#Pete Best

[ilovechickenstrip]

I need to watch this 😫😫

John and Paul moments in Midas Man part 1

[darkroomalleycat]

Pictures of the Beatles in 1962 at the Hamburg airport waiting to go home to Liverpool

[deitripper]

Hiii it's been a while 🗣️🗣️🗣️ serving u a smiley john🧔☝️

need to change my phone bc i feel the camera is slowly turning into crappp 🥹🥹🥹 i'll try to get a scanner soon just to post decent quality illustrations

U can find me on instagram @_deitripper is my username!

[ludmilachaibemachado]

December 8, 1961, The Cavern Club, lunchtime performance with British singer, the other Davy Jones🎸🥁🎸

Via Beatlemania FB🎸

[tavolgisvist]

Paul and drums

Our kid was first in a group with John called Quarrymen, and apparently, I’d forgotten the set of drums fell off the back of a lorry, as we say in Liverpool, and landed up in our house. So I was learning drums, and one of the Quarrymen came back and said, ‘I remember you’re coming down the house, and it was great when you played drums for us.’ I said, ‘Did I?’ I’d totally forgotten. But then I realized why I forgot. It’s because I broke my arm in a scout camp, and this hand dropped. It was dead, paralyzed. So it took several years to get it back, and at that time, those drums that I was learning on, first of all, my brother, no wonder the drums on the band on the road are good. That’s where he learned it from my drums. But I couldn’t play anything then. So I’d forgotten that I was even the drummer, and Ringo got the job.

(Mike McCartney)

Mersey Beat Founder and Editor, Bill Harry wrote a guest column for Beatle Fan Magazine in 2019. He stated “For their August 7, 1961 gig, the Litherland Town Hall classified advertisement in the Liverpool Echo carried the message: ‘Hear Pete Best Sing Tonight.’ Best had been talked into performing the song “Pinwheel Twist,” which Paul had written for him to sing. Pete recalled in a conversation with Spencer Leigh: ‘Paul wrote the song and asked me to do it. He coupled it with Joey Dee’s hit “The Peppermint Twist.’ I used to get up and do the twist onstage and Paul played my drums. It was a little novelty act and it went down well with the fans. When The Beatles performed it, Paul took over on drums, George played Paul’s left-handed bass right-handed and Pete sang.”

(Source)

I used to get on Pete’s case a bit. He’d often stay out all night. He got to know a stripper and they were boyfriend and girlfriend. She didn’t finish work until four in the morning, so he’d stay up with her and roll back at about ten in the morning and be going to bed when we were starting work…

(Paul McCartney, Anthology, 2001)

Q: When did you first play drums? A: My first recollection is in Hamburg. You’d get behind the kit to try and show the drummer what you wanted. That gradually grew to messing around on other people’s kits, which were lying around because there were a lot of groups playing in the places we played. You picked up the simplest beats very naturally. I remember one evening when Tony Sheridan’s drummer didn’t show up, so Tony said, “Come on, man, sit in!” I said, “No way! I can’t do this.” And he said, “Yeah, you can.” So I did it and then I was thinking, “Well! I’ve actually done a professional drumming gig!” Later, with The Beatles, there was a period where John, George, and I operated as a trio and picked up little bits of work. I remember playing in an illegal club in somebody’s basement on Upper Parliament Street in Liverpool’s Caribbean Quarter. One day this guy called Lord Woodbine, who ran the club, asked if we’d come in and accompany this stripper called Janine. We said, “Wow! Yeah, man! There’s a job.” He even paid us money. Q: It sounds like you would have paid him for that gig. A: Exactly [laughs]. So she came in and said, “Okay, I need you to play Ravel’s Bolero.” We said, “Oh, gee. Sorry, luv. We don’t read music. But we’ve got ’Raunchy.’ That might do.” I had somebody’s old drum kit, and I sat there with a broomstick between my legs, with a microphone tied to it so I could do a bit of vocals and drum at the same time. It was hilarious.

(Paul McCartney, interview with Robert L. Doerschuk for Drum!Magazine, 2005)

Q: When Ringo joined the band, that must have interrupted your emerging career on drums. A: Yeah, I was completely redundant. We loved Ringo so much. He was our favorite drummer in Liverpool, and when he joined the band, it was an explosion: Every song sounded new and fresh. He could pass what we felt was the true test for drummers, which was to be able to play “What’d I Say” — the cymbal work and the toms.

(Paul McCartney, interview with Robert L. Doerschuk for Drum!Magazine, 2005)

We did do a few little bits and pieces together before we all went our separate ways. John and I and Yoko did ‘The Ballad of John and Yoko’. He enlisted me for that because he knew it was a great way to make a record. ‘We’ll go round to Abbey Road Studios. Who lives near there? Paul. Who’s going to drum on this record? Paul. Who can play bass? Paul. And who’ll do it if I ask him nicely? Paul.’ He wasn’t at all sheepish about asking. He probably said something like, ‘Oh, I’ve got this song I want to record. Would you come round?’ And I probably said, ‘Yeah, why not?’

(Paul McCartney, The Lyrics, 2021, about Dear Friend)

Steve Miller happened to be there recording, late at night, and he just breezed in. ‘Hey, what’s happening, man? Can I use the studio?’ ‘Yeah!’ I said. ‘Can I drum for you? I just had a fucking unholy argument with the guys there.’ I explained it to him, took ten minutes to get it off my chest. So I did a track, he and I stayed that night and did a track of his called My Dark Hour. I thrashed everything out on the drums. There’s a surfeit of aggressive drum fills, that’s all I can say about that. We stayed up until late. I played bass, guitar and drums and sang backing vocals. It’s actually a pretty good track. It was a very strange time in my life and I swear I got my first grey hairs that month. I saw them appearing. I looked in the mirror, I thought, I can see you. You’re all coming now. Welcome.

(Paul McCartney in Many Years From Now by Barry Miles, 1997)

I really had to ask myself, “Do I want to give up music, or keep going?” I got a four-track Studer recording machine, like the Beatles used for Sgt. Pepper, put it in the corner of the living-room at my house in London and tried a very simple technique of just plugging directly into the back, not going through a mixing desk. It’s a cool way to record because it’s pure. If, say, I was doing a drum track, I’d play the drums, record it with one microphone, listen to it back, move the mike a little if there wasn’t enough hi-hat or cymbal, and then re-record. Then I’d add bass by plugging the mike into track two and overdubbing while listening to track one through headphones. I’d do that with all with four tracks. It was very hands-on, primitive way of working. <…> It was funky, and still sounds good to me.

(Paul McCartney, “Wingspan” documentary, 2001)

We did not see Ringo until the next night when he arrived at the session. He walked in and went straight to his drums…fiddled with them, then fiddled with them some more. “Somebody did something to my snare drum,” he said irritably. “Paul was here last night. He played them,” explained John. “He’s always fucking around with me things!” It sounded as though Ringo were back in Liverpool and all of them were still teenagers and nothing in their lives had changed. I realized then, that no matter what might happen among them, this was the way they would always relate to each other.

(May Pang, Loving John, 1983)

(Krla Beat, pic by lisamarie-vee)

So, I got into my studio in Scotland and started working, doing the drum track. I normally start with the drums. I sometimes use drum machines, but I like to redo it with real drums. I enjoy drumming. Then I put some bass on it. I was just doing an experimental thing. I was messing around and experimenting. Slowing down tapes, or speeding them up.

(Paul McCartney, The Lyrics, 2021, about Coming Up)

Paul and I were in England, having dinner together [along with our wives]. I told him I was making an EP, and I said, “Why don’t you write me a song?” He wrote the song [Feeling the Sunlight] and put bass on it, he put piano, he put the drums on — and I had to take the drums off. [Laughs.]

(Ringo Starr, interview with Rob Tannenbaum for AARP, Nov 2023)

George was the first one to make a solo album [Wonderwall Music], and I was the drummer. John started the Plastic Ono Band, and I was the drummer. Paul likes to play drums himself, or I would’ve been on his albums too.

(Ringo Starr, interview with Rob Tannenbaum for AARP, Nov 2023)

Q: As strong as you are on bass, keyboards, guitar, and as a singer and writer, is it frustrating to play your drum parts at a more limited level? A: That never intimidates me, though it probably should. I just have so much enthusiasm when I do things that I don’t even consider it. I’m lucky, because some people would wrack themselves with doubt, but when I came to this project I was like, “Man, let’s just have a bit of fun!” It didn’t occur to me that I was some idiot jumping on the kit. I know that a lot of drummers can play rings around me, but as long as I keep it simple and don’t get too flash, I can play with a steady, swampy feel, and that’ll do the job.

(Paul McCartney, interview with Robert L. Doerschuk for Drum!Magazine, 2005)

@i-am-the-oyster, I hope you will enjoy :)

+ this

[thedinosaurprince]

When someone asks why I like Octopus's Garden

[harrisonsbabygirl]

[harrisonarchive]

This rare photograph was discovered on a negative given to the owner of “The Beatles Shop” on Mathew Street in Liverpool: The Beatles (with Pete Best) and some fans, before or after a gig, presumably on July 13, 1961, at St. John's Hall in Tuebrook, Liverpool. This was their first hometown concert after having returned from playing Hamburg's Top Ten Club.

“Before Hamburg, we didn’t have a clue. We’d never really done any gigs. We’d played at a few parties, but we’d never had a drummer longer than one night at a time. So we were very ropy, just young kids. When we arrived in Hamburg, we started playing eight hours a day - like a full workday. We did that for a total of 11 or 12 months, on and off over a two year period. It was pretty intense. At first we played the music of our heroes - Little Richard, Fats Domino, Chuck Berry, Buddy Holly, the Everly Brothers, Ray Charles, Carl Perkins - anything we’d ever liked. But we still needed more to fill those eight hour sets. Eventually, we had to stretch and play a lot of stuff that we didn’t know particularly well. Suddenly, we were even playing movie themes, like ‘A Taste of Honey’ or ‘Moonglow,’ learning new chords, jazz voicings, the whole bit. Eventually, it all combined together to make something new and we found our own voice as as a band.” - George, Guitar World, 1992 (x)

[prettybabyimblue]

[m1ssunderstanding]

Midas Man Reaction

I watched this using a google drive version from @skydiamonded thank you, thank you!

Spoilers under the cut!!!

Weird looking at this guy and trying to tell myself he's Brian. He's a very Brian type of guy but still he's not Brian. 

I do love the first person narration and the instantly shattered fourth wall.

I love seeing his Jewish faith and culture in a way that wasn't publicly as prominent when he was alive. 

Honestly didn't know adding a significant record store to their furniture store was Brian's idea. I'm looking every new thing I learn up because biopics can be very misleading, but this is fun!

I am absolutely Reveling in the contrast between crisp, classy Brian and the squalor of the cavern. So good! 

Guys I'm a sucker for this stuff. John comes on stage swigging something talking in awful German and then there's Paul whoring it up flirting having a personal conversation with some girl in the crowd. And the John/Paul banter! I'm falling for it so hard. 

(John girls I will give it to you, you guys got shafted with the looks of this actor)

Same, Brian. I get it. I'd be in love with them too. 

The incessant mocking of his posh accent Thank You!

Paul's face. I've definitely seen this irl. He loves watching John do his acerbic wit thing. Reminds me of that one quote that basically said Paul used John's cruelty to his own advantage. 

The confidence of Brian just deciding to be a manager. The actor is doing such a good job of capturing that duality in Brian of part timid awkwardness part brazen optimism. 

The Spain dialogue! How can they tease that and not include the trip?!?! Also John dropping Hemingway and Brian's pleasant surprise. Just you wait, Brian. 

“My Gran takes pills for that” genuinely got me.

The way they look at each other is accurate even if John doesn't look a thing like himself

“I think you're special. I think you'll go all the way. And I promise I will look after you.” Whether Brian said it that way out loud at the time or not it's what he felt. And that was so so important. They needed someone to say that and mean it so badly. Look how he's looking at them!

“Like family. Only better. No secrets from each other.” Break my fucking heart not even twenty minutes in why don't you? Brian you deserved to live in the future. I'm so sorry you had to be put here in the time you were.

I will say the makeover breaks my heart. I get that it was necessary, but it hurts. 

Ringo's grey steak and his accent and his friendly tough older cousin demeanor!!!

You hear Paul singing as they drive up, fantastic. And the little shoulder pat as they go in, “alright Brian.” John's little line about the time jump is fun too. 

Pete's drumming is patently bad. Thank You!

The whole John railing on Brian and Paul telling him to leave off I think is probably accurate, but. With all the quotes I have in my documents about Paul actually being the one who gave Brian the most trouble, I have to wonder if we're going to see that complexity or if we're going to stick to the “mean John, nice Paul” stereotypes. 

But also Paul definitely does not stick up for Pete. (Who he also picked at much more than John irl) Anyway I love to see the strategic reigning in or letting loose of John's temper for me.

Again with the class contrasts!!! These fucking snobs talking down to Brian I can't. It's just another proof of the boys’ need for him and his management. And not just because he's socially higher than them, but can you see John handling that shit well? No. That ass hat would get decked. 

The pride with which he says “My boys” to those douchebags after all of that!!!

“Asked you and Daddy for a car” is a great line.

I got so scared when that guy came up so suddenly like that because I know how violent some of those encounters were. It breaks my heart for him. 

And then the pills. It got so cold so fast. 

Those secretaries should be in charge of those record companies is what I'm getting here. 

I knew he was going to lie and say that he got them the contract. I wonder if he did irl. Something else I'll have to look up but it does make sense with what I know of Brian. He just loves them so so much. “I can't bear their disappointment when they feel I've let them down.” 

The George actor overdoes the accent a bit but I really love the facial expressions. I've seen that one a million times. 

Also love that John and Paul are facing each other. Very nice. 

No one is going to hold a candle to the actual Paul's voice but what are you going to do? 

They've got Paul's need for John's approval right though. John's already said all sorts of positive things and Paul's immediately fishing for more.

Yes! Paul is George Martin's very special favorite baby boy and it would be wrong to play it otherwise. 

I should've said this before but it's driving me crazy in this scene. Why is George's hair significantly lighter than John's? 

Interesting that it doesn't even show Brian talking to the others about sacking Pete. 

“It's my sound. They're all doing it now. Ringo.” What is this bullshit? Insinuating Ringo copied Pete's sound? Why did they put that in there? Ew, take it out!

Look at him, already so at ease and happy. I love you, Ringo! 

See I knew it was going to get more violent. Ugh it twists my stomach. And his poor terrified face when the guy says he knows him. He was so scared of his secret life having a negative affect on the boys career. And then Brian telling us straight to our faces about being brutally beaten and helping the man afterwards. It's cutting. Such a contrast from the upbeat, prideful Brian of many of the other camera-facing narrations. 

The sharp turnaround of Alastair overhearing the end of Brian's little aside here though! I love the way this movie is playing with perspective and curtains. Very much a nod to Brian's behind the scenes work on behalf of the biggest group in the history of the world. 

Love how the Beatles are annoyed that Brian doesn't offer any details about them when he's going through his lineup! Very clever, very them!

Cilla clearly knows Brian's gay and she's the first one that's made that clear. At least to me! Maybe the scene with the prellies and the Beatles teasing him about that was something. But she's the first where it's obvious she knows. And he's so moved that she's just casually okay with his sexuality.

Then we get him apologizing to his family right after. It's getting to the point where I'm like I don't know what there is to say. 

Paul being the class-conscious one. Very good, very good. 

John “might even swear” Brian “please don't” Paul “he won't” Okay I know where they're going with this it's obviously going to be the rattle your jewelry” line. But they're going with the stereotype here of Paul reigning John in when really he was backstage daring John to say it. 

Achhhh this does bug me. Okay I know I'm the most insufferable Paul girl and it's Brian's movie. But! John's little look to the side as he says that line is at Paul, not Brian. Because, like I said before, Paul had been egging him on, and he's like “see I'm doing it” 

The scene with Ed Sullivan in the burger joint is reminding me of the Elvis movie. And it's nice. If anyone else is reminded of that it'll be a stark contrast between Brian and the general or whatever his name is. 

So happy that he can connect with Nat in this way even though they're from completely different worlds in every way other than their Jewish backgrounds. 

Still overwhelmingly annoyed they took out the romance with John to invent this Tex character. For multiple reasons. It's just not the truth for one thing. For another, it's a less interesting story. Brian is less complicated. The romance is flatter. Not a fan. 

But. In one way it's nice that he gets to be in a less complicated real relationship. Unless this is going to be like the Tex from the comic book which doesn't end well at all :/. What am I saying of course it can't end well. Ugh. 

Ringo’s tummy troubles! Ringo calling John a posh puddin! Thank Fuck!

It is very much driving home the fact that they're a rare bright spot in his life. 

John starting the pillow fight all agro and then instantly backing off “now lads take it easy” we love the accuracy!

Oh. Colonel. I knew that. 

Another thing I'm going to have to look up. Did they really have to stop the show twice due to a jelly bean barrage? Actually so many fun details in this little narration. A fish truck? Really? You couldn't have chosen any other vessel? hashtag acab. 

“I” made it clear? They're saying it's Brian's decision they won't perform to segregated audiences? Mkay. He's fantastic enough with his actual progressive actions and ideals. You can give the boys some credit for their own actions without losing anything for Brian. 

Brian screaming with all the girls. Cute! I do just have to say this is a George Martin story. But I'm sure Brian did it at some point too.

That stings! Going from all this huge success Brian of Brian's to his dad looking proud, making a toast, and I assumed it must be a party in Brian's honor but no. It's his brother's wedding. 

Wait I'm confused now. Does Cilla not know? 

I do love that she's concerned for him and expressing that. Because we know the boys aren't going to do that. 

Poor baby he's absolutely elated that Tex is here.

I don't want to shame like I have read that Brian liked it rough although who knows if the writers of these statements are homophobes leaning into stereotypes of the time anyway there's obviously nothing wrong with rough sex. But I want Tex to be sweet and gentle with him because it looks like Brian is flinching and why wouldn't he be after what he's been through?

Also I hate that he's like “how can I get him to love me and stay with me etc” and he says he'll make him a star even though obviously he can't promise that and he's so so stretched thin already. 

Yep I hate Tex more and more. The yelling is awful holy shit.

Clearly Brian is only happy when he's with the Beatles. 

So this is them trying to put a little “vibe” between John and Brian? Having them have a "deep looking" discussion from a safe distance at a crowded party? Not really working imo.

But this is nice. I've seen this picture before. Look at cute cuddly Ringo. I adore that about him. For the one of them with the toughest background to be the most comfortable and easy with his affection. It's beautiful. 

What the fuck!!! Tex is openly just chatting up someone else at Brian's party and Brian sees him as he's bringing them drinks and just retreats like that's what he deserves. Somebody give this sweet man some actual love!

The stark contrast between the silly, upbeat -- hectic yes -- but happy 64 tour narration and this. It's almost black and white it's so dim and muted and though the music is slow, Brian is talking very very fast and the drinks and pills are much faster than last time too. 

Again. Interesting that it's presented as Brian who declined Marcos in the Philippines. “They grab the boys and they drag them away.” I've never heard an account say it was that bad, but maybe it was? I don't know, I think if it was, John and George would've said so at some point post break-up. 

This is very interesting cinematic work. I don't know shit about anything but it strikes me as a very interesting choice to make this terrible time gradually fade into extremely sharp colorless chaos. The cute little maps and cut aways to contextualizing scenery are gone and it’s just Brian panicking backed by silhouetted violence.

And then he forces himself to get it together, talks slower, straightens himself out, presumably because he does what he has to do to protect the boys. 

“Right. Are you coming in?” “Do you think that I would let you out of my sight, John?” It's so good. I hope this is what it was. 

Paul's protective press conference answer comes off a bit more "team player" than "angry boyfriend" for one reason. IRL he jumps in, on this occasion and many others, without being addressed at all. Here, they ask specifically for a comment from the other three and George's comment comes first. Annoying. But overall t's very well done. And Brian is so proud of them all for being so strong in the face of all this stupidity. 

I love that Brian is protective of them and supportive of their decision to stop touring. I wonder how much of a say they actually gave him in that. 

“The press misquotes them, they can't be themselves, and if you can't be yourself . . .” He's so sweet. This takes me back to the family without secrets thing at the beginning. It's all so “well I know how awful this or that can be so I'm going to spare them from that” 

I didn't know creme or the who were involved with Brian too. Another thing to look up! 

Thank goodness for Nat Weiss. If only he and Brian could've been together. 

I know it's not fair to expect too much of them with everything they were going through but I kind of hate all four Beatles right now. Brian crying about Paul not coming to a party and Paul's letter (well- meant that man had a very fucked up perspective on love and other complexities himself) about Brian just choosing not to be depressed is echoing in my head. 

Yes, Brian's shit father. There was something you didn't give your son. Only the most important thing there is. 

Eek they look so shockingly different. I wonder if it was that jarring for him. Why is it John that doesn't have the mustache? It was just Paul that had it, then the other three immediately followed, then just Paul that shaved it. Who knows what they're thinking here. Probably just didn't think about it, or maybe the John actor was just too hideous with a mustache?

“And I have a proposal.” “Brian, I do.” “Finally!” See, that dialogue could've worked so much better if they'd been truthful about the sexual side to John and Brian's relationship. 

“I think I'll be leaving the band now,” says George, at the mention of a film. I'm dead. 

Why is Ringo wearing tons of blush and eyeshadow? 

This little moment is great though just because it's John and Paul interested and participating in the direction of the band and George and Ringo along for the ride. 

The Paul actor did such a great job. His little giggle at John's dad joke is perfect. That's exactly what Paul sounds like.  

Why are they leaning so hard into George being the funny one in this movie? This whole movie it's him with the little quips. The phone thing is very Paul's humor though. Good, good. God I'm so annoyingly obsessed with him. 

It's very much leaning into the argument that Brian's death was accidental. I like to think that's the truth and there's certainly a strong case. The big plans with the Beatles and outside them too. The fact that his mother very much needed him after his father's death and he's got plans to take care of her. But there are also sources that say he was actually hospitalized due to suicide attempts. So. I don't know. 

Now we do the Buddhist bit. Arms around. That's something very different. But this makes me think of that quote, and I hope they did this too and I hope they included Brian.

John's just so tiny lmao I'm actually obsessed!

I love that the last line was about Brian saying he was “on top of the world”. 

You know what, I think we can choose to believe what we want about Brian’s death, and until someone presents me with empirical untenable objective evidence, I’m choosing to believe it was accidental. Doesn’t mean it’s not absolutely tragic. Doesn’t mean he didn’t have serious mental health problems. But it does mean he wanted to stick around despite all the hardships in his life for the good he was able to do and the joy he took in doing it.

[nothingbutpoison]

[flytotheway]

IT'S TIME FOR THE MAKE OVER MONTAGE

[undying-love]

"Humour was a big forte with them in those days, especially John and Paul. But it was always, I wouldn't say a battle, but it was interesting for me sitting at the back to actually to see them play off one another. It was always a two-man show between John and Paul. On some nights Paul would come out on top, and on other nights John would come out on top." -Pete Best

Paul Mccartney: Now and Then, by Tony Barrow

[idontwanttospoiltheparty]

I'm crying how is he real

[harrisonsbabygirl]

The Beatles when they were just small Liverpudlians with greasy hair

Feauturing-Pete Best & Stuart Sutcliffe