#Personal Analysis

[basicallyanotherwitchesthing]

Various Authors - Self-Scoring personal analysis tests - BPC Publishing Limited - 1974

[loveforvanity]

I figured out these smurf's zodiac signs!

1. ♈Aries - Hefty Smurf

2. ♉Taurus - Greedy Smurf

3.♊Gemini - Brainy Smurf

4.♋Cancer - Weepy Smurf

5.♌Leo - Vanity Smurf

6.♍Virgo - Farmer Smurf

7.♎Libra - Smurfette, Papa Smurf, Poet Smurf

8.♏Scorpio - Grouchy Smurf, Jokey Smurf

9.♐Sagittarius - Marco Smurf, Smurfazalea, Grandpa Smurf

10.♑Capricorn - Miner Smurf

11.♒Aquarius - Handy Smurf

12.♓Pisces - Clumsy Smurf, Dreamy Smurf

(Based on the smurf's personalities in the 1980's cartoon)

[nsfwhiskey]

Spain pictures, personal thoughts:

L is likely still with A, as evidenced by the timing of her sharing a story with a similar background + the vibe of the Spain pics of L were quite intimate and someone had to be taking them. The most likely candidate is her.

The cake pic was a cute selfie he likely sent to N. I believe the cake was prepared by the hotel to welcome him, as resorts tend to do for high profile guests.

I’m not getting a shady vibe from the cake pic. In fact, the fact that he clarified that N wasn’t in the photo was him putting beefing rumors to rest the same way N does when she posts him on her stories.

I don’t think N/L are beefing, I think many people are misinterpreting L’s social media moves, which is easy to do when emotions are heightened because of the potential reference to A.

While the photos feel like a reality check and did hurt a little, I’m personally okay with accepting that N/L are not quite as ‘on the way’ as we had hoped yet. I am bracing myself for a hard launch after the 90 days have passed and believe that A has been relatively quiet in anticipation of that. If it does happen, we’ll be fine. The plot has to play out.

However, in that vein, the chaos week posts confuse me, because while the scrabble board doesn’t resonate with me, I really do think Bless the Telephone + Juna was for L, and that the milk shirt was L-coded (intentionally). I can’t speak to what it means except maybe that N was thinking about him/missing him and subtly wanted him to know.

Lastly, I don’t think L still being with A directly speaks to him choosing her over N. We still have no clue about how N feels, what she wants/doesn’t want, and what she’s willing to risk both professionally and friendship-wise. That half of the puzzle is still missing and until we have it (which will never happen), I don’t think we can attribute blame to anyone for choosing someone over the other.

Just my thoughts, to keep my head straight.

[jyanadavega]

So I've been seeing a lot of Tik Tok about LWJxWWJ and it make me realised how one little sentence triggered me so much that I had a very hard time enjoying this couple as much as I did in the beginning.

For me I really really hate the "everyday means everyday", as I really just want to answer to that " no means no". I know it suppose to play on the "bratty bottom trope" and WWJ being a tease and not keeping his promise, and that it isn't any more deep. But for me it just sound like the people who said that because you're married there cannot be r***. If he doesn't want it, he doesn't want it. And that even if I know that because it's fiction it's obliviously a joke and that WWJ in the author's mind is ok with it and is probably secretly happy about that.

But, also probably due to my own life experience and having to constantly argue with men because they want more that what I promised, this sentence really ruined my appreciation of LWJ. And I really wish I could magically forget it so I could continue enjoying this story as much as I did in the beginning.

[k-white]

hello peeps!

I am finally making my personal interpretation of the songs in the playlist Jojo made for OF and how I think they relate to the characters

So I put on my investigation glasses and listened to the songs wile reading the lyrics to be sure of the meaning of the song(I did this for now only for the english songs cuz spotify doesn't give you a translation but only the lyrics written in the characters for that language like a thai songs lyrics are in thai and a english one in english so I would have to look up a translation wich I will try to do but for now only english)

Mind you this relates to the trailer and as we know mock trailers are just an overall presentation for the series and might change! and also this is subjective to me!

The order in wich I am doing this is the order in wich I listened to them

Here they come:

-Memories by Conan Gray- Listening to this I got the feelings it relate the most to Mew and Top, it doesn't fit the other characters and how their relationships where presented, Mew loving top but having to let go of him because of the hurt Top put him trough and Top being selfish and clinging to Mew making him unable to move on, could relate to San and Ray in a way but San feels more strongwilled and less prone to wallow in sadness and self pity!

-Who'd have known Lily Allen- this could relate to Mew, San and even Nick so here the reason: the first one is kinda obvious but the others less so, for San the "are you mine?" could be he asking himself and I say this thinking back on San and Ray and how he says he doesn't want to be one of the choices, for Nick it looks like he has feelings for Boston but the relationship they have is more of the just phisical type but he wants more, and in a way both San and Nick pararrel eachother tho it is debatable that this is a much more softer and sweeter song and it would suite Mew and his more idealistic and naive views on love and sex and how he wants a "real" relationship

-Can you love me tonight? KAIRO- this one was trikier, I felt like it could refer to both Top and Ray, but by the end it felt more like Ray than Top, and it felt like it could be meant to both Mew and San, like in 2 different stages of Rays life: at the beginning It was meant for Mew even if the song implies a past relationship it still a song about being loved by smeone that seems to not want to tho as time passes it shift to San, and specifically in a period where they are not together cuz Ray couldn't realize his feelings and San left but he realize after loosing him that he is in love but it's too late but he still wants San to love him but it's too late, I wrote this a wile back and I do still stand by the idea that this could be very much so be Ray but it does fit a lot for Top as well cuz we know he is gonna screw up with Mew so him wondering if Mew can love him still after he screwd up can fit the song

-Somebody that I used to know Gotye Kimba- NOT THIS SONG🤣 the most overplayed song ever! I still like it tho... ok so! This is a dialogue between 2 people that used to date and had a major fallout and I don't think it refers to none of the couples(no RaySan and MewTop tho they could in a way fit as well but to me the sock doesn't fit that well) we see in the trailer other than Boston and Top: Boston relates to the Gotye part and Top relates to the Kimba part, and I feel like this is after Top starts dating Mew and Boston gets jelous and bitter about loosing someone he had a pull over, so Boston playing kind of the victim and still being hung up on Top but Top just wanting out from it; but It could also fit with relationships that wheren't shown in the trailer, but thaks to Jojo we got a relationships chart for the characters and got shown that San is more connected to the other characters than we originally thought, so this song could refer to San and Nick or San ans Top tho I cam only speculate who each characters relate to on the duet Gotye or Kimba? I feel like San could be the one still holding on the the others and that influences how he feels about being "just one of the choices"

-Be my Mistake 1975- Ok this is a BostonTop song! like come on! what else could it be? "you make me hard but she makes me week"? This literally fit the narrative of Top hooking up with Boston wile he is dating Mew, falling in love with the second but still sleeping with the first! nobody else fit this come on!

-You know I am no good Amy Winehouse- this could be Boston to Nick, they have something going on between them but he still sleps with other people and they both know it, cuz I don't feel like this fit with Mew And Top cuz clearly the fact that Top was still having sex with Boston was a secret, and for San and Ray... San does seem to be involved with others either romantically or sexually but we still don't know if it's a past thing or present and if we go with what he says to Ray about not wanting to be one of the choices... I don't know if he would go and hook up with others and be open about it but he could be a huge hipocrite for what we know, anyway my best bet is BostonNick

-Traitor Olovia Rodrigo- this one I feel like is the one song that is up to the most interpretations! The obvious one San about Ray and his feelings for Mew even if Ray and Mew never start something cuz the line between them is onesided, or Boston about Top starting a relationship with Mew and Boston being bitter about it, Mew fit the least this song cuz it is about your lover leaving you for a friend and less about Cheating so his storyline with Top doesn't fit that well cuz we know Top is probably gonna cheat on him with Boston and Mew is gonna dicover probably the hard way...Tho I do have a little treat tho it is a stretch but hear me out! Ray about San leaving him for Nick! Ray wasn't able to admit his feelings for San so this decided to ask Nick to pretend to be his new lover to make Ray jelous and realize he loves San! And make Boston jelous as well! This are probably catles in the sky but it is fun to imagine!

-Take me Home Jess Glynne- Always liked this song a lot! it's a sad and beautiful song about vulnerability and a person relying on someone else in the moment of need when they are at their lowest... so the only ones that resonate to me with this song are Ray and San to be honest... I don't know but they feel like they are the most lost and broken in the group and they just need to find their confort and maybe they will help eachother in that sense, being there for each other during their worst moments taking confort in oneanother, the others don't really fit here maybe the only other one is Top refering to Mew

-Anti-Hero Taylor Swift-(finally learned where the "I'm the problem it's me" audio came from! in my defense I don't listen to Tswift!) Ok this to me is both Ray and Boston, if I think about it Mew is probably the only genuine person in this whole shit show of a friend group and he snaps only when he reache dhis limit, San feels like he is headstrong and take no shit but isn't the nicest person, Top and Nick live their lives for themselves tho not really making up a front to please others so Ray and Boston I feel fit the AntiHero vibe! For Ray it's about how he lives his life but also how his relationship with San develops, and how he goes about life masking his actions as genuine wile he has ulteriors motives, like with Mew, he acknoledge his flaws and but basically does nothing to get better, and Boston as well he plays the part of the good helping friend for Mew but on the sides still sleeps with Top and he also does nothing to be a better person, tho I feel at the end Ray could came out of this whole story as a better person tho Boston on the other hand I feel could end up burning himself.

-Kill Bill SZA- I don't wanna even think about the implication this song could have lol! like I hope it is taken in a more metaphorical sense and a character has so much unbrideld hate and rage torwards his ex that he imaging killing him but never really doing it... I hope... tho it would be a cool twist, we saw violence and killing in bls before but the context was VERY different!

-abcdefu Gayle- well this could basically be any character like: Mew, San, Nick even Boston! refering respectively to: Top, Ray, Boston and Top again! it is such a fun song! I can imagine the betrayed ones singing it to the betrayers! It could be a fun scene if the wunded ones sang it wile drunk to the others!

Drunk Text I am pretty sure people on twitter said something regarding this song and how it applied to Ray if I am not mistaken I have no way to check so we'll never know🤷🏻‍♀️ so here my interpretation: This for me represent both Ray and San! Ray and his feelings for Mew how he is safe and confortable in their friendship but he's in love with Mew and he hopes Mew cpuld feel the same that maybe if he was braver and risked it he could be with him, for San it's about Ray and how he is starting to have feelings for him but they are still just sex friends and he knows Ray loves Mew but he started to be more boyfrendy with San blurring the lines, bonus points if this also could be a drunk Ray crushing at Sans appartament after a night out and spit out all his feelings for Mew to San too drunk to realize!

-Drunk Ed Sheeran- Mmm I am uncertain about this song🤔 this could be Ray about Mew but before he meets San, or San about past relationships before he meets Ray, it could also refer to drugs and not just alchool cuz from the trailer we know drugs are involved in the boys lifes, tho it could also refer to Top if he and Mew have a fight and they split up he could be drawning his sorrows in alchool and drugs cuz he feels guilty for being the reason of their break up but it's hard to be a better person(also Top is the only character that we actually see take pills pointing to a possible addiction)

Ok I am gonna stop here for now cuz this is already waaaay too long and I had already did them and I still have half of the playlist to do so I will do a part 2!

[illmamnim]

Allow me this kind of personal analysis relating to Grey Is...

It's awkward since it's far more direct than mainstream fandoms I hide in the shadows of, but I would love to talked about it nonetheless.

I often get attached to characters in relationships that are undefined or ever-changing. Found family is one of my favourites, and "family of two" is something I always love seeing more of. My favourite example of it has to be Good Omens, where I first actually came across aro/ace being a real experience and not a vague headcanon. I found more of those characters and dynamics over time, yet always came back to my own characters to "fill in the gaps" of things I've wanted to see and never found.

I was never quite sure what I was looking for, though. My urge to create half of my stories was a "what if" rather than "I feel", almost like I created out of spite. Which I'm not against, especially when people I show it to like or resonate with it, but it still leaves a little bittersweet result. I have recently started to use my stories to explore ideas rather than imagining the potential end-result, which is fun but exhausting. I don't have the finished products I want to see in the world, so those ideas stay in my notes for months and years. Some forever.

However, when I read Grey Is, I'm not nit-picking moments and trying to find "it" through them. The emotional journey the characters go through is not only interesting, it's every one of those "nit-picked" moments I get from other media compiled into one. It's the kind of story I would love to make, and it inspirs me to write for me. Instead of trying to fill in an experience through analysis, it's me wanting to give my own point of view on things I feel close to.

Don't get me wrong, nothing can replace making my own characters, but there will always be the self consciousness of looking at my own art that fogs the experience. I know I can write well, draw well, but having something to wait for and see complete is satisfying. Looking for "it", means wanting to see myself reflected in others, not to avoid my conscious, but to see my brain through a rose-tinted mirror.

My friend told me that Grey Is is the first time I didn't use a story as escapism but as an emotional reference point of self analysis, not hiding behind the character but reflecting in it. So Grey Is... to me is like a song, if that makes sense.

[heytherecentaurs]

Brennan’s talked before about how as a poor young adult he lived in New York and struggled with food security. He tells a story of going to frozen yogurt places for free samples and a cheap dumpling spot because it was a lot of food.

His opinions on food and his described behaviours around food make a lot of sense in that context. He may be successful now and can be assured he can eat again when he’s hungry, but it appears he has legitimate trauma around his experiences with poverty because what he’s humorously describing is a trauma response. His mind hasn’t gotten rid of the anxiety of “I’m eating now so I better make it count because I don’t know when I will again.”

Because he’s a comedian he manages to frame it as a joke, but there’s certainly an underlying sadness. It also informs Evan Kelmp’s characterization. Capitalism is the root issue here and poverty is state-sanctioned economic abuse.

Anyway, I hope he’s doing well and taking care of himself.

[descendant-of-truth]

Shipping is fun and all but I swear every single time someone makes a comment, whether as a joke or in a legitimate analysis, about there being "no other explanation" for a pair's interactions, I lose just a bit more of my sanity

Like, no, you guys don't get it. Romance is not about the Amount of devotion, it's about the COLOR. the FLAVOR of it all. a character can be just as devoted to their platonic friend as they are to their romantic partner, and they don't love either of them more, just differently.

But because the majority of people still have it stuck in their minds that romance exists on the highest tier of love, I'm stuck seeing endless takes that boil down to "these two care about each other too much for it to NOT be romantic" as if that's the core determining factor to how literally any of this works

In conclusion: stop telling me that I don't understand the story if I don't interpret the leads as romantic, I am TIRED

[bixels]

Learning that fans hated Applejack and called her "boring" is crazyyy to me because I genuinely, unironically believe AJ's the most complex character in the main six.

Backstory-wise, she was born into a family of famers/blue collar workers who helped found the town she lives in. She grew up a habitual liar until she had the bad habit traumatized outta her. She lost both her parents and was orphaned at a young age, having to step up as her baby sister's mother figure. She's the only person in the main gang who's experienced this level of loss and grief (A Royal Problem reveals that AJ dreams about memories of being held by her parents as a baby). She moved to Manhattan to live with her wealthy family members, only to realize she'll never fit in or be accepted, even amongst her own family. The earlier seasons imply she and her family had money problems too (In The Ticket Master, AJ wants to go to the gala to earn money to buy new farm equipment and afford hip surgery for her grandma).

Personality-wise, she's a total people-pleaser/steamroller (with an occasional savior complex) who places her self worth on her independence and usefulness for other people, causing her to become a complete workaholic. In Applebuck Season, AJ stops taking care of herself because of her obsessive responsibilities for others and becomes completely dysfunctional. In Apple Family Reunion, AJ has a tearful breakdown because in she thinks she dishonored her family and tarnished her reputation as a potential leader –– an expectation and anxiety that's directly tied to her deceased parents, as shown in the episode's ending scene. In The Last Roundup, AJ abandons her family and friends out of shame because believes she failed them by not earning 1st place in a rodeo competition. She completely spirals emotionally when she isn't able to fulfill her duties toward others. Her need to be the best manifests in intense pride and competitiveness when others challenge her. And when her pride's broken, she cowers and physically hides herself.

Moreover, it's strongly implied that AJ has a deep-seated anger. The comics explore her ranting outbursts more. EQG also obviously has AJ yelling at and insulting Rarity in a jealous fit just to hurt her feelings (with a line that I could write a whole dissection on). And I'm certain I read in a post somewhere that in a Gameloft event, AJ's negative traits are listed as anger.

Subtextually, a lot of these flaws and anxieties can be (retroactively) linked to her parents' death, forcing her to grow up too quickly to become the adult/caregiver of the family (especially after her big brother becomes semiverbal). Notice how throughout the series, she's constantly acting as the "mom friend" of the group (despite everything, she manages to be the most emotionally mature of the bunch). Notice how AJ'll switch to a quieter, calmer tone when her friends are panicking and use soothing prompts and questions to talk them through their emotions/problems; something she'd definitely pick up while raising a child. Same with her stoicism and reluctance at crying or releasing emotions (something Pinkie explicitly points out). She also had a childhood relationship with Rara (which, if you were to give a queer reading, could easy be interpreted as her first 'aha' crush), who eventually left her life. (Interestingly enough, AJ also has an angry outburst with Rara for the same exact reasons as with EQG Rarity; jealous, upset that someone else is using and changing her). It's not hard to imagine an AJ with separation anxiety stemming from her mother and childhood friend/crush leaving. I'm also not above reading into AJ's relationship with her little sister (Y'all ever think about how AB never got to know her parents, even though she shares her father's colors and her mother's curly hair?).

AJ's stubbornness is a symptom of growing up too quickly as well. Who else to play with your baby sister when your brother goes nonverbal (not to discount Big Mac's role in raising AB)? Who else to wake up in the middle of the night to care for your crying baby sister when your grandma needs her rest? When you need to be 100% all the time for your family, you tend to become hard-stuck with a sense of moral superiority. You know what's best because you have to be your best because if you're aren't your best, then everything'll inevitably fall apart and it'll be your fault. And if you don't know what's best –– if you've been wrong the whole time –– that means you haven't been your best, which means you've failed the people who rely on you, which means you can't fulfill your role in the family/society, which makes you worthless . We've seen time and time again how this compulsive need to be right for the sake of others becomes self-destructive (Apple Family Reunion, Sound of Silence, all competitions against RD). We've seen in The Last Roundup how, when no longer at her best, AJ would rather remove herself from her community than confront them because she no longer feels of use to them.

But I guess it is kinda weird that AJ has "masculine" traits and isn't interested in men at all. It's totally justified that an aggressively straight, misogynistic male fandom would characterize her as a "boring background character." /s

At the time of writing this, it's 4:46AM.

[my-heart-of-heart]

So normal about Jon being like I don’t remember what you looked like but the man who let you die is going to suffer for what he did to you. If only Sasha coulda seen that.

So normal about Jon being like you died hating me and wanting me dead but I’m still gonna make sure this man knows I’m ending him in your name. Sure wish Tim coulda seen that.

So normal about the fact that everyone believed Jon was losing his humanity but no one got to see the ways his love and compassion for the people he lost or who hurt him drove him to that final moment.

So normal about the fact that even after everything Jonah’s done to Jon, the only person he never thinks to get justice for is himself.

[aroaceleovaldez]

i have suddenly become obsessed with a theme that HoO established but never proceeded to extrapolate on, which is:

You are Percy Jackson, and you have been swapped with a boy who was allegedly everyone's favorite person, but they have decided to replace him with you. They just met you. You stand next to his best friend and the people he's known his entire life. In his home. In his cloak. In his place. They stopped looking for him.

You are Jason Grace, and you have just found out you have a long lost sister who completely replaced you in her life with this girl you just met. Your lives and personalities are mirrors. She is you, living the life you were robbed of.

You are Annabeth Chase, and you have just become starkly aware that you have been inhabiting the void left behind by your best friend's long lost brother. You and Luke were just replacements for him. Now you have to look him in the eyes when he has nothing and know you took that life from him.

You are Piper McLean, and you have just found out your relationship is fake and built entirely on the memories of Annabeth Chase. You have been given a boyfriend when hers has been taken away. You have no idea how much of it is real or not but regardless you feel like if your relationship isn't exactly in their image that you have failed.

You are Leo Valdez, and you have just learned that you are the echo of your great-grandfather. You are not your own person. You just exist to be a mirror of him. A doppelganger. An actor and stunt double facing all the danger he never had to but wearing his face. To be there for his best friend decades later simply because he couldn't. You are playing a role. A seventh wheel and a pawn for a goddess who carefully sculpted your entire life for her own purposes.

You are Hazel Levesque, and the only reason you are alive is because your brother couldn't save your his sister. You are a consolation prize. An apology. Your existence here is misplaced in every way but you inhabit it anyways.

You are Frank Zhang, and you are a shapeshifter. Inhabiting your own body feels strange and clumsy when you could be literally anything at any time. You are anything and everything and live your life with the simple certainty of knowing exactly how you will die.

[a-little-ray-of-fantasy]

An analysis on how Sir Pentious' character design represents his personality and development perfectly (beware of Hazbin Hotel spoilers)

Let's get this out of the way: Sir Pentious is a snake, an animal mostly known for generally believed negative traits such as poison, deceit and betrayal. We don't know WHY he's in Hell, maybe he was a "snake oil salesman" considering he comes from the Victorian times and he's into hyping up what he does, or maybe he was into war. Thing is, he's a Sinner whose design just scream "Evil".

(BTW, a snake could also represent "fertility": looking at you, Egg Boiz!)

He always had eyes all around him not just because of a stylistic choice.

Sir Pentious always felt like he was watched, and had to watch out for any danger.

"Everyone here is too nice: obviously it must be a lie! I can sense they are planning to kill me, but when?! HOW?! I must be PREPARED!"

Sadly, he's been constantly berated by other demons, far more effective in destruction, status, cruelty and charisma. Alastor won't ever bother to remember him, Cherri always ones up him, and the Vs, the ones he admires to most, won't care less about him.

To the point that Vox sent him as a spy without the intention to save him if things were going to fail. Heck, he even openly tells him to die while calling him a failure.

So of course he's got reasons to have trust issues, or taking everything so seriously, being constantly reminded of what he can't accomplish. So he puts an air of grandure that may be very flamboyant, but is VERY frail.

But, if we have to be frank here, his biggest source of insecurities... is himself.

He has eyes on his tail (his softer, more vulnerable side, which is ironically made even MORE lieable to getting hurt because of how sensitive those organs are), and inside his hood, so he could look out better for danger when on alert mode.

Heck, even the mark on his hood kinda resembles one eye.

Problem is, when you see his hood folded, when he's at ease, neutral or sad, those are not looking at outside sources.

They're looking at him, at his back. A constant stare that happens everytime he lets his guard down and shows how vulnerable he is. A gaze that can sense all of his weakness, his struggles, his insecurities.

And it's all him.

Pentious constantly believes that his inferiority complex will fade away once he'll accomplish something grand that will make others accept him. But he is his biggest critic, his worst enemy: HE is the one who believes he's a failure, that he'll never gain approval from others.

This show takes place in Hell, but this is Sir Pentious' personal Hell: insecurity born out of self hatred. Doomed to feel everyone's gaze upon him, including his own. Believing the danger to his self esteem is from others, when it's really from him.

But then he's accepted at the Hazbin Hotel: Charlie forgives him, he bonds with Angel, Husk and Niffty who don't care a bit about what he's accomplished or not, or what he's done in the past.

He feels more comfortable in showing his vulnerable side, and no one judges him for how easy it is for him to get emotional.

Of course he's still very insecure, considering how he struggles to confess to Cherri, but notice how he stops building machines or planning to attack others as soon as he starts bonding with the others: he doesn't have a reason to destroy or attack, now that he knows he's loved.

And his final design, when he goes to Heaven, shows how much he's changed, yet stayed the same. He may have died a hero, but he's still the same awkward snake we've come to love.

Speaking of love, let's talk about that!

No more eyes on his tail, now it's just on his chest (showing he's opened his heart), his glasses are now heart shaped, and even the markings inside his hood resemble kiss marks more than anything else.

And look: the mark on his hood is now heart shaped!

Why all these hearts? Why did all the eyes disappeared from his body? Even his eyes that were looking at his back?

Simple: love. Love defeated his insecurities and self hatred. He died for love.

He died protecting his friends, his new family, his new home.

He confessed and kissed Cherri knowing full well he wouldn't have made it, and yet he went anyway.

The usually cowardly and timid Pentious actually faced a great danger with courage and determination: he acted selflessly by putting himself in harm's way, he didn't steal (naturally) and by going against Adam he did indeed "stick it to the man"!

He used his weaponry knowhow and battle experience not to conquer, but to save his loved ones.

His only thought up until his demise was: "I'll go down protecting them".

And he's been rewarded not only by becoming an angel, but also being spawned directly in front of Emily and Sera, two Seraphim, the highest rank for an angel to have, who have also been depicted as snakes of fire throughout history! Sir Pentious, the lowly demon considered a failure by everyone, actually has been noticed by the Seraphim! He's come so far!

He's now come to represent the REAL symbolism of a snake: the duality of death and rebirth, transformation and immortality (ironically a reference to the fact he's been around since 1888 without ever dying from any Extermination or blessed weapons).

And isn't so poetic that a snake, the "source of the original evil", was the first sinner to ascend to Heaven? Or that this episode was released on February 1st, or National Serpent Day?

And of course, as the Bible itself says:

"Greater love has no one than this: to lay down one’s life for one’s friends."

(John 15:13)

And knowing him, I'm confident in saying he'll keep helping his friends even in his new position, like the soft hearted noodle he's always been, but was to afraid to show it up until now.

[para-prowess]

Some Reflection (part 1)

Take a seat, this is a long one.

The following is a portion of text from one of my second discussion forum posts for my Writing Arguments course. It's in response to the philosophies put forward by Richard Vatz and Lloyd Bitzer. In this post, my direction was to establish my own argument about which of their perspectives on the rhetorical situation I agree with most.

I will not post the entire post for the sake of casual readers.

"It is important to recognize what problems going on in your life are worth spending your energy on; pick your battles. Vatz perspective fits well with this, as he states, “The very choice of what facts or events are relevant is a matter of pure arbitration.” (Vatz, 157) There are an endless amount of issues in the world whether it be interpersonal, environmental, global, whatever is now trending on the internet. Any one of them can be rhetorical- or, as Vatz would state, made rhetorical to us. Spending time on each one would eat up an immense amount of energy. So, it is vital choose which ones are really important in order to spare your mental health." "I think that, no matter how rhetorical situations arise, Bitzer’s three rhetorical elements exist and are important to consider. I like the example of an apology because it brings both perspectives together. As a menial example, let’s say I take my sister’s drink from the fridge for myself. She will be angry when she finds out. I can choose to not care but I can’t control if she cares which means there is exigence. Something still has to be done. . . I should appeal to her and find out what would best get her to forgive me, as Bitzer would tell you. Taking constraints into account also matters- is she already mad at me? Have I done this before? Was this her favorite drink? Regardless of if I choose to take on the apology, these things exist and will affect me. "To communicate effectively, keeping both Bitzer and Vatz perspective in mind is crucial."

Ultimately, my argument was and still is that both are useful for different situations. My thoughts here haven't changed. I know it may be seen as cheap escape from a committed opinion, but I cannot simply argue that one is better than the other because it's such a complex subject. And I think that this thought process I had exemplifies what my professor has been teaching us this whole semester.

It depends.

Although my analysis of these two perspectives feels correct, I do think this piece needed more development. More time. More effort. My example of stealing my sister's drink fits, sure, but I had a hard time wording it in a way that feels right to me. I think a thorough, more developed example would have strengthened my argument.

This demonstrates a weakness I and others have- sunk-cost fallacy. My thought process was that it's too late to change the example because I'd already started writing it. After successfully changing my final project's subject only a couple days before the presentation was due, I think I'd tell old me that it's okay to commit to something new.

Overall, I still like this piece. When I read it, I feel capable of understanding complex subjects. I also feel strong in my opinion. Initially, I was afraid to commit to the "both sides are right" argument but I did it anyways and am glad I did.

Thank you for reading.

[k-white]

Hello Peeps here I am with an announcement(for whoever is interested)

I am gonna make a personal analysis on the songs chosen by Jojo for the Only Friends playlist on spotify cuz there is a LOT to unpack and take away just from the choice in songs!

I already did some tweet about it but I wanna go more in depht here cuz I have more room with words(no charactes limit! fuck u bird app!)

It is gonna be a lonv ass post cuz boy does Jojo chose a LOT of songs! and for the Thai ones I have to first find a translation, tho it is fun to do and imagine wich ones of the characters would relate to each song!

I am gonna start writing it tomorrow tho I don't know when it will be posted so for whoever is interested stay tuned!

[rainbow-sunshine-unicorn]

I’m obsessed with Kate and Anthony just having their arms interlinked while playing charades

Because there is literally no need for it, they’re already sitting right beside each other, shoulder to shoulder, and they’re playing charades, which is not something that requires them to move in coordination??? And, you can see the empty space on the couch beside Kate, so there’s plenty of space

But does any of that really matter to Viscount and Viscountess Velcro? Not even a little bit!

They will be interlinking their arms through a game of charades, because simply sitting next to each other is not enough, they must have, at least, four points of contact between themselves at all times

[aunmenosheteroenespanol]

2.12 Chimney Begins - 2.09 Hen Begins - 2.16 Bobby Begins Again - 7.04 Buck, Bothered and Bewildered

Tommy's family arc