#Process Instrumentation Market
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The global process automation and instrumentation market size is projected to reach USD 86.6 billion by 2027, at a CAGR of 5.5% during the forecast period.
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Process Automation and Instrumentation Market by Transmitter (Level, Pressure, Temperature), Analyzer (TOC, pH, Oxygen, Conductivity, Density, Toxic Gas, Turbidity, Hydrogen Sulfide), PLC, DCS, SCADA, HMI, MES, Industry - Global Forecast to 2029
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Europe Process Instrumentation market Overview
Europe Process Instrumentation market size is forecast to reach $9.37 Billion by 2030, after growing at CAGR 3.25%during the forecast period 2024-2030.
The demand for process instrumentation in Europe is growing widespread adoption of Industry 4.0 principles, characterized by the integration of digital technologies and automation in industrial processes. Additionally, the integration of Industry 4.0 technologies, such as IoT and AI, is promoting automation and data-driven decision-making, elevating the need for advanced instrumentation. The desire for improved operational efficiency, product quality, and reduced downtime also fuels this demand. Furthermore, ongoing technological innovations, including wireless and remote monitoring solutions, are making process instrumentation more accessible and effective, fostering its increased adoption in the European market.
👉 𝗗𝗼𝘄𝗻𝗹𝗼𝗮𝗱 𝐒𝐚𝐦𝐩𝐥𝐞 𝐑𝐞𝐩𝐨𝐫𝐭 @ https://tinyurl.com/mrytxka8
#Europe Process Instrumentation Market Share#Europe Process Instrumentation Market Size#Europe Process Instrumentation Market Forecast#Europe Process Instrumentation Market Research#Europe Process Instrumentation Market Treads#Europe Process Instrumentation Market Application#Europe Process Instrumentation Market Growth#Europe Process Instrumentation Market Price
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WOF tribe Merchant/Trading booth concepts:
Hey folks! This one was the recent winner of this WOF poll, so here’s my concept art that headcannons trading in Pyrrhia.
Read below cut for close-ups of the individual booths + the thought process / headcannons behind the design choices: 👇
Skywings: The Sky Kingdom’s mountain ranges provide plenty of pasture for raising sheep. As such, Skywing shepherds benefit from traveling to sell their wool, dyes, fabric, and woven tapestries. Many of these merchant tables also include herbs grown exclusively in the mountains, or ibex drinking horns that can be strapped on a dragon’s shoulder & carried in flight.
Along with goods, Skywing merchants may offer sewing services to fix tears, burn marks, or other fabric damage. They are sought out for their quality clothing, and most fabric across Pyrria originated from a Skywing’s talons.
Mudwings: Mudwings’ abundant food & cooking skills are envied almost anywhere in Pyrrhia. Their swamps have fertile soil, responsible for hosting diverse crops which can be purchased as produce at merchant stalls. For those lucky enough to find a traveling Mudwing merchant, the promise of a delicious dish can be whipped up and served at the stall in no time. Along with produce goods, Mudwings sell weaved baskets, spices, and cooking ware.
Sandwings: Sandwing booths offer luxuries of the desert: It’s most common to find accessories such as gold carved jewelry or musical instruments such as drums, lyres, & mandolins for sale. Though, even more sought out across Pyrrhia is Sandwing tattoos/piercings, which are done within the merchant areas. Ink etchings on papyrus paper are stationed outside their tents to showcase designs. All which can be selected, and poked into the skin with a tapping stick and plant dye ink by a trained talon.
Seawings: SeaWings sell a variety of ocean related goods; taking a share in the fish market with Icewings. Outside of food, there are den decorations like driftwood carvings, accessories such as seashell & pearl jewelry, and rope nets weaved by expert Seawing sailors. Some Seawings even sell fishing equipment, canoes, or offer sailor knot tying instructions to curious dragon buyers.
Nightwings: During the war, it was near impossible to find a Nightwing merchant. Most refused to participate in merchant territory, mostly as a way to keep up with their tribe’s mysterious nature.
Though in the more shady, unground parts of the market you can buy from a huge selection of obsidian weaponry, the sharpest in Pyrrhia. No one knew initially how Nightwings smithed so many weapons, or why, until their secret volcano kingdom and the intention to invade the rainforest was discovered. Then forging armor & weapons became clear. Along with a vast armory, for the right price, some Nightwing merchants offer Prophecies & Nightwing Literature (not always guaranteed to always be reliable) and assassin services as well (very reliable).
Rainwings: Though Rainwings haven’t been part of Pyrrhia trading for years, they have a vast hold on dragon medicine. An apothecary of herbs, salves, and remedies are all offered for various ailments due to the rainforest’s abundant resources. Along with medicinal goods, many Rainwings are fruit vendors, promising to any hesitant meat-eating dragons that such an array of flavors isn’t to be missed. Though, their fruit selling pitches often fall flat to most other predominantly meat-eating tribes.
Icewings: Icewings have everything a dragon could need to brace the cold, with a selection of goods only found in the most frigid regions of Pyrrhia. Furs, bone jewelry, and fresh fish (thanks to frost breath) are served on ice. Though Icewings themselves don’t require fur to withstand the cold, it’s considered fashionable and common in upper ranks to wear fur as a status symbol. Since metal is hard to smith without fire & in cold temperatures, fur and bone are more accessible to Icewings for clothing statements.
#art#illustration#bookart#wings of fire#wof#dragon#concept art#concept design#dragons#dragon art#wings of fire art#wingsoffire#wings of fire fanart#wof art#wof headcanon#wof tribes#skywing#Seawing#Mudwing#sandwing#rainwing#icewing#nightwing wof#nightwing#wof fanart#wings of fire headcanons#illustrative art#worldbuilding
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this is probably shaped by my limited frame of reference, but im really fascinated by witnessing the real-time development of adhd as a diagnosis. people attribute so many symptoms to it now or maybe they always did? i was wondering if you have any thoughts on what is the use of adhd specifically as a category within psychiatry. I'm esl so sorry for any confusing wording
no you're right imo; diagnostic categories are always somewhat in flux ofc but ADHD is one that has seen a particularly pronounced shift in the last couple decades. obviously this is multifactorial but my observation goes something along these lines:
'hyperactivity' has been dx'd in children since about the 1950s (also when Ritalin hit the market) but the ADHD dx doesn't really take off until the 90s (also when Adderall, a 2nd-gen reformulation of the 'obesity' drug Obetrol, hit the market). so, it's not all that surprising that 20 years later you see increased patient awareness of the diagnosis, increased popular interest in it, and shifting / expanding ideas of what it means and what ADHD 'is'. it's a relatively young dx.
part of the reason it's young is because it's basically a 'biopsychiatric' dx, meaning it diagnoses certain behaviours as being a 'brain problem' rather than having social causes or context. in practice this is complicated because psychs do use pharmacological approaches in conjunction with psychodynamic ones all the time; nevertheless, the central promise of DSM ADHD and its pharmaceutical treatments has consistently been that the ADHD subject has a physiological, neurological disorder / dysfunction / aberration, and that the drug treatments on the market fix it. that none of this is actually empirically supported is conceptually inconvenient and entrenched by the research process.
the biopsychiatric narrative is worth paying attention to because the context here is one in which it has become commonly accepted that behavioural 'disorders' and affective distress of various kinds can be, basically, either of pure biological origin, or else Your Fault. in the case of childhood hyperactivity, Your Fault historically also included Your Mother's Fault; part of the reason many mothers embraced Ritalin in the 50s and 60s was because the proffered pharmaceutical narrative explicitly challenged the idea that these mothers had done something 'wrong' to result in their (mostly) sons exhibiting disruptive and hyperactive behaviour.
this dichotomy of biology vs personal failing is very overtly present in quite a bit of discourse around ADHD today. if it's my brain being 'wrong' or different, then it's not something I've done wrong but a disease with a simple chemical fix. in this context I don't think it's surprising at all that a lot of popular and patient conceptions of ADHD have seen a considerable widening over the past few decades. often people like to blame this on pharmaceutical companies, and it's true that industry benefits from these discourses and frequently invests in them (eg, via instruments like ADDitude mag). however, that's a pretty simplistic explanation on its own and doesn't really account for the ways in which patients and potential patients also find this diagnostic category personally useful, for reasons ranging from identity-formation to the desire to access prescription amphetamines. ADHD increasingly shows up as a biologised explanation for behaviours ranging from 'eating too many sweets' to 'postural sway' and so on. you can see in such examples how invoking the idea of an aberrant ADHD brain is both reassuring to people who have been made to feel ashamed of certain behaviours, and provides a sense of shared identity and community with others.
all of this is to say: I don't find it surprising at all when I see a relative broadening of notions of ADHD, almost always expressed in biological terms (the 'ADHD brain' operates differently, 'seeks dopamine', causes this or that). ADHD is in some ways a particularly blatant distillation of this general trend in popular psychiatric discourses, for reasons relating to expectations about childhood and child behaviour, and the historical and present relationship between the ADHD label and the regulation of amphetamines. but much of what's happening with ADHD in terms of popular discourses about it can also be seen with many, many other psychiatric diagnoses, to varying extents and in various ways.
my experience writing about ADHD on this website leads me to close by explicitly stating the following: I do not think any ADHD behaviours / symptoms are people's 'fault' or an individual failing; I do not think using drugs for any reason is morally bad or needs to be justified; the fact that I do not think ADHD is a 'brain disease' does not mean I think people are 'making it up' or exaggerating wrt any difficulties they experience personally, professionally, emotionally, &c.
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Writing Notes: 10 Uncommon Magic Systems
These examples of unique magic systems might pique your curiosity and inspire your next fantasy epic.
Color Magic: Harnessing colors to invoke specific spells or effects.
Sound Magic: Crafting spells through vocal tones, vibrations, or musical instruments.
Time Magic: Manipulating the past, present, or future, often bending the laws of physics.
Egoic Magic: Altering one's sense of self or emotions to use as a magical conduit.
Manufactured or Artificial Magic: Magic crafted or produced through synthetic means (e.g. via objects or alchemical processes).
Nothingness Magic: Conjuring voids or vacuums, often manifesting as spatial anomalies.
Glass Magic: Manipulating glass to create barriers, projectiles, or even complex machinery.
Astrology-Based Magic: Drawing powers from celestial bodies or zodiac signs.
Fate Magic: Influencing destiny or chance to manifest predetermined outcomes.
Bio-magic: Utilizing biological processes or traits for supernatural effects.
Incorporating lesser-covered categories of magic can set your story apart in an oversaturated market, helping you carve out your distinct niche and voice. Source
More: On Fantasy ⚜ Writing Notes & References Writing References: Worldbuilding ⚜ Plot ⚜ Character
#on writing#fantasy#worldbuilding#writeblr#writing inspiration#writing ideas#writing inspo#creative writing#writing prompt#magic#writing advice#writing tips#light academia#dark academia#writing reference#nc wyeth#realism#art#illustration#writing resources
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What Recharges or Motivates Us
What to do if you feel unmotivated or drained. Based primarily on Sun placements, but can also apply to Venus, Mars, or Jupiter if strong, along with Chart Ruler. Also look for the houses where you have Aries [ inspiration ], Taurus [ comfort ], Scorpio [ rebirth ], and Sagittarius [ adventure ].
Through the Signs
Aries
- engage in a competitive activity, like sports or games that gets your blood pumping
- tackle a quick, challenging task, like a workout, difficult puzzle, hiking, cycling, or running
- spend more time in the sun and other natural light, like candles or bonfires
- leading others, like leading a group project or initiative
- take a spontaneous trip or adventure, exploring nearby towns or new places
- do a hands-on activity, like a DIY or home improvement project
- take a class or workshop you always wanted to try, like pottery, cooking, or dancing
- engaging in activities that remind you of your childhood
More Ideas: try extreme sports like rock climbing or bungee jumping; pack a bag and take a road trip with a specific destination; set up a friendly competition like a race or game; create a playlist that represents your personal anthem; join a public speaking/Toastmakers club or open-mic events; try a martial arts class, parkour, or fire dancing
Taurus
- spend time outdoors in nature, through hiking, gardening, or simply relaxing
- indulge in sensory experiences, through cooking your favorite meal, taking a bath, or lighting aromatic candles
- treat yourself to a self-care day, like a massage, facial, or luxurious bath to reconnect with the body
- rearranging or redecorating your safe space, like adding plants or artwork
- listen to music, like uplifting or calming tunes that boost your mood or energy
- engage in creative hobbies, like painting, pottery, or crafting
- cooking or baking, since the process of preparing food can be therapeutic or satisfying to them
- gentle forms of physical movement, like yoga, dancing, or tai chi
- mindfulness practices, like meditation or deep breathing
- spending quality time with loved ones, like close friends, family, or animal companions
More Ideas: visit a local farmer’s market, experiment with cooking a new cuisine; take a worship in pottery or candle-making; host a wine and cheese testing; visit local artisan shops or craft markets; explore local flora or take up a nature identification project; host a themed dinner party; use more vibrant colors, fragrant herbs, or unique textures when cooking
Gemini
- organize a gathering with friends or participate in a social event
- explore new ideas, through trying a new book, podcast, or documentary
- plan a short trip or spontaneous outing to a new location
- participate in group activities, like joining a club, workshop, or class, like a writing group, art class, or dance lesson
- trying different hobbies, like crafting or playing a musical instrument
- take a short social media break, to calm mental chatter and focus on more fulfilling tasks
- host a themed movie or game night, like inviting friends over for a movie marathon or game night to combine entertainment with socializing
- try guided meditations
More Ideas: take a quick-paced online course on a random subject that interests them; join an improv class; go on a themed trip, like visiting a historical landmark or art installations; write a short story or poem based on a random word generator; host an online discussion group on an eclectic topic; try VR experiences that offer adventure or learning opportunities; host a trivia night; create a collaborative story where others contribute paragraphs; participate in a flash mob; join a local debate club
Cancer
- spend time at home or in a cozy and comforting environment, and even declutter or redecorate
- engage in nurturing activities, like cooking a favorite meal or baking something comforting
- spend quality time with family or close friends
- practice self-care routines, like taking a long bath, practicing skincare, or enjoying a good book
- artistic outlets, like painting, crafting, or writing
- nature walks, especially near water, like lakes, rivers, or the ocean
- journal, to write down thoughts or feelings to help bring clarity to process emotions
- volunteer or help others, since acts of kindness are fulfilling
More Ideas: curate a playlist that represents current feelings and listen to it while journaling; setup a home sanctuary with blankets, pillows, or favorite items; try art therapy as a form of emotional expression; create a scrapbook or photo album full of cherished memories; cook a dish from childhood; host a memory sharing night with friends or family; create a comfort box with things like favorite books, scented candles, photos, or treats; plant a healing garden
Leo
- expressing through art, like painting, dancing, or acting
- host a social gathering, like organizing a party or get-together with friends, since they like being the center of attention and sharing their energy
- engage in a physical activity, like a fun workout, dance class, or group fitness session
- pamper yourself, like having a spa day, try a new hairstyle, or going shopping to make your feel great
- leading a project at work or a group setting
- surrounding themselves with positivity, like curating a playlist or watching uplifting movies
- trying a new hobby that challenges them, like photography, writing, or playing an instrument
- connecting with nature, like a botanical garden or beach
- practicing gratitude, like writing down things they appreciate
More Ideas: dress up as a favorite character or icon for the day; write a personal manifesto of their goals, dreams, and values; host a talent show with friends and family; volunteer to mentor others and share skills; have a solo dance party at home or wherever they feel free, like nature; enroll in local acting or improv class; create a personal website; plan a photoshoot; attend a live performance; establish a celebration ritual for achievements big or small
Virgo
- spend time tidying up, like cleaning and organizing their environment
- going for a nature walk or hike, to ground and reconnect with surroundings
- create a to-do list, like writing down tasks and goals to have a clear plan
- try a craft or DIY project, like gardening, artisan crafts, or home improvement
- cook a healthy and nourishing me that focuses on healthy ingredients
- taking a break from screens and social media to reduce mental chatter and focus on priorities and passions
- read for pleasure, like a book or audiobook, listening to a story that can provide an escape and stimulate the mind
- volunteer or help others, like community service or lending a hand to someone in need
- practice self-care, like a bath, yoga, or quiet evening with a favorite movie to recharge emotional and physical energy
More Ideas: create a personal wellness day with yoga, healthy cooking, and meditation; go outside and journal about the sights, sounds, and feelings they experience in nature; organize a workshop where everyone teaches each other something they’re good at; craft a detailed vision board outlining goals and aspirations; organize or join a nature clean-up event; join a book club; attend a cooking class
Libra
- cultivate aesthetic spaces, like redecorate or rearrange a living space to create a more visually pleasing environment
- spend time with friends or loved ones
- visit art galleries or museums to immerse in art or culture
- practice self-care like a spa treatment or skincare ritual
- try yoga or pilates
- listen to uplifting music, like creating a playlist of favorite songs or explore new genres
- try hands-on creative activities, like painting, crafting, or fashion design
- ensuring they have a balance of social time and solitude to recharge effectively
- seek out beauty and inspiration, like botanical gardens, floral shops, or scenic views
More Ideas: curate a playlist that evokes peace and balance while engaging in calming activities; host a themed potluck dinner where everyone brings dishes from different cultures; explore Feng Shui and rearrange living space based on the principles; color mandala designs or use adult coloring books; participate in a dance class like salsa or ballroom; join or create a group where people discuss philosophical ideas, art, and ethics; spend a week experimenting with different fashion styles
Scorpio
- engage in intense workouts, like martial arts, kickboxing, or dance
- try self-reflection through journaling or meditation
- connect with nature, especially near water
- transforming their space to reflect their current emotional state or desires
- engage in creative outlets like painting, writing poetry, or playing music
- incorporate mindfulness practices, like deep breathing or yoga to center themselves
- delve into mystical practices, line astrology, tarot, numerology, divination, or the craft
- plan a personal retreat, like a weekend getaway or a day of solitude at home
- volunteer for causes they care about, like community service or activism that aligns with values
More Ideas: try shadow work journaling about fears, desires, and emotions to explore depths of psyche; stimulate senses through aromatherapy, candle-making, or visiting a sensory deprivation tank; create a mystery box full of random things and challenge themselves to craft a story or project around items; take a weekend away to a secluded location for introspection and reconnecting with themselves; explore darker-themed artists or galleries; create a personal tarot deck; try intuitive cooking, as in without strict recipes
Sagittarius
- plan a spontaneous trip, like a weekend getaway or a trip to a nearby city or nature spot
- engage in outdoor activities, like hiking, biking, or camping
- attend workshops or classes, such as cooking, art, or philosophy
- connect with different cultures, like cultural events, festivals, or cuisine
- read inspirational books, like travel, philosophy, or personal growth
- join a social group or club that focus on their interests, such as travel clubs or book clubs
- practice gratitude to reflect on things they appreciate to reignite enthusiasm
- engage in physical activities, like yoga, dance, or team sports
- attend lectures, seminars, or discussions on topics that interest them
- take a digital detox to unplug and reconnect with themselves
More Ideas: start a travel journal documenting last adventures and future dreams; choose a random topic or skill to learn, like a new language or dance style; visit a cultural museum, theater, or festival to immerse in new perspectives and experiences; create a bucket list; create an accountability group; start a nature journal that documents observations about nature, seasons, and personal reflections during walks or hikes; join an outdoor adventure group; start a travel blog or vlog; participate in a poetry or storytelling night
Capricorn
- set new goals, like reassessing personal or professional goals and create a clear plan to achieve them
- engage in physical exercise, participate in strength training, running, or hiking
- tidy up living or workspaces, since they appreciate order
- connect with nature, like taking a walk in the park or hike in the mountains
- establish a routine that includes time for work, self-care, and leisure
- network and build connections, like attending professional network events or social gatherings, to open new doors and inspire ambition
- prioritize self-care activities, like massages, spa days, or quiet evenings at home
- learn a new skill or hobby, through cooking, a new language, or musical instrument
More Ideas: set up a structured personal challenge, like a month-long fitness routine; take an unconventional course in a field of interest outside career path; create a detailed vision board of long-term goals; create a personal development podcast about self-improvement, productivity, or career tips; delve into ancient philosophies [ like stoicism ] or classic literature that resonates with values; try minimalist living for a week
Aquarius
- try innovative projects, through art, writing, or technology
- explore new ideas, through reading books or articles on unconventional topics, science, or philosophy
- participate in social activism or community service
- connect with like-minded individuals, like joining groups or forums that align with interests
- take time alone to reflect and recharge to renew motivation
- try new experiences, like new acting, foods, or adventures, which can invigorate curiosity
- experiment with technology, like new gadgets or apps
- spend time in nature, like hiking, bike riding, or a picnic in a park
- practice mindfulness techniques or meditation to calm busy mind
- create a vision board with goals and aspirations to visual dreams
More Ideas: brainstorm creative solutions to social issues or personal projects; explore workshops on unusual topics, like improv, urban foraging, or alternative therapies; conduct a social experiment, like “random acts of kindness” challenges to explore human connection in a unique way; join hackathons or creative meetups that focus in technology or social change; use VR technology to explore new worlds or experiences
Pisces
- try artistic pursuits, like painting, drawing, writing, or playing music
- practice mindfulness meditation to center themselves
- spend time near water, whether it’s the ocean, a lake, or a river
- volunteer for a cause, like community service or supporting a cause they care about
- create a dream or aspirations journal to process emotions and thoughts
- immerse in music that resonates with their mood or inspires them
- explore spiritual practices, like yoga, tarot reading, rituals, or belief systems
- surround themselves with beauty, like creating a peaceful or aesthetically pleasing environment; add plants, soft lighting, or artwork
- spend time with loved ones, and share thoughts or feelings to provide emotional support
- take a break from routine and allow for spontaneity, whether it’s a day trip, new hobby, or an adventure
More Ideas: write a short story or poem based on their dreams or fantasies; partner with other artists or creatives to collaborate in a project to blend imagination with others; join a meditation or spiritual group to share experiences; try underwater exploration, like snorkeling or scuba diving; attend a sound bath session; volunteer at an animal shelter or sanctuary; create a collaborative playlist where friends can contribute; start a book swap; participate in a poetry slam
Through the Houses
First House
- focus in self-care and personal expression; engage in activities that boost self-esteem; exploring their identity; setting personal goals, establish limits that honor personal needs; explore personal interests and passions; find authentic ways to express themselves
Second House
- explore what they value most in life; educate and reassess financial priorities; find creative ways to utilize resources; ensure life choices align with core values; declutter material possessions; explore new income sources; cultivate gratitude for resources; work towards greater financial autonomy
Third House
- enhance communication skills like increasing active listening skills; build local connections; expand knowledge and explore new ideas; engage in stimulating conversations like knowledge exchange; embrace curiosity more; engage in puzzles, games, or brain-training exercises; blog or write to communicate thoughts, feelings, and ideas
Fourth House
- nurture family relationships; create a supportive home environment like understanding and improving family relationships; reflect on emotional foundations; connect with heritage and traditions; find comfort in solitude; design a space that promotes peace and comfort
Fifth House
- embrace creativity and self-expression; build or deepen romantic connections; explore leisure activities; try hobbies that excite them; focus on seeking joy and playfulness; explore various forms of artistic expression; reconnect with their inner child and joyful nostalgic experiences
Sixth House
- address stress and well-being; find satisfaction at work; engage in acts of service that contributes to well-being; find efficient ways to manage daily tasks; more regular exercise and nutritious meals; focus on quality good and being present while you’re eating food; create boundaries to avoid burnout; incorporate more self-care routines; gratitude journaling; integrate more therapies like acupuncture, massages, or aromatherapy
Seventh House
- foster open communication; strengthen personal relationships; navigate conflicts more constructively; build new partnerships; set shared objectives for growth in partnerships; engage in projects that require teamwork; engage in community more like clubs or community activities; practice gratitude for relationships; balance give and take in all types of relationships
Eighth House
- address fears and desires; explore intimacy and vulnerability; embrace personal transformation; let go of old patterns; delve into unknown aspects of life like psychology and spirituality; understand the importance of collaboration with shared resources
Ninth House
- explore different cultures, philosophies, or spiritual practices; question beliefs and values; pursue higher education or spiritual growth; plan traveling; define long-term goals; join discussion groups
Tenth House
- define career aspirations; reflect achievements and legacy; explore networking opportunities; enhance public image; seek leadership opportunities; cultivate leadership skills and confidence; consider what they can contribute to society;
Eleventh House
- nurture friendships and social connections; purse collective goals; connect with others with shared ideals and visions; engage in community involvement; work with friends on common goals; strengthen ties with friends and like-minded individuals; visualize future aspirations and dreams
Twelfth House
- explore spirituality; reflect on subconscious influences; address emotional healing; engage in solitude for introspection; focus on cultivating creativity and imagination; incorporate rituals or meditative practices into routine; address past traumas and emotional baggage; explore dreams through recording them; cultivate a compassionate mindset that acknowledges shared struggles and fosters a sense of community; find healthy outlets for emotional release, like through movement, art, or conversation
#astrology#astrology observations#sidereal astrology#shadow work#mental health#healing#inner healing#sun signs#sun through the houses#mars#venus#jupiter#twelfth house#first house
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Black Figure Pottery
Black Figure Pottery is a type of Greek pottery named after the colour of the scenes painted on vessels. It was first produced in Corinth c. 700 BCE and then adopted by pottery painters in Attica, where it would become the dominant decorative style from 625 BCE. Athenian vases then dominated the Mediterranean pottery market for the next 150 years.
Besides Attica and Corinth, Laconia was a third, albeit minor, producer of the style in the first half of the 6th century BCE. The more than 20,000 surviving black figure vases and vessels of varied form make it possible not only to identify artists and studios, but they also provide the oldest and most diverse representations of Greek mythology, battle scenes, and religious, social, and sporting practices. The pottery vessels are also an important tool in determining the chronology of archaeological sites and the history of ancient Greece in general. The style was eventually replaced by red-figure pottery.
Development
Evolving from the earlier geometric designs on pottery, the black-figure technique depicted animals (more favoured in Corinth) and human silhouette figures (preferred by Athenian painters) in naturalistic detail. Before the firing process, a brilliant black pigment of potash, iron clay, and vinegar (as a fixative) was thickly applied to entire vases or part of the vessel. This black gloss also gave a slight relief effect. Parts of the painted area were then scraped away where not required, leaving a design in silhouette. Additional details such as muscles and hair were added to the figures using a sharp instrument to incise through the black to reveal the clay vessel beneath and by adding touches of red and white paint. Vessel borders and edges were often decorated with floral, lotus, and palmette designs.
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The cogent documentary, “Surveilled,” now available on HBO, tracks journalist Ronan Farrow as he investigates the proliferation and implementation of spyware, specifically, Pegasus, which was created by the Israeli company NSO Group. The company sells its product to clients who use it to fight crime and terrorism. It is claimed that Pegasus was instrumental in helping capture Mexican drug lord, Joaquín “El Chapo” Guzman. However, there are also reports that NSO’s products are being used to target journalists, human rights activists and political dissidents.
. . .
Farrow: I put up a piece in The New Yorker this week. It was fascinating to talk to experts in the privacy law space who are really in a high state of alarm right now. The United States, under administrations from both parties, has flirted with this technology in ways that is alarming. Under the first Trump administration, they bought Pegasus. They claimed they were buying it to test it and see what our enemies were doing, and The New York Times later sued them for more information and found really persuasive evidence that the FBI wanted to operationalize that in American law enforcement investigations.
youtube
In September, the Department of Homeland Security (D.H.S.) signed a two-million-dollar contract with Paragon, an Israeli firm whose spyware product Graphite focusses on breaching encrypted-messaging applications such as Telegram and Signal. Wired first reported that the technology was acquired by Immigration and Customs Enforcement (ICE)—an agency within D.H.S. that will soon be involved in executing the Trump Administration’s promises of mass deportations and crackdowns on border crossings. A source at Paragon told me that the deal followed a vetting process, during which the company was able to demonstrate that it had robust tools to prevent other countries that purchase its spyware from hacking Americans—but that wouldn’t limit the U.S. government’s ability to target its own citizens. The technology is part of a booming multibillion-dollar market for intrusive phone-hacking software that is making government surveillance increasingly cheap and accessible. In recent years, a number of Western democracies have been roiled by controversies in which spyware has been used, apparently by defense and intelligence agencies, to target opposition politicians, journalists, and apolitical civilians caught up in Orwellian surveillance dragnets.
Now Donald Trump and incoming members of his Administration will decide whether to curtail or expand the U.S. government’s use of this kind of technology. Privacy advocates have been in a state of high alarm about the colliding political and technological trend lines.
“It’s just so evident—the impending disaster,” Emily Tucker, the executive director at the Center on Privacy and Technology at Georgetown Law, told me. “You may believe yourself not to be in one of the vulnerable categories, but you won’t know if you’ve ended up on a list for some reason or your loved ones have. Every single person should be worried.”
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How to Make a Playlist for Your WIP
Do you just desperately want your brain to rot about your characters? Do you want to feel inspired lyrically toward growing plot points? Do you need to input auditory stimulation while you write? Don't you just want to go apeshit about your wip?
But every time you make a playlist for your project, it's got 10 songs you eventually get sick of and the vibes are all over the place? Or is it too aesthetic to improve your process and flow? Do you have a hard time considering even what genre of music would fit the tropes and themes you are playing with in your current work?
Well, do I have some tips for you, motherfucker.
Make sure you set aside some time to do this because it's going to take all day.
Let's go ahead and start by doing the usual thing; add every song that rots your mind about your characters to your playlist, right now. Good, that's a baseline. Now, click on each of those artists, and listen to their entire discography--- or just the first ten songs. I have found consistency in the voices I'm hearing can really improve my immersion in juxtaposition to a playlist that only features a single song from each artist, which can be jarring in my ears. By adding these songs to your list sequentially, you can listen to blocks of sounds or moods without reorganizing your list excessively. Alternatively, this can give your shuffle a greater variety, because songs from the same artist will be cast all over the list instead of grouping up on accident. If you find the song you're hearing is an outlier within the artists music after listening to a few tracks, it's okay to move on from that vibe. Don't add things that don't fit the vibe just because it's a new song that you like, remember to only toss those in your general library. We are creating an atmosphere here, people.
Our next stop is going to be some character building, which will help you overall, so don't skip it. Consider for a moment-- what is your character's favorite song? (Or if your canon exists outside our current world, what would their favorite song be if they were sitting next to you right now?) Add that to the list, listen to other songs in the same genre or discography, and add songs you think they would like. These Do not have to be songs that fit the themes of your story-- such as, if you are writing a grimdark, but your character loves Britney Spears, add Toxic to your playlist. Give your character as vivid and real of intersts as your own.
If you are existing in a fantasy-based timeline, consider what kind of instruments your fantasy world would contain, and find the most niche tracks you possibly can using those intruments. Find out what sounds you like and what sounds you don't, and move forward from there. Listen to classical, listen to death metal, listen to pop, listen to synth, listen to folk, all using the instruments of your world. When you find sounds that fit into the place you are creating, add those tracks until you feel a genre is forming. This can be lyrical or non-lyrical, don't confine yourself. Immersion is so important, and the sounds of the world in which your character lives should be as real and vivid to you as the world around you. Because in that moment when you think 'huh, they should really have some sensory input right now.' You will be hearing what sounds they would hear in the distant public places, the elevator noise, the market sounds, the stillness of night, the bright waking of morning, and in all those places, there is music. Let them hear it.
Now, if you are existing in an earth-based timeline, you can do something extra cool with the advice above--- listen to music that your character would have listened to growing up. For example, I was born in the 90s, but my main character grew up between 1975-1990, that would have been the era of their childhood and teenage experience. And what is more important to kids than music, I mean, c'mon, we were all teens with a favorite (and least favorite song). Listen to songs of the time in genres you think your character would enjoy, and add ones you think they would want to hear on the radio or own a hardcopy of to your list. Don't add the ones you think they'd hate (unless it helps you), but do consider, would they hate this song? And why? For extra depth.
Think about their life. What song played at their wedding? What song was chosen for their class prom? What song did they sing at Summer Camp? What would they choose at Karaoke when they are sober? Which song would they choose when they're drunk? Which song do they want to hear during a break-up, what makes them want to dance? Do they like lyrical or instramental, can they play music or sing themselves? Are they bad at it? How do other people feel about their tastes? Do this for every character that's important to you. It'll help.
If you are writing inside your own culture, do make sure to include some of those tracks on your list--- things you may have heard at the supermarket growing up, or while walking down the street, in your grandma's kitchen, or something your character may reflect on fondly. If you are writing outside your culture, I have a single all encompassing tip that will help you far beyond playlists---
Research. Research to avoid stereotypes. Do not confine your characters within stereotypes, but do search for niches, inside jokes, cultural booms, impactful tracks and oft-referenced lyrics. Do this by asking questions. One thing I gleened immensely from Stephen King's On Writing is that he asked a lot of questions; do not rely on ChatGPT or Google to be your only source. Go to the Library, go to your neighbor, ask a stranger, post out polls on forums. Ask questions. The best way to be sensitive and immersed is to respect the experiences of the people around us. We do not need to water down or sanitize their experiences for our own comfort or with insecurity-- you will not fail your characters or your readers if you include the experiences of real people around you. The goal is to reflect that spark of life with accuracy and grace in your writing. You create multidimensional characters by sowing in bits and pieces of depth that you've gained through careful listening. To be a writer is to be a reader of the world around you. Only you can prevent flat characters, so don't be afraid to ask questions.
Now that you've done your research, add all that stuff to your playlist.
Let's look at your characters again; what do their voices sound like? Consider adding songs by artists that really sound like your character, especially if they have the same mood or feeling you are going for, but sometimes even not. If you can hear the voice of your work inside the song, it'll be useful. Some people have deep and graveled voices, some are light and airy, and the way they sound can affect speech patterns and how the people in the world around them percieve the things they say. This extra level of introspection can develop a character further than you would ever imagine. Give it a try. Writing an old man? Listen to Willie Nelson. Go on. Listen to Willie.
OKAY--- It's getting pretty chunky now, isn't it? I have one more thing for your to keep in mind;
Avoid pre-made playlists by others. These can often be surface level and I find myself wondering if my playlist is 'good enough' or has the right 'aesthetic' after listening to alot of these mood playlists on youtube. That isn't what matters. What matters is that you get in the zone. What matters is your characters. What matters is the flow, the vibe, the feeling, the mind-numbing waking hallucinations that bring life to the page, the mood. What matters is you and getting it on the page.
Always remember, write because it hurts if you don't.
til next time
#rowanwrites#rowanteaches#rowanwritestoomuch#rowanstips#creative writing#how to write#writers on tumblr#on writing#writeblr#ao3 writer#original fiction#fanfic tips#writing tips#writing advice#this might get a part two
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The global process automation and instrumentation market size is projected to reach USD 86.6 billion by 2027, at a CAGR of 5.5% during the forecast period.
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The global process automation and instrumentation market size is expected to grow from USD 74.2 billion in 2024 to USD 98.6 billion by 2029, at a growing CAGR of 5.9% during the forecast period.
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This edition also includes some really useful historical notes to augment Book I of Utopia; the early 16th century was a time when the population was growing, adding slack to a labor market that had been tight since the Black Death (to the improvement of the position of the peasantry that survived it), there was gradual inflation that was also eroding at the position of anybody without much capital to invest, patterns of trade were changing, and of course the process of enclosure was spreading.
The problem wasn't just a lack of, like, theoretical underpinnings for dealing with these economic and social issues. Of course Henry VIII didn't have a court economist or anything to help him out with his fiscal policy. But it was also just that the conception of what the law and what government was for was different: in the much more leisurely pace of the premodern world, there was a strong feeling that the law and government were supposed to basically be a steady-state system. You would figure out the ideal set of laws, implement them, and be done; you might have to work to enforce those laws, but the laws were not supposed to be constantly changing, and you definitely weren't supposed to have to be continually updating and expanding them as an instrument of policy, because the world in general was supposed to be much like it always was, from one decade to the next.
And that's not a crazy way to view the world in the Middle Ages! Premodern inflation rates were low. People's intuitions around value and price were based on that experience. Population growth was low. Patterns of international trade didn't change quickly. When things did change suddenly, it was either because of a catastrophe like the Black Death or upheavals like war or famine; and communities and individuals that had won legal privileges from their feudal lords were jealous of those privileges, leading (along with the inherently fragile nature of subsistence agriculture) to a certain conservatism in the culture.
In this worldview, the job of a king or a minister isn't to be the careful manager of a dynamic system. It's to be a wise and thoughtful dispenser of justice and guardian of the inherited legal system. This is also the vision of Utopia itself: a society which has settled into an ideal steady-state, whose political economy is thus fixed, and which has no real room for "development," because the kind of development you or I think of as inherent to history is, at best, a synonym for "something went horribly wrong, and we have to repair it," if it exists at all. The irony there, of course, is that Utopia is not a medieval book: it's being written just as the Renaissance is bursting over Europe ushering in the beginning of modernity. Things are changing in England, and while they are changing slowly right now, the pace of change is about to pick up drastically, especially when that little German monk publishes his 95 theses.
Really, I wonder what it must have felt like to be a humanist at the beginning of the 16th century. There is much to be excited about--news from the new world (not yet the battleground of large European empires), the rediscovery of classical learning, the flourishing of art and literature. But so much is about to change--and much of it in a bad way! the European Wars of Religion are just around the corner!--and you have no idea.
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unchained - chapter eleven
masterpost read the chapter on ao3
recommended music: All My Days by Alexi Murdoch word count: 2873
GN!MC x Arsenios [demon OC] a/n: The date chapter! We learn some things about Arrie in this chapter, too. I'm going to be posting a special smut scene that comes directly after this chapter in a couple of days and then chapter twelve will be next Wednesday as usual. Chapter twelve is the only chapter that Arrie isn't actually in, so please bear with me. It was needed for plot reasons! Warnings: none, this is the fluffiest and cheesiest chapter~
Arsenios watched the way your eyes lit up as you took in the view of the Devildom Botanical Garden. It was meticulously maintained - a stunning outdoor space overflowing with the most unique and beautiful flora the Devildom had to offer. Trees and flowers, even a lovely stream and a small waterfall, paths lined with twinkling lights like stars.
When Arsenios realized you had never gone on a real date with him, he had thought deeply about where to bring you. In the end, he had settled on the Devildom Botanical Garden. It was a peaceful place full of beauty and he thought you might appreciate seeing so much of the Devildom's nature in one place.
Arsenios couldn't deny that it was one of his favorite spots, too, and he wanted to share it with you.
You walked beside him on the garden path, stopping to read the various plaques detailing which flowers and trees were growing nearby.
Arsenios watched you fondly, the desire to reach out and take your hand making his fingertips tingle.
Every time you looked at him, every time you smiled, his chest twisted.
He wanted to be with you, to spend this time with you, to stay by your side. He wanted to kiss you again.
And yet, he could feel his own fear bubbling just below the surface of that heady crush.
Deep down, Arsenios knew he should leave you alone. He knew he shouldn't have invited you out this evening. He knew he should stop texting you. He should stop singing the song that filled his heart whenever he thought of you. Even though everything you did made him feel light, he was still tethered down by the anchor of danger and fear.
These thoughts were running through his head when you turned around and smiled at him, banishing everything but your face from his mind. He couldn't help but smile back at you.
Arsenios had been lingering behind you, arguing with himself about how close he should get. He stopped thinking about it when you fell into step beside him and took his hand yourself.
"You like flowers, don't you?" you asked.
Arsenios shrugged a little. "There are a lot of beautiful ones in the Devildom."
"I saw the fresh bouquets you had in your apartment," you said. "Though I thought one of them looked like peonies… do you have those in the Devildom?"
"No," he said. "There's a flower market near my place that sometimes sells human world flowers. They're expensive, so I only buy some if they have peonies."
You squeezed his hand briefly as the two of you continued to stroll through the garden. "You spent a lot of time in the human world, didn't you?"
"Yeah," Arsenios said. He ran his free hand through his hair. "Actually, it was humans who taught me the most about music."
"Really?" you asked, looking over at him. "But don't you have your own music in the Devildom?"
"Of course," Arsenios said. "But Devildom music has always been heavily influenced by human world music. And it's because of demons like me - making pacts in the human world and carrying some of the culture back with us. I learned to play different instruments from humans. I encountered different genres at human performances. I wouldn't be half the musician I am now if I didn't spend that time learning from humans, demonic power or no."
You seemed enraptured by what he was telling you. "Did you… did you ever feel bad about eating human souls?"
Arsenios stopped walking and turned to face you, dropping your hand in the process. He put his fingertips on your cheek. "If I said I didn't, would you be afraid?"
You snorted. "Not this again," you said. "It's just like that night when Caligo showed up. You think if you're just scary enough that you'll scare me away."
"Maybe there's a reason for that," he said.
"Tell me the truth," you said. "Tell me about all the terrible things you've done. I'll judge for myself if it's enough for me to walk away."
"Humans taught me so much," Arsenios said, keeping his eyes locked on yours. "They shared their culture with me. And I stole their souls. I ate some of them, yes. And others I sold. Many of them died early because of their pact with me. I didn't feel bad. I'm a demon. It's what we do. I made deals with countless humans, knowing it would kill them in the end, and then taking their souls for myself."
You reached up and took his hand away from your face, pulling it down and turning it to make his tattoo visible. "I know you don't want to talk about whatever happened to you. But is there anything else you can tell me? I feel like even if you talk for hours, I'll never know everything. Tell me something important."
Arsenios flexed his fingers against your hand. "Caligo has my grimoire."
It was the first time Arsenios ever said this out loud to someone else. Each word felt like a knot in his throat. An implication of something so much deeper, something that shattered him into a million tiny pieces.
You gasped a little and grabbed at his hand. "What! But that's so much stronger than a pact. Did you really trust him enough to give it to him?"
Arsenios sighed and closed his eyes, unable to look at you any longer. "It wasn't supposed to happen. I didn't mean to get close to him. We were working together and it was supposed to be strictly business."
"But?" you asked tentatively.
Arsenios opened his eyes again, forced himself to look at you. "But I'm an idiot, that's all."
You shook your head. "I don't understand. What do you mean, you were working together?"
"Caligo was doing something he shouldn't have been doing," Arsenios said. "When I made a pact with a human, he would use the pact mark it left on me to trace where their candle was located. He manipulated the candle and that ended their lives much faster. I was able to gather twice as many souls as I would have on my own. And I gave some of them to him. That was our deal."
"But he betrayed you…" you trailed off, obviously confused about this part of the story.
But Arsenios couldn't tell it to you. Not in full. "Yeah. By then I was in too deep. It wasn't… it was bad from the start. It never should have happened. I never should have agreed to even work with him."
Arsenios abruptly pulled his hand out of yours. "I'm sorry, MC. I didn't mean to bring everything down by talking about this. I brought you here because I wanted you to see how beautiful the Devildom can be."
"Don't apologize," you said. "I was the one who asked."
You took Arsenios's hand again and he let you. You resumed walking together, now in a slightly awkward silence.
The path wound around beds of flowers and stunning trees. At a point where the path crossed with another, there was a large wooden trellis that stretched over the crossroads. It was covered in vines and twinkling with lanterns, the Devildom stars mirroring the blinking lights above.
Arsenios stopped. He held both of your hands and looked into your eyes.
"I'm a demon," he said. "Unlike the brothers you spend so much time with, I've always been a demon. My reason for existing was to tempt humans. A lot of them have suffered because of me. But I've also learned from humans. I've shared love and friendship with them. They taught me their music. It's a duality I'm always going to carry inside me. I understand if you can't accept this about me. I'll understand if you decide to walk away."
Arsenios waited as you studied him. His stomach was twisted around itself. Not just thinking of Caligo and the betrayal, but knowing that he was giving you more than enough reason to cut him out of your life. Your song filled him, it sang through his limbs and vibrated through his veins. It would hurt to lose it, but he would rather feel that emptiness now than struggle with it later.
You sighed. "I don't care what you've done in the past," you said. "So you're a demon. You're also the one who sang me to sleep. You're the one who makes a point of trying a little angel's pastries. You play the piano like you're pouring out all of your love with every note. You love flowers and macarons. I don't care what you've done or what you've had to do. I like you."
Arsenios squeezed your hands. He felt the relief flood through him, his body relaxing, letting go of the tension he'd held since the two of you started talking.
Arsenios let go of your hands and cupped your cheeks. "MC, can I-"
"You don't have to ask," you interrupted.
Arsenios kissed you. All the bright flowers around the two of you seemed to disappear as Arsenios felt himself full of nothing but you. Your song filled his mind, his heart.
One hand moved to cradle the back of your head as you took a step closer to him, your bodies pressed against each other. His other arm encircled your waist, your own arms on his shoulders, the heat of your lips against his as they opened eagerly.
It was just as intense as the first kiss you'd shared in his apartment, perhaps even more so. Arsenios let it consume him and for a blissful moment, he imagined that this was all there was. That things could be this simple. He let your song block out everything except your touch.
-
You could have gone straight home. In fact, Arsenios had been prepared to escort you back to the House of Lamentation himself when the two of you left the garden. But you tugged on his hand, pulling him in a different direction.
"I'm not ready to go back yet," you said. "There's a new food stall down this street I've been wanting to try. Will you come with me?"
Arsenios couldn't have said no even if he wanted to. But he didn't want to. He wanted to stay by your side for as long as you'd let him.
"Lead the way," he said.
You started off down the street, guiding him along by the hand. He kept pace with you, staying beside you even as he followed you.
Arsenios watched your face, your expression focused as you looked for the food stall you had in mind. The lights of the city brightened your eyes and he couldn't stop thinking about the way you felt in his arms when he kissed you among the flowers.
He was reluctant to look away from you, but you had arrived at your destination.
It was a new crepe stall. Your excitement was evident from the way you grinned at him. You pointed out the items you wanted to try, telling him what you had heard about each one.
In the end, you both ordered the same thing. The way you talked about the stall's signature offering made him want to try it. They were crepes made with matcha from the human world covered in bloodberries and shadow oranges. It was a unique combination of flavors.
The two of you settled down on a bench to eat and you leaned into Arsenios as you took your first bite.
He had to hold in a laugh at the way your eyes rolled into the back of your head.
"Mm," you hummed. "This is delicious."
Arsenios smiled. "I didn't realize you could be so expressive about sweets. Have you ever made that face when you tried something Barbatos made? You'll give the guy ideas."
You rolled your eyes again, but this time in mock exasperation. You nudged Arsenios playfully. "Just try it!"
Arsenios did as he was told. It was quite good. He tried to school his expression.
You grinned at him. "See? It's good, right? And anyway, don't put Barbatos on your level. He would never get ideas like that."
Arsenios nearly choked. "He's not as prim and proper as you think he is," he said when he was able to speak again. "And what do you mean by my level?"
You finished another bite of crepes before replying. "You haven't been able to keep your eyes off of me since we left the garden," you said. Your voice was teasing, but there was a blush on your cheeks.
Arsenios felt a fluttering in his stomach. He almost laughed. It was such a sweet, tender feeling that he hadn't experienced in so many years, he didn't think he still could. And yet here you were, setting off butterflies he thought were long dead.
"Can you blame me?" Arsenios asked.
"Yeah," you said between mouthfuls. "I can. Quit staring!"
Arsenios finally laughed, unable to hold it back this time. He took your empty plate and left you sitting on the bench while he threw away the trash in a nearby can.
Then he came back and offered you his hand. "I think I could use a little tea after something so sweet. I have just the thing at home, if you don't mind staying with me a little longer."
You looked at his hand, then up into his eyes. He had to control his breathing, to prevent himself from sucking in a breath at the tumble of feelings he saw there. He waited.
You took his hand and let him pull you to your feet. He kept your fingers clasped in his as he walked home with you.
-
Arsenios moved behind the island counter of his kitchen, ready to start making you some tea. He was thinking about the last time you were here - the first time he had felt your lips against his.
You didn't sit at the counter like you had then. Instead, you leaned against it idly, your gaze on the back windows.
As Arsenios looked around for some mugs, he saw you moving out of the corner of his eye. He stopped what he was doing to watch you.
You crossed the room toward the piano, moving past it and stopping with your gaze fixed on the corner of the room.
"Is this a cat tower?" you asked.
There was in fact a dark grey cat tower in the corner you were looking at. Arsenios knew you hadn't seen it the last time you were here.
You didn't wait for his response, instead getting closer and peeking inside one of the cubbies. You let out a soft gasp and put your hands to your mouth.
Arsenios shook his head and went over to join you. Inside the compartment, a sleek black cat was curled up in an unusual position, her soft body moving slowly up and down in her slumber.
"Don't worry," Arsenios said. "She's a heavy sleeper. We won't disturb her."
"What's her name?" you asked.
"Flower of the Abyss," Arsenios said.
You frowned over at him.
He shrugged. "It's my favorite flower. I just call her Abby. Now, come on, did you want tea or not?"
Arsenios started to move back toward the kitchen, but you caught his hand.
"Did you really bring me home to serve me tea?" you asked.
Arsenios experienced a splitting of himself in that moment. As he looked into your eyes, all he wanted to do was kiss you, touch you - he wanted to make you his. And yet, something held him back. There was something else, small but strong, deep inside, that yelled at him to stop.
You didn't wait for him to resolve this inner conflict and he hoped you weren't even aware of it. You stepped closer to him, put your other hand on his chest.
"Arrie," you said.
And that was all it took. Hearing you say his nickname like that, so confidently and yet so gently all at once, completely crumbled the last of his resolve.
Arsenios wrapped his arms around you, pulling you close before kissing you. He felt you return the embrace as you opened your mouth for him, easily granting access.
If your previous kisses had been hot and heavy, this was a volcano. An explosion of feeling, a bursting of pent up energy, aflame like magma. Arsenios's skin was on fire, every piece of him singing for you. His song was like the high pitch of several violins, strings straining against the bows, mingling with the restless sound of your desire.
Arsenios pulled back from you and it was like moving a mountain. "MC," he said, his voice low and husky.
His hand was on your cheek, his thumb running along your bottom lip. He couldn't help touching you. He couldn't stop, even when he was trying to.
Arsenios caught the sight of his own tattoo and his hands throbbed. He tried not react, but he was sure you could see something in his eyes.
You didn't say anything. All you did was wrap your arms around his neck and pull him into another kiss.
masterpost | chapter ten | chapter eleven and a half
taglist: back to normal as I've been told how to tag so everybody actually gets tagged! so here I go: @avalordream @lonely-north-star @expressionless-fr @featheredcrowbones @pumpkinsareamazing
@szired @bagofwetmice
as always, please comment or dm me if you'd like to be added or removed from the taglist!
masterlist | Thank you for reading!
#obey me#obey me nightbringer#obey me oc#obey me oc x reader#obey me oc x mc#obey me x reader#x reader#unchained#misc writes
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the idea that 'science' is an unmitigated and inherent social good---a politically neutral and universally beneficial process of accumulating knowledge---is wildly ahistorical and dangerously, wilfully ignorant of the role that science and its purveyors / practitioners have played in imperial and colonial expansion. warwick anderson went so far as to say that colonial medicine was better understood as a discourse of settlement than one of health promotion, & we can see this quite easily in, for example, french doctors' use of the nostalgia diagnosis to guide colonial policy in algeria in the 1830s, attempting to securely settle a french population there; or in the development of a science of 'water cures', spa treatments considered to mitigate the insalubrious effects of foreign (particularly tropical) environments, for which the french army by the 1890s granted routine medical leave because the 'health' of its soldiers was not a matter of individual interest but a state resource.
but medicine is in many ways an easy case when it comes to the relationship between science and the state; all too often we still seem reluctant to acknowledge, for example, the pursuit of economic botany and animal / plant breeding in the early modern period as contributors to discourses of acclimatisation and proto-eugenics, sciences that were given state financial support on these utilitarian grounds & not for any high-minded general pursuit of 'knowledge'; or the development of navigational instruments and knowledge from the 14th century or so onward as a project explicitly funded and intended to permit faster, cheaper, more reliable colonial exploration and travel; or the sheer amount of research in physics and chemistry that has been and is devoted to weapons development or natural resource extraction; or the promise of space travel as a further possibility for obtaining raw materials as well as for settlement---often marketed in terms and visual rhetoric explicitly comparing the 'space colony' to its terrestrial precursor: 'the final frontier', depicted as both lush tropical paradise & as rugged american west, waiting to be conquered & brought to heel.
i am of course not hostile to 'science' in any totalising way; this would be as indefensible a position as the automatic 'defence' of all such practices; they're not monolithic or intrinsically doomed to serve state interests. but it is simply irresponsible to pretend that the scientific inquiry into something---describing it, measuring it, taxonomising it---is inherently a social good, or that the pursuit of 'knowledge' is ever an apolitical endeavour. knowing, seeing, & measuring the world grant immense power; states and empires know this. scientific inquiry is not tangentially related to imperial and colonial expansion; often it is a critical piece of the machinery by which these processes occur. wilful ignorance of this fact in favour of an optimistic conception of science as a universal social good is not just inaccurate but propagandistic & an advancement of state & imperial interests.
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July 13th 1900 saw the birth of Elizabeth “Bessie” Watson in Edinburgh.
Born just off the Grassmarket, at 11 The Vennel to Agnes Newton and Horatio Watson, Bessie did not take long to make her mark in the world, at the tender age of 9 she combined her two greatest loves: bagpiping and woman’s suffrage, the latter makes her arguably the youngest in Scotland, if not the world.
When she turned seven, Bessie’s aunt Margaret contracted tuberculosis – an incident which would change the youngster’s life forever. Margaret lived with the family, and Bessie’s parents, worried that she might fall ill to the contagious disease, encouraged her to take up the bagpipes in a bid to strengthen her weak lungs. Her first set of pipes was specially-produced according to her diminutive stature as she was too small to properly inflate an adult-sized bag. The half-sized set of pipes was purchased from Robertson’s pipe makers at 58 Grove Street. “I hurried home from school and carried it, in a brown paper parcel down to my (music) teacher”, Bessie recalled. As one of the very few female bagpipe players in the world at that time – not to mention one of the youngest – Bessie took to her new instrument with great enthusiasm.
Bessie had more than her bag pipe playing to make her worthy of a post here, while walking with her mother through the streets of Edinburgh, Scotland, Bessie stopped to look at the window of the Women’s Social and Political Union office. Bessie became excited about the idea of women receiving the right to vote, even though she wouldn’t be able to vote for many years.
Bessie realized that her talents could help promote votes for women. She would run from school each day to play her bagpipes outside of the Calton Jail in Edinburgh for fellow suffragettes in prison.
At the first suffrage pageant she performed at, she wore a sash with the words “Votes for Women” as she performed with her bagpipes. At the height of the suffragette movement, Bessie was playing at major demonstrations and parades for the Women’s Social and Political Union, including the famous procession through Edinburgh on 9th October 1909. On that day a large crowd watched as hundreds of banner-laden ladies, wearing the suffragist colours of purple, white and green, marched down Princes Street before congregating at Waverley Market for a rally led by Emmeline Pankhurst. Watson rode on a float beside a woman dressed as Isabella Duff, Countess of Buchan in her cage! Isabella is famed for crowning Robert the Bruce at Scone when he seized the Scottish crown, she was later captured with the Bruce family and held prisoner in a cage in the open air at Berwick for four years.
Back to oor Bessie, who just a ten year-old she travelled to London to play her bagpipes in a women’s march on June 17th, 1911. J ust a few weeks later, for George’s state visit to Edinburgh, Bessie, leading the 2nd Edinburgh Company of the Girl Guides, received recognition from the king himself as she raised her salute. Having secured regal acknowledgement in time for her 11th birthday, Scotland’s youngest female piper continued in her quest to support women’s rights, accompanying inmates bound for Holloway Prison to Waverley Station and playing the pipes as their trains departed.
For the part she played in Edinburgh’s historic women’s rights pageant of 1909, young Bessie received a special gift from one very prominent individual. Christabel Pankhurst (daughter of Emmeline) came to Edinburgh to address a meeting at the King’s Theatre and Bessie was invited to attend. During the evening she was presented with a brooch representing Queen Boadicea (Boudica) in her chariot, as a token of gratitude for her help in the pageant.
During WWI, Bessie was just a teenager and used her talents to make a difference in other ways. She began helping the Scots Guard to recruit army volunteers by playing her bagpipes
In 1926 Bessie moved with her parents to a new house on Clark Road, Trinity where she would remain for the rest of her days. Following her marriage to electrical contractor John Somerville at the end of the Second World War, Bessie devoted her life to teaching music and foreign languages. Former neighbours recall that, even into her late eighties, Bessie continued to play her bagpipes at 11am every morning. It was something she had always done.
Bessie died in 1992, two and a half weeks short of her 92nd birthday. Over the course of her long life she had experienced almost a century of social progression and upheaval, and had played her part in changing the world for the better.
A pictorial tribute was unveiled at The Vennel in Edinburgh on August 1st 2019 in memory of Bessie, the University of Edinburgh also have a lecture room named in her honour.
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