#Prog Mountain

[trevlad-sounds]

Invisible Club 2

28.02.2024

Hello. Trevor here. It’s time to enter the Invisible Club. 16 tracks from 16 artists for how ever long it takes.

The musical keys for this week are D minor, C# minor and D # minor the BPM range is 122-130.

Invisible Club comes out every Wednsday and is a compiment to Invisible Waves with less talk and more action.

This weeks artists are, in order of appearance Ekoplekz, Tommaso Nudo, Baldocaster, Prog Mountain, Erell Ranson, Arkajo, Claude Lavender, Speedy J, Thought Bubble, Moskva-Kassiopeya, Patrick Cowley, Solipsism, Brian Bennett, TFSL, Birds ov Paradise, Wojciech Golczewski and Isfjord. Let’s gooo…

Intro 00:00

Ekoplekz-Brass Tackz 00:33

Tommaso Nudo-Wood Vibrations 04:37

Baldocaster, Prog Mountain-Sudden Departure 11:30

Erell Ranson-Fragments Of Moments 14:17

Arkajo-Rymdkollo 19:49

Claude Lavender-Going Up 27:10

Speedy J-Beam Me Up! - Remastered 2021 29:38

Thought Bubble-Now Boarding 34:56

Moskva-Kassiopeya-Stellarfall 39:12

Patrick Cowley-Love Me Hot 44:42

Solipsism-Human 2.0 49:49

Brian Bennett-Pendulum Force - 7' Edit 54:20

TFSL-The Tale For The Tales 58:21

Birds ov Paradise-Luftiga Ljud 1:08:16

Wojciech Golczewski-Reality Check 1:13:51

Isfjord-Drekktu mig 1:15:38

Outro 1:19:08

[soadblr-song-tournament]

ROUND 1

[dragonscinders]

Sorry not art but i Have to post about how Julia is actually so the bear from ok goodnight’s album the fox and the bird bc i realized this a few days ago and havnt stopped thinking about it and like AUGUJJHHH OH MY GODD ‼️‼️‼️

(first two are from The Bear last two are from The Mountain)

like….. the almost immediate violent response and steady descent into beasthood in the midst of an ongoing tragedy (for Julia the beast plague obviously and for the bear the drought) because maybe they havn’t known much other than violence so how the hell else are they supposed to be responding to this ??? idk i just think it’s very fun i would be more than willing to explain this further i am just tired and also supposed to be doing classwork rn so im cutting it off here bye

[emotionally-charged-arson]

Political Machinations, Source (Ayreon) Edition

Have some headcanons.

Whatever country on Alpha the story takes place in is a presidential democracy. You never really get into specifics, but there’s two “abnormal” points to consider: legislation moves considerably faster than, say, the US system, and immigrants are allowed to run for president so long as they are naturalized citizens having lived in the country for ten years.

About two years pre-‘Frame takeover, the dominant political party was a group of standard pro-industrialization idiots, whose actions had just come back to bite them in the ass what with the pollution and withdrawal of aid from international powers over petty fights and such. The president (not Russell) eventually resigned halfway through his term in total defeat, kickstarting a new election. This is done two years after another abrupt resignation by Simone Simons (Counselor), his personal therapist, who saw how volatile things had become in the political sphere and didn’t want to be involved anymore.

The next most powerful party in government for the last five years had been a group called the Conservationists, environmentalists led by The Opposition Leader, who we’ll just call Tommy, an argumentative political minister with a history of ecoterrorism early in his career. This is where most of the album characters naturally place their loyalties, on account of them being mostly scientists who like the focus on rejection of unnecessary technology and healing of the planet and such. Said characters form a sort of “inner circle,” existing outside of politics but still using influence to push the party’s agenda, sometimes using underhanded tactics:

The Biologist (Floor) is the technical founder of the party, organizing support and pushing Tommy into politics a little over ten years pre-TDTTWD. She continues influencing policy, public image and recruitment.

The Captain (Tobias) is an engineer with billions in inheritance money and influence over the space program he’s happy to drain into the cause, so long as they entertain his ideas of leaving Alpha entirely. They have an odd, careful agreement that they’ll let him go nuts with his exodus spaceship antics, but only if things are REALLY hopeless. He has personal motivation as well, having known Tommy for over almost twenty years.

He’s also unintentionally helpful to public opinion of the party, as he’s native to the country, while the other “bosses” (Tommy and Floor), are both immigrated.

The Historian (James) conducts funded research in environmental history at the capital city university lots of characters are affiliated with. He’s publicly affiliated with the party, leaving him on thin ice with said uni (on account of them desperately accepting funding from shady sources that support “over-evolution” and rejection of natural preservation as a necessity. This leads to to massive bias in research and teaching within the institution, sometimes going as far as outright censorship). But he’s crafted a very odd strategy to support the Conservationists and still keep his position, that is publishing work with wildly opposing viewpoints so the school can’t accuse him of leaning one way or the other. So like, he’ll write a scathing commentary on increasing lack of breathable air in lower city levels and its causes, and before he can be targeted for it he’ll whip out a journal article about how it’s actually totally fine if all the fish are dying because it’s good for the economy. He feigns neutrality through pure confusion while the actual party uses select research of his to promote their cause.

The Astronomer (Hansi) is in a similar predicament. He’s a high level professor with ties to Floor, who abandoned a teaching career herself to join in on Tommy’s politics and tried to take Hansi with her. He refused initially, too attached to his job security to take a risk like that. He did eventually join in, but only after the party came to more substantial power (and when the state of the planet got substantially worse). His situation is a peculiar one, though. He’s still intent on keeping his job, but uses it for the party’s benefit. In short he preaches their ideology in his completely unrelated astronomy classes, in hopes of educating and swaying younger people (often coming from very wealthy backgrounds) to their efforts. Amazingly, he’s been able to do this for years without being suspected on a large scale. Floor is the only one that even knows about his involvement.

The Prophet and The Preacher (Nils and Zaher) are exactly that. Religious figures that run a local, newly popular religion related to the Universal Migrator.

The Migrator’s existence is a relatively new discovery, made at this capital university, and the nature of it caused people to question already established religions on Alpha. It’s an actual answer to the deepest questions in the known universe, and it destabilized faith in other higher powers while spawning a religion of its own, with Zaher being one of its earliest public figures. A few years later, Nils gained his prescience spontaneously, and attributed it to The Migrator which he learned about through his research in theoretical astronomy. In reality Nils’ visions and the Migrator have almost no relation (it’s actually Time Telepathy but that’s a whole other can of worms), but it’s not like HE knows that. He leaves the university, declares his faith and starts working with Zaher to spread it.

The religion’s popularity skyrockets once Nils gets involved. His visions are, apparently, founded in reality. All at once, the Migrator’s existence and power is proven while also appearing to have more spiritual qualities than its hardcore scientific discovery likes to admit.

More importantly, those visions validate practically everything the Conservationists promote (the end of the world via technology, etc), and at Tommy’s request Nils and Zaher affiliate themselves with him. The party now appeals to a new and LARGE demographic, even if it alienates members of other religions. At this point the Migrator one has become the dominant faith in the country anyways.

Everything is great. We’re influencing politics in a real way. We’re making progress.

Except we’re not doing it fast enough.

So says Russell, some GUY who shows up out of nowhere trying to run for president when Tommy would otherwise have campaigned completely unopposed. His whole shtick, of course, is using the Frame to solve all the world's problems and he presents it in a very hopeful and upbeat tone. He’s recruited the singular competent person from the previous presidential administration, The Diplomat (Mike), who had lots of public favor given that he was the one keeping the shitshow in one piece for years on end. Mike vouches for him and this is very helpful but it’s supplementary to Russell's specific talents.

Against the Conservationists-their endless funding, big name supporters and heaps of evidence and political experience-Russell has something none of them do, even the previous president before him: the ability to pacify the public. Tommy and Floor, two people with insane and unchecked environmental anxiety, are very prone to using scare tactics in their politics. Promises of Alpha's destruction if they don’t heed their warnings combined with Tommy's aggressive rhetoric and tone of voice. The previous president loved deflection and false promises, standard government official behavior. But Russell is a calming, charismatic and genuinely positive person that seems almost docile next to the others, and in that he’s the 'comfortable' option. He makes people feel safe and is offering a fast, even possible solution to their suffering. People LOVE him.

This whips everyone into a panic. The Conservationists supposedly know that the Frame will turn on humanity and out of their fear, that gradually becomes the main focus of their campaign. So much power is turned against Russell that they seem even more aggressive to people than they did before, no matter what they stand for and they start losing credibility. Eventually, obviously, Russell obtains the presidency, a month before TDTTWBD.

As a show of good faith, the losers are invited to Russell's inauguration. Floor, the more reasonable of her group, is hopeful that if they play along for a while then they can corner Russell and talk him out of his Frame plan. All that goes down the drain when Russell lets a snarky comment slip during his speech and Tommy, hopeless and erratic, starts beating his lights out in public. Him and several higher ups on his side are arrested for attempted assassination, setting off a domino effect of trials and investigations (including Hansi and James) over the next few weeks as the party is legally dissolved.

From there, into the main plot, viewpoints of characters begin to unravel. Russell's whole Frame plan existed because he KNEW there was no other option, and soon enough Floor starts understanding that. All of a sudden as the literal apocalypse rages outside, Tobias’ plan has become the most reasonable, the Nils’ visions shift accordingly. Tommy is released from death row on Russell’s orders, and a hinge point of the two’s conflict is wondering if he did that out of actual compassion or because he knew Tommy would have done far more damage as a martyr. Everyone gets to grapple with how little the work they poured their lives into mattered now that Alpha is gone.

Et cetera, et cetera. Sorry I didn’t talk about Chemist, maybe he’ll have his own post. Man is his own mess that doesn’t even become plot relevant until Star of Sirrah.

[savage-kult-of-gorthaur]

A DOWNED ALIEN SPACECRAFT IN A LAKE OF MIST: SCI-FI ART IN THE SUPER-SEVENTIES.

PIC INFO: Spotlight on a HAWKWIND poster design for the band's fourth studio album, "Hall of the Mountain Grill," released by United Artists in. September 1974. Artwork by Barney Bubbles.

"Before his celebrated designs for Stiff, Radar et al, Barney Bubbles created a spectacular body of work for Hawkwind. The band's manager Doug Smith has called Bubbles 'the most important artist of our generation' for the visual identity he created for artists, whereas Peter Saville has simply said "Barney Bubbles should be canonised.""

-- ROCK-EXPLOSION (Classic original rock and pop posters)

Source: www.rock-explosion.com/catpage6.html.

[gynoidluddite]

"Much like a needle through the heart One day the madness will end The hunters slinking through the bracken Ready to tear this reverie apart

My grief at leaving you is boundless But I must never return So in the forest you will find me there I'll leave a trail that leads you home

Now burn the bridges end to end Fall to the river below For I was nothing but an impostor Wide-eyed and chasing white rainbows

The years of sacrifice erode The warp and weft of my soul Our wretched hovel is devoured By yellow meadows flooding with rose"

Haken - Beneath the White Rainbow

[coffeejoshy]

[blackbeardsrock]

Gentleoctopus: Alquin / The Mountain Queen (1973)

[girl-dot-tzt]

Alright results are in, I'm not allowed to finish for 36 days 🙃

Im going to update this as a lil diary to keep me honest💃

Day 1: I'm feeling pretty good, I notice I get really horny when I take my prog the ✨️fun way✨️ so I'm going to use that method to increase the challenge this month. I'm thinking of meeting a friend tomorrow so I'm excited!

Day 2: more of the same, pretty standard, had a great time with said friend. Getting a teeny but pent up but nothing crazy yet.

Day 3: getting more pent up but it's still manageable, made the mistake of reading a ton of horny posts and getting myself really horny. Thankfully I calmed down and now I'm good to go

Day 4: went to work, did some bike wrenching, now im boutta sleep. pretty uneventful but I'm meeting a good friend of mine tomorrow so I plan on making up for the lack of horny twofold. I need to get some Oregonian mutuals bc I'd like to bite someone :3

Day 5: got my tits fondled for like 3 hours while I watched anime and got insanely high, I need like 4 people to hold me down and grope/tease/fuck me... preferably all at once. I've got 31 more daysssssss, does it count if it's hands free? 🧍‍♀️🧍‍♀️

Day 6: got no sleep, very horny, idk what direction Is up, and I need an answer to the question from yesterday 😫

Day 7: got sleep but not railed because if I get railed too well I'll could possibly finish and idk if that's OK yet :3. I'm going to mountain bike today! I'm super excited bc I need something to take the edge off, if I'm really unlucky I'll get too horny from the idea of getting fucked in the woods and make an update here.

Day 8: we're evening out a little, this may not be impossible, tbf I haven't had time to do much lately so when I finally get the time to ride my toys that might change. I'm planning on doing that tomorrow :3

Day 8 update: I accidentally took two progesterone pills because I boof mine, but I accidentally muscle memory-ed taking my prog orally. Got so horny during work that I nearly cried.

Day 9: I broke some spokes while mountain biking and now I'm sad, but horny and frustrated too. I can only think about being bred, but also being sad that my bike broke, damn fucking stupid sticks getting inbetween my fucking spokes. I need railed bad, etcetera etcetera

Day 10:

Girl abs, that is all

Day 11: I'm going to fuck myself on the biggest toy I own until I'm crying or edging with my Pspot🧍‍♀️ I will return

Day 12: I'm pretty sure I ended up getting edged. Pretty sure because I've never actually finished hands free before and my vibrator died right before I was about to finish. One of you witchy mother fuckers knew I was about to cheat or something, no other explanations, couldn't possibly be that I forgot to charge toys like a dumbass. Laugh it up, I got edged hard by my ADHD.

Days 13: I had a threesome and it was awesome! I explained my agreement to them and got teased a bunch as me and my friend dommed the fuck out of a gorgeous girl. We groped and kissed and sucked all over her body as she got more and more worked up, until eventually I was fucking her with my big purple vibrator and she came hands free for the first time! We made sure to shower her with all kinds of praise and congratulations 💃💃

Days 14-16: started a new job, I'm getting so horny these days that rather than feeling butterflies it's like an almost painful NEED. Like I just desperately need to get tied up and ground into dust, getting edged with my vibrator did a number on me because I'm a mess rn😆

Days 17-20: if I may be honest i embarked on this endeavor to try to finish hands free, I've never done it before but I desperately want to. I think I'll be able to do it by the end of these 36 days or sooner. Idk it's just a hunch🧍‍♀️

Day 21-29: 10 hr shifts in a lab will drive you nuts when there's nothing to think about but getting railed and ice cream percentages. On the plus side I am not only paid but required to eat ice cream every hour at my job. On the downside, I got so horny I cried last night🧍‍♀️😵‍💫😵‍💫

[astriiformes]

Okay, fun question time. One of the various multimedia elements of the LotR Road Trip AU story is that I am planning on making playlists for each member of the Fellowship, the idea being that they're supposed to be snapshots into everyone's music libraries for when they have the aux cord in the car.

My music taste is pretty all over the place, which helps with a project like this, but I can't claim it's as broad as I would like when trying to represent the music tastes of nine different people. So I would love to solicit some ideas from people--genres, artists, even specific songs. You name it.

Here's generally the vibes I've been curating so far, though I'm not entirely married to all of them:

Frodo -- Indie, acoustic, folk? Probably some instrumentals. Chill beats to carry a cursed artifact to.

Sam -- Generally pretty upbeat. For sure some really traditional folk influences but also like. Folk rock. Should be an extremely feel-good playlist.

Merry -- Nerd music, to put it simply. Folk and filk, as well as some of the found-filk folks out there like Hank Green, probably.

Pippin -- Pop music! He's here to have a good time. Would especially love some input from the Gen Z crowd here since my pop knowledge is a little dated for the youngest member of the Fellowship. What Chappell Roan song would be his favorite.

Boromir -- He is puzzling me. I am keeping in mind that he should have some like. Elder millennial vibes. Currently have Green Day, etc on there but I'm trying to decide if that works.

Aragorn -- Dad rock, plus some modern rock. Think about your dad's road trip playlist (I know mine has several) and you're getting the right picture.

Legolas -- Pop and some indie/acoustic songs. Also a little musical theater. I'll be honest I'm making his eclectic on purpose. Definitely a little cheesy, aro/ace jams encouraged.

Gimli -- Metal, industrial, classical. There is no bigger Trans-Siberian Orchestra fan. Possibly also some labor songs, though I'm thinking more like metal/rock covers.

Gandalf -- Prog rock and other wizard music. I am doing something very dumb and silly and putting classic rock songs with meta references to LotR on his (ex: Led Zeppelin's Misty Mountain Hop), but other suggestions are good too.

Please feel free to totally contradict some of these vibes though. Ideally some of these playlists with be a little more all over the place than I would usually lean towards, since the idea is to represent someone's music taste, not make a true character playlist.

So! Help me out here. What do you all think each Fellowship member would listen to?

[goodluckclove]

I love music so much guys I would love to find more artists to listen to. What do you all listen to?

I'm down for literally anything, but I mainly gravitate to:

folk (acoustic and atmospheric)

classic/prog-rock

chill lofi-ish things

funky and disco stuff

for rap my favorite stuff has been funk/dub based or more spoken-word and instrumental. i haven't found any artist that really does the hard-bass/mumblecore stuff but i'm down to keep trying

i'm finding that i'm down for math rock

shoegaze is great

would love to find more interesting classical pieces

i do like country but so far i've only enjoyed queer country (k.d. lang/brandi carlile)

sad/mad/glad indie

I'd be really interested to see if I can find a metal band I like. I've enjoyed some hardcore bands but I can't remember them. I would also like to hear suggestions for hyperpop bands to enjoy because that is a very hard genre to get into for me but I do like 100 gecs.

Please I need new music to listen to while I write. I can't keep only listening to The Mountain Goats and my Songbird Elegies brainstorming playlist for the rest of my life.

[shamandrummer]

"The Seven Generations and The Seven Grandfather Teachings"

Discover Indigenous wisdom for a life well lived in James Vukelich Kaagegaabaw's book The Seven Generations and the Seven Grandfather Teachings. Based on ancient teachings from the Anishinaabe/Ojibwe people, this self-published (2023) book about the Ojibwe language offers not just historical insight but valuable life lessons for modern times. The book's teachings emphasize the alignment of words with actions and the importance of leading a holistic life. The central theme is the concept of interconnectedness: "Aanji-Bimaadizing means, 'transforming your life'." This is no ordinary transformation. It extends far beyond the self, touching the lives of past, present, and future relatives. We live in a reciprocally interrelated world where every action we take ripples forward and backward in time.

Grandparents – family connections in general – figure largely in Kaagegaabaw's story of the way Ojibwe language was handed down by a people who understand the land and their place on it. He points out that when we hear a word like Nookomis (my grandmother), we hear a sound "created by a person who knew this land back when it was covered by ice a mile high, before Gichi-gami, the Great Lake, Lake Superior, existed. When we use the old words, we are using words that were spoken by someone who saw woolly mammoths, giant Mooz (moose) and Misamik (giant beaver)."

Kaagegaabaw is proficient at explaining the heart of the Ojibwe language. He demystifies the vocabulary, breaking words into small parts for a clear understanding of their meaning. The primal language conveys a "Great Law" that helps speakers live in peace, harmony and balance. He cites the ancient Iroquois (Haudenosaunee) philosophy of considering the impact of each decision on the next seven generations. Seven generation stewardship is a concept that urges the current generation of humans to live and work for the benefit of the seventh generation into the future. As we navigate through the labyrinth of modern existence, how often do we stop and ask, "How do my actions today honor my past and pave the way for my future?"

The seven generation teachings, known as Gichi-dibaakonigwewinan, are truth, humility, respect, love, bravery, courage, honesty, and wisdom. The chapter about honesty indicates that just speaking the truth isn't enough; it's also imperative to align your words, actions, and intentions. Kaagegaabaw asks why would we use a sacred gift from the Creator, the Ojibwe language, to deceive others? The language demonstrates that the consequence of deceit is disorder. Only those who are out of balance will lie. As Kaagegaabaw put it,"Observe how I live, and the truth will invariably come out of it. It always does."

Kaagegaabaw concludes by pointing out that when we change and improve ourselves, we change and improve those who came before us and those to come – connecting them. As Kaagegaabaw so eloquently put it, "If I change myself, have I changed all of my relatives?" Though his ancestors were victims of colonization, genocide, and subjugation, Kaagegaabaw believes they can be healed through his interconnections with them. "I can still heal them," Kaagegaabaw asserts. "We are still writing our ancestors' stories."

About the Author

James Vukelich Kaagegaabaw, a descendant of Turtle Mountain, is a renowned international speaker, author, educator and digital creator. His keen insights were developed through speaking with and recording elders and native language speakers across North America as part of the Ojibwe Language Dictionary Project. James is a passionate advocate for sharing how to live a life of 'mino-bimaadiziwin,' the good life. For over twenty years, he has facilitated community language tables, consulted with public and private organizations on language and cultural programs, and traveled internationally as a keynote speaker. He has been featured in numerous publications, podcasts, radio & television programs. James lives in the Twin Cities, Minnesota with his wife and son.

[savage-kult-of-gorthaur]

SPACE CADET REPORTING FOR DUTY IN THE SUPER-SEVENTIES -- READY FOR TAKE OFF.

PIC INFO: Spotlight on Lemmy Kilmister of British Space rock band HAWKWIND, performing live in 1974, St. Louis, USA, during Hawkwind's "Hall of the Mountain Grill" North American tour. 📸: David W. Lawwrence.

Source: https://commons.m.wikimedia.org/wiki/File:Lemmy-1974-Hawkwind.png.

[dustedmagazine]

Dusted Mid-Year 2024, Part I (Oren Ambarchi to Loma)

Oren Ambarchi and crew

Half the year is gone already, and how did that happen? At Dusted, we’ve spent six months listening to good records and bad.  We’ve picked our very favorites, the top two from this year’s pile.  And now, in an annual tradition, we turn them on our fellow writers.  Hah, take that!   

Some of our Mid-Year switcheroos have been highly contentious.  We may have lost a writer or two in the aftermath.  Others have been remarkably collegial and full of positive discovery.  This one falls more or less in the middle.  Only a couple of reviews are notably grumpy.  A slightly larger (but still not large) number show evidence of newly awakened fandom.  For the most part, we came out with the same favorites we brought with us, though perhaps a little wiser about the music that we’re missing. 

For this reason, it is harder than ever to identify winners.  There’s no universally admired album we can call “this year’s Heron Oblivion.”  Rosali and Winged Wheel each got four votes, as close to a sweep as this year brought.  Oren Ambarchi’s Ghosted II notched three.  There were lots of lone pics—which is fine.  More music to check out. 

As always, we’re breaking the mid-year into three parts.  This one covers the front of the alphabet, a second will deal with the back.  The third, as always, provides longer lists from participating writers.  We hope you enjoy it. 

Oren Ambarchi / Johan Berthling / Andreas Werliin —Ghosted II (Drag City)

Who recommended it? Bryon Hayes

Did we review it? Yes, Tim Clarke said, “They cleave closer to the meditative, exploratory grooves of The Necks, laying down intricately detailed and gradually evolving parts… Sublime.” 

Bill Meyer’s take:

Count me among the Dusted writers who hold this trio in high esteem. Ghosted II strikes so precise a balance of texture, stillness and motion that it’s easy miss how fragile it is; one misplaced note or beat could bring it all down in a second, but the trio sustains each of the album’s four tracks for ten minutes or thereabouts. While it’s easy to appreciate the tidal flux of Oren Ambarchi’s guitar>>table of boxes>>Lesley speaker signal chain, and Johan Berthling’s immovable bass presence, if you are about to put this record on the hi-fi for the first time (PLEASE listen in stereo), consider focusing on the infinite mirror effect of Werliin’s percussion. Your third eye will thank you.

Olivia Block — The Mountains Pass (Black Truffle)

Who picked it? Bill Meyer

Did we review it? No

Ray Garraty’s take:

This has actually none of the pretentious stuff you expect to find in a work by somebody who has been dubbed a “media artist.” The second part of The Mountains Pass is especially stunning where ‘f2754’ has clearly a Giallo-esque feel to it, fast paced and a tad prog rock-ish. “Violet-Green,” perhaps the best composition on the album, brings in mind those creepy soundtracks, with synths and bells, which we usually hear on bad horror movies. And even when Olivia Block, on the same track, begins to sing, her voice is outlandish enough to think that she was abducted by the aliens. 

Camera Obscura — Look to the East, Look to the West (Merge)

Who Picked it? Andrew Forell

Did we review it? Yes, Andrew said, “Campbell writes movingly about memory and friendship. Looking at what was rather than regretting what might have been with an honesty that goes directly to the heart of things.” 

Bryon’s take:

This record makes me realize that I should listen to more Camera Obscura. The Glaswegian indie pop group is a delight to take in, especially Tracyanne Campbell’s lovely voice. Look to the East, Look to the West is a comeback album, the band’s first since they went on hiatus following the death of keyboardist Carey Lander in 2015. The most striking aspect here is the use of pedal steel and organ, which lend the album a country and western flair. This seems to be a new development for Campbell and company, but they pull it off well and the new sounds really suit the band. Similarly effective are the digital drums that the band employ on tracks like “Liberty Print.” Camera Obscura have altered course slightly but retain the loveliness that lies within their core.

Chief Keef — Almighty So 2 (RBC)

Who nominated it? Patrick Masterson

Did we review it? No.

Jennifer Kelly’s take:

Six years in the making and continually delayed—a fact the artist refers to several times during the run-time—Almighty So 2 is massive and ambitious, with operatic hooks and wall-shaking, body-pummeling beats. A mountainous swagger rocks, “Grape Trees,” the cut with Sexyy Red, a machine-gun ratatat thundering under brutal lyrics about gender relations. The politics are embedded in the subject matter, in the screaming sirens, the South Chicago gangland scenarios, the profanity, rage and cynicism. “Jesus Skit,” though, gets a little more explicit about it, positing a sliding reparations scheme that depends on skin color; light skinned rappers like Drake and Chance the Rapper lose out big time, while darker ones, like Sosa, get millions. The violence comes in the shattering beats, as in “1,2,3,” a slow-motion eruption. Here the artist sketches the bleak world that made (and continues to make) him, chanting, “I always believed I was gon' get paid/When I got to hustlin' up in sixth grade/You ain't givin' off that nigga, you won't get laid/Sleep for the weak, I been up for six days.” The track, like the rest of Almighty So 2, is gritty and nihilistic and undeniably powerful. So glad I got to hear this, non-expert though I am.

Cindy Lee — Diamond Jubilee (Realistik Studios)

Who nominated it? Patrick Masterson

Did we review it? Nope (and shame on us…)

Jonathan Shaw’s take:

Diamond Jubilee commences with three dazzling songs: the title track, “Glitz” and “Baby Blue.” Even if the rest of the record weren’t so excellent (it is, and at over two hours, there’s a lot of it), the strength of those three songs would propel it into frequent rotation, on my various devices and in my head, and likely onto the year-end list I will eventually compose. “Baby Blue” is the crucial track: it’s one of those songs (along with Warren Zevon’s “The French Inhaler,” Townes Van Zandt’s “For the Sake of the Song” and a few others) that is so ruthlessly fine in its execution and so suited to some of the least comfortable angles in the emotional furniture in my head that it requires a kind of commitment to listen to. Beyond that irretrievably subjective response, Diamond Jubilee commits, as well: to gorgeous melody, without entirely smoothing out the sharp edges that distinguished Lee’s What’s Tonight to Eternity (2020); to the reverb-saturated aesthetic of fading girl-group harmonies, clubland at 3 am, spangled cocktail dresses of motheaten satin and the pleasures of the last cigarette in the pack when there’s no money for another; and, it seems, to love, in social conditions that make love nearly as unthinkable as it is completely necessary. The surreal, in its modernist avant-garde iteration, emerged in similarly extreme social conditions, after the slaughter of the Great War and amid fascism’s rise. Those forces were enough to distort human relations into monstrous shapes nigh irrevocable. Lee’s music has strong relations to the dreamlike quality of the surreal, and we have our own terrors now: climate’s awful and furious change, social media’s psycho-social poisons and fascism, once again. Those terrors’ spectral presences are audible all over Diamond Jubilee, but they can’t blunt the sharpness of human longing in songs like “All I Want Is You” or “Don’t Tell Me I’m Wrong” or “Government Cheque.” Love’s intensities may not be sustainable, or even particularly livable, but they won’t be denied. Cindy Lee captures that set of truths with that aforementioned dazzle, and with depth.

DIIV — Frog In Boiling Water (Fantasy)

Who picked it? Tim Clarke

Did we review it? Yes. Tim Clarke said: “Despite the music’s dense layering and the overall feeling of frustration and confusion, Frog In Boiling Water thankfully leaves the listener with a feeling of hope and eventual redemption.”

Ray Garraty’s take:

If I were given this with no title and artist’s name I’d say this was written by a no name indie band circa 2016. It’s the same shoegazy guitars and sweet and melancholy vocals we’ve been hearing since when, 1994? The songs like “Reflected” got things moving but it’s far from boiling temperatures, merely lukewarm. It’s been written somewhere that the DIIV’s album is about “coping with capitalism,” yet it’s evident that it’s feeding the same capitalism, giving the fans the same thing over and over. And that is how capitalism works. 

Nomi Epstein — shades (Another Timbre)

Who picked it? Christian Carey

Did we write about it? Yes, Christian said, "Epstein’s music is unfailingly attractive and elegantly paced. Shades is an excellent introduction to her work."

Bill Meyer’s take: 

Since Nomi Epstein leads the Chicago-based new music ensemble a.pe.ri.od.ic, I’ve had plenty of opportunities to hear her guide performances of other people’s music. But shades is only the second album devoted to hers. Its three long pieces are, like the Wandelweiser and minimalist composers that a.pe.ri.od.ic has often supported, sparely arranged and deliberately paced. She puts intriguing sounds — some prepared piano notes, or a barely-there vocal tone — just far enough inside the frameworks of the music to invite one to listen in. Once your consciousness is inside the music, the slow movement of what surrounds you mesmerizes. Music this reserved and respectful is a welcome respite in a world where reality smacks you upside the head every day and even that influencer babbling on the phone belong to the person sitting next to you on the train insists on staring you in the eye.

Fuera de Sektor — Juegos Prohibidos (La Vida Es Un Mus Discos)

Who nominated it? Jonathan Shaw

Did we review it? Yes, Jonathan wrote, “It’s a singular sound, by turns compelling and bewitching—like the beautiful face you can just about discern across a dim and crowded room, a set of lines and textures briefly lit up by occasional drags on a cigarette. Not quite (or not just) postpunk, pop or dance music, the songs on Juegos Prohibitos itch at your hips and scratch into your brain.”

Christian Carey’s take:

Barcelona band Fuera de Sektor released a demo in 2022, but Juegos Prohibidos is their first full length recording. No Wave is a significant influence, particularly in the fiercely intense sing-shout vocals from Andrea Jarale. If you visit the band’s Instagram, it includes an amateur video that is an homage to Richard Hell, replicating a 1970s comic from NY Punk Magazine in which he starred. But there are many more reference points. The guitars channel the chops and soloing of eighties New Wave, and the rhythm section provides relentless uptempo playing. The defiant demeanor of the songs themselves depicts an unstoppable wall of intensity.

Daryl Groetsch — Above the Shore (self-released)

Who picked it? Andrew Forell

Did we review it? Yes, Andrew called it “a 75-minute floating symphony that insinuates its way into your subconscious with almost imperceptible stealth.”

Ian Mathers’ take:

Whether approvingly or not, works like this 75-minute composition/album are often described as if they were very static in nature; as if even when there are changes they happen in rigid, predictable ways. It may be that if you poke around under the hood of Above the Clouds enough you might be able to diagram out the way elements meld, progress, and separate again, and possibly under that light the whole thing looks regular. But in terms of the way it feels when you listen to it, there’s something quite different going on with Groetsch’s work. The whole thing does feel quite immersive, almost environmental. But as opposed to any number of ground-level or even underwater vistas that come to mind with similar works, here I feel suspended in the air, very far above any shore indeed. The listening experience feels akin to endlessly falling, eventually not so much above as through softly glowing clouds. It’s somehow soothingly vertiginous, and more captivating (and attention-rewarding) than most of its peers.

Icewear Vezzo — Live From the 6 (Quality Control Music)

Who picked it? Ray Garraty

Did we review it? No.

Patrick Masterson’s take:

Chivez Smith has been a familiar name to anyone keeping an eye on Detroit rap for the last decade — longer than you might think and long enough, now, to make him an elder statesman among the city’s spitters. What better time, then, to take a step back and assess not just how far you’ve come, but what all that hustling has amounted to? So goes Live From the 6 (not a Drake reference, in case you were momentarily confused; Vezzo’s from 6 Mile on McNichols north of Hamtramck), which isn’t quite a career retrospective but carries the themes of one. Vezzo’s in a reflective mood over the course of these 13 songs, his slightly frayed vocals forever unhurried and his beat selection consistently nodding to the high West Coast era; you could put Ice Cube or Snoop (or, for that matter, YG or Nipsey) over most of these productions and it wouldn’t throw you off. It’s not totally insular bars-wise, either; a questionable DaBaby feature aside — his double-time admission that he sees a therapist is heartening given how deservedly he got shunned by the establishment just as he was fixing to peak — Memphis artist YTB Fatt also shows up. Fellow Motor City emcees Babyface Ray and Chuckie CEO provide the remaining color, but end to end, this is Vezzo’s show and he shows up. There’s no lack of entry points to Icewear Vezzo’s discography by now, but if you were hesitant before, Live From the 6 is merely the latest display of his acumen. Hear why he’s the one.

Loma — How Will I Live Without A Body? (Sub Pop)

Who picked it? Tim Clarke

Did we review it? Yes, Tim wrote, “Yes, this is a heavy album, but luxuriously so. It’s music that stares death in the face and instead of running, hunkers down and gets comfortable.”

Alex Johnson’s take:

Listening to How Will I Live Without a Body? is like eavesdropping on a collage of someone else’s thoughts. Contemplation or confusion or a eureka one moment to the next. It’s theatrical, passionate music that, to me, shares a heavy sensibility with the operatic post-rock on Portishead’s Third. Like an unsettling daydream, the lyrics blur the mundane and existential. In “Affinity,” the narrator stares “into the dark,” finding herself multiplied but disconnected – “my shadows move/with and without me.” In “I Swallowed a Stone,” a“kettle boil[s] forever” and she “can’t live this feeling anymore.” Given the song’s tense, foreboding percussion and muted guitar “can’t” sounds like “might have to.” 

Might, but not necessarily will. Despite the doses of dread, How Will I Live Without a Body? never feels resigned. You’re treated to interjections of sound, instrumental and otherwise —  flashes of illumination, portals to enter. “Unbraiding” fits sheets of strings, bird song, and burning punches of guitar fuzz around a simple, repeated piano, illustrating the line “bring somewhere out of nowhere.” Loma is working with a robust sonic palette here, but the album’s ethos seems grounded in a DIY curiosity. That “Broken Doorbell” features what sound like actual broken doorbells and then ends with waves hitting a shore is emblematic. It’s a lovely, if perhaps temporary, moment of arrival, having followed the shadows wherever they led.