#Peter Balzer
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amalgameheteroclite · 1 year ago
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Montreux, Chemin de fer Territet-Glyon aux Rochers de Naye, par Peter Balzer, 1893.
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prapasara · 6 months ago
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10 āļŠāļ–āļēāļ™āļ—āļĩāđˆāļ—āđˆāļ­āļ‡āđ€āļ—āļĩāđˆāļĒāļ§āļĒāļ­āļ”āļ™āļīāļĒāļĄāđƒāļ™āļĨāļīāļāđ€āļ•āļ™āļŠāđ„āļ•āļ™āđŒ
āļ­āļēāļ“āļēāđ€āļ‚āļ•āđ€āļĨāđ‡āļ āđ† āļ‚āļ­āļ‡āļĨāļīāļāđ€āļ•āļ™āļŠāđ„āļ•āļ™āđŒāļ‹āļķāđˆāļ‡āđ€āļ›āđ‡āļ™āļĢāļąāļāļ­āļīāļŠāļĢāļ°āļ—āļĩāđˆāļ‹āđˆāļ­āļ™āļ•āļąāļ§āļĢāļ°āļŦāļ§āđˆāļēāļ‡āļŠāļ§āļīāļ•āđ€āļ‹āļ­āļĢāđŒāđāļĨāļ™āļ”āđŒāđāļĨāļ°āļ­āļ­āļŠāđ€āļ•āļĢāļĩāļĒāđ€āļ›āđ‡āļ™āļ›āļĢāļ°āđ€āļ—āļĻāđāļ­āļĨāļ›āđŒāļ—āļĩāđˆāļ‡āļ”āļ‡āļēāļĄāļ—āļĩāđˆāļŠāļļāļ”āđāļŦāđˆāļ‡āļŦāļ™āļķāđˆāļ‡āđƒāļ™āļĒāļļāđ‚āļĢāļ› āđāļĄāđ‰āļ§āđˆāļēāļˆāļ°āļĄāļĩāļ‚āļ™āļēāļ”āđ€āļžāļĩāļĒāļ‡ 160 āļ•āļēāļĢāļēāļ‡āļāļīāđ‚āļĨāđ€āļĄāļ•āļĢāđāļĨāļ°āļĄāļĩāļ›āļĢāļ°āļŠāļēāļāļĢāđ€āļžāļĩāļĒāļ‡ 35,000 āđāļŦāđˆāļ‡āļĨāļīāļāđ€āļ•āđ‡āļ™āļŠāđ€āļ•āđ‡āļ™āđ€āļ›āđ‡āļ™āđ‚āļĢāļ‡āđ„āļŸāļŸāđ‰āļēāļžāļĨāļąāļ‡āļ‡āļēāļ™āļ—āļēāļ‡āđ€āļĻāļĢāļĐāļāļāļīāļˆāđ€āļ™āļ·āđˆāļ­āļ‡āļˆāļēāļāļāļŽāļŦāļĄāļēāļĒāļ āļēāļĐāļĩāļ—āļĩāđˆāļ”āļĩāđāļĨāļ°āđ€āļ›āđ‡āļ™āļ›āļĢāļ°āđ€āļ—āļĻāļ­āļļāļ•āļŠāļēāļŦāļāļĢāļĢāļĄāļ—āļĩāđˆāļĄāļĩāļāļēāļĢāļžāļąāļ’āļ™āļēāļĄāļēāļāļ—āļĩāđˆāļŠāļļāļ”āđƒāļ™āđ‚āļĨāļāđāļĄāđ‰āļ§āđˆāļēāļ„āļļāļ“āļˆāļ°āđ„āļĄāđˆāđ€āļ„āļĒāļĢāļđāđ‰āđ€āļĢāļ·āđˆāļ­āļ‡āļ™āļĩāđ‰āļˆāļēāļāļ›āđˆāļēāļ—āļĩāđˆāļ›āļāļ„āļĨāļļāļĄāđ„āļ›āļ”āđ‰āļ§āļĒāļ›āđˆāļē āđ€āļ™āļīāļ™āđ€āļ‚āļēāđāļĨāļ°āļ—āļļāđˆāļ‡āļŦāļāđ‰āļēāļ­āļąāļĨāđ„āļžāļ™āđŒ āļ•āļąāđ‰āļ‡āļ–āļīāđˆāļ™āļāļēāļ™āļ•āļąāđ‰āļ‡āđāļ•āđˆāļĒāļļāļ„āļŦāļīāļ™āļ•āđ‰āļ™āļāđ‡āđ€āļ›āđ‡āļ™āļŠāļīāđˆāļ‡āļ—āļĩāđˆāļŠāļģāļ„āļąāļāđƒāļ™āļŠāđˆāļ§āļ‡āļŠāļĄāļąāļĒāđ‚āļĢāļĄāļąāļ™āđƒāļ™āļ—āļĩāđˆāļŠāļļāļ”āļāļĨāļēāļĒāđ€āļ›āđ‡āļ™āļĢāļēāļŠāļ­āļēāļ“āļēāļˆāļąāļāļĢāļ‚āļ­āļ‡āļĨāļīāļāđ€āļ•āļ™āļŠāđ„āļ•āļ™āđŒāđƒāļ™āļ›āļĩ āļ„.āļĻ. 1719 āđāļĨāļ°āđ€āļ›āđ‡āļ™āļ­āļīāļŠāļĢāļ°āļ­āļĒāđˆāļēāļ‡āđ€āļ•āđ‡āļĄāļ—āļĩāđˆāđƒāļ™āļ›āļĩāļž. āļĻ. 2349 āļ§āļąāļ™āļ™āļĩāđ‰āļ›āļĢāļ°āđ€āļ—āļĻāđ€āļ›āđ‡āļ™āļˆāļļāļ”āļŦāļĄāļēāļĒāļ›āļĨāļēāļĒāļ—āļēāļ‡āļ‚āļ­āļ‡āļ™āļąāļāļ—āđˆāļ­āļ‡āđ€āļ—āļĩāđˆāļĒāļ§āļ—āļĩāđˆāđ„āļ”āđ‰āļĢāļąāļšāļ„āļ§āļēāļĄāļ™āļīāļĒāļĄāđ€āļ™āļ·āđˆāļ­āļ‡āļˆāļēāļāļāļēāļĢāļ•āļąāđ‰āļ‡āļ āļđāđ€āļ‚āļēāļ—āļĩāđˆāļĒāļ­āļ”āđ€āļĒāļĩāđˆāļĒāļĄāļŦāļĨāļēāļĒāđ€āļŠāđ‰āļ™āļ—āļēāļ‡āđ€āļ”āļīāļ™āļ›āđˆāļēāļĒāļ­āļ”āđ€āļĒāļĩāđˆāļĒāļĄ , āļŠāļāļĩāđāļĨāļ°āļāļīāļˆāļāļĢāļĢāļĄāļĪāļ”āļđāļŦāļ™āļēāļ§āđāļĨāļ°āļžāļīāļžāļīāļ˜āļ āļąāļ“āļ‘āđŒāļ—āļĩāđˆāļ™āđˆāļēāļ›āļĢāļ°āļ—āļąāļšāđƒāļˆāđāļĨāļ°āļ›āļĢāļēāļŠāļēāļ—
1 Liechtenstein's āđ€āļĄāļ·āļ­āļ‡āļŦāļĨāļ§āļ‡: Vaduz
Parliaments in Vaduz
āđ€āļĄāļ·āļ­āļ‡āļŦāļĨāļ§āļ‡āļ—āļĩāđˆāļ‡āļ”āļ‡āļēāļĄāļ—āļĩāđˆāļŠāļļāļ”āđāļŦāđˆāļ‡āļŦāļ™āļķāđˆāļ‡āđƒāļ™āļĒāļļāđ‚āļĢāļ› - āđāļĨāļ°āļ—āļĩāđˆāđ€āļĨāđ‡āļāļ—āļĩāđˆāļŠāļļāļ” - Vaduz āđ€āļ›āđ‡āļ™āļ—āļĩāđˆāļ•āļąāđ‰āļ‡āļ‚āļ­āļ‡Â Liechtenstein CenterāļĻāļđāļ™āļĒāđŒāļ‚āđ‰āļ­āļĄāļđāļĨāļ™āļąāļāļ—āđˆāļ­āļ‡āđ€āļ—āļĩāđˆāļĒāļ§āļ™āļģāđ€āļŠāļ™āļ­āļ—āļļāļāļŠāļīāđˆāļ‡āļ—āļĩāđˆāļ™āļąāļāđ€āļ”āļīāļ™āļ—āļēāļ‡āļ•āđ‰āļ­āļ‡āļāļēāļĢāđ€āļžāļ·āđˆāļ­āđƒāļŦāđ‰āđ„āļ”āđ‰āļ›āļĢāļ°āđ‚āļĒāļŠāļ™āđŒāļŠāļđāļ‡āļŠāļļāļ”āļˆāļēāļāļāļēāļĢāđ€āļĒāļĩāđˆāļĒāļĄāļŠāļĄ āļˆāļēāļāļ—āļĩāđˆāļ™āļĩāđˆāļ—āđˆāļēāļ™āļŠāļēāļĄāļēāļĢāļ–āđ€āļ—āļĩāđˆāļĒāļ§āļŠāļĄāļŠāļ–āļēāļ™āļ—āļĩāđˆāļ—āđˆāļ­āļ‡āđ€āļ—āļĩāđˆāļĒāļ§āļŠāļģāļ„āļąāļāļ‚āļ­āļ‡āđ€āļĄāļ·āļ­āļ‡āđ„āļ”āđ‰āđ‚āļ”āļĒāļ‡āđˆāļēāļĒāđ€āļŠāđˆāļ™āļ­āļēāļ„āļēāļĢāļĢāļąāļāļŠāļ āļēāļ—āļĩāđˆāļ­āļĒāļđāđˆāđƒāļāļĨāđ‰āļāļąāļšāļĢāļīāļĄāļāļąāđˆāļ‡āđāļĄāđˆāļ™āđ‰āļģāđ„āļĢāļ™āđŒāđƒāļ™ Peter-Kaiser-Platz āļ™āļ­āļāļˆāļēāļāļ™āļĩāđ‰āļĄāļđāļĨāļ„āđˆāļēāļ—āļĩāđˆāļĒāļąāļ‡āđ€āļŦāđ‡āļ™āļ„āļ·āļ­ Rathausplatz āļ‹āļķāđˆāļ‡āđ€āļ›āđ‡āļ™āļ—āļĩāđˆāļ•āļąāđ‰āļ‡āļ‚āļ­āļ‡āļĻāļēāļĨāļēāļāļĨāļēāļ‡āļˆāļąāļ‡āļŦāļ§āļąāļ”āļ›āļĢāļ°āļ§āļąāļ•āļīāļĻāļēāļŠāļ•āļĢāđŒ (Rathaus) āđāļĨāļ°āđ‚āļšāļŠāļ–āđŒ parching Neo-Gothic (Pfarrkirche) āļ‹āļķāđˆāļ‡āļŠāļĢāđ‰āļēāļ‡āļ‚āļķāđ‰āļ™āđƒāļ™āļ›āļĩāļž. āļĻ. 2416 āļŦāļĢāļ·āļ­āļ—āļĩāđˆāđ€āļĢāļĩāļĒāļāļ§āđˆāļē āļ§āļīāļŦāļēāļĢ St. Florin. āđāļĄāđ‰āļ§āđˆāļēāļˆāļ°āđ„āļĄāđˆāđ€āļ›āļīāļ”āđƒāļŦāđ‰āļ›āļĢāļ°āļŠāļēāļŠāļ™āļ—āļąāđˆāļ§āđ„āļ› āđāļ•āđˆāļ„āļļāļ“āļˆāļ°āļ•āđ‰āļ­āļ‡āļāļēāļĢāļ–āđˆāļēāļĒāļĢāļđāļ›āđƒāļ™āļŠāđˆāļ§āļ‡āļĻāļ•āļ§āļĢāļĢāļĐāļ—āļĩāđˆ 12 āļ—āļĩāđˆāļ™āđˆāļēāļ›āļĢāļ°āļ—āļąāļšāđƒāļˆÂ āļ›āļĢāļēāļŠāļēāļ— Vaduz (Schloss Vaduz) āļ‹āļķāđˆāļ‡āđ€āļ›āđ‡āļ™āļ—āļĩāđˆāļ•āļąāđ‰āļ‡āļ‚āļ­āļ‡āļžāļĢāļ°āļĄāļŦāļēāļāļĐāļąāļ•āļĢāļīāļĒāđŒāļ‚āļ­āļ‡āļ›āļĢāļ°āđ€āļ—āļĻ
āļ—āļĩāđˆāļžāļąāļāđƒāļ™ Vaduz
āđāļœāļ™āļ—āļĩāđˆ Vaduz - āļŠāļ–āļēāļ™āļ—āļĩāđˆāļ—āđˆāļ­āļ‡āđ€āļ—āļĩāđˆāļĒāļ§
2 āļŠāļ–āļēāļ™āļ°āļ‚āļ­āļ‡āļĻāļīāļĨāļ›āļ°: Kunstmuseum Liechtenstein
āļŠāļ–āļēāļ™āļ°āļ‚āļ­āļ‡āļ‡āļēāļ™āļĻāļīāļĨāļ›āļ°: Kunstmuseum Liechtenstein JÃĄnos Korom Dr. / photo modified
āļŦāļ­āļĻāļīāļĨāļ›āđŒāđāļŦāđˆāļ‡āļĢāļąāļāļ‚āļ­āļ‡āļĨāļīāļāđ€āļ•āļ™āļŠāđ„āļ•āļ™āđŒ (Kunstmuseum Liechtenstein) āļ•āļąāđ‰āļ‡āļ­āļĒāļđāđˆāđƒāļ™āļŠāļ–āļēāļ™āļ—āļĩāđˆāļ—āļĩāđˆāļ—āļąāļ™āļŠāļĄāļąāļĒāļ—āļĩāđˆāļŠāļļāļ”āđƒāļ™ Vaduz āđāļŠāļ”āļ‡āļœāļĨāļ‡āļēāļ™āļĻāļīāļĨāļ›āļ°āļŠāļĄāļąāļĒāđƒāļŦāļĄāđˆāđāļĨāļ°āļĢāđˆāļ§āļĄāļŠāļĄāļąāļĒāļˆāļģāļ™āļ§āļ™āļĄāļēāļ āļ™āļ­āļāđ€āļŦāļ™āļ·āļ­āđ„āļ›āļˆāļēāļāļāļēāļĢāļˆāļąāļ”āđāļŠāļ”āļ‡āļ™āļīāļ—āļĢāļĢāļĻāļāļēāļĢāļŠāļąāđˆāļ§āļ„āļĢāļēāļ§āļšāđˆāļ­āļĒāļ„āļĢāļąāđ‰āļ‡āļ„āļ­āļĨāđ€āļĨāļāļŠāļąāļ™āļ–āļēāļ§āļĢāļĢāļ§āļĄāļ–āļķāļ‡āļŠāļīāđ‰āļ™āļŠāđˆāļ§āļ™āļ•āđˆāļēāļ‡āđ†āļˆāļēāļāļĻāļ•āļ§āļĢāļĢāļĐāļ—āļĩāđˆ 19 āļĢāļ§āļĄāļ–āļķāļ‡āļ›āļĢāļ°āļ•āļīāļĄāļēāļāļĢāļĢāļĄāđāļĨāļ°āļœāļĨāļ‡āļēāļ™āļˆāļēāļāļāļĨāļļāđˆāļĄāļ‚āļ­āļ‡āđ€āļˆāđ‰āļēāļŠāļēāļĒāđāļŦāđˆāļ‡āļĨāļīāļāđ€āļ•āļ™āļŠāđ„āļ•āļ™āđŒ (āļŠāđˆāļ§āļ™āđƒāļŦāļāđˆāđ€āļāđ‡āļšāļĢāļ§āļšāļĢāļ§āļĄāđ„āļ§āđ‰āđƒāļ™Â āļžāļīāļžāļīāļ˜āļ āļąāļ“āļ‘āđŒ Liechtenstein āđƒāļ™āļāļĢāļļāļ‡āđ€āļ§āļĩāļĒāļ™āļ™āļē)
āļ—āļĩāđˆāļ­āļĒāļđāđˆ: StÃĪdtle 37, FL-9490 Vaduz, Liechtensteināđ€āļ§āđ‡āļšāđ„āļ‹āļ•āđŒāļ­āļĒāđˆāļēāļ‡āđ€āļ›āđ‡āļ™āļ—āļēāļ‡āļāļēāļĢ: www.kunstmuseum.li/?page=1&lan=en
3 āļ›āļĢāļēāļŠāļēāļ—āļāļđāđ€āļ—āļ™āđāļšāļĢāđŒāļ
āļ›āļĢāļēāļŠāļēāļ—āļāļđāđ€āļ—āļ™āđāļšāļĢāđŒāļ
āļ­āļĒāļđāđˆāļ—āļēāļ‡āđ€āļŦāļ™āļ·āļ­āļ‚āļ­āļ‡āļŦāļĄāļđāđˆāļšāđ‰āļēāļ™ Balzers āļ—āļēāļ‡āļ•āļ­āļ™āđƒāļ•āđ‰āļ‚āļ­āļ‡āļĨāļīāļāđ€āļ•āļ™āļŠāđ„āļ•āļ™āđŒāļ•āļąāđ‰āļ‡āļ­āļĒāļđāđˆ Gutenberg Castle āļ­āļąāļ™āļ•āļĢāļ°āļŦāļ‡āđˆāļēāļ™ (Burg Gutenberg) āļ‹āļķāđˆāļ‡āđ€āļ›āđ‡āļ™āļ›āđ‰āļ­āļĄāļ›āļĢāļēāļāļēāļĢāļ—āļĩāđˆāđ„āļ”āđ‰āļĢāļąāļšāļāļēāļĢāđ€āļāđ‡āļšāļĢāļąāļāļĐāļēāđ„āļ§āđ‰āļ­āļĒāđˆāļēāļ‡āļĒāļ­āļ”āđ€āļĒāļĩāđˆāļĒāļĄāļ•āļąāđ‰āļ‡āđāļ•āđˆāļŠāļĄāļąāļĒāļāļĨāļēāļ‡ āđ€āļ™āļīāļ™āđ€āļ‚āļēāļŠāļđāļ‡ 70 āđ€āļĄāļ•āļĢāļ—āļĩāđˆāļ›āļĢāļēāļŠāļēāļ—āļĒāļ·āļ™āļ­āļĒāļđāđˆāļ•āļąāđ‰āļ‡āđāļ•āđˆāļŠāļĄāļąāļĒāļĒāļļāļ„āļŦāļīāļ™āļĄāļĩāļŦāļĨāļēāļĒāļŠāļīāđˆāļ‡āļ—āļĩāđˆāļŠāļģāļ„āļąāļāļ—āļĩāđˆāļŠāļļāļ”āļ—āļĩāđˆāļžāļš āđ„āļ”āđ‰āđāļāđˆ āđ‚āļšāļĢāļēāļ“āļ§āļąāļ•āļ–āļļāļ”āļēāļ§āļ­āļąāļ‡āļ„āļēāļĢāļŸāļ­āļ™āļāļđāđ€āļ—āļ™āđāļšāļĢāđŒāļāļ‹āļķāđˆāļ‡āļ•āļąāđ‰āļ‡āļ­āļĒāļđāđˆāđƒāļ™Â Liechtenstein Landesmuseum. āļˆāļļāļ”āđ€āļ”āđˆāļ™ āđ„āļ”āđ‰āđāļāđˆ āđ‚āļšāļŠāļ–āđŒāđāļĨāļ°āļŠāļ§āļ™āļāļļāļŦāļĨāļēāļšāļžāļĢāđ‰āļ­āļĄāļāļąāļšāļāļīāļˆāļāļĢāļĢāļĄāļ—āļēāļ‡āļ§āļąāļ’āļ™āļ˜āļĢāļĢāļĄāļ—āļĩāđˆāļ™āđˆāļēāļŠāļ™āđƒāļˆāļĄāļēāļāļĄāļēāļĒāđƒāļ™āļŠāđˆāļ§āļ‡āļ—āļĩāđˆāļ­āļēāļāļēāļĻāļ­āļšāļ­āļļāđˆāļ™āđ€āļŠāđˆāļ™āļ„āļ­āļ™āđ€āļŠāļīāļĢāđŒāļ•āđāļĨāļ°āļāļēāļĢāđāļŠāļ”āļ‡āļĨāļ°āļ„āļĢ
āļ—āļĩāđˆāļ­āļĒāļđāđˆ: FÞrstenstrasse 50, 9496 Balzers
4 āļžāļīāļžāļīāļ˜āļ āļąāļ“āļ‘āđŒāđāļŦāđˆāļ‡āļŠāļēāļ•āļīāļĨāļīāļāđ€āļ—āļ™āļŠāđ„āļ•āļ™āđŒ
āļžāļīāļžāļīāļ˜āļ āļąāļ“āļ‘āđŒāđāļŦāđˆāļ‡āļŠāļēāļ•āļīāļĨāļīāļāđ€āļ—āļ™āļŠāđ„āļ•āļ™āđŒ
āļŠāļ–āļēāļ™āļ—āļĩāđˆāļ™āđˆāļēāļŠāļ™āđƒāļˆāļ‚āļ­āļ‡āļĢāļąāļāļ•āļąāđ‰āļ‡āļ­āļĒāļđāđˆāđƒāļ™āđ‚āļĢāļ‡āđāļĢāļĄāđ€āļāđˆāļēāđāļāđˆāļ—āļĩāđˆāļ–āļđāļāļĢāļąāļāļĐāļēāđ„āļ§āđ‰āļ­āļĒāđˆāļēāļ‡āļ”āļĩāđƒāļ™āļŠāļĄāļąāļĒāļĻāļ•āļ§āļĢāļĢāļĐāļ—āļĩāđˆ 15 āļ—āļĩāđˆ Johann Wolfgang von Goethe āđ€āļ‚āđ‰āļēāđ€āļĒāļĩāđˆāļĒāļĄāļŠāļĄāđ€āļĄāļ·āđˆāļ­āļ›āļĩāļž. āļĻ. 2331 āļĢāļ§āļĄāļ–āļķāļ‡āļĒāļ­āļ”āđ€āļĒāļĩāđˆāļĒāļĄ 1: 10,000 āļĢāļđāļ›āđāļšāļšāļāļēāļĢāļšāļĢāļĢāđ€āļ—āļēāļ—āļļāļāļ‚āđŒāļ‚āļ­āļ‡āļ­āļēāļ“āļēāđ€āļ‚āļ•āđ€āļŠāđˆāļ™āđ€āļ”āļĩāļĒāļ§āļāļąāļšāļāļēāļĢāļˆāļąāļ”āđāļŠāļ”āļ‡āļ™āļīāļ—āļĢāļĢāļĻāļāļēāļĢāļ—āļĩāđˆāļĄāļļāđˆāļ‡āđ€āļ™āđ‰āļ™āđ„āļ›āļ—āļĩāđˆāļ›āļĢāļ°āļ§āļąāļ•āļīāļĻāļēāļŠāļ•āļĢāđŒāļĒāļļāļ„āļāđˆāļ­āļ™āļ›āļĢāļ°āļ§āļąāļ•āļīāļĻāļēāļŠāļ•āļĢāđŒāļ‚āļ­āļ‡āļ›āļĢāļ°āđ€āļ—āļĻāđāļĨāļ°āļžāļĢāđ‰āļ­āļĄāļāļąāļšāļāļēāļĢāđāļŠāļ”āļ‡āļ‚āļ­āļ‡āļ­āļēāļ§āļļāļ˜āđāļĨāļ°āļĻāļīāļĨāļ›āļ°āļ—āļēāļ‡āļĻāļēāļŠāļ™āļē
āļ—āļĩāđˆāļ­āļĒāļđāđˆ: 9490 Vaduz, Liechtensteināđ€āļ§āđ‡āļšāđ„āļ‹āļ•āđŒāļ­āļĒāđˆāļēāļ‡āđ€āļ›āđ‡āļ™āļ—āļēāļ‡āļāļēāļĢ: www.landesmuseum.li
5 āđ€āļĄāļ·āļ­āļ‡ Nendeln āđāļĨāļ° Eschen
Eschen Clemens v. Vogelsang / āļĢāļđāļ›āļ āļēāļžāļ–āļđāļāđāļāđ‰āđ„āļ‚
āđ€āļĄāļ·āļ­āļ‡āđ€āļĨāđ‡āļ āđ† āļ‚āļ­āļ‡ Nendeln āđāļĨāļ° Eschen āđ€āļ›āđ‡āļ™āļŠāļļāļĄāļŠāļ™āļŦāļĨāļąāļāļ‚āļ­āļ‡āļžāļ·āđ‰āļ™āļ—āļĩāđˆāļĨāļļāđˆāļĄāđƒāļ™āļĨāļīāļāđ€āļ—āļ™āļŠāđ„āļ•āļ™āđŒāđāļĨāļ°āļĄāļĩāļĄāļđāļĨāļ„āđˆāļēāļāļēāļĢāđ€āļĒāļĩāđˆāļĒāļĄāļŠāļĄ Nendeln āđ€āļ›āđ‡āļ™āļ—āļĩāđˆāļ™āđˆāļēāļŠāļąāļ‡āđ€āļāļ•āļŠāļģāļŦāļĢāļąāļšāļāļēāļ™āļĢāļēāļāđ€āļāđˆāļēāļˆāļēāļāļ§āļīāļĨāļĨāđˆāļēāđ‚āļĢāļĄāļąāļ™āđ€āļŠāđˆāļ™āđ€āļ”āļĩāļĒāļ§āļāļąāļšÂ āđ€āļ„āļĢāļ·āđˆāļ­āļ‡āļ›āļąāđ‰āļ™āļ”āļīāļ™āđ€āļœāļēSchÃĪdlerāļāđˆāļ­āļ•āļąāđ‰āļ‡āļ‚āļķāđ‰āļ™āđ€āļĄāļ·āđˆāļ­āļ›āļĩ āļž.āļĻ. 2379 āđāļĨāļ°āđ€āļ›āđ‡āļ™āļ‡āļēāļ™āļŦāļąāļ•āļ–āļāļĢāļĢāļĄāļ—āļĩāđˆāđ€āļāđˆāļēāđāļāđˆāļ—āļĩāđˆāļŠāļļāļ”āđƒāļ™āļ›āļĢāļ°āđ€āļ—āļĻ āļ—āļĩāđˆāļĄāļĩāļŠāļ·āđˆāļ­āđ€āļŠāļĩāļĒāļ‡āļŠāļģāļŦāļĢāļąāļšāđ€āļ„āļĢāļ·āđˆāļ­āļ‡āļ–āđ‰āļ§āļĒāļŠāļēāļĄāļŦāļīāļ™āđāļĨāļ°āđ€āļ•āļēāļāļĢāļ°āđ€āļšāļ·āđ‰āļ­āļ‡āđāļšāļšāļ”āļąāđ‰āļ‡āđ€āļ”āļīāļĄāļŠāļ–āļēāļ™āļ—āļĩāđˆāļ™āđˆāļēāļŠāļ™āđƒāļˆāđ€āļāļĩāđˆāļĒāļ§āļāļąāļšāļĻāļīāļĨāļ›āļ°āđāļŦāđˆāļ‡āļ™āļĩāđ‰āļĄāļĩāļšāļĢāļīāļāļēāļĢāļ™āļģāđ€āļ—āļĩāđˆāļĒāļ§āđ€āļŠāļīāļ‡āļ›āļāļīāļšāļąāļ•āļīāļāļēāļĢāļžāļ·āđ‰āļ™āļ—āļĩāđˆāļāļēāļĢāđ€āļ„āļĨāļ·āļ­āļšāđāļĨāļ°āļŦāđ‰āļ­āļ‡āđ€āļ•āļēāđ€āļœāļē āļ„āļ§āļēāļĄāļŠāļ™āđƒāļˆāđƒāļ™ Eschen āļ„āļ·āļ­Â Pfrundhausāļ­āļēāļ„āļēāļĢāļŠāļĄāļąāļĒāļĻāļ•āļ§āļĢāļĢāļĐāļ—āļĩāđˆ 14 āļ—āļĩāđˆāđƒāļŠāđ‰āđƒāļ™āļāļēāļĢāđāļŠāļ”āļ‡āļĻāļīāļĨāļ›āļ°āļ—āđ‰āļ­āļ‡āļ–āļīāđˆāļ™āđāļĨāļ°āđ‚āļšāļŠāļ–āđŒāđ‚āļŪāļĨāļĩāđˆāļ„āļĢāļ­āļŠāļ—āļĩāđˆāļ™āđˆāļēāļŠāļ™āđƒāļˆ Eschen āļĒāļąāļ‡āđ€āļ›āđ‡āļ™āļˆāļļāļ”āđ€āļĢāļīāđˆāļĄāļ•āđ‰āļ™āļ‚āļ­āļ‡āļāļēāļĢāđ€āļ”āļīāļ™āļ›āđˆāļēāļ—āļĩāđˆāļ‡āđˆāļēāļĒāđ€āļžāļĩāļĒāļ‡āļ„āļĢāļķāđˆāļ‡āļŠāļąāđˆāļ§āđ‚āļĄāļ‡āļ‹āļķāđˆāļ‡āļŠāļēāļĄāļēāļĢāļ–āļĄāļ­āļ‡āđ€āļŦāđ‡āļ™āļ—āļīāļ§āļ—āļąāļĻāļ™āđŒāļ­āļąāļ™āļĒāļ­āļ”āđ€āļĒāļĩāđˆāļĒāļĄāļ‚āļ­āļ‡āļšāļĢāļīāđ€āļ§āļ“āđ‚āļ”āļĒāļĢāļ­āļš
6 Schaan āđāļĨāļ° Liechtenstein Festival
Schaan āđāļĨāļ°āđ€āļ—āļĻāļāļēāļĨ Liechtenstein Stefan Munder / photo modified
āđ€āļžāļĩāļĒāļ‡āļŠāļēāļĄāļāļīāđ‚āļĨāđ€āļĄāļ•āļĢāļ—āļēāļ‡āđ€āļŦāļ™āļ·āļ­āļ‚āļ­āļ‡ Vaduz āļ—āļĩāđˆāļ•āļĩāļ™āđ€āļ—āļ·āļ­āļāđ€āļ‚āļē Drei Schwestern āļ„āļ·āļ­āđ€āļĄāļ·āļ­āļ‡ Schaan āļ‹āļķāđˆāļ‡āđ€āļ›āđ‡āļ™āđ€āļĄāļ·āļ­āļ‡āļ­āļļāļ•āļŠāļēāļŦāļāļĢāļĢāļĄāļ—āļĩāđˆāđ€āļ•āđ‡āļĄāđ„āļ›āļ”āđ‰āļ§āļĒāļ­āļļāļ•āļŠāļēāļŦāļāļĢāļĢāļĄāļ—āļĩāđˆāļ™āđˆāļēāļŠāļ™āđƒāļˆāļŠāļģāļŦāļĢāļąāļšāļāļēāļ™āļĢāļēāļāļ‚āļ­āļ‡āļ›āđ‰āļ­āļĄāđ‚āļĢāļĄāļąāļ™āđ€āļāđˆāļē āđƒāļ™āļŠāļ–āļēāļ™āļ—āļĩāđˆāļ—āļĩāđˆāļŠāļ§āļĒāļ‡āļēāļĄāļ•āļąāđ‰āļ‡āļ­āļĒāļđāđˆāđ€āļŦāļ™āļ·āļ­āđ€āļĄāļ·āļ­āļ‡āđ€āļ›āđ‡āļ™āđ‚āļšāļŠāļ–āđŒāđāļŠāļ§āļ‡āļšāļļāļāļŠāļĄāļąāļĒāļĻāļ•āļ§āļĢāļĢāļĐāļ—āļĩāđˆ 18 āļ‚āļ­āļ‡ Maria zum Trost āļ‹āļķāđˆāļ‡āđ€āļ›āđ‡āļ™āļˆāļļāļ”āļŠāļĄāļ§āļīāļ§āļ—āļĩāđˆāļ”āļĩ āđ€āļĄāļ·āļ­āļ‡āļ—āļĩāđˆāđ€āļāđˆāļēāđāļāđˆāļ—āļĩāđˆāļŠāļļāļ”āđāļŦāđˆāļ‡āļŦāļ™āļķāđˆāļ‡āđƒāļ™āļĨāļīāļāđ€āļ—āļ™āļŠāđ„āļ•āļ™āđŒ Schaan āđ€āļ›āđ‡āļ™āļ—āļĩāđˆāļ•āļąāđ‰āļ‡āļ‚āļ­āļ‡Â Domus āļĻāļđāļ™āļĒāđŒāļ—āļĩāđˆāļĄāļĩāļāļēāļĢāļˆāļąāļ”āđāļŠāļ”āļ‡āļ™āļīāļ—āļĢāļĢāļĻāļāļēāļĢāļ‚āļ­āļ‡āļ›āļĢāļ°āļ§āļąāļ•āļīāļĻāļēāļŠāļ•āļĢāđŒāļ—āđ‰āļ­āļ‡āļ–āļīāđˆāļ™āđāļĨāļ°āļĻāļīāļĨāļ›āļ°āļāļēāļĢāļ›āļĢāļ°āļŠāļļāļĄāđ€āļŠāļīāļ‡āļ›āļāļīāļšāļąāļ•āļīāļāļēāļĢ coppersmith āļ—āļĩāđˆāļ™āđˆāļēāļŠāļ™āđƒāļˆāđ€āļŠāđˆāļ™āđ€āļ”āļĩāļĒāļ§āļāļąāļšāļšāļĢāļīāđ€āļ§āļ“āđƒāļāļĨāđ‰āđ€āļ„āļĩāļĒāļ‡Â āđ€āļ„āļĢāļ·āđˆāļ­āļ‡āļ„āļīāļ”āđ€āļĨāļ‚āđāļĨāļ°āđ€āļ„āļĢāļ·āđˆāļ­āļ‡āļžāļīāļĄāļžāđŒāļ”āļĩāļ”. Schaan āđ€āļ›āđ‡āļ™āļŠāļ–āļēāļ™āļ—āļĩāđˆāļ—āļĩāđˆāļ”āļĩāđƒāļ™āļāļēāļĢāđ€āļĢāļīāđˆāļĄāļ•āđ‰āļ™āļāļēāļĢāđ„āļ•āđˆāđ€āļ‚āļēāđāļĨāļ°āļĢāļ§āļĄāļ–āļķāļ‡āđ€āļŠāđ‰āļ™āļ—āļēāļ‡āļ—āļĩāđˆāļĄāļĩāļāļēāļĢāļ—āļģāđ€āļ„āļĢāļ·āđˆāļ­āļ‡āļŦāļĄāļēāļĒāđ„āļ§āđ‰āđ€āļ›āđ‡āļ™āļ­āļĒāđˆāļēāļ‡āļ”āļĩāļŦāļĨāļēāļĒāđāļŦāđˆāļ‡ āļ™āļ­āļāļˆāļēāļāļ™āļĩāđ‰āļĒāļąāļ‡āđ€āļ›āđ‡āļ™āļ—āļĩāđˆāļ•āļąāđ‰āļ‡āļ‚āļ­āļ‡ Liechtenstein Festival āļ‹āļķāđˆāļ‡āđ€āļ›āđ‡āļ™āļ‡āļēāļ™āļ‰āļĨāļ­āļ‡āļ”āļ™āļ•āļĢāļĩāļšāļąāļ™āđ€āļ—āļīāļ‡āđāļĨāļ°āļ­āļēāļŦāļēāļĢāļŠāļ­āļ‡āļ§āļąāļ™
7 Triesenberg's Culinary Delights
Triesenberg's Culinary Delights
Triesenberg āļ‹āļķāđˆāļ‡āđ€āļ›āđ‡āļ™āđ€āļ‚āļ•āļ›āļāļ„āļĢāļ­āļ‡āļ—āļĩāđˆāđƒāļŦāļāđˆāļ—āļĩāđˆāļŠāļļāļ”āļ‚āļ­āļ‡āļ›āļĢāļ°āđ€āļ—āļĻāļĨāļīāļāđ€āļ—āļ™āļŠāđ„āļ•āļ™āđŒāļ•āļąāđ‰āļ‡āļ­āļĒāļđāđˆāđƒāļ™āļ—āļģāđ€āļĨāļ—āļĩāđˆāļŠïŋ―ïŋ―āļĒāļ‡āļēāļĄāļ—āđˆāļēāļĄāļāļĨāļēāļ‡āļŦāļļāļšāđ€āļ‚āļēāļ­āļąāļĨāđ„āļžāļ™āđŒāđ€āļžāļĩāļĒāļ‡āļŦāļāļāļīāđ‚āļĨāđ€āļĄāļ•āļĢāļˆāļēāļāđ€āļĄāļ·āļ­āļ‡āļŦāļĨāļ§āļ‡āļ‚āļ­āļ‡āļ›āļĢāļ°āđ€āļ—āļĻāļ”āļđāļĢāļēāļŦāļĄāļđāđˆāļšāđ‰āļēāļ™āļ—āļĩāđˆāļ‡āļ”āļ‡āļēāļĄāđāļŦāđˆāļ‡āļ™āļĩāđ‰āđ€āļ›āđ‡āļ™āļ—āļĩāđˆāļĢāļđāđ‰āļˆāļąāļāđ„āļĄāđˆāđ€āļžāļĩāļĒāļ‡ āđāļ•āđˆāđ€āļ›āđ‡āļ™āļˆāļļāļ”āļŠāļĄāļ§āļīāļ§āļ—āļĩāđˆāļĒāļ­āļ”āđ€āļĒāļĩāđˆāļĒāļĄāđāļĨāļ°āđ€āļ›āđ‡āļ™āļ āļēāļĐāļēāļ–āļīāđˆāļ™āļ—āļĩāđˆāđ€āļ›āđ‡āļ™āđ€āļ­āļāļĨāļąāļāļĐāļ“āđŒāļ‹āļķāđˆāļ‡āđ€āļ›āđ‡āļ™āļĢāļđāļ›āđāļšāļšāļ‚āļ­āļ‡āļ āļēāļĐāļēāđ€āļĒāļ­āļĢāļĄāļąāļ™āļ—āļĩāđˆāļĄāļēāļˆāļēāļāļ āļđāļĄāļīāļ āļēāļ„ Walser āđāļ•āđˆāļĒāļąāļ‡āđ€āļ›āđ‡āļ™āđ€āļ—āļĻāļāļēāļĨāļ­āļēāļŦāļēāļĢ Triesenberger Wochenāļ‹āļķāđˆāļ‡āļˆāļąāļ”āļ‚āļķāđ‰āļ™āļ—āļļāļāļ›āļĩāļ•āļąāđ‰āļ‡āđāļ•āđˆāļāļĨāļēāļ‡āđ€āļ”āļ·āļ­āļ™āļ•āļļāļĨāļēāļ„āļĄāļˆāļ™āļ–āļķāļ‡āļŠāļīāđ‰āļ™āđ€āļ”āļ·āļ­āļ™āļžāļĪāļĻāļˆāļīāļāļēāļĒāļ™ āđƒāļ™āļŠāđˆāļ§āļ‡āđ€āļ—āļĻāļāļēāļĨāļĢāđ‰āļēāļ™āļ­āļēāļŦāļēāļĢāļ—āđ‰āļ­āļ‡āļ–āļīāđˆāļ™āđāļĨāļ°āđ‚āļĢāļ‡āđāļĢāļĄāđƒāļŦāđ‰āļšāļĢāļīāļāļēāļĢāļ­āļēāļŦāļēāļĢāđāļšāļšāļ”āļąāđ‰āļ‡āđ€āļ”āļīāļĄāļ‚āļ­āļ‡āļ„āļ™āļ§āļ­āļĨāđ€āļ‹āļ­āļĢāđŒāļ‹āļķāđˆāļ‡āļŦāļĨāļēāļĒāđāļŦāđˆāļ‡āļĄāļĩāļ­āļēāļĒāļļāļŦāļĨāļēāļĒāļĻāļ•āļ§āļĢāļĢāļĐāđāļĨāļ°āđ€āļ›āđ‡āļ™āđ€āļ­āļāļĨāļąāļāļĐāļ“āđŒāļ‚āļ­āļ‡āļŦāļĄāļđāđˆāļšāđ‰āļēāļ™ āđ„āļĄāđˆāļĄāļĩāļ„āļ§āļēāļĄāļ‚āļēāļ”āđāļ„āļĨāļ™āļ‚āļ­āļ‡āļ—āļīāļ§āļ—āļąāļĻāļ™āđŒāļ—āļĩāđˆāļŠāļ§āļĒāļ‡āļēāļĄāļˆāļēāļāļŦāļĄāļđāđˆāļšāđ‰āļēāļ™āļ—āļĩāđˆāļ™āđˆāļēāļĢāļąāļāļ‚āļ­āļ‡āļŠāļēāđ€āļĨāđˆāļ•āđŒāđāļĨāļ°āđ‚āļĢāļ‡āđāļĢāļĄāļ‚āļ™āļēāļ”āđ€āļĨāđ‡āļāļ—āļģāđƒāļŦāđ‰ Triesenberg āđ€āļ›āđ‡āļ™āļŠāļ–āļēāļ™āļ—āļĩāđˆāļ—āļĩāđˆāđ€āļĒāļĩāđˆāļĒāļĄāļĒāļ­āļ”āđƒāļ™āļāļēāļĢāļŠāļģāļĢāļ§āļˆāļĨāļīāļāđ€āļ•āļ™āļŠāđ„āļ•āļ™āđŒ
8 āđ€āļ”āļīāļ™āļ›āđˆāļēāđ€āļŠāđ‰āļ™āļ—āļēāļ‡āļ›āļĢāļ°āļ§āļąāļ•āļīāļĻāļēāļŠāļ•āļĢāđŒ Eschnerberg
āđ€āļ”āļīāļ™āļ›āđˆāļēāđ€āļŠāđ‰āļ™āļ—āļēāļ‡āļ›āļĢāļ°āļ§āļąāļ•āļīāļĻāļēāļŠāļ•āļĢāđŒ Eschnerberg
āļĨāļīāļ„āđ€āļ—āļ™āļŠāđ„āļ•āļ™āđŒāđ€āļ›āđ‡āļ™āļŠāļ§āļĢāļĢāļ„āđŒāđāļŦāđˆāļ‡āļāļēāļĢāļ›āļĩāļ™āđ€āļ‚āļēāļ”āļķāļ‡āļ”āļđāļ”āļœāļđāđ‰āļŠāļ·āđˆāļ™āļŠāļ­āļšāļāļīāļˆāļāļĢāļĢāļĄāļāļĨāļēāļ‡āđāļˆāđ‰āļ‡āļˆāļēāļāļ—āļąāđˆāļ§āļĒāļļāđ‚āļĢāļ›āđ„āļ›āļĒāļąāļ‡āļĒāļ­āļ”āļ āļđāđ€āļ‚āļēāđ€āļ™āļīāļ™āđ€āļ‚āļēāļ—āļĩāđˆāđ€āļ›āđ‡āļ™āļ›āđˆāļēāđāļĨāļ°āļŦāļļāļšāđ€āļ‚āļēāļ­āļąāļ™āļ™āđˆāļēāļŠāļ™āđƒāļˆ āđ€āļŠāđ‰āļ™āļ—āļēāļ‡āļ—āļĩāđˆāļĄāļĩāļŠāļ·āđˆāļ­āđ€āļŠāļĩāļĒāļ‡āļŦāļĨāļēāļĒāđāļŦāđˆāļ‡āļ‚āđ‰āļēāļĄāļ›āļĢāļ°āđ€āļ—āļĻ (āđ€āļžāļĩāļĒāļ‡āđāļ„āđˆāļĄāļ­āļ‡āļŦāļēāļ›āđ‰āļēāļĒāļŠāļ§āđˆāļēāļ‡ āđ† āļ—āļĩāđˆāđāļŠāļ”āļ‡āđ€āļ§āļĨāļēāđ€āļ”āļīāļ™āđ€āļ—āđ‰āļē) āļ‹āļķāđˆāļ‡āđ€āļ›āđ‡āļ™āđ€āļŠāđ‰āļ™āļ—āļēāļ‡āļ›āļĢāļ°āļ§āļąāļ•āļīāļĻāļēāļŠāļ•āļĢāđŒ Eschnerberg āļˆāļģāļ™āļ§āļ™ 15 āļāļīāđ‚āļĨāđ€āļĄāļ•āļĢāļ—āļĩāđˆāđ€āļŠāļ·āđˆāļ­āļĄāļ•āđˆāļ­āļāļąāļšāđ€āļĄāļ·āļ­āļ‡ Bendern āđāļĨāļ° Schellenberg āļˆāļļāļ”āđ€āļ”āđˆāļ™āļ‚āļ­āļ‡āđ€āļŠāđ‰āļ™āļ—āļēāļ‡āļŠāļ™āļļāļāļ™āļĩāđ‰āļĢāļ§āļĄāļ–āļķāļ‡āļāļēāļĢāļ•āļąāđ‰āļ‡āļ–āļīāđˆāļ™āļāļēāļ™āļĒāļļāļ„āļāđˆāļ­āļ™āļ›āļĢāļ°āļ§āļąāļ•āļīāļĻāļēāļŠāļ•āļĢāđŒāļ‚āļ­āļ‡Â LutzengÞtle āđāļĨāļ°Â Malanserāđ€āļŠāđˆāļ™āđ€āļ”āļĩāļĒāļ§āļāļąāļšāļ—āļīāļ§āļ—āļąāļĻāļ™āđŒāļ­āļąāļ™āļ‡āļ”āļ‡āļēāļĄāļ‚āļ­āļ‡āđāļĄāđˆāļ™āđ‰āļģāđ„āļĢāļ™āđŒāđāļĨāļ°āļ āļđāđ€āļ‚āļēāđ‚āļ”āļĒāļĢāļ­āļš āļ­āļĩāļāđ€āļŠāđ‰āļ™āļ—āļēāļ‡āļŦāļ™āļķāđˆāļ‡āļ—āļĩāđˆāđ„āļ”āđ‰āļĢāļąāļšāļ„āļ§āļēāļĄāļ™āļīāļĒāļĄāļ„āļ·āļ­Â āļ—āļēāļ‡āđ€āļ”āļīāļ™āļ‚āļ­āļ‡āđ€āļˆāđ‰āļēāļŠāļēāļĒ āļœāđˆāļēāļ™āđ€āļ—āļ·āļ­āļāđ€āļ‚āļēRÃĪtikonāļ­āļąāļ™āļ‡āļ”āļ‡āļēāļĄāđāļĨāļ°āļ§āļīāļ§āļ—āļīāļ§āļ—āļąāļĻāļ™āđŒāļ­āļąāļ™āļĒāļ­āļ”āđ€āļĒāļĩāđˆāļĒāļĄāļ‚āļ­āļ‡āļ āļđāđ€āļ‚āļē Three Sisters āļ—āļĩāđˆāļĄāļĩāļŠāļ·āđˆāļ­āđ€āļŠāļĩāļĒāļ‡ (Drei Schwestern)
9 āļŠāļ™āļļāļāđƒāļ™āļĪāļ”āļđāļŦāļ™āļēāļ§āļ—āļĩāđˆ Malbun
Winter Fun in Malbun Clemens v. Vogelsang / āļ āļēāļžāđāļāđ‰āđ„āļ‚
āđ€āļĄāļ·āļ­āļ‡ Malbun āļ—āļĩāđˆāļĄāļĩāļŠāļ·āđˆāļ­āđ€āļŠāļĩāļĒāļ‡āđƒāļ™āļāļēāļ™āļ°āļĢāļĩāļŠāļ­āļĢāđŒāļ—āļĪāļ”āļđāļŦāļ™āļēāļ§āļ‚āļ­āļ‡ Liechtenstein āđāļŦāđˆāļ‡āļ™āļĩāđ‰āđ€āļ›āđ‡āļ™āđ€āļĄāļ·āļ­āļ‡āđ€āļĨāđ‡āļ āđ† āļ‚āļ­āļ‡ Malbun āļ—āļĩāđˆāđ€āļ„āļĒāļ­āļēāļĻāļąāļĒāļ­āļĒāļđāđˆāđ€āļžāļĩāļĒāļ‡āđāļŦāđˆāļ‡āđ€āļ”āļĩāļĒāļ§āđƒāļ™āļŠāđˆāļ§āļ‡āļĪāļ”āļđāļĢāđ‰āļ­āļ™āļ‹āļķāđˆāļ‡āļ‚āļ“āļ°āļ™āļĩāđ‰āđ€āļ›āđ‡āļ™āļˆāļļāļ”āļ”āļķāļ‡āļ”āļđāļ”āļŠāļģāļŦāļĢāļąāļšāļœāļđāđ‰āļŠāļ·āđˆāļ™āļŠāļ­āļšāļāļĩāļŽāļēāļĪāļ”āļđāļŦāļ™āļēāļ§ āļšāļ™āđ€āļ™āļīāļ™āđ€āļ‚āļēāļ­āļąāļĨāđ„āļžāļ™āđŒāđƒāļāļĨāđ‰āļŦāļļāļšāđ€āļ‚āļē Saminatal Malbun āļĄāļĩāļŠāļ āļēāļžāļŦāļīāļĄāļ°āļ—āļĩāđˆāļŠāļĄāļšāļđāļĢāļ“āđŒāđāļšāļšāļ‹āļķāđˆāļ‡āļ™āļģāđ„āļ›āļŠāļđāđˆāļāļēāļĢāļŠāļĢāđ‰āļēāļ‡āļĨāļīāļŸāļ—āđŒāļŠāļāļĩāđāļĨāļ°āđ€āļ™āļīāļ™āļŠāļāļĩāđāļŦāđˆāļ‡āđāļĢāļāđƒāļ™āļ—āļĻāļ§āļĢāļĢāļĐāļ—āļĩāđˆ 1960 āđāļĨāļ°āļ§āļąāļ™āļ™āļĩāđ‰āđ€āļŠāđ‰āļ™āļ—āļēāļ‡āļ—āļĩāđˆāđ„āļ”āđ‰āļĢāļąāļšāļāļēāļĢāļ•āļāđāļ•āđˆāļ‡āđ€āļ›āđ‡āļ™āļ­āļĒāđˆāļēāļ‡āļ”āļĩāđāļĨāļ°āļāļīāļˆāļāļĢāļĢāļĄāđ€āļĨāđˆāļ™āļŠāļāļĩāđƒāļ™āļĨāļ­āļŠāđāļ­āļ‡āđ€āļˆāļĨāļīāļŠāđ€āļ›āđ‡āļ™āļŦāļ™āļķāđˆāļ‡āđƒāļ™āļĪāļ”āļđāļāļēāļĨāļ—āļĩāđˆāļĒāļēāļ§āļ™āļēāļ™āļ—āļĩāđˆāļŠāļļāļ”āđƒāļ™āđ€āļ—āļ·āļ­āļāđ€āļ‚āļēāđāļ­āļĨāļ›āđŒ . āļ—āļąāđ‰āļ‡āļŦāļĄāļ”āļšāļ­āļāļ§āđˆāļēāļĄāļĩāļāļēāļĢāļšāļģāļĢāļļāļ‡āļĢāļąāļāļĐāļēāļŠāļ™āļēāļĄāļšāļīāļ™āļĄāļēāļāļāļ§āđˆāļē 23 āļāļīāđ‚āļĨāđ€āļĄāļ•āļĢāļ‹āļķāđˆāļ‡āļˆāļ°āļ™āļģāđ€āļŠāļ™āļ­āļ āļđāļĄāļīāļ›āļĢāļ°āđ€āļ—āļĻāļ—āļĩāđˆāđ€āļŦāļĄāļēāļ°āļŠāļĄāļŠāļģāļŦāļĢāļąāļšāļ™āļąāļāđ€āļĨāđˆāļ™āļŠāļāļĩāļ—āļļāļāļ„āļ§āļēāļĄāļŠāļēāļĄāļēāļĢāļ–āđ‚āļ”āļĒāļĄāļĩāļĨāļīāļŸāļ•āđŒāļŠāļēāļĄāļ•āļąāļ§āļ—āļĩāđˆāļŠāļēāļĄāļēāļĢāļ–āļĨāļēāļāļˆāļđāļ‡āļ™āļąāļāļŠāļāļĩāđ„āļ”āđ‰āļŠāļđāļ‡ 2,000 āđ€āļĄāļ•āļĢ āļŠāļģāļŦāļĢāļąāļšāđ€āļ”āđ‡āļ, Malbi Park Kinderland āđ€āļŠāļ™āļ­āļšāļ—āđ€āļĢāļĩāļĒāļ™āđāļĨāļ°āđ‚āļ›āļĢāđāļāļĢāļĄāļŠāļģāļŦāļĢāļąāļšāļœāļđāđ‰āđ€āļĢāļīāđˆāļĄāļ•āđ‰āļ™āđāļĨāļ°āļžāļ·āđ‰āļ™āļ—āļĩāđˆāļ™āļĩāđ‰āļĒāļąāļ‡āļĄāļĩāđ€āļ„āļĢāļ·āļ­āļ‚āđˆāļēāļĒāđ€āļŠāđ‰āļ™āļ—āļēāļ‡āļŠāļāļĩ Nordic āļ‚āļ™āļēāļ”āđƒāļŦāļāđˆ
10 āļ›āļĢāļēāļŠāļēāļ—āđƒāļ™āļ›āļĢāļ°āđ€āļ—āļĻ: Schellenberg
āļ›āļĢāļēāļŠāļēāļ—āđƒāļ™āļ›āļĢāļ°āđ€āļ—āļĻ: Schellenberg
Liechtenstein āđ€āļ›āđ‡āļ™āļ—āļĩāđˆāļ•āļąāđ‰āļ‡āļ‚āļ­āļ‡āļ›āļĢāļēāļŠāļēāļ— 5 āđāļŦāđˆāļ‡āļ‹āļķāđˆāļ‡āļ—āļąāđ‰āļ‡āļŠāļ­āļ‡āđāļŦāđˆāļ‡āļĒāļąāļ‡āļ„āļ‡āļŠāļ āļēāļžāđ€āļ”āļīāļĄāļ­āļĒāļđāđˆ: Schloss Vaduz, āļšāđ‰āļēāļ™āļ‚āļ­āļ‡āļžāļĢāļ°āļĄāļŦāļēāļāļĐāļąāļ•āļĢāļīāļĒāđŒāļ‚āļ­āļ‡āļ›āļĢāļ°āđ€āļ—āļĻāđāļĨāļ°Â Burg Gutenberg āđƒāļ™āļŦāļĄāļđāđˆāļšāđ‰āļēāļ™ Balzers āļ‚āļ­āļ‡āļ­āļ·āđˆāļ™ āđ† āļ—āļąāđ‰āļ‡āļŦāļĄāļ”āļ—āļĩāđˆāđ€āļŦāļĨāļ·āļ­āļ­āļĒāļđāđˆāđ€āļ›āđ‡āļ™āļ‹āļēāļāļ›āļĢāļąāļāļŦāļąāļāļžāļąāļ‡ āđāļ•āđˆāđāļ•āđˆāļĨāļ°āļ„āļ™āļĄāļĩāđ€āļŠāļ™āđˆāļŦāđŒāļ—āļĩāđˆāđ€āļ›āđ‡āļ™āđ€āļ­āļāļĨāļąāļāļĐāļ“āđŒ āļŦāļēāļāļ„āļļāļ“āļŠāļēāļĄāļēāļĢāļ–āđ€āļĒāļĩāđˆāļĒāļĄāļŠāļĄāđ„āļ”āđ‰āđ€āļžāļĩāļĒāļ‡āđāļŦāđˆāļ‡āđ€āļ”āļĩāļĒāļ§āđ€āļ—āđˆāļēāļ™āļąāđ‰āļ™Â Schellenberg āļ—āļĩāđˆāļ‹āļķāđˆāļ‡āļ„āļļāļ“āļˆāļ°āđ„āļ”āđ‰āļĢāļąāļšāđ‚āļ­āļāļēāļŠāđƒāļ™āļāļēāļĢāļŠāļģāļĢāļ§āļˆāļ‹āļēāļāļ›āļĢāļąāļāļŦāļąāļāļžāļąāļ‡āļŠāļ­āļ‡āđāļŦāđˆāļ‡āđƒāļ™āđ€āļ§āļĨāļēāđ€āļ”āļĩāļĒāļ§āļāļąāļ™ āļ›āļĢāļēāļŠāļēāļ—āđƒāļŦāļāđˆ (Obere Burg) āļ—āļĩāđˆāļŠāļĢāđ‰āļēāļ‡āļ‚āļķāđ‰āļ™āđ€āļĄāļ·āđˆāļ­āļ›āļĩ āļž.āļĻ. 2543 āļĄāļĩāļ­āļ‡āļ„āđŒāļ›āļĢāļ°āļāļ­āļšāļ—āļąāđ‰āļ‡āļŦāļĄāļ”āļ‚āļ­āļ‡āļ›āļĢāļēāļŠāļēāļ—āļĒāļļāļ„āļāļĨāļēāļ‡ āļ—āļĩāđˆāđ€āļĨāđ‡āļāļāļ§āđˆāļēāļ›āļĢāļēāļŠāļēāļ—āļ”āđ‰āļēāļ™āļĨāđˆāļēāļ‡ (Untere Burg) āļŠāļĢāđ‰āļēāļ‡āļ‚āļķāđ‰āļ™āđƒāļ™āļ›āļĩ āļ„.āļĻ. 1250 āđāļ•āđˆāđƒāļ™āļĻāļ•āļ§āļĢāļĢāļĐāļ—āļĩāđˆ 16 āļ—āļąāđ‰āļ‡āļŠāļ­āļ‡āđ„āļ”āđ‰āļ—āļĢāļļāļ”āđ‚āļ—āļĢāļĄāļĨāļ‡ āļŠāļļāļ”āļ—āļĩāđˆāļŠāļēāļĄāļ‚āļ­āļ‡āļ‹āļēāļāļ›āļĢāļąāļāļŦāļąāļāļžāļąāļ‡, āļ›āļĢāļēāļŠāļēāļ— Schalun - āļĒāļąāļ‡āđ€āļ›āđ‡āļ™āļ—āļĩāđˆāļĢāļđāđ‰āļˆāļąāļāļāļąāļ™āđƒāļ™āļ™āļēāļĄ Wildschloss - āļ­āļĒāļđāđˆāļŦāđˆāļēāļ‡āļˆāļēāļ Vaduz āđ„āļ›āļˆāļ™āļ–āļķāļ‡āļ§āļąāļ™āļ—āļĩāđˆ 12 āļĻāļ•āļ§āļĢāļĢāļĐāļ—āļĩāđˆ 12
#āļ›āļĢāļ°āđ€āļ—āļĻāļĨāļīāļāđ€āļ•āļ™āļŠāđ„āļ•āļ™āđŒ #āļĨāļīāļāđ€āļ•āļ™āļŠāđ„āļ•āļ™āđŒ #Liechtenstein #ILoveLiechtenstein #āļĢāļēāļŠāļĢāļąāļāļĨāļīāļāđ€āļ•āļ™āļŠāđ„āļ•āļ™āđŒ #PrincipalityOfLiechtenstein #FÞrstentumLiechtenstein #Vaduz #KunstmuseumLiechtenstein #Nendeln #Eschen
 CR  ::   https://th.theplanetsworld.com/1278-liechtenstein-fl-th
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llllllllllii · 2 years ago
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ERÖFFNUNG: 7. Oktober 2022 |
18:00
- 23:00 Uhr
LAUFZEIT: 08.10.2022 -
06.11.2022
ÖFFUNGSZEITEN: Werktags, nach Vereinbarung
KURATIERT VON: Andreas Hachulla
ORT: SCHAU FENSTER, Lobeckstr. 30-35 (U8/M29 Moritzplatz), Raum fur Kunst 10969 Berlin
DANK: Jan Kage, Lukasz Furs, Thomas Mahmoud, Carla Frieling
KONTAKT: SCHAU FENSTER, Lobeckstr. 30-35 (U8/M29 Moritzplatz), Raum fur Kunst 10969 Berlin, www.dasarty.com
Rozbeh Asmani / Balzer Balzer / Lacy Barry / Hauke Beck / Sebastian Blinde / Birte Bosse / Başak Çalişir / Senem Denli / Stephanie Dost / Dogan Dogan / Ismael DuÃĄ / Margret Eicher / Mischa Fanghaenel / Jay Gard / Sebastian GÃķgel / Bhima Griem / Bianca GrÃķger / Roswitha GrÞttner / Mylasher / Franziska GÞttler / Andreas Hachulla / Ulrich Hachulla / Marc Haselbach / Paul Philipp Heinze / Fleur Helluin / Bernhard Holaschke / Franziska Holstein / Gabriela Jolowicz / Thomas Judisch / Andy Kania / Sebastian Kiss / Alexander Knopf / anna.k.o. / Matthias Krause / Lena Kunz / Marian Luft / Johannes Makolies / Veronica Manchego / Alina Mann / Rosa Merk / Enrico Meyer / Sascha Mikloweit / Adrian Mudder / OODD Studios / Susanne Ostwald / Manfred Peckl / Peter Piek / Jirka Pfahl / GÞnter Pfeifer / Aram Radomski / Nadja SchÞtt / Semra Sevin / Ronny Szillo / Christian Thoelke / Philip Topolovac / Emmanuelle Wilhelm / Martin Ziegler
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politikwatch · 3 months ago
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Peter Fox Meinung zu #markussoeder : "Der Typ Kotzt mich an" ðŸĪ·â€â™‚ïļ
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byneddiedingo · 2 years ago
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The Bridge (Bernhard Wicki, 1959)
Cast: Folker Bohnet, Fritz Wepper, Michael Hinz, Frank Glaubrecht, Karl Michael Balzer, Volker Lechtenbrink, GÞnther Hoffmann, Cordula Trantow, Wolfgang Stumpf, GÞnter Pfitzmann, Heinz Spitzner, Siegfried SchÞrenberg, Edith Schultze-Westrum, Ruth Hausmeister, Eva Waiti, Hans Elwenspoek, Trude Breitschopf, Hans Hellmold, Edeltraut Elsner, Inge Benz. Screenplay: Michael Mansfeld, Karl-Wilhelm Vivier, Bernhard Wicki, based on a novel by Manfred Gregor. Cinematography: Gerd von Bonin. Production design: Heinrich Graf BrÞhl, Peter Scharff. Film editing: Carl Otto Bartning. Music: Hans-Martin Majewski. Something of a landmark in the revival of German filmmaking before the burst of creativity wrought by Volker SchlÃķndorff, Werner Herzog, Rainer Werner Fassbinder, and others in the 1960s and '70s, The Bridge is an appropriate title in that it not only looks back to what Germany was during the war, but also suggests some of the trauma that lingered into the increasingly affluent present. The decimation and psychic mutilation of the generation that came of age during the war is the film's central subject. It focuses on seven young men, still in their teens, in the final days of the Third Reich, inspired by the dream of military glory but undermined by the incompetence of the remnants of the Wehrmacht, facing a defeat it cannot admit is coming. The boys have grown up together in the same town, and they all receive their draft notices on the same day. But a well-meaning officer decides not to send these raw draftees into the heat of battle but to give them a nonsensical task: defending the bridge across the river near their town -- even though the bridge is slated to be blown up as a deterrent to the advancing Allies. It will keep them out of harm's way, the officer thinks. But communications wires get crossed and the boys on the bridge never get the message to retreat. Instead, they die "heroically," doing all the right things -- including blowing up an Allied tank -- as they make their futile stand. The story, from the novel by Gregor Dorfmeister, under his pseudonym Manfred Gregor, is based on a real event told to Dorfmeister by one of the survivors. The film is full of well-staged action and an effective re-creation of the real setting which had been completely transformed in the years since the war ended. The interaction between the boys and their families is touching without slopping over into mawkishness.
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2021ya · 4 years ago
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FAITH: GREATER HEIGHTS
by Julie Murphy
Faith #2
(Balzer + Bray, 11/2/21)
9780062899682
Add to Goodreads
Purchase from Bookshop
.
Series
1. Faith: Taking Flight
Faith Herbert can finally admit that she’s not a regular teen. Thankfully, her two best friends, Matt and Ches, are now in on her superhero secret. But after the chaos of her first semester, Faith just wants to end her senior year on a normal note—enjoying all the hallmarks of graduating high school—like prom! And, possibly, getting to attend college in the fall. A new teacher has taken over journalism class, and Faith is only occasionally reminded of the empty spot left by Colleen Bristow, the quiet nerd-turned-supervillain. That is, until Faith hears from Peter that other psiots have been going missing, and he suspects that her old classmate is somehow involved. Faith decides the only way to get to the bottom of it is to find Colleen—before enemies can get to her first. As her search starts to collide with the memorable senior year she’s been hoping for, Faith learns that you gotta have faithâ€Ķthat sometimes fate will point you in the right direction.
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a2caf · 5 years ago
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The kids have chosen their favorites!
Every year A2CAF concludes with the Kids’ Comics Awards ceremony, celebrating the creators of kids’ favorite comics. While we couldn’t gather this year, we still held the rounds of nominations and voting, and the kids have chosen their favorite comics of 2019:
Most Epic Adventure
The nominees were:
Glitch, by Sarah Graley (Graphix)
Mighty Jack and Zita the Spacegirl, by Ben Hatke (First Second)
Ghost Hog, by Joey Weiser (Oni Pres)
Marvel Rising: Heroes of the Round Table, by Roberto di Salvo and Nilah Magruder (Marvel)
Sea Sirens (A Trot & Cap'n Bill Adventure), by Amy Chu and Janet K. Lee (Viking Books for Young Readers)
EndGames (NewsPrints 2), by Ru Xu (Graphix)
And the kids chose...
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Funniest Comic
The nominees were:
Dog Man: Fetch-22, by Dav Pilkey (Graphix)
Big Nate: Payback Time! by Lincoln Peirce (Andrews McMeel Publishing)
Star Wars: Jedi Academy: Attack of the Furball, by Amy Ignatow and Jarrett J. Krosoczka (Scholastic)
Peter & Ernesto: The Lost Sloths, by Graham Annable (First Second)
Bird & Squirrel: All Tangled Up, by James Burks (Graphix)
And the kids chose...
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Favorite Author
The nominees were:
Jerry Craft
Gale Galligan
John Patrick Green
Shannon Hale and LeUyen Pham
And the kids chose...
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Keepin' It Unreal (for sci-fi and fantasy)
The nominees were:
Making Friends: Back to the Drawing Board, by Kristen Gudsnuk (Graphix)
Pilu of the Woods, by Mai K. Nguyen (Oni Press)
Apocalypse Taco, by Nathan Hale (Amulet)
Emiline: Knight in Training, by Kimberli Johnson (Oni Press)
Hex Vet: The Flying Surgery, by Sam Davies (KaBOOM!)
The Midwinter Witch, by Molly Knox Ostertag (Graphix)
The Okay Witch, by Emma Steinkellner (Aladdin)
And the kids chose...
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Keepin' It Real (for memoir and realistic fiction)
The nominees were:
Just Jaime, by Terri Libenson (Balzer + Bray)
White Bird: A Wonder Story, by R.J. Palacio (Knopf Books for Young Readers)
Activist: A Story of the Marjory Stoneman Douglas Shooting, by Lauren Elizabeth Hogg, Anthony Zuiker, and Don Hudson (Zuiker Press)
Click, by Kayla Miller (HMH Books for Young Readers)
Guts, by Raina Telgemeier (Graphix)
Karen's Witch, by Katy Farina (Graphix)
The Crossover, by Kwame Alexander and Dawud Anyabwile (HMH Books for Young Readers)
And the kids chose...
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Favorite Nonfiction/Mythology Comic
The nominees were:
Great White Shark Adventure, by Fabien Cousteau, James O. Fraioli, and Joe St. Pierre (Margaret K. McElderry Books)
Science Comics: Cats: Nature and Nurture, by Andy Hirsch (First Second)
Science Comics: Wild Weather: Storms, Meteorology, and Climate, by MK Reed and Jonathan Hill (First Second)
Hephaistos: God of Fire, by George O'Connor (First Second)
Maker Comics: Bake Like a Pro! by Falynn Koch (First Second)
And the kids chose...
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Tales of Friendship
The nominees were:
Sanity & Tallula: Field Trip, by Molly Brooks (Little, Brown Books for Young Readers)
Meg, Jo, Beth, and Amy, by Rey Terciero and Bre Indigo (Little, Brown Books for Young Readers)
Stargazing, by Jen Wang (First Second)
Geeky Fab 5 Vol. 2: Mystery of the Missing Monarchs, by Liz Lareau, Lucy Lareau, and Ryan Jampole (Papercutz)
Phoebe and Her Unicorn: Unicorn Bowling, by Dana Simpson (Andrews McMeel Publishing)
And the kids chose...
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Congratulations to the winners! Be sure to cast your vote for your favorite comics of 2020 by checking back here in April of 2021!
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mostlysignssomeportents · 6 years ago
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The 2019 Locus Award nominees: your guide to the best sf/f of 2018
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Locus Magazine has published its annual Locus Award finalists, a shortlist of the best science fiction and fantasy of the past calendar year. I rely on this list to find the books I've overlooked (so. many. books.). This year's looks like a bumper crop.
Now that the finalists have been announced, Locus subscribers and others can cast their votes; the awards will be presented in Seattle during a weekend-long event that runs June 28-30, MC'ed by Connie Willis.
SCIENCE FICTION NOVEL
Record of a Spaceborn Few, Becky Chambers (Harper Voyager US; Hodder & Stoughton)
The Calculating Stars, Mary Robinette Kowal (Tor)
If Tomorrow Comes, Nancy Kress (Tor)
Revenant Gun, Yoon Ha Lee (Solaris US; Solaris UK)
Blackfish City, Sam J. Miller (Ecco; Orbit UK)
Embers of War, Gareth L. Powell (Titan US; Titan UK)
Elysium Fire, Alastair Reynolds (Gollancz; Orbit US)
Red Moon, Kim Stanley Robinson (Orbit US; Orbit UK)
Unholy Land, Lavie Tidhar (Tachyon)
Space Opera, Catherynne M. Valente (Saga)
FANTASY NOVEL
Lies Sleeping, Ben Aaronovitch (DAW; Gollancz)
Foundryside, Robert Jackson Bennett (Crown; Jo Fletcher)
The Monster Baru Cormorant, Seth Dickinson (Tor)
Deep Roots, Ruthanna Emrys (Tor.com Publishing)
Ahab’s Return, Jeffrey Ford (Morrow)
European Travel for the Monstrous Gentlewoman, Theodora Goss (Saga)
The Mere Wife, Maria Dahvana Headley (MCD)
The Wonder Engine, T. Kingfisher (Argyll Productions)
Spinning Silver, Naomi Novik (Del Rey; Macmillan)
Creatures of Want and Ruin, Molly Tanzer (John Joseph Adams)
HORROR NOVEL
In the Night Wood, Dale Bailey (John Joseph Adams)
Unlanguage, Michael Cisco (Eraserhead)
We Sold Our Souls, Grady Hendrix (Quirk)
Coyote Songs, Gabino Iglesias (Broken River)
The Hunger, Alma Katsu (Putnam; Bantam Press UK)
The Outsider, Stephen King (Scribner; Hodder & Stoughton)
The Listener, Robert McCammon (Cemetery Dance)
Cross Her Heart, Sarah Pinborough (HarperCollins UK/Morrow)
The Cabin at the End of the World, Paul Tremblay (Morrow; Titan UK)
Tide of Stone, Kaaron Warren (Omnium Gatherum)
YOUNG ADULT BOOK
The Gone Away Place, Christopher Barzak (Knopf)
The Cruel Prince, Holly Black (Little, Brown; Hot Key)
The Belles, Dhonielle Clayton (Freeform; Gollancz)
Tess of the Road, Rachel Hartman (Random House)
Dread Nation, Justina Ireland (Balzer + Bray)
Cross Fire, Fonda Lee (Scholastic)
The Agony House, Cherie Priest & Tara O’Connor (Levine)
Half-Witch, John Schoffstall (Big Mouth House)
Impostors, Scott Westerfeld (Scholastic US; Scholastic UK)
Mapping the Bones, Jane Yolen (Philomel)
FIRST NOVEL
Children of Blood and Bone, Tomi Adeyemi (Henry Holt; Macmillan)
Semiosis, Sue Burke (Tor)
Armed in Her Fashion, Kate Heartfield (ChiZine)
The Poppy War, R.F. Kuang (Harper Voyager US; Harper Voyager UK)
The Quantum Magician, Derek KÞnsken (Solaris US; Solaris UK)
Annex, Rich Larson (Orbit US)
Severance, Ling Ma (Farrar, Straus, Giroux)
Witchmark, C.L. Polk (Tor.com Publishing)
Trail of Lightning, Rebecca Roanhorse (Saga)
Empire of Sand, Tasha Suri (Orbit US; Orbit UK)
NOVELLA
The Black God’s Drums, P. DjÃĻlí Clark (Tor.com Publishing)
The Tea Master and the Detective, Aliette de Bodard (Subterranean)
“Umbernight“, Carolyn Ives Gilman (Clarkesworld 2/18)
Black Helicopters, Caitlín R. Kiernan (Tor.com Publishing)
Time Was, Ian McDonald (Tor.com Publishing)
Gods, Monsters, and the Lucky Peach, Kelly Robson (Tor.com Publishing)
The Freeze-Frame Revolution, Peter Watts (Tachyon)
Artificial Condition, Martha Wells (Tor.com Publishing)
Rogue Protocol, Martha Wells (Tor.com Publishing)
The Descent of Monsters, JY Yang (Tor.com Publishing)
NOVELETTE
“The Donner Party”, Dale Bailey (F&SF 1–2/18)
“Okay, Glory”, Elizabeth Bear (Twelve Tomorrows)
“No Flight Without the Shatter“, Brooke Bolander (Tor.com 8/15/18)
The Only Harmless Great Thing, Brooke Bolander (Tor.com Publishing)
“The Last Banquet of Temporal Confections“, Tina Connolly (Tor.com 7/11/18)
“An Agent of Utopia”, Andy Duncan (An Agent of Utopia)
“Queen Lily“, Theodora Goss (Lightspeed 11/18)
“Nine Last Days on Planet Earth“, Daryl Gregory (Tor.com 9/19/18)
“Quality Time”, Ken Liu (Robots vs Fairies)
“How to Swallow the Moon“, Isabel Yap (Uncanny 11–12/18)
SHORT STORY
“The Secret Lives of the Nine Negro Teeth of George Washington“, Phenderson DjÃĻlí Clark (Fireside 2/18)
“The Bookcase Expedition”, Jeffrey Ford (Robots vs Fairies)
“STET“, Sarah Gailey (Fireside 10/18)
“A Witch’s Guide to Escape: A Practical Compendium of Portal Fantasies“, Alix E. Harrow (Apex 2/6/18)
“Cuisine des MÃĐmoires”, N.K. Jemisin (How Long ’til Black Future Month?)
“The Storyteller’s Replacement”, N.K. Jemisin (How Long ’til Black Future Month?)
“Firelight“, Ursula K. Le Guin (Paris Review Summer ’18)
“The Starship and the Temple Cat“, Yoon Ha Lee (Beneath Ceaseless Skies 2/1/18)
“Mother of Invention“, Nnedi Okorafor (Future Tense)
“The Court Magician“, Sarah Pinsker (Lightspeed 1/18)
ANTHOLOGY
The Best Horror of the Year Volume Ten, Ellen Datlow, ed. (Night Shade)
The Book of Magic, Gardner Dozois, ed. (Bantam; Harper Voyager UK)
The Year’s Best Science Fiction: Thirty-fifth Annual Collection, Gardner Dozois, ed. (St. Martin’s Griffin)
Worlds Seen in Passing, Irene Gallo, ed. (Tor.com Publishing)
The Best American Science Fiction and Fantasy 2018, N.K. Jemisin & John Joseph Adams, eds. (Mariner)
Robots vs Fairies, Dominik Parisien & Navah Wolfe, eds. (Saga)
The Best Science Fiction & Fantasy of the Year, Volume Twelve, Jonathan Strahan, ed. (Solaris US; Solaris UK)
Infinity’s End, Jonathan Strahan, ed. (Solaris US; Solaris UK)
The Underwater Ballroom Society, Tiffany Trent & Stephanie Burgis, eds. (Five Fathoms)
The Future Is Female!, Lisa Yaszek, ed. (Library of America)
COLLECTION
The Tangled Lands, Paolo Bacigalupi & Tobias S. Buckell (Saga)
Brief Cases, Jim Butcher (Ace; Orbit UK)
An Agent of Utopia, Andy Duncan (Small Beer)
How Long ’til Black Future Month?, N.K. Jemisin (Orbit US; Orbit UK)
The Dinosaur Tourist, Caitlín R. Kiernan (Subterranean)
Fire & Blood, George R.R. Martin (Bantam; Harper Voyager UK)
All the Fabulous Beasts, Priya Sharma (Undertow)
The Future Is Blue, Catherynne M. Valente (Subterranean)
Starlings, Jo Walton (Tachyon)
How to Fracture a Fairy Tale, Jane Yolen (Tachyon)
MAGAZINE
Analog
Asimov’s
Beneath Ceaseless Skies
Clarkesworld
F&SF
Fireside
Lightspeed
Strange Horizons
Tor.com
Uncanny
PUBLISHER
Angry Robot
Baen
DAW
Gollancz
Orbit
Saga
Small Beer
Subterranean
Tachyon
Tor
EDITOR
John Joseph Adams
Neil Clarke
Ellen Datlow
Gardner Dozois
C.C. Finlay
Jonathan Strahan
Lynne M. Thomas & Michael Damian Thomas
Ann & Jeff VanderMeer
Sheila Williams
Navah Wolfe
ARTIST
Kinuko Y. Craft
Galen Dara
Julie Dillon
Leo & Diane Dillon
Bob Eggleton
Victo Ngai
John Picacio
Shaun Tan
Charles Vess
Michael Whelan
NON-FICTION
Space Odyssey: Stanley Kubrick, Arthur C. Clarke, and the Making of a Masterpiece, Michael Benson (Simon & Schuster)
Sense of Wonder: Short Fiction Reviews (2009-2017), Gardner Dozois (ReAnimus)
Strange Stars, Jason Heller (Melville House)
Dreams Must Explain Themselves: The Selected Non-Fiction of Ursula K. Le Guin, Ursula K. Le Guin (Gollancz)
Ursula K. Le Guin: Conversations on Writing, Ursula K. Le Guin & David Naimon (Tin House)
Old Futures: Speculative Fiction and Queer Possibility, Alexis Lothian (NYU Press)
Tolkien: Maker of Middle-earth, Catherine McIlwaine, ed. (Bodleian Library)
Astounding: John W. Campbell, Isaac Asimov, Robert A. Heinlein, L. Ron Hubbard, and the Golden Age of Science Fiction, Alec Nevala-Lee (Dey Street)
None of This Is Normal: The Fiction of Jeff VanderMeer, Benjamin J. Robertson (University of Minnesota Press)
An Informal History of the Hugos: A Personal Look Back at the Hugo Awards, 1953-2000, Jo Walton (Tor)
ART BOOK
Yoshitaka Amano, Yoshitaka Amano: The Illustrated Biography – Beyond the Fantasy, Florent Gorges (Les Éditions Pix’n Love 2015; Dark Horse)
Spectrum 25: The Best in Contemporary Fantastic Art, John Fleskes, ed. (Flesk)
John Howe, A Middle-earth Traveler: Sketches from Bag End to Mordor (Houghton Mifflin Harcourt; HarperCollins UK)
Jeffrey Alan Love, The Thousand Demon Tree (Flesk)
Simon StÃĨlenhag, The Electric State (Fria Ligan ’17; Skybound)
Shaun Tan, Cicada (Lothian; Levine ’19)
Charles Vess, The Books of Earthsea: The Complete Illustrated Edition, Ursula K. Le Guin (Saga)
Michael Whelan, Beyond Science Fiction: The Alternative Realism of Michael Whelan (Baby Tattoo)
Dungeons & Dragons Art and Arcana: A Visual History, Michael Witwer, Kyle Newman, Jon Peterson, & Sam Witwer (Ten Speed)
Lisbeth Zwerger, The Tales of Beedle the Bard, J.K. Rowling (Levine)
https://boingboing.net/2019/05/07/futures-of-the-past-year.html
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tachyonpub · 6 years ago
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Lavie Tidhar, Peter Watts, Jo Walton, Jane Yolen, and Tachyon itself are all Locus Award finalists
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The finalists for the 2018 Locus Awards were announced. Lavie Tidhar’s  UNHOLY LAND, Peter Watts’ THE FREEZE-FRAME REVOLUTION, Jo Walton’s STARLINGS (as well as An Informal History of the Hugos), Jane Yolen’s HOW TO FRACTURE A FAIRY TALE (as well as Mapping the Bones), and Tachyon Publications itself all received nominations. Many Tachyon authors, editors, and artists received notice including John Joseph Adams, Ellen Datlow, Daryl Gregory, Caitlín R. Kiernan, Nancy Kress, John Picacio, Alastair Reynolds, Ann & Jeff VanderMeer, Charles Vess, Michael Whelan, and Sheila Williams.
Congratulations to all the finalists.
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SCIENCE FICTION NOVEL
Record of a Spaceborn Few, Becky Chambers (Harper Voyager US; Hodder & Stoughton)
The Calculating Stars, Mary Robinette Kowal (Tor)
If Tomorrow Comes, Nancy Kress (Tor)
Revenant Gun, Yoon Ha Lee (Solaris US; Solaris UK)
Blackfish City, Sam J. Miller (Ecco; Orbit UK)
Embers of War, Gareth L. Powell (Titan US; Titan UK)
Elysium Fire, Alastair Reynolds (Gollancz; Orbit US)
Red Moon, Kim Stanley Robinson (Orbit US; Orbit UK)
UNHOLY LAND, Lavie Tidhar (Tachyon)
Space Opera, Catherynne M. Valente (Saga)
FANTASY NOVEL
Lies Sleeping, Ben Aaronovitch (DAW; Gollancz)
Foundryside, Robert Jackson Bennett (Crown; Jo Fletcher)
The Monster Baru Cormorant, Seth Dickinson (Tor)
Deep Roots, Ruthanna Emrys (Tor.com Publishing)
Ahab’s Return, Jeffrey Ford (Morrow)
European Travel for the Monstrous Gentlewoman, Theodora Goss (Saga)
The Mere Wife, Maria Dahvana Headley (MCD)
The Wonder Engine, T. Kingfisher (Argyll Productions)
Spinning Silver, Naomi Novik (Del Rey; Macmillan)
Creatures of Want and Ruin, Molly Tanzer (John Joseph Adams)
HORROR NOVEL
In the Night Wood, Dale Bailey (John Joseph Adams)
Unlanguage, Michael Cisco (Eraserhead)
We Sold Our Souls, Grady Hendrix (Quirk)
Coyote Songs, Gabino Iglesias (Broken River)
The Hunger, Alma Katsu (Putnam; Bantam Press UK)
The Outsider, Stephen King (Scribner; Hodder & Stoughton)
The Listener, Robert McCammon (Cemetery Dance)
Cross Her Heart, Sarah Pinborough (HarperCollins UK/Morrow)
The Cabin at the End of the World, Paul Tremblay (Morrow; Titan UK)
Tide of Stone, Kaaron Warren (Omnium Gatherum)
YOUNG ADULT BOOK
The Gone Away Place, Christopher Barzak (Knopf)
The Cruel Prince, Holly Black (Little, Brown; Hot Key)
The Belles, Dhonielle Clayton (Freeform; Gollancz)
Tess of the Road, Rachel Hartman (Random House)
Dread Nation, Justina Ireland (Balzer + Bray)
Cross Fire, Fonda Lee (Scholastic)
The Agony House, Cherie Priest & Tara O’Connor (Levine)
Half-Witch, John Schoffstall (Big Mouth House)
Impostors, Scott Westerfeld (Scholastic US; Scholastic UK)
Mapping the Bones, Jane Yolen (Philomel)
FIRST NOVEL
Children of Blood and Bone, Tomi Adeyemi (Henry Holt; Macmillan)
Semiosis, Sue Burke (Tor)
Armed in Her Fashion, Kate Heartfield (ChiZine)
The Poppy War, R.F. Kuang (Harper Voyager US; Harper Voyager UK)
The Quantum Magician, Derek KÞnsken (Solaris US; Solaris UK)
Annex, Rich Larson (Orbit US)
Severance, Ling Ma (Farrar, Straus, Giroux)
Witchmark, C.L. Polk (Tor.com Publishing)
Trail of Lightning, Rebecca Roanhorse (Saga)
Empire of Sand, Tasha Suri (Orbit US; Orbit UK)
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NOVELLA
The Black God’s Drums, P. DjÃĻlí Clark (Tor.com Publishing)
The Tea Master and the Detective, Aliette de Bodard (Subterranean)
“Umbernight“, Carolyn Ives Gilman (Clarkesworld 2/18)
Black Helicopters, Caitlín R. Kiernan (Tor.com Publishing)
Time Was, Ian McDonald (Tor.com Publishing)
Gods, Monsters, and the Lucky Peach, Kelly Robson (Tor.com Publishing)
THE FREEZE-FRAME REVOLUTION, Peter Watts (Tachyon)
Artificial Condition, Martha Wells (Tor.com Publishing)
Rogue Protocol, Martha Wells (Tor.com Publishing)
The Descent of Monsters, JY Yang (Tor.com Publishing)
NOVELETTE
“The Donner Party”, Dale Bailey (F&SF 1–2/18)
“Okay, Glory”, Elizabeth Bear (Twelve Tomorrows)
“No Flight Without the Shatter“, Brooke Bolander (Tor.com 8/15/18)
The Only Harmless Great Thing, Brooke Bolander (Tor.com Publishing)
“The Last Banquet of Temporal Confections“, Tina Connolly (Tor.com 7/11/18)
“An Agent of Utopia”, Andy Duncan (An Agent of Utopia)
“Queen Lily“, Theodora Goss (Lightspeed 11/18)
“Nine Last Days on Planet Earth“, Daryl Gregory (Tor.com 9/19/18)
“Quality Time”, Ken Liu (Robots vs Fairies)
“How to Swallow the Moon“, Isabel Yap (Uncanny 11–12/18)
SHORT STORY
“The Secret Lives of the Nine Negro Teeth of George Washington“, Phenderson DjÃĻlí Clark (Fireside 2/18)
“The Bookcase Expedition”, Jeffrey Ford (Robots vs Fairies)
“STET“, Sarah Gailey (Fireside 10/18)
“A Witch’s Guide to Escape: A Practical Compendium of Portal Fantasies“, Alix E. Harrow (Apex 2/6/18)
“Cuisine des MÃĐmoires”, N.K. Jemisin (How Long ’til Black Future Month?)
“The Storyteller’s Replacement”, N.K. Jemisin (How Long ’til Black Future Month?)
“Firelight“, Ursula K. Le Guin (Paris Review Summer ’18)
“The Starship and the Temple Cat“, Yoon Ha Lee (Beneath Ceaseless Skies 2/1/18)
“Mother of Invention“, Nnedi Okorafor (Future Tense)
“The Court Magician“, Sarah Pinsker (Lightspeed 1/18)
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ANTHOLOGY
The Best Horror of the Year Volume Ten, Ellen Datlow, ed. (Night Shade)
The Book of Magic, Gardner Dozois, ed. (Bantam; Harper Voyager UK)
The Year’s Best Science Fiction: Thirty-fifth Annual Collection, Gardner Dozois, ed. (St. Martin’s Griffin)
Worlds Seen in Passing, Irene Gallo, ed. (Tor.com Publishing)
The Best American Science Fiction and Fantasy 2018, N.K. Jemisin & John Joseph Adams, eds. (Mariner)
Robots vs Fairies, Dominik Parisien & Navah Wolfe, eds. (Saga)
The Best Science Fiction & Fantasy of the Year, Volume Twelve, Jonathan Strahan, ed. (Solaris US; Solaris UK)
Infinity’s End, Jonathan Strahan, ed. (Solaris US; Solaris UK)
The Underwater Ballroom Society, Tiffany Trent & Stephanie Burgis, eds. (Five Fathoms)
The Future Is Female!, Lisa Yaszek, ed. (Library of America)
COLLECTION
The Tangled Lands, Paolo Bacigalupi & Tobias S. Buckell (Saga)
Brief Cases, Jim Butcher (Ace; Orbit UK)
An Agent of Utopia, Andy Duncan (Small Beer)
How Long ’til Black Future Month?, N.K. Jemisin (Orbit US; Orbit UK)
The Dinosaur Tourist, Caitlín R. Kiernan (Subterranean)
Fire & Blood, George R.R. Martin (Bantam; Harper Voyager UK)
All the Fabulous Beasts, Priya Sharma (Undertow)
The Future Is Blue, Catherynne M. Valente (Subterranean)
STARLINGS, Jo Walton (Tachyon)
HOW TO FRACTURE A FAIRY TALE, Jane Yolen (Tachyon)
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MAGAZINE
Analog
Asimov’s
Beneath Ceaseless Skies
Clarkesworld
F&SF
Fireside
Lightspeed
Strange Horizons
Tor.com
Uncanny
PUBLISHER
Angry Robot
Baen
DAW
Gollancz
Orbit
Saga
Small Beer
Subterranean
Tachyon
Tor
EDITOR
John Joseph Adams
Neil Clarke
Ellen Datlow
Gardner Dozois
C.C. Finlay
Jonathan Strahan
Lynne M. Thomas & Michael Damian Thomas
Ann & Jeff VanderMeer
Sheila Williams
Navah Wolfe
ARTIST
Kinuko Y. Craft
Galen Dara
Julie Dillon
Leo & Diane Dillon
Bob Eggleton
Victo Ngai
John Picacio
Shaun Tan
Charles Vess
Michael Whelan
NON-FICTION
Space Odyssey: Stanley Kubrick, Arthur C. Clarke, and the Making of a Masterpiece, Michael Benson (Simon & Schuster)
Sense of Wonder: Short Fiction Reviews (2009-2017), Gardner Dozois (ReAnimus)
Strange Stars, Jason Heller (Melville House)
Dreams Must Explain Themselves: The Selected Non-Fiction of Ursula K. Le Guin, Ursula K. Le Guin (Gollancz)
Ursula K. Le Guin: Conversations on Writing, Ursula K. Le Guin & David Naimon (Tin House)
Old Futures: Speculative Fiction and Queer Possibility, Alexis Lothian (NYU Press)
Tolkien: Maker of Middle-earth, Catherine McIlwaine, ed. (Bodleian Library)
Astounding: John W. Campbell, Isaac Asimov, Robert A. Heinlein, L. Ron Hubbard, and the Golden Age of Science Fiction, Alec Nevala-Lee (Dey Street)
None of This Is Normal: The Fiction of Jeff VanderMeer, Benjamin J. Robertson (University of Minnesota Press)
An Informal History of the Hugos: A Personal Look Back at the Hugo Awards, 1953-2000, Jo Walton (Tor)
ART BOOK
Yoshitaka Amano, Yoshitaka Amano: The Illustrated Biography – Beyond the Fantasy, Florent Gorges (Les Éditions Pix’n Love 2015; Dark Horse)
Spectrum 25: The Best in Contemporary Fantastic Art, John Fleskes, ed. (Flesk)
John Howe, A Middle-earth Traveler: Sketches from Bag End to Mordor (Houghton Mifflin Harcourt; HarperCollins UK)
Jeffrey Alan Love, The Thousand Demon Tree (Flesk)
Simon StÃĨlenhag, The Electric State (Fria Ligan ’17; Skybound)
Shaun Tan, Cicada (Lothian; Levine ’19)
Charles Vess, The Books of Earthsea: The Complete Illustrated Edition, Ursula K. Le Guin (Saga)
Michael Whelan, Beyond Science Fiction: The Alternative Realism of Michael Whelan (Baby Tattoo)
Dungeons & Dragons Art and Arcana: A Visual History, Michael Witwer, Kyle Newman, Jon Peterson, & Sam Witwer (Ten Speed)
Lisbeth Zwerger, The Tales of Beedle the Bard, J.K. Rowling (Levine)
For more info on UNHOLY LAND, visit the Tachyon page.
Cover by Sarah Anne Langton
For more info on THE FREEZE-FRAME REVOLUTION, visit the Tachyon page.
Cover by Elizabeth Story
For more info on STARLINGS, visit the Tachyon page.
Cover design by Elizabeth Story
For more info on HOW TO FRACTURE A FAIRY TALE, visit the Tachyon page.
Cover design by Elizabeth Story
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pagefifth · 6 years ago
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shut up and drive
VOCÊ CONSEGUE OUVIR O CANTO DOS PÁSSAROS? AH, NÃO, SÃO SIRENES! 
Eu sei que vocÊs se apegaram a premissa de que a noite ÃĐ uma criança, eleitos, mas a maior parte de vocÊs tambÃĐm sÃĢo... e muito barulhenta diga-se de passagem. 
Amarrem suas pantufas e liguem para seus motoristas, porque eu soube que alguÃĐm chamou a policia e denunciou o prÃĐdio onde vocÊs estÃĢo por pertubaçÃĢo de paz e sossego alheio e logo logo a DP estarÃĄ ai.
E se vocÊ estÃĄ se perguntando se minha fonte ÃĐ confiÃĄvel, nÃĢo se engane: eu mesma liguei para eles. 
FLAGRA
O bons samaritanos Noah Romanov e Veronica Murdoch vistos escapando da festa antes que o devaneio se tornasse um total show de horrores. Mas adivinhem? Sem Brooke! Essa ai foi vista de conversa bem fervorosa com Peter em um canto isolado. Escondam tudo o que for quebrÃĄvel e tiver pontas, crianças, ainda nÃĢo estamos certos do que pode sair desse reencontro.
Tobias Balzer compreende que nÃĢo ÃĐ permitido coraçÃĩes partidos na balada... pelo menos nÃĢo o dele. Cuidado, Marjory. Se vocÊ cair por ele, pode ser pisoteada no meio da pista de dança. 
Bellamy e Anya sem pudor nem controle. 
Toda a faísca vista em pÚblico se tornou fogo puro num corredor, e juram ter visto muito mais do que deveria da Barbie Harvert durante a erupçÃĢo. Nos dÊ um pouco desse cinquenta tons de subÚrbio e com sorte os convidados VIPs com distintivo chegam e levam vocÊs dois por atentado ao pudor. 
Tic-tac, tic-tac
O relÃģgio estÃĄ correndo, assim como os carros do departamento de policia. 
Eu prometo ao eleito que for pego que divulgarei uma boa foto sua, junto a sua ficha criminal.   — G. G. 
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reviews-by-shelby · 2 years ago
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Amari and the Night Brothers by B.B. Alston
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              A world filled with magic is unraveled in Amari and the Night Brothers by B.B. Alston, one of the picks for the 2022-2023 Bluebonnet Awards. The story follows twelve-year-old Amari Peters, a young girl who is actively searching for her older brother who disappeared under mysterious circumstances. When she receives an invitation to interview for a spot at the prestigious summer camp her brother attended every year, she jumps at the chance to hopefully find out more information about what happened to Quinton. But as Amari dives into a magical world that her brother was involved in, and that she didn’t even know existed, she finds out that things are not always what they seem. It’s up to Amari to help bring down an evil force that is putting the magical world in danger, all while trying to desperately to bring her Quinton back safely.
              I chose this book because I love fantasy and I’ve heard great things about it. I’ve also been wanting to read more books with characters from different backgrounds than my own, and this book is a great candidate for that. I thought this book offers great representation for the Black community and Amari proves to be a character that young Black girls can look up to or relate to.
              One of my favorite things about this book was the pacing. There was a lot going on, but in a good way. It didn’t drag and I never felt bored while listening to the audiobook. The story was fast paced, which I think is perfect for kids since their attention spans are not as long as adults. Magical elements were constantly being introduced, which helped move the plot along.
              I also loved the characters in the story. So many different personalities were introduced, like the smart and critical thinking Elsie, the mean and popular Lara, and the brave and headstrong Amari. The characters balanced each other out and their differences was a nice touch to the plot. I don’t like it when characters are hard to tell apart or blend together, but that wasn’t the case here. Each character brought something different to the table and really helped Amari on her quest to save the secret magic world.
              Finally, the point of view really made this book for me. These days representation is very important, and that’s exactly what B.B. Alston did when he wrote this novel. Amari Peters brings a breath of fresh air to the middle grade fantasy genre. I think I can count on one hand the number of popular series I know of that include a Black child as the main character. There are many moments where Amari shares the struggles she’s grown up with, like living in the projects or having close friends that have chosen to go down the wrong path by joining gangs. This type of perspective is usually never shared in the fantasy genre. Some may argue that it’s not necessary, but I think it is if we want children who come from this background to see themselves in the books they read.
              I thought this book was amazing and cannot wait to read the second in the series. The plot is filled with action, magical elements, humor, and drama. As a fourth grade reading teacher, I feel compelled to recommend this book to all my students as I think it’s perfect for their age group. I give this book five out of five stars.
Alston, B. B. (2022, January 4). Amari and the Night Brothers (Supernatural Investigations, 1). Balzer + Bray.
0 notes
winningthesweepstakes · 3 years ago
Text
Pax Journey Home by Sara Pennypacker, illustrated by Jon Klassen
Pax Journey Home by Sara Pennypacker, illustrated by Jon Klassen
Pax Journey Home by Sara Pennypacker, illustrated by Jon Klassen. Balzer + Bray, 2021. 9780062930347  Rating: 1-5 (5 is an excellent or a Starred review) 5 Format: Hardcover Genre:  Realistic What did you like about the book? This tale begins a year after Pax and Peter part ways. Although not necessary due to the author’s recap, reading the first novel would be advised.  Pax and his mate haveâ€Ķ
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richincolor · 7 years ago
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New Releases this week!
We found four books being released this week. They include a fairy tale, a thriller, a sci-fi mystery, and a book featuring characters with a love of poetry. It's quite a mix of genres.
Between the Lines by Nikki Grimes Nancy Paulsen Books
Darrian dreams of writing for the New York Times. To hone his skills and learn more about the power of words, he enrolls in Mr. Ward’s class, known for its open-mic poetry readings and boys vs. girls poetry slam. Everyone in class has something important to say, and in sharing their poetry, they learn that they all face challenges and have a story to tell–whether it’s about health problems, aging out of foster care, being bullied for religious beliefs, or having to take on too much responsibility because of an addicted parent. As Darrian and his classmates get to know one another through poetry, they bond over the shared experiences and truth that emerge from their writing, despite their private struggles and outward differences.
The Prince and the Dressmaker by Jen Wang First Second
Paris, at the dawn of the modern age:
Prince Sebastian is looking for a bride―or rather, his parents are looking for one for him. Sebastian is too busy hiding his secret life from everyone. At night he puts on daring dresses and takes Paris by storm as the fabulous Lady Crystallia―the hottest fashion icon in the world capital of fashion!
Sebastian’s secret weapon (and best friend) is the brilliant dressmaker Frances―one of only two people who know the truth: sometimes this boy wears dresses. But Frances dreams of greatness, and being someone’s secret weapon means being a secret. Forever. How long can Frances defer her dreams to protect a friend? Jen Wang weaves an exuberantly romantic tale of identity, young love, art, and family. A fairy tale for any age, The Prince and the Dressmaker will steal your heart.
#Prettyboy Must Die by Kimberly Reid Tor Teen
A CIA prodigy’s cover is blown when he accidentally becomes an internet sensation in #Prettyboy Must Die, inspired by the #Alexfromtarget story.
When Peter Smith’s classmate snaps a picture of him during a late night run at the track, Peter thinks he might be in trouble. When she posts that photo–along with the caption, “See the Pretty Boy Run,”–Peter knows he’s in trouble. But when hostiles drop through the ceiling of his 6th period Chem Class, Peter’s pretty sure his trouble just became a national emergency.
Because he’s not really Peter Smith. He’s Jake Morrow, former foster-kid turned CIA operative. After a massive screw-up on his first mission, he’s on a pity assignment, a dozen hit lists and now, social media, apparently. As #Prettboy, of all freaking things.
His cover’s blown, his school’s under siege, and if he screws up now, #Prettyboy will become #Deadboy faster than you can say, ‘fifteen minutes of fame.’ Trapped in a high school with rabid killers and rabid fans, he’ll need all his training and then some to save his job, his school and, oh yeah, his life.
Active Memory (Mirador #3) by Dan Wells Balzer + Bray
From Dan Wells, author of the New York Times bestselling Partials Sequence and the John Cleaver series, comes the third and final book in the dark, pulse-pounding, sci-fi neo-noir series that began with the acclaimed novel Bluescreen.
For all the mysteries teen hacker Marisa Carneseca has solved, there has been one that has always eluded her: the truth behind the car accident in which she lost her arm and a mob boss’ wife, Zenaida de Maldonado, lost her life. Even in a world where technology exists to connect everyone’s mind to one another, it would seem that some secrets can still remain hidden.
Those secrets rise violently to the surface, however, when Zenaida de Maldonado’s freshly severed hand shows up at the scene of a gangland shooting. If Zenaida is—or was—still alive, it means there’s even more about Marisa’s past that she doesn’t know. And when she and her friends start digging, they uncover a conspiracy that runs from the slums of Los Angeles to the very top of the world’s most powerful genetic engineering firm. If Mari wants the truth, she’s going to have to go through genetically enhanced agents, irritatingly attractive mob scions, and some bad relationships to get it.
Dan Wells’s widely acclaimed series continues with his most shocking, pulse-pounding, and visionary story yet.
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techcrunchappcom · 4 years ago
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New Post has been published on https://techcrunchapp.com/arizona-cardinals-2020-position-breakdowns-defensive-line/
Arizona Cardinals 2020 Position Breakdowns: Defensive Line
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The Arizona Cardinals supplied depth along their defensive line at the onset of the 2020 season by drafting two rookies, Leki Fotu and Rashard Lawrence, in the fourth round of April’s draft, while also adding pieces in free agency. Still, the position saw a constant rotation under coach Brentson Buckner.
Marquee free-agent acquisition Jordan Phillips experienced sporadic success in his first season in the desert while dealing with several injuries, veteran nose tackle Corey Peters was lost for the season with a knee injury in Week 10 and the position group saw an influx of new players and elevations from the practice squad by year’s end.
Strengths
Two bright spots were the play of second-year defensive tackle Zach Allen and first-year Cardinal Angelo Blackson, who led the position group in tackles with 35 and 24, respectively.
The interior of the defensive line, while not flashy statistically, was physically imposing and took attention away from some of the team’s outside pass rushers when Peters and Phillips were healthy and active. In their absence, the team signed veteran Domata Peko Sr., who filled the role respectively well and finished the year third among defensive linemen in tackles with 16.
As a position group, the defensive line accumulated 12.5 sacks, which was equal to that of outside linebacker Haason Reddick. In defensive coordinator Vance Joseph’s 3-4 scheme, defensive linemen are not relied on to rush as much as in other systems.
Weaknesses
The Cardinals defensive line had consistent trouble generating pressure and clogging passing lanes of opposing quarterbacks.
There were no eye-popping statistical performances from the defensive line this year and marquee players such as Phillips, Peters and others were not available for the entirety of the season.
Fotu and Phillips flashed at times, but still were green and had rookie moments in their first season in the NFL.
Key facts and figures
○ Allen led the unit in tackles with 35, followed by Blackson with 24 and Peko Sr. with 16
○ Blackson had the most sacks of the group with 2.5
○ Phillips was second on the entire team in forced fumbles with two and no other defensive lineman had stats in the category
○ The Cardinals allowed 6.6 receiving yards per attempt against running backs
○ Arizona was No. 21 in the NFL in rushing defense, allowing 125.5 yards per game
Standouts
DT/NT Angelo Blackson: After being released by the Houston Texans, the Cardinals pounced on signing Blackson to a one-year contract in September. He was productive and flashed more than others in the position group on a consistent basis, leading the team in sacks (2.5) and second in tackles (24). Blackson started as a defensive tackle in Joseph’s 3-4 scheme, but converted to nose tackle later in the year after Peters was lost to injury.
DT Zach Allen: In his second year with the franchise, Allen made strides while also dealing with inconsistent availability due to injury. While he led the position group in tackles with 35, he missed three games due to lingering issues. Still, he managed to add two sacks to his resume during the season and showed glimpses of why he garnered third-round NFL Draft designation. 
Upcoming key free agents
â€Ē Corey Peters (UFA)
â€Ē Domata Peko Sr. (UFA)
â€Ē Angelo Blackson (UFA)
Blackson and Peko Sr. were mid-year signees on one-year deals to stopgap a shortage in depth. In turn, they were the team’s second- and third-leading tacklers among defensive linemen. Does that warrant new contracts? It is a question that general manager Steve Keim and Co. need to consider.
The team took two defensive linemen in the 2020 draft and could target the position again, especially if the team decides not to bring back Peters, who was a captain last season and commanded a hefty salary. Injury concerns with this being his second major knee issue could lead to uncertainty regarding his future in Arizona.
Otherwise, the Cardinals return everyone at the position that they choose not to release, including some options who ended the year on the practice squad and have since been signed to reserve/future contracts.
While depth does not appear to be a major issue, the talent disparity could be a concern.
Defensive linemen grades
Howard Balzer: C
Mason Kern: C-
Alex Weiner: C+
Past positional breakdowns:
Special teams
Secondary
Linebacker
Relevant articles:
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stephaniejoanneus · 4 years ago
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Amari and the Night Brothers by B.B. Alston
Amari and the Night Brothers by B.B. Alston
Amari and the Night Brothers by B.B. Alston. Balzer & Bray, 9780062975164, 2021  Rating: 1-5 (5 is an excellent or a Starred review) 4 Format: ARC Genre: Fantasy/adventure What did you like about the book?  When the story opens, our hero 12-year-old Amari Peters has just been kicked out of Jefferson Academy for giving mean White girl Emily a little shove. Amari never felt accepted thereâ€Ķ
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derlift · 5 years ago
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Blick ins Atelier von Chris Hunter in Buenos Aires
Virtuell besuchen wir Kunstschaffende, die mit dem Museum verbunden sind, in ihren Ateliers. Wir mÃķchten ihre Arbeit sichtbar machen, wÃĪhrend die Museen und Galerien wegen der Corona-Pandemie geschlossen sind. Es interessiert uns, woran sie gerade arbeiten und wie sie mit der Krise umgehen.
Wir haben sie gebeten, uns 10 Fragen zu beantworten und uns mit ein paar Bildern Einblick in ihre aktuelle Situation zu geben:
Chris Hunter schreibt:
1 KMO: Wie geht es Dir heute?
CH: Ich bin noch ungeduscht aber eigentlich ganz gut, da ich gestern einen unerwartet produktiven Tag hatte und ich mich freue heute daran weiter zu arbeiten. 2 Wie ist Deine Situation in der Corona-Krise? Ich bin in einem Atelierstipendium der Schweizerischen StÃĪdtekonferenz in Buenos Aires. Wir sind hier drei Schweizer KÞnstler*innen in einem schÃķnen grossen Haus mit 9 Balkonen und einer Dachterrasse. Meine Kolleginnen hier sind Martina Baldinger und Elise Perrin. Anstatt die Stadt und das Land erkunden zu kÃķnnen, sind auch wir, mehr als erwartet auf uns selbst zurÞckgeworfen. 3 Wie sieht Dein Arbeitsort aus? Jetzt sitze ich gerade in der WaschkÞche. Unsere WaschkÞche ist in einem kleinen Raum auf dem Dach. Es gefÃĪllt mir hier, weil es hell und warm ist. Da die Umgebung hier oben nicht ein klassisches Atelier ist, fÃĪllt es mir irgendwie leichter zu arbeiten. An eine WaschkÞche werden weniger kreative AnsprÞche gestellt als an ein Atelier. Und von hier aus sehe ich auch die Lastwagen auf der Autobahn am Horizont – das gibt mir das GefÞhl, dass nicht alles stillsteht. 4 Woran arbeitest Du? Wie so oft an verschiedenen Dingen. Aquarelle von inneren Bildern, die ich in der Stadt aufgesammelt habe. Die Fenstergitter in unserer Nachbarschaft von La Boca haben es mir angetan. Ich frage mich oft, wer diese gestaltet hat. Gab es dazu Skizzen, bestehen sie auch aus ReststÞcken von Metall, wie viel gestalterische Freiheit hatte der Schlosser um die FensterÃķffnung genÞgend mit StÃĪben und SchnÃķrkeln auszufÞllen, damit niemand durch das Fenster einsteigen kann. In der QuarantÃĪne wechseln die Gitter vom Schutz eher zum GefÃĪngnis. Mit Filzstift fÞlle ich auch das Papier mit Rastern und Ornamenten so aus, dass kein Durchkommen mehr ist. Gestern an meinem unverhofft produktiven Tag habe ich mit einem Video begonnen, in dem ich die unterschiedlichsten Kombinationen meiner mitgebrachten Kleider anprobiere und zudem mit MÃķbeln interagiere. Momentan arbeite ich einfach mit dem, was mich umgibt, und das gefÃĪllt mir sowieso. Das mit den Kleidern wollte ich schon lange machen, aber ich brauchte gestern einen Tritt in den A**** von meinem Partner Lorenz, der nicht mit mir hier in Argentinien ist. Wir haben uns gestern gegenseitig Hausaufgaben gegeben. Ich musste mit dem Video beginnen und er muss ein Gedicht auswendig lernen. 5 Hast Du momentan mehr Arbeit oder weniger Arbeit? Ich wÞrde sagen gleich viel Arbeit wie immer aber mehr Zeit dafÞr. Ich gebe mir ja meist meine Arbeit selbst, daher steigt der Druck, wenn man mehr Zeit hat. Ich denke, das muss jetzt produktiv genutzt werden. Dieser Druck ist nicht immer hilfreich. Zwischendrin muss ich auch die Zeit aushalten, in der ich das GefÞhl habe, ich mache nichts. Denn es stimmt nicht, dass man nichts macht. Dann lade ich mich auf mit EindrÞcken und Gedanken und Bildern. Jetzt dÞrfen sie raus – jetzt muss ich dranbleiben. 6 Was sind die drei besten (positivsten) Dinge, die Du seit Beginn der Corona-Krise beobachten konntest? Ich hÃķre jetzt auch mitten in der Stadt nachts die Grillen zirpen.Ich telefoniere mehr mit meiner Mutter.Und die Kunst spielt eine wichtigere Rolle als zuvor oder sie hat sich fÞr mich persÃķnlich als notwendig erwiesen. 7 Was beschÃĪftigt / beunruhigt Dich am meisten? Die Ungewissheit, wie tiefgreifend die VerÃĪnderungen fÞr die Zukunft sein werden und ob wir es schaffen die MÃķglichkeit zu positiven VerÃĪnderungen zu ergreifen. Das hoffe ich sehr. 8 Was ist in der Corona-Krise Dein/e a) persÃķnliche Challenge eine Idee bis zu einer fertigen Arbeit zu verfolgen b) Dein neues Ding Rituale haben, um sie auch zu durchbrechen c) Deine BewÃĪltigungsstrategie dranbleiben und zwischendurch in Science Fiction denken 9 Hast Du (als Spezialist*in) Tipps fÞrs zurÞckgezogene Arbeiten in den eigenen vier WÃĪnden? Nimm deine Ideen ernst und finde einen Weg dich darÞber auszutauschen 10 Was mÃķchtest du mit unserem Publikum teilen? Ich denke, ich habe schon viel geteilt und mÃķchte nicht, dass es in eine Predigt kippt. Daher stelle ich lieber eine Aufgabe: Schauen Sie aus dem Fenster und stellen Sie sich vor wie ihre Strasse vor 50 Jahren ausgesehen hat und wie sie 2070 aussehen wird. Chris Hunter, 20.4.2002 Chris Hunter (*1983) ist in Flims und Chur aufgewachsen. Seit 2011 lebt er in Basel, wo er 2019 den Master of Arts in Fine Arts an der Hochschule der KÞnste erlangt hat. Er arbeitet meist parallel an mehreren Werkgruppen und in verschiedenen Medien. Neben der Auseinandersetzung mit ÂŦpatiniertenÂŧ Ready Mades, Assemblagen und installativen Serien beschÃĪftigt er sich mit Zeichnung und Malerei und ist als Performer (u.a. auch in Kooperation mit Alexandra Meyer oder Les Reines Prochaines) und Kurator (u.a. im Basler Kollektiv Dr. Kuckucks Labrador) tÃĪtig. Zudem ist er seit Jahren als Assistent des KÞnstlers, Ausstellungs- und Theatermachers Hans Peter Litscher tÃĪtig, realisiert BÞhnenbilder und Ausstattungen fÞr das Junge Theater GraubÞnden und engagiert sich in zahlreichen kollaborativen (Kunst-)Projekten. 2017 hat er seine erste Kunst am Bau Arbeit in der Kantonsschule GraubÞnden realisiert. FÞr sein Schaffen wurde er mehrfach mit Preisen ausgezeichnet, zuletzt 2017 mit dem FÃķrderpreis des Kantons GraubÞnden und dem Somedia-Kunstpreis. Atelierstipendien haben ihn nach Paris und Nairs – und aktuell nach Buenos Aires – gefÞhrt. Mit dem Kunstmuseum Olten ist er vielfÃĪltige Weise verbunden: Er ist bei uns als Kunstvermittler tÃĪtig sowie als Mitglied im Umbauteam fÞr die Ausstellungen. 2019 bespielte er den Dienstraum, unsere Dependance im Bahnhof Olten, mit der Installation AMORE ROMA.   Mehr Þber Chris Hunter erfahren:
Website : www.chrishunter.ch
Instagram : www.instagram.com/chrishunter007
ÂŦGruss aus Buenos AiresÂŧ, Beitrag in der BZ vom 1.4.2020 von Mathias Balzer
ÂŦMit ungewohntem Blick auf die WeltÂŧ, Beitrag im Stadtanzeiger Olten vom 4.12.2019 von Mirjam Wetzstein
VerÃķffentlicht am 29.4.2020
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