#Pirate race arc

[mr-glove]

Another ½ transformation for Shantae/Tyger hood

I was brainstorming for abother transformation for Shantae's pirate persona. And with her hood and equipment she got during GW2L I really wanted to give her some more assassin/ninja transformation. But I also tend to switch from arcs and volumes to avoid myself from losing intest.

And so as I was adding some stuff for ½GH pirate race (the carpet race doesn't appear in my AU), and there's a giant mountain. My brain went: Isn't there an animal that's called the ninja master of the mountains? And I immediantely went to the ibex as the prime animal for the new transformation.

But after I full had the concept in my head I went "wait this feels familiar" and then I realized I was making Haiji Gotou from Killing bites. But since I'm already too deep into the idea,

But just imagine she wears a jacket with a face mask like this

[styxxsyringe]

want to insert an oystar - focused short arc into ultimate excalibur that takes place entirely in cosmorgana but idk if it'd go after or before shard race arc ... ???

[raayllum]

watching The Dragon Prince is a problem because every time people express discontent with another cartoon show it's almost always something TDP did really fucking well so i just default to like.

you want multiple fleshed out villains / antagonists with backstories and well developed motivations who are also wrong and not let off the hook for their actions? say hello to viren, aaravos, claudia, karim, and more.

you want varied queer rep and multiple trans/nb characters? meet an assassin and a blacksmith and a god and a sign language interpreter and a boy who loves plants and his unhinged girlfriend and married queens and rival enemies to lovers wlw who are now planning their wedding.

you want complex family dynamics regarding culture, legacy, power, and abuse? meet the mage fam, the sunfire royal family, the two main princes, adopted children with four parents, step and half siblings and blended families, etc, all explored in their heart and messiness.

you want varied and in depth character for disabled characters and characters of colour? you have a helpful blind pirate and a bitter blind dragon and a sweet amputee wolf and a deaf lesbian general who's also asian. 2/3 main characters are biracial. every couple is interracial. elves and humans alike have a variety of races and we see all of them on display.

you want to explore cycles of violence and healing and grief and war and found family? you want interesting and varied magic systems? you want ethical dilemmas and grey morality and characters being forced to make bad choices for good reasons? well done redemption arcs that still feel fresh, discussions of culture and religion and the death penalty? friends and family becoming enemies and enemies becoming friends and family?

watch The Dragon Prince.

[onekeii]

"Can we do that again?"

Day 11: "I never want this night to end." One Piece: Luffy x Reader Warnings/Genre: spoilers up to fishman island arc, fluff, ambiguous relationship, smoochin', mentions of drinking, not proof read Word count: 904 AN: this might be the worst thing i've ever written

Read on AO3

Mermaids, mermen, and fishmen of all shapes and sizes sang and danced before your eyes, the room threatening to burst with laughter and music and the rumble of feet on the floor. It was something you’d never forget, you hoped, letting the familiar post-battle relief seep into your veins and loosen up your muscles.

Up until yesterday morning, you hadn’t seen anyone for two years. Part of you was convinced that your dangerous yet thrilling life on the seas was over, and that you might not run into your long lost friends on Saboady. But of course they would never let you down. When you arrived at the Sunny, there they all were: beaming down at you as if nothing had changed. 

Perhaps nothing had changed, after all. The past few years without them were erased in an instant upon your frantic descent to Fishman Island, and it was business as usual - fighting then feasting then repeating. You took this rare moment of peace to admire your friends from afar, nostalgia aching and eating away at your heart.

Zoro already drank his fill and fell asleep, while you winced at the face stuck to Sanji’s face as he laid in a mermaid’s lap. Chopper was next to him, frantically scolding him for yet another nosebleed. Brook - the Soul King - started performing with the band while Franky taught some fishmen fellows his signature pose, yelling at the top of his lungs, “Suuuuper!” You couldn’t help but choke on your laugh.

Your esteemed captain, Luffy, was deflating slowly after eating so much food, waving his arms about and talking excitedly with Jimbe. Ever the social butterfly, Nami chatted away to Camie while Robin sat still and listened, a small and graceful smile upon her face. Usopp soon joined in, spinning his silly but entertaining little stories.

“Why are you crying?” you look up to find Luffy, his eyes wide with innocent confusion, his body already returned to normal. When you don’t respond right away, he tilts his head and asks again, “Are you still hurt from earlier?”

You shake your head, only just noticing how the tears stung your eyes. Frantically, you wipe them away with the back of your arm, no doubt rubbing your face a little raw. He plops down next to you, taking in the same views. You wonder if he’s thinking of the same thing as you, or maybe he’s just zero’d in on how much more he wants to eat - you can never tell. That’s your captain. 

You clear your throat and say, “I gotta admit something stupid.”

“Yeah?” is all Luffy can say. He doesn’t even turn to you, mesmerised still on what’s before him.

“I’m so happy we’re back together,” you smile, finally tearing your eyes from him, “Even though we’re still going to be bouncing from one place to the other, just like always, I still… I never want this night to end!”

He throws his head back and laughs, “It never will!” he announces proudly, “We’re pirates. We’re gonna live this good every day. I promise!”

Right then, a long-forgotten feeling blossomed in your chest once more. It climbed up into your throat and threatened to choke you, for you were finally back with your friends and your captain - the future King of the Pirates, and you didn’t have to fear what would come next. This is what the past two years were for.

As Luffy’s laugh died down, his wide smile still plastered across his face, you found yourself thinking that you love your captain, who bears so much for you all with no hesitation, so much that you could kiss him. And you do.

It’s quick, fleeting. You race forward and press your lips against his, the music around you fading into the background for a moment, but sense washes over you and sobers you up fast, and you pull away. To your surprise, Luffy doesn’t seem angry or confused. His eyebrows are twisted in shock and his mouth hangs open slightly, but at least he’s not upset. It only makes you feel even more embarrassed, twisting your body away from him and hiding your now red face. “I’m sorry!” your mind races to find the right thing to say, but Luffy’s response takes you out once more.

“Hey, can we do that again?” 

You freeze. Then you slowly turn back to him, only to find his face centimetres from yours. Scooting backwards against the floor to put some distance between you, your response is scattered as you fan the heat away from your face, “What do you mean?”

“That- It felt good! I wanna try it again!” he’s smiling again.  Of course, you huff. Luffy’s actions shouldn’t surprise you anymore. But you give in, feeling yourself lean in to connect your lips again, your hand flying up to cup his cheek and pull him in closer and keep him there longer. Luffy smiles toothily and clumsily into the kiss, reminding you again why you love him so much in the first place.

@12daysofchristmas

If you enjoyed, please consider helping out by dropping a reblog or follow ✩

[laura1633]

Here are all the lovely fics , I would be so grateful if you could give these fics a read and leave some nice comments for the authors who took the time to write them. 💕

It's been a great gun fight (You drew blood, I set myself on fire) by LeonSolo There will be one religion in Italy, Charles Leclerc. On his knees, he will pray to a God he was supposed to kill.

Red Light at Dawn by LuciThornz Five months ago Max was kidnapped by pirates. Miraculously he was found safe, and now his father has arranged for him to start courting the Governor’s son. But it’s not that simple, Max hasn’t told anyone the whole story of what happened at sea, getting captured was never part of the plan, neither was falling in love. Now Max has a plan to get back on the open ocean and find the pirate he fell in love with before it’s too late. The funny thing about plans is they never do go smoothly.

The Tortured Driver's Department by Shadow_reads Prompt Fill for Lestappen Birthday Challenge:  Charles said he'd love to have his own F1 team in the future, and Max already has Verstappen.com. Max is also experienced and is most suited to being a team principal. Their shared retirement arc is where they own a team together: Charles handles the press conferences and media, while Max focuses on the data and strategy.

Forever Love by stealmysunshine Charles isn’t going to wait around for Max to pop the question. Who says that there is a preordained question popper? There are two people in this relationship and Charles has every right to show Max just how precious he is and make him feel loved.

(k)not in public by bananasomg When Max accidentally invites friends to tag along on his and Charles' holiday to Greece (which Charles has coined their mating oasis trip), Charles isn't phased, and Max is easily convinced. Hallowed Ground by crimsonmidnight When an FIA racing law forces Omega Charles to take part in a mandatory mating hunt after getting the Sauber seat, Alpha Max vows to do everything it takes to claim him as his own.

The Wait Is Worth It by crimsonmidnight Max Verstappen's adventures in purchasing a fucking machine and using it when Charles gets an attitude.

Sutures by jadesaturn After years of grueling battles, academic rivals Max and Charles part ways upon graduating from medical school until they meet again as surgical interns at the same hospital. Their age-old feud continues, as expected. Grey’s Anatomy Enemies to Lovers but make it Formula 1.

A taste of the divine by (anonymous on ao3) female!Charles ends up losing her virginity to Max and he is going through it.

i'd wanna hold you (just for a while) by Kashoot Charles doesn't normally want to regress, choosing to ignore his needs in favor of keeping busy with all his other obligations. "I'm a racing driver, Max, not a baby!" Max knows better.

Preloved by LaurawritingF1 After getting caught up in another scandal, Charles, the crown prince of Monaco, is sent to an 'Omega Establishment' to find himself an omega in the hopes it will settle him down. Charles is not at all interested in picking out a pretty housewife for himself and is intending to return home empty handed until he meets Max, an omega housed up in the 'Preloved' section of the establishment and clutching hold of his pup tightly.

Everything Changes, Yet Nothing Does by Shadow_Reads The sun was setting over Monaco, casting a warm golden glow over the city. The gentle sound of waves lapping against the shore provided a serene backdrop, contrasting with the turbulent emotions swirling within Charles. Tonight was the night he would ask Max to spend the rest of their lives together.

how you get the boy(s) by amelielacy In which world-famous streamer Max falls in love with artsy single dad Charles.

Hunting Love by himmywimmy Charles becomes an unwilling participant in the pack’s annual mating run and to protect himself, he asks his alpha friend, Carlos, to catch him. But as the night of the mating run unfolds, another alpha seemed to be on the hunt for him.

5 moments of chaos and +1 moment of peace by LaurawritingF1 Charles and Max are retired and dealing with the chaos of looking after their children during the summer vacation. Jimmy, Sassy and Leo also make appearances. Them the breaks, they don’t come gently by imamessofawriter “They just announced that Charles is retiring.” Charles suddenly announces his retirement and then appears to disappear completely.

[opbackgrounds]

The Romanticism of One Piece VI: Nature and the Sublime

AO3 Part I Part V

“Then my heart with pleasure fills And dances with the daffodils”

—William Wordsworth

Anyone making even a cursory reading of the Romantics, particularly the English Romantic poets, will soon find an obsession with nature. Even in the early 1800s, the scars of the Industrial Revolution were starting to be felt in the environment. Increased urbanization, a technological boom, and the capitalistic glut for increased output which in turn demanded the consummation of increased natural resources was destroying old orders one after the other in order to make room for the coming modern age. 

The advent of trains, steamboats, and the telegraph changed the way people traveled and communicated forever. The allure of the city drove people from the countryside to work long, dangerous hours in factories. It seemed like the traditional way of things was being lost, and there was nothing anyone could do about it. Poets and artists looked back fondly on the simplicity of their youths, and went in search of the beautiful and the sublime. 

When reading these poems and looking at these pieces of art, you’ll also find that solitude was an important aspect of this search, the ability to get away from the neverending wheel of the rat race to be alone with one’s thoughts. Quoting from Walden, Thoreau said it best, “I went to the woods because I wished to live deliberately, to front only the essential facts of life, and see if I could not learn what it had to teach, and not, when I came to die, discover that I had not lived.” There was so much about modern society and civilization that rang false to these men, and it was only when communing with the primordial forces of nature that these falsities could be stripped away to reveal something pure and true.

One Piece is a manga that delights in its environments. Oda has clearly done his research while lovingly rendering each location, particularly once the series hits the Grand Line. I’ve always been amazed about how even minor islands with little page time feel fully realized, and how even similar environments can be easily distinguished from one another at a glance. The jungle of Little Garden looks nothing like the jungle of Skypiea, which in turn is completely distinct from Green Bit. 

Similarly, Robin’s desire to preserve and protect ancient relics of the past is something the Romantics would have approved of, and with Luffy at the helm, the Straw Hat Pirates don’t just travel the wonders of the Grand Line, but embrace each and every island they come across, no matter what insanity lies in wait. While it’s not a central focus of the series, arcs like Wano and Egghead explore environmental themes and the dangers of pursuing technological advance at the cost of careful ethics.

Poet William Wordsworth famously fought against building a railway through the Lake District of England, where he lived and wrote much of his best-regarded work, so much so that he wrote a sonnet voicing his displeasure with the proposed project, as well as the thought of hundreds of unappreciative tourists destroying the peace and beauty of the area. 

So while nature was to be appreciated, it was to be appreciated in the right way. It wasn’t enough to take in the sights for the sight’s sake, but an experience to be savored. Nature was an essential part of these writers and artist’s creative muses, and while many Romantics weren’t orthodox in their religion, there was a spiritual aspect in their veneration of the created world, particularly in their search for the sublime.

One Piece and the Sublime

“I have felt a presence that disturbs me with the joy of elevated thoughts; a sense of sublime, of something far more deeply interfused, whose dwelling is the light of setting sun, and the round ocean, and the living air, and the blue sky, and in the mind of man” —William Wordsworth

While the concept of the sublime existed long before the Romantic period, it was the Romantics who really took the idea and ran with it. It must be said that the sublime as talked about here is quite different from how the word is typically thought of in the modern day. The sublime’s roots are found in philosophy, as a sub-branch of the study of aesthetics. In his essay A Philosophical Enquiry into the Ideas of the Sublime and the Beautiful, late Enlightenment/early Romantic writer Edmund Burke for the first time divided the ideas of the sublime and the beautiful into two distinct and separate categories. This essay was hugely influential to the Romantic movement going forward, particularly in England. 

According to Burke, “Whatever is fitted in any sort to excite the ideas of pain and danger, that is to say, whatever is in any sort terrible, or is conversant about terrible objects, or operates in a manner analogous to terror, is a source of the sublime; that is, it is productive of the strongest emotion which the mind is capable of feeling.” 

So, in short, the sublime is a powerful emotion. The most powerful emotion a person is capable of feeling. In typical English fashion, Burke thought the strongest negative emotions were more powerful than the strongest positive emotions, so it stood to reason that the sublime must in turn come from the negative. While this might initially read as a rather unpleasant experience, the sublime was something actively sought out by the Romantics, and according to Burke was a pain that caused delight. 

Attempting to define something as ineffable as the sublime is like trying to define love. No matter how many lines a poet inks or how many portraits an artist completes attempting to capture the feeling of lightning striking the soul, they will always be incomplete. It’s the feeling of going out to an open prairie and being crushed by the weight of the sky, or walking in the shadow of a mountain and feeling your own smallness. It’s looking up at the bright night sky and recognizing that you are one amongst billions, a speck of cosmic dust drifting aimlessly on an insignificant planet in the corner of an insignificant galaxy in a universe whose vastness you can’t begin to comprehend. 

It’s the finite’s attempt at grasping the infinite, a complete breakdown of the rigid walls of the Enlightenment thinkers, the embrace of irrationality and emotion over cold, calculated reason. To use one of Burke’s own examples, it's the peasant kneeling before the dread majesty of their king. For some it was a way to commune with God. For others it replaced God altogether.  

Take for example a painting like The Monk by the Sea by Caspar David Friedrich. The titular monk is tiny compared to the broad vastness of the sky and ocean, which seems about to swallow him whole. Whether the figure in the painting is contemplating the divine, or whether the sublimity of the moment is itself divine is open to interpretation, and like many figures in Friedrich’s works, the monk is turned away from the viewer so his face, his identity, is not visible, because who any individual person is when compared to this overwhelming force isn't important. 

While terror was important to Burke in searching out the sublime, it was equally important that there be a layer of distance between the perceived danger and the subject searching for it. After all, the sublime was something to be contemplated just much as it was experienced. A sailor caught in a storm is just fighting for their life. There’s no ability to allow themselves to reflect on the nature of eternity on a mortal soul when they’re trying not to drown. But a person contemplating a painting of a ship caught in a storm, or better yet watching a stormy sea from a high cliff, has that element of terror without actually placing a person in immediate danger. That distance allows the person to be subsumed in the moment, in the feeling, of the sublime.

As a manga, there is a natural distance between the reader and what goes on in One Piece. The wild, cartoonish, fantasy further separates it from the real world. This gap is perhaps too great for some to find the sublime within its pages. At the same time, it ticks many of Burke’s boxes: the vastness of its world, the displays of power from the characters within, the call to imagination, awe, wonder, and, yes, terror. While I very much doubt Oda had the idea of the sublime in mind when he came up with the idea with Conqueror’s Haki, overwhelming power causing the weak-willed to faint while foaming at the mouth very much fits the vibe Burke was going for in his essay.

If given a choice in the matter, Luffy will always take the more dangerous path forward. While he’s not nearly contemplative enough for the traditional Romantic mindset, the narrative rewards his desire to seek out experiences and adventure. The series’ focus on emotional truth over realism invokes powerful feelings in the reader. The wonder of the White White Sea is all the stronger because of the danger of the Knock-Up Stream. The descent to Fishman Island is made all the more grand by the fragility of the bubble that protects the crew. The vast majority of the East Blue Saga is spent hyping up the danger of the Grand Line, and wouldn’t you know it, the Straw Hats barely sail into its waters for five minutes and there’s already a dozen things trying to kill them.

Even places like Water 7, which the Romantic’s push against urbanization would not have seen as sublime, is elevated by the whimsy of the sea train and the danger of Agua Laguna. Oda takes inspiration from all over the world and elevates those inspirations into something greater than reality, injecting so much high fantasy creativity and verve into every location that the reader cannot help but be moved. And nowhere can this be better seen by how Oda portrays the sea.

To quote Burke one last time, “A level plain of a vast extent on land, is certainly no mean idea; the prospect of such a plain may be as extensive as a prospect of the ocean; but can it ever fill the mind with anything so great as the ocean itself? This is owing to several causes; but it is owing to none more than this, that the ocean is an object of no small terror.” 

[buckysxgal]

I'd Let The World Burn - Eustass Kid x Reader

Picture I got from Pinterest - It's a screencap from One Piece

Summary: Just a little snippet of you and Kid during the Raid of Onigashima.

Word Count: 870

Details: Set in Wano Arc (specifically in Onigashima). Established Relationship. this is during the Big Mom fight. Kid saves the reader (and Nami, Usopp, and Otama by association). Kid calls reader 'Doll'. I tried to keep specifics about Reader (gender, race, etc.) out, if i missed something please let me know and I can fix it! I want this to be readable for EVERYONE. I listened to LET THE WORLD BURN by Chris Grey while writing this.

Also posted on AO3

Floral Banner and Support your Creators banner from @saradika

“WHERE ARE THEY?!” A voice bellowed out. The voice could be heard all throughout Onigashima. Currently, I was running with Nami, Usopp and Otama through the hallways of the castle. 

“Who the hell was that?” Nami said, startled, looking around for a person to match the voice while we ran. We turned right down another hallway only to bump into Big Mom again. She was now targeting Otama because she was ‘going against her’ by running away from her with us.

“I don’t think we have time to question that Nami.” I said while pointing up to Big Mom who was gearing up to attack. “What should I do about the ones I hate?” Big Mom started, speaking to her sword, the cloud and the sun floating around her. “I should kill them!” She screamed, lifting her sword up to strike.

Nami held the child closer to her body, and Usopp fell to the ground with a shout. I stepped closer to Nami and Otama, spreading my arms out and bracing myself with my eyes closed. Nami, Usopp and Otama’s screams were suddenly drowned out with the sound of metal scraping together. I looked up in awe, seeing my lover’s metal arm shooting out above us and hovering it in front of Big Mom’s face.

“You’re…!” Big Mom started before Kid attached his arm to her face and lifted and slammed her into the floor, cracking the floorboards with a call of Punk Gibson. His figure outlined appeared in the dust behind us as we all turned around to face our savior. Big Mom’s ally, the cloud that she called Hera, flew over to her asking if she was OK as she sat up.

“Kid!” Big Mom growled out. Kid came to a stop in front of us. Nami and Usopp let out simultaneous breaths of relief.

“Captain Kid!” They shouted, tears of joy and stars in their eyes.

“Go away, Straw Hats. This bastard…” Kid lifted his metal arm once more, metal from around the room latching onto his arm.

“Is my prey!” He continued. I smiled up at him as he looked down on me from my spot behind Nami, Otama, and Usopp, now noticing that I was here. He blinked a few times, staring at me processing my presence. 

“I’ve been looking for you all over.” He stepped closer to us and held out his non-metal arm beckoning me over. I stepped around the group and got closer to him. His hand came up to caress the side of my face, his thumb sweeping across my cheek.

“You hurt Doll?” He said gruffly. I shook my head ‘no’ and allowed him to press his forehead to mine. He stayed liked that for a moment before pulling away and shoving me behind him.

“Stay out of the way, Doll. I don’t want you getting hurt.” He muttered over his shoulder. I beckoned Nami, Usopp and Otama closer to me, stepping back from the fight. We started to run towards the performance hall I turned to look behind me and saw Kid cracking his neck gearing up to fight. 

“Kick her ass babe!” I yelled as I turned back to face Nami and Usopp. Nami looked over her shoulder to me and smirked at me.

“Doll?” She giggled.

“S-shut up.” I muttered as my cheeks grew hot. 

Time Skip to after the Raid - still on Onigashima

We had watched Kid and Trafalgar Law fight from a room off the performance hall. As soon as they cast Big Mom down that hole the two pirate captains fell to the ground, exhausted.

I ran down the steps towards where Kid was laying on the rubble. Nami, Otama and Usopp followed me, but stopped to fall in with the crowd surrounding the two exhausted pirate captains.

“Kid!” I screamed out, flinging myself onto his body, letting sobs wrack through my body.

“Please don’t scare me like that.” I whispered as I  let my hands curl into fists in his red fur coat. His non-metal arm came up and rested on the back of my head, stroking my hair as the sobs lessened. I could hear murmurs in the crowd, namely from the other pirate crews, wondering who I was.

“Don’t worry Doll, I ain’t going anywhere.” He whispered, placing a kiss against my hair. I smiled and lifted my head to look up at him. He sat up, lifting me with him and keeping me on his lap as he looked over me, assessing me for any injuries.

“What’s this?” He asked, pointing towards the scratch on my cheek. I lifted my hand towards it, remembering what happened.

“We were running from the fire, and I leaped out of the way of a burning piece of wood, landed on the floor, not gracefully, and scuffed my cheek.” I chuckled. He let his thumb graze it gently.

“I’m glad you made it out of this alive, Y/N.” He wrapped his arm around my shoulders, bringing me into his embrace again.

“Well of course Kid, can’t leave you behind can I?” I said, smirking up at the man, who returned the gesture. He placed a small kiss on the side of my forehead.

[honeyhoneypp]

Can We Be Together..?

One Piece men figuring out their feelings for you

What is that strange feeling they've been getting in their stomach lately when they're around you? Why does their heart race so much when you do such simple things like walking past them? Perhaps, this is the feeling us humans call “love.”

Hello, this is my first fanfic! And I’m sorry if I have some errors, english is not my first language! Also right now im in the Fishman Island arc, so if I get their personalities wrong please let me know! I’ll really appreciate it!

Female pronouns! Fluff + Angst on Sanji’s part

================================

L U F F Y

Now, some people might think that Luffy doesn't understand the concept of love, but he's actually not that dumb, he understands what love is, he just never had the ideas of loving someone romantically or being in a relationship since his thoughts are only filled with "meat, king of the pirates and his crewmates".

But lately, his thoughts were also filled with you. He thought that he would never experience these kinds of feelings, but then he started to feel strange when he was around you… Of course, he didn't know what these feelings meant since he had never had these kinds of feelings before, so he decided to ask Robin what these feelings meant since he figured that she would know.

==================================

It was nighttime, everyone was on bed sleeping calmly, except for 3 people, Robin, Luffy, and you. Robin was watching at the front of the ship and you were at the back of the ship but Luffy couldn’t sleep since he kept thinking about you, he couldn’t get you out of his mind for some strange reason.

Luffy— “Dammit… why can’t I get you out of my mind?”

He kept murmuring to himself the same thing over and over again, until he gave up and decided to go ask Robin. He went to the front of the ship to ask Robin about all of these feelings, when he got to the front of the ship he saw Robin calmly watching her surroundings while drinking coffee.

Luffy— “Hey, Robin.”

Robin— “Oh, Luffy! What are you doing this late at night? Can’t sleep?”

Luffy— “Yup.”

Robin— “And why is that?”

Luffy— He sits next to Robin — “I just can’t stop thinking…”

Robin— “Thinking about..?”

Luffy— “____.”

Robin— “Oh? Can’t stop thinking about ____, huh?” — She smirks —

Luffy— “Yeah, I don’t know why but I have this funny feeling on my tummy when she’s around me, and I know it’s not from hunger…”

She nods, her suspicions about Luffy liking you becoming true, ever since she saw the way Luffy stares at you and how he shares his food with you, she started to get suspicious, but she never thought her captain would actually be in love with one of her crewmates.

Robin— “I see, do you feel something else when you’re around her?”

Luffy— “Yeah, my heart starts beating fast… fast like a drum!”

Robin— “Have you considered maybe you might like her?”

Luffy— “What does that have to do with anything? I like all of you guys!”

Robin— She laughs — “I’m not talking about that kind of liking, Luffy. I’m talking about liking her romantically.”

Luffy— “Romantically..? Oh, you mean like love?”

Robin— Nod —

Luffy— He turns his head to stare at the sky — “Love, huh..? But I never had those feelings for someone, why would I have those kinds of feelings now?”

Robin— “Well, those feelings are love symptoms, Luffy. Now, tell me, what do you like about her?”

Luffy— “What do I like about her? Hm… Let’s see…” — He thinks for a moment — “I like her smile, her eyes, her appearance, the way she looks at me, her personality, her hugs, how she has fun with me, the way she supports me, her smell, how kind she is, how she cares about us, her—“

Robin— “I get it, Luffy.” — She laughs — “Luffy, you clearly have feelings for her.”

Luffy— “…So I do have feelings for her, huh..?” — He laughs — “So what should I do now, Robin? Should I ask her to marry her like Boa does with me? Or…”

Robin— “Not at all, maybe you could ask her for marriage in the future but I don’t think that’ll be necessary right now. You should go and tell her how you feel, Luffy. Tell her all the things you like about her, but remember to always make her happy.”

Luffy— He turns around to see the back of the ship, where you were —

Robin— “So what are you waiting for? Go on, tell her.”

Luffy— He giggles — “You’re right, Robin. I should go tell her.” — He stands up and quickly goes into your direction —

Robin— She chuckles — “Never thought I’ll see my captain in love.”

Z O R O

He's a complicated guy, he knows he has feelings for you but he doesn't want to accept it, he just can't focus on that right now, his priorities are becoming the greatest swordsman, helping Luffy become king of the pirates and protecting his crew, he doesn't have time for some silly crushes!

He tries his best to push these feelings away, but he can't. Every time he sees you, his heart and breathing speed up, and the fact that you always pop into his mind at random doesn't help. This man ends up avoiding you at every opportunity because he can't hold a conversation with you without acting cold or stuttering a word or two. So, he finally gives up on ignoring these feelings and decides to ask Nami for help.

================================

Zoro was training on the Crow’s nest, he had been working out more frequently lately, and the reason is you. You’re the reason of why he’s been working out more frequently, it’s the best way to avoid you and to stop thinking about you.

He can't help but hate how you pop into his mind at random times, he hates how he can't stop staring at you, he hates how he can't hold a conversation with you, he hates how some of his crewmates who are aware of his feelings for you can't help but tease him.

But what he hates the most is how the “shitty cook” flirts with you, he hates that he makes you laugh and that he can actually hold a conversation with you, he hates how he compliments you every chance he gets, he hates it.

But now none of that matters, he was focused on his training until you decided to pop in his mind, he got annoyed, really annoyed. He puts more plates on the bar to try to forget about you and focus on the heavy weights, but that doesn’t help at all.

He can't stop thinking about your lips, he can't stop thinking about your beautiful eyes and how they shine under the sun, he can't stop thinking about your beautiful skin shining under the sun, he loves everything about you when it comes to looks, he really loves your beauty.

He also loves your personality, he loves how strong you are, he loves how determined you are to achieve your goals, he can't stop thinking about the way you stand up for yourself when someone tries to belittle you, he loves your strong character.

But he also loves the other side of the coin, your kind and caring nature, he loves how you care about your crewmates and their well-being, he can't ignore how kind you are to everyone and how you try to make things right.

He finally decides to give up and sits on the floor to relax and think about everything that’s happening with his feelings. He doesn’t know what to do.

Zoro— “Dammit, woman… why can’t you just get out of my head?”

He stands up and quickly goes to the Sunny’s deck where he finds Nami sunbathing. He decides to ask her for some help with you.

Zoro— “Hey, Nami.” — He sits next to her —

Nami— “Oh, hey, Zoro! Do you need something?”

Zoro— He nods —

Nami— “Well… what is it?”

Zoro— “It’s about… ____…”

Nami— She smirks — “Oh, I get it now, you want me to help you get with her?”

Zoro— He nods embarrassed —

Nami— “Okay! That’ll be a million berries!”

Zoro— “WHAT?!”

Nami— She laughs — “Calm down I’m just teasing, Zoro.”

Zoro— He grits his teeth — “Whatever.”

Nami— “Okay! First of all, don’t act so cold with her! She hates it when you act that way, she even has mentioned that to me, and she’s sad because she thinks you hate her!”

Zoro— “…She… thinks I hate her?”

Nami— Nod — “So stop acting so cold with her, got it?!”

Zoro— He simply nods, he can’t believe he’s been making you feel this way —

Nami— “Second, be honest with her about your feelings, you can’t just be lying to yourself about not having a crush on her, tell her how you appreciate her looks and how you’ll buy her everything she wants.”

Zoro— “Okay…”

Nami— “And third of all, don’t hurt her feelings anymore, make her happy, make her smile, you always see how Sanji flirts with her and makes her laugh, so why don’t you do the same?”

Zoro— He sighs — “You’re right.”

Nami— “You know, you should go talk to her and tell her how you feel.”

Zoro— Nod — “Thanks for the advice, Nami.” — He stands up to go look for you —

Nami— “Oh! One last thing. Zoro!”

Zoro— He turns his head around — “Hm?”

Nami— “Go take a shower, she doesn’t like stinky men.”

Zoro— He gasps — “SHUT UP!”

S A N J I

Sanji is another complicated man, as he flirts with any slightly attractive woman he sees, and you were no exception… well, that was at the beginning, until of course, he started having other feelings for you, it wasn't just lust anymore, but they were also romantic feelings.

He knows how much he loves you, he knows how much he needs you, but he can't talk to you without stuttering, he feels like his heart is going to jump out of his chest every time he sees you, and when you talk to him his breathing fades quickly.

He wants to talk to you, he wants to let you know how much he loves you, but he can't help but get nervous when he gets any closer to you, making every interaction the two of you dry. Usopp notices his feelings for you and decides to help him.

================================

Sanji was quietly cooking dinner, but then you walked through the kitchen door with a big smile ready to ask Sanji if he needed help with his cooking. Sanji senses your presence but instead of turning around he freezes and starts thinking about you.

Your soft, beautiful, glowing skin, oh how he wishes he could gently caress your delicate skin, your pretty lips, and how he wishes he could touch them with his own lips. Your beautiful, beautiful eyes, he just wants to look at them for the rest of his life.

Sure, you're the most beautiful woman he's ever seen, but it's not all about looks with you. He also loves your gentle personality, he loves how you always treat him right and how you're always there for him, he loves how you always stand up for yourself, he loves your kind and fierce nature.

But one thing he can't think about or he'll get an instant nosebleed is touching your beautiful, naked curves-

— “Hi, Sanji! I just wanted to come and help you finish dinner, only if you need any help of course!”

Sanji— He quickly snaps out of his imagination —“I- No, thank you… I’m okay.”

— You freeze in your place, why was he acting so dry with you lately? did you do something wrong that made him upset? — “Um… are you sure? I can help you wash the dishes!”

Sanji— “No, thank you.”

— You bite your lip — “Okay.”

You quickly walk away from the kitchen with teary eyes but Usopp was about to enter the kitchen, he was surprised to see your teary eyes.

Usopp— “____? Hey, are you crying? Are you ok-“

You quickly ran off to the girls' dorm, not wanting your crewmates to see your pathetic crying, how can you cry over a man? That would be stupid. Usopp quickly entered the kitchen only to see Sanji leaning his elbows on the counter and scratching his head in frustration.

Sanji— “Stupid, stupid, stupid… why can’t I just talk to her like a normal person” — He says to himself —

Usopp— “Sanji? Did you said something to ____?”

Sanji— “What? Why are you asking..?”

Usopp— “Well I just saw her running away to the girl’s dorm, and I’m pretty sure I saw her crying.”

Sanji— He opens his eyes like plates — “Crying?! ____ was crying!?”

Usopp— Nod —

Sanji— “I need to go see-“

Usopp— “Wait, Sanji! Give her some time!”

Sanji— “But… she’s crying…”

Usopp— “I know, but let her have some time.”

Sanji— He sighs but he only nods —

Usopp— “What did you said to her to make her cry?”

Sanji— “I didn’t said anything! I swear! I just… I guess I was talking dry to her…”

Usopp— “You were talking dry to her, huh? Why is that? Do you not like her? Because you always flirt with every woman, but I noticed that you haven’t been flirting with ____…”

Sanji— “Well, yeah. But that’s because I can’t help but be nervous around her, it’s not only lust, it’s also romantic feelings, I love her Usopp. But I feel like my heart is going to pop out of my chest when I feel her presence…”

Usopp— “Oh, so you like her, wow. I never knew Mr. Pervert could be nervous around a woman.”

Sanji— He sighs — “I know, I know.”

Usopp— “Look Sanji, ____ likes you b-“

Sanji— A little bit of blood comes out of his nose — “SHE LIKES ME?!”

Usopp— “Shut up! Calm yourself down! Yes she likes you, and I’ll give you some advice, Sanji. So listen carefully.”

Sanji— nod —

Usopp— “You have to stop flirting with every woman you see, dude! Because every time you flirt with a woman I see how sad she gets, so that’s a habit you have to stop, you have to be loyal to ____!”

Sanji— “Humm…”

Usopp— “Also you have to stop getting so nervous with her, look what your nervousness caused! I get why you’re feeling this way but that’s something you really have to work on if you don’t want to hurt her feelings anymore.”

Sanji— “I know, Usopp. I hate that about me…”

Usopp— He puts a hand on his shoulder — “Hey, now! Don’t get gloomy, our next destination will be really soon, how about you buy her some flowers and tell her how you feel about her?”

Sanji— He smiles — “That’s a great idea! Thank you Usopp!”

Usopp— “Anytime! Just don’t try to get nervous around her and talk to her normally, remember the things I told you okay?” — He walks out of the kitchen —

Sanji— He nods happily and goes back to cooking, perhaps he’ll prepare a delicious drink for Usopp to show his appreciation —

================================

Maybe I’ll make a part 2 with them confessing their feelings for you! Let me know if you want me to do this with other characters! :)

[echos-gal]

ok i'm rapidly losing hope that Tech is still alive, and this sucks because it was basically the top thing i desperately wanted from this season. i wanted to see him survive. so here's my exhaustive and embarrassingly long list of reasons why he SHOULD still be alive, and if he isn't, why it was a missed opportunity. obviously no hate to the writers or anything, i love them dearly for creating this show!!!

(if you're a "Tech should stay dead for the stakes/so someone in SW stays dead for once/i hate delusional Tech stans" person, kindly keep scrolling, this ain't for you)

SEASON 2:

right from the start, Romar connects with Tech and calls himself "a survivor." HELLO???

in this same arc, Tech breaks his leg in a fall which he survives. he continues to walk on it, fighting off troopers to save Echo & Omega, showcasing his persistence and grit.

one of Phee's first lines is "better late than dead," and we know she shares a connection with Tech. she flirts with him later in this scene. it would be a shame not to reuse this line, i'm just saying....

Cid still owes Tech for racing for her in Faster. we see Cid looking miserable as she betrays the batch in Plan 99, so her playing a part in his rescue/comeback would be a nice way to show her growth. (i'm afraid there isn't enough time for this, though- as much as i thought a Cid redemption was on the horizon!)

Phee and Tech's departure is awkward, and although we have some context from season 3 (they talked more than we realized), the scene would do best if reconciled in person imo. it felt like it was setting up for something, and feels weird to leave hanging.

"don't go running off with any pirates or smugglers" could not have just been a throw away line. it set up for him to do exactly that. how fitting would it be if pirates or smugglers actually did manage to pick him up before the empire made it to the railcar crash site?

Hemlock's retrieval of the goggles shows that he sent a team to look through the wreckage. he thought there was a chance Tech survived, and may have him.

i won't go into the logistics, but big falls ARE survivable. in star wars especially. we have no idea what was below the layer of clouds/mist Tech fell through.

SEASON 3:

this is mostly CX-2 centric. their armor is very similar: the jaw/mouth shape, the hexagons over the ears, the rectangles on the chest, and the pouches/pockets.

"domicile." that is all.

CX-2 uses technology more than the other operatives we've seen, and he gets past the encryption on Phee's ship with ease.

"who are you?" was enunciated in the exact same way Tech says it to Trace and Rafa, which i definitely think was intentional.

CX-2 stops to use his rifle scope in the exact same spot where Tech and Phee stood to let down the ladders in the sea surge on Pabu.

he survives a waterfall plunge on Teth, which appears to have fooled Rex's group into thinking he'd died. the writers could have killed him off there and sent a new operative, but they chose to stick with CX-2 pursuing them to Pabu.

it's worth noting that while this CX is designated as "2," Tech's CT number is CT-9902. he is associated with the number even on a visual level: he's a dual-wielder, he wears goggles, he salutes with two fingers.

FROM A STORY PERSPECTIVE:

firstly, i am sorry and i LOVE the writers, but if you want people to accept a character's death, you've got to show his family and friends' grief. we saw no reaction from Crosshair or Phee, no tears from Hunter or Echo. it feels like fans were sadder about Tech's death than the characters in the story.

Tech seems to have been mentioned more in the second half of season 3 than the first half, which works if they want to bring him back in the finale.

the finale is called "The Cavalry Has Arrived." i really don't think you can have the cavalry (aka the bad batch) arrive without every member present. i also don't think it would feel right to play their theme without Tech there. idk, that feels incomplete!

we saw no body, and Hunter received Tech's goggles not from a trusted ally or friend, but from Hemlock. this calls into question the legitimacy of his claim that the goggles were "all he could salvage."

Tech alive and being held on Tantiss would provide a nice parallel to Echo in the first mission where we meet the batch, in TCW. and [ep 14 SPOILERS] we see that Echo is currently looking more like his TCW self, with his earpiece removed.

feels kinda sour that a character who a lot of people related to as neurodivergent representation would die just a few episodes after having a deep conversation with his sister about it.

likewise (and as a white woman i can't speak for WOC), from what i have seen, Black women are rarely the main love interest of a series! Phee is the ONLY love interest in this whole show, and it would suck to just cut off that romance before it could really become something. a lot of people wanted to see TechPhee become canon.

CX-2 is the one who destroys the marauder. it works well storywise for its pilot to have been the one to do that- the person who worked so hard modifying it, flying it, and teaching his sister to fly it. i'll be lowkey pissed if it turns out some random dude blew it up.

it's also CX-2 who invades and sets fire to Pabu. this is emotionally gripping on its own, but if he is Tech, it's even more so.

we have no idea what the operatives go through. Crosshair isn't telling, but it clearly put him in a really bad place. if Tech underwent this conditioning in his post-fall injured state, there's a chance he could come back from it. Emerie is probably the key to this, if they take the CX-2 route.

this show is all about a family trying to stay together as the Empire desperately tries to rip them apart. seeing the whole family together again - even if not everyone survives - in the finale is the satisfaction that the show ideally would go for. the last time they were all together was the season 1 finale. that was about 2 years ago in the show's timeline.

leaving Crosshair and Tech's final interactions be where they parted on the Kamino platform also feels off. Tech was the one who really vocalized the need to rescue Crosshair in season 2's finale. Crosshair, in the meantime, has changed significantly as a person. Tech's comment about Crosshair being "severe and unyielding," and unable to change this facet of his nature, is incorrect. leaving Tech dead would mean that he never gets to see this change in Crosshair, which makes me feel like a deflated balloon.

FROM MY SELFISH PERSPECTIVE!!!

give me Tech with cool scars and slightly disheveled longer hair. this is such a good opportunity for the creators to give him a sweet new look!

we never got to see Tech without his goggles on, despite Phee constantly referring to his eyes. he definitely doesn't have them right now (they're in the Archium), so we could get Mister Big Brown Eyes if he's alive. it's another missed opportunity if not, imo!

the goggles being placed in the Archium was a beautiful scene that makes me tear up whenever i think about it. it's symbolic, it's bittersweet, and it's exactly where the goggles belong. but was it closure for me? not really.

Tech is a character who became a LOT of people's favorite in season 2, including my own. why kill off a fan-favorite with an entire season to go?

yes, i desperately want a Rex and Echo series. yes, i want the batch to cameo in it, and yes... that includes Tech. making up for lost season 3 Tech content 😎

the finale will feature the zillo beast, and Tech loves the zillo beast. FREE HER! REUNITE THEM! he would love to witness her rampage.

FROM A "SURPRISE!!!!!" PERSPECTIVE

it seems like most people think Tech is either CX-2 or dead. it would be a great finale twist if we DID get CX-2's identity, it's NOT Tech, the audience loses hope, and then he shows up. i think this is actually plausible given the other assassin schematics Hemlock was looking at in Point of No Return. Tech might be in Hemlock's grasp, but not an active operative. having an enhanced clone to toy with is something Hemlock would want to keep under wraps. we see him step out of the assassin chamber at the start of that episode - if Tech is anywhere on Tantiss, i think it's here.

i think the writers have expected us to have all lost hope by now, so his finale reappearance would ideally come as a shock. the finale is almost guaranteed to be a very long episode, so we really might have quite a bit of time to explore his return, if it happens.

secret 16th episode: i know, i'm putting my clown makeup on as i type this. but the previous 2 seasons each had 16 episodes, with a two-parter finale. season 3 is just 15, with a single episode finale. TBB formally ends may 1st, so what if we get a may 4th surprise episode detailing how Tech survived? (that or an epilogue leading into a new series, which i think is more likely actually!)

[daughterofheartshaven]

A beginner's guide to the Big Finish Main Range - story arcs

Made for @presidentdisastraofgallifrey but also for everyone else who could use this.

The Big Finish main range can be pretty overwhelming, but I'm here to help with that! I'm here to reccomend good starting places for the fifth, sixth, and seventh Doctors! (I'm skipping eight because he has much less of the main range and there are many people who can plug eight's main range stuff better than me. If you want my take for good eighth doctor stories, I'm gonna point you towards Doom Coalition)

Fifth Doctor

Arc:

Prisoners of Fate. The Galaxy is being ravaged by a deadly disease known as Richter's Syndrome. Hoping to find a cure, the virologist and technographisit Nyssa Traken - best known for finding the vaccine to Lazar's disease - bids a tearful goodbye to her husband and children, and travels to an abandoned research facility on the planet Helheim.

But Nyssa is not the only one headed to Helheim. Right after their victory at the Enlightenment race, the Doctor, Tegan, and Turlough also find themselves on Helheim in time for a very surprising reunion.

But while Richter's Syndrome looms, other threats are coming from the Doctor and Nyssa's pasts. Time's threads are closing, and the Survivor of Traken and the Renegade of Gallifrey will soon find themselves prisoners of fate.

Stories in this arc:

Cobwebs

The Whispering Forest

The Cradle of the Snake

Heroes of Sontar

Kiss of Death

Rat Trap

The Emerald Tiger

The Jupiter Conjunction

The Butcher of Brisbane

Eldrad Must Die!

The Lady of Mercia

Prisoners of Fate

Mistfall

Equilibrium

The Entropy Plague

Trilogies:

The Key 2 Time. On a planet where time stands still, a nameless woman waits for the Doctor. She is a tracer - a sentient construct designed to locate the pieces of the Key to Time. The Doctor assembled the Key once, but dispersed it before it could be used, and now, a lifetime later, he must assemble it again...

The Judgement of Isskar

The Destroyer of Delights

The Chaos Pool

The Stockbridge Trilogy. Stockbridge. An English village in the countryside. Past, present, and future. Always, the wheel turns...

Castle of Fear

The Eternal Summer

Plague of the Daleks

Standalones:

Circular Time: an anthology of Five and Nyssa character examinations

1963: Fanfare for the Common Men: Five and Nyssa examine an altered history in which the Beatles never happened.

Alien Heart / Dalek Soul: a standard Dalek story that goes somewhere... very un-standard. You'll see. Five and Nyssa

Ghost Walk: Five, Nyssa, Adric, and Tegan. An expertly done story that traverses several different time zones, the brutal end of history, and a paranormal tour guide who really doesn't want to be haunted.

Sixth Doctor

Arcs:

Arrangements for War. Evelyn Smythe is a professor of history. She's close to retirement age, no matter how much she would like otherwise. She's been doing her best to help her students this whole time, but perhaps there might be something more to her life.

The Doctor is a traveler in history. He has endured trauma after trauma and responded by becoming hostile and closed-off. But he has recently just been put on trial and had yet another friend be torn from him.

Enemies are making arrangements for war and friendships will be tested. But through it all, the healing will begin.

Stories in this arc:

The Marian Conspiracy

The Spectre of Lanyon Moor

The Apocalypse Element

Project: Twilight

Jubilee

Doctor Who and the Pirates

Project: Lazerus

Arrangements for War

Thicker Than Water

Blue Forgotten Planet. Charley Pollard just watched her best friend die, and he left her on an abandoned planet at the end of time. She didn't expect to be rescued, and certainly not by a younger version of her friend. But she knows he didn't know her when they first met, and she's seen paradoxes go wrong.

Whatever his suspicions are, Charley needs to find out how to preserve the timelines. And that might be hard, given how they're returning to the blue forgotten planet where she should have died.

Stories in this arc:

The Condemned

The Doomwood Curse

Brotherhood of the Daleks

The Raincloud Man

Patient Zero

Paper Cuts

Blue Forgotten Planet

Trilogy:

The Jamie Trilogy. Lifetimes ago, Jamie McCrimmon was lost to the Doctor and banished to his own time, his memories of the Doctor stolen. The Doctor never expected to see Jamie again. But a conspiracy is working its way through the Scottish moors, and two very old friends must reunite to solve it...

City of Spires

The Wreck of the Titan

Legend of the Cybermen

Standalones:

The Wrong Doctors: would you like to know how the Doctor met Mel? This story has that. Although not in the way you might think.

Spaceport Fear: a nice romp in an abandoned spaceport, featuring Six and Mel.

Static: Can I just call this my favorite horror story Doctor Who has done and leave it at that? Features original companions Flip and Constance, who are good characters but don't have quite as good introductory stories so you won't see them elsewhere on this list. But yeah. Static is just that good.

Seventh Doctor

Arcs:

Gods and Monsters. 2004 and a lifetime ago, there once was a woman who the Doctor failed to save. Her name was Cassandra Schoefield. She was turned by a vampire, and killed before the Doctor could find a cure.

The 2020s and now, chess pieces are moving into place. The game that the Doctor has been playing against the gods and monsters for all of this life is reaching its final moves. And all the Doctor has is his wits, a Tardis that seems to be changing color, and his friends: explosives expert Ace McShane and nurse Thomas Hector "Hex" Schoefield.

Stories in this arc (NOTE: everything from Dreamtime through Enemy of the Daleks is only relevant to the arc through developing Hex as a character, so you can pick and choose a bit in the first half).

The Harvest

Dreamtime

LIVE 34

Night Thoughts

The Settling

No Man’s Land

Nocturne

The Dark Husband

Forty-Five

The Magic Mousetrap

Enemy of the Daleks

The Angel of Scutari

Project: Destiny

A Death in the Family

Lurkers at Sunlight's Edge

Robophobia

The Doomsday Quatrain

House of Blue Fire

Protect and Survive

Black and White

Gods and Monster

Afterlife

Revenge of the Swarm

Mask of Tragedy

Signs and Wonders

The Architects of History. There are facts we know about history. It's stable. It is unchanging. What has been will always be. History was written by the winners, and the winners will never change.

Right?

Over the course of his life, the Seventh Doctor keeps encountering one very dangerous person. Someone willing to challenge him on his ideals, someone dangerously clever, and someone who didn't seem to be accounted for by the architects of history.

Her name is Elizabeth Klien.

Stories in this arc:

Colditz

A Thousand Tiny Wings

Klien's Story / Survival of the Fittest

The Architects of History

Dominion (NOTE: this is not part of the main range and is instead part of the Seventh Doctor adventures. It's not a crucial part of the arc and can be skipped but there are some plot developments

Persuasion

Starlight Robbery

Daleks Among Us

Standalones:

LIVE 34: Okay this one is part of the earlier arc, but it's such an amazing story that it works as a standalone. A Doctor Who story told just through news broadcasts

The Two Masters: The first multi-Master story, and to me, still the best (and there is some stiff competition). There's some stories that lead into this but this works just fine as a standalone.

The High Price of Parking: The Doctor, Ace, and Mel (yes they're all three travelling together here) are trapped in a parking lot the size of a moon! A 2010s version of the Paradise Towers story

[mr-glove]

Icle peak island

An island with mountains so high you can touch the clouds. I crudly drew some trees on it. On the top of the mountain there's a cave that houses an item as proof that you've reached the top and are officially on the ½ way point of the race.

There are some crudly drawn trees who might come up later.

I felt ½ Genie hero was missing a snow level and I needed a new location with the carpet race not being a thing in my AU.

If you turn the screen 135° clock wise you'll see a location inside the cave with ice stalactites hanging over a deep pit. But if you want the item you'll need to get it away from the beast that lives as the apex on this island.

Please ignore the weak excuse for saber toothed beast that was redrawn from memory. I'll post more info about that later.

[linkspooky]

Dr. Venture vs. Enji Todoroki: How to Write Bad Dads

This is a post comparing two shows about two abusive dads who are the main characters instead of their children. My Hero Academia is a Shonen jump manga that takes inspiration from American comics and shonen manga. Whereas The Venture Bros is an adult swim cartoon that started out as a parody of Johnny Quest, and grew into a seven season long character study of former child star Rusty Venture.

The idea for this post came from the fact that I've noticed a common hot take from MHA fans that Endeavor's redemption arc is bad because it's wrong to make an abuser the main character.

I've always disagreed, and used The Venture Bros as an example of a show where making an abuser the main character works. Rusty is actually a well-liked character in the venture bros fandom. So my question is if these characters are both abusers why is one of them generally accepted and the other one so controversial?

Before we begin I want to say this is a story with fictional characters. Don't bring real life into the equation. We are doing literary criticism here and only talking about the events that happen in the story.

Anyway, My Hero Academia and The Venture Bros seem like the weirdest shows to compare but they are actually pretty similar. They are both comic book shows that are commentating on the comics they're inspired from.

What My Hero Academia is to Spiderman and Dragonball Z, Venture Bros is to Tom Swift Novels, the Hardy Boys, and old Hanna-Barbera Cartoons. They also make the decision to focus on the characters as people rather than heroes. They are telling the stories of real people that exist in a world overflowing with both heroes and villains.

1. Meet the Venture Brothers

If you've heard of the Venture Bros then you've probably heard of the premise that it's an adult parody of Johnny Quest. Johnny Quest for those of you who have a life and therefore haven't seen every old Hanna-Barbera Cartoon like I have is a show where eleven year old Johnny Quest travels around the world with his super scientist father Dr. Benton C. Quest and their bodyguard Race Bannon, going on adventures in Jungle Ruins or fighting villains.

In the Venture Bros the main character Dr. Thaddeus Venture is an emotionally abusive and neglectful father who constantly exposes his sons to danger in his trips around the world. Their bodyguard Brock Samson is a ultra violent and is basically a thirteen year old's idea of what a cool manly man is. The titular Venture Bros, Hank and Dean Venture are sheltered children who are constantly being chased around by men in costumes trying to kill them.

So the basic premise of the show lies in it's dark deconstruction of shows like Hardy Boys, Johnny Quest, these Tom Swift-esque stories where young boys go on adventures by showing the real dangers that children would be exposed to in that kind of life.

Between Johnny Quest, the Hardy Boys, and Tom Swift, what is up with these pie-eyed youths chasing pirates and international diamond thieves and stuff like that? They would get their throats cut the minute that stumbled upon a hideout. And that would be the gag. - ART AND MAKING OF THE VENTURE BROS.

The show does explore Hank and Dean's trauma, but despite the title of the show they are not the main characters. The protagonist is Doctor Thaddeus Venture who himself is other victim of the Boy Adventuring Lifestyle.

Dr. Venture: "Who was, for 43 years, the only son of Dr. Jonas Venture? Who, from the ages of 3 to 17 accompanied him on hundreds of adventures the chilling memories of which rouse him from sleep in a cold sweat to this day?"

Thaddeus used to travel around the world with his father the super scientist Dr. Jonas Venture who was a far more successful super scientist and hero. He's the former star of the "Rusty Venture Show" a cartoon based off of his travels with his father.

Jonas who continually neglected and gaslit him throughout his childhood to the point of not allowing him to go to therapy. He gaslit him so hard there's a scene where he literally pretends to be Rusty's therapist to tell his son to stop complaining.

Rusty: "So I don't know. Sometimes I wish I could just be a normal kid and go out and play with kids my own age and stuff. The only people I get to hang out with are grown ups. The only time I get to leave the compound is to go someplace creepy, like the Bermuda triangle, and then I get kidnapped, by grown ups. And I'm not even sure I want to be a super scientist when I grow up anyway, but I feel all this pressure because of my fa-It feels weird telling you this stuff." Jonas: "Remember Rusty, in here I'm your doctor not your father. Now let's get back to it shall we. You were telling me how you're ungrateful for all the opportunities your father's given you and you blame me for all your problems."

Rusty is both a washed up child star, and a faiilure to his father's legacy. He never formed an identity outside of being the star of the Rusty Venture show or the son of Jonas Venture. He drags his kids all around the world on crazy super science adventures because that's what he knows.

The central premise of the Venture Bros is that Rusty is basically stuck and cannot meaningfully grow up into an adult and his own person, despite the fact he is now a single father trying to raise two sons. The central theme is about three generations of one family, and what it says about the complicated nature of family itself,

As Rusty is both the victim and the perpetrator of the abuse it makes sense he is the main character the story centers around because he's the central link between Jonas and the Twins.

The themes can be summarized in one line said towards the end of the show:

BEN "Just a watch. Tells the time in two time zones. That fourth hand there? Little date window? Those are called complications. Complications make a watch special. More complications the more value. Read the engraving Jonas put on the back there. Elige Tua. It's Latin for Choose your family. Blood doesn't make a family, love does. Choose your family and remember that complications make it special."

In other words it's a seven season long show on how family is complicated.

2. Keeping up with the Todorokis

My Hero Academia is about a lot of things, but the central premise is that in a society where he quirk you were born with can determine a lot about your life, one boy without a quirk sets out to prove that anyone can be a hero.

If Complciations make it special is the central theme of Venture Bros, then the central theme of My Hero Academia is two sentences. "All People are not created equal" and "Anyone can become someone's hero" both said at different points in the story. The story itself is about Deku's attempts to overcome the first statement, that he was not born equal but he deserves to be a hero as much as anyone else because he represents the true spirit of heroes. That heroes don't just show up to beat the big bad, a hero saves people.

The story isn't just about Deku though. We're not even going to talk about Deku in this post, but rather the Tritagonist Todoroki Shoto.

Todrooki is introduced as a foil to Deku someone who is born with an extremely powerful quirk, but who's been groomed from childhood to be a hero.

Shoto's father Enji Todoroki is All Might's ultimate rival. In the world of MHA hers are highly commercialized and ranked by popularity and achievements and Enji has been number two his entire life. He decided to conceive of an heir that could surpass All Might instead.

He purchased a wife with an ice quirk for an arranged marriage to selectively breed for a child with a fire and ice quirk. When Shoto was born he raised Shoto up as a hero, forcing him through grueling training sessions from a young age, and beating his wife when she tried to intervene for Shoto's sake.

That's a lot and I didn't even cover all of it. After this reveal of Shoto's backstory, Enji seems like he's only going to be a one note abuser to give Shoto a tragic backstory to angst over.

However, later on in the show Enji ifinally becomes the number one hero only to realize how empty his lifelong dream has been. He feels remorse for the family he destroyed in pursuit of that dream and starts wanting to make ammends. After this , Enji basically becomes the second most important character of the "Todoroki Family" arc. . A lot of focus is put on Enji's attempts at atonement to the point where some accuse him of stealing the spotlight from his victims.

These two families have a lot in common. They are basically families who are not allowed to have normal lives because the patriarch of the family is a costumed hero. The hero is also someone who is generally well-respected and is considered extremely successful in their chosen career, but are terrible to their family members. They are a hero to the world and a villain to their own family.

If there is a central premise to the Todoroki Family outside of MHA's analysis of what exactly makes a hero, it's this:

Todoroki Shoto: "As a hero this endeavor guy is pretty darn amazing. But it's just like Nasu said. I'm not ready to forgive you... for abusing mom. So, heroics aside. What sort of dad are you going to be? That's what I want to find out?"

The challenge is if Endeavor can choose his family over being a hero.

You can se the parallels in Venture Bros, as Rusty's main struggle is to try to be a father to his twin sons and help them grow up while at the same time struggling in this dangerous worlds of super science. Rusty is a super scientist constantly getting chased around by guys in costumes, but he's also a normal father trying to raise two sons into adulthood with basically no idea what he's doing because he doesn't have a frame of reference for how fathers are supposed to act or what a normal childhood would even look like.

The comic book super scientist, and the comic book hero are expected to act like real fathers to their sons.

However, as I said above in Rusty's case it's pretty uncontroversial that he is the main character of his story, whereas Enji starts fights within the fandom very time he appears onscreen.

Why is this exactly?

It's not because it's offensive to have an abuser be the main character, but rather how these characters are written and how well they fit into their stories. As I said Rusty is naturally the main character of his story because he's the central link in the chain of abuse, but should Enji be the main character of the Todorokis? Does he fit as well as Rusty?

3. Who's your Daddy?

So as stated above Enji and Rusty simultaneously exist in worlds where heroes exist and yet they are also normal people who are expected to provide for their families and raise their kids. They both exist in what is basically the marvel universe, though in the case of Venture Bros it's the Marvel Universe fused with old Hanna-Barbera cartoons.

Because of this world some of the things both Enji and Rusty do are things that have no real life parallels. For example Rusty once created a machine using the soul of a dead orphan as a power supply. You can't do that in real life so I'm not going to use that as an example.

Both of these stories are drawing on real life parallels of parental abuse I'm going to be talking about those to tell what kind of neglectful parent each is.

Rusty raised Hank and Dean Venture as a single parent with the assistance of their body guard Brock Samson. They live on the Venture Compound and only leave when Rusty needs to take a trip around the world. Obviously, there's not many real life examples of parents taking their kids into egypt to fight mummies.

However, Rusty's main flaw as a parent is how much he shelters his children not allowing them to make their own choices. They are homeschooled until they are eighteen and almost never allowed to leave their home unsupervised. Rusty could be compared to a helicopter parent that feels the need to micromanage every aspect of their child's lives, sheltering them so much they're unprepared for the real world.

Rusty is a weird combination of controlling and neglectful, because while he doesn't let either of his childre go to public school aor interact with kids their own age, he constantly exposes them to danger. He is often disinterested in his kid's lives and puts most of the burden of protecting them and raising them on his bodyguard Brock, while he chases after whatever super-science project is occupying him at the moment. He's neglectful to dangerous extents too considering they're always getting cahsed around by crazy men in costumes.

Also, he lets them die a lot.

Hank and Dean have died several times over, only to be replaced by clones that Rusty grew in a lab with all the same memories. Once again there's no real life parallel to this, but it's interesting in the context of the show itself.

How do these children survive being chased by villains and constantly kidnapped? The answer is, they don't.

They die, and then Rusty just clones a new pair of boys. That in itself should make Rusty irredeemable but the show presents it in a more ambiguous light.

Dean: "You're telling me I'm a clone, that I'm not even Dean, that I'm some stupid science experiment." Ben: "No, no, no. You're Dean. There's no other Dean, you're it, flesh and blood. Look I was conceived in the back seat of a packard, you were conceived in a tank. So what?" Dean: "So I have no mommy? No nothing!?" Ben: "Dean, you have it all wrong. You have a mommy, and your dad is your dad. They made you by getting drunk and forgetting to wear a condem like everybody else, and your dad loved you so much that when you got a boo-boo, he kissed it and made it all better and made it go away." Dean: "You brought me back to life." Ben: "Yeah okay, well you and your brother had some pretty big boo boos. Have a kid one day, Dean. Hold it's lifeless body in your arms, and then tell me how wrong it is. Jonas, me, and yes your dad, saw it as nothing more than a fucking band-aid for a really big boo boo."

In the story itself it brings up the argument that if any parent was holding their dying child in their arms they'd want to bring them back somehow. That in the logic of the show it's the same as using magic to revive someone from the dead. At the same time it's not because Rusty's let his sons die multiple times and never changed his lifestyle because he can just keep replacing them with clones.

Super-science aside, it is kind of a metaphor for Rusty's parenting as a whole that his sons have been cloned and replaced so many times they're perpetually sixteen and never allowed to grow up. Rusty's so neglectful he's never taken an interest in raising them and this is the result, they literally do not grow up.

It's also probably relevant to mention that Rusty himself is a clone and died and was replaced multiple times much like his sons, and the technology for cloning Hank and Dean was invented by his father Jonas.

However, after season 3 the cloning lab gets destroyed, and the body guard Brock leaves the family. With the safety net removed Rusty actually starts taking a more active role in both of his child's lives. This is basically a mirror to Endeavor's moment of realization after getting number one hero that his entire family has grown up without him and they all resent him.

Season four onwards Hank and Dean develop into their own people outside of Rusty. He responds to them in different ways but he's actually parenting them this time instead of shoving them away like annoyances. Hank becomes rebellious and fights back against Rusty for a long time after Brock leaves because he no longer has a role model and Rusty's response is to always get strict and punish him.

Whereas when Dean rebels not only does Rusty tolerate it, he also spends a lot more time in Dean's life trying to push him into the direction of being a super-scientist like him, supporting his efforts to go to college, while basically ignoring Hank. It's a running gag in the show that Dean is obviously Rusty's favorite, but even when playing favorites Rusty by this point in the show has reasons for why he's making those parenting choices.

Rusty: "Dean believes in this crap! He should have been Rusty Venture, Boy adventurer. Hank got this life thrown at him. And he fights against it. Just like I did."

Rusty playing favorites comes from an attempt to overcorrect for both children. He rejects Hank because he believes Hank doesn't want to be a boy adventure and therefore pushing Hank away from his family and the Venture lifestyle is what he needs. Whereas, he believes that Dean embraces the super scientist lifestyle and he tries to mentor Dean into another scientist like himself therefore he gives Dean most of his attention because he thinks Dean needs that guidance from him.

Of course, Rusty is totally wrong about his sons. If anything Hank is the one who wants to be an adventurer whereas Dean just wants a normal life away from his crazy family but parents often misunderstand their children. He's not actively malicious, he's just misguided in what he thinks is best for each of his sons. He's not really even playing favorites in this case he's choosing to parent his sons differently based on what he thinks is best for each of them, it's just in this case father doesn't know best.

Rusty isn't a stagnant character, but also there's no big redemption arc for him the way there is Endeavor. Rusty never narrates about how he needs to atone for his past mistakes. The result is Rusty is a far more amoral character than Endeavor because he's not trying to atone but the narrative also isn't trying to spin Rusty in any way. It's just showing you Rusty as he is, and with all the bad things he does he's still capable of loving his sons.

The question isn't really "Is Rusty redeemable?" but "When is Rusty gonna grow up?"

Then there's Endeavor (everyone starts booing) who is simultaneously a much better, and far worse person than Rusty.

Enji is honestly more comparable to Jonas, an incredibly successful hero who built a career and an empire in heroics and fame and then tried to force his son into that same lifestyle.He's the exploration of that same idea a supposedly great man with skeletons in his closet. Enji technically has saved thousands of people (such as Hawks one of the other main characters). A person who is so good at playing the role of a hero no one would ever expect there are skeletons in his closet.

"Rusty's father was more successful than you could ever imagine. Jonas Venture Sr. was a manipulative narcissist admired by the world for his scientific accomplishements and his hyper-masculine James Bond meets Doc Savage public persona. He's a geniuine villain who was able to take everything he wanted from the world by seamlessly fitting into the role of everyone's hero." [Source]

Jonas is like showing everything nasty about using someone like James Bond as a male power fantasy. He treats women like objects, he thinks he's aboe good and evil, he's effortlessly charming and suave and uses that to get what he wants out of people. Enji similiarly is everything that is wrong with the ideals of hero society. A society that glorifies flashy, strong quirks that are the best for taking down villains. The only person who even seems to care that he's number two is Enji himself, beause Enji is otherwise rich and succesful, a pillar of the hero community, and allowed to get away with a lot because of his position and influence.

Enji is at least a better hero than Rusty, because Rusty is an incompetent mad scientist who does stuff like mutate college interns into four armed freaks and build death rays.

However, as a parent strip away his status as a hero and Enji is little more than a show parent, pushing his children into a life they don't want in an attempt to live vicariously through them. Once again, resembling Jonas more than he really does Rusty. As Jonas forced Rusty to be a boy adventurer, and then made a cartoon out of it to make money like any show parent.

It's also the idea that generation put that kids into films and it was a very horrible selfish thing to do, they were doing trying to live out their own lives through their kids. That didn't exist before that was something that boomers brought to the world. "Oh I can't be these fun new things I'll make you be it." I think Jonas was a pioneer of throwing his kid at the world. I think Jonas was something of a boy adventurer himself, and made his kid be it. But also put his kid on TV to cash in the residuals. Jackson Publick, DVD Commentary

As stated above Enji gave up on his ambition to be the number one hero and so he decided to create a son with the right quirk to surpass All Might. He then pressured a woman into an arranged marriage, basically purchasing her from her parents and conceived four children until he got his designer baby.

Chapters 301-302 the wrong way to put out a fire, detail the slow descent of the Todoroki Household from Enji entering an arranged marriage with bad intention to create an ideal child to be heir to his legacy, into a full on child abuser. Enji is written like a normal person falling into a cycle of abuse, he never intended to hurt his children at first. Abusers aren't evil monsters, they're just people. Most abusers don't even think of themselves as abusers.

In fact he's shown positively bonding with his first born son who seems eager to learn to use his fire based quirk. He even mentions that he was alright at the time with the idea of Toya being the one to succeed him and letting go of his quirk experiment.

Enji only had kids to carry on his legacy, and only bonded with Toya because Toya was eager to participate in the training and become his heir. However, to give Enji some backstory it's quite clear the death of Enji's own father at a young age left him with no idea on how a father should act.

At a young age Enji witnessed his father attempt to save an innocent girl only to end up a burnt up corpse, and probably at that point conflated strength with being a good father. If his father had been strong enough he would have survived and continued to be a father to young Enji. At that point it's almost understandable that Enji thinks in his mind that earning his keep as the patriarch of the family, and being a powerful hero who will come home alive is the same thing as being a good father.

So Enji conflates masculine ideals of strength and heroism with being a good father, all the while not actually showing up to parent his kids. When Toya seemed like he could live up to Enji's expectations and be strong as a successor everything seemed fine.

However, Toya turned out to be disabled at which point everything in the household began to spiral out of control. After learning Toya could not use his quirk without burning himself, Enji tossed Toya aside and left raising him entirely up to Rei and then pressured her to have more children until one with his ideal quirk would be born.

Toya did not like his father ignoring him and began acting out for his attention. The response of everyone in the household was to politely tell Toya to shut up, because Enji while not being a parent is the money maker and authority in the household no one can stand up to him. When Toya's acting up got too out of hand, Enji would even hit Rei instead of just personally dealing with his son.

At the same time Shoto was finally born and being given his perfect heir after four attempts, Enji eagerly began training him. When Shoto resisted him, Enji stepped up to threats of physical violence and long grueling training sessions to force him to learn. All the while Toya continued to mentally spiral.

One day after his flames turned blue Toya asked his father to meet with him on Sekoto Peak. However that day Enji didn't show up, and Toya lost control of his flames starting a massive forest fire that killed him. Rather than changing anything after his firstborn's death, he doubled down and pushed Shoto even harder.

While being a far worse person, as a parent Rusty is far less malicious. He neglects his kids similarly to Enji at first, but when the safety net is removed and he can't keep cloning them anymore he actually does start taking a personal interest in their lives. Maybe it's too little too late because it's the 14th version of Hank and Dean but he does hear the wake up call and change his ways as a parent.

Enji always doubles down on ignoring his sons in favor of heroics when given the chance to be a father.

Even post redemption arc Enji behaves in the same way. There is no point in the story so far where Enji actively chooses to help or be a parent to one of his sons, when he can choose to be a part of a big important battle instead. Let me break out the list:

In the Pro Hero Arc Shoto sets the challenge for Enji to show what he can be like as a father rather than a hero.

In the internship arc Enji trains Shoto up as a hero but not a father. When he brings the family home to dinner they're attacked by a villain and Enji stands and watches as his son Natsuo gets kidnapped y a villain because he felt like it would be too awkward if he saved Natsuo because then Natsuo might feel inclined to forgive him.

In the War Arc aftewards Toya is revealed to be alive the entire time, and when given the chance to see his dead son come back to life, Enji not only does nothing but he sits and watches as his oldest son tries to kill his youngest without trying to talk to or appeal to Toya.

After the war arc, Enji doesn't bother looking for Toya and goes back to his job as a hero hunting down AFO. He also makes a promise to Shoto that they'll search for Toya together, only to break that promise multiple times.

In the second war arc, when Enji is given a chance to face Toya face to face, he instead sends his other son Shoto to fight him, while Enji fights against the big bad instead as the number one hero.

When Toya is literally dying and about to burn himself alive in front of him, Enji who has chosen to run away from Toya too many times by this point picks the murder suicide option and chooses to try dying with his son in a heroic sacrifice.

Every single chance he is given to act like a father, he acts like a hero instead. Enji Todoroki never steps out of the role of the hero Endeavor. Internally he's changed, yeah. He's remorseful now and realzies what he's done wrong. However, externally he hasn't. He doesn't do anything different. He neglected his family for his job his entire life so his way of making it up to them is... to keep going to his job.

The problem isn't whether or not he deserves to be redeemed, but rather that there's no change in his actions. Endeavor at the beginning of the story would have shown up to fight AFO in the war arc too, because being the hero is what he does. It's the only thing he does. The story never asks him to be anything other than a hero.

Which is I think a fundamental difference in Rusty and Enji in how they're written. Rusty is a flawed parent, but he's still a parent.

He does favor Dean over Hank, but that favoritism takes the form of him giving Hank more chores when Hank acts out, but when it's time for Dean to rebel giving him space and letting him have his own separate room in the attic. It's Rusty letting Dean have access to the family checkbook so he'll have spending money at college, but cutting Hank off from the checkbook because they agreed if Hank didn't want to go to college he needed to find a job to support himself.

Rusty is parenting these children. He's parenting them very badly, but he's still their parent. Enji never wanted to be a parent to begin with, he wanted to be his kid's abusive gymnastics coach. He wanted a prodigy that he could push and push until they won gold at the Olympics.

If you ignore the fantasy elements then you're left with how these men are shown interacting with their kids in their day to day lives.

Rusty has absolutely no idea what he's doing, so even when he has good intentions he screws up. However, he is making an effort to guide these kids.

Enji was an intentional manipulator more in line with Jonas. He controlled everything in the household, and was actively trying to groom Shoto into someone who would obediently carry on his legacy. He made the choice to isolate Shoto from his siblings so he'd have more control over him. Rusty keeps Dean and Hank away from kids their own age and from having a normal life because he never had a normal life. He doesn't even know what a normal life looks like.

Enji for most of his life didn't want kids, he wanted heirs. He even purchased a woman so his heirs would turn out with the right genetics, and tossed aside the ones that were disabled or born with the wrong quirk.

Rusty made the decision to become a parent on his own. In the last twist in the series it's revealed Dean and Hank had no mother. They were conceived in a test tube, raised in an artificial womb by Rusty himself. He is both their father and their mother. Kids were a deliberate decision on his part. He wanted to have a family, probably because his own childhood was so deprived of any familial love.

Dean: Okay, so who is our mom? Rusty: Seriously, Dean haven't we had enough family history for one day? I don't even know who my mom is. All you need to know is that the person who gave birth to you. I promise they do.

Remember as stated above the central thesis statement of Venture Bros is "Elige Tua - Choose your family". Rusty chose to bring those kids into the world because he wanted to be a father, it's an active choice his character makes.

Whereas the central statement of Endeavor's arc is "So, heroics aside. What sort of dad are you going to be? That's what I want to find out?" but we never witness Enji doing anything outside of being a hero.

Even post-redemption the only time he ever spends with Shoto is when they're either doing quirk training or working as heroes together. Toya as a character presents this challenge to him, because he's Enji's son, but he's also a villain who's killed innocent people. If he's acting as a hero he has to put a stop to Toya, but a father is supposed to put the safety and well-being of their children above everything else.

We never see Enji make that choice to be Toya's father over a hero. Which is why in story he comes off as a worse father than someone like Rusty, because he never makes any attempt to emotionally bond with his children.

Rusty will sit Hank and Dean down and tell them stories from his childhood. He'll find common ground with his sons to bond over because they've both been subjected to the boy adventurer lifestyle.

Rusty: Dean what are you doing? Dean: Hyperventilating into my knees. That smell a little like spit up... because I spit up a little. Rusty: Dean, you just baby burped onto a speed suit. Not a super scientist alive that hasn't coughed a little acid onto his speed suit. Dean: Really? Rusty: Why do you think these things are like 95 percent polyester? You can clean off fear-vomit with a wet nap. Dean: I thought you were used to this. Rusty: Dean I remember when the action man would wake me up with a gun pointed at my head. He'd just hold it there and pull the trigger. I'd hear the click really loud because it was right against my forehead. Dean: So it echoed. Rusty: Right, it sounded like he snapped one of my teeth out. Click! Then he'd go, "Not day Rusty. Not Today." Dean: Golly, and you took it because you had to? Rusty: No Dean, I took it because I was Rusty Venture. Boy adventurer. I didn't ask for this life, Dean, but it's mine. Sure, I fall down in the Speed Suit but I get up and Wet-Nap my puke off.

We never get any moments like this with Endeavor and his kids.

He only goes so far as apologizing for his past abuse. Yes, maybe it's cathartic hearing an abuser apologize for what they've done but that's not the question the story was asking. It wasn't asking "Can Endeavor be forgiven?" It was asking "What sort of dad are you going to be?"

The narrative challenged him to learn to act like a father to his family, and he never did. He stayed in the role of hero from beginning to end. It might be cathartic for his victims to hear him say sorry, but it's not good for Endeavor as a character because he hasn't changed and we've learned nothing about him. We already knew he was sorry at the beginning of the arc. Endeavor is sorry and knows he's done something wrong has already been established, but by Endeavor stepping out of the role of hero and acting like a father we could have learned something new about him or his character but no he stays the same from beginning to end.

They're both awful people but at the end of the day Rusty is a father, and Enji is not.

Stories are kind of like essays your English teacher used to force you to read. You need to make a thesis statement in the story itself, and then have evidence to support that thesis statement. The theme of Venture Bros is choose your family, and family is complicated, and in support of that theme we have Rusty choosing to connect with his sons. Jonas is basically nothing more than Rusty's biological father. Rusty's chosen a different way to connect with his sons, and he is their dad, and they can bond about the complicated lifestyle of being a Venture together.

The actions Enji takes in his story don't line up with his thesis statement. The Todoroki Family subplot is supposed to be about how one family was messed up because Enji only chose to have a family to further his career as a hero, and choosing his career again and again made things worse. The thesis statement was that Enji needed to choose to be a dad, but he's never shown doing that in the story.

So Enji as a character seems like he doesn't fit in with his narrative. Which is what I said at the very beginning about Rusty and why he works as a main character. Rusty is the center, because he's had this horrible life inflicted on him by his father, and he's in the process of raising his sons but he still has a chance to choose to be better.

Enji could also work as the center of his story, he has a chance to choose his family over his work as a hero, but he's ultimately not the one who does that, it's Shoto. Which yes Shoto is the main character of the Todoroki plotline, but by the end Enji's gotten as much screen time as his son. If the plot was going to focus on Shoto and his choices to begin with then he should have been the central point. You spent a lot of in story time asking this question with Enji on whether or not he's going to be able to choose to be a father over a hero, and who Enji is outside of being a hero only to not give the audience any answeres.

This again has nothing to do with Enji the person and whether I think he's likable or not, because Enji's a fictional character. He's an idea. If writing is communication, then a writer is trying to communciate some idea with every character in their novel. We're asking what is the author trying to say with Enji, and do they do a good job of getting that message across?

4. What's the Big Idea?

So the above section was mainly about the personal arcs of each characters: How do both of them fail at fatherhood and do they learn to be better fathers over the course of their narratives?

However, these characters are part of a much bigger world. How a character interacts with both the world around them, and the extended cast of characters is another way a story relates it's theme.

Venture Bros and My Hero Academia both exist in comic book worlds. There are people running around in costumes calling themselves heroes and villains and fighting each other on the streets.

In My Hero Academia heroes are basically professional athletes who sell sports drinks and pose for ads and compete for rankings on a big board, and heroics for the most part has been reduced to a day job for people with particularly powerful quirks. Heroism is an entire industry that's for profit, and run by the shadowy hero council who has far more power over their society than they let onto. You could compare Endeavor being the top hero to him is like a combination of being the best pro athlete, and also the best salaryman ever.

Ironically, the worldbuilding of Venture Bros is pretty similar. In Venture Bros. the villains are all unionized. There is a super villain trade union. It's a secret organization known as the guild of calamitous intent, which makes villainy into a bureaucracy.

All villains in the world have to register with the guild. If you're a part of the guild you receive the protection that the guild offers, as long as you follow the guilds rules and regulations. There's lots of small rules, like you can't torture someone who's having a medical issue, and if you're fighting a good guy and they have a doctor's appointment you have to let them go.

They even rank heroes and villains by their threat levels called "EMA LEVELS (equally matched aggression) and then assign you a hero who's about your equal so you won't get killed by someone way stronger than you. The guild basically decides who you're allowed to fight as a villain and picks a hero for you. The act of being someone's arch villain is called "arching" you show up to harass them once a week like a Saturday morning cartoon villain, fight them, then do it again next week. You're not allowed to kill your hero and you're supposed to follow specific rules. The tradeoff is the heroes won't kill you either, because you have guild protection.

The Monarch: I don't know, just keep it cat and mouse not cat and missile. JJ:: So it's a game? We fake fight? That's ridiculous. The Monarch: No, it's like fencing, it's about the art of the fight. JJ: Well, I'm about to deliver my killing stroke. Then what? Dr. Girlfriend: Then the guild steps up their game. You throw a rock, they throw a knife. You throw a knife, they come to your house when you're sleeping and murder your family. The Monarch: Look Dr. Venture you call the guild and you get the damn rulebook, I'll be waiting.

The justification for why the guild exists is that in world if you didn't give the villains a system with a bunch of rules, then you'd have a bunch of crazy people in costumes running around causing havoc.

Brock: You wanna what? Shoot him? And all his men and his wife? You could steal his cattle, too. Maybe burn his village down? JJ: It's an antiquated system. I mean my father did this fake arch enemy nonsense in the sxities. Maybe my brother is good with this namby pamby guy in a costume chases you around nonsense, but I'm not. Brock: Hey no disrespect Jonas, but it isn't so easy. These guys like their system. It's what they do. You take that away and you're looking at a bunch of pissed off nut bags with ray guns, and giant -- i don't know, a giant octopus / tank with laser eyes.

The villains and the OSI (who are like the GI JOE) of this world have signed a very long and detailed treaty that keeps both sides in a cold world stalemate and lets them fight every week like how the good guys and bad guys fight constantly while maintaining a status quo where neither side wins.

In MHA heroics is a commodity. It's commercialized and sold to the public. Heroes are like professional athletes selling you sports drinks, it's a spectacle to the public, and it's even intentionally made to be that way by the Hero Commission who use heroes as a bright shining light to distract the public while they do shady things like assassinate antigovernmental protestors from behind the scenes. The entire of hero society in MHA is built on the spectacle of heroes.

In Venture Bros heroes and villains are a spectacle too. It's just a job to them. Heroes and villains both show up to work, get in their costumes, fight each other and then go home. In Season 6 of Venture Bros, a parody of the Avengers is actively charging people to provide their services as heroes in the city of New York and you have to sign up for a protection plan if you want to get saved. Then the local mob boss takes a cut of the protection money they're charging.

In both settings the ideas of heroes exist, comic books exist, but the heroes themselves are incredibly mundane, they're just people showing up to jobs and making money for the most part. The only difference really is that in MHA the villains are societal rejects and trauma victims, whereas in Venture Bros they've unionized. In Venture Bros the villains and heroes basically fake fight under strict rules. Even in MHA though the villains need to exist in order to give the heroes someone to fight in front of the public. "Villain" is an actual legal term for a certain kind of quirk criminals with more than three strikes who gets sent to a super max prison if they're caught.

Both of these works are making comic book heroes and villains seem a lot more mundane by deconstructing them with this layer of realism. By making the roles of "hero" and "villain" seem much more mundane, and therefore more human, it also asks us to look at the characters who call themselves heroes and villains as human beings.

The Venture Bros like many richer takes on superhero stories really likes to play with the concept of identity. It's the idea that Good and Evil, Heroes and Villains, are just roles we play. They're not something fundamental or innate they're constructed by the world around us. In the show the main villainous organization the GCI is really just a bureaucracy of larpers sustaining their violent rolelplaying through organized crime. Rich and powerful lunatics who built the world around a game they wanted to play. There's really nothing of substance keeping Rusty on the "Good Guy" side. The good guys are also a mix and match. Shield, GI JOE, FBI. Another exmaple of people who never grew up. Only these people are running things, playing out their childhood power fantasies. They're barely less insane and blood thirsty than the bad guys. So what's even the point of being a good guy in the first place? That's the world Rusty is caught between...[x]

MHA and Venture Bros are both works that feature societies that divide people into two distinct categories "hero" and "villain" and then go on to show that these two categories are not as black and white as they would like us to believe.

Venture Bros features Brock Samson, a character who is ostensibly on the side of the good guys who also highest body count of nameless henchman who we see him gleefully kill onscreen over and over again. There are members of the OSI who are just as trigger happy as the guild so what's the difference between them besides what they've decided to personally identify as? On one side you have the Larpers who are roleplaying villainy, and on the other you have the military soliders who think they're real life GI JOES.

In My Hero Academia you have heroes who are essentially state sponsored peace keepers who suppress anyone who disrupts the status quo with violence, and villains who are rejected from that status quo who eventually turn into violent terrorists. While yes heroes have the responsibility of protecting innocent civilians, most of what heroes do is fight villains, in fact heroes with quirks suited to rescuing people aren't nearly as famous as ones with flashy violent quirks like Endeavor.

You have two sides and one calls themselves villains and the others heroes, but they both use extreme violence as a way to accomplish their goals.

Rusty and Enji are two characters who are caught between these two categories which aren't as distinct and separate as we'd like to believe they are.

Enji is basically the first deconstruction of heroes in MHA. He's a hero who's not interested in saving people, but instead wants to be the strongest and does everything in pursuit of selfish glory.

He's simultaneously the hero with the single most resolved cases in history, but at the same time he's always number two to All Might because he's not "super" enough of a super hero. In a manga where Deku's natural desire to save others make him a candidate to b ahero even without a quirk, we have a character who's a hero for purely selfish reasons. One that only cares about having the strongest quirk because being the best is all that matters to Enji.

In many ways the way Enji treats his family is more like a villain than a hero. Main villain AFO himself comments at one point he wasn't able to manipulate Toya, because his father did too good of a job manipulating him already. In fact you can draw a parallel between his actions of manipulating and grooming Shoto to be his heir, to how AFO raised orphaned child Shigaraki Tomura as his successor.

This is a good use of Enji's character, because making it hard to label him as hero and villain makes us think about who he is as a person instead.

There's an entire episode of Venture Bros dedicated to a villain Mentor named Dr. Henry Killinger, showing up and basically mentoring Rusty Venture when he's at a low point. He gives Rusty money, workers, gets his business up and running again and at the very end reveals that he's setting Rusty up to be a villain to arch his brother as a hero. Rusty is tempted with the idea that he'd make a much more successful villain than he ever would be a hero (because as a hero he's kind of just a loser) but he still chooses to be a hero at the end of the story because he doesn't want to fight his brother.

At which point his mentor, all his hired men, all just walk off and he loses all the money he would have gained and he goes back to being a mediocre super-scientist.

"Doc has the whole thing laid out for him clear as day. This role is here for you. Waiting for you to claim it. You have your nemesis. You have your means. You have the ability and the pain. You can do this and you'd be good at it. And Rusty can look at all of that, everything he's been through and say, "Yeah... but I don't wanna be evil." [x]

Rusty walks away from the chance to be a villain, but he's not exactly a hero either. He runs illegal cloning farms, he does lots of unethical scientific stuff and he's not even remotely the hero his father was considered to be.

Because he doesn't fit well into the category of hero or villain, the show instead asks you to evaluate who Rusty is as a person. He's one of the few characters in the show that's capable of stepping out of those categories.

"That's the great thing about him. Sometimes being disillusioned just means you can see through the whole thing. Sure the whole super science villain game feels stupid. It's not going anywhere. No one's accomplishing anything. It's all violence and roleplay. But at the end of the day it's still real. And it still means something to us. Choosing to be a villain means choosing to be a bad guy. It means relinquishing the premise that you could ever do better, ever actually help anyone. And that's not who Rusty is. He's a scum-bag, but he's a grown up. Even in a show with brilliant characters, old pros, and actual supermen, Rusty is the adult. And adults don't put on rubber masks and terrorize people for fun because that would be fucking silly." - [x]

Rusty spent his entire childhood being terrorized by guys in costumes, so he's now the cynical straight man pointing out how ridiculous this all is. He's the one normal person among the crazies.

Rusty is just too incompetent to ever be like his father. Jonas Venture is scum bag, but he's also a well-respected scientist and a world wide hero. Everyone in the scientific community thinks that Rusty is a joke, and his friends just barely put up with him

Jonas gets away with it because he perfectly fit what society's idea of a hyper masculine strong hero was, and no one questioned it or how he treated his son, whereas because balding, impotent, pathetic Rusty falls so short of toxic masculinity's standards he doesn't get the same respect or leeway that Jonas did. Jonas Venture continually got away with murder, and Rusty can't get away with anything.

He's a pill-popping, middle aged man who ran his father's business empire into the ground who continually gets laughed out of any scientific conference he tries to attend.

He can't be a hero. He can't be his father. He fall short of toxic masculinity's standards. He falls short of everyone's standards. The only way in which he's better than Jonas is that he's a much better father to both of his sons. His greatest triumphs as a character come from bonding with Hank and Dean. Jonas for all his accomplishments wasn't capable of bonding with Rusty because he didn't really care about anyone but himself. Jonas Venture is someone who perfectly fit society's standards of toxic masculinity, but he wasn't a person outside of that.

"Jonas Sr realized this too, but to him, it was a joke. To him it meant being above everyone. Rusty can't be above everyone so he has to meet them at eye level. Part of the bitterness of growing up is realizing that we're all just chidlren who got old. No one knows what they're doing and when you come to terms with that you can look down on people or give them the respect everyone deserves. How you treat children says a lot about how you treat people which in turn says a lot about you." [x]

Now returning to Endeavor we run into the same problem that we did earlier. This whole post is comparing Rusty and Endeavor because they are the protagonists, but Endeavor is far more like Jonas. He's someone who sees through the hero system and only cares about climbing to the top out of his own self interest. He knows it's a game, but he wants to win at the game.

Enji even sort of looks like Jonas.

They're both extremely bulky men at peak levels of physical fitness. Meanwhile Rusty is a balding, short and out of shape middle aged man.

In story Jonas is still widley beloved by the public and is constantly praised, while no one but Rusty is aware of his faults, but there's a reason for that. Jonas is someone who is basically allowed to do anything he wants, because the patriarchy means all of society is built around letting men like Jonas succeed.

Jonas is also someone who literally uses his position as a hero to manipulate people into getting what he wants and glorify himself.

Jonas can casually destroy people's lives, all while still believing he's the good guy because in his world being good guy is just a role to play and he plays it well. One of the best three episodes of the series is the Morphic Trilogy, the opening to season 7 where some of Jonas's past crimes are revealed.

In the past he tricked a married man into making a sex tape with him, and then when that man Don Carraldo aka the Blue Morpho turned out to regret that, he used the tape to constantly blackmail him into doing his dirty work. Killing people in secret while Jonas Venture remained Squeaky clean. After years of being forced to act as a mercenary for Jonas, the Blue Morpho died in a plane crash. Jonas then revived his best friend as a cyborg. He got bored of his new cyborg within a few months and reassigned him to babysit his son Rusty. The cyborg glitched and started to strangle Rusty and then he snaps his friends neck, and throws the cyborg away in the garbage.

Jonas can just completely destroy a man's life because he can. Because everyone around him enables him and no one is going to stop him. Because this is how people in power act when they're given too much power. Because might does not make right.

He's the gold standard. He's the ideal. Who would question him?

Enji occupies a similar position in the story, where he fits the role of a hero so well that even when his family abuse is revealed to the public basically every character and their mom is tripping over themselves to defend him.

Jonas is constantly praised in story years after his death and every bad thing he's done is swept under the rug, but that's because number one Jonas was a manipulative monster, and number two it shows toxic masculinity is a false ideal. This is how Jonas who everyone thinks is the ideal man's man, really acts. This is what he gets away with it, because the thing society glorifies are toxic and bad.

When people bend over backwards to defend Endeavor what does it say exactly? Because we're supposed to believe that Enji's willing to work for redemption even if people don't forgive him. We're not supposed to think Enji is a manipulative monster intentionally twisting people around his finger like Jonas was.

There are some ways Enji is like Jonas, especially in his backstory. He did use his money and influence to buy a woman. Rei was definitely not going to get the option of divorcing him if she actually wanted to leave.

However, in the present time we don't see Enji doing the kind of manipulation that Jonas does, because really he doesn't have to. Hawks does it for him. There is a character in the narrative named Takami Keigo / Hawks who is a little boy that Enji indirectly saved as a child by putting his father in prison. Because of this he is obsessed with making Endeavor live up to the hero he imagined him to be when he was young, and does everything he can to prop Enji up behind the scenes and make him look like that hero to the public.

Hawks is a whole other can of worms, but in effect what this means is there is someone manipulating public opinion in favor of Endeavor so he'll be able to shine in spite of the numerous skeletons in his closet, it's just not Endeavor himself. Hawks also takes away a lot of the active decisions on Endeavor's part. When Endeavor chooses to ignore Toya in the latter part of the story, it's not Endeavor's choice, he's just following Hawks plan to fight AFO. When Endeavor makes a public apology, Hawks is the one who wrote it for him.

The result is that Endeavor comes off as less of a Jonas, after all Hawks is the one manipulating his public image. On the other hand, he's also less good of a character because he's not making choices anymore. It'd be better If Enji was trying to manipulate the public into forgiving him in the wake of his scandal, because that'd be an active choice on his part. When a character makes a choice it tells us something about who that character is.

Horikoshi doesn't want us to think that Enji is the kind of selfish monster that Jonas is, but then who is he supposed to be?

The entire point of this post is to compare Enji to Rusty, but Enji's far too successful to be Rusty. Rusty is a failure in basically everything he set out to do in life. He's the butt of the series jokes. He's the victim in as many ways as he's the perpetrator. He had a lot of money and then wasted it all. None of his inventions are succesful. The scientific community thinks he's a joke, or they don't even know who he is. Women won't even go near him. No one ever defends him. At no point in the story does someone stop and say "Hey, Hank I know your dad's an asshole but he's really good at science so that makes it okay."

Rusty's such a failure at being a hero that he's forced to be a person. He's as equally narcissticic and toxic as his father, he treats women like objects for sex and comfort like his father does, he just doesn't get away with it. You can't point to some heroic feat of his that justifies his toxic behavior because he doesn't have any.

The story however can't stop singing Enji's praises for what a good hero he is. He's never forced to step out of the role of hero and be a person like Rusty is, and because of that the message of his character becomes confused.

Are we supposed to think he's a manipulative narcissist like Jonas is? Are we supposed to think he's an incredibly flawed individual trying to figure out how to be a father late into his kid's lives like Rusty?

Rusty has a clear role in his story, and what the author wants to say with Enji is unclear.

Everyone praises Jonas to death and no one can see him for the terrible purpose he is, because that's the point. Venture Bros is about failure. It's about the death of the space ag optimisme. It's about how much the boomer generation sucked.

From the Radiant is the Baboon Heart Commentary. Question: Did Jonas only keep Rusty around for the press and his cloning tech or did he actually care about him? Answer: . The show has a villain called the monarch, but if you watch all the show the villain is Jonas Venture Sr. He is a bad dad. What you need to realize is that in this kind of baby boomers gen x millenials kind of thing we are of the generation that had bad parents. For the good and the bad of it. The good was we were all left alone by our parents, and we had a freedom in our thought that I don't think the millennials have. Because we made the millennials, and we were like You know what Our parents suck and we're gonna be great parents." And they helicoptered them and they gave playdates. [...] I did hate the boomers, they were awful fathers they were terrible people they did horrible things to our world, and at the time they were celebrated as good people. They were a bunch of hippies and they failed and they did everything wrong that they wanted to fix [...]. You and I are lost people we observed our generation. We are fully aware of it. We observed our parents generation. My actual father was a classic distant father, very bright had a lot of work to do, but I observed that generation and the way that toxic masculinity was set in stone. Just branded onto their tombstone. Toxic masculinity. Our generation grew up wanting to be adults, childhood was something that was not examined. When people were growing up we wanted to be grown ups, we wanted to wear suits, it was something you guys don't have. It was a very different way to grow up. So we wanted to be like this generation that immediately we looked at and went oh my god they're monsters. So Jonas Venture Sr. is a monster.

Jonas is a commentary on how much the boomer generation is glorified, and how much they suck if you look at them critically at all. It's written by authors who were observing basically three different generations of parenting, the way boomers parented, the ways Gen-Xers did in response to that and now the way millennials act as they reach adulthood. Rusty can't escape Jonas' shadow because Toxic Masculinity is set in stone.

The role of Jonas in the story is to serve as an antagonist to Rusty and be the cause of Rusty's struggles, and also his impetus to change because Rusty doesn't want to be like his father. Rusty and Jonas both exist as characters to show the author's observations on parenting through the generations, and yeah it's a very american idea of parenting and family but it's you know... a cartoon made in america.

What is Endeavor's role of the story? If he's a criticism of toxic masculinity he's not criticized enough, because the story spends just as much time glorifying him his obsession with strength and power as it does criticizing him. There's no scenes like this for Rusty to show off how cool he is, or how determined. The story wants you to believe that there's something redeeming in the fact that Enji is always struggling to be the greatest, even though his obsession with being number one is what caused him to abuse his family in the first place

It's criticizing and praising Enji's obsession with power in the same breath, because My Hero Academia can't fully deconstruct toxic masculinity the way that Venture Bros can. It keeps trying to find something redeemable in Endeavor's toxic pursuit of power, but that's the whole point. Toxic masculinity isn't redeemable, because toxic masculinity is toxic. There's nothing wrong with masculinity itself, or the values people traditionally consider masculine but the kind of hyper-aggressive pursuit of physical strength Endeavor chases after is toxic masculinity. In Endeavor's mind men are warriors, protectors and providers and nothing else, and he never learns to be anything else either.

MHA would never treat Endeavor the way Vbros treats Rusty, constantly humiliating him or making him the butt of jokes. It would never make Enji out to be weak or pathetic the way Rusty is.

The central concept of Endeavor is struggle. His chosen hero nae "Endeavor" means to try hard to achieve something. His entire character is based around the concept of struggle. His central struggle is that he's a normal guy trying to compete with a superhero like all might, and everything he does he struggles with even if that struggle is pointless.

However, in the actual narrative itself he doesn't struggle. He definitely doesn't struggle the way Rusty does. Rusty's a lazy, incompetent, and entitled man sitting on a pile of money he didn't earn who thinks he's entitled to more who fails at all he sets out to achieve. Rusty never gets what he wants, and even when he does get what he wants like when his brother leaves him a billion dollar corporation in his will, he bankrupts that company in two seasons. Struggle means that the world isn't going to give you what you want and you keep trying anyway.

Endeavor's never subjected to nearly the same amount of narrative punishment that Rusty is. He's still well-respected. People defend him. He fights in all the major battles of the series and gets victories. No one's disgusted when they hear that he's a wife beater. We are told that he struggles, that the central concept of his character is struggle, but the narrative keeps handing him wins and cool moments.

As I've said above several times, Enji's never really forced to step out of the role as hero because he's not a failure the way Rusty is.

My Hero Academia hits some of the same notes as Venture Bros. It's criticizing apanese hegemonic masculinity, specifically that of salaryman masculinity and the way men in japan completely put their careers over their families. Read about it here in this convenient power point presentation. Enji is essentially an incredibly successful salaryman who has completely disappeared from his kid's lives in order to earn money and success and believes that he's still entitled to be a father because he's performed adequately in his role as earner of the household.

The story does show how giving too much power to the patriarch of a household can cause a house to fall apart. It shows that traditional family roles aren't all they're cracked up to be. Enji is assigned the role of father but he doesn't live up to it. The very rigid and traditional Todoroki Household crumbles because basically everyone fails to live up to their roles. The father isn't present. The mother isn't a good caretaker. The first born is defective. The youngest is given all the responsibility of the first born. No one is able to live up to those roles because maybe those rigid set in stone roles shouldn't exist in the first place.

Once again though, that's all in the backstory. Enji never changes from the Pro Hero Arc to his last showdown with Toya. The story never tells us anything about who Enji is as a person. Therefore, it also never comments on Enji's role as the patriarch. What is Horikoshi using Enji to say about patriarchy besides... it exists?

The story shows you how destructive the idea of patriarchy that Enji represents can be in the backstory, but because Enji doesn't do much for 90 percent of the story it never says anything about how Enji can learn to be a father or if it's even possible for him to be a father this late in the game. Because Enji's story isn't about fatherhood ultimately, it's about him becoming a less selfish hero.

Which might just be a problem with the whole of MHA. Venture Bros is about who the characters are outside of their identity as heroes and villains, but MHA is ultimately more about the optimism of heroes and what it means to be a hero than these characters personal lives.

Rusty is never going to be as sucessful as his father. He's always going to be mediocre, ad even if he's sympathetic he's still a scum bag. However, Rusty has one thing his father doesn't have which are his two sons who he made a deliberate decision to get closer to. Unlike a serial user of people Jonas, Rusty has the ability to actually love and care for people and he chooses to make those connections.

Endeavor never chooses to be a father. He didn't choose to go to Toya's side. He was too busy being a hero and fighting the big bad. As a result of that we never learn anything about Enji as a character outside of being a hero because he never chose to be anything other than a hero.

He also never failed. As I said the narrative kept handing him wins. You'd think never choosing to see Toya would mean he can't save Toya in the end, but in the end of the story Toya's just fine. There are no consequences to his choices. He's revealed to be an abuser to the public but he gets to keep being a hero. Enji never really fails in some big way that forces him to rfelect and change on his actions, so he just keeps doing the same thing from beginning to end.

Which is why Enji doesn't work as a character compared to Rusty. He doesn't fail. He's supposed to be a flawed protagonist struggling against himself, but he never really loses. He's too much like Jonas and not enough like Rusty.

"I think Jonas was something of a boy adventurer himself, and made his kid be it. But also put his kid on TV to cash in the residuals. He was just a shitty parent. When he went to bed he was just, he was moral, and he was fighting the good fight. When he woke up he ignored his son and made his son do terrible things. He voted for nixon like a good american. He was a winner and our show is not about winners. Our show is about losers and people we love." Jackson Publick. n

[physics-of-one-piece]

Part 13 of Punk Hazard Dub watch party

617

Zoro racing over leaving dust how fast he’s running and STILL going the wrong way 🤣🤣

I just want Doflamingo to carry me like Zoro carries Tashigi. Yes, like a sack of flour on his shoulder. Yes, I don’t mind.

“Just put me down! This is embarrassing!”

“There’s no time for that now! You’re staying right where you are!” You listen to Dub Zoro, Tashigi. Let him carry you, Tashigi. I’d listen to Dub Zoro. Why run when you have a big strong fast man carrying you? Stop trying to look the gift horse in the mouth, Tashigi!

Dub Zoro won my heart, I was not expecting that. I knew Dub Doffy, I was ready for that, in fact I expected it. But Dub Zoro? Of all dubs, Dub Zoro? Did not expect that, at all!

Okay so, I have a question… did Law get nerfed a bit for Dressrosa Arc or did that just appear like that to me cus Doffy just is overall faster and could avoid the slashes with ease which then makes it seem like Law is nerfed?

Vergo still going after Law, man, what a sore loser.

All props to G-5 soldiers for Mocha & the kids, they really really helped

“That was cruel.” Rich of Vergo to talk about cruel.

“You don’t mess around when you want revenge.” No, Law does not mess around.

Law cutting his head in half and stopping Vergo’s monologue, good job, Law.

How dare Caesar call that the true power of science? As a scientist… not approved

Caesar sure is stupid. Basic science here, buddy. Luffy needs more space for the fist he’s gonna use.

“Now, Third Gear!” Here he goes!

“I’m gonna finish you now, so I never see you again!”

Hey, the OST that played when Luffy blocked Rebecca’s sword and returned is playing here too!

And Luffy beat him! Yaay 🥳🥳🎉🎉

Doffy in the preview! 🎉🎉🎉 Gosh he’s so handsome 😍

618

Zoro worrying about Chopper, big brother Zoro awww

Hahahah Law & Smoker dragging the cart AHAHAHAHAHA LOOK AT THEM HAHAAHAH

Law thinking of the kids and the injured he is a true doctor awww 😭😭😭 Rosi would probably break out crying. Like me 😭😭😭😭

“Traffy!” Sooo cuteee

Luffy telling Law he punched Caesar through the tunnel

“No! The plan was to kidnap him!”

“Why? He sucks!”

HAHAHAHA I LOVE THEM

Doffy burning the entire town to ash. He’s just doing for Baby 5 what Trebol, Pica & Diamante did for him when he was a kid and when he fell on an uneven road in a town. Gosh 🤣🤣

Eight men, eight towns. Omg, I feel so bad for Baby 5, she probably hasn’t had sex yet bcs of Doffy’s overprotective dad tendencies 😭

“Why won’t he let me be happy?!” 🤣 But also 😭

“That’s just how he shows his love. He’s just protective.” YEAH! That’s just… Doffy’s style… of showing love 🥺

“Him blowing up a town or two is just a sign of how much he cares.” I’m using this line in Merlot & Primroses 🤣🤣

Ewww, good on Doffy for killing the guy that’s a predator not a boyfriend. He looks old enough to be Baby 5’s grandfather!

I love how Buffalo is trying to help “Just because someone asks, you don’t gotta say yes.” Bless Buffalo.

SHE HAS 50 NEWSPAPER SUBSCRIPTIONS? BABY 5, NOOO 😭😭

98 million in debt 😭😭 hang on, if berries equal yen and they do…

657 thousand dollars! Omg 😱😱😱😱

Aaaand then Buffalo takes advantage of it. No, Buffalo, no gambling! Gosh 🤣🤣🤣

OOOH, BACK TO DRESSROSA

DOFFY DOFFY DOFFY DOFFY

🎉🎉🎉🎉🎉🥳🥳🥳🥳🩷🩷🩷💕💕🫶🏻🫶🏻🫶🏻

He has no right looking this good! 😭😭

“What’s up?” Dub Doffy 😍😍

“Is that so?”

(gulps) Yeah, Dub Doffy scares me as much as Sub Doffy.

“I don’t care what state he’s in, grab Caesar immediately. Get out of there and bring him to Dressrosa.”

Omg, Dub Doffy nails the laugh, hoooly shit, yees. 1000/10.

Oh, I noticed a little detail! Doffy’s got his pink jolly roger on his cufflinks instead of the pirates skull crossbones one!

See!

SO CUTEE! 🥰🥰🥰

Myb the skull crossbones one is on other side of the cufflink?

“Buncha damn rookies. Blow up the lab, what the hell do I care? It’ll take more than that to beat me. All that matters is Caesar. As long as I have him, I can make all the SAD I need.” oh man Dub Doffy sounds so arrogant and smug and sexy, such a crime boss I love him

he’s sooo 🫠😳🩷🥵💋👌🏻

And Dub Doffy still laughing, love it

Dub Doffy is so sexy I cannot with him, this is UNFAIR

(619 in reblog cus I used the pics limit)

[thisisnotthenerd]

feel free to share your reasoning. i made up a title for arc 8. breaking the gates seemed apt. not your least favorite arc, but when the trajectory changed.

arc summaries under the read more:

arc 1: the party meets in jrusar and come under the patronage of eshteross. bertrand dies. chetney shows. ira shows up. concludes with the shade mother.

arc 2: the party does the museum heist then get set after treshi in bassuras. dusk/yu. calloway hideaway. lattice around ruidus. paragon’s call. the deathwish run. fcg murderbot. first otohan murderfest. concludes with laudna’s resurrection.

arc 3: starts with eshteross’ murder. aeshanadoor and the gorgynei. heading to yios to meet the grim verity. planerider ryn. kadija sumal. first fey realm trip and destruction of the fey key. concludes with the apogee solstice.

arc 4: the party split. team wildemount land near uthodurn, meet deanna and frida, free umudara, wreak vengeance in drixlitch, head to molaesmyr for info. team issylra land near hearthdell, meet deni$e, bor’dor, and prism. fight in the dawnfather temple. bor’dor betrayal. concludes with the party reuniting in jrusar.

arc 5: from jrusar, heading to zephrah to help keyleth. after some shenanigans, heading to bassuras for imahara joe. shattered teeth. jirana. ghost pirates. evontra’vir. finding the shard. snowdinus. shardgate. trust exercises in ligament manor. concludes with the rush for the malleus key.

arc 6: landing on ruidus. finding the village. secret tunnel. ria’doin. kreviris. the volition. split missions and discoveries about ruidus. trying to escape. concludes with otohan murderfest number two and fcg’s sacrifice. crown keepers fracturing. zathuda. meet essek. head to aeor. meet braius. concludes with dominox and ludinus triggering the occultus thalamus.

arc 7: downfall. the gods striking down aeor.

arc 8: aftermath of downfall. delilah fight and soul anchoring. the exandria accord in vasselheim. back to the fey realm to defeat zathuda and cut unseelie ties. arch heart message. back to vasselheim. matron’s temple and the mask. meeting the nein and heading to ruidus.

vox machina take back the malleus key. mighty nein defeat the weave mind. bell’s hells rush to save liliana, defeat ludinus, and defeat predathos. back to exandria for an audience with the gods. gods take mortal form, predathos released into space, ashton dead and resurrected, epilogues for the age of reclamation.

[differentpostrebel]

Lost and Found: A Pirate's Promise

This gif! cause Sanji was ready for war!

Chapter 27: Falling into Doflamingo's Web

A/N:  And we are back at it again with another chapter!! Also even though I did say like in 5 chapters we hitting a whole new arc… yeahhhh we aint done just yet… (heheh). Thank you guys so much for liking, following, commenting, and interacting!. We got lots of POVs, From Law, Our favorite lovesick cook Sanji, Zoro, and more!. Imma start making a masterlist and have it pinned on my profile so that way, every chapter will be on it!. But without further ado, let the adventure begin!

WordCount: 5.6K

Sanji x Reader, Sanji x Y/N, One piece X Reader.

Law POV… 

I dodged Doflamingo’s attacks, weaving through the barrage of deadly strings that cut through the air with terrifying precision. “Just a little more!” I thought, my breath ragged as I narrowly avoided another sharp strike. But in an instant, the strings closed in on me, wrapping around my limbs and slamming me against a tree with brutal force. My sword clattered to the ground, and my body strained against the pressure, the sharp wires biting into my skin.

Doflamingo loomed closer, a twisted grin on his face. “Why don’t you just hand over Caesar’s heart?” he sneered.

I smirked, despite the pain. “Is it really Caesar you want?” I asked, my voice dripping with mockery. “Or are you just scared Kaido’s going to kill you when you can’t produce SMILEs anymore?”

Doflamingo’s grin faltered, replaced by a flash of anger. The strings tightened around me, squeezing the breath from my lungs. He unleashed another wave of razor-sharp threads, aimed right at me.

“Room! Shambles!” I called out, swapping places just in time to evade the attack. My heart pounded as I landed a few feet away. “2.5 seconds… and I would’ve been sliced to bits,” I thought, my body aching from the narrow escape.

I tried to retreat, to get some distance between us, but Doflamingo’s strings lashed out once more, catching my leg and yanking me back. In a flash, he was on top of me, his knee pressing into my chest, pinning me to the ground. My vision blurred, the weight of his strength crushing me.

“You’re mine now,” Doflamingo hissed, his voice low and menacing. His fingers curled, ready to finish me off.

But then, the weight shifted, and I felt the sudden presence of another force. A sword—heavy and deliberate—pressed down, not from Doflamingo, but from above.

“Fujitora… why did you save him!?” Doflamingo snarled, his voice filled with fury.

The gravity around me intensified, pushing me deeper into the ground, every bone in my body screaming under the strain. “Ahhh!” I groaned, unable to move.

“I have my orders,” Fujitora said calmly, standing above me, his sword still raised. “I didn’t come here to kill him. My objective is to apprehend him.”

The crushing force kept me immobilized, my breaths shallow and labored. I felt my heart pound in my chest, but even that felt distant, muffled under the pressure.

Doflamingo’s cold laughter filled the air. “Now, about Caesar’s heart…” he said with a sinister smile, reaching down and snatching the small, fragile organ from my side.

Sanji POV… 

I stood with Kinemon, watching the commotion at the Coliseum unfold. My mind raced, trying to figure out how we could sneak in and warn Luffy before things spiraled even further out of control. I gritted my teeth, frustration building. There’s no easy way in with all these Marines crawling around.

Just then, I heard a familiar voice that grated on my nerves instantly.

“Hey! What the hell are you guys doing here?” came the all-too-recognizable tone of Mosshead.

“What… that’s—” Kinemon shouted in surprise. “It’s Sir Zoro! Hey, over here!”

“Subtlety, Kinemon!” I groaned, delivering a swift kick to his side to shut him up. "Do you want the Marines to find us?"

Zoro approached us from the shadows of the alley, his usual look of nonchalance plastered on his face. As much as I hated to admit it, I was relieved to see him. But there was something more pressing. Desperation clawed at my insides as I stepped closer to him.

“Zoro, have you seen Y/N by any chance?!” I asked, my voice laced with urgency. Every second without word from her was twisting my gut into tighter knots.

Zoro furrowed his brow and scratched his head. “No, actually I haven’t. But I did hear someone telling me to wait a couple minutes ago.”

I froze for a second, the words hanging in the air. Then, without thinking, I lunged toward him. “YOU IDIOT! That was her!” I yelled, grabbing him by the collar. “She’s in even more danger now, and you couldn’t even stop for two seconds to check?!”

Zoro glared, shoving me back. “How was I supposed to know it was her, dart-brow? I’m not some psychic who can read minds. Besides, I was busy trying to figure out where you wandered off to!”

“Oh yeah? Well maybe if you actually had a sense of direction for once in your life, we wouldn’t be having this conversation!” I shot back, my irritation with him rising as it always did.

Zoro’s eye twitched. “You wanna go, love-cook? 'Cause I’ve got time to deal with you!”

“Deal with me? You can’t even deal with finding your way down a straight road!” I snapped, our bickering escalating by the second.

Kinemon sighed in the background, shaking his head at our usual back-and-forth. “Perhaps now is not the time for this—”

Zoro cut him off. “Look, I’m not here to fight you. I’m heading back to the Sunny. It’s under attack by one of Doflamingo’s executives.”

My heart dropped, and my annoyance with Zoro quickly shifted to concern. “What? Damn it! I knew something wasn’t right! Nami and the others are in trouble!” I clenched my fists, turning towards Zoro. “Alright, I’m coming with you!”

Just as I was about to take off, Kinemon stepped in front of me. “Wait, Sir Sanji! We have vital information that we must bestow upon Sir Luffy! We cannot abandon our mission.”

Before I could respond, a familiar voice echoed from the shadows. “There you are.”

I whirled around, and my heart skipped a beat. “Violet, my sweet!” I exclaimed, practically floating over to her. I swooped in and grabbed her hands, swooning as I gazed into her eyes.

“Sanji, this isn’t—” Violet began, but I was too far gone.

“This is fate, destiny bringing us together again in this moment of chaos!” I declared, still holding her hands like we were in some romantic drama.

Zoro groaned, glaring at me. “That kind of crap is going to get you killed, idiot. Snap out of it!” he growled, but I waved him off, completely ignoring his rant.

“Zoro, you wouldn’t understand the complexities of love,” I said, still fixated on Violet’s eyes. “In a world as chaotic as ours, love is a shining beacon of hope and—”

“Shut up, dart-brow!” Zoro barked, his patience wearing thin. “We don’t have time for your romantic delusions! The Sunny’s under attack!”

But I paid him no mind, too engrossed in Violet’s presence. Just as I was about to pull her into a dramatic embrace, Zoro muttered something that snapped me out of it.

“Well, I guess that favor Y/N owes me is finally getting cashed in tonight,” Zoro said with a smirk. “Since you’re not lovesick for her anymore, that’s one less competition I have to deal with.”

I froze mid-swoon, releasing Violet’s hands and spinning on my heel to face Zoro, my eyes blazing with fury. “What did you just say?!”

Zoro’s smirk widened. “You heard me. Now that you’re all wrapped up in your latest fling, maybe I’ll finally have some peace without you hovering over Y/N like some lost puppy.”

My temper flared. “As if Y/N would ever fall for someone like you, you brainless swordsman! She has taste and refinement, something you severely lack!”

Zoro’s smirk turned into a full grin. “Oh yeah? Then why is she always hanging around me, huh? Maybe she prefers a real man who doesn’t get distracted by every pretty face that walks by.”

I clenched my fists, my face turning red with anger. “She does not! Y/N deserves someone with class and elegance, not some brute who can’t even find his way to the nearest tavern!”

Zoro crossed his arms, clearly enjoying how riled up I was getting. “Keep telling yourself that, love-cook. But when she realizes you’re too busy swooning over every girl in Dressrosa, don’t come crying to me.”

“Why you—” I lunged at him, ready to knock that stupid grin off his face.

Before I could get any closer, Violet’s voice cut through the tension like a blade. “Listen, Black Leg!” she said sharply, stepping between us. “Your ship has been hijacked by my colleague Giolla, and they’re making their way to Greenbit right now.” She looked at me with a mix of urgency and empathy. “If you don’t act fast, you might lose everything you’ve been fighting for.”

Laws POV… 

Doflamingo’s laughter echoed through the forest as Fujitora’s gravity technique kept me pinned to the ground, each second more suffocating than the last. I could barely move, my breathing labored and strained.

Doflamingo’s mocking voice cut through the haze of pain. “You know, Law, all this time you’ve been fighting against something far greater than you realize.”

I forced myself to focus despite the crushing weight. “What are you talking about?” I managed to croak out.

Doflamingo’s grin widened. “The World Government, Law. The 20 kingdoms that formed the foundation of this world, the Celestial Dragons—those who hold absolute power. The agreements made to keep this twisted system in place. It’s all part of the grand design.”

I struggled to piece together his words through the pain. “All this time you were a...” I began, my voice labored.

Doflamingo’s laughter grew louder as he continued to toy with Caesar’s heart, dropping it and catching it with cruel precision

Sanji POV… 

I stood at the crossroads of my decisions, torn between rescuing Nami and continuing my search for Y/N. The weight of my choices was heavy, but the thought of Y/N still missing gnawed at me. "Y/N, where are you, my sweet?" I muttered under my breath.

Flashback to 10 minutes earlier…

“Listen, mosshead, butt out of this decision!” I snapped at Zoro. “I’m looking for Y/N and also saving Nami and the others, got it?”

Zoro crossed his arms, glaring at me. “Idiot! How the hell are you going to be in two places at once? You can’t just split yourself in half!”

“Listen, I’ll head to the Colosseum, tell Luffy what’s going on, and then I’ll be the one in search of Y/N, got it?” Zoro shot back, his frustration evident.

“Alright, alright!” I relented, rubbing my temples in frustration. “I’ll go rescue Nami, and you find Y/N. Deal?”

Zoro nodded, a hint of relief on his face. “Deal. Just make sure you don’t get yourself killed while you’re at it.”

“Same to you,” I shot back, a smirk on my face despite the tension. “Don’t mess up and make me come rescue you too.”

End of flashback..

Here I was, riding the toy stallion with Violet. It still pained me to make the decision to split up, but if Y/N was anywhere close by, Zoro and Kinemon would be the first to find you. I tried to focus on the task at hand, though my heart ached with worry.

“Now, Violet, I told you to wait at the harbor, you naughty girl,” I said, fawning.

“I would, but the place is covered with Marines,” Violet replied, as we sped through the streets. “You and your friends may want to rethink your rendezvous point. I counted four battleships total, which means there are about 3,000 Marines scattered around.”

“And you managed to find that out in such a short amount of time?” I asked, raising an eyebrow.

“It’s one of my abilities,” Violet said with a laugh. “Clairvoyance.”

“Clairvoyance, huh? That’s impressive,” I said, trying to keep the worry out of my voice. Violet assured me not to worry about her safety, but then she suddenly tensed, her gaze distant.

“I should be able to see your ship, but it’s simply not there,” Violet said, her tone turning serious.

“Wait, like it disappeared?” I asked, my heart sinking.

“It’s bad. It seems your ship emerged by now… where? And your ship was struck by lightning!” Violet said, her concern evident.

“Struck by lightning? Then Nami must be safe!” I said, relief washing over me as I made my way toward where the ship should be.  

Law POV… 

Doflamingo continued to taunt as Fujitora’s gravity powers kept me pinned to the ground. Each breath was labored, and the crushing weight felt like it was suffocating me.

“Damn that power,” I thought. “I’m completely immobilized.”

“There’s no way you’re a Celestial Dragon!” I managed to heave out, my voice strained.

“That’s me, well, that was me at least,” Doflamingo sneered. “But not anymore. Not many can say they’ve lived a checkered life as I have.” His taunts were infuriating, each word dripping with arrogance.

“Who cares, stop rambling, bastard!” I gasped, trying to push through the crushing weight.

“Sorry, Law,” Doflamingo said with a mocking tone. “Believe me, I would like nothing more than to knock back a few drinks and tell you all about my life story. But I don’t have time for all that. The Straw Hats are in Dressrosa, and I need to address that. And while I’m at it, I need to get my hands on that princess. It makes me most excited thinking about it.”

His words stung, and I could barely keep my eyes open as the pain intensified. The thought of you and the others in danger fueled my resolve. I had to find a way out of this, no matter what.

Fujitora’s head tilted slightly, his attention shifting. “I heard a thunderclap. I may be blind, but I’ve always had a keen sense for weather,” he remarked, his voice calm but focused.

From the bushes, Caesar emerged, desperate and frantic. “Joker! What are you doing?! Give me my heart back! I want it back now!” he whined, his usual panic setting in.

Doflamingo glanced at the heart in his hand, an amused grin spreading across his face. I struggled under the weight of Fujitora’s gravity power, each breath coming harder than the last.

“No good… I never said whose heart it was,” I managed to say between gasps of air. The words caught Doflamingo’s attention, and his grin widened.

Without a second thought, he crushed the heart, testing my claim. Caesar let out a dramatic wail, collapsing to the ground as if the very life had been squeezed out of him. But when nothing serious happened, and the realization struck that the heart didn’t belong to Caesar after all, Doflamingo’s amusement vanished. It was a marine soldier’s heart.

Taking the moment of confusion, I made my move. “Room!” I summoned my ability, the familiar blue dome surrounding us. “Shambles!” In an instant, I swapped myself out with a log, grabbing Caesar by the scruff and making a run for it.

“Joker, help me!!” Caesar shrieked, flailing in my grasp as we made our escape.

“You’ve got a lot of energy left, Law,” Doflamingo called out, already chasing us down with terrifying speed. Each time he attacked, I would switch the trajectory with an object, barely staying ahead of him.

We were heading toward the bridge, the path narrowing with every step. In the distance, I heard the panicked cries of the Straw Hat crew.

“Idiots! Keep your mouths shut!” I barked at them, knowing their noise would only draw more attention.

“So that’s your plan,” Doflamingo cackled, his eyes locked on the Thousand Sunny. “You think you can escape me by hiding behind your little pirate friends?”

“Doflamingo, wait! This doesn’t involve them!” I shouted, desperation creeping into my voice.

“Too late, Law!” Doflamingo’s laughter echoed through the air as he closed in. “Besides, I’m here to collect what’s mine.” His gaze fixed on the Sunny, and I could feel the threat looming over them.

I gritted my teeth. I had to stop him, no matter the cost.

Sanji POV…  

"Hey! You made my crewmates cry! You're going down!" I yelled as I launched myself into the sky with my Skywalk, my leg igniting with Diable Jambe. I aimed straight for Doflamingo, landing a burning kick right to his side.

"Sanji's here!" I heard Nami, Chopper, Brook, and Momo shout in relief. But Doflamingo simply laughed.

"This should be fun," he said with a wicked grin, his eyes gleaming with malice. "So, you're with the Straw Hats… Black Leg Sanji."

He moved so fast, I barely saw it coming. "Penta-Chromatic Strings!" Doflamingo shouted, and I felt the sharp pain as his strings sliced into me, knocking me out of the air.

"Sanji's hit!" Brook cried. "How? I didn’t even see him move!" Chopper added, panic in his voice.

I grunted in pain as I was falling from the sky clutching my side. "You don't have the strength to protect anyone," Doflamingo mocked, his laughter cutting through the pain. "Sanji!" Nami yelled, her voice filled with worry.

Gritting my teeth, I pushed myself up, forcing the pain away. "Don't you dare turn your back on me… or my Diable Jambe!" I snarled, my left leg igniting in flames once again. "Poele a Friere: Spectre!" I unleashed a barrage of fiery kicks at Doflamingo.

"Let's go, Sanji!" Nami cheered. "Kick his butt!" Chopper added.

But then, I felt it—the sudden stop, my body freezing mid-attack. "What… I can't move! What the hell is wrong with me?!" My limbs wouldn't respond, as if they were bound by invisible chains.

Doflamingo laughed again, his voice filled with sadistic pleasure. "You’re no match for me, Black Leg."

I could see the crew in the distance, watching, their faces filled with fear. "What the hell are you guys waiting around for?! Use the Coup de Burst and get out of here!" I yelled, desperate for them to escape.

"We're not leaving you!" Nami shouted back, defiant.

But Doflamingo wasn't done. A flaming whip formed in his hand. "Overheat!" he called, launching the attack at me. I braced myself, but my body wouldn't respond.

"Shambles!" A voice from my left—Law. In an instant, I was teleported away from the strike, landing safely back on the ship with everyone else.

"There's been a slight change of plans. To the ship!" Law ordered, already assessing the situation. My left arm throbbed with pain, but I clutched it, trying to hide it from Chopper’s worried gaze.

"Sanji!" Nami shouted, running toward me.

"Oh… hey, Nami," I said, forcing a grin, but the pain and exhaustion were starting to catch up.

"Doflamingo is heading back!" Chopper cried out, his panic rising again.

"Great," I muttered under my breath, trying to regain my focus. Then Law turned to me, his voice low and urgent. "Sanji… what about the factory?"

"We found out where it is, but Franky says it's going to be tougher to infiltrate than we thought," I replied, my tone serious.

"And… Y/N?" Law's voice was barely above a whisper, but the weight of his words hit hard.

I looked down at the deck, my chest tightening. "No, I couldn’t find her… Zoro's looking for her now." My voice cracked, and I hated myself for it.

"Wait, Sanji… what do you mean find Y/N?" Chopper asked, his concern growing. I could see the worry in their eyes.

"I lost her," I confessed, my voice strained. "I’ve searched everywhere, but she’s nowhere in Dressrosa. I don’t know where she is…"

"Hmph, the young princess is missing, huh?" Caesar chimed in, a smug grin on his face. "Maybe Doflamingo’s men already captured her."

I clenched my fist, anger boiling in my veins. "If they’ve touched her…" But I didn’t finish the sentence. There was no time for that now. I had to believe Zoro would find her. I had to believe she was still safe.

"We still need more time!" Law said, clutching something in his hand—a heart.

"Is that… my heart?!" Caesar wailed in panic.

"I'm afraid this is mine," Law responded coldly. "Yours? I've had that hidden this whole time." He held Caesar's heart firmly, showing no signs of letting it go.

"Listen, you guys need to head to Zou," Law continued, his tone sharp. "There are only two tasks left—destroy the factory and find out where Y/N is."

"Wait a minute!" Nami interrupted, her voice full of fire. "Hold on! We’re not going anywhere yet! If you think we’re going to set sail without our captain, you're nuts! We take orders from Luffy, NOT you!" she declared, standing her ground.

Just then, a massive explosion rocked the ship as we were hit with a cannonball from a nearby Navy ship. "Not good," I muttered, glancing at the damage. Things were escalating fast.

"Hold up, Law," I said, turning to him. "I realize we need to get out of here now and keep Caesar safe, but the operation with Caesar was just a waypoint. Our shared goal was to take down Kaido, wasn’t it? Why are you getting so hung up on Doflamingo?"

Law’s face darkened, but before he could answer, Nami shouted, "Time to go! Everyone ready?"

"Listen, Nami, you need to get to a clear sky!" Law called out. "Doflamingo possesses the String-String Fruit. He uses the clouds to get around."

"That explains it!" I said, realizing how Doflamingo had been moving so quickly.

Law then placed his blade against Giolla’s throat, using her as leverage. "One wrong move from Doflamingo, and she’s done," he warned, eyes cold.

With no other option, and knowing the clock was ticking, we initiated the Coup de Burst. The Sunny rocketed away from Greenbit, leaving the chaos behind us for now.

Zoro POV… 

We made it to the Coliseum, but there was still no sign of Y/N. Frustration bubbled up as I muttered, "Damn it, Y/N, where the hell did you go?"

"Do you have any ideas on how to get in? It’s all locked up," Kinemon asked, his voice low but urgent.

"No, but I could slash the bars down," I replied without thinking.

"We're trying to avoid exposure!" Kinemon snapped, clearly annoyed.

"Okay, so I can slash it quietly?" I offered with a smirk.

"That’s no help at all!" Kinemon shot back, his patience wearing thin.

Just then, we spotted someone passing by the bars of the Coliseum. "Hey! You!" I yelled, trying to get his attention. The guy froze, looking like a deer in headlights, then started freaking out.

"Hey, don’t leave yet! There’s something important I need to ask you!" I called out, but he just continued freaking out and cheering wildly.

"You sure this is a Coliseum and not a mental institution?" Kinemon muttered.

I rolled my eyes. "Hey! I’m talking to you! Second floor, over here!" I kept shouting.

"Tears of joy shall flow to the end of time!" the guy screamed, completely ignoring me.

"Look, I don’t know who you are, but is there a way into the Coliseum? All the entrances I’ve found are closed up!" I shouted again, growing more irritated.

"I’m so glad I became a pirate! I can die happy!" the guy yelled, tears streaming down his face.

"What the..." I muttered, trying to process the madness.

Kinemon sighed. "Wait a moment, he said he knows Sir Luffy?" he asked, clearly confused. "How could he tell with our brilliant disguises?"

"Yeah, I know..." I muttered, wondering the same thing.

Just then, my transponder snail rang. I grabbed it quickly. "Hello?!" I barked.

"Now, Roronoa, there's no need to yell," came the familiar voice, making my heart stop.

"Where the hell are you, Y/N?! We've been looking for you!" I yelled into the transponder.

"Me?! I was yelling for you to wait!" she snapped back, clearly annoyed.

"Listen, that’s not the point," Y/N continued. "Doflamingo's men have been chasing me block after block. I had to change out of my disguise. Doflamingo has something planned for me, along with all of us and the rest of Dressrosa. That’s why I can't be anywhere near you guys yet."

"Where are you?!" I demanded, clenching my fists.

"Don't worry, I'm safe for now. I'll call again in a few minutes, Zoro. Please stay safe," she said, her tone softening at the end.

"Wait, don’t—!" I started, but the call ended.

I stared at the transponder snail, frustration building. "At least we know she's safe, Sir Zoro," Kinemon said, trying to ease the tension.

"Yeah, but we still need to find her. She could say she's safe, but that doesn't mean she's out of danger," I replied, my mind racing. "We need to talk to Luffy, tell him everything, and figure out where Y/N is before it's too late."

Y/N POV… 

"You got in contact with your crew?" Sabo asked as I handed back the transponder snail.

"Yeah, I reached Zoro," I replied, wiping my brow. "Told him I'd call back in a few minutes to explain the plan I have. Too bad that thug passed out from fear though... but we've still got two more left to make the call to Doflamingo." I smirked, glancing at the remaining thugs.

"And what's your plan?" Sabo asked, stepping closer with a curious yet cautious look in his eyes.

"Simple," I said, crossing my arms confidently. "We get one of these fools to call Doflamingo and tell him they’ve caught me. Lure him to the front of the Coliseum, kick his ass, make him chase me, let him think he's cornered me—only to have me lead him straight to the palace where we shut the whole operation down." I grinned, like I'd just outlined the most brilliant plan in the world.

Sabo stared at me, clearly skeptical. "Listen, Y/N, I'm all for kicking ass and taking down Doflamingo... but I don’t want anything to happen to you," he said, his voice growing serious as he placed his hands gently on my hips. "I just got you back, and I'm not about to risk losing you again."

His voice cracked, and I felt the weight of his words as tears began to fall from his eyes onto my chest. He was trembling, and I could feel the grief beneath his tough exterior.

"I already lost one brother... I can’t..." he said, choking on his tears.

The depth of his pain hit me hard. I stared at him in shock. 

"You were Ace's brother?" I asked, the shock of the revelation settling in.

Sabo nodded, his hands still holding me tightly. "And since you're Luffy's brother... that means you lost Ace too," I whispered, the weight of it all hitting me.

Sabo’s expression darkened, his eyes filled with guilt and sorrow. "When I found out... I lost it," he admitted, his voice thick with emotion. "I crashed. I... should have been there for him. I should have been there for Luffy."

"When did you find out?" I asked gently, placing a hand on his cheek and wiping away his tears.

"The day you were knocked out by King, and he caught us," Sabo replied, his body trembling. "When John and I went to treat your injuries, I went to an office and… saw the newspaper."

"Sabo..." I whispered, my heart aching for him.

"I should have been there... I should have been by his side. Luffy needed me, Ace needed me, and I wasn’t there for either of them." His voice cracked again, the pain of regret clear in every word.

I pulled him closer, feeling his pain radiating through me. "You can't blame yourself... you didn’t know," I whispered softly. "And now, you're here. You’re fighting for Luffy, and for everything Ace stood for."

Tears continued to stream down his face as he rested his forehead against mine. "I can’t lose anyone else, Y/N. Not you, not Luffy," he said, his voice barely a whisper. 

 I wrapped my arms around him, pulling him close, letting him feel the safety of the embrace. "You’ve been through so much, Sabo. And even with all that, you were there for me."

He pulled back slightly, his eyes full of emotion. “But that's the thing, Y/N," he said, his voice rough with raw emotion. "You’re not just another person I’m protecting. You’re a part of my world. I’ve lost so much, I can’t... I won’t lose you too."

He exhaled deeply, his grip on my shoulders tightening as if grounding himself. “That’s why I have to go to that Colosseum," he said, determination flaring in his eyes. "To win the Flame-Flame Fruit. So I can carry Ace’s legacy and protect those who are important to me. If I have that power... I can make sure no one I care about gets hurt again."

I was about to respond when I heard groaning from one of the thugs. Giving Sabo a knowing look, I released the hug and made my way toward him. "Good morning there," I smirked. "Now, are you going to pass out like your buddy here, or are you going to follow directions?"

The man nodded frantically. "Good," I smirked, grabbing his transponder snail. "Now make the call."

We waited until Doflamingo picked up. His voice oozed malice. "Hello. This better be important, as I am dealing with an important matter."

"Sir, we got her... We got the girl, young master!" the thug said.

Doflamingo laughed. "I knew she couldn’t run forever. Now tell me, is she tied up nice and snug?"

It took everything in me not to snap back. "Yeah, she is. She’s tied up. Meet us at the Colosseum at the front, so you can take her."

"Splendid work you did. I’ll see you soon," Doflamingo said before ending the call.

I clenched my right hand, crouching in front of the thug. "Good job!" I said, landing a punch to his cheek and sending him flying into the wall. "Now what?" Sabo asked.

"Now, I call Zoro again." I grabbed Sabo's transponder snail and dialed Zoro. "Hello?! Y/N?!" Zoro's voice came through urgently.

"Y/N?! Where have you been?!" Luffy's voice followed, almost grinning through the call.

"Hey, captain. How’s it going? I was checking on your fight. I wish I was there to kick some ass too!" I said.

"Same here, Y/N," Zoro said.

"Anyway, that’s not the point. The point is I’m safe, but Doflamingo has had me tracked since I got here. He’s even got three men chasing me block after block," I explained.

"Where are you?!" Luffy demanded.

"Don’t worry, Luffy. I’m safe. I’m with... someone very special," I whispered that last part, hoping he wouldn’t pry. "I have a plan, but I want to ask your permission first."

"What is it?" Luffy asked.

"I’m going to have to get Doflamingo to take me to his palace," I said.

"WAIT, AS IN KIDNAPPED?!" Zoro’s voice cracked with disbelief.

"Yes, as in kidnapped. I need to get him away from the Colosseum and into the palace where I can hopefully shut things down. There’s more to the plan, but I can’t say much right now. I’ll see you guys in the palace."

Zoro's frustration was palpable. "This is a terrible idea! We can't just let you get captured!"

"I know it sounds risky, Zoro, but it's the only way to draw Doflamingo out and get him where we need him. If I stay hidden, he’ll just keep searching for me. This way, I can use the opportunity to get to the palace and stop him from causing more chaos," I tried to reason. 

“This is insane!” Zoro snapped. “You’re not just walking into a trap—you’re running into it! How many things can go wrong here, Y/N? Do we need to pull out the list? You’re going up against a warlord who is psychotic, you could get thrown in a dungeon, or worse! And we won’t even know where you are!”

“I know the risks, Zoro. But it’s the only way to distract him long enough for us to make our move.” I said

Luffy, who had been quiet up until now, suddenly chimed in. “Y/N, this is risky, even for you...”

“I know,” she answered, her voice steady. “But I can do this. If I can get him off the streets and into the palace, it’ll give us the upper hand. You just need to trust me.”

“Trust you?” I scoffed, rubbing the back of my neck in frustration. “I trust you, but this plan is reckless even by your standards! Do you even know what you're up against?”

“Zoro, I’ll be fine. Just make sure you guys get to the palace. I’ll be waiting.” I laughed as I continued speaking to Zoro over the transponder snail. 

"Trust me, Zoro. I wouldn’t do this if I didn’t think it was the best option. I need to be where I can make the most impact, and right now, that’s in the palace. The plan is risky, but it's our best shot at stopping Doflamingo and getting back to safety."

Luffy cut in before Zoro could respond further. "Okay, Y/N, but I need you to be careful. We’ll be there just as soon as I figure out a way out of this Colosseum!" 

“I’ll be fine,” I said, my voice lighter now, trying to ease the tension. “I trust you guys to back me up.” 

Zoro is not fully convinced. “This is still a terrible idea... If anything happens to you, I’m coming to drag your reckless ass out of there myself.”

I laughed trying to ease the tension. “I know you will, Zoro. But you won’t have to. Just be ready when it’s time.”

I ended the call and turned back to Sabo. “Okay, that’s phase one of the plan. Phase two will be when Luffy gets to the palace. You need to get to the Colosseum,” I said, giving his arm a playful shove.

Sabo’s eyes lit up with a roguish smile. “You know, a bit of encouragement would go a long way. How about a good luck kiss?”

I raised an eyebrow, trying to suppress a smile. “Focus on the plan, Sabo. We got things to do.”

He leaned in closer, his smile widening. “Oh, come on. Just one kiss for luck?”

I laughed softly, shaking my head. “You’re incorrigible. Just make sure you don’t get yourself into trouble. I’ll be waiting for you.”

Sabo gave me a lingering look before nodding. “You’ve got it. I’ll be careful. But don’t think I’m letting you off the hook for that kiss.”

I watched him go, a mixture of worry and affection in my heart.

I continued to run, my feet pounding against the cobblestones as the towering walls of the Colosseum loomed in the distance. The sound of distant battles and the chaotic energy of Dressrosa filled the air, but I focused only on reaching my destination.

Finally, I arrived, stopping just outside the Colosseum. I caught my breath, glancing around to make sure I wasn’t being followed. "Alright," I muttered to myself, scanning the area. "Now, I wait."

From my vantage point, I could see Zoro and Kin’emon standing near the entrance, talking to Luffy, who was behind the bars. Their conversation seemed tense, as Luffy’s impatience was written all over his face. I narrowed my eyes, watching carefully, making sure no one else had eyes on them.

This was it—the moment before everything would change. I just hoped I could intervene at the right time

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[basedkikuenjoyer]

As Above, So Below

Kinda surprised I haven't used that as a title before. It's an idiom we've referenced before here, even with this ongoing story between Loki & Shamrock as Luffy literally learns sides of it up above. But we talked a lot about how Wano used the structure and how it ties in with the Magician tarot card. The cliche actually traces its origin to The Emerald Tablet. An Arabic (maybe Greek) text that is seen as sorta the philosophical foundation for alchemy back when that was a serious academic discipline. Worth a read, especially after this chapter. It's pretty short and has similar vibes to another text we'll decipher today.

Still, we have to get there. Remember these chapters are showing us these scenes together for a reason. And with Shamrock we do confirm what most suspected. He and Shanks are brothers raised apart. But we get some interesting flourishes. Shanks has gone to Mariejois. Was it actually him at Reverie or was this a different point? We see Shamrock's Cerberus sword which maybe breaks an old theory about Blackbeard. But also the pair of God's Knights are moving on and calling in reinforcement to do whatever they plan to with Elbaf. Starting with the kids. Jerks. Meanwhile...

This is honestly pretty cute from Luffy given everything else going on. Refusing to believe Shanks would rough up these giants. Did not have a Bellemere nickname on my bingo card and while I know Mori-mere is probably Mori as in Japanese for forest I can't help but think of Mori as in Latin for dead. "Oh yeah Nami? How'd you feel if someone was talking shit about Dead-Mom?" Even this little unnecessary jab at Buggy.

And oh my...our mystery man who was drinking with Crocus at the cape is drawing near as we're talking about the Roger Pirates? Of course the old theory is that he's Scopper Gaban. Looks like we'll get our answer soon. Since the figure is so Wano coded though and because I saw a fair few people independently talking about this notion though, we do need to note something. For one, if Shanks knows he has a long lost brother like we imply it makes all that potential with split siblings he may have met more resonant. But also just, what if Luffy ran across Shamrock in the wrong context? Would he freeze up, have an unfortunate moment of hesitation like a certain samurai with her liege lord? Given how much some old cover serial elements are finally paying off here I'm definitely watching the current one closely.

That said, what's a single thread stretching across a few New World arcs to an "as above, so below" element encompassing the entire series? I assume you've read the chapter before a post like this, so you probably know what I'm building to. But think about it all together. We have Franky seeing a mural from the Void Century on the Treasure Tree. Meanwhile Robin reads the titular sacred texts we know inspired the Giants to have clashing views on the Sun God. A concept we've seen play out in action with Road and others.

This line from Ripley though...I don't think this huge lore dump is just facts about the world in this story. I think of it as a commentary on the story, the journey to get to this point over 25+ years and 1100+ chapters. Same logic as how I see Wano, a Kabuki show that summarized where we've been and where we're going. From that perspective, is Harley wrong here? Anyways, enough framing...

...Where do you even begin with something like this? I guess there's the basic level. It isn't hard to see where at least part of the overarching plot of One Piece has headed all along. Poneglyphs tend to pop up with oppressed races. Their arcs tend to give us the nuggets of deep lore. The banded together against the emerging World Government in the Void Century and will again under Nika's Luffy's banner. You see it here. Giants, Merfolk, a robot like Emeth, Minks, samurai all allying against the spooky demon. Crazy how this one chapter had such big other shoes dropping for two of our big cover serial whammies. Obviously this is so reminiscent of the murals Enel saw on the Moon.

For the story, I feel like the texts are pretty open to interpretation. I'm sure they'll matter more as we unfold the proper forgotten history and probably will make some amount more sense in the near future with the mysterious figure from the cape. But for now, just on a first pass I do feel one thing. The Ark at the start, the imagery of the serpent kinda makes me think of Skypiea and the early stages of the story. Though the lines of the Second World remind me a lot more of the stretch from the end of Wano into Egghead. A Forest God unleashing demons while the Sun God stands by and spreads embers of war. The people of the moon and both Lunarians & the Kozuki. The part about humanity killing the sun and ascending to divinity as a metaphor for scientific progress and especially Vegapunk's reckless kind of that. Even the Sea God's wrath as oceans rise.

Of course that motif. "They could never meet again." "They could never meet again." & "They will surely meet again." is so ominous. Not to mention something that ties to both Luffy's long-awaited reunion with Shanks and this growing trend of separated siblings. Something that also echoes one of the other most prophetic aspects of this series in Bink's Sake. "Beneath the moon we'll meet again the wind's our lullaby." I absolutely adore this chapter top to bottom, so much to turn over and ponder. So much we'll likely keep coming back to this one as we get closer and closer to the end. We're really getting there aren't we? After all this time?