#Philip Mansel

[empirearchives]

Adding Alexander knew the layout of Napoleon’s place by heart because he checked the updated floor plans every month for 4 years to the Napalex lore

Source: Philip Mansel, The Court of France: 1789-1830, p. 148

[northernmariette]

A bit more about Bernadotte, a tiny little crumb about Mortier

Just about a year ago, just before Bernadotte's birthday, I kept coming across new discoveries regarding the previous birthday boy, Ney. Well, discoveries new to me, anyway.

This year, coming up on Mortier's birthday, I keep coming across new discoveries regarding the previous birthday boy, Bernadotte. This latest one is from "Journal du comte Rodolphe Apponyi, attaché de l'ambassade d'Autriche-Hongrie à Paris", to be found on Gallica. Silly me, I forgot to note the page but it's round about page 15, and it's for the year 1844. It is shortish, so I will transcribe the extract in its entirety, followed by my own rough translation:

"Le roi de Suède est toujours mourant. Il a été si mal, ces derniers temps, que malgré sa défense expresse de ne jamais le saigner, de le laisser mourir plutôt que de faire cette opération, on l'a fait par ordre exprès de la reine, mais quel ne fut pas l'etonnement des assistants, en voyant sur ce bras royal quantité de tatouages cabalistiques et surtout, du haut en bas la phrase suivante en grosses lettres: "Liberté. Égalité. Vive la République!"

On m'a raconté, à ce propos, que lorsque Bernadotte a été en Corse, il a voulu épouser la fille d'un fermier parce qu'elle avait quelque argent; les parents de la jeune fille ne la lui ont pas accordée parce que lui n'en avait point et qu'il n'était que simple soldat. Cette femme vit encore: elle est si pauvre qu'elle est servante dans une petite maison bourgeoise où elle porte de l'eau et fait le gros ouvrage dans la cuisine!"

The King of Sweden is Bernadotte, of course. He did die in 1844, after spending 34 years successfully ruling Sweden, unofficially as the Crown Prince since 1810, then as the actual King from 1818.

Here is my translation of the preceding French text:

"The King of Sweden is still near death. He has been so ill of late that in spite of his formal command never to bleed him, to let him die rather than to carry out this procedure, the Queen ordered it to be done; but the medical assistants were astonished to see on the royal arm a multitude of cabalistic tattoos but especially, from top to bottom, the following phrase in large lettering: "Liberty. Equality. Long live the Republic!"

I have been told that when Bernadotte was stationed in Corsica, he had wanted to marry the daughter of a farmer because she had some money; her parents refused to grant his request, because he had no money of his own and because he was but a soldier. The woman in question is still alive: she is so poor that she is now a servant in a small bourgeois household, where she fetches water and works as a scullery maid."

Bernadotte did serve in Corsica before the Révolution. At the time, Corsica had not been part of France for very long and the political situation there was not terribly stable. I have not looked into this, but I wonder if he and Napoleon might have been there at the same time in the 1780s. I wonder too if Bernadotte knew about the Bonaparte family at least by reputation, as it had at least some degree of prominence on the island, and certainly much prominence in Ajaccio.

Regarding Bernadotte's tattoos, I have seen different versions of what the exact wording was - "Death to Kings" is what I have read elsewhere - where this particular tattoo was located (arm? chest?), and the reason for Bernadotte's reticence. I think it makes more sense that he did not want to be bled than the reason I have seen elsewhere, namely that he was embarrassed that his doctor would see the tattoo. By the time he was at death's door, somehow I doubt he would have cared that much about his doctor's opinion about very old tattoos - including the cabalistic ones, which I think referred to freemasonry symbols.

Now on to the Mortier crumblet.

I am still reading Philip Mansel's "The Eagle in Splendour" with pleasure and interest. I do have a bone to pick with him, which is that he does not sufficiently quote his sources. This drives me nuts when I want to find out more about any particular aspect of his book. I have no idea where the following information comes from, and it does leave me wondering.

On page 59, Mansel writes, concerning Napoleon's marriage to Marie-Louise:

"Throughout the round of glittering ceremonies, the Emperor and Empress were surrounded by members of the imperial family and, above all, of the court. Duroc, Berthier, Montesquiou and Marshal Mortier were especially prominent (...)."

Huh? Why was Mortier especially prominent at the time of Napoleon's second wedding? Why he, among all the Marshals? No surprise about Berthier, who had been sent to Vienna to finalise the marriage agreement and who had actually married Marie-Louise by proxy; but Mortier? And in what role? This doesn't seem to be something I will find out from Mansel. Not cool.

[dipnotski]

Philip Mansel – Levant (2024)

Büyük tarihçi Philip Mansel’in Levantenlik mefhumuna ve pratiğine hasrettiği ‘Levant’ta bir zamanların büyük liman kentleri, zevküsefa, özgürlük ve refahın payitahtları olarak boy göstermiş üç şehrin hikâyesini okuyoruz: Smyrna, İskenderiye ve Beyrut. Bu inşayı gerçekleştirebilmek için pek çok coğrafya, tarih ve kültürle hemhal olan ve sayısız kaynağa başvuran Mansel, dini olanla siyasi olanı…

[nonesuchrecords]

As part of Kronos: Five Decades, the year-long celebration of Kronos Quartet’s 50th anniversary, the group is publishing five decade-spanning playlists curated by its founder and violinist David Harrington. The latest, featuring music Kronos performed in its third decade, 1993–2002, is out now. and can be heard here.

The playlist includes works by R.D. Burman, Alfred Schnittke, Henryk Górecki, Clint Mansell, Tan Dun, Osvaldo Golijov, John Cage, Hildegard von Bingen, Philip Glass, Steve Reich, Carlos Paredes, Scott Johnson, Esquivel, Café Tacvba, Sofia Gubaidulina, Franghiz Ali-Zadeh, Morton Feldman, and more.

[handfuloftime]

I once read that Napoleon did not allow anyone to know him intimately. Even for those who were around him all the time.

Do you think this applied to Duroc? Why or why not?

That's an interesting question--I suppose it depends on how you want to define 'intimately'!

Certainly the nature of Duroc's job meant that he spent a great deal of time with Napoleon, and was heavily involved in managing his day-to-day life. I've always thought that Philip Mansel's description (in The Court of France 1789-1830 (1988)) is a good succinct summary: in his view, Duroc "organized Napoleon's life, and was one of the most important people in it". Of course there were a huge number of people involved in keeping the imperial household--and the Empire itself--running, many of whom, as you say, were around him all the time. However, Duroc's involvement in Napoleon's life went well beyond his official roles, most notable with his oft-remarked ability to influence Napoleon's opinions and decisions (Louis-François-Joseph de Bausset, who as one of the Prefects of the Palace worked closely with both Duroc and Napoleon, described Duroc as Napoleon's conscience). And he was tasked with activities that were definitely not part of his job description and touched on a more private side of Napoleon's life: carrying notes to Marie Walewska, for example, or retrieving letters Napoleon wrote to another mistress. Bausset claimed that "Napoleon had no secrets from [Duroc], while he had them from everyone else, even the prince of Neufchâtel [Berthier]".

Philippe-Paul de Ségur, who worked for Duroc in the Maison impériale, described him in his memoirs (Histoire et mémoires, 1873) as:

"Napoleon's most intimate confidant, his most devoted servant, his firmest friend; they were so closely associated by nature, by habit, by everything, that we no longer imagined that they could live apart: it appeared to us that fate couldn't tear one away without mutilating the other!"

And while Ségur's description of how inseparable they were is particularly vivid--and serving a literary purpose, as it leads right into his account of Duroc's death--he's far from the only person to remark on their closeness. So by dint of both the nature of the Grand Marshal's job and the trust that Napoleon had in him specifically, he did have an unusually intimate position in Napoleon's life.

This also gets into the question of where Napoleon Bonaparte, the person, stops, and The Emperor Napoleon begins. Emmanuel de Las Cases claimed that "it was to the private man above all that [Duroc] was devoted, far more than the monarch". (And speaking of Las Cases, he also wrote that "the Emperor told me that Duroc alone had his intimacy and possessed his entire confidence"--though as with everything Napoleon said on Saint Helena, when his myth-making was in full swing, that should be taken with a grain of salt.) Writing to Marie Louise after Duroc's death, Napoleon remarked that "he had been my friend for twenty years"--their relationship had begun well before Napoleon seized power. So there's that level of intimacy as well: recognizing and loving the man behind the complicated performance and power of the Emperor.

[stjohnstarling]

Reading Levant by Philip Mansel, this is a fascinating little glimpse into the Age of Sail from the Middle Eastern perspective:

It was said that God had given the land to Muslims, the sea to the infidels. Some feared that ‘before very long’ Europeans would use their control of the high seas to ‘rule the lands of Islam’.

Now the thing is that they were very much right about all of that. That did kind of happen.

[pilferingapples]

The Bishop in the Presence of an Unknown Timeline

David Montgomery, illustrious creator of The Siecle (gooooo go listen to it, read the transcripts, it's SO good) , today laid out the necessary historical timeline for the Bishop's visit to the Conventionist! I am copying that over here with permission:

Alright, I have consulted my sources and have interesting findings about the chronology of the Myriel chapters. Chapter X includes the following lines, reflecting popular comments about the Conventionist in town: He was a quasi-regicide. He had been a terrible man. How did it happen that such a man had not been brought before a provost’s court, on the return of the legitimate princes? ... As he had not voted for the death of the king, he had not been included in the decrees of exile, and had been able to remain in France. This references two things: the "provost's court" and the "decrees of exile." Both are real historical things, and both can be dated fairly precisely. The "decrees of exile" could refer to several different things. Promptly upon Louis XVIII's return after Waterloo, he issued a July 24, 1815 blanket amnesty for crimes committed during the Hundred Days — but exempted 56 Bonapartists from pardon. Most were allowed to (encouraged to, even) slip out of the country, where they had to remain for fear of prosecution for treason. But I think this most likely refers to another law, passed on January 12, 1816. This Amnesty Law (subject of fierce negotiations between the ministry and parliament, related mostly to whether it infringed on the king's prerogative of pardon and his July 24 amnesty decree) ultimately exiled the hard-core Bonapartists targeted by the July 24 decree, and also all Regicides who had sided with Napoleon during the Hundred Days. (Regicides who had stayed loyal were not banished.) Provost Courts were special tribunals where military provosts acted as accuser and prosecutor before a panel of civilian judges. Their was no jury, no appeal, and judgment (including death) was carried out within 24 hours. These had existed under Napoleon, but were abolished in 1814 at the First Restoration. Article 63 of Louis XVIII's "Charter of 1814" reads: "...extraordinary commissions and tribunals cannot be created. Provost-courts are not included under this denomination, if their re-establishment is deemed necessary." After Waterloo, the Provost Courts were re-created to deal with political criminals — seditious meetings, rebellion, and threats against the government and royal family. Crucially, however, the Provost Courts were re-established by a law of December 27, 1815. Given the textual references, if one assumes a realistic timeline and no authorial error, then Chapter X could not have taken place before January 1816, and likely (given that the exile decrees and provost courts are discussed in the past and not present tense) at least some time after that date.  Sources: Mansel, Philip. Louis XVIII. Rev. ed. Phoenix Mill: Sutton, 1999. Sauvigny, Guillaume de Bertier de. The Bourbon Restoration. Translated by Lynn M. Case. Philadelphia: The University of Pennsylvania Press, 1966. The Charter of 1814: https://en.wikisource.org/wiki/French_Constitutional_Charter_of_1814

[azure-blaze92]

This is based on a headcanon of mine for AYCF that Caleb wasn't allowed to mourn Mr. Mansell openly, and he tried not to around Philip as well. So he tries to constantly convince himself not to mourn him by repeating, "Don't mourn him." over and over again in his mind, and it doesn't work. (Also, he is wearing Mr. Mansell's hat)

Mr. Mansell's death affected Caleb a lot. I know I don't write much about it in AYCF, but his death was one of the most traumatic experiences for him, seeing as he considered Mr. Mansell, his honorary father. ( I do plan on writing a one-shot exploring this headcanon more in-depth.) Anyway, enjoy some Witteangst.

[jamaldaniel]

Overview of Levant Splendour and Catastrophe on the Mediterranean

The New Levant Initiative (NLI) aims to create identity and awareness about the Levantine culture through artistic, musical, culinary, architectural, and other cultural contributions. In line with its mission, NLI supports many initiatives that educate the public about Levantine history, arts, and culture.

Several books have described Levantine culture, such as Philip Mansel's Levant: Splendour and Catastrophe on the Mediterranean. Levant provides an in-depth view of three former centers: Smyrna, Alexandria, and Beirut, cities in the Levant region along the eastern Mediterranean coast. These cities experienced immense wealth, pleasure, and freedom and served as key ports that linked the East and West.

Distinguished historian Philip Mansel was the first author to narrate in his book how city inhabitants embraced cosmopolitanism and eliminated religious and nationality barriers, which enabled them to switch languages freely. In the three cities, Muslims, Jews, and Christians lived harmoniously, flourished, and worshipped together as neighbors.

Mr. Mansel’s book begins with the early days of the 16th century when the French alliance cooperated with the Ottoman Empire. He later explains what happened to the three cities in the mid-20th century after Alexandria became Egyptianized, the civil war destroyed Beirut, and a fire burned Smyrna. Philip Mansel is a historian specializing in France and the Ottoman Empire.

His other publications include biographies of Histories of Constantinople, Nineteenth-century Paris, Prince de Ligne, and Loius XVIII. Mr. Mansel wrote Levant: Splendour and Catastrophe on the Mediterranean while living in Beirut and Istanbul.

[sheetmusiclibrarypdf]

Essential Film Themes Vol. 1 to 6

Best Sheet Music download from our Library.Essential Film Themes Vol. 1 (Piano Solo sheet music)Please, subscribe to our Library. Thank you!Essential Film Themes vol 2Essential film themes vol 3Essential film Themes vol 4Essential film themes vol 5Essential Film Themes vol 6Search sheet music in the Library:Film Themes for Piano - 20 Beautiful Movie Favorites This collection offers a great collection of modern day movie themes.

Essential Film Themes Vol. 1 (Piano Solo sheet music)

Contents: - American Beauty- American Beauty - Angela Undress - Emma- The Wedding - End Titles - The English Patient (Der Englische Patient) - The English Patient - A Retreat - Rupert Bear - Forrest Gump - Feather Theme - Ghost - Ghost - Gladiator- Honor Him - Now We Are Free - Il Postino- Il Postino - The Bicycle - The Last Of The Mohicans (Der Letzte Mohikaner) - The Last Of The Mohicans - Little Women (Betty Und Ihre Schwestern) - Under The Umbrella - Pleasantville- The Pleasantville Theme - Real Rain - The Piano- The Heart Asks Pleasure First (The Promise / The Sacrifice) - Lost And Found - The Remains Of The Day (Was Vom Tage Uebrig Blieb) - Darlington Hall - Saving Private Ryan (Der Soldat James Ryan) - Hymn To The Fallen - Shakespeare In Love- The Beginning Of The Partnership - Viola's Audition - The Truman Show - It's A Life

Essential Film Themes vol 2

Contents: Ada And Inman (Cold Mountain) Ada Plays (Cold Mountain) After Midnight (Chicago) Alicia Vive (Talk To Her) Alone In Kyoto (Lost In Translation) Anthem (Cold Mountain) Autumn In Connecticut (Far From Heaven) Cautionary Tale (Confessions Of A Dangerous Mind) Dead Things (The Hours) Did You Know Him? (Donnie Darko) End Credits (About Schmidt) Glasgow Love Theme (Love Actually) I Love N.Y.E (About A Boy) Jenny's Theme (Big Fish) Le Moulin (Amelie) Liquid Spear Waltz (Donnie Darko) Missing Helen (About Schmidt) One More Hour (Calendar Girls) Pandora's Box (Lara Croft Tomb Raider: The Cradle Of Life) Perdition (Road To Perdition) Portugese Love Theme (Love Actually) Reprise (Spirited Away) Reprise And End Credits (Catch Me If You Can) Road To Perdition (Road To Perdition) Rosie Darko (Donnie Darko) Seabiscuit (Seabiscuit) Self-portrait With Hair Down (Frida) Still Life (Frida) The Artifact And Living (Donnie Darko) The Floating Bed (Frida) The Press (Calendar Girls) The Quiet American: Piano Solo (The Quiet American) Underwater (Big Fish) What I Really Want To Say (About Schmidt) Will And Elizabeth (Pirates Of The Caribbean: The Curse Of The Black Pearl) You Fascinate Me (Intolerable Cruelty)

Essential film themes vol 3

Contents: Brokeback Mountain Cinderella Man Finding Neverland I Love Huckabees King Kong Memoirs Of A Geisha Mrs Henderson Presents Munich Oliver Twist Pride And Prejudice Proof The Chronicles Of Narnia: The Lion, The Witch And The Wardrobe The Constant Gardener

Essential film Themes vol 4

Contents: Babel (Santoalalla, Gustavo) Black Book (Dudley, Anne) Breaking And Entering (Yared, Gabriel) (Underworld) Charlotte’s Web (Elfman, Danny) Flags Of Our Fathers (Eastwood, Clint) Freedom Writers (Isham, Mark) Infamous (Portman, Rachel) Little Miss Sunshine (Danna, Mychael) Marie Antoinette (O’halloran, Dustin) Miss Potter (Westlake, Nigel) Notes On A Scandal (Glass, Philip) Pan’s Labyrinth (Navarette, Javier) Perfume (Tykwer, Tom) (Klimek, Johnny) (Heil, Reinhold) The Devil Wears Prada (Shapiro, Theodore) The Fountain (Mansell, Clint) The Holiday (Zimmer, Hans) The Last King Of Scotland (Heffes, Alex) The Queen (Desplat, Alexandre) The Science Of Sleep (Bernard, Jean-michel) Volver (Iglesias, Alberto) World Trade Center (Armstrong, Craig)

Essential film themes vol 5

Contents: - Love Letters - First Impressions - Selbourne Wood - Lady Gresham - Runaways - An Adoring Heart - Snow Cones - Tangiers - Vesper - The City Of Lovers - The Name's Bond James Bond - Sally And Jack - Live Free Or Die Hard - Silver Surfer Theme - Edward - Edward's Secret - Paolo E Bruno - Mirror - Stewart And Claire - The Humming Way

Essential Film Themes vol 6

Contents: 13.10 to Yuma-Beltrami Marco21408-Gabriel Yared3American Gangster-Marc Streitenfeld4Atonement-Marianelli Dario5Be Kind Rewind-Williams Spencer6Charlie Wilson's War7Closing the Ring-Danna Jeff8Eastern Promises-Shore Howard9Elizabeth:The Golden Age-Armstrong Vraig10Evan Almighty-Debney John11Evening-Kaczmarek Jan A.12Love In The Time Of Cholera-Pinto Antonio13Lust Caution-Desplat Alexandre14My Blueberry Nights-Santaolalla Gustavo15The Other Boleyn Girl-Cantelon Paul16Perfume-Tykwer Tom,Klimek Johnny & Reinhold Heil17Ratatouille-Giachinno Michael18River Queen-Jenkins Karl19Stardust-Eshkeri Ilan20Youth Without Youth-Osvaldo Golijov & Arturo Castro

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Film Themes for Piano - 20 Beautiful Movie Favorites

https://www.youtube.com/watch?v=8iDtB5yxonw Track List: Film Themes for Piano - 20 Beautiful Movie Favourites 00:00:00 Michael Nyman: The Heart Asks Pleasure First (From "The Piano") 00:02:40 John Williams: Main Theme (From "Schindler's List") 00:05:35 Yiruma: River Flows in You 00:08:29 Joe Hisaishi: One Summer's Day (From "Spirited Away") 00:11:39 Hans Zimmer: Time (From "Inception") 00:15:47 Ennio Morricone: Gabriel's Oboe (From "Mission") 00:18:45 Johann Pachelbel: Canon in D Major (Main Theme from "Ordinary People") 00:21:35 Ludovico Einaudi: Una mattina (From "Intouchable") 00:24:53 Rachel Portman: Main Theme (From "Chocolat") 00:27:38 Yann Tiersen: Comptine d'un autre été, l'après-midi (From "Amélie") 00:30:10 Samuel Barber: Adagio for Strings, Op. 11 (from "Platoon") 00:34:53 Claude Debussy: Suite Bergamasque, L. 75: III. Clair de lune (From "Casino Royale") 00:39:28 Ennio Morricone: Main Theme (From "Cinema Paradiso") 00:42:01 Felix Mendelssohn: Songs Without Words, Op. 30, No. 1 (From "Sophie's Choice") 00:46:30 Ryuichi Sakamoto: Main Theme (From "Merry Christmas, Mr. Lawrence") 00:51:07 Ludovico Einaudi: Le onde 00:55:34 Dave Grusin: Main Theme (From "On Golden Pond") 00:59:11 Gabriel Yared: Main Theme (From "The English Patient") 01:01:15 Gustav Mahler: Symphony No. 5: IV. Adagietto (Arr. for Piano) 01:05:02 Philip Glass: The Poet Acts (From "The Hours") Read the full article

[shahananasrin-blog]

[ad_1] İzmir Büyükşehir Belediyesi ve İzmir Levantenler Derneği, ünlü İngiliz tarihçi Philip Mansel’i İzmirlilerle buluşturdu. İzmir Sanat Merkezi’nde “Liman Kenti İzmir-Bir Levantenler Hikâyesi” adıyla düzenlenen söyleşiye İzmir Büyükşehir Belediye Başkanı Tunç Soyer, Almanya Başkonsolosu Ralf Schröer, İtalya Konsolosu Valerio Giorgio, Levantenler Derneği Genel Sekreteri Alp Sönmezışık, İzmir Levantenler Derneği Başkanı Giuliano Gloghini, Arkas Holding Yönetim Kurulu Başkanı Lucien Arkas ve çok sayıda İzmirli katıldı.Levant, Konstantiniyye, Sultanların İhtişamı ve Halep adlı eserleri Türkçe olarak yayımlanmış olan Philip Mansel, 8 bin 500 y��llık geçmişe sahip tarihi liman kenti İzmir’i “Bir Levantenler Hikâyesi” bağlamında ele aldı."KÜLTÜRLER VE TİCARET İZMİR’DE KESİŞİR"İzmir’in ticari, kültürel tarihinden örnekler veren Philip Mansel ise kentin dünyada ve Akdeniz’deki konumunun önemine değindi. “Levant kitabım için buraya geldiğimden ve yaptığım araştırmalardan beri İzmir aşığı oldum” diyen Mansel 1800’lü yıllar üzerinden, “İzmir dünya çapında çok önemli bir ticari merkezdi. Hong Kong ya da Şanghay gibi Çin’deki limanlara benziyordu. O dönemde İzmir’e ticaretin gözü diyorlardı. En önemli limanlardan bir tanesiydi. Asya’dan tüccarlar buraya alışveriş ve ticaret için geliyorlardı. Avrupa’dan da buraya geliyorlardı. Kültürlerin ve ticaretin kesiştiği yer İzmir’di” değerlendirmesini yaptı.“UNESCO VE DÜNYA İZMİR MİRASINA DAHA FAZLA İLGİ GÖSTERECEKTİR”Programda konuşan İzmir Büyükşehir Belediye Başkanı Tunç Soyer ise İzmir’in Levant bölgesinde bir şehir olduğunu belirterek, “ İzmir 8 bin 500 yıldır kesintisiz insan yerleşimine sahip bir Akdeniz liman kentidir. İzmir ve Levant’ın diğer liman kentleri bu tarihsel kültür akışının gerçekleştiği çok önemli yerlerdir. İzmir günümüzün düşünce dünyasını tasarlayan çok değerli düşünürlerin ve filozofların evidir. Bu bölgede demokrasi gibi toplumsal yenilikler ortaya çıkmıştır. Levant bölgesindeki diğer şehirler gibi İzmir de farklı kültürlerin, dinlerin ve milletlerin barış içinde bir arada yaşayabildiği bir yer olmuştur. İzmir’in canlı ve çok kültürlü bir liman kenti olarak rolü kendine özgü coğrafi konumu ve farklı kültürlerin ve ticaret yollarının kesişmesiyle derinden şekillenmektedir. Bu özelliği tarihi liman kenti İzmir’in UNESCO Dünya Mirası Geçici Listesi’ne girmesiyle tescillenmiştir. İzmir bir bütün olarak insanlık için yaşayan bir mirastır. UNESCO’nun ve küresel toplumun insanlığın ortak kültürel hazinesi olan dünyanın İzmir mirasına yakın zamanda daha fazla ilgi göstereceğini yürekten umuyorum” dedi.MANSEL’E TEŞEKKÜRÜnlü tarihçi Mansel’e özverisi, destekleri ve ortak insanlık mirasının dokusunu korumaya yönelik kalıcı bağlılığı için teşekkür eden Soyer, “Çalışmalarınız tarihin koridorlarını aydınlattı ve hayatımızı sayısız şekilde zenginleştirdi. İzmir medeniyet güneşinin hiç batmadığı, kültür dalgalarının daim olduğu bir insanlık deneyimidir. İnsanlığın ve dünyamızın refahı için bu mirası korumak amacıyla samimiyetle buradayız” diye konuştu. “BU ŞEHRE AŞIĞIZ”İzmir Levantenler Derneği Başkanı Giuliano Gloghini de, “Biz Levantenler İzmir aşığı insanlarız. Bunu her seferinde vurguluyorum. Bu şehre aşığız. Biz nereye gidersek gelelim, bu şehre yıllar sonra  kalbimiz atarak dönüyoruz” dedi.PHİLİP MANSEL KİMDİR?Fransa ve Osmanlı İmparatorluğu tarihi hakkında çok sayıda kitabın yazarı olan Philip Mansel, 1951'de Londra'da doğdu. Doğu Akdeniz'in tarihi ve kültürlerinin araştırılmasına kendini adamış bir hayır kurumu olan Levanten Miras Vakfı'nın da mütevelli heyeti üyesi olan Mansel, aralarında Amerika Birleşik Devletleri, Fransa, Almanya, İtalya ve Türkiye'nin de bulunduğu pek çok ülkede konferanslar verdi. İki bölümlük Channel 4 belgeseli "Harem" ve iki BBC 2 belgeseli de dahil olmak üzere radyo ve televizyonda çok sayıda programa katıldı.Kraliyet Tarih Derneği, Kraliyet Edebiyat Topluluğu, Tarihsel Araştırma Enstitüsü (Londra Üniversitesi) ve Kraliyet Asya Topluluğu üyesi olan Philip Mansel, Fransa Kültür Bakanlığı’nın Sanat ve Edebiyat Şövalyelik Nişanı sahibi. 2012'de Londra Kütüphanesi Edebiyatta Yaşam Ödülü'nü aldı ve 2016'da Belçika'da Kraliyet Nişanı'na layık görüldü. Kitapları Fransızca, Almanca, Felemenkçe, İtalyanca, İspanyolca, Rusça, Yunanca, Arnavutça, Türkçe, Arapça ve Çinceye çevrildi. [ad_2]

[northernmariette]

A book recommendation

The topic of book recommendations just came up. By coincidence I was about to recommend a book I recently acquired. The publisher threatens to unleash the Furies from Hades if anyone dares to reproduce anything from the book without written permission. But since this is a plug for this particular book, maybe they will tolerate my copying a couple of paragraphs to partly illustrate the author's point of view.

The book is called "The Eagle in Splendour: Inside the Court of Napoleon". It's by Philip Mansel, and my copy is from the Tauris Parke 2021 edition.

To whet your appetite, gentle readers, here are the promised extracts:

From pp. 1-2:

"Despite or because of his Jacobin past, General Bonaparte, First Consul of the French Republic, was an ultra-monarchist. In 1799-1804, at the same time as introducing a new constitution, with the Senate, Tribunate and Corps Législatif, he established a court system, in a calculated sequence of monarchising measures. First came a guard (1799); then official costumes (1800); residence and receptions in the Tuileries palace (1800-1); a chapel headed by his favourite composer Paisiello (...) (1802); a monarchy, a dynasty and a coronation (1804); finally a nobility (1808). The choice of such a system, when France was a victorious republic, and the rapidity with which the Republicans adapted to it, proves its appeal. The transformation of France into a republic in 1792 had been partly due to contingences: the 'executive gap' left by the absence of a vigorous monarch, minister or general; the radicalism of the National and Legislative Assemblies; and war."

From pp. 3-4:

"Napoleon I re-monarchised Europe as well as France. Not only did he appoint members of his dynasty: Prince of Piombino and Lucca (1805); Grand Duke of Berg (1805); and Kings of Holland (1806), Naples (1806), Westphalia (1807) and Spain (1808); but with a consistency revealing his monarchical principles, he also abolished all republics in Europe, old and new: Venice (1797), France (1804), Genoa (1805), Lucca (1805), Ragusa (1808), and the Cisalpine (1805), Batavian (1806) and Septinsular (1807) republics. He made Frankfurt, the classic German city-state, into a Grand Duchy (to which his step-son Eugene-Napoleon would have succeeded) and allotted 52 former 'free cities' of the Holy Roman Empire to different German rulers, or to himself. Thus, by 1812 he had placed every city in Europe under a monarch; even Swiss cities acknowledged him as 'Mediator of the Helvetic Confederation'. Europe was more monarchical than at any time since the rise of the Italian city states in the twelfth century."

I, for one, am hooked. I found the passage about France becoming a republic because of contingencies particularly interesting. To my mind it explains why it was so easy for even people as the Marshals to accept the return of the Bourbon monarchy, as well as explaining why Marshals such as Bessières and Berthier, both royalists in my opinion, were ready to serve the new, Napoleonic monarchy: the transition might have appeared to them as one from monarchy to Révolution and instability, to a new monarchy, and for Berthier, to the old Versailles monarchical dynasty again he knew so well.

I am not very far ahead yet in this book, but so far I love it and highly recommend it.

[dipnotski]

Philip Mansel – Konstantinopolis (2023)

Osmanlı başkenti İstanbul’u hakkında geniş ve birincil kaynaklarla zenginleşen kapsamlı bir inceleme. Philip Mansel bu kadim şehrin ihtişamını da görkemli çöküşünü de çok iyi yansıtıyor. İmparatorluklar başkenti, kutsal şehir, Çeşm-i Cihan, Dersaadet… Her yakıştırmanın hakkını verebilen bu şehrin en özel hikâyesini Mansel’den dinliyoruz. Kitap İstanbul’un Ceneviz, Venedik, Rum, Ermeni, Arap,…

[shalomanna]

The Story of Christian Louboutin’s Red Sole

DATE: 07/15/2022

What if I told you that the story of Christian Louboutin’s red sole started with…nail polish? With simple beginnings in 1991, Louboutin was about to launch a trademark look for the fashion industry, and it came from simple inspiration—and a little luck. Here’s the story behind Louboutin’s red sole, plus a few more reasons to love his heels as much as I do! 

What inspired the red heel?

Tell the truth: when you catch a flash of Christian Louboutin’s trademark red sole while, say, out for a walk, what images pop into your head? Luxury? Royalty? Riches? Well it makes sense, since red heels have quite the royal history, dating back to French monarchy and in particular, King Louis XIV.

As the story goes, Louis’ younger brother Philippe d’Orléans – who for some reason was raised as a girl – was out walking the streets of Paris when his heels became stained with a red color. Attracted as he was to the look, he went home and is said to have painted all his heels red, only for his older brother to adopt the style himself.

Soon, the red heel would gain a permanent place in history thanks to Louis’ own narcissism, which saw him pass an edict that meant only nobility could wear heels, and only allowed those in his favor to wear red heels at that—apparently, the higher the heel, the more favored the wearer.

In fact, according to Philip Mansel – a historian with knowledge on the subject – the color red “demonstrate[d] that the nobles did not dirty their shoes”, and impressed upon the lower classes the idea that noble-persons “were always ready to crush the enemies of the State at their feet.” 

Not that it lasted—soon the style fell out of fashion with the French Revolution and Marie Antoinette’s beheading, where she has been recorded as wearing a pair 2-inch heels to the guillotine. 

While red heels had become unpopular for some time afterward – so much so that the phrase “red-heeled” was for a while considered derogatory in the UK – we know now that this ‘royal’ and dramatic history has nothing to do with how Christian Louboutin came to build his brand identity around the eye-popping red sole we know today!

Red Soles and Nail Polish

In 1993, after being in business for two years, it is said that Christian Louboutin released his latest collection of shoes a few weeks late. The idea had been to create a shoe inspired by close acquaintance (and party buddy) Andy Warhol’s painting, Flowers—and yet when the prototype arrived from Italy, there was something missing. 

Certainly, the pink-stacked heel and large cloth blossom looked like the design Louboutin had drawn, and yet according to the designer, “the drawing was still stronger and I could not understand why.” 

Enter, the red sole of fate! Looking around for inspiration, the blank, black sole of the shoe staring at him in the face, Louboutin noticed an assistant in his office painting her fingernails red. Without asking – so we can assume – Louboutin grabbed the bottle of red varnish, polished the sole of one of the shoes and thought: “This is the drawing!” 

So were Louboutin’s red soles born! 

When, in the years since, Christian has been asked about the importance of the red sole, he has been quoted as saying, “The shiny red color of the soles has no function other than to identify to the public that they are mine. I selected the color because it is engaging, flirtatious, memorable, and the color of passion.” 

Louboutin is certainly known to be passionate about his red soles, which he registered in 1997 with the U.S. Patent and Trademark Office—a move that would later come in handy in a court case against Yves St. Laurent when the design house delivered a collection featuring their own version of Louboutin’s red soles. 

Thanks to the existing popularity of the heel, and because of the drama which ensued when YSL was accused of copying Louboutin’s signature, today Louboutin’s red soles are as iconic to his brand as Chanel’s interlocking C’s—and only come in one shade: Pantone 18-1663 TPX.

[j-august]

In 1665 foreign lace, cloth and trimmings were banned in France. Royal lace factories making point de France - generally less flamboyant than Italian lace - were founded in Arras, Reims and elsewhere. Venetians were brought over and given French nationality to teach the French to improve their lace. It became so good that two of these instructors were later murdered by Venetian agents.

Philip Mansel, King of the World

[akiraofthefour]

When Racine died, the King praised him so highly that other courtiers said they wished they could die too.

Philip Mansel, King of the World