#Professional Transcription
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captioningstar1 · 1 year ago
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Professional Transcription Services | Accurate Audio Transcription
Introduction:
Welcome to Captioning Star - Your Trusted Transcription Service Provider
At Captioning Star, we understand the importance of precise and reliable transcriptions. Whether you have audio recordings, video files, or any other form of media that needs to be converted into written text, our team of expert transcribers is here to assist you. With years of experience and a commitment to excellence, we offer professional transcription services that cater to diverse industries and sectors.
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Why Choose Captioning Star for Transcription Services?
Accurate Transcriptions: Our skilled transcribers meticulously convert your audio and video content into well-structured, accurate text. We pay attention to detail, ensuring that nothing is lost in the process.
Timely Delivery: We value your time, and our transcription services are designed to meet your deadlines without compromising on quality.
Confidentiality: Your data is safe with us. We adhere to strict security protocols to ensure the confidentiality of your sensitive information.
Expertise in Multiple Industries: Our transcribers possess domain-specific knowledge, enabling us to handle transcriptions for various industries, including academic, legal, medical, business, entertainment, and more.
Our Transcription Services:
Audio Transcription: From interviews and podcasts to conference calls and lectures, we transcribe your audio files with precision and efficiency.
Video Transcription: Capturing spoken content in videos can be challenging, but our team excels at transcribing all types of video content accurately.
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Academic Transcription: Students and researchers can rely on our academic transcription services for transcribing interviews, research data, and academic content.
Legal Transcription: Our legal transcribers are well-versed in legal terminology, ensuring accurate transcriptions for court hearings, depositions, and legal documents.
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How It Works:
Request a Quote: Fill out our simple form or get in touch with our customer support team to receive a customized quote based on your transcription needs.
Upload Your Files: Once you've received the quote and confirmed the order, securely upload your audio or video files to our platform.
Transcription Process: Our skilled transcribers will diligently work on your files, ensuring accurate and timely delivery.
Review and Download: After the transcription process, you will have the opportunity to review the content. Once satisfied, download the completed transcripts from our secure platform.
Contact Us:
For accurate and reliable transcription services, get in touch with Captioning Star today. Let us know your requirements, and we'll provide you with the perfect solution for your transcription needs. Reach out via phone or email to start your transcription journey with us +1-929-416-2509 or Email: [email protected], Trust Captioning Star for all your transcription requirements and experience top-notch services delivered with precision and care!
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ant-datagain · 2 years ago
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How can transcription services be a game changer for your podcasts?
Podcasts are all the rage these days, and there is no denying their popularity. But if you’re a podcaster or someone who wants to start a podcast but doesn’t have the time to transcribe your content, we have an answer for you: podcast transcription services.
Hiring a transcription service lets you turn your podcast into a written document in minutes. It allows you to reach more people, not just those listening to podcasts. Let’s explore more such benefits:
Enhances accessibility
Those who wish to get the best out of their podcasts will find podcast transcription services a real blessing. The audio content is already available for anyone, but if you want to make it more accessible, then you should definitely consider getting it transcribed. It can assist you in reaching a wider audience and offer an alternative to communicating your message.
A WHO analysis estimates that by 2030, there will be close to 630 million individuals with hearing loss, and the figure might reach over 900 million by 2050. Such statistics enhance the importance of transcriptions even more, why? Because they boost the accessibility of podcasts to great extents for deaf or hard-of-hearing people.
Boosts SEO
Transcribing your podcast episodes allows search engines to find and index your content. It means that the website’s content becomes more visible on search engines, and thus it will be easier for people to find you. The more often people visit your site through organic search results, the more likely they are to stay loyal to you, increasing your brand reputation.
Creates convenient references
While people are listening to podcasts, they are also doing other things. They might be driving or running. They might be doing chores or getting ready for work. They may not have time to sit down and listen to all the podcasts they are interested in, or they might not want to re-listen to parts they have already heard.
Transcripts make it easy for listeners to access the whole episode, even if it’s just a few minutes at a time. It can be helpful for those who don’t have time for full podcasts but still want some content from them. It is also crucial for researchers who listen to podcasts to supplement their research findings or studies.
Faster & better editing
Professional transcription services help in editing podcasts fast. When running a podcast, it is vital to make sure that the content of your podcast is easy for listeners to understand. If the content is unclear, the listener will not be able to follow what you are talking about. It could mean they will stop listening to your podcast and instead find another show they can understand better.
Professional transcription services can help you get your podcast edited fast so that it will be ready for release as soon as possible. The sooner you get your podcast edited, the sooner it will be available for download on iTunes or any other platform where people can find them.
Tips for choosing the best podcast transcription service
Quick turnaround time
There are indeed a lot of factors to consider when choosing a podcast transcription service, but one of the most important is how quickly you can get your transcript back. If you are working on a tight deadline, you must ensure that you can get your transcripts in on time without paying extra fees or waiting longer than expected.
Make sure that the company you choose has fast turnaround times so that you can stay on schedule with your releases.
Highly accurate
One of the most promising features of podcast transcription services is accuracy. It can either break or make the podcast transcription game. You want to be able to trust that your transcription service will produce accurate, error-free transcripts. You should also confirm that your chosen company has a reputation for high-quality transcripts.
Affordable
A good podcast transcription service will give you the same experience as a great one but at a fraction of the cost. For example, You don’t have to spend $250 per episode because you can get a transcript for your podcast for just $5 per episode. When you’re looking for a podcast transcription service, make sure they offer affordable prices.
Connect with Ant for the best podcast transcription service
From boosting the reach of your content to leveling up the SEO game, podcast transcription services indeed do magic. We are your ultimate stop if you are looking for reliable podcast transcription services. We have the best transcriptionists to add that extra oomph to your podcasts. Book your custom quote today to know more!
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killjoy-prince · 8 months ago
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House M.D. but it's when Wilson says House's name
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faunandfloraas · 2 months ago
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fav skz // There's one more skill Felix and Chan also had to master- Something the Korean's call "Aegyo".
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humanmorph · 7 months ago
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this scene makes me feel like i hit my head really hard
transcript by Iris (sacredwhim)
Jack: I did think that another major problem that we don’t need to get into unless we are compelled to is that Gucci Garantine has some news for Brnine, I think.
Austin: Oh, that’s true.
Ali: [chuckling] Oh, sure.
Austin: Yeah! I mean, does that news—
Janine: [singsong] She’s engaged!
[Austin laughs] [Jack chuckles]
Sylvi: Oh my god.
Austin: She’s engaged with another mission, yeah, uh-huh. She has another engagement to deal with, yeah.
[Janine laughs] [Ali giggles]
Austin: Yeah, I think that that maybe comes in the middle of this—
Jack: In the middle of movie night?
Austin: [cross] In the middle of movie night. Gucci doesn’t know it’s movie night.
Jack: No.
Austin: Wait, did you invite Gucci to movie night?
Ali: I tend to, but.
Sylvi: Oh my god.
Austin: You tend to?
Ali: [laughs] Yeah. I have in the future. Check the transcripts.
Jack: This is a question about Gucci Garantine now. Which is, would Gucci—
Janine: Has she ever once shown up?
Jack: Oh, yeah.
Austin: That’s a great question. We’ve seen—Gucci showed up when Brnine had come back from the combustor, right?
Jack: Oh, there was that lovely scene, yeah.
Keith: Was that movie night?
Austin: Well, the—
Ali: Well, that was a hospital bed movie night. That was Thisbe gave me a laptop that I was watching movies on.
Austin: That—right. That’s exactly right. Yes, exactly.
Jack: Would Gucci deliver this news in person?
Austin: Or in emojis? I think in person.
Jack: [laughs] Witch in Glass, devil face, thumbs up, exclamation point.
Austin: [laughs] Oh… Oh, it’s chaos to have her here. Which might be right. Halfway through the first movie, you know? She lands in some sort of hover flier.
Jack: It’s like, red.
Austin: Yeah. Yeah, yeah, yeah. Cool red hover bike.
Ali: [snickers] I just had this whole scene of everybody hanging out, and in the middle of it you’re gonna be like, yeah, every character is gonna fight with each other now.
[Jack laughs]
Ali: [laughing] Do we have to?
Austin: Well, maybe it’s the end of the second—well, I get a scene.
Ali: Sure. [laughs]
Austin: [chuckles] Maybe it’s the end of the second movie where she shows up late. She shows up late. She’s at the very end, she didn’t—she came anyway.
Keith: Flashback to her saying “I’ll be there on time.”
Austin: Exactly that.
Keith: “I guarantee it.”
Austin: “I guarantee it. I wouldn’t miss it for the world.”
Ali: Well…
Keith: “I Gucci guarantee it.”
Janine: And also, it’s Brnine’s birthday.
[Ali laughs]
Keith: And also Brnine’s got a little card that they’re looking at that says “I never will hire Clem.” [laughs]
Austin: [laughing] That’s right. Oh… Gucci shows up with popcorn-flavored wine.
Keith: And wine-flavored popcorn.
Austin: [laughing] And wine-flavored popcorn.
Jack: This is from the Mirage, right?
Sylvi: She’s that Patti Harrison character from I Think You Should Leave. “I can’t watch movies without popcorn!”
Austin: “I didn’t know if I should bring a red or a white, so I brought both.”
Janine: I would try the wine-flavored popcorn. I would not try the popcorn-flavored wine.
Jack: I’d try both.
Ali: Oh, opposite. Opposite.
Keith: I feel like shitty chardonnay is already popcorn-flavored wine.
Austin: Mhm.
Austin (as Gucci): Oh, I’m sorry, did I—have I missed it?
Ali (as Brnine): No, no, come in. You kind of missed it.
Austin (as Gucci): Hey, hi everybody. Hello.
Jack (as Movie Night Attendant): Hi.
Austin (as Gucci): I haven’t met some of you, I’m Gucci. I’m the commanding officer.
Dre (as Levi): Oh, hey, yeah, we talked on the phone.
Austin (as Gucci): Right, yes, you did show up with all of the food and supplies. Thank you. Levitation, right?
Dre (as Levi): Yep.
Austin (as Gucci): Sorry, should we hit pause on the movie or should I just talk over it?
Keith (as Eclectic): Pause.
Austin (as Gucci): I appreciate it.
Ali (as Brnine): Yeah, uh-huh.
Austin: Didn’t give a thumbs up. She wouldn’t give a thumbs up, but she nods. She says,
Austin (as Gucci): I appreciate it. Can I talk to you for a second, Brnine? I brought popcorn-flavored wine and wine-flavored popcorn for everyone.
Ali (as Brnine): Um…
Austin (as Gucci): For movie night.
Ali (as Brnine): Right. If this is a work thing, can we finish the movie?
Austin (as Gucci): No, it’s not a work thing. It’s just—
Jack: I have never heard a bigger lie.
[Ali laughs]
Dre: We’ve had some doozies on this show.
Austin: Yeah. Don’t forget that this is a relationship built on lies.
[Ali laughs]
Janine: It’s a personal thing that just happens to be in the context of work.
Austin: That’s exactly right.
Dre: Mhm.
Ali (as Brnine): Um, sure, yeah. You guys can put the movie back on.
Austin (as Gucci): I’ll be right back.
Sylvi: I am not watching the movie. I am watching those two.
Austin (as Gucci): We’re just gonna step out into the…
Austin: Where is the movie night? ’Cause didn’t it used to be in Phrygian?
Ali: No, no.
Austin: Oh, it was not in Phrygian.
Sylvi: It was always a rec room.
Austin: It was just the regular room.
Ali: My funny—my quarters that I was able to add to the ship is the media center.
Sylvi: My funny quarters.
Austin: Sorry, are we gonna call it “my funny room”? My funny quarters?
[Keith and Ali laugh]
Keith: My funny little room.
Ali: It’s what I get for not having magic. I get to add a room to the—
Sylvi: Yeah. A sound system.
Jack: My Funny Valentine except it’s My Funny Room.
Austin (as Gucci): Can we just talk in…
Ali (as Brnine): Yeah, yeah. You’re here to watch the movie though, right?
Austin (as Gucci): Yeah, absolutely. Which one is it?
Ali (as Brnine): ���Cause it’s a movie night.
Austin (as Gucci): Yeah, well, I’ve seen a lot of movies, so.
Ali (as Brnine): Right. Well, they’re movies.
Austin (as Gucci): Yeah.
Keith: You can keep watching them. [laughs]
[Ali laughs]
Dre: There’s always new ones.
Austin (as Gucci): The, um… The council has need of me.
Ali (as Brnine): [cross] This is a work thing.
Austin (as Gucci): It’s not. This part isn’t. I’m gonna be busy, so I wanted you to know that I would—it would be hard to get in touch with me, probably, for a little bit. Which is not just a work thing.
Ali (as Brnine): Right. Well, yeah. Well, um, sure. I mean, I’ll talk to you, then. When I can talk to you, I mean.
Austin (as Gucci): They—from here, after movie night, I have to go to the Crown of Glass.
Ali (as Brnine): Why?
Austin (as Gucci): This Crown of Glass, not the Crown of Glass that’s—not the planet. ’Cause there’s that now.
Ali (as Brnine): What planet?
Austin (as Gucci): There’s—the Twilight Mirage—did you not get a chance to look at the files on it?
Ali (as Brnine): No, I’ve been kind of busy.
Austin (as Gucci): You don’t have to get snippy with me. We sent over a folder with information. It should have been in with the food, which we also sent you, [quietly] which I wasn’t supposed to do.
Ali (as Brnine): Mhm. No, I was gonna look at it tomorrow.
Austin (as Gucci): Do you know about Lucia? We captured Lucia. Whitestar. Lander One?
Ali (as Brnine): Oh.
Austin (as Gucci): The second in line to the throne of the Principality.
Ali (as Brnine): When did that happen? I thought we weren’t doing any engagements because of the whole frizz.
Austin (as Gucci): Well, there were assets on the move already…
Ali (as Brnine): What assets?
Austin (as Gucci): Allied assets, as it turns out. Clementine’s assets.
Ali (as Brnine): [sighs]
Austin (as Gucci): And so, in order to—you have to understand. They’re sending me because they don’t trust her, but they trust me, and I trust you, and so I know I can trust you to run the Blue Channel with me gone, and I need you to trust me to run Clementine.
Ali (as Brnine): Why are you doing that?
Austin (as Gucci): That’s a great question. It’s, um…
Ali (as Brnine): No, but you’re gonna get hurt, or like—like, she’s a bad person.
Austin (as Gucci): Clementine is a—you’re telling me that Clementine Kesh is a bad person.
Ali (as Brnine): Yes. No, like—but she is, but like—like, you know that.
Austin (as Gucci): Of course I know it. Of course I know it.
Ali (as Brnine): Then why are—what are—
Austin (as Gucci): Sometimes you have to—[frustrated stammering] sometimes—
Ali (as Brnine): Sometimes you have to work with bad people.
Austin (as Gucci): Well, sometimes you have to work with dangerous people. You—hm. I helped defend your crew when you put a Branched on it.
Ali: [laughs incredulously]
Jack: [laughing] Ooh!
Sylvi: [softly] Yo…
Jack: Woah, Gucci big swing.
Sylvi: Pass me the wine-flavored popcorn.
Janine: Not the play… [groans]
[Art laughs]
Jack: Holy shit.
Austin (as Gucci): Didn’t I? And that turned out great.
Ali (as Brnine): I’m… I’m sorry, did you, like, know that Figure died?
Austin (as Gucci): Figure died?
Ali (as Brnine): [scoffing] Oh my god. Oh my god…
Austin (as Gucci): But Figure wasn’t—Figure wasn’t Branched.
[Jack chuckles]
Ali (as Brnine): [muffled] Oh my god.
Austin (as Gucci): Is everything—are you okay?
[Ali laughs]
Austin (as Gucci): Is—are you okay? Maybe me leaving isn’t—maybe you need me here.
Ali (as Brnine): No.
Sylvi: Oh my god.
Austin (as Gucci): I’m, um… I’m sorry. I know Figure was an important part of the crew. I know Figure was loyal. There had been some doubts, but I always knew Figure was—Figure seemed loyal.
Ali (as Brnine): [seething] Yeah, Figure seemed loyal. I really think that the thing people liked the most about Figure was that they were loyal.
Austin (as Gucci): I know you’re mad, but I feel like it’s misplaced. This wasn’t my idea.
Ali: [chuckles] That’s a crazy lie. [laughs]
Art: You’re so far into this relationship to learn that Gucci sucks.
[Ali laughs]
Art: Sorry, realize?
Keith: And I think it’s Ali who…
Austin: I mean, again, the basis of their entire relationship was that back on Partizan, Brnine used to lie to Gucci to take money from her.
Ali: Uh-huh.
Austin: It’s a sandcastle all — it’s a castle built on sand.
Ali: But, you know…
Sylvi: They’re so bad for each other.
Austin: It’s a sandcastle.
Ali: I mean, Gucci got those working equipment situation. [laughs]
Austin: Uh-huh. Mhm.
Ali: Her robots were fixed.
Austin: They were.
Ali (as Brnine): I’m—I’m—I’m mad at Clem, and I’m mad at you, and I’m mad that Figure’s dead, and I’m mad that Phrygian’s dead, and I’m mad that you would, like, use that as a bargaining chip when Phrygian was, like, our best crew member. Like, we wouldn’t have even—going to the combustor was Phrygian’s idea.
Austin (as Gucci): [stammers] And it was—and it worked. It worked.
Ali (as Brnine): Oh my god, what are you doing? I—it’s movie night!
[Sylvi laughs]
Austin (as Gucci): And I have to leave after movie night. I wouldn’t have a chance to come talk to you. I have to go to the Crown of Glass and keep a leash on her. Don’t you see how hard that’s going to be? I hate her! And she was useful, and she gave us the one thing she could give us to make us even open the door, and she’s gonna hold it over me, forever. [softly] Just like she held everything over me for years, and now we have to open the door for her again.
Because we have to, because she… Do you know what sort of bargaining chip we have now if we ever leave here? We have Cynosure’s daughter. And he’s… [scoffs] He’s as sentimental as they come. He wasn’t even supposed to be Princept.
Ali (as Brnine): Why do you think we’re leaving here? Why do you care about Clem or any of that?
Austin (as Gucci): Why do I think we’re leaving here? I’m not staying in the Twilight Mirage. The whole point of this was that we shouldn’t be here. You’re staying here?
Sylvi: Oh my god!
Austin (as Gucci): With who?
[Ali laughs]
Ali (as Brnine): Do you know a way out? Because I don’t know a way out. I don’t think anybody else knows a way out. I think that we’re here now. I think that we’re in the situations that we’re in, and—
Austin (as Gucci): You’re abandoning Millennium Break.
Ali (as Brnine): What?
Austin (as Gucci): They’re out there! They’re not in here! The fight is out there. And you’re gonna stay in here for movie night?
Ali (as Brnine): I didn’t say that. I said we’re stuck.
Austin (as Gucci): You didn’t say we were “stuck” when there was the stellar combustor. You said, “I’m turning off the stellar combustor.”
Ali (as Brnine): Well, I don’t have Phrygian here anymore. And I don’t have Figure anymore—
Austin (as Gucci): [cross] Phrygian didn’t tell me that. You told me that.
Ali (as Brnine): [cross] —and now you’re gonna go to Clem.
Austin (as Gucci): I’m not “going to Clem”. I’m going to the Crown of Glass and putting a leash on Clem. I’m keeping Clem from hurting you and everyone else.
Ali (as Brnine): Great.
Austin (as Gucci): Which, yes, I can do. And no, it won’t be dangerous for me.
Ali (as Brnine): Cool.
Austin (as Gucci): I know how to deal with her.
Ali (as Brnine): I’m glad. Are you talking me into this, or are you talking you into this?
[Sylvi groans]
Ali (as Brnine): Because it feels like if we have an hour to hang out, we could sit in that room and watch a fucking movie. And not be thinking about this.
Austin (as Gucci): [cross] You’re right, you’re right. I don’t have an hour to hang out.
[Sylvi gasps]
Austin (as Gucci): And I shouldn’t be spending the time I have talking to you. Good luck, Captain. The Blue Channel’s yours.
Ali (as Brnine): Come on. Come on.
Sylvi: This is such good shit!
[Ali laughs]
Ali (as Brnine): I didn’t mean it like—
Keith: She’s busy only ever taking credit for things we do.
Austin: Uh-huh.
[Sylvi exclaims]
Austin: And she is leaving.
[Ali laughs]
Dre: Good.
[Ali groans]
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royalarchivist · 7 months ago
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Head in my hands
At this point when errors, happen I don't even know if it's me or Tumblr's fault anymore, because like– Ok, to give you guys a peek into the clip posting process I've had to do for the past month or so:
I upload a clip, write the transcript, then write the tags.
If the clip is stuck in upload hell for more than 5 minutes, I refresh my drafts page and wait for it to show up in there.
I edit the draft, re-type the transcript that's missing (because the auto-save usually deletes half of it) and re-write the tags that are missing
Sometimes I'm able to copy over the transcript from the "still uploading" post if I don't close the tab, but occasionally, it copies transcripts of previous posts I've created (or parts of them) and I have to triple-check that nothing copied over.
I hit “post” then pray and hope the draft posts instead of getting sent back to upload hell 2.0
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liminalweirdo · 1 year ago
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put subtitles in all movies playing theatres forever. no CC glasses, no special showings for captioned films. No. Put captions on every film being shown in theatres. Films should not be able to be make it through post and get released without closed captions
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pc-98s · 1 year ago
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if you can type 150 wpm, want to be paid far lower than minimum wage, and enjoy being privy to government secrets, try transcription!
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horsegirl-curtis · 1 month ago
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wdym people are against slime tutorials
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babbybones · 4 months ago
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if you're able to donate to help my friend luca, i can try to do a little something for you in return (sketch, web graphic/gif, low poly .stl for 3D printing, custom 3DS theme, custom swapnote stationery, vib-ribbon song request, utau song cover(?), video captions/audio transcription) (not all of those at the same time sorry)
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thisbluespirit · 1 month ago
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Pictures of Jeremy Northam in Salad Days at Nottingham Playhouse in June 1986, courtesy of the Nottingham Evening Post of 11th July (p1) & 10th June (p5).
Plus, a review from the same from 27th June 1986 (p6):
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& another from The Stage 24th July 1986 (p13).
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ant-datagain · 2 years ago
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5 Advantages of Adding an Interactive Transcript to your Podcast
Not everyone has a background in journalism or speech, but you can still create an engaging podcast with the help of interactive transcripts. In this post, we will share the benefits of adding interactive transcripts to your podcast.
Let’s begin with what interactive transcripts are? Like captions or subtitles, an interactive transcript is shown next to the audio or video source. The corresponding words in the transcript are underlined or highlighted as the user hears the spoken words. Let’s now look at its five benefits:
Improved Accessibility
An interactive transcript can help you make your podcast more accessible and engaging for a wider audience. If you have a podcast that is hard to understand, transcribing it will allow people with cognitive disabilities (e.g., autism) an opportunity to listen to the audio without struggling with it on their own. It’s also an excellent way for anyone who doesn’t speak English or the language used in the podcasts as a first language but can enjoy podcasts anyway with interactive transcripts. Transcripts can also be searched and printed out for easy access. So, add interactive transcripts to your podcast to make them more accessible, engaging, and easy to search for.
Increased Engagement
In a study by MIT OpenCourseWare, 97% of students said interactive transcripts enriched their learning experience. Stats like these prove that an interactive transcript is a great way to keep your listeners engaged and interested in the content of your podcast. It’s easier for them to follow along, so they will be more likely to stay tuned in as you discuss important topics.
Also, interactive transcripts are great tools for re-listening after an episode has been released. You can use search terms from within each episode’s description text or specific phrases from within those descriptions. It makes it easier than ever by searching rather than scrolling through long lists of episodes with no results.
Easier Reference
Another benefit of adding an interactive transcript is that it is easier to reference. When listening to podcasts, it’s often not convenient to find a specific part of the show or even search your favorite podcast for quotes you want to use in your work. With an interactive transcript, you can see when someone talked about what you are discussing and how long they talked about it. It makes it easier for listeners who want more detail on these subjects.
Better user experience
Interactive transcripts are an excellent way to provide a better user experience. It grants seamless access to podcasts in sound-sensitive areas such as a library, office, or crowded street. Interactive transcripts are easy to search for and read since they are in text rather than audio.
Interactive transcripts also help you share the podcasts with other people who might benefit from them but have no idea of the language of the podcast.
An incredible tool for SEO optimization
One of the most important things you can do as a podcaster is to optimize your content for search engines. Interactive transcripts help with the correct keyword integration. They allow users to search for keywords within the transcript and their origins. It helps ensure that Google, Bing, and other search engines can find and index your podcast episodes.
Also, by adding an interactive transcript with each episode, people who don’t have time to listen through all the minutes can now scroll down through the text section the next time they want more information on that topic.
The Bottomline
Interactive transcripts don’t necessarily make or break the quality of your content. However, they are unmatched in making your podcasts more accessible and engaging. And, if you want your podcasts to lose for one quickly and all, then interactive transcripts are a must. Also, if you want quality interactive transcripts in a reasonable range, Ant Datagain is your ultimate stop. Book your custom quote today with us!
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killjoy-prince · 8 months ago
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House M.D. but it's when House says Wilson's name
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fridayiminlovemp3 · 8 months ago
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every time i send an angry email to my old university (which happens way too often because they SUCKKKKK) the same girl replies and i feel sooooooo guilty because we’re kind of friends and went to school together and she’s really sweet and it’s not her fault that the school sucks :((( but then i remember thats she’s straight up addicted to one direction rpf (like she’s constantly liking larry conspiracy theories on instagram.. like the entire world can’t see it 😐) and she probably has a larry fic open in the other tab while she’s replying to me and then i’m like okay never mind she’s doing fine she can handle my annoying emails
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zerodaryls · 11 months ago
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Jeff Porcaro of Toto talks about channeling his nervous energy into something creative. [Full 45-minute Interview on YouTube]
Video Transcript:
[Jeff sits behind a drum set, addressing an unseen audience] It's so funny, but the... the beat of Rosanna? And there's all these little things in between? Well that started off years ago, I don't know who it was I was playing for, but I was so nervous, that my left hand [demonstrates his shaky hand on the drum] was just... was just bouncing! [audience laughter] And I took that and I– [drums] I just let my – I channeled my nervous stuff to a beat or something like that. But, no, the only thing that ever calmed – I swear to God, like, last night, I can't tell you how many times I've played at The Baked Potato, and I'm supposed to be a well-known drummer who should have his shit– I mean his stuff together... But I'm at The Baked Potato and there's a couple of drummers in the audience and stuff and I'm always nervous and it'll take about two songs before my arms get loosened up and then I don't care that they're there listening to me play. But I think that being nervous is a good thing. You know, channeling that energy well. Adrenaline, it's adrenaline. It's a good thing. [jokingly] So stay nervous. [laughs] Nah... [audience laughter as the video fades out]
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dotsunflowers · 1 year ago
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Promo for German-language La Cage aux Folles (2022), ft. Drew Sarich as Albin/Zaza, and Victor Gernot as Georges
English translation below the cut!
[approximate English Translation of German Transcript]:
Georges: Open your eyes! You are in the cage of fools — in La Cage aux Folles!
Victor Gernot (Actor, Georges): My name is Georges— I'm the director of this variety show. I am the boss of the Cagelles, and I'm not just the employer, but also the best friend, lover, husband, and admirer of the star of the show: Zaza on stage, and my Albin in real life.
Zaza, singing Mascara (translation of German lyrics): 🎶 I only feel zest for life, sensual, fabulous, / Because through putting on make up, Albin has vanished, and Zaza is here 🎶
Drew Sarich (Actor, Albin/Zaza): We have a wonderful home, and we have a son, Jean-Michel. And Jean-Michel comes home and tells Georges that he's getting married.
Gernot: Excellent choice. He has chosen the daughter of the party chairman for family, tradition, and morals, and wants to present an idealised/sanitised world for these in-laws—a world that, of course, doesn't actually exist in our household.
Jean-Michel: For the next 24 hours, there will be people here who have a different lifestyle than you do. For the next 24 hours, I am asking that you give up everything that you personally enjoy and everything that you are personally proud of. My future depends on it.
Melissa King (Director and Choreographer): This play is over 40 years old, and even if LGBTPQ rights have made advances, the community still isn't truly integrated. Which is to say, there is a certain level of, let's say, tolerance, but not 100% acceptance.
Georges, singing Look over There (translation of German lyrics): 🎶 Why do you believe that from now on there is just one love? / Think of the affection you have experienced so far 🎶
Lorenz C. Aichner (Conductor): My favourite numbers are actually the quieter ones. The show numbers are done wonderfully—beautifully crafted, dramaturgically well constructed with their high points, and they are superbly scored—but the most honest numbers are the quiet numbers, where there are truly honest interactions, truly honest emotions, and things are happening at a truly interpersonal level.
Georges and Albin, singing the Song on the Sand reprise (translation of German lyrics): 🎶 As the time has passed / I think often of that song there, in the sand 🎶
Aichner: Yeah, I think Georges is a difficult character—difficult for himself. For us, he's not a difficult character, but for himself? I think he sometimes makes his own life more difficult because he wants to be diplomatic toward everyone. I think that's a fine quality to have, but it must be terribly stressful for him.
Gernot: At first, the plan is that you won't be there at all. And then we decide that it would be good if you were there, as a man, as Uncle Albert. And finally, you take initiative—
Sarich: —and save the day!
Gernot: You save the show, you save the day, you save the marriage, the upcoming marriage, you save our marriage, and are the mother.
Zaza and ensemble, singing The Best of Times is Now (translation of German lyrics): 🎶 The most beautiful time is now / what’s left of summer, just an Edelweiss 🎶
King: And I find, that's when you see the perfect blend of Albin and Zaza. Albin, who's perhaps less self-assured, who's jealous, and then you have Zaza, who has power, self-assuredness, will fight for everyone, right? And when he has to play the mother, it's the perfect blend of the two. I think every person has yin and yang, masculine-feminine, and when those are perfectly combined, then the person is...
Aichner: Complete.
King: Complete. Thank you. Thank you. (laughs)
Zaza, singing I Am What I Am (translation of German lyrics): 🎶 I am what I am / and what I am is not a secret 🎶
Sarich: It's phenomenal that we can deliver a message like this without it getting preachy. Where we don't have to point and say "Please please please please please." Um, there's an expression in English, "You catch more flies with honey than you do with vinegar," and we are smearing honey over everything.
Gernot: Yes.
Sarich: Ha!
Gernot: At the end of, at the end of the night, we smell a bit like vinegar, but— (laughs)
Sarich: (laughs) But we taste like honey.
Gernot: We taste like honey (laughs).
Zaza, singing I Am What I Am (translation of German lyrics): 🎶 Hey world! I am what I am 🎶
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