#Pierre Joris
Explore tagged Tumblr posts
Text
The many wrongly addressed letters. Then the unsent ones. Followed by the unwritten ones. And at last â again â the poem: the breathed breve... a few syllables too long. â (Wave shorts. Wave troughs. No crests at all.)
â Paul Celan, trans. Pierre Joris
10 notes
·
View notes
Text
After three ways in the rain image
when waking your counterimage: he,
the magician. Angels weave you in
the dragonbody. Rings in the way,
long in the rain I become yours.
Unica ZĂŒrn, Will I Meet You Sometime?
trans. Pierre Joris
Ermenonville 1959
#poetry#unica zĂŒrn#1950s#anagram#anagram poetry#pierre joris#hans bellmer#automatism#hexentexte#intimacy
23 notes
·
View notes
Text
Paul Celan, âDen verkieselten Spruch,â from Atemwende. (Translation by Pierre Joris.)
4 notes
·
View notes
Text
"Outside. Quince-yellow a piece" // Paul Celan
Outside. Quince-yellow a piece of half-evening blows from the drifting gaff, the oaths, graybacked, seaworthy, roll toward the galleon, Đ° hangman's noose, the number drapes itself around the neck of the still visi- ble figure. Nobody needs to take in the sails, I journeyman go.
(translated from the German by Pierre Joris)
3 notes
·
View notes
Text
Paul Celan, from Mohn und GedÀchtnis / Poppy and Memory (1952), trans. Pierre Joris in Memory Rose into Theshold Speech (2020)
3 notes
·
View notes
Text
Nomadforb, you catch yourself one of the speeches, the foresworn aster joins up, should someone who shattered the songs speak to the rod now, his and everyone's blinding wouldn't happen.
â Paul Celan, "[Nomadforb, you catch yourself]", trans. Pierre Joris
âThe voracious consumption of images makes it impossible to close your eyes. The punctum presupposes an ascesis of seeing. Something musical is inherent in it. This music only sounds when you close your eyes, when you make "an effort at silence." Silence frees the image from the "usual blabla" of communication. Closing your eyes means "making the image speak in silence." This is how Barthes quotes Kafka: âWe photograph things to drive them away from the spirit. My stories are a way of closing my eyes.. »â
â Byung-Chul Han, Saving Beauty
#the eyes are there#a poem buried in the silence of things#negative space#paul celan#poetry#pierre joris#byung-chul han#franz kafka
431 notes
·
View notes
Text
Jewellery
Charles leclerc x reader
Masterlist
(author's note : hello beautiful people I tried to make it a bit smau for the first time but I don't like it at all but I will include a few "tweets" as the story continues it might be cringe by the way it was written)
Warnings : might be cringe (sorry), my writing, not proofread, English is not my first language
2 years ago :
Hearing people say that gifts like necklaces, bracelets and rings is a gift where it will be appreciated by everyone and mostly won't be taken of or thrown away sounded like the best gift.
Not knowing what to get your rich boyfriend for his frist birthday you decided to gift him a bracelet simple but sentimental with a cute message in the inside of it saying a few loving words with red letter being his favourite color too.
When you showed up to his apartment so you can head out to the dinner he had planned to and is going to wait for his friends to spent his special day to celebrate him.
A little bag in your left hand and your purse to the other walked towards him, kissing him gently in his lips to not mess up your lipstick and not transfer your lipstick to him you whispered to his lips happy birthday before kissing him again and stepping away from him and handing him his present
"I know it's not much because you can literally buy the whole store but I hope you like it!" Y/n said and smiled up to her boyfriend with adoration. "Do you want to open it now or later?"
" No why are you saying that? Whatever you get me I am sure I am gonna love it, no I want to open it now."
And that's what he did, he opened the bag and sew the box that contained the bracelet, opening again the box he saw it and set down the bag and the box inspecting it
"I love it mon cherie" he said and lined in gör a kiss
"No look at the inside mon amor"she cut him off "oh" he exclaimed now noticing the inside with the red letters "Oh mon dieu bĂ©bĂ©, je lâaime et toi" he exclaimed again switching to his mother language and put it on and hug her tightly (oh my god baby I love it and you)
After some time of talking to each other they headed out of his apartment and headed to the restaurant where he had a table ready for them and his friends, as they sat down his friends came one by one with their girlfriends. Piere with Kika, Lando with his best friend Max, Max with Kelly, his older brother Lorenzo with his girlfriend, his little brother Arthur with his girlfriend and his mother Pascal.
Having fun on the secluded area of the restaurant with everyone, eating and drinking laugher and chatter filled the room gifts from everyone in the head of the table where an empty sit was and Charles while talking with his brother and Piere took his girlfriend's hand interlocking their fingers looking at each other for a few seconds and returning back to their conversations
After a few hours they got up decided to go to a club and saying good night to his mother when she decided not to go and they spend their time time morning drinking shots and dancing before they headed home.
1 years ago :
Again deciding to get him the same gift, a bracelet with a different color in the diamonds and different message again stacking them, putting a fight to not take them off wanting to have them on his wrist to have a piece of her in his races when she couldn't come with him because of work
The fans pointing out the silver bracelets that sat on his wrist shining and shimmering with the little diamonds with different colours and some other friendship bracelets from his fans having a field day each time they spot them and always getting the same answer
" My girlfriend got them for me, aren't they beautiful?" the same answer again and again melting the hearts of both his girl and his fans.
Present day:
Once again getting him the same bracelet with a message inside but with a necklace too that you saw on TikTok where their is a dogtag and under their is a outline of her body and sitting in a sexy pose and the words fuck me underneath the photo
To say the least he loved it it's an understatement but having it inside of his shirt so it doesn't accidentally turn around and reveal something so intimate for the whole world to see.
The bracelets now are famous watching as every year he has one added to the collection fans going feral with it
#my writing#x reader#f1 x reader#drive to survive x reader#charles leclerc x reader#marriswriting#request are open#charles leclerc#charles leclerc x you#charles leclerc x female reader#charles leclerc fanfic#charles leclerc fluff#joris trouche#max verstappen#lando norris#lorenzo leclerc#arthur leclerc#ferrari#pierre gasly#Bloodyymaryyy
222 notes
·
View notes
Text
the leclerc brothers with their girlfriends and then thereâs charles.. with joris
477 notes
·
View notes
Text
Why do they always look so judgy when they're impressed? đ (this was just after an epic tennis rally)
333 notes
·
View notes
Photo
From beholding the blackbirds, evenings, through the unbarred, that surrounds me, I promised myself weapons. From beholding the weaponsâhands, from beholding the handsâthe long ago by the sharp, flat pebble written line âWave, you carried it hither, honed it, gave yourself, un- losable, up, shoresand, you take, take in, sea oats, blow yours alongâ, the line, the line, through which we swim, entwined, twice each millennium, all that singing at the fingers, that even the through us living, magnificent-unexplainable flood does not believe us.
â Paul Celan, "[From beholding the blackbirds]", trans. Pierre Joris
The sorta literal translation from the arabic is so much more beautiful ::
âFrom here rose the first written letter, (finding its way) to every point on earthâ
* * * *
âWhen I began to listen to poetry, itâs when I began to listen to the stones, and I began to listen to what the clouds had to say, and I began to listen to other. And I think, most importantly for all of us, then you begin to learn to listen to the soul, the soul of yourself in here, which is also the soul of everyone else.â
â Joy Harjo (via mythologyofblue)
#it is time that the stone took the trouble to bloom#hands#feel your lines#paul celan#poetry#pierre joris#joy harjo
569 notes
·
View notes
Text
miss americana & the heartbreak prince
â03. i think i fell in love today âword count: 7.5k âwarnings: despicable tooth rotting clawing my eyes out eating the stuffing in my pillows fluff. truly its horrendous. lets talk about it. âlove, mackie... i'm sleeping hopefully. right now I am hammocking. the ice cream truck just drove past. I love June.
After Paris, Chris was a bit apprehensive when it came to her ability to navigate the airport in Abu Dhabi with any sort of efficiency. Especially not now, where she needs to go through customs and register for a visitorâs visa and find her luggage and get her money exchanged. Pleasantly, though, sheâs surprised at the ease she works through her notes app checklist. Itâs within the hour that sheâs climbing into the backseat of a taxi and heading to the hotel.Â
She spends the entirety of the twenty-something minute drive doing a deep dive on Jorisâ Instagram. Heâs going to be waiting for you, Charles had told her the night theyâd worked it all out. How he knew his friend would be free is beyond Chris, but that's not even the bigger issue at hand. The issue is, of course, that sheâs had no more than a momentary interaction with Joris in the background of a FaceTime call two weeks ago. The thought of breezing past him in the hotel lobby is a mortifying one.Â
Itâs quarter after seven by the time she gets there, and when she catches a glance of herself in a mirror on the wall and almost bursts into laughter. Someone could tell her that she fell down the stairs in Austin and hit her head and is in a coma and it would feel more believable than her life right now. This just⊠this doesnât happen to her; five star hotels in foreign countries and heavy accents and guys who call her beautiful from the other side of the globe.Â
She spots Joris in an armchair on his phone at the other end of the lobby. She approaches nervously, and he stirs from his phone at her sudden proximity. âHi,â Chris greets, sounds almost apologetic for interrupting him. âJoris, right?â
âUh, yeah,â he nods, dragging out the vowel sounds when he glances back down at his screen. Chris wonders if he knows heâs waiting for her.Â
She smiles. âIâm Chris.â
âRight!â He snaps his fingers, shoves his phone into his pocket. âChris.â He stands and opens his arms to hug her like theyâre old friends. Itâs a move straight from her book, one that sheâs pulled on dozens of people before. Itâs not one that sheâs met with often. Chris thinks theyâll get on well, her and Joris. Thatâs a good thing, right? Friendly friends.Â
Chrisâ mom had told her more than once that the quickest way to know someoneâs character is through their friends. Only a maniac is rude to animals and elderly and children, sheâd said a million times over, itâs the character of the people they choose to spend time with that matters. Joris has no idea Chris is silently observing his every action, picking them apart on a human level.
On the elevator ride up, Joris fills Chris in on everything thatâs happened during the free practices that day, tells her that itâs been a relatively clean couple of sessions. You do know of the risk this weekend, yes? P2 or P3, he asks and answers his own question. Chris nods. If she didnât know, she does now. The room is on the fifth floor, she notes, staring at the glowing five button as she picks at her cuticles. It hits her like a ton of bricks, her anxiety skyrocketing as the elevator ascends, her stomach left behind on the ground level.Â
This whole thing is crazy, and not the quirky, silly story you tell your friends about over a vodka cran crazy. Just plain crazy. Insane. Off the wall absurd. Why, why are they sharing a room? Why is she even here? What is it about her that canât be found somewhere, anywhere, else? And the most prudent question, the one ringing in her ears louder with each passing moment; what is it about him?Â
Chris has never considered herself to be logical, not in the slightest, but she does like to maintain the idea that sheâs well grounded. She might not always act in a way that makes the most sense, but she always makes those choices within the bounds of her reality.Â
And, because her nerves permeate off her like a thirteen-year-oldâs B.O, Joris takes a stab at cooling her down. âHow was your planes?â
âGood. Smooth.â she nods, forces a smile. Her weight shifts from heel to heel, thumbs looped through her backpack straps. The floor is a shiny black marble with white and gold veins, one that commands your attention. Chris pulls her eyes from it to look at him anyway. Nervous and insane or not, she wants to make a good impression. âI could do without navigating the airport in Paris ever again, though.â
âOh,â he laughs. âIt never gets easier.â
âDoes any of it?â She offers up a laugh, but itâs as genuine as the smile her face held before.Â
He opens his mouth to speak but is cut off with the ding of the doors opening. There, in the hallway with more marble floors and a wallpaper that walks the line between elegant and gaudy, a couple stands on a white carpet runner. The man has on a Mercedes cap. Chris wonders if they know a Formula One driver is staying on their floor.Â
The four of them sidestep awkwardly around each other with polite smiles to the floor, and before she knows it Joris is holding a keycard over the lock on a heavy door and handing the piece of plastic to her.Â
Itâs not a room. Itâs a suite. Thereâs a living room and a kitchenette and a whole separate bedroom to this place. Itâs expensive, wildly so, sheâs sure.Â
She wheels her suitcase into the bedroom, leaves it in the corner by an armchair with her backpack. At the bottom of the bag is her purse, which she digs out while Joris is using the bathroom, moving things around from one bag to the other.Â
The drive to the circuit is twenty minutes, at least, and Joris talks the whole time, mostly about how nervous he is and how hard heâs trying to make sure Charles doesnât notice. Chris doesnât tell him that Charles is also beyond nervous about the whole thingâor that he knows good and well everyone around him is losing their minds. It doesnât seem like the type of thing that would make Joris feel any better.Â
âPascale and Enzo, you know them, yes? Charlesâ Mum and brother?â Joris questions.
âNope,â Chris shakes her head. âNot yet.â
Oh, he doesnât say. âYouâll like them if you like Charles,â he laughs. âYou do like Charles?â
Chris bites down on a smile, a laugh leaving her nose in an exhale. âI do.â
âGood, good.â He nods. âAnyway, they are not here tonight, they already have gone back to the hotel. Arthur is there, still. Do you know him?â
âI think itâs going to be easier for both of us if you just assume I donât know anyone.â
âAh, okay. Will do.â
Chris wonders what Charles has said about her to Joris, to Arthur, to anyone. All of the stories he has or hasnât told them about. She has almost exclusively not talked about him back home. Not because she doesnât want to, she just canât figure out how to say anything without sounding like a reality television star. Maybe heâs the same way. Thereâs a real chance that nobody in his family even knows that sheâs coming, and maybe thatâs the way sheâd like it to be.Â
Her reunion with Charles couldnât be more different than their first meeting. The paddock is empty with exception of team crews and straggling media members. There isnât a Bud Light in sight and the pass hanging around her neck has a picture of her on the back. He mustâve pulled it from her Instagram, the one that he keeps talking about wanting to follow back. A picture of her and CHRISTYN ELLIOTT - FULL WEEKEND written in bold letters.Â
âHeâs probably at the briefing,â Joris explains, checking his watch and walking one stride for every two of Chrisâ. She tries her hardest to keep up with him as he expertly navigates the paddock, all while trying to memorize his moves so she doesnât end up stranded sometime this weekend.Â
A whistle gets their attention, cutting sharply through the hot desert air. Her and Joris both snap their heads around to find the perpetrator of the summons. Charles pats Pierreâs shoulder and jogs ahead of the group of drivers, all already engaged in their own conversations and heading off into different directions.Â
He has such a carefree smile on his face, jogging over with happy eyes and wiggling brows and a stupid little wink that puts a smile on her face. âHello, Christyn,â he quips, greets her with open arms. And then, once his arms are pulling her to him so tight she canât take a full breath, when he has so much energy to give her he canât help but rock on the sides of his feet, he whispers just for her, âHi,â a soft kiss on the crown of her head, âIâm so glad youâre here.â
All she can think about is how warm he is. Warm, and smells so nice. She doesnât know how sheâs going to ever go home. Not when heâs so warm.Â
âHow was the planes?â He asks, an arm comfortable slotting around her as they resume their walk to wherever it is sheâs being led.Â
âUh, Iâm tired, but.â She smiles. At him. Right there where she can touch him. Where he is touching her. âIâm here, so. Iâm happy.â
On the walk back to hospitality, she asks him how his dayâs gone. Heâs sure she already knows, that Joris talked her ear off the entire drive over or that sheâd checked the media reports of the practice sessions, but itâs nice to pretend she doesnât know. He tries to summarize everything as concise as he can, because even though he loves talking to her, heâd much rather listen. He can listen to her talk until the sun burns out.
Heâs not surprised to notice that Joris has peeled off from them, especially not because he didnât even realize he wasnât trailing behind him and Chris until he held open the door to his driverâs room and Joris was nowhere to be found.
He canât count the amount of texts heâs had to have sent Chris from his driverâs room. How badly he wanted to just be talking with her, and now sheâs here. Sheâs here, sheâs here, sheâs here with him.Â
He moves around the room, cleaning and reorganizing his things for a fresh start in the morning. Casually, he mentions that he has a sponsorship obligation tonight, last race and all, and that Arthur and Joris are coming along. He doesnât speak it so offhandedly because heâd forgotten, but because he didnât want her to get freaked out by the idea of it. He explains that sheâs welcome to tag along, or, if sheâd feel more comfortable, she can stay here while Andrea packs up his things.Â
Sheâs leaning against the wall just next to the doorway, watching him. Without hesitation, she replies, âIâll come with you.â
âAre you sure?â He asks, looking to her. âYou donât have to.â
She nods, looks at the ground or the couch or something that isnât him, folds her hand to look at her nails and lets out an almost silent laugh. His stomach drops. âYou sound like you donât want me to go.â
âNo, no.â He corrects, and she still doesnât look at him. He waves for her attention, cocks his head to the side when he gets it, âNo. Thatâs not. I just want you to do what you want to do.â
âI want to go.â
âOkay,â he smiles.
She crosses her arms over her chest, looks like sheâs trying so hard not to smile at him. âYouâre being weird, you know?â
He shrugs, because sheâs right. âI told you I would be.â
âWell,â Chris sighs, moves across the room to the small couch in the corner, âwhy are you being weird?â
âBecause.â I want to kiss you, he stops himself from saying. Iâve wanted to kiss you since I saw you twenty minutes ago, since you decided to come, since I met you, maybe.Â
âBecause, why?â She laughs, and heâs suddenly struck with the thought of what her laughter might taste like. Sweet, surely, just like it sounds. Like a popsicle on a summer day.Â
His phone buzzes in his pocket and he tries his absolute hardest to wipe that thought from his brain before texting his brother back. âJe veux t'embrasser tout le temps,â I want to kiss you all the time, he mumbles, isnât even sure it actually leaves his lips or if he keeps it locked in the vault. He continues to send his reply to Arthur.Â
âYou know I donât understand what you just said,â Chris reminds him. Thatâs why it came out in French, he thinks. Not everything is meant to be said.Â
âI said,â he pauses, sends the text, looks back at her. God. âI said I want to kiss you.â
She crosses one leg over the other, looks down at her pants like there is something in her lap to fix. He can see the blush on the tips of her ears, even though sheâs trying to hide her cheeks. When she does look up, face still flushed, she tucks her bangs behind her ears and replies softly, âyouâre allowed to kiss me, Charles.â
He canât believe he hasnât yet. That heâd hugged the life out of her, kissed her hair and told her how happy he is sheâs there, that heâd thought about kissing her for weeks, that he didnât fucking kiss the girl yet. Theyâre sharing a bedroom tonight, and he still hasnât kissed her. He thought about it, he did. But theyâd promised to keep things as quiet as they could. Now, heâs pretty sure she wouldnât have stopped him from throwing all those conversations out the window.Â
If there wasnât something weird in the air before, there certainly is now. A new weird. A good weird. An implication of something in the air, weird. Itâs out there now, ust hanging above them. I want to kiss you. You can kiss me. Now all thatâs left is for one of them to make the move.Â
Itâs the least he can doâmake the first move. She flew across the globe, he can fucking kiss her. He wants to fucking kiss her. He feels like a little kid, the giddy smile that pulls on the corners of his lips when he walks over to her. He does little to conceal his intent.
âWhat?â She asks with a smile on her face. A tease, she has to know.Â
He holds out his hands, palms forward to her and she follows his lead, reaches up to lace their fingers together. âI like you, you know?â He asks, leans his weight against her hands. Some hands are just meant to be held.Â
She giggles like a child, pure and innocent and like nothing bad has ever happened to her. Like the childhood dog and all four grandparents are still kicking. âI canât hold you up.â
âWhat?â He quirks a brow, leans more weight onto her hands and she laughs harder, her arms shaking below him.Â
âCharles!â
âI said I like you, Chris!â
Through weak arms and uncontrollable belly laughs, she manages to choke out in gulps for air, âI like you, too.â In a swift movement, he recenters his weight on his own feet, pulling Chris up from the couch. The force of his pull almost knocks her from her feet, both of them still laughing, fingers dancing with the others on either side of their frames. The laughter is light and airy and barely there, but itâs laughter nonetheless. When their hands do fall apart, their pinkies stay looped together without force, without any pull at all, just comfortably slotted against the other. âI really like you,â she adds, and her voice sounds like smiles look.Â
She blushes under her own words, over the entirety of their private moment, eyes darting from eyes to lips and back to eyes. âYeah?â He asks quietly, like heâs scared asking might change her answer. She nods, biting down on the smile that paints her bottom lip, and itâs more than enough for him. Sheâs so good. Sheâs too good not to kiss.Â
He moves a hand to her jaw, thumbs her cheek with fingers slotted behind her ear, dancing along her hairline like a whisper of whatâs to come. Like a promise. In the absence of his hand, hers finds his chest, just his thin Ferrari shirt separating her palm from the butterflies stirring wildly in his chest. âMe, too,â he says softly. Softer than she did, more to her lipsâsoft and pretty and his favorite shade of pinkâthan to her eyes. And then, either so softly only the atoms hear it, or maybe in his head entirely, âvery much.â
And then he kisses her.Â
She tastes like mint chapstick and biscoff cookies and coffee. Her lips are soft, softer than they looked, softer than her voice. Itâs like a boost of energy, kissing her. Like an immediate and complete charge.Â
She tightens her grip on his other pinky. Tightens it, loosens it, re-intertwines the whole hand somewhere off in the distance, far, far away from where he wishes to stay forever. This alone is worth a flight anywhere. Altitude sickness and limbs falling asleep and jet lag and headaches from screaming babies are all poor inhibitors when this would be waiting for him on the other side.Â
He pulls his hand from hers because it's just not close enough. Nothing is going to be close enough, but heâll try his damndest to cup her jaw and pull her deeper into the kiss. Their noses bump awkwardly and they pull apart in a breathless laugh. Nothing more than a quick, shared smile and heâs kissing it off her face, tugging on her bottom lip with his teeth and letting her hum mumbles into his mouth. Teeth clacking and more laughing, so breathless itâs practically silent.Â
âChris Elliott,â he says all sing-songy, just because he knows itâll make her laugh. A quick peck, because he can. âYou are something.â
âCharles Leclerc,â she mimics, wide eyes and raised brows and a beaming smile. A quick peck, because heâs never going to stop her. âSomething good?â
He hums. âSomething great.â
âYouâre silly,â she says, and he laughs.Â
âSilly?â She nods. âYouâre cute.â Chris rolls her eyes, but still has that childâs smile on her face and a pink flush to her cheeks. He kisses her again, quick, because he has a month to make up for.Â
âI know,â she retorts, deadpan. He laughs louder than any sane man should.Â
Joris, Arthur, and Andrea file into the room a few minutes later. Chris is leaning against the wall again, scrolling through her phone. She clicks it off when they walk in, shoves it deep into her purse pocket.Â
Andreaâs eyes bounce from Chris to Charles, and then back to Chris, holding out a hand for her to shake. âAndrea,â he greets, formal and cool.Â
âChris,â she smiles, shakes the outstretched hand.Â
âNice to meet you.â
âYeah,â she nods. âYou too.â
First bad impression. She doesnât know what it is she did, but with the simple half-minute observation of his interactions with her versus the rest of the people in the room, itâs obvious heâs already soured on her.Â
Arthur, though, Arthur is almost off putting in his resemblance to Charles. Same voice, same face, certainly same bloodline. She thinks she could recognize him anywhere, probably. He, however, on his phone, doesnât even notice Chrisâ presence in the room until Joris elbows him on the sofa.Â
âQuoi?!â He exclaims in a defensive tone that transcends language barriers. The kind that only brothers know how to use.Â
âHi,â Chris says, and Arthurâs head shoots from Joris to her in the doorway. He almost laughs, heâs so surprised by her presence. âIâm Chris,â she adds, holding out a hand only because he's sitting and sheâs standing and a hug doesnât feel logistically sound.Â
âAh, Chris,â Arthur nods, shakes her hand. âCharles does not answer my phone calls because of you.â
âOh,â she offers a weak smile. âIâm sorry about that.â
âNo, no. I do not want to hear from him.â
Chris laughs. From the other side of the room, Charles chimes in, âthen why are you calling me?â
Arthur rolls his eyes. âMaman say, âdo you call Charlesâ and I say âyes he does not answer me.ââ
- - -
They run into Carlos and co. on the way to the sponsorship event. Chris tries to hang back towards the end of the group, back with Joris and Arthur and away from Charles, purely out of self preservation. Theyâd agreed in passing that everything would be much easier, hundreds of times simpler, if nobody knew Chris was there this weekend, if everything was kept under the radar. Charles, however, seems to have forgotten that agreement because, no matter how engaged he gets into a conversation, he is constantly looking for her in the group, reaching his hand out to her if sheâs within distance to do so, keeping her as close to him as he can.Â
She keeps falling back though, falling into ranks. She doesnât want to look like a girlfriend, because she isnât.Â
Chris has no idea how to be a public⊠girl? A fling or a girlfriend or anything in between. Sheâs at home at a race track, yes, and during Chaseâs championship winning season, she got stopped three times to take pictures with fans, but, really. Nobody has ever cared about what sheâs doing or who sheâs doing it with.Â
Walking in behind Carlos and Charles is like walking in behind celebrities. Everyone wants to shake their hands, to pat them on the shoulders and tell them this thing or another. Thereâs lots of languages being thrown around that she doesnât recognize, accents she struggles to understand.Â
âThis is crazy,â she says quietly, just to herself.Â
Arthur nudges her with his elbow to steal her attention, furrows his brows for a moment and holds up a quizzical thumbs up. Chris nods, smiles gratefully.Â
Charles promised that it was going to be nothing more than a quick stop at the event, and he meant it. They arenât even there long enough to sit down. Instead they hang out in the back of the tent near the bar, watching Charles and Carlos talk on stage with several different people about how important this brand is for us. Â
They decide to go out to dinner after, despite Chrisâ burning desire to go to sleep for a couple years. They get sat at a booth thatâs probably made to hold no more than four people; Andrea and Joris on one side, Charles sandwiched between Chris and Arthur on either side. He finds her hand under the table, his thumb tracing along the lines of her fingers. Chris, against all urges to rest her head on his shoulder, rests it instead on the wooden divider between their booth and the neighboring one.Â
Arthur is the only one who struggles to speak English rather than his mother tongue, and while Charles corrects him each time, Chris doesnât dare. Sheâd rather die than imply someone speaking in a second language needs to improve the way they speak it.Â
âAre you going to be with us all weekend?â Arthur asks around Charlesâ frame.Â
âIâm actually going to be in the grandstands,â she smiles. Charles rolls his eyes.Â
âOh?â Arthur asks, looks to his brother, but Joris beats him to the punch.Â
âYou couldnât get her a pass for the whole weekend?â Joris chirps. Andrea laughs and Charles reaches for the pass hung around her neck. She didnât even realize she was the only person still wearing it until now. Charles flips the pass over, points out the FULL WEEKEND on the back.Â
âHer choice, not mine.â
She reaches to take the pass out of his hand, to pull it off over her head and put it into her purse. âIâm hoping for a drama-free weekend,â she says, and the boys laugh. Charlesâ hand finds her thigh, gives it a little pat and a comfortable squeeze.Â
Her hands are meant to be held, they really are. He could hold her hand until the moment she leaves, fingers locked together as they walk through the hotel corridor, empty and echoey with their voices and the sound of their feet on the carpet runner.Â
Once in the room, face to face together with the single bed, they both burst into laughter. Heâs glad he cleaned things up before she got here, because the room was starting to look a little like his driverâs roomâclothes strewn about messily, plastic water bottles on the end table, a television remote he lost the night he got here and hadnât found until this morning. In the corner, Chrisâ luggage sits beside the armchair, backpack neatly stacked with a single suitcase.Â
âDid you bring your whole wardrobe?â He jokes, and maybe itâs because heâs never been great at conveying jokes in English, or maybe itâs that theyâre both absolutely exhausted, but the joke doesn't land. Sheâs immediately apologizing, spewing out a jumbled apology about I didnât know what I was supposed to wear, and thenâ âIâm messing with you,â he says, and hates that she thinks heâd be that worked up over a suitcase, especially when heâd brought at least double what she had. She could have shown up with twenty suitcases and he still wouldnât have thought it was too much because, well, sheâs here. Right in front of him.Â
âOh,â she pouts, and he kisses the look off her face. Heâs wanted to do that since he saw it for the first time. âOh. I like when you do that.â Good, he thinks. Get used to it.Â
They both make plans to shower; her before him. Heâs on the couch in the living area of the suite when she re-emerges from the bathroom, the TV rolling and absentmindedly scrolling through his phone. When the sliding door to the bathroom opens, he looks up to watch her.Â
Her hair long down her back, carefully combed out so that the soaking ends turn the fabric of her sun-worn blue t-shirt a darker shade. Itâs big on herâthe shirtâhangs almost long enough that you wouldnât be able to spot the flannel shorts underneath. He can still hear the sink running in the bathroom and sheâs got a toothbrush in her mouth.Â
He whistles when she walks back from the bedroom towards the bathroom again, and she stops in the doorway, laughs around the toothbrush and does a sweet spin. âBellissimo,â he says, gestures a chefâs kiss and she bows dramatically.Â
After his shower, he finds her in the bedroom, comfortably perched against the headboard, tucked under the crisp white duvet. The only light in the place is coming from her end table lamp, casting a soft shadow on her face, her knees pulled up close while she turns the pages of a book. He hovers around his suitcase watching her, completely in her own world, the only hint of her presence on this plane being the subtle lean into the light to better illuminate the pages she turns.Â
Itâs not the first time heâs found himself looking at her like this. Sheâs easy to get lost in and almost never notices him staring. She just gets so focused on the task at handâgrading papers, cooking a meal, painting her nails, watching a television show, or like tonight, reading her current library rental.Â
âDo you want a water?â He asks. Her eyes donât leave the page, a subtle shake of the head before she finally mumbles a no, thank you. He navigates the dark suite to the kitchenette, finds himself a plastic water bottle in the mini-fridge, and then heâs pulling back the comforter to climb into bed with her. âSo, I was thinking tomorrowââ he starts, but she cuts him off with a singular finger held in the air. He canât help but laugh, stupid smile on his face while he watches her eyes hurriedly finish the page, dog ear the tiniest fold onto the corner.Â
âSorry,â she unapologetically offers, setting the book down on the end table. âWhat were you saying?â
âUh, I donât remember,â he says, because he lost it while he tried to guess what she was reading based on the little microexpressions that crossed her face. His eyes fall to the gold chain around her neck, to the small cross that lays over the blue fabric of her shirt. Heâs noticed it dozens of times, itâs constant presence in every picture, every video, every call and outfit and event. He doesnât even think when he reaches for it, examines it with gentle fingers. âIs this a, uhâŠâ he struggles to find the word, âhow do you say, family tradition?â
âHeirloom?â
He nods, drops the piece of jewelry back to its rightful spot. âHeirloom.â
âNo, it was a birthday gift,â she explains, fingers the chain of it, âfrom my brother when I turned eighteen.â
He nods, points out the other necklace sheâs wearing, a flower with a pearl in the center. âAnd this?â
She laughs, âitâs silly,â she says. âIt goes with these earrings I have, theyâre from my parents when I graduated college.â He learns the flower is a chrysanthemum, that her dad has always called her Mum, that her mom has a particular affinity for pearls that sheâs passed onto Chris, that all of these things have combined into this piece of jewelry hanging around her neck and that she cried and cried when they gifted it to her.Â
Because the sun is still burning, he doesnât stop asking about the different pieces she wears until heâs run out of ones to point to. He learns the story of a ruby ringâher birthstoneâthat she found in a thrift store for seventy-five cents when she was fifteen, how it used to fit on her pointer finger but now it fits her ring finger, how sometimes she makes up elaborate stories of how it ended up in the bargain bin of a Goodwill in North Georgia.Â
She tells him about three friendship bracelets. The first and second are made by students, her favorite gifts. The third, blue and yellowâNAPA colors, her brotherâs racing colorsâmade by her nephew. âHeâs four, and he is everything annoying about my brother and everything good about my best friend, and I think I would kill someone for him.â Charles is sure that tomorrow heâll be telling someone they wouldnât believe the way she lights up when she talks about this kid.Â
When heâs run out of things to question, sheâs examining the red string tied around his wrist. âWhat about you?â She asks, âwhatâs up with this guy?â
âMy mate, Pierre. He learns about it from our other friend Yuki,â He explains. âThey always know the strangest things, Pierre and Yuki,â he chuckles, continues to explain the traditional symbol of good luck. âI donât know how well it works, though,â he laughs, and she kisses him. It surprises him, but heâs in no place to complain. Perhaps the bracelet works quite well, he thinks when she moves closer, snuggles under his arm while he continues.Â
Three metal bracelets. One red, one silver, one stainless steel. Morse code: Amour, Bonheur, Smile. A ring that matches the bracelet. Two hex rings that track his heart rate and his sleep and a million other things.
He spins the rings while he talks, pulls them off and hands one to her without missing a beat in his sentence. She toys with it while she listens, hands it back to him with a quiet yawn. When he kisses her hair, itâs still damp and smells like the shampoo she used, something he canât place, something he hopes eventually to memorize. âYouâre cute when youâre sleepy.â
âYou told me that last week.â
âI know,â another kiss against the unfamiliar scent. âI meant it.â
Charles wants to order room service for breakfast. Chris shuts that idea down the minute it comes out of his mouth, furrowing her brows and making him attempt to rationalize waiting half an hour for food thatâs five minutes away. He canât, so they head to the lobby.Â
Chris is wearing the same shirt, pulls a pair of sweatpants over her flannel shorts and ties her hair into a messy, tangled ponytail. Sheâd keep it down, but her hair dried while she slept and itâs pointing in directions that defy gravity. A ponytail was the only option. Charles doesnât change, keeps the t-shirt and shorts he slept in on.Â
They find Andrea in the lobby, eating at a table for two by himself. Charles pulls a chair over from a nearby table and they sit down with him. By the time Joris appears, the table is officially too full of food to comfortably function.Â
She hears his phone vibrate against the hard plastic of his chair, and he casually mentions that the rest of his family is on their way down.Â
Chris doesnât react, not externally, anyways. She finishes whatâs left in her mug, bee-lines it over to the coffee bar to make another. Absent-mindedly, she tears the foil from the creamer cups, rips open the sugar packets and stirs it all together. His mom. His mom. His mom. Itâs all she can think about. His mother. The woman who gave him life. Chris knew sheâd be meeting his mom this weekend, but she figured sheâd have more preparation than a couple minutes warning, assumed sheâd be dressed, hair styled, makeup done. That sheâd be presenting herself as someone youâd be happy to have your son spend time with, not like a 7/11 customer in Dahlonega at one in the morning. Maybe Charles was right and room service was a good idea.Â
Even once sheâs back at the table, every elevator ding makes her jump, shoots her head in the direction of the opening doors just terrified the people walking out are going to be his family.Â
âAre you good?â Charles asks after she flinches at the third elevator bell.Â
âYup,â she lies, slaps a big, phony smile on her face and takes a sip of her coffee. His hand finds her leg, gives it a little youâll be fine squeeze.Â
The next elevator is carrying his family. She instinctively straightens in her seat, moves things around the crowded table so her food looks neat and managed. Joris looks at her with concern, Charles laughs when she refolds a napkin. âDonât laugh at me,â she whispers.Â
Out of earshot, Arthur says something through a stretch and a yawn. His mom rolls her eyes, pushes him in the direction of the coffee bar, mutters something to his other brother that makes him chuckle. When his mom spots Chris, she makes a bee-line for her with open arms. Chris practically trips over the leg of her chair trying to stand up before the hug reaches her.Â
âCome here, chĂ©rie,â she smiles. Itâs warm, just like her boyâs. âI have heard so much about you.â Oh? Chris smiles, suddenly aware that sheâs apparently horribly unprepared for this entire introduction. Heâs telling his mother about her?Â
She hugs Pascale back and looks over her shoulder to Charles with wide eyes. Sheâs met with a matching expression, Charles shrugging and shaking his head as if to adamantly tell her he has no idea what his mom is talking about. âAnd what have you heard, Maman?â He asks with a laugh.Â
âDonât start with me,â she says, wagging a finger at her boy, and then to Chris, âIgnore him.â She holds her at arm's length, hands on either shoulder and looks her up and down. Chris laughs, nervous but still noticeably genuine. âYou are just beautiful, arenât you?â
Well. Beautiful isnât a word Chris would use to describe herself at this moment. Ratty, perhaps. Disheveled. Off-putting. But sure, beautiful is a word she might sometimes describe herself as. âMe?â She shakes her head, âmaâam, look at yourself.â
âOh, please,â his mom scoffs. âPascale.â
âPascale.â Chris smiles, goes in for another hug.
Whether itâs because heâs a brother and not a mother, or because meeting said mother is done and over with, Chris is significantly less anxious when it comes to her introduction with Lorenzo.Â
Chris attempts to insist Pascale take her seat, but is out-insisted to finish her breakfast. Charles finds her hand under the table, winks at her when she interlocks her fingers with his.Â
â â âÂ
Outside of their shared breakfast, Saturday is a long day apart for Chris and Charles. A quick kiss goodbye in their hotel room when Charles finishes getting ready, a quicker âgood luck,â from Chris called after him on his way out the door, and a thumbs up over his head as a response summarizes their interactions for the rest of the day.Â
Chris works on next weekâs lesson plans for a few hours, nothing better to do while she waits to leave for the track.Â
She watches the third practice session and quali from the grandstand across from the pitlane, and while neither are his greatest showing, Chris can feel it in her bones that everything is going to fall into place for him tomorrow. A third place start is more than good enough to beat out Perez at Red Bull. She knows it like she knows her own name, and nobody is going to tell her otherwise.Â
She goes back to the hotel after quali, doesnât bother to attempt sneaking into the paddock to try and find him. It just doesnât feel worth itânavigating a place she doesnât know, avoiding the cameras and the reporters and the chaosânot when heâll be coming back to the hotel, back to her.Â
She falls asleep moments after sitting down on the couch, and isnât woken up until she doesnât even know when. Itâs the middle of the night, Charles tells her, guides her to bed and tucks her in like a child, complete with a kiss on the forehead.Â
- - -
The first words out of her mouth on Sunday morning are an apology.Â
When Charles tries to cut her off with a laugh and a kiss, she stops him just short of her lips, claiming morning breath. âWow,â he feigns shock. âFirst you fall asleep on me, now you will not kiss me?â
She rolls her eyes, grabs the back of his neck and pulls him down to kiss her. âHappy?â
He nods and kisses her again. He keeps waiting for it to not feel so exciting, so much like a stupid movie, so young, and itâs yet to reach that point. Itâs not even coming close. âYes, thank you.â
From the other side of the bathroom wall she dares to ask him if heâs nervous, if the pressure is finally manifesting itself into stress. Heâs quiet for a while.Â
âNo,â he eventually calls back.
âNo?â
He peels around the doorway, messing with the collar on his team shirt. âYes,â he admits with a scale-breaking sigh. She wishes he was as sure as himself as she is, that he could feel in his bones it is all going to work out perfectly.Â
âWell, Iâll be here when youâre done, and we can either celebrate Charles Leclerc, Vice World Champion,â he turns away at the title, the side profile of a smile turning the corner back into the bathroom. âOr, we can celebrate the end of an exhausting season. Either way, weâre celebrating.â He stays quiet. âOkay?â
âYeah,â he finally speaks, tone lackluster, unconfident. Itâs hard to hear him like this, to hear the distinct shards of doubt that rattle in his chest. âWeâre celebrating.â
Weâre celebrating. Tonight is a celebration. The positives with the negatives, the good always outweighs the bad. She reminds herself like itâs a mantra. Tonight is a celebration.Â
- - -
Alone in the grandstands with an air of certainty about her, Chrisâ bar for friendship has never been lower. She finds a group of girlfriends who appear to be sort-of, almost, kind-of, maybe in the same age demographic as she is. They speak English and donât ignore her when she talks, and thatâs enough for her to latch onto for the evening.Â
We like McLaren, they tell her, But those Ferrari boysâtheyâre cute. You canât help but feel for them. Chris just smiles and nods, offers up a laugh and pretends she wonât be falling asleep next to one of those cute boys later tonight.Â
The girlsâflew in from London on Friday just for this-fill her in on everything she already knows. They tell her about Charles and his fight for P2, about the strategic pitfalls of Ferrari and the fact that on paper, it was Charlesâ year to win it all.Â
Theyâre more nervous during the race than Chris is, not to say that her leg isnât bouncing watching the times constantly changing, that she isnât whispering mumbles prayers into the air between here and there, just that she knows. She knows.Â
If it was possible to stare through a helmet, Chris wouldâve done it during his pitstop, burning the confidence right into his frontal lobe. Her eyes are glued to his car, his helmet, distant and small and buzzing with energy. Heâs got it under control, like a perfectly wrapped gift sat in his lap, like a row of monkey bars and hands hardened by months of blisters, like a first kiss and a second kiss and a third kiss. Heâs got it under control.
He does, because after what feels simultaneously like the longest and shortest fifty-eight laps of her life, Chris practically has a front row seat to Charles doing donuts. Sheâs so happy that she thinks she might cry, not that it takes much of anything to pull a tear from her when sheâs this exhausted. The girls sheâd befriended jump and celebrate and cheer louder than the fireworks.Â
Chris tries to live the moment. To feel it all, the energy and the roar and the joy, which only makes it that much harder not to cry.Â
Suddenly, momentarily, irrationally emotionally, while she watches him celebrate with his family and his team in front of the whole world she wishes she was down there with him. Screw the world watching, she wants to hug him until her arms are numb and kiss him until she passes out.
Thereâs no telling whenâor even ifâsheâs going to ever live through a moment like this again. Itâs not one she wants to forget. In the chaos of it all, her hand finds her chest, the hard metal of her cross necklace through the fabric of her top, the pulsing of her heartbeat, loud and racing.Â
Itâs hours before heâs back to the hotel, but it doesnât feel late at all. Heâs still running on adrenaline, just as ready to celebrate as he was when he jumped into his teamâs arms. Over the mechanical shifting of the door lock, he can hear Chrisâ feet echoing on the floor just on the other side and before he can even make it through the doorway sheâs crashing into him. The pure energy that she is knocks him back a few steps, but then heâs hugging her back just as hard, maybe harder.Â
He can feel her tears soak through his shirt, and with a laugh asks if sheâs crying.Â
âShut up,â she says, and it only makes him laugh harder, hug tighter. God, the show he would have put on if he couldâve found her right after the race. The trouble he would make. âOh, my god!â She sniffles, pulls her head off his chest and wipes away her tears. âKiss me, already!â
And so he does. He kisses the shit out of her.Â
She pulls away with a smile, arms slinked around his neck like it belongs to her. âSo, how does it feel?â She asks, âVice World Champion, Charles Leclerc.â
He gives her a quick kiss, nothing more than a peck, shrugs, and repeats the action. âToo busy kissing the girl.â
âYouâre such an idiot,â she laughs, drops her head so itâs against his chest and vibrates his entire being. Itâs a laugh that lights stars, dances around the room like a windchime in the warm August air. The kind so distinct you could hear it across a room ten years later and still know it was her. âA walking cheeseball.â
âA cheeseball?â He humors.Â
âI said what I said.â
His satisfied hum says more than words ever could, fingers comfortable dancing along the bone of her hip. âWe gotta get ready,â he says.Â
âFor what?â
âThe celebration.â
last chapter masterlist next chapter
#ma&thbp#ma&thbp propaganda#charles leclerc imagine#charles leclerc blurb#charles leclerc fluff#charles leclerc x reader#charles leclerc#cl16#cameos from#pierre gasly#joris trouche#andrea ferrari#pascale leclerc#lorenzo leclerc#arthur leclerc#Carlos Sainz#who's name always auto capitalizes#f1#f1 blurb#f1 fic#f1 imagine#f1 fanfic#f1 2023#f1 rpf#get fucked#charles leclerc x oc#scuderia ferrari#charles leclerc x female reader#charles leclerc fic#charles leclerc x you
309 notes
·
View notes
Text
No in the light of the word- vigil reconnoitered hand.
Yet you, sleeping one, always speechtrue in each of the pauses:
for how much Togetherseparated do you ready once more for the journey: the bed Memory!
Do you sense it, we lie white from thousandcolored, thousand- mouthed pre- timewind, breathyear, heart-never.
â Paul Celan, "Colon", trans. Pierre Joris
[translator's note: "Colon: from Greek plural cola: a rhythmical unit of an utterance; Celan defines the colon in The Meridian as 'Breath-units'...and refers to it twice more: 'In the "mora and cola" the poem culminates.â'; 'âNot the motif, but pause and interval, but the mute breath-auras, but the cola guarantee in the poem the truth of such an encounter'."]
#nothing disconnects us not silence or time#breath#a poem buried in the silence of things#on poetry#paul celan#poetry#pierre joris
82 notes
·
View notes
Text
đ· @/pierregasly
#do you think joris is concerned#or wants his revenge and also play darts with charles' face đ#also this looks more like somebody's trying to drive him into the wall đ#pierre gasly#charles leclerc#joris trouche#f1#formula 1
88 notes
·
View notes
Text
charles_leclerc: This was a fun day đŸ
@.atptour
#AHHHHHH#charles leclerc#pierre gasly#piarles#arthur leclerc#lorenzo leclerc#joris trouche#now post these again without the ugly filter bb#also the way I've been probing the internet for pictures of pierre and charles from today and charles goes and posts this#he did it for me#charlesâ instagram
195 notes
·
View notes
Text
A leaf, treeless, for Bertolt Brecht: Â // Paul Celan
A leaf, treeless, for Bertolt Brecht: What times are these when a conversation is nearly a crime, because it includes so much thatâs already been said.
(translated from the German by Pierre Joris)
#poetry#Paul Celan#Pierre Joris#German poetry#Romanian poetry#Bertolt Brecht#Jewish poetry#epigram#plus ça change#micropoetry#leaf#An die Nachgeborenen
3 notes
·
View notes
Text
'Not everything comes from time.'
--Celan, Microliths, trans. Pierre Joris
3 notes
·
View notes