11 however are all bizarre for fun new reasons. Let's start with Subterranean Animism and work backwards.

I was suspicious of the lack of images so I went to check all of their pages and they're mostly men as far as I can tell. Most of them are credited in a film called Sule, Ay Need You, which a brief google has only barely convinced me is a real film that exists in the first place. It has a wikipedia article in indonesian. One of them, however (the only one with a picture) has been in eleven million different things with reasonably big parts. I have no idea what's going on here. With the player character situation there are eight characters uncredited not including Koishi, who is also nowhere to be seen (which feels strangely appropriate) and Sanae who I remembered literally as I was typing this is in th11.

Moving on to Immaterial and Missing Power:

TGHAT'S REIMU

Also I'm pretty sure Meiling wasn't in IaMP? (According to a quick google she was added in a patch but not given a story mode). Anyway the sudden appearance of Reimu is the only real interesting thing here because random cast absences are just so commonplace now. Now lastly for the weird fucking pages we have the Embodiment of Scarlet Devil and oh wow this one is something else.

Where do I even begin. Reimu is gone again. Three separate people are credited as Remilia. Actually most characters are credited twice except for Marisa and Sakuya for some reason. Sometimes they specify (voice) and sometimes they just don't. Most characters have [Character Name] and [Character Name (Voice)] which implies that one person is doing mocap or operating a puppet or something while another voices them but then there's just Rumia and Rumia. Who voices Rumia. Remilia has three fucking credits. Marisa and Sakuya get to be normal people. Reimu and Patchouli are just fucking gone. What the hell is happening.

And now it gets stranger once again because I said th1-11 earlier, not th6-11. The PC-98 games are all here too. However. Those pages are all just. Normal. ZUN is credited as the writer. There are correct plot summaries. No voices are credited. The name format is even different (Touhou [Number] [Japanese name]: [English name] instead of just Touhou [Japanese name]: [English name]). They're far too good quality. It honestly feels like whoever uploaded the PC-98 games is a different person to whoever's been doing their bizarre uploads of the windows games.

Now at this point I was looking for other interesting stuff to add - IMDB has Did You Know segments that had fun little details about the games, which seemed to be accurate. It also has a More Like This section linking to the other pages and-

...

...

Luna Nights is here too.

...

LUNA NIGHTS ALSO DOESN'T HAVE VOICE ACTING!!!!!!!!

[atomicpowered]

Last night my bestie of besties launched another kickstarter! (If you remember me talking about those gorgeous fullmetal tattoo like pins a... god, I guess it's a while ago now. This is the same bestie.) She doesn't have a tumblr so I am taking the liberty, (It's my pleasure really, I benefit too.) of slinging it here in front of you guys!

It's really ambitious, and I'm not gonna go super into it because she already has some nice copy to read on the site itself, but we have over 50, yes, Fifty, Five Zero, designs up for funding. And my specific blorbos wont get done unless we get them funds. This, of course, wont do!

I don't have to worry too much as of posting this it already is funded for the initial tier in only about an hour and a half of being live, but again, fifty designs.

I've helped a lot with the project both from a support angle and brainstorming! And when it comes time for the fulfillment portion of the exchange I will be seated in those trenches. Each design comes with floriography attached, and we both put a ton of thought into each choice! If you have a FMA character you like I am pretty damn sure they're gonna be here.

Please take a look, or at the very least share it around! Oh! Also if you backed the previous kickstarter I mentioned, you get COLOR VARIENTS! AND! If you back this one in the first 48 hours you get BLACK HAYATE! A must if you like the military crew, cute dogs, or are a completionist. For completion sake he's a must for any collection, so stop on down!

[onethousxndvoices]

took a break from my main projects to do some visdev practice. have a line up for a layton fic that'll probably never see the light of day

[thekittyokat]

you ever just have a lot, a LOT of feelings all at once about a character and not even remotely enough words or brainpower to FORM the words to describe everything you're feeling. so it feels like you may explode. yeah

[skrunksthatwunk]

i just know his ass has a debilitating urge to chew ice constantly (<- projecting)

[sunnymainecoon]

Actually imma post this

Unsurprisingly without context because I'm too insecure for context*squints at u

[gynii]

omg new oc :3

i’ve been working on a whole new story with a fresh and massive cast of characters for my visual story telling class, so hopefully i’ll be able to post my work for that with semi frequency. i used these little drawings of ofelia to solidify the style i want to use for this project, but i also just really love her design as well :)

[wavesoutbeingtossed]

I know you don't like discussing the muses but i love your takes and perspectives and i had to ask you about this. after listening to ttpd, did you have the impression that she really loved matty more than any of her exes/previous relationships?. And listening to the whole album as a whole would you call it the ''matty album'' or do you think there are more prominent themes in there than their period together?. (hope this doesn't bother you, feel free to delete if you don't feel like answering it)

hey anon! You're right, I don't really like to get into the muses as I don't really think there's anything to add to the conversation at this point, and ultimately I don't think it matters.

That being said, and with the caveat that I am not Taylor and I do not know Taylor so I cannot speak to her thoughts and can only make relatively educated guesses based on being an avid consumer of her work and a student of the human condition (lol), no I do not think Taylor loved Matty more than anyone else. I think there was maybe a brief period in the thick of things where she *thought* she did because she was not thinking clearly and was in full-on denial, but to me the message that is loud and clear in the album (and more or less explicitly stated in the epilogue) is that it was not any kind of real love affair. It was certainly infatuation and lust and the promise of something more, and there may have been some love as well, but he was in no way the love of her life by any measure.

I would call it a "Matty album" insofar as they're about events in which he was present, sure. But I feel it much more as a Taylor album, if that makes sense, even though I know that's a cop out because every album is to a degree. I can't explain it well, but I don't see TTPD as a Matty (or Joe) album in the way that I would maybe say Red is a "Jake" album or 1989 may be a "Harry" album or even Lover being a "Joe" album whatever, because even if they don't figure in all the songs, that kind of heartbreak permeates so much of the material.

The thing about TTPD and the Matty situation is that the Matty situation is really a Joe situation (which in some ways is actually partially a Jake situation). I always say I hate treating Taylor like a character so I hate speaking about her and her work in this way, but you don't get the Matty situation without the Joe situation precipitating it. It's @taylortruther's now-infamous donut vs. hole analogy. The reason Taylor makes the choices she does with Matty is directly tied to what happened with Joe that made her feel she needed to. Which is not to say Taylor isn't responsible for her own actions or doesn't have agency in her own life, but I mean it in that the situation in which she found herself with Joe, and the pain it caused, is what made the alternative so comforting and perhaps even necessary in her mind. It's why it makes it so hard to "paternity test" the album, because the stories are inherently intertwined and you don't get the former without the latter.

The major "theme" of the album to me is the loss of a very specific, very personal dream, and the way in which she lost it, and the way in which grieving that loss drove her to make the choices she did. We're all talking very delicately about it because it's a sensitive topic, but it's late on Friday and few people are going to see this, so I'm going to say it: it's the give you my wild, give you a child of it all. The yearning she expresses both overtly and sub-textually for having a family in the album is palpable in a very iykyk kind of way, and it's the realization that those plans are not going to come to fruition in the way she had once imagined that drives a lot of the pain she experiences, and makes her jump at the chance to find that again with someone else.

I started a draft post about the theme of womanhood and motherhood on TTPD three months ago that I never finished because I ran out of time and ran out of steam, but it was the most striking thing to me on the album, not because I didn't know that she wanted those things because that's been obvious for years (definitely since Lover, and again, peace put it all on the table), but because the vulnerability she expressed about it on the album is incredibly moving, and it's so generous of her to trust listeners with those feelings and experiences.

Again, it's the thirtysomething of it all.

She is in relationship A which she at one point believes is forever, one which she at one point believes is going to lead to marriage and children. She is so committed to that dream that she either ignores or tries to fix serious issues that may otherwise lead others to think the two people in the relationship are incompatible, both because she loves the person deeply and because she feels that this is meant to be the way she achieves that dream. She gives it her everything, and it still dies a slow, painful, onerous death, and she feels like it may take her along with it. The dream of getting married and presumably having a family gets taken off the table: how we don't know and will likely never know because that is private between the parties involved. All that matters in the context of the album is that those plans never come to fruition and never would.

Then you have relationship B, an old flame who knows just enough buttons to push both to trigger and to flatter. A person who she presumably trusts with very sensitive, personal information as her life slowly crumbles, and this person is telling her all the things she wants to hear because he knows about what is happening in relationship A because she's told him. Person in relationship B doesn't get an "in" with her and sell her this dream unless what happens in relationship A precedes it. It's not a grand love affair for the ages, it's not a mutual decision on building their own dream together. It's Person B learning about what is happening with Person A and saying "I can do that!" even if he can't or doesn't. The dream he sells her is a rental car; it's not his own, he's just borrowing it from someone else and selling it back to her.

And the reason she falls for it is because it is what she aches for the most in her personal life, and she is grappling with it disintegrating, so she (unfortunately for her) falls for the easy way out, and in turn sells herself a story about how this must be fated, and this must be meant to be, because this person wants all the same things she does and she didn't even have to bargain for it! Well, yes, because she fed him the dream in the first place. (Like a mark falling for a sleeper cell spy.) It's too good to be true because it isn't true. IMO Person B doesn't come running out of the gate with the marriage/baby/dream life promises unless he knows that is what she most desires. But what's left unsaid out of all of it is that: those dreams were her dreams because they were her dreams with Person A. It was a whole life they had together, and a whole life they had planned for in some fashion, and a whole life that has to be dismantled in the aftermath.

So all this to say, yes, on the surface, Matty is a "main character" on the album, but truly he's a side character to Taylor as the narrator and person experiencing it and Joe as the ghost bit-player-who-haunts-every-scene. (Again, I hate referring to real people as characters, it gives me the absolute ick, but in this case it's the only way to answer the question.) I jokingly call it the Matty album for shorthand or when I want to say something out of pocket, but really, it's a disservice to the album to say that because it's not a muse album as in it's about the romance (like, say, Red often is), it's about a soul-crushing heartbreak that goes beyond it. The romance is the symptom, not the cause.

The loss of youth is tied in with all this: she's not 22 anymore. She isn't even 32 anymore. She had a very specific idea of what her life was going to look like at this point and had planned for that life, and it goes up in smoke. But again, to bring the womanhood into it all: there is, unfortunately, a deadline for these things. You're with someone for over half a decade you think is going to be your life partner and father of your children and and then he's not. You spent half a decade building this relationship for it to crumble, but now you're in your mid-30s and you don't necessarily have another half-decade to build that trust and faith in someone else before being ready to start a family. And maybe you're scared that anyone else who may become your partner will need that much time to build that trust and faith, because that's kind of all you've ever know in relationships. But lo and behold, someone comes into your life you once had feelings for and maybe now do again and is offering you everything you want and thought you'd have by this point in your life right now. It feels like an elixir that as we find out is actually poison.

That youth is not just the chance for motherhood, but it's also the hopes and idealism and belief in the future that often gradually erodes as we age. But for Taylor as well, it's also tied into the trauma of what she went through particularly in 2016, which kicks off a lot of things on the album as well (her retreat, her relationship with Joe, the pivoting in her career, etc.). That event caused a pretty clear before/after in her life (like a few other events, I suspect), and another major theme in the album is her finally grappling with the full weight of that. They're all different branches of the same tree of the story of TTPD and her life.

I could talk about this stuff forever, but I'm going to stop here because it's long enough and I should save stuff for one of the dozens of drafts I have half-baked lol. But this is just something I needed to get off my chest perhaps.

[yourlocalabomination]

Ashes to Ashes, Dust to Dust.