#Plus two great and amazing and lovable villains

[el-buzz]

📚 Cg! Clay HCS!!! 💚🎶

Aggagaggaggag first hc list I do EVERRR (so please be kind (˶ᵔ ᵕ ᵔ˶) /💗💗)

Cg! Clay x Agere! Reader!!

pretty much gender neutral!!

Cw: caps lock (just me having happy outbursts), um lotsa author notes and commentary I just wanna talk about him and about how he would be as a cg :ccc, also this is incredibly self indulgent

Also there was no proof reading ���️

(Crossposted on ao3 @Soft_Buzz!! oh and I’ll update this if I get a new hc idea)

Anyways here you go 💚:

•nicknames for you: kiddo, baby, bubba, bubba wubba (he’s squeezing your cheeks and baby talking you 😭😭), prince/princess/ lil highness/royal, and a number of other sweet nicknames or any that you prefer!

•he would be suuuuuch a sweet and doting caregiver waaaaaaah but he would definitely ensue rules for you! Calm and Strict(ish) cg! Clay would pull up to make sure you are safe and healthy even if you are feeling big!!

•he’d hate to see you hurt or sick, but he’d do everything thing in his power to nurse you back to health :]!

•Clay would definitely provide his kiddo with healthy snack or with fruit or veggie cups!

•Although Clay’s sorta strict he can be soooo soft he always want to hold you, whether it’s your hand/pinkie or cuddle up with you.

•You are his battery and he wants to recharge.

* HE WOULD SOOOO READ TO YOUUUU AHHH he loooooves reading so ofc he’d love to share that interest with his little one

• (please it’s the cutest thing ever)

• imagine him beside you with a book open (he has his reading glasses on :3) and as he reads, he gives all the different characters different voices and will always put emotion into his reading voice, which always leads to you giggling or you gasping in surprise.

• One time you insisted that you were big enough for his sad book club and that you wouldn’t become a big puddle of tears so he gave you Charlotte’s Web to read.

• You were a mess. You didn’t stop being sad for the next couple of HOURS (yes this is a reference to that JD fan art ifykyk☠️)

• Clay had to give you so many hugs, cuddles, and kisses to make up for it. He thought it’d be funny, but he sorta forgot how emotional of a little one you can be.

• “I’m so so sorry baby.” *kiss* “How can I make it up to you?? I’ll do anything”

• oh you’d grin a that. You choose to either do dress up WITH make up or draw on his face and mess around with his hair. AND ice cream.

• You took soooo many pictures (and you may or may have not shared them with Viva, Poppy, and his brothers) Clay says he hates you for it, but secretly believes it was so worth it to see that sparkle in your eyes

• he bought you a piggy and a spider (with little bb spiders) stuffie. Even if you have arachnophobia, you hugged those stuffies while crying happy tears. You gave him a tight hug which he softly returned and gave you a forehead kiss.

• (This whole event was also the birth of your happy scrapbook club!! (even though it just you :} ) )

• You and Clay will just sit together while reading different things. Him with some well recognized and praised novel or book and you with a happy lil scrapbook in your hands!

• I’d also like to think he has a puppet character like Bandit does with unicorse! (Maybe a dragon but that just me :])

• (Clay and Branch be matching with their ventriloquism skills lol)

• If you seem to be clumsy or fall often he starts to develop a sort of spider sense for it and will catch you before disaster happens

• OKOK I know this is gonna sound random buuuut I believe Clay is the type to carry lollipops, and sometimes other candy, around. Idk like I can just picture him a with a lollipop in his mouth trying to look all serious/mysterious and nonchalant LOL

• ANYWAYS back to the Agere stuff

• I think that after completing a task or being good, Clay would def give his kiddo a lollipop as a treat!! that orrrrr if his kiddo seems to be regressing in public and they really want/need a paci or just something to fixate on then boom!!! Lollipop! :D

• Talking about rewards

• This man would sooooo spoil you!! you’re his treasure and he wants you to know it!!

• He’ll either get you food you’ve been craving or a stuffed animal/little gear orrrr both!!

• (Because of the two of you, you now have a chest fuuuull of stuffies Woops💧)

• You always try to show your appreciation by giving him small handmade gifts!! A lil pop up card, bead bracelets (you definitely have matching bracelets), even something crocheted/knitted, and pretty much any arts n crafts you can make!

• Now onto funny business ( •̀ - • )!

• so ofc when it first came to having fun and being playful with you he was bit scared

• can you blame him???

• He’d spent A LOT of time trying to get rid/away from the tittle of being the fun boy

• Ofc through lot of reassurance you let him know that he can have fun and play with you and still be a very serious caregiver!

• you help him understand that being funny and silly every once in a while doesn’t hurt and that he should try to find a balance that work for him! Which he eventually does :D!!

• I like to believe that he’d be great at playing pretend and hide and seek!

• “Worry not your highness!! You will protect you from the dragon!” (It’s one of your plushies)

• “Wherever could my kiddo be?? They must have turned invisible!!” (he can hear your giggles which just makes his smile wider)

• Although he really tries to be there for you, he’s a reaaaally busy man :((( but he still tries to spend time with you through parallel play! While he’s doing his grown up paperwork, you get to colooor!! (or draw or scrapbook or anything really) as long you promise to be good and not distract him

• (plus the sooner he’s done the sooner he can give you all his attention! so it’s a win-win situation :D)

• Actually if you were feeling extra lil you’d just get a paper and scribble on it with crayon trying to copy Clay’s mannerisms (when he sees this he’s physically holding himself back from just picking you up, cradling you, and just babying you waaaah you’re gonna be the end of him)

• oh and he would sooo keep your little artworks in his working area (they bring a sweet smile to his face and warm his soul you’re the best kiddo he could have ever asked for)

• You also get to have cuddles while he works! Sometimes he’ll just sit you on his lap with a stuffie or two while he wraps an arm around you and litters your head or face with kisses!

• Now onto not so funny business ૮๑ˊᯅˋ๑ა

• sometimes Clay’ll have a rough or tiring day :((

* and that’s okk caregivers have their moments too!

• He’ll usually want to cuddle with you and hold you close. (You are his stuffie :D)

• He might even tickle you or blow raspberries on your tummy (if you give him permission ofc!!) which often leaves you with a giggling and squirming fit.

• He just loves seeing you laugh and smile (especially if it’s him who made you happy :] you just brighten his day so much sometimes)

• One time he was just so tired and just laying down on the couch and then you brought one stuffie to him and then two till you pretty much had him buried under almost all of your stuffies!!

* You then proceeded to lay on top of him, and Clay just sticks both arms out from under the pile while smiling softly with his eyes closed.

• Let’s just say you guys woke up with stuffed animals scattered eeeeeverywhere

• If you’re a kiddo/baby who tends to get overwhelmed easily, he’ll get you some noise canceling/dampening headphones and just wraps you in a soft blanket like a little burrito.

• He’ll also either get you an eye mask or will lower the lights if he can. (And if you’re feeling lil enough then a paci too!!)

• After doing any of this, he’ll just bring you onto his lap and whisper sweet lil nothings to you till you feel better or seem to fall asleep :D!

• would enforce a bed time >:( (he is a very very veeeery serious guy after all)

• but luckily bedtime means a bottle or sippy of sweet sleepy tea and a storyyyy :D!!

• Forehead kisses!! (CALL ME BIASED CAUSE I LOOOOOVE FOREHEAD KISSES but I stand by what I say.

• Oh and if he’s ever gonna to be very busy for the day and he won’t be able to take care of his kiddo, he’d ask Viva to help him take care of you!!

• Plus who doesn’t love babysitter Viva??? She’s so energetic and fun with you, but she’ll definitely tone it down for you 💛

• she’s also super strong so she’ll definitely carry you or give you a piggy back ride if you ask :>!

• She also give you lots of candies and sugary foods but shhhhh don’t tell Clay itsa secret (but I think the sugar rush/crash you have when he picks you up from Viva’s tells him more than enough

• (I feel like he would trust all his brothers with you (especially Bruce) except JD 😭😭)

• He would sooooo grab your cheeks and squeeze them like he did to Branch when first seeing him again

• Expect him to do that whenever he just wants to dote on you and baby you even if you’re feeling bigger than usual he just loves youuuu! 💚💚💚

In summary: I need this man bc he is the bestest boyfriend and caregiver ever!!

Final notes!:

I love likes but comments and reposts are greatly appreciate (I love to talk if you can’t tell) type something out and let me know what you think 💗💗

If anybody would like to use any of the hcs/scenarios for a fanfic tots fine with me just don’t forget to tag me for credit and so I can see it :DD!!

[mahou-furbies]

My Precure season ranking is here again! Series within tiers are in the order I watched them.

Top tier

Go! Princess Precure - Great characters and a particularly lovable heroine, handles its dream theme well and the princess motifs support it and give the show a memorable and consistent visual look.

Star Twinkle Precure - Mostly great characters, the message is a bit muddy but the space theme holds up well and traveling to other planets gives a nice chance of pace.

Tropical Rouge! Precure - A lot less ambitious than the other two, but has excellent characters and was just a lot of fun for what it was. Has the single best episode in the franchise.

Ok tier

Kira Kira Precure A La Mode - I like the character designs and the main theme is consistent, plus sweets visuals always earns some points from me. Not particularly interesting characters though.

Fresh Precure! - Alright characters plus Setsuna has a great character arc and the story doesn’t do anything offensively stupid, but also doesn’t particularly stand out, introduces a major theme out of nowhere at the end and the colours are really ugly.

Futari wa Precure Max Heart - Slow as molasses and Nagisa and Honoka don’t have a lot to do, but Hikari’s story was unexpectedly good and also unique for the franchise.

Smile Precure! - Fun characters and surprisingly enjoyable "filler" episodes, but not enough substance for top tier.

Futari wa Precure Splash Star - A memorable theme and a great villain side. Main duo is ok but not particularly well developed.

Hirogaru Sky Precure! - I really want to like this because 4/5 of the cast is so good, the character designs are excellent and the ending is great but the story is just so nothing. And Ellee baby form detracts from every scene she's in.

Mid tier

Healin’ Good Precure - Nodoka’s story is one of the best in the entire franchise, however I found pretty much everything else about it boring, and find it has the dullest character dynamics and Asumi is to be the blandest Cure overall.

Futari wa Precure - Nice chemistry with the main duo and a main heroine who feels fresh at this point, but is otherwise kind of generic and especially the second half was pretty weak.

Mahou Tsukai Precure! - Ha-chan is great but otherwise felt pretty plodding, really weak villains.

(lower tiers under readmore)

Meh tier

Delicious Party Precure - Memorable theme but otherwise doesn’t have much that stands out about it. Has disjointed plot elements and I didn’t particularly care for any of the characters.

Yes! Precure 5 - No glaring issues (aside from the fact I don't like Nozomi) but also no particular highlights either, kind of meh all around. Has some nice character dynamics.

Bottom tier

Happiness Charge Precure! - Hime is lovely and the concept of the International Precure is great, but I also find half of the main Cures awful and in the end the show is a directionless mess that doesn’t do anything with any of its unique ideas.

Doki Doki! Precure - Great Cure designs and props for trying with the lore, but the show is far too busy making everything about how amazing Mana is, which consumes everything else.

Yes! Precure 5 GoGo - Unnecessary sequel with a generic story and doesn't really add anything worthwhile to the Cures' character arcs.

Kibou no Chikara: Otona Precure '23 - The stuff on the Cures' adult lives was good but a letdown on all other fronts. Nostalgia pandering without properly delivering. And no new Cure forms!

[whistlewhileiblogit]

Thoughts on TLoU Part 2....Again

Yeah, I am back with another vent, rant, thoughts on...thing. I wanted to wait a long time after writing my initial reaction to the game, because I figured I’d get more clarity or something. Anyway, so here are my unedited and unfiltered thoughts...8 months later. So as always, this is going to be rambly, and I’ll probably just bold parts of note in case anyone wants to jump around. So here we go!

Oh and, SPOILERS AHEAD

Things I liked: These pretty much haven’t changed. The game is obviously beautiful, the gameplay itself I enjoyed immensely (when mentally separating it from the plot), the Joel and Ellie flashbacks. They were fantastic, and made me feel very reminiscent of the first game. Jesse and Dina were cool, but I found them underutilised, which is a massive shame because they were cool characters.

Yara and Lev were also great, and again, Yara was another completely wasted character potential. But love them nonetheless.

So yeah...that’s pretty much it, I think?

Now for the things I didn’t like...

The writing is the biggest sin in the game to me, as it creates so many structural issues. The pacing is wild and jarring, we aren’t given enough time to bond with certain characters before they are killed off, the narrative itself manages to be incredible simple yet complex simultaneously, but it is a total mess.

Let me explain. The end of the game essentially comes down to “revenge bad”, no matter how you look at it. Sure, you can also include other aspects like, “do good deeds”, but they seem sort of tacked on, considering what happens throughout the game. Ellie goes through the entire story with vengeance for Joel being basically the only thing on her mind (or at least, at the forefront of it), and then just...doesn’t go through with it at the end.

Honestly, the game felt by that point that she HAD to go through with it, after all, how would she learn her lesson? Yet she learns her lesson, without actually getting revenge? So what was the point? Some have said that she learnt in that final fight with Abby to forgive Joel, but this makes no sense. Ellie had already started to forgive Joel before his death. Obviously, she wasn’t over it yet, but she clearly wanted to make amends with her father figure. Besides, she’s fighting Abby, after all. And she certainly didn’t forgive her.

I think a lot of people took Ellie letting Abby go as forgiveness, but in reality, it was in complete grief. There was no point in killing her anymore.

But again, THIS MAKES NO SENSE. Given every. Single. Thing Ellie went through the game, all to find and kill Abby. Losing others she loved and cared for, her family, her fingers (and her ability to play guitar which was the only thing she had left connecting her to Joel)...all of that and she just let Abby go?

It would have made so much more sense had she gone through with killing Abby, only THEN to realise it didn’t make her feel better in the long run. That she was still conflicted in her feelings for Joel. Why bother having Ellie go through every point in the game, only to have her back out at the last second and STILL lose everything? What is that saying? If you do the “right” thing, you’ll still get shit anyway? Ugh.

So speaking of Abby...I thought hey, maybe after all this time, I’ll be able to grow to like her! Yeah, nope. She is just as unlikable as always. Abby is a deuteragonist that we are meant to grow to care for, like we do Ellie. But here’s the thing; Ellie has an ENTIRE GAME beforehand PLUS a freaking DLC game that gives us so much time to love her. So you would think that the writers must think, we’ll make Abby super likeable! NOPE.

Throughout the game, Abby is stoic (which isn’t a bad thing on its own), serious, and just flat-out boring. Sorry Naughty Dog, but I don’t find a character who collects coins as her biggest personality trait interesting. She isn’t funny, or kind or particularly clever. She has her strength, and that doesn’t count as a personality. She’s also a shitty friend, and person, and gets called out for that in the game by Dr Preggers (still don’t remember her name).

Even Abby’s flashbacks do little to make me like her. Oh wow, she has a magical, amazing, super perfect animal-helping papa? And? I just can’t latch onto her character and story. Even if she were really well written and interesting, I wonder if I could have after the game presents her as a total fucking barbaric monster in the first two hours of gameplay.

No, I’m still not over Joel’s death. And despite what some people try and say, it isn’t BECAUSE he died. I went into the game fully expecting Joel to die (I was lucky enough to see no spoilers prior to playing), because I felt like that would be the next step narratively that ND would go. This was a terrible decision on ND’s behalf, but I’ll get into that later.

Joel’s death as the way it plays out, does not only Joel a great disservice- but Abby as well. If ND wanted us all to like Abby so much, they easily could have just made her show some remorse, or conflict, or even just a quick, somewhat merciful death to Joel. But instead, we get ~torture porn~, which becomes the first scene of many of these in the game. This scene is so fucking brutal and sickening, I personally cannot watch it. I have seen it ONCE, and after that I have avoided having to watch it again. And I am not a person with a weak stomach.

Instead of having a death scene worthy of Joel’s character, like having him save Ellie somehow or going out in a blaze of glory, as many have suggested...we got an incredibly beloved character being treated as merely a plot device.

Imagine if the roles were reversed, and Ellie had been killed in Part 2, not Joel. I doubt those saying they’d be cool with it really would be. Especially in such a disgusting, horrific manner.

And one of my biggest grievances with the game- the retconning. I’ve had some people argue with me, that the game doesn’t retcon anything. Those people are fooling themselves or just being wilfully ignorant. Part 2 completely contradicts facts from Part 1. Including:

- Joel didn’t completely lie to Ellie. He half lied. If Joel finds all of the recorders in the hospital, it is revealed that the fireflies DID find dozens of immune people. And killed all of them trying to make a cure...and it didn’t work. This is literal in-game proof that the fireflies never would have succeeded in their quest, had Joel let them kill Ellie.

- Part 2 would have you believe that the fireflies were doing well with their groups and their research. Part 2 shows a beautiful, modern-day looking hospital. But the fact is, as shown in Part 1, the fireflies were on their last legs, and killing Ellie to try and find a cure was their last-ditch attempt to find meaning in their cause. It never was going to work. The hospital is shown to be filthy, and barely up to scratch by all standards. The fireflies were struggling, despite what part 2 tells us.

- The character design changes. We have all seen the comparison pictures of the doctor in part 1 vs part 2. They tried to make Jerry (?) look so wholesome and kind, begging for humanities sake. That isn’t how it went down, and he isn’t the same person. They just wanted Joel to look like a total villain.

I also want to mention what a disservice the marketing was to this game. I know Naughty Dog is very anti-spoiler, for obvious reasons, but they went above and beyond hiding spoilers that they straight up falsely advertised the game. And no, I will not forgive them for that.

The game completely undoes what made the first game special. It was a story about two people, struggling to survive, and somehow through it all, finding a familial love and trust within each other, and fighting to keep it, no matter what.

Ellie and Joel ARE The Last of Us, and Part 2 literally kills of half of what made the first game so incredibly special. As soon as Joel was killed, I wondered how the game would remedy those moments, and aside from the few Joel flashbacks, there really isn’t anything comparable to these scenes. Ellie is alone, so she doesn’t get to develop, or show her personality. And even when she is partnered up for short periods of time, she is too miserable (for good reason), to be the joking, lovable character we knew from the first game.

Final thoughts...

All in all, I would say my opinions have stayed pretty much the same for Part 2. I will forever love Part 1 (played it not long ago for the millionth time), and it is always going to be special to me.

But part 2, as it is, is nonredeemable to me. It really could have been something truly special, like part 1, but I guess that’s just what made The Last of Us so special.

[aion-rsa]

The Star Trek: The Original Series Episodes That Best Define the Franchise

https://ift.tt/eA8V8J

By the time my generation got to watch Star Trek: The Original Series, the episodes often were being presented in top-ten marathons. When I was ten-years-old, for the 25th Anniversary of Star Trek, I tape-recorded a marathon of ten episodes that had all been voted by fans as the best-ever installments of The Original Series. Later, I got lucky and found Trek stickers at the grocery store and was able to label my VHS tapes correctly. But do I think all the episodes that were in that marathon back in 1991 were really the best episodes of all of the classic Star Trek? The short answer: no. Although I love nearly every episode of the first 79 installments of Star Trek, I do think that certain lists have been created by what we think should be on the list rather than what episodes really best represent the classic show. 

This is a long-winded way of saying, no, I didn’t include “Amok Time” or “The Menagerie” on this list because, as great as they are, I don’t think they really represent the greatest hits of the series. Also, if you’ve never watched TOS, I think those two episodes will throw you off cause you’ll assume Spock is always losing his mind or trying to steal the ship. If you’ve never watched TOS, or you feel like rewatching it with fresh eyes, I feel pretty strong that these 10 episodes are not only wonderful, but that they best represent what the entire series is really about. Given this metric, my choice for the best episode of TOS may surprise you…

10. “The Man Trap” 

The first Star Trek ever episode aired should not be the first episode you watch. And yet, you should watch it at some point. The goofy premise concerns an alien with shaggy dog fur, suckers on its hand, and a face like a terrifying deep-sea fish. This alien is also a salt vampire that uses telepathy that effectively also makes it a shapeshifter. It’s all so specifically bonkers that trying to rip-off this trope would be nuts. Written by science fiction legend George Clayton Johnson (one half of Logan’s Run authorship) “The Man Trap” still slaps, and not because Spock (Leonard Nimoy)  tries to slap the alien. Back in the early Season 1 episodes of Star Trek, the “supporting” players like Uhura and Sulu are actually doing stuff in the episode. We all talk about Kirk crying out in pain when the M-113 creature puts those suckers on his face, but the real scene to watch is when Uhura starts speaking Swahili. The casual way Uhura and Sulu are just their lovable selves in this episode is part of why we just can’t quit the classic Star Trek to this day. Plus, the fact that the story is technically centered on Bones gives the episode some gravitas and oomph. You will believe an old country doctor thinks that salt vampire is Nancy! (Spoiler alert: It’s not Nancy.)

9. “Let that Be Your Last Battlefield” 

There are two episodes everyone always likes to bring up when discussing the ways in which Star Trek changed the game for the better in pop culture’s discourse on racism: “Plato’s Stepchildren” and this episode, “Let that Be Your Last Battlefield.” The former episode is famous because Kirk and Uhura kiss, which is sometimes considered the first interracial kiss on an American TV show. (British TV shows had a few of those before Star Trek, though.) But “Plato’s Stepchildren” is not a great episode, and Kirk and Uhura were also manipulated to kiss by telepaths. So, no, I’m not crazy about “Plato’s Stepchildren.” Uhura being forced to kiss a white dude isn’t great.

But “Let that Be Your Last Battlefield,” oddly holds up. Yep. This is the one about space racism where the Riddler from the ‘60s Batman (Frank Gorshin) looks like a black-and-white cookie. Is this episode cheesy? Is it hard to take most of it seriously? Is it weird that Bele (Frank Gorshin) didn’t have a spaceship because the budget was so low at that time? Yes. Is the entire episode dated, and sometimes borderline offensive even though its heart is in the right place? Yes. Does the ending of the episode still work? You bet it does. If you’re going to watch OG Star Trek and skip this episode, you’re kind of missing out on just how charmingly heavy-handed the series could get. “Let that Be Your Last Battlefield” is like a ‘60s after-school special about racism, but they were high while they were writing it.

8. “Arena”

You’re gonna try to list the best episodes of Star Trek: The Original Series and not list the episode where Kirk fights a lizard wearing gold dress-tunic? The most amazing thing about “Arena” is that it’s a Season 1 episode of The Original Series and somehow everyone involved in making TOS had enough restraint not to ever try to use this Gorn costume again. They didn’t throw it away either! This famous rubber lizard was built by Wah Chang and is currently owned by none other than Ben Stiller.

So, here’s the thing about “Arena” that makes it a great episode of Star Trek, or any TV series with a lizard person. Kirk refuses to kill the Gorn even though he could have, and Star Trek refused to put a lizard costume in a bunch of episodes later, even though they totally could have. Gold stars all around.

7. “Balance of Terror”

The fact that Star Trek managed to introduce a race of aliens that looked exactly like Spock, and not confuse its viewership is amazing. On top of that, the fact that this detail isn’t exactly the entire focus of the episode is equally impressive. The notion that the Romulans look like Vulcans is a great twist in The Original Series, and decades upon decades of seeing Romulans has probably dulled the novelty ever so slightly. But, the idea that there was a brutally cold and efficient version of the Vulcans flying around in invisible ships blowing shit up is not only cool, but smart.

“Balance of Terror” made the Romulans the best villains of Star Trek because their villainy felt personal. Most Romulan stories in TNG, DS9, and Picard are pretty damn good and they all start right here.

6. “Space Seed”

Khaaaan!!!! Although The Wrath of Khan is infinitely more famous than the episode from which it came, “Space Seed” is one of the best episodes of The Original Series even if it hadn’t been the progenitor of that famous film. In this episode, the worst human villain the Enterprise can encounter doesn’t come from the present, but instead, the past. Even though “Space Seed” isn’t considered a very thoughtful episode and Khan is a straight-up gaslighter, the larger point here is that Khan’s evilness is connected to the fact that he lived on a version of Earth closer to our own.

The episode’s coda is also amazing and speaks of just how interesting Captain Kirk really is. After Khan beat the shit out of him and tried to suffocate the entire Enterprise crew, Kirk’s like “Yeah, this guy just needs a long camping trip.” 

5. “A Piece of the Action”

A few years back, Saturday Night Live did a Star Trek sketch in which it was revealed that Spock had a relative named “Spocko.” This sketch was tragically unfunny because TOS had already made the “Spocko” joke a million times better in “A Piece of the Action.” When you describe the premise of this episode to someone who has never seen it or even heard of it, it sounds like you’re making it up. Kirk, Spock, and Bones are tasked with cleaning-up a planet full of old-timey mobsters who use phrases like “put the bag on you.” Not only is the episode hilarious, but it also demonstrates the range of what Star Trek can do as an emerging type of pop-art. In “A Piece of the Action,” Star Trek begins asking questions about genres that nobody ever dreamed of before. Such as, “what if we did an old-timey gangster movie, but there’s a spaceship involved?”

4. “Devil in the Dark”

When I was a kid, my sister and I called this episode, “the one with giant pizza.” Today, it’s one of those episodes of Star Trek that people tell you defines the entire franchise. They’re not wrong, particularly because we’re just talking about The Original Series. The legacy of this episode is beyond brilliant and set-up a wonderful tradition within the rest of the franchise; a monster story is almost never a monster story

The ending of this episode is so good, and Leonard Nimoy and Shatner play the final scenes so well that I’m actually not sure it’s cool to reveal what the big twist is. If you somehow don’t know, I’ll just say this. You can’t imagine Chris Pratt’s friendly Velicrapotrs, or Ripper on Discovery without the Horta getting their first.

3. “The Corbomite Maneuver” 

If there’s one episode on this list that truly represents what Star Trek is usually all about on a plot level, it’s this one. After the first two pilot episodes —“Where No Man Has Gone Before” and “The Cage”—this was the first regular episode filmed. It’s the first episode with Uhura and, in almost every single way, a great way to actually explain who all these characters are and what the hell they’re doing. The episode begins with Spock saying something is “fascinating” and then, after the opening credits, calling Kirk, who is down in sickbay with his shirt off. Bones gives Kirk shit about not having done his physical in a while, and Kirk wanders through the halls of the episode without his shirt, just kind of holding his boots. 

That’s just the first like 5 minutes. It just gets better and better from there. Like a good bottle of tranya, this episode only improves with time. And if you think it’s cheesy and the big reveal bizarre, then I’m going to say, you’re not going to like the rest of Star Trek. 

2. “The City on the Edge of Forever”

No more blah blah blah! Sorry, wrong episode. Still, you’ve heard about “The City on the Edge of Forever.” You’ve heard it’s a great time travel episode. You’ve heard Harlan Ellison was pissed about how the script turned out. You heard that Ron Moore really wanted to bring back Edith Keeler for Star Trek Generations. (Okay, maybe you haven’t heard that, but he did.)

Everything you’ve heard about this episode is correct. There’s some stuff that will make any sensible person roll their eyes today, but the overall feeling of this episode is unparalleled. Time travel stories are always popular, but Star Trek has never really done a time travel story this good ever again. The edge of forever will always be just out of reach.

1. “A Taste of Armageddon”

Plot twist! This excellent episode of TOS almost never makes it on top ten lists. Until now! If you blink, “A Taste of Armageddon” could resemble at least a dozen other episodes of TOS. Kirk and Spock are trapped without their communicators. The crew has to overpower some guards to get to some central computer hub and blow it up. Scotty is in command with Kirk on the surface and is just kind of scowling the whole time. Kirk is giving big speeches about how humanity is great because it’s so deeply flawed.

What makes this episode fantastic is that all of these elements come together thanks to a simplistic science fiction premise: What if a society eliminated violence but retained murder? What if hatred was still encouraged, but war was automated? Star Trek’s best moments were often direct allegories about things that were actually happening, but what makes “A Taste of Armageddon” so great is that this metaphor reached for something that could happen. Kirk’s solution to this problem is a non-solution, which makes the episode even better. At its best classic Star Trek wasn’t just presenting a social problem and then telling us how to fix it. Sometimes it was saying something more interesting — what if the problem gets even harder? What do we do then? 

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The humor and bombast of “A Taste of Armageddon” is part of the answer to that unspoken question, but there’s also a clever lesson about making smaller philosophical decisions. In Star Wars, people are always trying to rid themselves of the dark side of the Force. In Star Trek, Kirk just teaches us to say, “Hey I won’t be a terrible person, today” and then just see how many days we can go in a row being like that.

What do you think are the most franchise-defining episodes of Star Trek: The Original Series? Let us know in the comments below.

The post The Star Trek: The Original Series Episodes That Best Define the Franchise appeared first on Den of Geek.

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[monotonous-minutia]

top 10 favorite new-to-you operas of 2020 and top 10 favorite overall opera productions (which can be ones you’ve watched before 2020) of 2020, as well as why! (take all the time and space you need to answer this one)

thanks!! :)

top 10 favorite new-to-me operas (tried to remember the order in which I first watched them, but I could be wrong): La fille du régiment Just a really fun, humorous, adorable opera with a great cast of lovable characters and some really slappy tunes. Les Huguenots This one went onto my list of top favorite operas almost immediately. Another cast of amazing characters (aside from the really despicable villain), especially some lovely leading ladies; adorable trouser role who gets two (preferably) arias; some really gorgeous music; and an absolutely devastating tragic ending that's so powerful and meaningful. Idomeneo The ladies are fighting over the mezzo; Idamante is one of the cutest and purest opera characters EVER; incorporates Greek Mythology which is one of my favorite things; great cast of characters (though Idomeneo himself still drives me crazy); very sapphic; lovely relationship between the main couple (kinda enemies-to-friends-to-lovers); and again some really great music La clemenza di Tito TWO mezzo bois; very VERY gay on all levels; angst with a happy ending (though depending on the production the ending can be more ambiguous than happy); entire cast of Disaster Bis; one of the smartest sopranos in the world (Servilia); lovely portrayals of loyalty and friendship; and, of course, some AMAZING music. Cendrillon Mezzo love. That's pretty much all I need to say. But also it's got a lot of my favorite things: the libretto is super poetic and beautiful; the music is absolutely fantastic at evoking the fairy tale feel, especially in the scene in the forest; wonderful lovable characters; and simply ethereal music and singing for the leading ladies. Chérubin it's the adventures of our dear Cherubino, what more could I want? How can I not love an opera that's all about this wonderful disaster child? It's so lighthearted and fun and sweet and also just really spot-on hilarious. I was laughing my head off the entire time. Plus it's Massenet so the music is gorge, especially the mezzo music :D Benvenuto Cellini Not least because it introduced me to one of my favorite trouser roles, but also because (as we've discussed) it has basically everything you need in a (not-tragic) opera: fantastic cast of lovable, wonderful characters; exciting and somewhat angsty plot; joyous happy ending; really cute and pure lead couple; adorable trouser role; Disaster Bi hilarious semi-villain you just can't help but love; some really fantastic music; and so much fun and hilarity in general. La Rondine I give this one props because it somehow made me bawl my eyes out even though no one dies. And of course it's the whole Puccini "let's pretend this thing is an operetta for an hour and a half :) and make everything all lighthearted and happy :) and have everyone just have a great time singing some wonderful music :) and then break everyone's heart in the last half hour and leave them obliterated." Also that ensemble in Act II just makes me CRY even though it's like the happiest bit of the opera?? it's just so freaking pretty omg. Alcina Props for being one of the frickin gayest operas on the planet. Also contains one of my favorite pieces of music ever in the history of ever. In general has a lot of opportunities for folks being gay as heck. Oronte can fall off the face of the earth, though. Also I am a sucker for Handel in general. Plus mezzos loving mezzos. Can't go wrong with mezzos loving mezzos. (Yeah, I know technically Rugierro can be played by a countertenor, but I don't watch those ones ;p ) The plot is still "WTF???" in my head, but does that really matter when it's basically one nonstop gay mess? Die Fledermaus Really don't understand how this took so long to get into my life (especially because German operetta was my Thing back in the day) but now that it's in my life I love it to pieces. One of the most iconic trouser roles ever, and an entire cast full of lovable buffoons, as well as just one bop after another. Plus a really slapstick plot. Basically laughed through the entire show.

10 favorite overall opera productions of 2020: It was so hard to narrow this one down! I've seen so many amazing opera productions this year. To make it a little easier for me, I tried to focus on productions of operas that weren't new to me this year (though I HAD to put the Pelly Cendrillon on here. I couldn't not) so I could focus more on the production itself. These ones aren’t in any particular order bc I’m lazy:

Sher Hoffmann (Met 2009/2015) Surprise, surprise. I simply adore the production, set, costumes, staging, etc.--all so wonderfully weird and delightfully eccentric, without distracting from the very odd and complicated story. Plus, I love the casts in both performances, esp. Kate Lindsey but you knew that already ;) Sher Barbiere (Met 2017) Three words: DiDonato. Flórez. Mattei. Plus Del Carlo and Relyea and it's Sher so really, where can it possibly go wrong?? It's an absolute delight from beginning to end that just takes all the comedic gold from the story and runs with it, and, as with his Hoffmann, provides a delightfully eccentric set and staging without being distracting. Salzburg 2013 Don Carlo Super gay, amazing cast, beautiful production, contains material not seen many other places, and introduced me to Maria Celeng's Tebaldo, which will undoubtably forever be my favorite. Did I mention how gay it is? Garsington 2017 Nozze A really fun, charming, heartwarming, and beautiful staging of one of my favorite operas. I love the cast and set and costumes and that people in general are pretty nice to Cherubino, and the Count isn't as creepy or mean as in some productions, and has some legit nice moments with Rosina during the opera so his apology at the end actually comes across as kinda genuine. In particular I love the really adorable Figaro and Susanna (individually adorable, as well as being a really adorable couple) and Cherubino. Pelly Cendrillon (Met 2018/ROH 2010) Super gorgeous production that does an amazing job evoking the fairy tale feel. Not thrilled with 100% of the choreography but I love pretty much everything else about it--the sets, the staging, the cast (especially the Met cast, though there is one little detail in the ROH one I like better) and even the lighting are super intricate and effective. Munich 2011 Hoffmann Just a really delightfully weird take on this opera, with a great cast, some fantastic singing, hilarious sets and costumes, and some quirky staging and edit choices that make it really unique and fun. Met 2017 (Sher) Roméo et Juliette I should basically just say everything by Sher is my favorite now huh? I legit want to write this guy some fan mail because his work (especially for Hoffmann) has in a lot of ways just been really meaningful to me. I didn't even like this opera until I saw this production. It's so GORGEOUS and timeless and yet simple and sweet, and the cast is to die for. Met 2017 Norma Flippin gay, that's really all I need to say, oh my lord. Plus the cast is amazing. Honeslty don't remember much about the sets or costumes, I just remember how amazingly gay it is. Met 2009 Orfeo ed Euridice The dancing in particular is what draws me to this one, but also the expansive moving sets and some really heartbreaking choreography and blocking. Side note, I know a lot of people are annoyed with Amor's outfit, but I love how ridiculous her sparkly pink ensemble is compared with the sombre outfits of the leading cast (and chorus representing all those famous dead people historical figures). I mean, she's basically Cupid, right? When has Cupid every been spiffy or dignified? Plus the whole thing is super gay and really underrated in my opinion. Bonus: Stephanie Blythe is now hands-down my favorite Orfeo. La Scala 1995 Hoffmann Set and costumes are okay, effective but not particularly memorable, but holy lord is this one GAY as hell. That's my favorite thing about it, plus much of the cast (Mentzer and Shicoff, obviously, as well as Natalie Dessay being my favorite Olympia and Denyce Graves being one of my top favorite Giuliettas). There are a few kind of weird things about the staging, and the edit is far from being my favorite, but I adore how fully it embraces every aspect of gay that this opera presents. Plus it's one of the few I've seen that actually has a legit nice ending (others being Munich and Sher).

Thanks for the ask, sorry it got kinda long!

[alchemyist]

Book Series: RENEGADES TRILOGY by Marissa Meyer (2019)

Heroes against villains, like how it always should be.

I think the action scenes for this trilogy are very well-written— so if you are craving some teen action-packed series, I think this one does great to satisfy you! Plus, I love secret identities, superheroes and supervillains, etc. If these aspects attract you, say no more.

We were all villains in the beginning.

We were all heroes in the end.

In terms of plot:

In this dystopia, I really enjoyed the idea of superheroes and supervillains, especially when the main character is a villain (or supposed to be. Keep reading). The first book of the trilogy, Renegades, got me going because of the two main character’s secret identities, and their growing love toward each other despite the sides they are on, and their difference in beliefs. Sworn archenemies in their alter egos, they fall in love in their civilian forms, and the entire setup made me think about Miraculous Ladybug! <Spoiler!> reviews about the rest of the books below.

The intensity of each battle scene was epic enough, but the storyline was built up rather slowly. In the second book, Archenemies, we focus on developments and the edge of the discovery of each of the main character’s secrets. The final playout was extremely intense, I couldn’t put the book down. I was extremely disappointed–don’t get me wrong, it’s not about the book!– about how Nova, on the side of the villains, lost— AGAIN. I was so into the book and Nova herself and her origin that it made me rooting for villains, hoping they thrive and receive the justice they fought for– Marissa Meyer actually made me feel for the bad guys.

Then again, this sets off the third and final instalment, Supernova. Before reading the book, I have the feeling that it may be too much of a rush to the story. This seems like an impossible premise the author is trying to explore, and I’d like it if it spreads into few more books! I believe heroes and villains and their fight of dominance is very difficult to place, and is not at all easy to land a final, satisfying conclusion where both sides are happy.

This final book unhinged me before I got to the last part of the book. I was eager to read each page, and the story was pretty climatic as events unfold and secrets are unveiled– but that’s the thing, it is rushed, and I feel like the secrets were revealed in a very undramatic way… possibly too uneventful for the entire trilogy because the story has, after all, been revolving around their secrets. I am quite disappointed by the reveal of their secrets, but otherwise overall, the third book, Supernova, the very title of this post itself, is by far the book I enjoy most in the trilogy.

As mentioned previously, I was curious to see where Marissa Meyer will take this book, but unfortunately, it sort of let me down when Nova eventually decided to kill one of her own, stopping the very family she has. I mean, she isn’t at all cut out to be a villain in the beginning, but is that all really necessary? I feel like it is her undoing, the beginning of how she is going to grow and live as a character, yet no emphasis was given. Do heroes always win? It was rather unnerving to see Captain Chromium being invincible at all costs, and rather upset when in the end, the anarchists were the villains, always were and always will be. I’d have thought there will be some values, given how they have been oppressed by the Renegades who, in fact, are all the people claiming great power.

That’s how all books should end, right? With villains at the losing side, and heroes who always surpass everyone and are the role models of society? This particularly got on my nerve when Danna, a character from the book, was threatening the Rejects and the runaway villains with sheer power of the oppressive force of heroism. I felt like this could’ve been done better, because if it’s about finding a way for all prodigies to live together, I think she could have just said in a nicer way that they should lay low first, instead of simply stating, the heroes will always win, and will take you down any day. And at that point, I thought I would be so disappointed with the ending. I especially felt the message was kind of forced and delivered the hard way, making the books kind of turn into something I would drop...

Wrong. The author once again has me surprised. Sure, I was growing disappointed toward the end because I felt like the heroes will always win (excuse me, but I do find circumstances where the bad guys thrive) no matter what. And, hey, isn’t the book trying to imply the system with Renegades in rule is kind of messed up? And to which the world is better off without heroes at all? The most disappointing part was, however, when Max was the one who saves the day– I know this kid is really powerful and all, but I was kind of hoping Nova discovers a hidden ability of some sort, something to do with the connection with her late father and all those star stuff (the cover, anyone?!). [Still disappointed how Nova FALLS to the good side like she always belong there, though. Shouldn’t this series be about how the lines of heroes and villains aren’t always clear? The notion should just be eradicated, instead of ending with “we are all heroes”.]

But really, overall, I was impressed with how the epilogue managed to turn and my entire view of the trilogy. I foolishly believed Marissa Meyer was not going to address the definite balance of the world, where when there are heroes, there will always be villains. When Captain Chromium has declared after the battle that “There were never villains to begin with”, I thought, how wrong! If that’s what the author is trying to convey, selling out that people can simply be good in the end after everything they’ve been through, that’s unrealistic and false hope. Nevertheless, fantastic Marissa Meyer got this all covered in a simple epilogue. She made my blood chill at the ending –Magpie is Evie, and the two long lost sisters will never know?!– and I was flipping the last page for the next chapter only to know it’s finished. The author handled the story perfectly as how I’d hoped: that in the end, there will always be evil lurking, and the best purity can never be achieved. After all, don’t we live in a world of Yin and Yang?

Characters:

Marissa Meyer’s diverse cast of characters are so amazing, and should be well accredited for! Like my childhood favorite author, Rick Riordan of Percy Jackson and many more, she made characters of different races, skin color, sickness, and various pairings with cannon homosexuality.

Each character also has their own significance, and she made us hate certain characters, which means good writing. The characters are diverse yet have a strong personality to themselves, making them unique. Girls know how to kick ass!

Overall, the entire cast is so lovable I really appreciate the diversity. Marissa Meyer should be celebrated for this.

[araminakilla]

Faris D'jinn (long) appreciation post

Warning: If you don't like very long posts or deep analysis of a character or situations, maybe you want to skip this. But you are always welcome.

I will always say this: Treasure of the found lamp! is one of my favorites episodes of the Ducktales bomb (the other is Nothing can stop Della Duck!) I like the jokes, the journeys of the two groups, the cameos of different characters that appeared in Season One. But most of all... Him.

Faris D'jinn. Middle Eastern adventurer. Seeker of the lamp. Descendant of an actual genie and the amazing woman who freed him. Here are ten reasons (not counting the facts that he is a great swordman and a cool biker because everyone knows that) of why this warrior is one my favourite characters in the Ducktales universe:

1. He is not what he seems

The first time I saw this guy in the SDCC 2018, and the person presenting the characters said he was Dijon from the Ducktales movie, there were two different reactions from my part:

"OMG! They acknowledged the movie. That means Merlock is going to return!" And...

"This Dijon looks so COOL! But...he looks like a terrorist"

And before you sue and attack me, there are some comments in YouTube that reflected my thoughts. One of them said he looks like an ISIS member.

But I have investigated and I found out that in fact, there are some people that wear traditional black clothes in the Middle East and are NOT asociated with violence or radical groups. So, my bad people. I'm really ashamed for making this statement. I try to not be an ignorant of different cultures for reasons like this.

Anyway, those months I tried to stay positive that, if he was a bad guy, he could get a redemption arc. Because there's no way that this awesome Ducktales crew, that handles the Latino community very well, is going to portray arabs in a bad light, just like every old Hollywood productions (I'm looking at you, Aladdin)

And when the promo of Ducktales and Big Hero 6 appeared, with this warrior using his sword in front of a very scared Scrooge... well... I put my thoughts on another post, but I was a little concerned for the Middle Eastern representation.

Great was my surprise when I saw the episode for the first time. Let say that the power of the lamp wasn't the only plot twist of that episode.

2. He's so serious that it's funny

His single-minded quest for the lamp before the Ifrit's dawn (a fact that he monologued for 10 minutes without blinking) leaves him with no time to joke around, except everyone around him is a goof, and that makes him hilarous in a sense. Best demostrated when he answered ALL the riddles from a literal JOKE BOOK. He's so smart... yet so gullible that it's amazing. It's like he can't tell when someone is lying or making a joke... I don't know if that's possible. There's also his reaction at the "got your nose" prank which, honestly to me, was one of the best reactions EVER. Maybe it's how he screamed "monster!" and how he seems to really believe the creature got his nose. Truth to be to told, I was very surprised the first time I saw him laugh, that was something unexpected. And how the premise of the episode was him getting a family of adventuring Ducks, a greek Godness, a sea monster and a bunch of Beagles involved in a quest...to give himself a birthday present, like... Who gives himself a birthday present? (Really, I don't know someone who does that)

3. He is grateful even with enemies

He defeated Charybdis and the poor monster was whipped and given the beat of his life because he wanted to help Scrooge and Webby with the phony quest, and the first thing the warrior does is thanking him and saying that he will be remembered in the story of the lamp. That impressed me... And somehow made worth all the pain that Charybdis had. The same happened with the "Minotaur" and Ma Beagle (the little bow that he made is priceless). Many people would mock their defeated enemies and give them zero respect... but not him. That was so honorable, it reminded me of how Medieval Knights act, which would be discussed in the seventh point of this post.

4. He forgave the Ducks easily

"Djinn, I'm sorry I tricked you. If I'd known what was at stake..."

"Another chapter in the legend. A final trial before we find the lamp! It's all part of the journey!"

Like wow... That was something I was NOT expecting, because I wouldn't expect a guy who was shouting and slicing things all day to be that... nice. And maybe that could be because there was no time in the episode for the liar revealed drama. But the points D'jinn made about why he forgave Scrooge make total sense. He loves adventures and journeys, he likes to write in a scroll about the trials he had, so he instead took the positives aspects that the phony quest had and continue with his life. Now that's something you don't see very often. Instead of swearing revenge and dedicate his time ruining someone's life (I'm looking at you Glomgold, Magica, Negaduck and other villains) he forgave the Ducks, focused on the present and keep only the most important facts. I like that way of thinking.

5. He has a deep love for his family's history (and his heritage and bloodline)

He comes from a family that, as far as I'm concerned, keeps the stories of their past alive, passing them to the next generations. It's been ten generations since the genie was freed. What the ex-magical creature got was more valuable that having phenomenal cosmic powers: A loving wife and many descendants who remember them with such passion, and now one of said descendants, fascinated by their love story has adquired the "totem that started it all". I heard that arabs in particular are family oriented people, they would do ANYTHING for their loved ones, and that's the first time I saw that in a cartoon (at least in a Disney cartoon, the other example that is Non-Disney is the Oscar nominated "The Breadwinner", which I recommend you guys have to see it, it's so good)

D'jinn made a long journey from the Middle East to America (at least I think Duckburg is in America) for a powerless lamp because of it's sentimental value, which leads us to the next point...

6. He is a sentimental guy

You wouldn't expect a tough, serious and to some extent dangerous guy to have powerful feelings like love? Right? Think again. There's a reason of why the call D'jinn (and his VA, Omid Abtahi) a cinnamon roll. He has strong emotions, that is (I think) one of the reasons of why he's so dramatic. It's part of his personality. In fact, his volatile personality (using many times his sword, cutting things, flipping a table) has a solid base of why it is the way it is. I'm not saying that destroying the couch and threatening the Duck family is not wrong, I'm saying this because this is NOT a matter of the "He's an arab and all arabs are volatile/barbaric/will scream and attack you 'cause that is their nature" thing that all the Hollywood movies I saw (at least the examples I saw in the documentary "Reel Bad Arabs") have. No sir, this is different.

And talking about Arab stereotypes...

7. He's a HUGE improvement from the Ducktales movie and series

Back in 1990, he was Dijon, a thief and mook to Merlock, the Big Bad Wolf of the Movie. He was funny and the interactions he had with Scrooge in the movie and the series are funnier (Also, did you know that the last words Scrooge said in the series was "Dijon!" because the duck was running towards him 'cause he stole his watch?)

But, as the Nostalgia Critic put it in his review of the Ducktales Movie

"I don't know... Is this considered racist now? Yes, he has an accent and is a thief..."

He's fine as a comic relief, but nothing makes him different from the Crows of Dumbo, or the Indians of Peter Pan, or the Siamese cats of Lady and the Tramp, or...

Honest Trailer's guy: Stop it!

OK ok. The point it's... The Ducktales reboot did it again. They took a not so well liked character from the '87 series and made him/her a lovable character, like Mamá Cabrera (I swear, she's also mi mamá now)

Now he's honorable, charming, etc (and yes, those words are from a YouTuber reviewer) But specialy, they changed his name to Faris D'jinn which not only sounds more arabic, but also foreshadows his relationship with a genie. Plus, Faris means "Knight" in arabic, which describes what he is and how he acts perfectly.

8. He's different but at the same time just like everyone else

Gif belongs to @i-mostly-reblog-things

Yeah, he looks different, speaks with an accent that's not American, has a different mindset about things in life and maybe that could come from the country he's been raised, or his family or maybe he decide to be the way he is on his own accord. But, as an lesson learned in the episode "The Depths of cousin Fethry!"

Just because something or someone is different doesn't mean is bad.

True, D'jinn didn't make a first good impresion with the Duck family, except from Webby (You go girl! It seems that she has a talent to see edgy but misunderstood people and give them a chance) but at the end everyone was celebrating his birthday with him. They give him a cake! This small but powefull gesture made me 100% convinced that, even with flaws and conflicts, they are the perfect family. It still surprises me that the crew of Ducktales and Disney would make a scene like that. If someone told me a year ago that they would make a scene with: An arab. Dressed with traditional clothes (turban and all). Wearing all black. Celebrating his/her birthday with an American (Scotish in Scrooge's case) Family, I would have laugh and say: Yeah, sure, like they would actualy show that.

But they did it and I couldn't be more happy.

Just a pause from this Ducktales' post

Some of you could be thinking as you read this: "Nice that your people are shown in a positive way"

The thing is... I'm not arab. I'm a latinoamerican who just happens to love Middle Eastern cultures. My country isn't very prejuiced towards Middle Eastern people (maybe because there's a few of them) but I have come from a long way. To being sure that everything there was just sand and violence to wanting to visit some of the many wonders that the East has to give, meet people and learn their point of view. I think everyone should do that at some point, instead of, you know, getting all your arab information from Hollywood movies and concluding that everything would be better if the Middle Easterns were dead. As this quote from the YouTube Documentary "Reel bad Arabs" states:

"We feel that Arabs are not like us, are not like everyone else, then let's kill them off, then they deserve to die, right?"

The thing is, they are more similar that we think, it's just that the international media doesn't show that... until now.

And going back with Ducktales

Yeah, this dude looks different, but he laughs, feels, and enjoys having a great time just like everyone else.

It's the same that is happening with Fenton and the latino representation. D'jinn is a hero who happens to be arab. A dramatic warrior. A family values man. A great allie, friend and who knows what many things more. He, and other Ducktales characters, have so many layers that it's incredible. Just like people, you can't define someone only from their personality or their race. There are so many things that make a person unique. D'jinn broke the expectations I had for him (or he sliced them with his sword) for the better.

9. He's better than Aladdin in many ways

By starters, the voice actors. Aladdin's VA is American and has an American accent in the movie. D'jinn's VA is Omid Abtahi, born in Iran, a Middle Eastern actor. And I'm not saying arab because Irani people are not Arabs (correct me if I'm wrong). Omid doesn't have an accent, as far as I know, but I think it's a nice detail to have the warrior being voiced by someone who comes from the same place. Then, we have the fact that Aladdin lied to almost everyone and D'jinn was a victim of a lie. True, the Ducks assumed he was going to kill them all (and for a good reason) but a lie is still a lie. I don't know many things about Middle Eastern clothes and fashion in the past and the present, but I can tell you will find (maybe traditional) people who wears something more close to D'jinn than Aladdin, and I'm pretty sure the warrior would free a genie if he has the chance because he's a descendant of one. But apart from their differences, both are really good people with a big heart and a kind soul, it's just that we find out Aladdin is good in the beggining of the movie with the bread and orphans scene and with D'jinn almost in the end of the episode, because to be honest, I was expecting him to be lying about wanting to protect the lamp and instead working for the new Merlock, since that was his role in the original movie. Many of us expected a lying thief, but instead we got another Diamond in the Rough.

10. He is a key for one of Scrooge's character developments

Gif belongs to @everythingducktales

The richest duck in the World was SO impressed by the warrior's story that he opened a museum of valuable artifacts so he can share his stories with his family and the world. Let's repeat that. Scrooge McDuck, a very famous, very important and proud adventurer took the advice of a stranger (he also was 100% sure this stranger would kill him and his family if he doesn't get what he wants) because he saw his "human" side, a family side that made the duck realize "maybe we are not so different after all".

Not even the Buzzards (people who worked with Scrooge for who knows what many years) were capable of convincing Scrooge to do some of their plans (but lets be honest, their plans are awful)

That made him be more open about his adventures, his past experiences and his treasures, each one with a unique story. Maybe that would prevent unfortunate yard sales in the future.

Bonus:

11. He is going to return

It is confirmed in one of Frank Angones' posts that he is going to appear in the future, maybe as an allie of the Duck family in an adventure. Or who knows? Maybe they can recruit him as a member of a superheroes team along with Gizmoduck, Darkwing Duck and others. Plus, I want to see him interact with Launchpad and Donald.

That would be all... for now.

[thecrazyanimegirl]

Spring Anime 2019

Aaand another season is over! We didn’t end up watching a ton of stuff this season though. It had some absolute gems, but mostly only ok new anime. Of course, everything was saved by dororo and shield hero continuing from the last season and finally new seasons of bsd, aot and opm ♡♡♡

{ Winter ‘18 }  { Spring ‘18 }  { Summer ‘18 }  { Fall ‘18 }  { Winter ‘19 }

Blade of Demon Destruction

From the first moment I saw the trailer I knew this one is bound to be good. The anime is directed by Ufotable and has a unique art style. Somewhat slow paced at the beginning but later on becomes really cool and shows great character development. Definitely would recommend!

Carole and Tuesday 

Yes, you should watch this! Great music, great characters, loved it! It’s not plot heavy, it follows two completely different girls as they pursue their dream of becoming a musician and they develop the most soft and warm friendship. The humour is good, the music is amazing (even though everything didn’t have to be in English, but it still sounded good)! A feel-good anime all the time. (oh yea, and they have kamiya hiroshi as a voice for a side character so that’s always a plus)

Fruits Basket

Well since it’s a remake, I guess a lot of people already know about this anime. There are a lot of lovable and unique characters. The new animation is good, quite different from the old one. I really like it (and the old one too!) ^^ Plot is interesting too, and not just because they turn into animals! I think most people who like shoujo anime will like it ^^

Magi’s Grandson 

It’s pretty classical isekai anime. A guy is born in a new world and, guess what, he is overpowered. Nothing new, but it still doesn’t mean it’s bad. It is good anime for those who like this kind of isekai. I like it because it’s great for relaxing, at least for me. It’s not really a must watch anime or anything, but for light comedy it is okay.

Magmel of the Sea Blue

This anime is refreshingly original. The main characters are interesting and lovable. I guess it’s a lot about the human stupidity in the face of the unknown? Comedy is good and every episode is something new. I don’t know if people like this kind of anime, but I recommend it ^^ 

Mayonaka no Occult Koumuin

Ever wondered how would the world function if mythical creatures were actually real? Then dive into this anime and follow the three guys from the screenshot as they work for a secret agency which controls relations with otherworldly creatures. The animation is okay and the characters are pretty lovable so if you are into this stuff, you will definitely like it!

Namu Amida Butsu!: Rendai Utena  

The first thing you will think of this one is “This anime is a lot like Touken Ranbu Hanamaru”. Yep, the characters are beautiful quirky gods and incredibly funny so if you liked the latter anime, this one will definitely shake you off the chair. 

RobiHachi  

Comedy, space, some action, lovable characters - a good combination ^^ It’s not the kind of anime that sweeps you off your feet, it doesn’t have a keeps-you-on-the-edge-of-your-seat plot (just two guys and a robot visiting planets and running away from a debt collector), but it has a certain charm and will make you laugh (probably at least lol). The main characters have good chemistry, the main “villain” is hilarious and all in all, a pretty ok anime. 

Sarazanmai

Amazing, a work of art, love it, go watch it! Yea, it’s not really for everybody, since at first it just seems as someone just threw some nonsense together and the butts are everywhere (since there are creatures called kappa that steal people’s shirikodama that’s located in one’s butt). BUT! I still implore you to give this a shot! As the episodes go on, you notice that everything has a deeper meaning, the characters are amazing and complex and the seriousness and comedy blends so well together! I both laughed my ass off, wanted to cry and felt all warm inside! Right, it also has great voice actors ^^

Senryuu Girl 

It’s a very cute and short anime. A lot of unique characters interact with each other and it makes a really cute romantic/friendly vibe. It’s one of those anime that don’t really have a plot, but they leave you with a warm feeling. Because it’s really short, you won’t lose anything by watching it ^^

Shoumetsu Toshi 

You don’t lose absolutely anything if you don’t watch this. The underlining story about a whole town inexplicably disappearing with a sole survivor of a girl with special powers is really good, but the execution is pretty bad. (I was positive that two red-heads were the same person the first like four episodes and I was mega confused) The characters just don’t click and don’t have the immediate appeal and the story drags on with weird pacing. It’s not terrible, not amazing either. 

Stop This Sound

This is so soft! And warm! Their friendship is amazing, every character is both strong and sensitive, they have flaws and insecurities but they support each other all the time. It really shows how there is more to people that the stereotypes people pin on them - delinquents, a spoiled rich girl, a pushover, but they are none of that. Absolutely love this, the story, the characters, the music (the koto sounds so good) and the simple fact that they don’t drag the drama out. Instead, they solve everything with support and compassion. 

Dropped:  Ao-chan Can't Study!,  Hitoribocchi no Marumaru Seikatsu, We Never Learn,  YU-NO: A Girl Who Chants Love at the Bound of This World        

[abigailnussbaum]

Legends of Tomorrow 5x02, “Meet the Legends”

GOOD

No more time bureau.  Having the guys go corporate was an odd fit last season, and especially as the time bureau became more sinister.  The premise of our heroes capturing and imprisoning creatures who were often just doing what came naturally to them ran completely counter to the show’s alleged humanism.  And, of course, it ended up putting a huge strain on the Sara/Ava ship.  So it’s probably a good idea to have the team be free agents, and to bring Ava on board full-time in order to hopefully minimize her authoritarian tendencies (I mean, she still decides the best way to deal with a problem this week is to assassinate it with a sniper rifle, but baby steps).

I really like Behrad!  It’s obviously a challenge, introducing yet another new character to the show at this late stage, and especially one who is supposed to have existing relationships with our heroes.  But the episode completely nailed it.  Behrad is not only fun in himself - using his wind totem power to clear pot smoke out of his room is an instant classic - but has a nice rapport with Sara, and is obviously instant bros with Nate and Ray.  And good on the writers for realizing that the right vibe for a Legends character is “oddball slacker” and running with that.

I always appreciate it when the show acknowledges that Nate is a lovable douchebag, so having him be the guy who most enjoys the Legends’ new celebrity AND is cashing in on having been briefly dead is just perfect.  Of course he made a Japanese whiskey commercial.  That’s just *chef’s kiss*.

Minimal Constantine.  I know I’m very much in the minority on this, but I’ve never felt that he gels with the rest of the cast.  He always feels like a main character in search of his own project, and has never developed the kind of relationships that make the rest of the Legends such a delight (one exception: he and Sara have always been great to watch together; the moment at the end of the episode when she realizes she’s not going to stop him from whatever bonkers crusade he’s on and just tells him to take care of himself is a perfect bit for both them).  So having him as a sort of ancillary to the team, and sending him off for what I assume will be a while, feels like a much better use of his character than just treating him like another member of the team as S4 did.

We seem to be walking back the no-holds-barred forgiveness of Gary from last season, which I very much appreciate.  Constantine’s unwanted assistant, with minimal contact with the rest of the team, feels about right for him.

Mona becoming Mick’s literary agent and using her Hawaiian werewolf powers to scare business associates is delightful.  I’m not thrilled about her being written off the show (see below) but at least she’s got a cool, lucrative fallback career.

One of Legends’s core strengths is its ability to take tropes that have seemingly been run into the ground and make them feel fresh and exciting by not only going full throttle with them, but rooting them in earnest and deeply-felt character moments.  They did a successful time loop episode in 2018 and an amazing alternate realities story in 2019, and now they’ve completely cracked the mockumentary format, which I had really thought was unsalvageable at this stage.  But not only are there great moments that embrace the core of the format - the confessional interviews are pretty much perfect, especially the little chyrons to describe each character - the episode also feels entirely like a Legends story, complete with the heroes leaving the film crew behind in the villain’s clutches.  And it’s a great way to reintroduce us to a universe that has been overwritten several times, in the fourth season finale and the Crisis storyline, while letting the characters - Sara especially - take a breath to become acclimated in their changed lives.

BAD

Between Mona being written off, Charlie sitting out the episode, and Zari still missing in action, it was not a great week for women of color on Legends.  This feels like it’s going to be a particular problem going forward, because the only WOC who is currently a Legend is Charlie, whom the show has never really figured out what to do with, and it seems likely that when we do find Zari, her story will be about resurrecting her romance with Nate rather than her own heroism.

I guess Nora is still a fairy godmother?  Sigh.  I was unhappy with what the show ended up doing with Nora last season, and the fairy godmother twist felt like it summed up my problems.  She ended up being used as the butt of jokes, whereas I thought she could have had a strong dramatic storyline (well, as dramatic as Legends gets) about survival and redemption. I’m still sorry that she and Sara never had a stronger relationship, and now that she and Ray are being written out of the show, I guess that will never happen.

(Also, the thing that made up for the choices the show made with Nora is that a lot of what I wanted it to do with her ended up being done with Mona.  Who is now being written off too.  So.)

The gang tricking Ray into killing a guy by expanding while inside him is pretty dark?  Especially since it feels like the main reason for it was to do a callback to the “Ant-Man expands in Thanos’s butt” jokes from last year.  It kind of ties into my general problem with how the show has handled Ray, which is basically the same problem as with Nora.  He’s someone who has had a lot of sadness in his life, and I think the show could have done a lot with the idea that underneath his childish exterior is someone who is running away from pain and loss.  Instead - and presumably because Brandon Routh is so good at goofy comedy - the show ignores his past and plays him as a complete goofball, which feels like a missed opportunity.  And again, with Ray being written off the show, there’s now no time to course-correct on that front.

HUH

There’s something a bit awkward about how the show sets up Nate’s search for Zari.  Obviously if he had a picture of her, Behrad would just say “that’s my sister” and the whole story would be over, so the show has to contrive things a bit to explain why he doesn’t.

I get that the historical storyline is not the point this week, but it’s still kind of weird for our heroes to save the Romanoffs without even mentioning that they’re going to be deposed within the year, and killed soon after.

Did anyone else start to wonder whether the show was setting up a romantic thing between Mick and Mona in their last scene together?  His disappointment when she announced she’d be leaving the ship felt weirdly personal, and not at all like him.

?

There are still too many characters on this show.  I get that writing Ray, Nora, and Mona off is a way of starting to address that, but we’re still left with six people on the Waverider, plus Constantine and Gary in their own storyline, plus Zari whenever she shows up.  More importantly, I’m not sure the writers realize why the big cast was weighing them down last year.  Legends has been a lot of things over the course of four seasons, but in the best form of itself, the one it evolved into over the course of its first two seasons, it’s a story about goofiness concealing a big heart, and how that can heal pain and loss and corruption.  But the show’s failure mode is only giving that story to some characters (mainly Sara, sometimes Ava, and, weirdly enough, Mick) while using everyone else to deliver gags and do the team scenes.  (One exception that demonstrates the problem: Nate, who keeps being treated as a serious dramatic character when he works so much better as a funnyman; at the very least you’d think he and Ray could trade off.)  I think the writers need to get a better grasp on their storytelling in a way that allows everyone to be both goofy and fully human.  Hopefully consolidating the cast is a first step to getting there, but it could just as easily be a case of a cosmetic solution to a deeper problem.

[makeste]

some asks about BnHA 241 and 240 and then some random other asks

I agree with this completely, anon (especially given his attitude throughout the rest of the chapter), but I didn’t edit my initial response since I think there’s a good likelihood that he still deadpanned the line despite being 100% sincere. one could say he was Accidentally Sarcastic. anyways yeah, Todoroki Shouto is a disaster more at 11. 

(but also, he’s totally right and Bakugou is in full-blown denial over their blossoming friendship. because he already decided that they’re Not Friends, and thus he has to actively work to maintain that status now. which Todoroki is making very difficult these days! can you fucking do your part to keep the fucking rivalry going, Icy-Hot?? can you at least try?? why does he have to do all the work. sometimes he forgets for a moment and Todo catches him off guard and he responds normally without thinking and doesn’t realize it until later, and god. why is everything and everyone so stupid.)

I have not forgotten (though I did mix up Pixie-Bob with Mandalay though woop)! and that annoyed me too. we only have like six female pros out there as it is. why do half of them (looking at you too, Midnight) have to be mildly sex-crazed. I know it’s not serious and they’re not actually being serious, but still, is it really asking so much to get some female pros whose eccentricities are less specifically tailored to common male fantasies. you’re a fucking hero Pixie-Bob! you’re a fucking earthbender and you’re hot as heck. why are you so worried about not being able to Get A Man. with Mt. Lady it at least fits more with her general personality from what we’ve seen, I guess. anyways, y’all know I love like 98% of this series, but this is part of the 2%, so. it is what it is.

Tomura is Endgame Thanos, a.k.a. the most sinister and most genuinely frightening of the Thanoses. this really isn’t on track to end well sob.

ah, my bad. (regardless, it was still dramatic af.)

I think she’s a six-year-old (?? she seems six-ish, idk) girl who was terrified of her father and trying to stay under his radar (which was frankly the smart thing to do based on what we’ve seen), and was trying to teach her younger brother how to do the same, and I don’t blame her at all for throwing Tenko under the bus (if that’s indeed what happened); I’m sure she just panicked and didn’t mean it. she’s just a kid. -- was just a kid. anyways she was super cute and would have made a fucking awesome hero, and her death is easily the one I’m still the most raw about out of that whole fucking nightmare. I’m not getting over that. I want her to still be alive; at one point I was convinced of a conspiracy theory that AFO had secretly spared her too (because two Shimura heirs to manipulate are better than one), and Tomura only believed that she was dead due to his fragmented memories. but that seems less likely post-chapter 236.

so yeah, I’m still very upset about this. she was good and kind and loved her brother and had a lot of spirit and she did not even remotely deserve what happened to her.

thank you so much!! one of the best parts of fandom is interacting with other people and reading everyone’s different takes and theories. lord knows I miss a lot of stuff when I read, even when I’m trying very hard to pay attention. so I love when other people point stuff out and bring up ideas I hadn’t thought about.

also! without exception, every single person I’ve ever interacted with in this fandom on tumblr has been polite and courteous and civil as fuck, even on the occasions when we disagree, and I absolutely can’t take credit for that. people are just cool. so thank you everyone. (and particular shoutout to @thequietmanno1, who for some reason I can’t tag, but whom this ask is almost certainly referring to specifically.)

lmao anon this made my fucking day. thank you!!

all right, here goes!

a) this is possible for sure in that as a rule, I never put anything past AFO, and I don’t doubt for a second he’d be capable of this. but, it would kind of suck though. specifically it would suck for Tomura, who’s only just starting to come into his own at long last, and who has gone through quite a lot to get to this point. like, that would be devastating to see him reduced to a literal puppet after all of that. and if it did happen, I don’t know what the odds would be of him actually being “saved” after that (All Might at least would try, but I can’t see anyone else being concerned enough to bother. well except for the rest of the League, come to think of it. that could be interesting), and I’d be really sad if that ended up being how he went out. these things usually don’t end up working out too well for the body snatchee.

plus, this also hinges on whether or not AFO is capable of transferring his quirk to Tomura’s body. if not, there’s no way he’d take the tradeoff, regardless of how powerful Tomura’s own quirk has become at this point. that would just be a really bad deal. like trading the cow for beans, except these ones aren’t even magic beans, just like. normal beans. but if he does have a way of transferring the AFO quirk, then yeah. although he could take anyone’s body then if that was the case, and I can think of a few targets who just might be even more tempting than his protege. All Might’s protege, for one. ...you know what, this line of thinking is starting to get a little too horrifying so let’s move on to the other theory lol.

(b) a few people have mentioned the Shimura Momo theory to me, but to be totally honest, I can’t see much of a logical basis for it other than them bearing a slight resemblance and having similar hairstyles. Inko has also been brought up as potentially being related to Nana for the same reasons. it’d be cool, no doubt, but for me, I need more evidence than just that. I just don’t see how this would advance the plot or the characters’ storylines in any meaningful way. I guess it could potentially tie Momo in more to the central plot, but it’d be kind of a weird way to do it, idk.

then again I’m one to talk, because until fairly recently I was on board with Hagakure of all people turning out to be a Shimura (Hana, to be specific). she’s the traitor, she’s invisible, we never did find out what Hana’s quirk was, and this would mean that Hana was still alive this whole time which would be GREAT, because seriously fuck you Horikoshi!! but yeah that doesn’t seem likely now either. dammit.

anyway, so I’ll just say that both of these theories are possible, but for me personally, in order to be sold on a specific theory I need to be able to see how it logically fits within the storyline and how it moves the story forward. like, Dabi being Todoroki Touya is something I’m 100% on board with, because that’s an established mystery in the series (who is Touya, what happened to him, who is Dabi, etc.), and Dabi fits into place with the evidence we have, and it gives us a lot of Todoroki drama and gives Endeavor and Shouto a personal connection to the Leagu... Pliff. but for something like the Momo theory, I would need there to be some indication that there’s a third sibling we don’t know about, and some hinting about there being more to Momo’s past than we know, and right now I don’t see either of those things, so it’s hard to get on board. hopefully that makes sense.

anon I really like that you phrased this as an inevitability lol. (and I am 100% on board.)

assuming this happens at the very end of the series, I like to think Tomura and the rest of his gang will manage to “escape” the heroes (“oh no... Tomura... he’s getting away... this is awful... somebody stop him” meanwhile no one is making even the slightest effort to move lol), at which point they will live the rest of their lives happily ever after as Lovable Outlaws and All-Around Scamps. like, maybe they’ll still commit some crimes, but they won’t be like serious crimes or anything. they’ll have more of a Guardians of the Galaxy vibe, maybe. I want them to be happy and I don’t want them to go to jail even though they’re teeeeeeeechnically murderers, I GUESS (look, nobody’s perfect!!). but maybe they steal the occasional priceless artifact and inadvertently wind up saving the world. seems like the best compromise.

lol I don’t know what this means either. like in the way a Youtuber has their own brand?? or like Frito-Lays. idk all I really do is talk a lot about an extremely popular manga, so I don’t think that’d really count?? I’m fine with this just being a little tumblr discussion blog haha.

so I’ve gotten like a half dozen asks and messages about this lol. (someone actually told me a very specific detail about said past! so just to remind everyone, I’m spoiler-free on Vigilantes right now guys, I’m sorry. I know it’s no fun.) I regret to admit that I still have not yet gotten around to it. I don’t know what it is, but I’m having a lot of trouble reading new stuff right now. I tried to start the other new BnHA spin-off which @temperatezone told me about (and btw no I did not know about it, so thank you!!) (and also! BnHA has THREE SEPARATE FUCKING SPIN-OFFS right now, how fucking crazy is that. like, I don’t want to accuse a manga series of literally trying to take over the world, but!! seriously that’s just insane), which has an amazing premise, but I haven’t had time/been in the right mindset to start that yet either. it sucks. I’m sorry. I’m working on it. ;;

press f to pay respects to what could have been, guys. they literally had it all. class, an ironic acronym, you name it. and now it’s just PLF. the Iron Patriot of villain organization names.

[sieben9]

“hyperion heights” impressions

{Quick request to anyone reading: I’m watching OUaT for the first time, and I want to avoid spoilers. So, if you want to discuss something spoilery, I’d be grateful if you could start a new post for that. Thank you!}

::plays “New Season” from Galavant::

…look, I’ve got the thing stuck in my head, and I thought I’d share.

I liked the episode? I think? There’s a lot of set-up and not a whole bunch of plot, but I think I like the things that were set up. And the characters definitely got off to a strong start (with one little problem I’ll get to later), so that’s always a plus for me.

More under the cut.

OK, so the flashback was a good, solid foundation for further conflict. Henry and Cinderella had some solid chemistry, and the twist to her particular version of this tale was one I did not see coming.

murderous Disney princess in a poofy dress on a motorcycle is definitely a Look™

I have to say, getting in a traffic collision with your future partner is... actually very on-brand for every single part of Henry’s family. Glad to see you’re keeping traditions alive, pal. (And yes, that explicitly includes Regina, who found her first girlfriend through breaking and entering.)

And it’s ...let’s say “nice” to see that Lady Tremaine, in whatever universe we see her, still continues to be The Worst. More on that below, but I found it interesting that one mainstay of OUaT seems to be that no, she’s horrible to all her children and not just her stepdaughter. It’s just different kinds of terribleness. I’m also wondering if Cinderella just has the one step-sister in this version (I know for a fact that there are some out there where that’s the case) or if it’s a plot point. And if there really is only one sister, the next question is: where is she? Did something horrible happen? And if so, was it the result of her mother’s terribleness or (part of) the cause? So many questions, so little time~

…can you tell I’m loving this bit? I mean, I hate her guts, but she intrigues me, which is always great. (Me? Latching on to a villain? What a strange thing to happen.)

The closing shot for the flashback plotline is very promising, with Henry deciding that no, home can wait, the strange lady who punched him in the face and almost framed him for murder needs help, first. …you know, I can’t even tell which part of his family he gets it from, because they are all completely bananas.

you grew up great, buddy

Also, just as a closing question: does he have a magic motorcycle? Is that why it doesn’t need fuelling up in however long it’s been since he left Storybrooke? Just asking.

I mentioned my one problem with the modern-day cast at the top, and I’ll just get right into it: my biggest problem at this point is not comparing everyone’s “roles” to the original cast configuration. Like, “Roni” doing Snow’s job (even if her temper is very different from Mary Margaret’s). Henry isn’t Emma, even if he’s the “new guy in town”, and Lucy isn’t Henry, even if she clearly inherited his “little shit” genes. (I love her so much, but how her mother manages her on her own, I will never know. Victoria Belfrey sure as hell isn’t Regina, because Regina would never treat any child of hers this way, thank you very much. In fact, I wonder if she and Cora went to the same school for being a terrible mom together. That’s the level of “I do not like this person” I’m on.

Still, the Hyperion Heights people seem like a good bunch, and I look forward to seeing more of them.

Henry is a lovable fuck-up who thinks he made up the entirety of the show so far and managed to squeeze it all into one book. My guy. I know what the transfer rate from TV to prose is. You could never fit that in one volume.

at least not that one. that’s... what? 600 pages, tops?

And is it just me or did his particular role in the curse take a fucking dark turn? Because it’s bad enough to separate everyone from their loved ones, but giving the guy fake memories of his wife and child burning to death in a house fire? Just… wow. Please let the poor man remember soon because this will be haunting me until then.

Speaking of things that will haunt me…

They didn’t recognise each other and I was not prepared for the complete gut-punch that was. They were sitting there, looking at each other, and they didn’t know. Guh! (And yes, I am 100% convinced that Roni is, in fact, Roni and not Regina, because she might have kept up the pretence for a good enough reason, but she’d never have kept that good a poker face; I also doubt she would have given her son and his not-quite-date strong liquor at before 4pm)

Special mention goes to Henry’s line of “imagine if I were to walk in here and say that I’m your son”, because yeah, imagine you doing that. To anyone. What a crazy thing, right? (

And while I’m on the topic of Roni…

I love her so much. Everything about her. Her attitude, the way she moves, the Looks™ she gives people, her voice… Yeah, I may not be entirely objective on the topic, why do you ask. I am also looking forward immensely to seeing her butt heads with Belfrey. Because of reasons.

this scene is 95% of the reasons

I also wrote in my notes “so the villain this season is gentrification?” and honestly, I don’t think I was that far off. There’s definitely a strong theme of class in this set-up, and I hope the writers carry that through at least a little.

A quick rundown of the other characters, while I’m at it:

I like Jacinda well enough, although her main character trait at the moment seems to be “really, really stressed out”. Which is fair. She’s a single mom with Belfrey as her only family connection. Her scene with Henry in the bar and with Lucy at the well was extremely adorable, though, so I’m optimistic as for future developments. (And Cinderella bought her some goodwill because she was determined and vulnerable and scared and generally amazing in all the right ways. I liked that version of her, and it’s been established that your cursed self hardly puts your best traits on display.) I definitely smiled when she made that wish at the well.

Good on you, not giving up hope. (And I immensely appreciated the way it was set parallel to Henry finally writing that first sentence of his.)

I’m… not 100% sure who her roommate is meant to be, which is going to irk me until I am, but I can live with a little mystery in my life *g*

I have no idea what Weaver’s deal is, but I really hope he isn’t awake this one time around.

please take that man’s head out of the water

Rumple as a police officer is… uh, a special kind of hilarious. A really terrible one, too. And now he’s partnered up with not-Hook, which, to coin a phrase, I’m sure they’ll all laugh themselves sick about some day. I’m interested in seeing what his connection with not-Alice is. Both in the modern-day plot and in the flashbacks, because there’s usually some kind of interplay between the two storylines.

Rogers is… not on screen that much. He seems nice. Which is already a better opinion than I had of uncursed!Hook, and that is a crying shame because they’re all bound to wake up at some point. Still, I’m holding out hope. People have said good things about Hook in this season.

Apart from all that, there’s also an implied mystery in this season that I really like, and it’s “who, exactly, cast the curse?”

I mean, it’s clear that the show is setting up Lady Tremaine as the Big Bad, but 1) I’m not new here, I know how much these writers love their villain fake-outs, and 2) I get the feeling that her whole “magic can be taken away blah blah” speech might be meant to give a hint that it’s not, in fact, her.

god, I hate her so much already; it’s delightful

Which leaves the question of “OK, then who?” and I… have a few thoughts. Which I will keep to myself until at least three episodes in because I doubt that we’ve met all parties involved at this point.

In short: on strength of its characters alone, I am cautiously excited for this new season. Bring it on!

And, because it didn’t fit anywhere else:

The keychain made it through!

[thejakeformerlyknownasprince]

What would u say are the best and worst book narrated by each character ?

I sat down to come up with my least favorite book by each narrator and had a pretty easy time of it — there’s an unfortunate dip in quality in the series around #39 - #43 that I can point to as definitely not my faves — and then ended up totally baffled by how to choose JUST ONE favorite book by each narrator, because such a task is almost impossible.  In conclusion, I really love Animorphs, as you probably never would have guessed from reading this blog.  So, with a little cheating, here goes:

Tobias

Least favorite: #43, The Test

The plot of this book pretty much requires that all of the characters, but most notably Rachel and Jake, act in ways that really don’t fit with their behavior for the rest of the series.  My cynical hypothesis about What Was The Ghost Even Thinking rhymes with schmender schtereotyping, but even if I more kindly assume that everyone was just acting strange to jerk Taylor around, I can’t really enjoy this book.

Favorite: #49, The Diversion

Tobias’s point of view works so well for this book, because its plot draws attention to his status as a partial outsider not only for human society as a whole but also for his team.  He’s literally trapped in a liminal space that here actually gives him a lot of perspective on his friends’ families — and the importance of sticking close to his own.  (And by that I mean 93% Ax, 7% Loren.)

Other favorite: #23, The Pretender

Speaking of Tobias being sort of stuck between roles, this book is so good because it shows the strength of his position as both able to access and able to escape being human.  He moves flexibly between a ton of different roles in this book — a leader to the hork-bajir, a supporter to Jake, a parent to himself, a son to Elfangor, a quasi-hawk, a quasi-human, a quasi-andalite — and does so with astounding grace and aplomb.  Resting bitchface has never seemed like a cooler accidental superpower.

Another favorite: #33, The Illusion

This book is the brutal shadow-self to #23, instead shutting Tobias out of a whole bunch of different roles over the course of the plot.  It does however contain one of the series’s best villains (Taylor is terrifyingly sympathetic) and some of its best moments of heartwarming body horror in the final battle.

Ax

Least favorite: #8, The Alien

Honestly, there’s nothing really wrong with this book, but there’s nothing amazingly right about it either.  It has a few great moments (Jake’s naïve optimism at the kandron’s destruction giving way to fear for Tom, Ax having dinner with Cassie’s family, Tobias definitely not tattling on Ax) but overall the plot is just kind of inane and doesn’t do much to move the series forward.

Favorite: #38, The Arrival

Estrid et al. act as such a cool check-in for not only how much Ax has grown as a person through spending too much time around humans, but also how much the team as a whole has grown until they are actually more effective warriors than a group of battle-trained andalite assassins.  Every time I reread this book I end up making noises of triumph and fist-pumping the air, no matter how public my location is at the time.

Favorite favorite: #46, The Deception

This plot hinges on the stark contrast between Ax’s terrible and unavoidable awareness about the horror of open war and the Animorphs’ lack of standard of comparison beyond “hey, remember D-Day?”  MM3 and #28 both do important work to condemn humanity from the outside, but this book actually uses Ax’s perspective primarily for celebrating the whole human species from an outsider’s point of view.

Marco

Least favorite: #40, The Other

As I’ve mentioned here, at this book’s core is an interesting concept that very emphatically does not age well.  On top of the cringe-inducing attempt at an After School Special treatment of the idea that (*gasp*) queer men with AIDS are human too, it also has a largely nonsensical plot that strains both credulity and logic.

Favorite: #25, The Extreme

It’s a brilliant use of Marco’s perspective to comment on the constraints and terrifying outer reaches of Jake’s leadership, one that also contains a highly enjoyable mix of humor and horror.  Because Marco.  I could reread this one a thousand times and still find new aspects of the narration to delight in.

Also favorite: #15, The Escape

This book makes amazing use of Marco’s unreliable narration and lack of self-insight to contrast his willingness to imagine himself confronting sharks with his willingness to run from them upon a real encounter, along with his determination to kill his mom and his inability to stop himself from saving her.  Marco is at his most human in this book, and also his most lovable.

Also also favorite: #51, The Absolute

The governor of probably-California is one of my favorite minor characters in the series, and I absolutely love the dynamic between Marco-Tobias-Ax any time it occurs (this book, #46, #30, #49), meaning that this surprisingly fun aside acts as a much-needed breath of fresh air and comic relief in between the Animorphs losing the morphing cube (#50) and blowing up the Yeerk Pool (#52).  Plus, Marco + tank  = OTP.

Cassie

Least favorite: #39, The Hidden

I’ve said most of this before, but this book is just… nonsensical.  And it’s not delightfully nonsensical like parts of #26 or #14, it’s mostly cringe-inducingly nonsensical.

Favorite: #29, The Sickness

Arguably this is the best Animorphs book, both IMHO and by fan consensus.  It’s got a simple but devlishly difficult plot, a ton of great characterization moments for all six kids, a handful of brilliant devices and settings that meld beautifully to Cassie’s overall character arc, and a wide-reaching perspective on the importance of overcoming difference that is a huge part of what makes these books so good.  It’s also funny, horrifying, edge-of-your-seat engaging, and tear-inducingly beautiful at the very end.

Also my favorite: #4, The Message

Whereas #29 is probably just hands-down the best book ever written, #4 holds a special place in my heart because it’s the first Animorphs book I ever read and the one that convinced me to go find the rest of the series.  This one is sweet and mystical, bleak with the dawning realization that these poor defenseless cinnamon rolls are in this war alone but also hopeful with the realization that these precious cinnamon rolls are in this war together.

Jake

Least favorite: #47, The Resistance

Although I’m of the opinion that #41 is more poorly-plotted, this book manages to be both poorly plotted and glaringly racist.  Its plot doesn’t make sense on several different levels, not the least that Visser Three knows how to find the hork-bajir valley in this book and then apparently forgets how to get there for the entire rest of the series.  And don’t get me started on Jake’s reprehensible behavior from the moment he casually declares Tom “as good as dead,” through to him trying to boss Toby about what’s best for Toby herself, all the way on to him being a jerk to Rachel and Marco. Blah.

Favorite: #31, The Conspiracy

Unlike #47, this book actually makes really good use of Jake’s character flaws to drive the plot forward — he’s bad at being vulnerable, and that ends up being a huge problem for his team.  It also leans hard on the irony of Jake being the only one with a “textbook” family (i.e. upper-middle class, heteronormative and monogamous, European-American, traditionally gendered, outwardly happy) and also being the only one under constant threat for his life any time he’s at home, thereby accomplishing one of the series’s better comments on the fact that children’s lives aren’t as simple as we’d like to think.

Favoriter: #53, The Answer

There are definitely flaws with RL implications in this book, but the plot is so freaking brilliant that I can still regard it as a Problematic Fave.  The final battle is so well-engineered and the Moral Event Horizon is so terrifying as it swings by that I assign this book to myself for rereading any time I’m struggling to write action or battle.  It’s a scary, awful book, but also a very fitting capstone to the series.

Favoritest: #26, The Attack

This setting is so cool.  This plot is so cosmic and yet so personal.  This use of the chee is so bitingly brilliant in its commentary on pacifism as a luxury not everyone can afford.  This story has so many moments that are either heartbreaking callbacks (the opening scene with Tom’s memories from #6) or bloodcurdling foreshadowing (Jake and Rachel’s casually absolute trust that each will be willing and able to kill the other if necessary).  This narration feels like a middle-aged and yet middle-school protagonist struggling to figure out who he wants to be — and defeating a cosmic power at its own game with the power of love.  I could gush forever.

Rachel

Least favorite: #48, The Return

Again, there’s nothing truly wrong with this book; it’s just a silly and inconsequential aside into the main character’s maybe-dreams at a time when the plot outside her head is heating up to the boiling point.  It makes this whole thing come off kind of like Bilbo sleeping through the Battle of Five Armies.

Favorite: #27, The Exposed

I’m not normally a big one for romance, but this book makes me ship Rachel and Tobias so hard that my tiny bitter walnut of a heart grows two sizes every time I read it.  Rachel has such great self-awareness that she doesn’t like any situation she cannot control or at least do violent battle against, and yet she dives into the bottom of the ocean with both eyes open and her chin up because that’s what she has to do to protect the rest of her team.  Crayak has no idea what he’s talking about when it comes to asking her to turn on her loved ones.

Additional favorite: #32, The Separation

As I’ve said, I didn’t really get this book until I realized that it’s not so much about Rachel herself as it is about how the rest of her team views her, and how she defies their simple categorizations, both well-meaning (Cassie) and not (Jake), through simply being herself.  Rachel is both masculine and feminine, both tough and vulnerable, and she makes no apologies for any of it.

And another favorite: #37, The Weakness

This book has an important role for the rest of the series in that it shows how the Animorphs’ guerilla tactics can easily be taken too far, and also how Jake’s discernment of his teammates’ strengths and weaknesses keeps them all alive.  Rachel makes a fair number of logical-seeming decisions in this book that prove short-sighted, and of course it all leads to her and Jake’s brutal Checkovian epiphany at the end.

Added additional also favorite: #22, The Solution

A brutal but powerful read, this book focuses on the ugliest parts of Rachel’s personality (her sadism toward David) but also the most powerful ones (her compassion for Saddler and protectiveness toward both Jake and Jordan).  It also shows that her reckless taste for violence and her boundless desire to protect her families both biological and found are actually two sides of the same part of her personality.

Okay I have a lot of favorite Rachel books: #17, The Underground

It’s oat-freaking-meal.  Only it’s not just oat-freaking-meal, and I’m not talking about the extra-tasty maple and ginger flavoring.  It’s a biological weapon.  It’s a way to harm the enemy, but only through harming prisoners of war.  It’s a social dilemma the like of which we rarely see in children’s books.  It’s a lesson in decision making under uncertainty.  It’s a moral imperative, but no one is quite sure what that imperative is saying.  It’s a deconstruction of the implied assumption that it’s possible to write adventure stories in which no one gets hurt.  It’s awesome.  It’s hilarious.  It’s disturbing as fuck.  Welcome to Animorphs.

[artsy-alice]

How about comics/graphic novel recs?

Off the top of my head, the ones I’ve read and loved are–

Saga (Fiona Staples, Brian K. Vaughan) - an adult sci-fi fantasy space opera with a set of diverse lovable characters and an exciting arc. Saga’s storytelling is amazing, combining galactic war hijinks with domestic and heartwarming family moments on top of great art. Seriously - THE ART IS GOALS. Trigger warning though, it’s rated M and can get quite graphic in terms of language, sex and violence..

Lumberjanes (Noelle Stevenson, Grace Ellis and co.) - Five super cute and rad and awesome girls have summer camp adventures. Also addresses issues like sexuality and gender identity in a positive way, never feeling too heavy. It’s wholesome fun and just an over-all feel-good story. I LOVE LUMBERJANES SO MUCH..

The Wicked + The Divine (Gillen and McKelvie) - problematic teens awaken as reincarnations of various gods and become even more problematic celebrities. But also they’re all destined to die in 2 years. Of course everything goes smoothly. This has a good ensemble of characters that you’d either love or hate, and an interesting story that takes its own pace, and of course delicious spins on mythology. Good commentary on fame, relationships and mortality..

Princeless & Raven: The Pirate Princess (Jeremy Whitley) - Princeless follows a princess who gets tired of waiting in her tower, befriends her dragon and goes on an adventure of her own, rescuing other princesses on the way. Raven The Pirate Princess is a spin-off which follows Raven, princess of pirates, supreme badass, and her all-female crew. Both stories are A+..

Monstress (Marjorie Lu and Sana Takeda) - i picked this up because the art was breath-taking??? But the story also turned out to be amazing. It’s steampunk and fantasy, in an Asian-inspired setting, with priestesses and cats and half-humans and gods and demigods and cthulhu… The world is just so rich in detail, like the art! And the MC is a badass disabled asian woman. READ MONSTRESS..

Sandman (Neil Gaiman) - I faithfully collected all volumes of this series as soon as I started on my first job. This one’s kinda old, and a hella long read but it’s also hella good. It’s by my dude Neil Gaiman, and it’s about Dream of the Endless and his siblings Death, Destiny, Desire, Despair, Destruction and Delirium. Who are… metaphysical entities. It’s a story about stories. And about uhhh… existence and dreaming and death and… stories? Y’know, Neil Gaiman stuff..

The Umbrella Academy (Gerard Way and Gabriel Ba) - This one’s getting a Netflix adaptation real soon and I’m excited~ :D Anyways it’s a fun two-volume romp about a dysfunctional family of superheroes. First volume is great family action-drama. Second volume reads like a swag-filled Doctor Who episode. The narrative voice is very… Gerard Way-ish. Has some lines you’ll swear you’ve heard on an MCR song..

Space Battle Lunchtime (Natalie Riess) - A COOKING SHOW! IN SPACE! WITH ALIENS! A CUTE GIRL! WITH A CYBORG GIRLFRIEND! AND ALIEN FRIENDS! IT’S SO CUTE! AND FUN! READ SPACE BATTLE LUNCHTIME!.

Legend of Korra: Turf Wars (Michael Dante DiMartino & Irene Koh) - C’MON IT’S AVATAR KORRA AND HER GIRLFRIEND ASAMI AND THEIR FRIENDS AND FAMILY ON ANOTHER GREAT STORY.

Marvel titles that are my faves:

Angela: Queen of Hel

Ms. Marvel

Runaways

Young Avengers 

Moon Girl and Devil Dinosaur

Patsy Walker AKA Hellcat

Loki: Agent of Asgard.

Backstagers (James Tynion IV & Rian Sygh) - queer theater nerds, where you at? I’ve seen this described as the male equivalent of Lumberjanes, and I have to agree. It’s wholesome fun adventures of a bunch of nerdy theater kids who discover weird supernatural stuff in the basement. With many theater and anime references! There’s a character basically described by the authors as their “Momiji” and of course he was the best character. Fun!.

Hopeless Savages (Jen Van Meter) - two 70′s punk rock icons got together, settled down and had four children. Plot twist: THEY WERE GOOD AT IT. This is a family drama-comedy with quirky lovable characters getting thrown (and sometimes running headfirst) into ridiculous plots. The message of family resilience and defying expectations is great. I loved everything about this series..

Nimona (Noelle Stevenson) - shapeshifting girl employs herself to be an evil villain’s sidekick so they can take down a great hero. My copy of this at home is now worn out because it’s been borrowed by countless younger siblings, cousins and siblings’ friends..

The Prince and the Dressmaker (Jen Wang) - strong ambitious dressmaker gets hired by a crossdressing prince to make him dresses. Prince’s dress-wearing alter-ego becomes a fashion icon. Cue drama and coming of age. THIS IS SUCH A SWEET AND GREAT READ GUYS I’M IN LOVE WITH IT..

Daytripper (Fabio Moon and Gabriel Ba) - this one is a profound story about an obituary writer, who reflects on his life’s possibilities - how things could have gone differently had he made different choices, and how it might change how he’s remembered (or not) after his own death. It’s hard to describe exactly, but it’s a very cathartic read..

Sunstone (Stjepan Sejic) - whenever someone asks me what I think of 50 Shades of Grey, I always go “50 what? I’ve read Sunstone. Nothing can come close to that.” So. Yeah. Sunstone is a funny, sexy and sweeet romance story between two women done superbly. Plus, seriously, the bdsm community rep here is great. Thanks Mr. Sejic, it’s what they deserve.

Special Mention:

Mythspace ( Studio Salimbal ) - because HELLS YEAH, Space Opera, Filipino Style! I supported this series back when it came as individually self-published issues in the local comic cons, and I was so proud when they got picked out by a publisher and I saw a bound volume on bookstore shelves. - Anyways, it’s a kid and a bunch of Filipino mythological creatures in space battles and other standalone adventures set in the same universe. It’s published in English, and you can check it out in Tapas or buy issues in gumroad!

[turqrambles]

I watched all 26 episodes of an obscure Australian cartoon in one week and I’m not okay - My journey with Wicked! (2001) PART 2 - The Actual Review

Hello again! I just checked my watch and I noticed that it was time to talk about the cartoon with the apple-headed guy some more!

When I last talked about this delightful piece of obscure media, I went over the origin story of how the show was created, introduced the cast of characters, and then talked about the main draw of the cartoon that makes it unique of other cartoons of its quality.

And then, at the end of the blog post, I mentioned that I think that the cartoon is merely “Okay” rather than anything Amazing. It has a great idea but ultimately, it really is just an alright show.

So now, after introducing this beautiful cartoon and explaining to everyone just what the hell is going on, it’s time to break this whole thing down.

The Good, The Bad, and The Apple-Flavored

Wicked! is a weird show to grade. The animation itself fluctuates in quality and there’s some very obvious cut corners from how frequently animation is recycled in some of the episodes, scenes can have weird editing or continuity errors, and sometimes they’ll even recycle sound bytes like insults that Dawn and Rory shout at each other or Gramps reminding everyone about Normandy. I feel like I heard The Appleman mention that something was “100% real nightmare” like five times while watching this whole thing in quick succession.

Information for this cartoon is practically nonexistent, but my theory is that this happened because the animation was all produced in a single in-house Australian studio rather than shipping bits of it overseas to get tightened up. Again, I could be wrong, and if anyone has any better information, please send me an ask, but a lot of the techniques that Wicked! use reminded me of Filmation, which also famously kept everything in one studio.

Just be warned, similar to when someone watches He-Man and go “oh hey, I recognize that talking animation from the second episode”, there are shots that get reused often to save time. Get used to that one scene where Appleman is laughing and running across the steel walkway suspending over the refinery vats, it’s used a ton.

That being said, when they give them the budget to add a little polish to the show, they do a pretty good job!

Don’t be fooled by my talk of He-Man - this show actually looks pretty great. Most of the time the animation is pretty fluid and the decision to constantly use shadows to wrap around the characters really works in its favor and gives it an extra layer of moodiness.

It just reuses animation on top of that.

I think that, in many ways, Wicked! is carried more by the strength of its ideas over its actual execution. Even if this show gets super goofy at times (this is a show where the Appleman literally infects the Internet by taking a piper and dropping glowing green goo on a CD-ROM), there is a definite horror undertone to the show that gets carried through its entire season.

Dare I say it, the show actually gets a little scary at times. That scene where the kids discover that their pets are nothing but empty skins with all the organs and bones sucked out in the first episode actually sets the mood really well and feels extremely faithful to the original books.

Plus the concept of The Appleman being able to tinker around with a living virus and create something that can mutate literally anything is a fun as hell idea, even if it doesn’t make sense most of the time and seems like a weird mutation (hah) of the conflict from the books. It’s just fun that this guy can create literally anything out of thin air as a weapon just so long as he goes to his lab and makes something that allows him to do so.

The Pros

*The Appleman. Yeah, there’s a very good reason why the only thing people remember about this show is The Appleman. He’s just a fun character and a fun villain. His design does takes a bit to get used to on account of how uncanny he can be, and there are times when they draw him off-model and make him look just horrendous, but once you see how far they go with the apple-theming, you kinda start to vibe with the apple headed monster.

Sure, he’s basically your run-of-the-mill cartoon villain but with a bonus tragic backstory, but his vocal performance by Bill Conn really sells the whole package. You can tell that he’s greatly unhinged and that he’s not exactly playing with a full deck. It’s only until the last episode that they flat-out say that he’s being controlled by the same virus that he’s been using to infect other creatures, but I’m pretty sure your average cartoon-watching kid is able to guess that just from the small hints that they drop.

Also all of his vehicles are apple-colored and I love a villain that takes the time to make sure he has a proper theme.

(The “starting out with an island with apple trees on Animal Crossing: New Horizons” moodboard)

*The Family. I liked that, since this show is about terrorizing one particular dysfunctional Australian family, all five family members of this show get enough character development that the mom and dad feel like they’re more than “the mom and dad character”. Save for that one episode where Gramps was constantly bragging about how back in his day, he didn’t need electricity, he was a fun, lovable grandpa, and I like that the kids get someone to talk to about mutant frogs and such.

They’re definitely dysfunctional and, as I mentioned in the previous post, Rory and Dawn constantly insulting each other in every single episode can be grating at times, but I like that their level of dysfunction is not because of the mom and the dad having an emotionally abusive relationship. If anything, the mom and the dad have the most stable relationship in the whole show! Eileen and Jack love each other and I hate that I’m at a point where I see this husband and wife genuinely enjoying each other’s company and I go “Yes, this is something refreshing”.

Also, gotta give the show points for having the family be two single parents from past relationships finding each other and getting married and for having Eileen be totally cool with her new in-law Gramps. 

*The Slobberers. Expanded from the first creatures from the books, I like that the apple-headed monster has giant worms for pets (again, gotta aggressively keep to the apple theming) and, while there’s a couple episodes where they’re just something to give The Appleman something to talk to, their designs are fun. Gives the animators an excuse to draw slime.

In a later episode, he mentions that he considers them his only friends and boy...that’s rough, buddy. 

*There’s an episode where characters travel into the Internet and fight a buff video game avatar of The Appleman in a late 90′s dungeon crawler computer game. I looooove late 90′s Internet imagery in cartoons, what can I say. You even see the dial-up pop window and a clunky late 90′s webcam!

*This is a show where a divorced man keeps bugging his own son and ex-wife while sometimes trying to kill his ex-wife’s new husband - all while keeping to a strict apple and virus theme - and honestly, this is a pro on its own. The Appleman is such a petty bitch at times and I love it.

*The Appleman is allergic to medicine. Minor touch, but I like that, since he’s a virus-themed bad guy, they apply “Revive Kills Zombie” logic on this guy and he literally can’t take painkillers because it’ll only cause him more pain and agony. This comes up in an episode where he’s screaming in pain and wishes he could make the pain go away but just can’t.

*The Title Cards. This is one of those shows that freezes on eye-catching artwork for each episode title before they continue with the rest of the episode and they’re really nice.

*The Accents. Forgot to mention this anywhere else, but since this is an Australian produced cartoon that aired primarily in Australia, everyone is rocking a very noticeable Australian accent and say things like “Oi, you two! Come and get a wriggle on!”. It’s fantastic.

They were definitely at the level where, if this show ever did make it to the states, they would’ve dubbed it to sound more American. And probably flip the animation so that the characters are driving on the opposite side of the road.  

The Cons

*The Reused animation and sound clips. This is unfortunately the show’s biggest strike against it. Once your brain picks out which scenes get reused and which voice clips get reused, you’ll notice that some of the episodes have a noticeably smaller polish than others. The episode “Decayed” in particular felt like 50% footage from previous episodes and boy, did it stick out like a sour thumb because of it.

That being said, I didn’t mind too much (watching a lot of B-list anime and Filmation shows will do that to you) and I feel like you would’ve noticed this a lot less if you weren’t blazing through all 26 episodes in a short period of time like I was. But it is definitely a bummer that they had to cut corners like this because again, when they don’t cut corners, this show looks utterly fantastic.

I guess the lesson here is that the animators of this show didn’t get paid enough, but really, you can say that about literally every animated project in existence.

*Weird continuity inconsistencies. This goes into a weird nitpicking “you probably only noticed this because you’re an adult with too much free time/boy I sure hope someone got fired for THAT blunder!” territory, but sometimes this cartoon does a thing where something minor is established and then the cartoon subtly retcons it.

Mostly I’m using this space to complain about how Dawn explicitly mentions that they don’t own a cat, but then in the “character shrinks to the size of an ant” episode, they have a pet cat! They have a pet cat that lasts a grand total of one episode and no one says anything!

What happened to the cat, Rory? What happened to the cat?!

(my theory is, like his father, it ran away from this family)

*Some episodes use stock cartoon plots. There is an episode where the main characters shrink to the size of an ant. There is a camping episode. There is a school dance episode. There is a Halloween episode. There is an episode focused on teeth. There is an episode that talks about the dangers of too much fast food.

Like the reused animation issue, depending on the episode, you end up not minding too much about this on account of how utterly bonkers The Appleman is when he’s concocting his evil schemes. The “characters teleport into the Internet” episode ended up being one of my favorites, as did the school dance episode.

But at the same time, two of my least favorite episodes are the stock episode plot episodes, so it’s definitely a mixed bag.

*They use real photographs in background shots and it bugs me. Come on, guys. Just have the blank wall or scribble in some posters. Anything will look better than this cartoon character standing right next to a still image from Alfred Hitchcock’s North by Northwest, especially when you clearly had the time to draw that cartoon skull on the door.

*The three plot-heavy episodes unfortunately have weaker animation. This just seems like weird planning on their parts, but Episode 1, Episode 4, and Episode 26 are all episodes that deal with backstory of The Appleman and this wacky dysfunctional family and, for some reason, they didn’t bring their A game in regards to actually animating these episodes.

I feel like if you’re dealing with heavy backstory, you need to make the episode look good, because that’s going to be the stuff that the audience remembers. You need to have the flashback of The Appleman’s horrific transformation while he was working at the old refinery look amazing, but instead it just....doesn’t.

(picture unfortunately related)

Just to make a note, the episodes with the most fluid animation are the following: The one with the mutant plants, the one with the mutant sheep, the Halloween episode, the episode with the dinosaur bones, and the episode where The Appleman learns how to make clones. None of these episodes are important to the overarching plot. 

*One of the episodes is unfortunately popular because it depicts animation that caters to the inflation fetish. Just...noting this for posterity. It makes google image searches of this cartoon a bit awkward. I’m not going to elaborate much further.

*There’s a minor transphobic joke in one of the episodes. In the episode “Decayed”, The Appleman dresses up like a nurse, tries to adopt a more feminine voice, and puts on makeup and fake eyelashes. Thankfully, this only happens for like three seconds and is never mentioned again.

The rest of the show otherwise passes the “can this still fly in 2020″ test. I’m just making a note here because it is pretty shitty. 

Closing Thoughts

Wicked! is not the best show in the world, and I struggle to call it “great”, but it is a solid and enjoyable one and honestly, the things that it has going for it are unique enough that I recommend giving it a shot despite its shortcomings.

If anything, my main takeaway from watching this whole show is that this show does not deserve to be as obscure as it is. At the very least, the concepts and characters introduced here are strong ones - the villain is a bitter divorced man transformed by a hate-feeding virus after all - and I feel that, in a more fair world, this show got the small but dedicated fanbase it so woefully needs. It doesn’t deserve a huge following of fans, but I say it definitely deserves a Fanfiction.net tag with 200 fanfics total and a lot more fanart than what it does.

While I’m not sure I could recommend it as one of the great obscure cartoons that everyone missed, I think it’s definitely worth checking out for anyone looking for a fun time. It’s definitely a hidden gem, even if the hidden gem has a few imperfections. If anything, this show is a definite wild ride and I think it’s time for everyone to give this cartoon a shot.

Anyway I got to see The Appleman playing Second Life and moving the muscle slider all the way to the right, so I obviously had a blast.

Next time, I talk about the actual episodes!

[wonderfulworldofmichaelford]

Michael After Midnight: Aladdin and the King of Thieves

Welcome to the first entry of Michael After Midnight’s Disnovember! That’s right, all month I’m going to be reviewing some of the hidden gems, cult classics, cheesy wonders, and actually pretty fucking bad movies from Disney I haven’t reviewed already. And I figured what better way to start this than with a truly underrated gem that blows the idea all the DTV sequels were trash out of the water: Aladdin and the King of Thieves.

First, let’s go with a brief overview of the Aladdin film series: The first movie is, without a doubt, a classic. It’s easily my favorite Disney Animated Canon film, and obviously most of the reason why is due to Robin Williams’ legendary performance as the big, lovable goofball that is Genie the, well, genie of the lamp. Of course, props also must be given to Iago; he’s probably the reason I’m able to tolerate Gilbert Gottfried’s voice more than most people seem to be able to. It’s such a fun, entertaining, and charming movie with gorgeous animation… take away that last bit, and lessen the first few things a fair bit, and you have an idea of the DTV sequel, The Return of Jafar. In it, the villainous sorcerer-turned-genie Jafar returns (duh) and tries to get revenge with the help of a bumbling thief named Abis Mal, played by the always enjoyable Jason Alexander. Despite the weaker animation and the fact this is blatantly a pilot film for the TV series, it’s a pretty enjoyable sequel, and the character arc for Iago is really well done. This also marks Dan Castellaneta’s first outing as the replacement for Robin Williams… meh. He’s okay and all, but no one can ever replace Williams. Overall, it’s enjoyable, and it even set up the TV show pretty well.

Now, the TV show! It’s a fun fantasy adventure series where Aladdin and his pals constantly cross paths with all manner of mystical mischief. It had a lot of great adventures in it, and a pretty impressive rogues gallery to boot, a lot of them with hilariously awful puns for names. You thought Abis Mal was corny? Well, prepare yourself for Haroud Hazi Bin, Ayam Aghoul, Nefir Hasenuf, and Amin Damoola! The best villains had really creative concepts to them, like exiled Greek mad scientist Mechanikles, sexy trickster cat goddess Mirage, and sorcerous lich Mozenrath. It’s a fun episodic show from the 90s; it was no Gargoyles or Darkwing Duck, but it was definitely one of the better shows based on a Disney movie, and for all its shortcomings, its colorful cast and variety made up for that.

Now, I tell you all this because this film is the true finale to the whole Aladdin series; it even has a nice capstone moment that brings everything right back around right at the end I’ll mention at the review’s end. It’s kinda good to know where this falls in terms of quality in regards to the entire Aladdin mythos, you know? So without further ado, here’s the story:

There’s a party here in Agrabah! And the reason for that party? Aladdin and Jasmine are FINALLY tying the knot after two movies and a TV series! Too bad the Forty Thieves are plotting to steal from the wedding; after Aladdin and the gang fight them off, they find out they have a magical treasure containing an oracle who will give the answer to any one question; Aladdin asks where his dad might be, and it turns out he’s with the Forty Thieves! Aladdin goes off to rescue his dad, and finds out his dad isn’t just stuck in with the Forty Thieves; he’s the motherfucking king! Guess Aladdin really was a prince this whole time, eh? Really wasted that wish in the first movie, Al. Anyway, can Al reconnect with his dad and all that sappy shit, or is his dad just gonna use Al to get dirty stinkin’ rich?

This has all the stuff a grand finale should have: it has a plot focusing on our main character and his issues (something The Return of Jafar lacked), much better quality animation, and even a strong antagonist in Sa’luk. Let’s look at the plot first. There are moments here and there where it’s a bit shaky, but overall I found it executed quite well. It’s a young man reconnecting with his father, a father who is in fact a wanted criminal, and there is the expected conflict. Aladdin isn’t super trusting, Cassim is kinda shifty, and the two butt heads a lot throughout the film, though obviously in the end it becomes truly clear that they care for each other. It’s a pretty sweet thing, and a bit more complex than what you’d expect from a DTV sequel.

Sa’luk is a big plus for being just an absolutely brutal villain. He’s as dark as Jafar got, and he doesn’t even need magic! All he needs is his trusty Wolverine claw knuckle duster. This guy is so hardcore that not even gravity could kill him, and it has killed many villains in the main canon, from Gaston to MacLeach, so you already can tell this man ain’t nothin’ to fuck with. He also kills a goddamn shark onscreen and then proceeds to make the film dark as hell. But Death in the Disney universe is fickle and much like Death in Final Destination; if you think you can cheat it while being a villain, whoo boy do you have another thing coming. For surviving a fall from a great height, Sa’luk is rewarded with one of the most absolutely nightmarish deaths in any Disney film, one so disturbing I shan’t spoil it here; just go watch the movie and see for yourself.

Another note is that the man himself, Robin fucking Williams, is back! He voices Genie again for the finale, and he really is perfect for the role… though sadly, his humor is a lot more hit-or-miss than it ever has been before. While he still has a hell of a lot of zingers – that Thor joke he has in particular is so absolutely corny that I can’t help but love it – he does fall a bit too much into pop cultural references, including towards his own movies (in one scene, he turns into Mrs. Doubtfire to console Jasmine). Obviously he doesn’t ruin the film, and as far as weak Williams comedy goes this is still leagues better than a lot of the best material of some comedians today (COUGHAmy SchumerCOUGH) but I can’t deny it’s lacking a bit of the Genie charm from the first film.

A final bit of info: there’s a lot of intriguing “what could have been” situations for the film. The most notable is that Mozenrath was originally slated to be the main villain of the film, with fans speculating that perhaps he would be revealed as Aladdin’s brother (I can’t stress enough that was all fan speculation, there is no reliable source Mozenrath being Aladdin’s brother was the plan). They decided not to do this to a desire to diverge from the TV series and due to Mozenrath’s voice actor being hard to get ahold of, and I think this decision was a pretty good one; as great as the series is, I think this was a much better way to bring the story of Aladdin full circle. The other interesting tidbit is that Cassim was almost voiced by none other than James Bond himself, Sean Connery, but he had other commitments and sadly could not do it. However, his replacement John Rhys-Davies (AKA Gimli) did a great job, and even sounds a bit like he’s doing a Connery impression. And there’s one more bit of info, the best for last, but let me sum things up first…

This film is pretty good. It’s not as amazing as the first film is, nothing really could be, but as the grand finale of all things Aladdin, this was a pretty fun and enjoyable way to go out. I’d say give it a watch; hell, since it distances itself from the series you can reasonably watch it right after the first film and not have to worry about anything but missing a few background cameos! For a DTV sequel, it’s a fun ride, with a lot of good qualities to it, and by DTV qualities  this is basically the DTV equivalent of Fantasia with how good it is. Don’t go in expecting a masterpiece on the same level as the first film, but expect an enjoyable fantasy adventure with some solid family conflict.

Now, you ready for the last bit of info? The Peddler from the original film appears at the end of this film, singing a variant of “Arabian Nights” to book end the series. This was originally planned for the first film, back when he was going to be the narrator and pop up from time to time, the first film ending with his reprise of “Arabian Nights” as he packed up his camel and rode off into the desert. But that wasn’t used, and after all these adventures he finally gets to do it, the implication being that he spent the entire prologue sequence of the first movie rambling on about all the adventures of Aladdin to whoever was there to buy from him, and in the final scene of this movie his stories and the Arabian nights finally come to an end.

Also, the peddler was the Genie the whole time, as confirmed by the directors in 2015. Figured I’d throw that in there as one last tidbit. Didn’t really book end the review well, but we can’t all be genies disguised as peddlers narrating an entire series worth of adventures, can we?

[witchybooks]

Radiance Review

Description: ~THE PRINCE OF NO VALUE~

Brishen Khaskem, prince of the Kai, has lived content as the nonessential spare heir to a throne secured many times over. A trade and political alliance between the human kingdom of Gaur and the Kai kingdom of Bast-Haradis requires that he marry a Gauri woman to seal the treaty. Always a dutiful son, Brishen agrees to the marriage and discovers his bride is as ugly as he expected and more beautiful than he could have imagined.

~THE NOBLEWOMAN OF NO IMPORTANCE~

Ildiko, niece of the Gauri king, has always known her only worth to the royal family lay in a strategic marriage. Resigned to her fate, she is horrified to learn that her intended groom isn't just a foreign aristocrat but the younger prince of a people neither familiar nor human. Bound to her new husband, Ildiko will leave behind all she's known to embrace a man shrouded in darkness but with a soul forged by light. Two people brought together by the trappings of duty and politics will discover they are destined for each other, even as the powers of a hostile kingdom scheme to tear them apart.

My Thoughts: [book:Radiance|24473763] was a fantastic book. It had me hooked the whole way through. I couldn't put it down. I am looking foreword to the next one in the Wraith Kings series.

What i liked: - The Characters: So both Brishen and Ildiko were awesome. I feel in love with both of them from the first chapter. They are both so lovable and their relationship was so wholesome. You can't help but route for both of them. Plus for this book only being a little over 200 pages the characters were well established by chapter 10. You knew who they were and you got to see fantasitc character development. In radiance you route for the good characters and wish the villains would go and jump of the cliff.

-The World: What we got to know of the world was so interesting and the culture of the kai was so cool. The way everything was described. I could really see it clearly in mind. I'm looking foreword for more world building and i'm hoping now that the characters are established we will get more court politics *fingers crossed*

-The Romance: Oh dear god i lived for their romance. It was so amazing. This book had the best slow burn romance i've read in a while. I loved it. Also you really got the feel that they were actually in love. I never got a "yeah right" feeling about their romance. I also really liked that there wasn't the miscommunication troupe you see in a lot of romance based novels. The characters actually talked to each other like adults. Oh i also have to mentions the sexy scenes. They were so good.

-Action moments: The fight scenes were so cool and written very well. (The kai are badasses)

-Fantasy elements: The romance didn't take over the fantasy elements. You got both nicely wrapped up in this little package. The fantasy elements were very cool. :)

What i didn't like: -I wish there was more world building. But i expect that will come with the future book as well if i read the novellas.

-More romance: Don't get me wrong i loved the romance we got and i loved that it was a slow burn i just wanted a bit more romance.

-Rushed ending: So i thought the ending was great but it seemed really fast. I think with an extra 50 or so pages the ending wouldn't of felt more rushed. And what i mean by a rushed ending it just seemed like a big part of the ending just happened easily. At least thats how i feel.

Okay ya'll thats it! Like i said earlier i really enjoyed this. I want to reccomend [book:Radiance|24473763] by [author:Grace Draven|2759153] to anyone who likes fantasy romance. Especially if you like slow burn romances with heavy fantasy elements.

Stars: ★★★★★

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