#Barney Bubbles Art

[savage-kult-of-gorthaur]

A DOWNED ALIEN SPACECRAFT IN A LAKE OF MIST: SCI-FI ART IN THE SUPER-SEVENTIES.

PIC INFO: Spotlight on a HAWKWIND poster design for the band's fourth studio album, "Hall of the Mountain Grill," released by United Artists in. September 1974. Artwork by Barney Bubbles.

"Before his celebrated designs for Stiff, Radar et al, Barney Bubbles created a spectacular body of work for Hawkwind. The band's manager Doug Smith has called Bubbles 'the most important artist of our generation' for the visual identity he created for artists, whereas Peter Saville has simply said "Barney Bubbles should be canonised.""

-- ROCK-EXPLOSION (Classic original rock and pop posters)

Source: www.rock-explosion.com/catpage6.html.

[undergroundrockpress]

Art by Barney Bubbles - 1972.

[thepastprotracted]

[arlequinelunaire]

Inktober Day Nineteen: Okay, this is gonna take some explaining. There's this Jack Vance story called The Dragon Masters with a character called Ervis Carcolo, who a reviewer misspelled as Ervis Corcello. Naturally I had to make a spoof album cover, going with Get Happy since Carcolo rules over an area called Happy Valley.

The character here actually isn't Carcolo though, but one of the greph or alien dragons, as I thought they'd be more fun to draw

[albumcoverhalloffame]

Album Cover Hall of Fame News Update and Link Summary for September, 2023

Here's the new ACHOF News Update and Link Summary for September 1, 2023 - lots to see and learn about, so please share this with everyone you think might enjoy this - thanks for your attention!

Posted September 1, 2023 by Mike Goldstein, AlbumCoverHallofFame.com Since I know that most of you are eager to get outside to enjoy the waning days of Summer (unless you’re suffering through heat troughs, the floods/flying debris of a hurricane or the smoke and ashes of a local forest fire), I’ll keep this month’s intro short and sweet. If you haven’t seen it already, I invite you all to read…

[wscranmore]

Working on graphics ideas that could be used for album covers or bills. This has a bit of a retro vibe, dare I say a little Barney Bubbles influence?

might make some prints of it.

[scary-monsters]

🤡🎢 for the ask game! (Love your stuff btw!)

WAHHH thank you that's so sweet.. love yours as well!! 😭🙏🏻

🤡 What sketch or detail in an image have you drawn that made you laugh?

the majority of my art unfortunately lacks humor, i think, but i will say drawing barney for this meme had me dying 💀 also on the rare instances that i'm streaming art on discord i've been known to draw random stupid things that eventually get erased. this diego had a thought bubble with a corndog in it for the duration of the time i spent working on him on stream LMAO, but it had me and my friends laughing the whole time 🧡

🎢 Which of your images would you call your wildest ride?

ANYTHING with a background 😭 for me backgrounds always feel like i'm going in blind and tossing a million different brushes and colors at the canvas and hoping something sticks/makes sense. this diego and silver bullet piece was very relaxing but also truly felt like i was just trying random things until it worked out. also my leyendecker study was a wild ride in the sense that i was trying almost entirely new methods/brushes, but i learned a lot in the process, which was good!

send me fanartist emoji asks!

[mrdirtybear]

'Self portrait in the garden' a photograph taken by Mr Dirty Bear himself summer 2023. I was always steered away from art when I was young, when self evidently self expression was only for the wealthy. But I found a ready made art gallery in the record cover design of the albums I bought from 1978 onwards. The aesthetic of all those 1970s record covers made by Hipgnosis and Barney Bubbles among others, along with the music which became a world in itself. I knew that the dislocating surrealism of those album covers would reappear within me somewhere. Digital photography is now a cheap and open space within which to experiment, a safe place to fail and a grand place to succeed in, whatever success means.

[k00300193]

Graphic Design Communication

Artist Research

Barney Bubbles (1942 - 1983)

Barney Bubbles was a British Graphic Designer known for his innovative and influential work in the music industry during the 1960's and 1970's.

His design style was characterized by bold typography, vibrant colours, and eclectic imagery often incorporating elements of surrealism, pop art and DIY aesthetics. His most notable works are album covers for bands such as Hawkwind, Elvis Costello and The Attractions and the punk band The Damned.

[savage-kult-of-gorthaur]

A SPACE ROCKIN' GOOD TIME WAS HAD BY ALL -- HAWKLORDS ON TOUR IN '74.

PIC INFO: Spotlight on a HAWKWIND "Hall of the Mountain Grill" Tour programme, c. 1974. Cover artwork by Barney Bubbles (1942-1983).

Source: www.scribd.com/document/15881122/Hawkwind-1975-tour-mag.

[dankusner]

The Big D Bracket Challenge

Pick your favorite Dallas icons and see who — or what — advances

I’m a hooper.

After playing in college, I officiated basketball for nearly 20 years.

Not surprisingly, March Madness is my favorite time of year.

This year, I decided to combine my love of basketball with my love of Dallas.

When your name is Dallas, you must like the city.

Along with a not-so-illustrious panel of friends and colleagues, I’ve selected 64 well-known icons in our city.

Now we’re inviting readers to decide who wins the tournament.

Which of these 64 is our city’s most beloved icon?

There are no rules. This is not serious. Just vote for your favorite things about Big D.

Like the NCAA Tournament, it should be fun to watch winners advance and underdogs surprise us.

The top seeds were no surprise, with Reunion Tower, J.R. Ewing, Big Tex and area code 214 striding confidently into the fray.

There was, however, no love for area codes 469 or 972.

As tournament director, I refused any mention of silly upstart area code 945.

Hopefully, a number of your favorites are in the field.

There were plenty of “bubble teams” that failed to make it to the Big D Dance.

Sparkman Hillcrest, for instance, is a Dallas icon, but the panel did not see fit to allow them in.

So, too, the Petroleum Club, Dallas Country Club and Booker T. Washington High School for the Performing and Visual Arts are staying home.

Some restaurants with long histories did not make the cut, including Cafe Pacific, the Dairy-Ette and Circle Grill.

Both Beverly Drive and Strait Lane were not beloved enough for the group.

Kessler Park and Lakewood also are not in the field.

Cypress Waters, one of the most important new developments in Dallas (technically), was left out in the cold.

Old-line companies from EDS to Oncor and Beck Group failed to make the grade.

What was the committee looking for, other than more beverages and snacks while we debated these teams at a local watering hole?

We liked inventions that came from our fair city: laser tag, Mariano’s first frozen margarita machine, the Slurpee and Liquid Paper all made the bracket.

So, too, did we appreciate the unusual characters that Dallas is noted for: Mr. Peppermint, Barney and the Von Erichs of Iron Claw fame.

We mostly avoided living people or businesses still in operation.

And in some obvious places, we chose an icon-of-an-icon in place of an actual person (Mary Kay Ash’s pink Cadillacs, for example).

We also avoided North Texas landmarks outside of Dallas.

There are much-beloved Texas icons in Forth Worth, Arlington, Frisco and other cities, but we’re keeping this focused on Big D.

Perhaps the best first-round matchup pits two uniquely Dallas tastes: Fletcher’s Original Corny Dogs against the Rosewood Mansion on Turtle Creek’s tortilla soup.

And there could be another tasty matchup in the second round if both Snuffer’s cheese fries and Mariano’s frozen margarita machine advance.

The committee appreciated haberdashery with both Don Carter’s cowboy hat and Tom Landry’s fedora in the field. (If you love the Landry hat, see the high school football coach with the second most wins in state history, Randy Allen, who has his hats made by the same maker as Landry, on the sideline on Fridays coaching the state’s all-time winningest team in Highland Park. How did they not make the group?)

Here’s how the process will work. Today, The Dallas Morning News is publishing the Big D bracket in print and online. All voting will be done online at DallasNews.com/bracket. The deadline to make your picks is March 27. (One detail for those participating: The voting tool will show you each matchup head to head. Don’t be surprised when you see repeats. That’s the system advancing your picks through the bracket. You’ll pick the whole bracket — all 63 matchups — at once. It takes less than five minutes.) We will announce updates of icons that advance in sync with the NCAA tournament: the Sweet 16 on March 31, the Final Four on April 7 and the winner on April 8, the same day as the NCAA Tournament championship game.

There are no winners or prizes for the person whose picks match the popular winners. But there are plenty of chances to compare brackets with your friends and debate the merits of our city’s cultural and historical icons.

I’ve already picked my bracket.

My final four includes Big Tex defeating the frozen margarita machine in one semifinal, while J.R. Ewing edges past upstart Tom Landry’s fedora. In a battle of true Texas legends, Big Tex triumphs. But don’t let my picks influence you. I’m prepared to be the only one

in town with the right answers while the rest of you, who aren’t actually named for this city, get it wrong. Happy voting!

Dallas Cothrum is current president of Masterplan, a Milrose company. He is a contributing columnist for The Dallas Morning News.

[artfromthefuture]

Barney Bubbles art

Ian Dury And The Blockheads, Hit Me With Your Rhythm Stick, 1978. (45 RPM)

[my-timing-is-digital]

BEST FRIEND OUT OF THE BOX

This AU is based on the latest 20th Century Fox film Ron's Gone Wrong, a film about a friendless boy, Barney Pudowski, who finally experiences friendship through his "defective" B-Bot, Ron (it's a superb film with a powerful message; I highly recommend). However, I tweaked my AU a bit so that it could fit the Trek verse, although it doesn't necessarily have to be situated in the Trek verse, but I'm lazy, so I just used the information that is already readily available to me.

Somewhere in the future, there are two humongous and successful tech giants that both produce artificial beings for the sole purpose of entertaining and helping humans (aka simplifying life). You've got B-Bots: small, capsule-esque robots that are specifically designed for children and are basically talking iPads on wheels. And you've got the A500 synths, which are primarily purchased by adults, because they are useful for assisting with chores, groceries, and other domestic activities. And then, there's this small, independent company that is, financially, holding on by a thread, and desperately tries to sell (and the purchases are very sporadic, almost rare) Soong-type androids. The Soong-type androids are the precursors of the A500 synthetics, because the CEO, Bruce Maddox, appropriated the blueprints from Noonian Soong, and was considerably faster in the production of his androids than Soong. Furthermore, Maddox was subsidised by the government, while Soong was shunned and declared a senile scientist with delusions of grandeur.

However, just like the present, in the future, there will be various segments denoting one's wealth, and those who can afford the more expensive B-Bots, or the even more expensive A500s, ridicule and humiliate those who cannot afford this particular state-of-the-art technology. After being the centre of derision for the gazillionth time, the recipient of the humiliation decides to get themselves either a B-Bot or A500 synth. Unfortunately, but not entirely unanticipated, they discover that the costs of high-tech robots and androids far transcend the amount of money they have in their bank account. And when the shop assistant working for either one of the firms casually drops the suggestion that they should try Soong's androids, they travel to the other side of the country. They eventually end up purchasing one of his androids, either because they're really desperate and want people to stop judging them for something they don't own, or because they pity the cyberneticist.

To be honest, it doesn't matter, because soon, they will come to the realisation that befriending a Soong-type android is so much better than owning a mass-produced item everybody has. And sure, the Soong-type android does not have access to the Bubble Network and thousandth of applications, they aren't rigged out with the latest technological advancements and the sterile professionalism of the A500s. But the android is friendly, polite, intrinsically curious, prone to babble a lot (he has access to an infinite database and loves to talk). He is intelligent, obliging, creative, good with pets, eager to participate in (recreational) activities his owner enjoys to submerge themselves into, and above all, his ultimate objective is to become the best friend you have ever had.

Naturally, he can only develop and become proficient at the majority of the aforementioned traits and skills if he is granted the opportunity to explore them. He's a quick learner and a bit quirky, but he will always be there for you! He'll show you that less expensive doesn't always equals bad quality, because in the end it's the fun you had with him and the memories you made that count.

And there will probably be an A500 malfunction, to spice the AU up a bit (and to stay true to their tragic story arc). :)

[bigmacdaddio]

April 17, 1970 – Brinsley Schwarz: Brinsley Schwarz is released.

Brinsley Schwarz is the eponymous debut album by Brinsley Schwarz, released on this date in April 1970.The cover was designed by Barney Bubbles for his short-lived graphic art company "Teenburger Designs".  This group was an important part of the 'pub-rock' phenomenon in Britain in the seventies - Andrews, Lowe and Schwarz had all previously been with Kippington Lodge, a harmony band that Mark Wirtz had signed up to EMI's Parlophone label in the mid-sixties. As is well known now the band were subjected to one of the biggest hypes in rock history - a planeload of music journalists were flown across the Atlantic to see their debut at New York's Fillmore East, but were unimpressed with the then unknown band. The inevitable press slagging did the band irreparable damage, although their debut album, an amalgam of 'heavy' blues and harmony folk-rock, had its moments.

REVIEW - by Stephen Thomas Erlewine, allmusicBrinsley Schwarz's eponymous debut is the stuff of rock legend because it is the punch line to a great story. It arrived after a disastrous publicity blitz, where the band's management arranged for prominent British journalists to cross the ocean to hear the Brinsleys' showcase performance at the Fillmore East. In a series of mishaps that would shame Spinal Tap, the band arrived in New York hours before their show and the journalists, who dipped heavily into the courtesy bar when their plane nearly crashed, arrived minutes before the concert. The press was underwhelmed to say the least and savaged the band and the record. Listening to Brinsley Schwarz, it's easy to see why they weren't turned on by the Brinsleys: this is a bizarre, naïve blend of Crosby, Stills & Nash, Dylan & the Band, and Buffalo Springfield, with a heavy dose of early Yes. It's filled with awkward steps and bad judgments, fueled by the group's romanticized view of Californian hippies. Consequently, it's hard not to cringe or chuckle by their hippie affectations, whether it's the lyrics ("she was my lady/had no plans to make her my wife") or the a cappella folk-rock harmonies that come out of nowhere on "Lady Constant" (it doesn't help that they sing "colored serpent coiled around your waist") or the bongo solo that ends "Shining Brightly." But, amidst all this hippie posturing, there some weird touches, like the multi-octave chromatic guitar break on "Hymn to Me" or the heavy prog jam of "What Do You Suggest?" and "Ballad of a Has-Been Beauty Queen" that illustrate how English the Brinsleys still were at this stage. All of this adds up to a debut that's decidedly uneven and unsure, but in retrospect, it's easy for sympathetic listeners to be charmed by their eccentricities.

TRACKS: All songs are written by Nick Lowe except where specified"Hymn to Me" – 4:50 (Lowe/Rankin/Schwarz/Andrews)"Shining Brightly" – 4:20"Rock and Roll Women" – 3:19"Lady Constant" – 7:23"What Do You Suggest?" – 4:47"Mayfly" – 4:37"Ballad of a Has Been Beauty Queen" – 10:26

[1977records]

The Wild World of Barney Bubbles: Graphic Design and the Art of Music

[Publisher] Thames & Hudson [サイズ] 22 x 28 x 2 cm [ページ数] 224ページ [発売日] 2022年

価格：0円 (with tax)  ー 著者ポール・ゴーマンのサイン付！！ ー

数量限定、再入荷なし。

ポイント対象外

The Wild World of Barney Bubblesは60年代のアンダーグラウンドの楽観主義を、パンクの爆発的な流行に伴う冷笑的で巧みなアートと結びつけた天才グラフィックデザイナーを称えるものである。バーニー・バブルスは、テレンス・コンラン卿やアンダーグラウンド雑誌『Oz and Friends』のデザイン、ビリー・ブラッグ、エルビス・コステロ、デペッシュ・モード、イアン・デューリー、ホークウィンド、ダムド、ニック・ロウの驚くべきレコードジャケットやポスターなどを手掛け、没後40年を経ても現代のアーティストに強い影響を及ぼしている。また、Derek BoshierやBrian Griffinなどのアーティストや写真家とコラボレーションし、絵画���家具、セットデザイン、プロモーションビデオを制作。特にザ・スペシャルズの80年代のヒット曲 "Ghost Town" のクリップは時代を決定づけた。

ポール・ゴーマンによるバーニー・バブルスの決定版であるこの改訂版には、何百点もの貴重な未発表の写真、スケッチ、ノート、オリジナル・アートワークが収められています。アメリカ人デザイナー、クラリタ・ヒノホーサによる新しいエッセイと、著者が長年にわたって丹念に収集した16ページの貴重なエフェメラを追加収録。

[scary-ivy]

Part 2, with the remaining vinyl! In which a mystery is solved

My Aim Is True doesn't have anything special about it, it's just cool to be able to see the tiny "ELVISISKING" text clearly for once

The back of Imperial Bedroom, featuring this strange little "bed bug" glyph. Sad Barney Bubbles doesn't appear to be credited on the sleeve anywhere on these vinyls. I'm basically just sharing a collection of his art with this series.

Something I found very cool is that the sleeve of Imperial Bedroom includes the lyrics...as one crowed run-on sentence. Fixes the problem of people not being able to understand what the hell Declan is saying half the time while still being stylish.

Trust, with some normal notes. But something on the back cover stood out to me.

Another funny set of band credits, this time almost in the style of a movie. Elvis is credited as "Looking Italian". I had seen fans commenting "still looking Italian" on his videos and such for ages and never knew where that came from or what it meant. I guess it's a reference to this silly album credit, unless the in-jokes goes back even further than that. Mystery solved!

Lovely pink-and-blue version of Almost Blue

"yes Elvis, okay Elvis, no, I never said you'd gone commerical <- Hawaiian <- Big country" I feel like before social media these poor DJs had to use the album notes to get all their Elvis Costello hot takes out there. Prime Kitch, but really country....

King of America with very faded song recommendations

Finally Taking Liberties, which is the most interesting for several reasons

Another cool printed record sleeve, and something very weird going on with the cover. It appears as though someone cut up one copy of the sleeve and taped it over this one in order to make a little "slot" in it. Why? Can anyone who knows more about vinyl/radio station history explain this?

I love this glowing promotional copy on the back, from the days when you had to hype something up on the box to sell it. I don't know if I consider Clowntime Is Over to be "gutty low-down blues", but I appreciate Stranger In the House getting a shout-out. Something about "still in his early 20s, his potential and versatility are practically unlimited" hits funny now. They were so right, and yet the journey was so tumultuous.

"Elvis looks healthier than I've ever seen him" almost made me laugh. The label decends into jokes, thought unfortunately the sticker itself prevents us from seeing "his mother's sox".

That's it for the Elvis Costello/ Elvis Costello and the Attractions vinyls at the radio station. I discovered today that they also have a large collection of Elvis Costello CDs, which I might share later, thought I'm slightly less interested in those. There's just something about vinyl, y'know?

I found my radio station's collection of old Elvis Costello and the Attractions records and I'm going to share pictures of them because there's so many cool details

First up, Goodbye Cruel World

The radio station uses these stickers to highlight recommend songs, but the DJs love to put in funny little comments as well. Usually these stickers are written on right when the album came out, so they provide a snapshot into what contemporary listeners though of the records. Apparently the DJs of the time liked Goodbye Cruel World, but what does (Don't Ya Wish He Really Meant It?) mean?

Having only seen this album cover at really low resolutions on streaming, I was surprised to discover who those indistinct figures were

Really cool art on the back of Goodbye Cruel World, once again we never get to see this stuff with streaming :/ love the blatant political message of "nuclear ban now"

Lots of weird little in-jokes in the credits to this one. Maurice Worm is one of Steve Nieve's aliases.

Really interesting radio promo copy of Spike featuring an hour-long interview, I have to check if it's been uploaded online before. It also promises "This Town (The Bastard Mix)", which might be the censored version of This Town where "bastard" was replaced with "sweetheart" that I was looking for online but couldn't find. Or maybe it's the other way around?

Recommend songs off Punch the Clock. I'm surprised because none of these are what I would consider the "big hits" of the album.

The back of Punch the Clock. I'm noticing the other Attractions often wind up on the back of these records.

Probably my favorite detail out of everything is the title of "The Invisible Man" being written to look like it's becoming invisible (It's not just faded like Boxing Day above it).

Very green Veronica single. I believe it's just the same version of Veronica on both sides. These weird radio promo vinyls are the ones I'm most excited about because they so rarely see the light of day after their release...I just realized since Paul McCartney was involved with this one I can play it on the Beatles show!

Get Happy!! without the iconic worn-out ring on the cover? I guess the vinyl can just get worn out on it's own...I believe the 7/25/83 might be the date the vinyl was acquired, or perhaps the date it was supposed to be deemed "old" and thrown out (can you imagine?)

The back features this nice art of the Attractions

The song order of side one and side two is reversed from how the album is presented in streaming. Is this an error, or have I been listening to it in the wrong order this whole time??? Also the song is apparently supposed to be called "5ive Gears in Reverse".

Really cute letter from Nick Lowe promising that the audio quality has not been compromised for the length of the album. It's so fascinating to learn about these types of technical limitations that no longer exist. Like if it released today it would just go to streaming and then probably get a double vinyl release to wring more money out of collectors.

The American "paint-splatter" Armed Forces album cover features the Elephant cover on the back. I already knew this but it was still cool to see.

This Years Model! This record features one of the alternate cover photos (probably my favorite one), and it is a genuine demo record complete with a label from Columbia.

They put the runtimes and little recommendation check boxes for the sake of the DJs, but it looks like every song got checked and stared multiple times (except for Little Triggers :/)

Glowing reviews...it's so exciting to imagine being a young DJ in 1978 hearing This Years Model for the first time and correctly calling it a masterpiece.

"Martial more consistent throughout than My Aim Is True" lol.

I can't really read the cursive, but I it's interesting how they called Pump It Up a mixture of old styles (immediately picking up on the Dylan ripoff), and I wonder what the scribbled over parts say?

The back cover, which I'm seeing now for the first time. Love that 70s bedroom.

The Only Flame In Town single has this really striking artwork of a illustrated woman in a real scene. It's dated 12/4/84.

Pump It Up version? I'll have to listen to it. Also glad someone else loves this version of Baby It's You.

Nothing interesting here I just think it's funny they decided The Only Flame In Town deserves to be on a greatest hits compilation.

A collection of Almost Blue era songs, including a note from Elvis.

That's all I was able to photograph this week, but there's still about 5 Elvis Costello /the Attractions records I haven't looked at yet, I will update this next week!