#Pierre Joris
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The many wrongly addressed letters. Then the unsent ones. Followed by the unwritten ones. And at last — again — the poem: the breathed breve... a few syllables too long. — (Wave shorts. Wave troughs. No crests at all.)
– Paul Celan, trans. Pierre Joris
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After three ways in the rain image
when waking your counterimage: he,
the magician. Angels weave you in
the dragonbody. Rings in the way,
long in the rain I become yours.
Unica Zürn, Will I Meet You Sometime?
trans. Pierre Joris
Ermenonville 1959
#poetry#unica zürn#1950s#anagram#anagram poetry#pierre joris#hans bellmer#automatism#hexentexte#intimacy
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Paul Celan, “Den verkieselten Spruch,” from Atemwende. (Translation by Pierre Joris.)
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"Outside. Quince-yellow a piece" // Paul Celan
Outside. Quince-yellow a piece of half-evening blows from the drifting gaff, the oaths, graybacked, seaworthy, roll toward the galleon, а hangman's noose, the number drapes itself around the neck of the still visi- ble figure. Nobody needs to take in the sails, I journeyman go.
(translated from the German by Pierre Joris)
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Paul Celan, from Mohn und Gedächtnis / Poppy and Memory (1952), trans. Pierre Joris in Memory Rose into Theshold Speech (2020)
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Nomadforb, you catch yourself one of the speeches, the foresworn aster joins up, should someone who shattered the songs speak to the rod now, his and everyone's blinding wouldn't happen.
– Paul Celan, "[Nomadforb, you catch yourself]", trans. Pierre Joris
“The voracious consumption of images makes it impossible to close your eyes. The punctum presupposes an ascesis of seeing. Something musical is inherent in it. This music only sounds when you close your eyes, when you make "an effort at silence." Silence frees the image from the "usual blabla" of communication. Closing your eyes means "making the image speak in silence." This is how Barthes quotes Kafka: “We photograph things to drive them away from the spirit. My stories are a way of closing my eyes.. »”
― Byung-Chul Han, Saving Beauty
#the eyes are there#a poem buried in the silence of things#negative space#paul celan#poetry#pierre joris#byung-chul han#franz kafka
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Jewellery
Charles leclerc x reader
Masterlist
(author's note : hello beautiful people I tried to make it a bit smau for the first time but I don't like it at all but I will include a few "tweets" as the story continues it might be cringe by the way it was written)
Warnings : might be cringe (sorry), my writing, not proofread, English is not my first language
2 years ago :
Hearing people say that gifts like necklaces, bracelets and rings is a gift where it will be appreciated by everyone and mostly won't be taken of or thrown away sounded like the best gift.
Not knowing what to get your rich boyfriend for his frist birthday you decided to gift him a bracelet simple but sentimental with a cute message in the inside of it saying a few loving words with red letter being his favourite color too.
When you showed up to his apartment so you can head out to the dinner he had planned to and is going to wait for his friends to spent his special day to celebrate him.
A little bag in your left hand and your purse to the other walked towards him, kissing him gently in his lips to not mess up your lipstick and not transfer your lipstick to him you whispered to his lips happy birthday before kissing him again and stepping away from him and handing him his present
"I know it's not much because you can literally buy the whole store but I hope you like it!" Y/n said and smiled up to her boyfriend with adoration. "Do you want to open it now or later?"
" No why are you saying that? Whatever you get me I am sure I am gonna love it, no I want to open it now."
And that's what he did, he opened the bag and sew the box that contained the bracelet, opening again the box he saw it and set down the bag and the box inspecting it
"I love it mon cherie" he said and lined in gör a kiss
"No look at the inside mon amor"she cut him off "oh" he exclaimed now noticing the inside with the red letters "Oh mon dieu bébé, je l’aime et toi" he exclaimed again switching to his mother language and put it on and hug her tightly (oh my god baby I love it and you)
After some time of talking to each other they headed out of his apartment and headed to the restaurant where he had a table ready for them and his friends, as they sat down his friends came one by one with their girlfriends. Piere with Kika, Lando with his best friend Max, Max with Kelly, his older brother Lorenzo with his girlfriend, his little brother Arthur with his girlfriend and his mother Pascal.
Having fun on the secluded area of the restaurant with everyone, eating and drinking laugher and chatter filled the room gifts from everyone in the head of the table where an empty sit was and Charles while talking with his brother and Piere took his girlfriend's hand interlocking their fingers looking at each other for a few seconds and returning back to their conversations
After a few hours they got up decided to go to a club and saying good night to his mother when she decided not to go and they spend their time time morning drinking shots and dancing before they headed home.
1 years ago :
Again deciding to get him the same gift, a bracelet with a different color in the diamonds and different message again stacking them, putting a fight to not take them off wanting to have them on his wrist to have a piece of her in his races when she couldn't come with him because of work
The fans pointing out the silver bracelets that sat on his wrist shining and shimmering with the little diamonds with different colours and some other friendship bracelets from his fans having a field day each time they spot them and always getting the same answer
" My girlfriend got them for me, aren't they beautiful?" the same answer again and again melting the hearts of both his girl and his fans.
Present day:
Once again getting him the same bracelet with a message inside but with a necklace too that you saw on TikTok where their is a dogtag and under their is a outline of her body and sitting in a sexy pose and the words fuck me underneath the photo
To say the least he loved it it's an understatement but having it inside of his shirt so it doesn't accidentally turn around and reveal something so intimate for the whole world to see.
The bracelets now are famous watching as every year he has one added to the collection fans going feral with it
#my writing#x reader#f1 x reader#drive to survive x reader#charles leclerc x reader#marriswriting#request are open#charles leclerc#charles leclerc x you#charles leclerc x female reader#charles leclerc fanfic#charles leclerc fluff#joris trouche#max verstappen#lando norris#lorenzo leclerc#arthur leclerc#ferrari#pierre gasly#Bloodyymaryyy
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the leclerc brothers with their girlfriends and then there’s charles.. with joris
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Why do they always look so judgy when they're impressed? 😂 (this was just after an epic tennis rally)
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From beholding the blackbirds, evenings, through the unbarred, that surrounds me, I promised myself weapons. From beholding the weapons—hands, from beholding the hands—the long ago by the sharp, flat pebble written line —Wave, you carried it hither, honed it, gave yourself, un- losable, up, shoresand, you take, take in, sea oats, blow yours along—, the line, the line, through which we swim, entwined, twice each millennium, all that singing at the fingers, that even the through us living, magnificent-unexplainable flood does not believe us.
– Paul Celan, "[From beholding the blackbirds]", trans. Pierre Joris
The sorta literal translation from the arabic is so much more beautiful ::
“From here rose the first written letter, (finding its way) to every point on earth”
* * * *
“When I began to listen to poetry, it’s when I began to listen to the stones, and I began to listen to what the clouds had to say, and I began to listen to other. And I think, most importantly for all of us, then you begin to learn to listen to the soul, the soul of yourself in here, which is also the soul of everyone else.”
— Joy Harjo (via mythologyofblue)
#it is time that the stone took the trouble to bloom#hands#feel your lines#paul celan#poetry#pierre joris#joy harjo
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miss americana & the heartbreak prince
—03. i think i fell in love today —word count: 7.5k —warnings: despicable tooth rotting clawing my eyes out eating the stuffing in my pillows fluff. truly its horrendous. lets talk about it. —love, mackie... i'm sleeping hopefully. right now I am hammocking. the ice cream truck just drove past. I love June.
After Paris, Chris was a bit apprehensive when it came to her ability to navigate the airport in Abu Dhabi with any sort of efficiency. Especially not now, where she needs to go through customs and register for a visitor’s visa and find her luggage and get her money exchanged. Pleasantly, though, she’s surprised at the ease she works through her notes app checklist. It’s within the hour that she’s climbing into the backseat of a taxi and heading to the hotel.
She spends the entirety of the twenty-something minute drive doing a deep dive on Joris’ Instagram. He’s going to be waiting for you, Charles had told her the night they’d worked it all out. How he knew his friend would be free is beyond Chris, but that's not even the bigger issue at hand. The issue is, of course, that she’s had no more than a momentary interaction with Joris in the background of a FaceTime call two weeks ago. The thought of breezing past him in the hotel lobby is a mortifying one.
It’s quarter after seven by the time she gets there, and when she catches a glance of herself in a mirror on the wall and almost bursts into laughter. Someone could tell her that she fell down the stairs in Austin and hit her head and is in a coma and it would feel more believable than her life right now. This just… this doesn’t happen to her; five star hotels in foreign countries and heavy accents and guys who call her beautiful from the other side of the globe.
She spots Joris in an armchair on his phone at the other end of the lobby. She approaches nervously, and he stirs from his phone at her sudden proximity. “Hi,” Chris greets, sounds almost apologetic for interrupting him. “Joris, right?”
“Uh, yeah,” he nods, dragging out the vowel sounds when he glances back down at his screen. Chris wonders if he knows he’s waiting for her.
She smiles. “I’m Chris.”
“Right!” He snaps his fingers, shoves his phone into his pocket. “Chris.” He stands and opens his arms to hug her like they’re old friends. It’s a move straight from her book, one that she’s pulled on dozens of people before. It’s not one that she’s met with often. Chris thinks they’ll get on well, her and Joris. That’s a good thing, right? Friendly friends.
Chris’ mom had told her more than once that the quickest way to know someone’s character is through their friends. Only a maniac is rude to animals and elderly and children, she’d said a million times over, it’s the character of the people they choose to spend time with that matters. Joris has no idea Chris is silently observing his every action, picking them apart on a human level.
On the elevator ride up, Joris fills Chris in on everything that’s happened during the free practices that day, tells her that it’s been a relatively clean couple of sessions. You do know of the risk this weekend, yes? P2 or P3, he asks and answers his own question. Chris nods. If she didn’t know, she does now. The room is on the fifth floor, she notes, staring at the glowing five button as she picks at her cuticles. It hits her like a ton of bricks, her anxiety skyrocketing as the elevator ascends, her stomach left behind on the ground level.
This whole thing is crazy, and not the quirky, silly story you tell your friends about over a vodka cran crazy. Just plain crazy. Insane. Off the wall absurd. Why, why are they sharing a room? Why is she even here? What is it about her that can’t be found somewhere, anywhere, else? And the most prudent question, the one ringing in her ears louder with each passing moment; what is it about him?
Chris has never considered herself to be logical, not in the slightest, but she does like to maintain the idea that she’s well grounded. She might not always act in a way that makes the most sense, but she always makes those choices within the bounds of her reality.
And, because her nerves permeate off her like a thirteen-year-old’s B.O, Joris takes a stab at cooling her down. “How was your planes?”
“Good. Smooth.” she nods, forces a smile. Her weight shifts from heel to heel, thumbs looped through her backpack straps. The floor is a shiny black marble with white and gold veins, one that commands your attention. Chris pulls her eyes from it to look at him anyway. Nervous and insane or not, she wants to make a good impression. “I could do without navigating the airport in Paris ever again, though.”
“Oh,” he laughs. “It never gets easier.”
“Does any of it?” She offers up a laugh, but it’s as genuine as the smile her face held before.
He opens his mouth to speak but is cut off with the ding of the doors opening. There, in the hallway with more marble floors and a wallpaper that walks the line between elegant and gaudy, a couple stands on a white carpet runner. The man has on a Mercedes cap. Chris wonders if they know a Formula One driver is staying on their floor.
The four of them sidestep awkwardly around each other with polite smiles to the floor, and before she knows it Joris is holding a keycard over the lock on a heavy door and handing the piece of plastic to her.
It’s not a room. It’s a suite. There’s a living room and a kitchenette and a whole separate bedroom to this place. It’s expensive, wildly so, she’s sure.
She wheels her suitcase into the bedroom, leaves it in the corner by an armchair with her backpack. At the bottom of the bag is her purse, which she digs out while Joris is using the bathroom, moving things around from one bag to the other.
The drive to the circuit is twenty minutes, at least, and Joris talks the whole time, mostly about how nervous he is and how hard he’s trying to make sure Charles doesn’t notice. Chris doesn’t tell him that Charles is also beyond nervous about the whole thing–or that he knows good and well everyone around him is losing their minds. It doesn’t seem like the type of thing that would make Joris feel any better.
“Pascale and Enzo, you know them, yes? Charles’ Mum and brother?” Joris questions.
“Nope,” Chris shakes her head. “Not yet.”
Oh, he doesn’t say. “You’ll like them if you like Charles,” he laughs. “You do like Charles?”
Chris bites down on a smile, a laugh leaving her nose in an exhale. “I do.”
“Good, good.” He nods. “Anyway, they are not here tonight, they already have gone back to the hotel. Arthur is there, still. Do you know him?”
“I think it’s going to be easier for both of us if you just assume I don’t know anyone.”
“Ah, okay. Will do.”
Chris wonders what Charles has said about her to Joris, to Arthur, to anyone. All of the stories he has or hasn’t told them about. She has almost exclusively not talked about him back home. Not because she doesn’t want to, she just can’t figure out how to say anything without sounding like a reality television star. Maybe he’s the same way. There’s a real chance that nobody in his family even knows that she’s coming, and maybe that’s the way she’d like it to be.
Her reunion with Charles couldn’t be more different than their first meeting. The paddock is empty with exception of team crews and straggling media members. There isn’t a Bud Light in sight and the pass hanging around her neck has a picture of her on the back. He must’ve pulled it from her Instagram, the one that he keeps talking about wanting to follow back. A picture of her and CHRISTYN ELLIOTT - FULL WEEKEND written in bold letters.
“He’s probably at the briefing,” Joris explains, checking his watch and walking one stride for every two of Chris’. She tries her hardest to keep up with him as he expertly navigates the paddock, all while trying to memorize his moves so she doesn’t end up stranded sometime this weekend.
A whistle gets their attention, cutting sharply through the hot desert air. Her and Joris both snap their heads around to find the perpetrator of the summons. Charles pats Pierre’s shoulder and jogs ahead of the group of drivers, all already engaged in their own conversations and heading off into different directions.
He has such a carefree smile on his face, jogging over with happy eyes and wiggling brows and a stupid little wink that puts a smile on her face. “Hello, Christyn,” he quips, greets her with open arms. And then, once his arms are pulling her to him so tight she can’t take a full breath, when he has so much energy to give her he can’t help but rock on the sides of his feet, he whispers just for her, “Hi,” a soft kiss on the crown of her head, “I’m so glad you’re here.”
All she can think about is how warm he is. Warm, and smells so nice. She doesn’t know how she’s going to ever go home. Not when he’s so warm.
“How was the planes?” He asks, an arm comfortable slotting around her as they resume their walk to wherever it is she’s being led.
“Uh, I’m tired, but.” She smiles. At him. Right there where she can touch him. Where he is touching her. “I’m here, so. I’m happy.”
On the walk back to hospitality, she asks him how his day’s gone. He’s sure she already knows, that Joris talked her ear off the entire drive over or that she’d checked the media reports of the practice sessions, but it’s nice to pretend she doesn’t know. He tries to summarize everything as concise as he can, because even though he loves talking to her, he’d much rather listen. He can listen to her talk until the sun burns out.
He’s not surprised to notice that Joris has peeled off from them, especially not because he didn’t even realize he wasn’t trailing behind him and Chris until he held open the door to his driver’s room and Joris was nowhere to be found.
He can’t count the amount of texts he’s had to have sent Chris from his driver’s room. How badly he wanted to just be talking with her, and now she’s here. She’s here, she’s here, she’s here with him.
He moves around the room, cleaning and reorganizing his things for a fresh start in the morning. Casually, he mentions that he has a sponsorship obligation tonight, last race and all, and that Arthur and Joris are coming along. He doesn’t speak it so offhandedly because he’d forgotten, but because he didn’t want her to get freaked out by the idea of it. He explains that she’s welcome to tag along, or, if she’d feel more comfortable, she can stay here while Andrea packs up his things.
She’s leaning against the wall just next to the doorway, watching him. Without hesitation, she replies, “I’ll come with you.”
“Are you sure?” He asks, looking to her. “You don’t have to.”
She nods, looks at the ground or the couch or something that isn’t him, folds her hand to look at her nails and lets out an almost silent laugh. His stomach drops. “You sound like you don’t want me to go.”
“No, no.” He corrects, and she still doesn’t look at him. He waves for her attention, cocks his head to the side when he gets it, “No. That’s not. I just want you to do what you want to do.”
“I want to go.”
“Okay,” he smiles.
She crosses her arms over her chest, looks like she’s trying so hard not to smile at him. “You’re being weird, you know?”
He shrugs, because she’s right. “I told you I would be.”
“Well,” Chris sighs, moves across the room to the small couch in the corner, “why are you being weird?”
“Because.” I want to kiss you, he stops himself from saying. I’ve wanted to kiss you since I saw you twenty minutes ago, since you decided to come, since I met you, maybe.
“Because, why?” She laughs, and he’s suddenly struck with the thought of what her laughter might taste like. Sweet, surely, just like it sounds. Like a popsicle on a summer day.
His phone buzzes in his pocket and he tries his absolute hardest to wipe that thought from his brain before texting his brother back. “Je veux t'embrasser tout le temps,” I want to kiss you all the time, he mumbles, isn’t even sure it actually leaves his lips or if he keeps it locked in the vault. He continues to send his reply to Arthur.
“You know I don’t understand what you just said,” Chris reminds him. That’s why it came out in French, he thinks. Not everything is meant to be said.
“I said,” he pauses, sends the text, looks back at her. God. “I said I want to kiss you.”
She crosses one leg over the other, looks down at her pants like there is something in her lap to fix. He can see the blush on the tips of her ears, even though she’s trying to hide her cheeks. When she does look up, face still flushed, she tucks her bangs behind her ears and replies softly, “you’re allowed to kiss me, Charles.”
He can’t believe he hasn’t yet. That he’d hugged the life out of her, kissed her hair and told her how happy he is she’s there, that he’d thought about kissing her for weeks, that he didn’t fucking kiss the girl yet. They’re sharing a bedroom tonight, and he still hasn’t kissed her. He thought about it, he did. But they’d promised to keep things as quiet as they could. Now, he’s pretty sure she wouldn’t have stopped him from throwing all those conversations out the window.
If there wasn’t something weird in the air before, there certainly is now. A new weird. A good weird. An implication of something in the air, weird. It’s out there now, ust hanging above them. I want to kiss you. You can kiss me. Now all that’s left is for one of them to make the move.
It’s the least he can do–make the first move. She flew across the globe, he can fucking kiss her. He wants to fucking kiss her. He feels like a little kid, the giddy smile that pulls on the corners of his lips when he walks over to her. He does little to conceal his intent.
“What?” She asks with a smile on her face. A tease, she has to know.
He holds out his hands, palms forward to her and she follows his lead, reaches up to lace their fingers together. “I like you, you know?” He asks, leans his weight against her hands. Some hands are just meant to be held.
She giggles like a child, pure and innocent and like nothing bad has ever happened to her. Like the childhood dog and all four grandparents are still kicking. “I can’t hold you up.”
“What?” He quirks a brow, leans more weight onto her hands and she laughs harder, her arms shaking below him.
“Charles!”
“I said I like you, Chris!”
Through weak arms and uncontrollable belly laughs, she manages to choke out in gulps for air, “I like you, too.” In a swift movement, he recenters his weight on his own feet, pulling Chris up from the couch. The force of his pull almost knocks her from her feet, both of them still laughing, fingers dancing with the others on either side of their frames. The laughter is light and airy and barely there, but it’s laughter nonetheless. When their hands do fall apart, their pinkies stay looped together without force, without any pull at all, just comfortably slotted against the other. “I really like you,” she adds, and her voice sounds like smiles look.
She blushes under her own words, over the entirety of their private moment, eyes darting from eyes to lips and back to eyes. “Yeah?” He asks quietly, like he’s scared asking might change her answer. She nods, biting down on the smile that paints her bottom lip, and it’s more than enough for him. She’s so good. She’s too good not to kiss.
He moves a hand to her jaw, thumbs her cheek with fingers slotted behind her ear, dancing along her hairline like a whisper of what’s to come. Like a promise. In the absence of his hand, hers finds his chest, just his thin Ferrari shirt separating her palm from the butterflies stirring wildly in his chest. “Me, too,” he says softly. Softer than she did, more to her lips—soft and pretty and his favorite shade of pink—than to her eyes. And then, either so softly only the atoms hear it, or maybe in his head entirely, “very much.”
And then he kisses her.
She tastes like mint chapstick and biscoff cookies and coffee. Her lips are soft, softer than they looked, softer than her voice. It’s like a boost of energy, kissing her. Like an immediate and complete charge.
She tightens her grip on his other pinky. Tightens it, loosens it, re-intertwines the whole hand somewhere off in the distance, far, far away from where he wishes to stay forever. This alone is worth a flight anywhere. Altitude sickness and limbs falling asleep and jet lag and headaches from screaming babies are all poor inhibitors when this would be waiting for him on the other side.
He pulls his hand from hers because it's just not close enough. Nothing is going to be close enough, but he’ll try his damndest to cup her jaw and pull her deeper into the kiss. Their noses bump awkwardly and they pull apart in a breathless laugh. Nothing more than a quick, shared smile and he’s kissing it off her face, tugging on her bottom lip with his teeth and letting her hum mumbles into his mouth. Teeth clacking and more laughing, so breathless it’s practically silent.
“Chris Elliott,” he says all sing-songy, just because he knows it’ll make her laugh. A quick peck, because he can. “You are something.”
“Charles Leclerc,” she mimics, wide eyes and raised brows and a beaming smile. A quick peck, because he’s never going to stop her. “Something good?”
He hums. “Something great.”
“You’re silly,” she says, and he laughs.
“Silly?” She nods. “You’re cute.” Chris rolls her eyes, but still has that child’s smile on her face and a pink flush to her cheeks. He kisses her again, quick, because he has a month to make up for.
“I know,” she retorts, deadpan. He laughs louder than any sane man should.
Joris, Arthur, and Andrea file into the room a few minutes later. Chris is leaning against the wall again, scrolling through her phone. She clicks it off when they walk in, shoves it deep into her purse pocket.
Andrea’s eyes bounce from Chris to Charles, and then back to Chris, holding out a hand for her to shake. “Andrea,” he greets, formal and cool.
“Chris,” she smiles, shakes the outstretched hand.
“Nice to meet you.”
“Yeah,” she nods. “You too.”
First bad impression. She doesn’t know what it is she did, but with the simple half-minute observation of his interactions with her versus the rest of the people in the room, it’s obvious he’s already soured on her.
Arthur, though, Arthur is almost off putting in his resemblance to Charles. Same voice, same face, certainly same bloodline. She thinks she could recognize him anywhere, probably. He, however, on his phone, doesn’t even notice Chris’ presence in the room until Joris elbows him on the sofa.
“Quoi?!” He exclaims in a defensive tone that transcends language barriers. The kind that only brothers know how to use.
“Hi,” Chris says, and Arthur’s head shoots from Joris to her in the doorway. He almost laughs, he’s so surprised by her presence. “I’m Chris,” she adds, holding out a hand only because he's sitting and she’s standing and a hug doesn’t feel logistically sound.
“Ah, Chris,” Arthur nods, shakes her hand. “Charles does not answer my phone calls because of you.”
“Oh,” she offers a weak smile. “I’m sorry about that.”
“No, no. I do not want to hear from him.”
Chris laughs. From the other side of the room, Charles chimes in, “then why are you calling me?”
Arthur rolls his eyes. “Maman say, ‘do you call Charles’ and I say ‘yes he does not answer me.’”
- - -
They run into Carlos and co. on the way to the sponsorship event. Chris tries to hang back towards the end of the group, back with Joris and Arthur and away from Charles, purely out of self preservation. They’d agreed in passing that everything would be much easier, hundreds of times simpler, if nobody knew Chris was there this weekend, if everything was kept under the radar. Charles, however, seems to have forgotten that agreement because, no matter how engaged he gets into a conversation, he is constantly looking for her in the group, reaching his hand out to her if she’s within distance to do so, keeping her as close to him as he can.
She keeps falling back though, falling into ranks. She doesn’t want to look like a girlfriend, because she isn’t.
Chris has no idea how to be a public… girl? A fling or a girlfriend or anything in between. She’s at home at a race track, yes, and during Chase’s championship winning season, she got stopped three times to take pictures with fans, but, really. Nobody has ever cared about what she’s doing or who she’s doing it with.
Walking in behind Carlos and Charles is like walking in behind celebrities. Everyone wants to shake their hands, to pat them on the shoulders and tell them this thing or another. There’s lots of languages being thrown around that she doesn’t recognize, accents she struggles to understand.
“This is crazy,” she says quietly, just to herself.
Arthur nudges her with his elbow to steal her attention, furrows his brows for a moment and holds up a quizzical thumbs up. Chris nods, smiles gratefully.
Charles promised that it was going to be nothing more than a quick stop at the event, and he meant it. They aren’t even there long enough to sit down. Instead they hang out in the back of the tent near the bar, watching Charles and Carlos talk on stage with several different people about how important this brand is for us.
They decide to go out to dinner after, despite Chris’ burning desire to go to sleep for a couple years. They get sat at a booth that’s probably made to hold no more than four people; Andrea and Joris on one side, Charles sandwiched between Chris and Arthur on either side. He finds her hand under the table, his thumb tracing along the lines of her fingers. Chris, against all urges to rest her head on his shoulder, rests it instead on the wooden divider between their booth and the neighboring one.
Arthur is the only one who struggles to speak English rather than his mother tongue, and while Charles corrects him each time, Chris doesn’t dare. She’d rather die than imply someone speaking in a second language needs to improve the way they speak it.
“Are you going to be with us all weekend?” Arthur asks around Charles’ frame.
“I’m actually going to be in the grandstands,” she smiles. Charles rolls his eyes.
“Oh?” Arthur asks, looks to his brother, but Joris beats him to the punch.
“You couldn’t get her a pass for the whole weekend?” Joris chirps. Andrea laughs and Charles reaches for the pass hung around her neck. She didn’t even realize she was the only person still wearing it until now. Charles flips the pass over, points out the FULL WEEKEND on the back.
“Her choice, not mine.”
She reaches to take the pass out of his hand, to pull it off over her head and put it into her purse. “I’m hoping for a drama-free weekend,” she says, and the boys laugh. Charles’ hand finds her thigh, gives it a little pat and a comfortable squeeze.
Her hands are meant to be held, they really are. He could hold her hand until the moment she leaves, fingers locked together as they walk through the hotel corridor, empty and echoey with their voices and the sound of their feet on the carpet runner.
Once in the room, face to face together with the single bed, they both burst into laughter. He’s glad he cleaned things up before she got here, because the room was starting to look a little like his driver’s room–clothes strewn about messily, plastic water bottles on the end table, a television remote he lost the night he got here and hadn’t found until this morning. In the corner, Chris’ luggage sits beside the armchair, backpack neatly stacked with a single suitcase.
“Did you bring your whole wardrobe?” He jokes, and maybe it’s because he’s never been great at conveying jokes in English, or maybe it’s that they’re both absolutely exhausted, but the joke doesn't land. She’s immediately apologizing, spewing out a jumbled apology about I didn’t know what I was supposed to wear, and then– “I’m messing with you,” he says, and hates that she thinks he’d be that worked up over a suitcase, especially when he’d brought at least double what she had. She could have shown up with twenty suitcases and he still wouldn’t have thought it was too much because, well, she’s here. Right in front of him.
“Oh,” she pouts, and he kisses the look off her face. He’s wanted to do that since he saw it for the first time. “Oh. I like when you do that.” Good, he thinks. Get used to it.
They both make plans to shower; her before him. He’s on the couch in the living area of the suite when she re-emerges from the bathroom, the TV rolling and absentmindedly scrolling through his phone. When the sliding door to the bathroom opens, he looks up to watch her.
Her hair long down her back, carefully combed out so that the soaking ends turn the fabric of her sun-worn blue t-shirt a darker shade. It’s big on her–the shirt–hangs almost long enough that you wouldn’t be able to spot the flannel shorts underneath. He can still hear the sink running in the bathroom and she’s got a toothbrush in her mouth.
He whistles when she walks back from the bedroom towards the bathroom again, and she stops in the doorway, laughs around the toothbrush and does a sweet spin. “Bellissimo,” he says, gestures a chef’s kiss and she bows dramatically.
After his shower, he finds her in the bedroom, comfortably perched against the headboard, tucked under the crisp white duvet. The only light in the place is coming from her end table lamp, casting a soft shadow on her face, her knees pulled up close while she turns the pages of a book. He hovers around his suitcase watching her, completely in her own world, the only hint of her presence on this plane being the subtle lean into the light to better illuminate the pages she turns.
It’s not the first time he’s found himself looking at her like this. She’s easy to get lost in and almost never notices him staring. She just gets so focused on the task at hand–grading papers, cooking a meal, painting her nails, watching a television show, or like tonight, reading her current library rental.
“Do you want a water?” He asks. Her eyes don’t leave the page, a subtle shake of the head before she finally mumbles a no, thank you. He navigates the dark suite to the kitchenette, finds himself a plastic water bottle in the mini-fridge, and then he’s pulling back the comforter to climb into bed with her. “So, I was thinking tomorrow–” he starts, but she cuts him off with a singular finger held in the air. He can’t help but laugh, stupid smile on his face while he watches her eyes hurriedly finish the page, dog ear the tiniest fold onto the corner.
“Sorry,” she unapologetically offers, setting the book down on the end table. “What were you saying?”
“Uh, I don’t remember,” he says, because he lost it while he tried to guess what she was reading based on the little microexpressions that crossed her face. His eyes fall to the gold chain around her neck, to the small cross that lays over the blue fabric of her shirt. He’s noticed it dozens of times, it’s constant presence in every picture, every video, every call and outfit and event. He doesn’t even think when he reaches for it, examines it with gentle fingers. “Is this a, uh…” he struggles to find the word, “how do you say, family tradition?”
“Heirloom?”
He nods, drops the piece of jewelry back to its rightful spot. “Heirloom.”
“No, it was a birthday gift,” she explains, fingers the chain of it, “from my brother when I turned eighteen.”
He nods, points out the other necklace she’s wearing, a flower with a pearl in the center. “And this?”
She laughs, “it’s silly,” she says. “It goes with these earrings I have, they’re from my parents when I graduated college.” He learns the flower is a chrysanthemum, that her dad has always called her Mum, that her mom has a particular affinity for pearls that she’s passed onto Chris, that all of these things have combined into this piece of jewelry hanging around her neck and that she cried and cried when they gifted it to her.
Because the sun is still burning, he doesn’t stop asking about the different pieces she wears until he’s run out of ones to point to. He learns the story of a ruby ring–her birthstone–that she found in a thrift store for seventy-five cents when she was fifteen, how it used to fit on her pointer finger but now it fits her ring finger, how sometimes she makes up elaborate stories of how it ended up in the bargain bin of a Goodwill in North Georgia.
She tells him about three friendship bracelets. The first and second are made by students, her favorite gifts. The third, blue and yellow–NAPA colors, her brother’s racing colors–made by her nephew. “He’s four, and he is everything annoying about my brother and everything good about my best friend, and I think I would kill someone for him.” Charles is sure that tomorrow he’ll be telling someone they wouldn’t believe the way she lights up when she talks about this kid.
When he’s run out of things to question, she’s examining the red string tied around his wrist. “What about you?” She asks, “what’s up with this guy?”
“My mate, Pierre. He learns about it from our other friend Yuki,” He explains. “They always know the strangest things, Pierre and Yuki,” he chuckles, continues to explain the traditional symbol of good luck. “I don’t know how well it works, though,” he laughs, and she kisses him. It surprises him, but he’s in no place to complain. Perhaps the bracelet works quite well, he thinks when she moves closer, snuggles under his arm while he continues.
Three metal bracelets. One red, one silver, one stainless steel. Morse code: Amour, Bonheur, Smile. A ring that matches the bracelet. Two hex rings that track his heart rate and his sleep and a million other things.
He spins the rings while he talks, pulls them off and hands one to her without missing a beat in his sentence. She toys with it while she listens, hands it back to him with a quiet yawn. When he kisses her hair, it’s still damp and smells like the shampoo she used, something he can’t place, something he hopes eventually to memorize. “You’re cute when you’re sleepy.”
“You told me that last week.”
“I know,” another kiss against the unfamiliar scent. “I meant it.”
Charles wants to order room service for breakfast. Chris shuts that idea down the minute it comes out of his mouth, furrowing her brows and making him attempt to rationalize waiting half an hour for food that’s five minutes away. He can’t, so they head to the lobby.
Chris is wearing the same shirt, pulls a pair of sweatpants over her flannel shorts and ties her hair into a messy, tangled ponytail. She’d keep it down, but her hair dried while she slept and it’s pointing in directions that defy gravity. A ponytail was the only option. Charles doesn’t change, keeps the t-shirt and shorts he slept in on.
They find Andrea in the lobby, eating at a table for two by himself. Charles pulls a chair over from a nearby table and they sit down with him. By the time Joris appears, the table is officially too full of food to comfortably function.
She hears his phone vibrate against the hard plastic of his chair, and he casually mentions that the rest of his family is on their way down.
Chris doesn’t react, not externally, anyways. She finishes what’s left in her mug, bee-lines it over to the coffee bar to make another. Absent-mindedly, she tears the foil from the creamer cups, rips open the sugar packets and stirs it all together. His mom. His mom. His mom. It’s all she can think about. His mother. The woman who gave him life. Chris knew she’d be meeting his mom this weekend, but she figured she’d have more preparation than a couple minutes warning, assumed she’d be dressed, hair styled, makeup done. That she’d be presenting herself as someone you’d be happy to have your son spend time with, not like a 7/11 customer in Dahlonega at one in the morning. Maybe Charles was right and room service was a good idea.
Even once she’s back at the table, every elevator ding makes her jump, shoots her head in the direction of the opening doors just terrified the people walking out are going to be his family.
“Are you good?” Charles asks after she flinches at the third elevator bell.
“Yup,” she lies, slaps a big, phony smile on her face and takes a sip of her coffee. His hand finds her leg, gives it a little you’ll be fine squeeze.
The next elevator is carrying his family. She instinctively straightens in her seat, moves things around the crowded table so her food looks neat and managed. Joris looks at her with concern, Charles laughs when she refolds a napkin. “Don’t laugh at me,” she whispers.
Out of earshot, Arthur says something through a stretch and a yawn. His mom rolls her eyes, pushes him in the direction of the coffee bar, mutters something to his other brother that makes him chuckle. When his mom spots Chris, she makes a bee-line for her with open arms. Chris practically trips over the leg of her chair trying to stand up before the hug reaches her.
“Come here, chérie,” she smiles. It’s warm, just like her boy’s. “I have heard so much about you.” Oh? Chris smiles, suddenly aware that she’s apparently horribly unprepared for this entire introduction. He’s telling his mother about her?
She hugs Pascale back and looks over her shoulder to Charles with wide eyes. She’s met with a matching expression, Charles shrugging and shaking his head as if to adamantly tell her he has no idea what his mom is talking about. “And what have you heard, Maman?” He asks with a laugh.
“Don’t start with me,” she says, wagging a finger at her boy, and then to Chris, “Ignore him.” She holds her at arm's length, hands on either shoulder and looks her up and down. Chris laughs, nervous but still noticeably genuine. “You are just beautiful, aren’t you?”
Well. Beautiful isn’t a word Chris would use to describe herself at this moment. Ratty, perhaps. Disheveled. Off-putting. But sure, beautiful is a word she might sometimes describe herself as. “Me?” She shakes her head, “ma’am, look at yourself.”
“Oh, please,” his mom scoffs. “Pascale.”
“Pascale.” Chris smiles, goes in for another hug.
Whether it’s because he’s a brother and not a mother, or because meeting said mother is done and over with, Chris is significantly less anxious when it comes to her introduction with Lorenzo.
Chris attempts to insist Pascale take her seat, but is out-insisted to finish her breakfast. Charles finds her hand under the table, winks at her when she interlocks her fingers with his.
– – –
Outside of their shared breakfast, Saturday is a long day apart for Chris and Charles. A quick kiss goodbye in their hotel room when Charles finishes getting ready, a quicker “good luck,” from Chris called after him on his way out the door, and a thumbs up over his head as a response summarizes their interactions for the rest of the day.
Chris works on next week’s lesson plans for a few hours, nothing better to do while she waits to leave for the track.
She watches the third practice session and quali from the grandstand across from the pitlane, and while neither are his greatest showing, Chris can feel it in her bones that everything is going to fall into place for him tomorrow. A third place start is more than good enough to beat out Perez at Red Bull. She knows it like she knows her own name, and nobody is going to tell her otherwise.
She goes back to the hotel after quali, doesn’t bother to attempt sneaking into the paddock to try and find him. It just doesn’t feel worth it–navigating a place she doesn’t know, avoiding the cameras and the reporters and the chaos–not when he’ll be coming back to the hotel, back to her.
She falls asleep moments after sitting down on the couch, and isn’t woken up until she doesn’t even know when. It’s the middle of the night, Charles tells her, guides her to bed and tucks her in like a child, complete with a kiss on the forehead.
- - -
The first words out of her mouth on Sunday morning are an apology.
When Charles tries to cut her off with a laugh and a kiss, she stops him just short of her lips, claiming morning breath. “Wow,” he feigns shock. “First you fall asleep on me, now you will not kiss me?”
She rolls her eyes, grabs the back of his neck and pulls him down to kiss her. “Happy?”
He nods and kisses her again. He keeps waiting for it to not feel so exciting, so much like a stupid movie, so young, and it’s yet to reach that point. It’s not even coming close. “Yes, thank you.”
From the other side of the bathroom wall she dares to ask him if he’s nervous, if the pressure is finally manifesting itself into stress. He’s quiet for a while.
“No,” he eventually calls back.
“No?”
He peels around the doorway, messing with the collar on his team shirt. “Yes,” he admits with a scale-breaking sigh. She wishes he was as sure as himself as she is, that he could feel in his bones it is all going to work out perfectly.
“Well, I’ll be here when you’re done, and we can either celebrate Charles Leclerc, Vice World Champion,” he turns away at the title, the side profile of a smile turning the corner back into the bathroom. “Or, we can celebrate the end of an exhausting season. Either way, we’re celebrating.” He stays quiet. “Okay?”
“Yeah,” he finally speaks, tone lackluster, unconfident. It’s hard to hear him like this, to hear the distinct shards of doubt that rattle in his chest. “We’re celebrating.”
We’re celebrating. Tonight is a celebration. The positives with the negatives, the good always outweighs the bad. She reminds herself like it’s a mantra. Tonight is a celebration.
- - -
Alone in the grandstands with an air of certainty about her, Chris’ bar for friendship has never been lower. She finds a group of girlfriends who appear to be sort-of, almost, kind-of, maybe in the same age demographic as she is. They speak English and don’t ignore her when she talks, and that’s enough for her to latch onto for the evening.
We like McLaren, they tell her, But those Ferrari boys–they’re cute. You can’t help but feel for them. Chris just smiles and nods, offers up a laugh and pretends she won’t be falling asleep next to one of those cute boys later tonight.
The girls–flew in from London on Friday just for this-fill her in on everything she already knows. They tell her about Charles and his fight for P2, about the strategic pitfalls of Ferrari and the fact that on paper, it was Charles’ year to win it all.
They’re more nervous during the race than Chris is, not to say that her leg isn’t bouncing watching the times constantly changing, that she isn’t whispering mumbles prayers into the air between here and there, just that she knows. She knows.
If it was possible to stare through a helmet, Chris would’ve done it during his pitstop, burning the confidence right into his frontal lobe. Her eyes are glued to his car, his helmet, distant and small and buzzing with energy. He’s got it under control, like a perfectly wrapped gift sat in his lap, like a row of monkey bars and hands hardened by months of blisters, like a first kiss and a second kiss and a third kiss. He’s got it under control.
He does, because after what feels simultaneously like the longest and shortest fifty-eight laps of her life, Chris practically has a front row seat to Charles doing donuts. She’s so happy that she thinks she might cry, not that it takes much of anything to pull a tear from her when she’s this exhausted. The girls she’d befriended jump and celebrate and cheer louder than the fireworks.
Chris tries to live the moment. To feel it all, the energy and the roar and the joy, which only makes it that much harder not to cry.
Suddenly, momentarily, irrationally emotionally, while she watches him celebrate with his family and his team in front of the whole world she wishes she was down there with him. Screw the world watching, she wants to hug him until her arms are numb and kiss him until she passes out.
There’s no telling when–or even if–she’s going to ever live through a moment like this again. It’s not one she wants to forget. In the chaos of it all, her hand finds her chest, the hard metal of her cross necklace through the fabric of her top, the pulsing of her heartbeat, loud and racing.
It’s hours before he’s back to the hotel, but it doesn’t feel late at all. He’s still running on adrenaline, just as ready to celebrate as he was when he jumped into his team’s arms. Over the mechanical shifting of the door lock, he can hear Chris’ feet echoing on the floor just on the other side and before he can even make it through the doorway she’s crashing into him. The pure energy that she is knocks him back a few steps, but then he’s hugging her back just as hard, maybe harder.
He can feel her tears soak through his shirt, and with a laugh asks if she’s crying.
“Shut up,” she says, and it only makes him laugh harder, hug tighter. God, the show he would have put on if he could’ve found her right after the race. The trouble he would make. “Oh, my god!” She sniffles, pulls her head off his chest and wipes away her tears. “Kiss me, already!”
And so he does. He kisses the shit out of her.
She pulls away with a smile, arms slinked around his neck like it belongs to her. “So, how does it feel?” She asks, “Vice World Champion, Charles Leclerc.”
He gives her a quick kiss, nothing more than a peck, shrugs, and repeats the action. “Too busy kissing the girl.”
“You’re such an idiot,” she laughs, drops her head so it’s against his chest and vibrates his entire being. It’s a laugh that lights stars, dances around the room like a windchime in the warm August air. The kind so distinct you could hear it across a room ten years later and still know it was her. “A walking cheeseball.”
“A cheeseball?” He humors.
“I said what I said.”
His satisfied hum says more than words ever could, fingers comfortable dancing along the bone of her hip. “We gotta get ready,” he says.
“For what?”
“The celebration.”
last chapter masterlist next chapter
#ma&thbp#ma&thbp propaganda#charles leclerc imagine#charles leclerc blurb#charles leclerc fluff#charles leclerc x reader#charles leclerc#cl16#cameos from#pierre gasly#joris trouche#andrea ferrari#pascale leclerc#lorenzo leclerc#arthur leclerc#Carlos Sainz#who's name always auto capitalizes#f1#f1 blurb#f1 fic#f1 imagine#f1 fanfic#f1 2023#f1 rpf#get fucked#charles leclerc x oc#scuderia ferrari#charles leclerc x female reader#charles leclerc fic#charles leclerc x you
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No in the light of the word- vigil reconnoitered hand.
Yet you, sleeping one, always speechtrue in each of the pauses:
for how much Togetherseparated do you ready once more for the journey: the bed Memory!
Do you sense it, we lie white from thousandcolored, thousand- mouthed pre- timewind, breathyear, heart-never.
– Paul Celan, "Colon", trans. Pierre Joris
[translator's note: "Colon: from Greek plural cola: a rhythmical unit of an utterance; Celan defines the colon in The Meridian as 'Breath-units'...and refers to it twice more: 'In the "mora and cola" the poem culminates.—'; '—Not the motif, but pause and interval, but the mute breath-auras, but the cola guarantee in the poem the truth of such an encounter'."]
#nothing disconnects us not silence or time#breath#a poem buried in the silence of things#on poetry#paul celan#poetry#pierre joris
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📷 @/pierregasly
#do you think joris is concerned#or wants his revenge and also play darts with charles' face 😂#also this looks more like somebody's trying to drive him into the wall 💀#pierre gasly#charles leclerc#joris trouche#f1#formula 1
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charles_leclerc: This was a fun day 🎾
@.atptour
#AHHHHHH#charles leclerc#pierre gasly#piarles#arthur leclerc#lorenzo leclerc#joris trouche#now post these again without the ugly filter bb#also the way I've been probing the internet for pictures of pierre and charles from today and charles goes and posts this#he did it for me#charles’ instagram
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A leaf, treeless, for Bertolt Brecht: // Paul Celan
A leaf, treeless, for Bertolt Brecht: What times are these when a conversation is nearly a crime, because it includes so much that’s already been said.
(translated from the German by Pierre Joris)
#poetry#Paul Celan#Pierre Joris#German poetry#Romanian poetry#Bertolt Brecht#Jewish poetry#epigram#plus ça change#micropoetry#leaf#An die Nachgeborenen
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'Not everything comes from time.'
--Celan, Microliths, trans. Pierre Joris
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