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gothamundernightlight · 2 months

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Random Shit the Waynes Do on Social Media

Dick:

- The white whale of D1 and Olympic gymnastics athletes; always stitches their stunts and challenges, executing them perfectly, but no one knows who he is or who trained him

- Shares pictures of random children, and the whole internet becomes a detective trying to figure out if Bruce Wayne adopted another kid or if his gymnastics students won another trophy

- Photo montages of Haley being the cutest, which slowly transitions into Haley in whatever cute hat the internet can send to Dick’s PO Box

- Random video of him skydiving while giving tips on what to do if your chute doesn’t deploy. He never deploys his chute doing the video and no one can tell if it’s a bit or not.

Jason:

- AI Voiceover text posts providing surprisingly insightful analysis into classic literature

- A full six part rant on the Broadway adaptation of “The Great Gatsy”

- Random selfies complete with wildly made up backstories of any and every new injury he has

- Prank war on Damian specifically (this was intended for Talia but his finger slipped and now the whole internet loves it)

Tim:

- Randomly goes live to do study/work/research with me sessions complete with an actually decent Lofi soundtrack that no one can find (He totally mixes it himself but won’t admit it)

- Did ONE social media vlog for WE’s marketing division and it went so viral he gets forced to do more. The dead eyed stare he gives the camera with every stupid dance the intern teaches him makes the video top-tier

- Cute couples videos with Bernard

- Skateboard tricks (and fails)

- Screenshots of text conversations between him and his siblings discussing the most random shit??

Cass:

- Dance routines/pre-show/GRWM videos

- Shakily filmed videos of her kicking Dick’s ass and everyone just calls her a baddie in the comments. She doesn’t know what that means but she appreciates the love.

- Her and Steph’s late night food runs with the two of them just belting out to a song in a dark parking lot

Steph:

- Posts riddles and puzzles and how to solve them. She’s really good at it. Riddler hates her.

- Apartment tour of all the purple shit she owns. She’ll never admit that the room she’s showing off is her Wayne Manor bedroom, so everyone believes she just has a moderately sized loft apartment somewhere and she just never shows the kitchenette

- Her and Cass’s late night food runs with the two of them just belting out to a song in a dark parking lot

- POV shots of her going up to the boys asking them random questions. Dick matches her energy. Jason tells her to fuck off. Tim is barely conscious. Damian always has an overly rational answer to take the fun out of it. Duke just stares blankly at her (he always comes back later with a proper answer now that he’s had time to think about it). Bruce just stares blankly at her

Damian:

- Art reveals that never get many views but he’s still proud of nonetheless. Dick always comments on them to hype him up

- Accidentally recreates a popular vine that went viral and it’s just him insulting fellow GA kids under his breath but one of them says hi to him and he’s instantly polite back. His most popular video

- The multi-part experiment of him trying to Pavlov Tim, and when it actually works, Tim just chases Damian around the manor. The video cuts to black frames after Tim takes a flying launch at him

- All the pet videos. There are so many. People try to cancel him for exploiting them, but Damian clearly demonstrates that he would never force his animals to participate for views and how they will just leave if they don’t want to do something. Batcow is in the background just two-stepping unprompted

Duke:

- Every morning without fail, he posts a daily sunrise pic of Gotham, with a positive affirmation caption. One day he’s sick and he wakes up to a thousand messages of people panicking because their favorite poster has disappeared. He never misses a sunrise again

- Passionate rants about local government. Will not shut up about it. He might be an anarchist, but he’s forever remain optimistic that one day the systems that define society will one day actually work for all people. Bruce has every single one saved so he can implement Duke’s ideas into reality

- Boxing videos of him training with Luke. It’s never meant to be a thirst trap…but sometimes it is

- Dumb selfies. Duke unironically loves taking them, no matter what face he pulls, what filter he uses, not even caring where he is. This gets him in trouble the one time he posts one of him leaning off the edge of a high rise roof

Babs:

- Constant lectures on cybersecurity and internet safety. She teaches this at the library as a volunteer but feels she can reach a lot of people by building a platform

- Computer build stuff. Brands reach out to her for her reviews and she thoroughly discusses each product in length

- Rarely posts about her disability, but absolutely tears people to shreds when they make ableist comments about her. The only time she brings it up first is when City Hall takes over a month to fix their elevator and she calls them out on it

Harper:

- Electronics repairs. She constantly takes things apart to teach people how to fix it, and this can range from toys to cars. On more than one occasion , her video has been interrupted by someone who planned to be using the vehicle she’s just taken apart

- 2 AM hair dye/maintenance sessions. She constantly gets comments from men being like “Therapy works too, y’know” or “No, you’re so beautiful? Why would you do that to yourself.” She responds to the comments with a video of a gun pointed at the camera with the sole caption being “Fuck Off.”

- Gym videos. She and Dick work out together and he’s the ultimate hype man

- Outfit montages of her getting ready for a random gala and she’s always pulling off the most masc-looking suits that look gorgeous on her

Helena:

- Target practice. She does all kinds of trick shots and crazy crossbow stunts in a wide variety of outfits. Her most popular video is of her in a corset and platform heels.

- Her and Steph bonding over all things purple

- Outfit of the Day posts. The girl has expensive tastes and she absolutely shows it off.

Bruce:

- Occasionally does promo stuff for WE (because Tim refuses to do all of it, and their social media intern won’t back down)

- Shares absolutely wild stories from his college years that somehow always get proven to be true even when the whole comments section is just like “this seems false???”

- Kid tour. He saw one mom do it and felt sad bc he’s never get the kids to agree, but somehow they all did (Alfred bribed them.)

- Shares everything from each one of the charities he’s involved with. Has reposted every single one of their posts on his own personal channel. It raises them hundreds of followers each time.

- One of the kids posted a video montage of Bruce being Brucie and it’s so utterly humiliating? But he won’t delete it because all of the comments say he’s their favorite billionaire and that’s more than his own kids will say.

- Random Pride Month post. Every year it catches people by surprise and every gossip magazine always wonders if Bruce is coming out. He’s just being an ally (and potentially is in denial).

Alfred:

- Prefers not to use social media, but one of the boys filmed him doing random things to teach the internet how to do things properly, like making the bed, doing laundry, etc. Is the internet’s favorite grandpa.

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ryukatters · 1 year

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swipe right — k. bakugo x fem! reader

✮ a/n: i remember seeing a post on here a long time ago about a character making a fake tinder profile for their gf and realizing how many people want her. (if someone knows the OG post please lmk so i can link it!) so now i present to you: bakugo falling to his knees in the middle of your apartment bedroom for the exact same reason.

✮ content/warnings: dubcon, quirkless/college! au, jealousy, possessiveness, breeding, creampie, unprotected sex, cum eating, cunnilingus, overstimulation, praise, biting, bkg gets a little rough with you, and bkg's also a fucking simp but when do I ever write him as being otherwise??

✮ summary: your boyfriend decides to make a fake tinder profile for you just to see how many matches you get. he comes to a realization just how many other people want what’s already his.

✮ word count: 4.2k (i'm so sick)

Bakugo can remember how this all started. In very vivid detail, actually. He remembers because Kaminari had pissed him off so much to the extent that it took him a very substantial amount of effort to refrain from bashing his friend’s face in.

It all started during the last monthly hangout amongst Bakugo and his friends— one day out of the month designated to make sure that they all had time to catch up with one another despite their busy schedules.

Everything was normal, with all of them getting more than enough of their fill of food and alcohol while idly playing video games and talking about random topics to fill in the silence in Kaminari’s living room.

Perfectly normal, until Denki decided to open his stupid mouth, at least.

He goes off on a tangent about a trend he saw on social media where someone makes a fake Tinder profile for their partner to see how many matches they’d get. He proceeds to tell Bakugo that he should try doing it, for “funsies,”— to which Bakugo scoffs at.

“Aren’t you curious, Kacchan?” Kaminari smiles cheekily, wrapping an arm around his blond friend’s shoulders, seemingly oblivious to the fact that Bakugo’s becoming visibly more upset with every passing moment.

“Your girlfriend is really pretty,” Mina chimes in, sticking her tongue out when Katsuki whips his head to glare at her. “I’m still surprised she’s with a grump like you.”

Kaminari butts in, “I bet there’s a whole line of guys around the block just waiting for a chance to get with her. I mean, just look at her! Hell, I’d even let her peg m—”

For a moment, Bakugo swears he wants to bash Kaminari’s face into his flatscreen. And for a moment, he lets that impulsive thought win— getting up and grabbing two fistfuls of Denki’s shirt before promptly getting cut off by Kirishima.

“Alright alright,” Kirishima forcibly pries Bakugo off of the other blond, pushing him off to the side. “That’s enough, you two. Kaminari was just messing around. I’ll admit, it wasn’t a good joke, but no need to hurt the guy, okay Bakugo?”

Kirishima knows that Kaminari wasn’t being that serious, but Kirishima can also admit that what he had to say held some ounce of truth. And Kirishima knows Bakugo well enough to see how your boyfriend tends to be rather skittish and protective with matters concerning you— which is exactly why Eijiro had to stop him before it was too late. He really didn’t feel like preparing for Denki’s funeral or helping hide Katsuki escape from a homicide charge.

And that was that…up until a few minutes ago.

Katsuki’s tried to forget that conversation. But try as he might, his mind betrays him and can’t help but wander back to what Denki said that night.

He trusts you of course, and has complete faith in your relationship. However, he’s curious to a fault, just about perhaps too curious for his own good.

How badly could this end?

As it turns out, this whole scheme seems to be playing out very poorly.

Dozens of photos of you— screenshotted from your social media accounts— fill Katsuki’s screen. He had to choose photos you uploaded yourself, because most of his photos of you were either too…suggestive or too domestic (and he wants to be the only one to see you in those moments).

He swipes through “your” profile one last time before clicking “done” to officially put you on the market. And just like that, Bakugo’s met with the faces of men who are nowhere near your level. He goes through the batch of profiles, scrutinizing each one he comes across. He’s (un)surprisingly selective with the ones he chooses to swipe right on— making sure that they’re at least somewhat conventionally attractive. To his surprise (or dread, rather), his phone pings right away with a notification from someone who swiped back. Another ping. A message.

You free tonight?

Bakugo scoffs. He looks through the guy’s profile— a picture of him at a party with his arms around some girls, another with him doing a victory pose presumably after hiking, and one with him holding a fish. He feels his mouth curl in disgust, about to give into the urge to reply and give this guy a piece of his mind, before he realizes he’s pretending to be you. He takes a deep breath, closes out of the app, and puts down his phone.

He’s starting to regret this.

Bakugo’s phone has gone off 15 times in the last hour. Bakugo has also felt the need to strangle some stranger through the phone 15 times in the last hour. Your (read: his) profile has existed for less than 60 minutes, and you already have a whole address book of nobodies trying to link with you and get a quick fuck.

He feels the familiar beginnings of a headache creeping up the back of his skull. He thinks he might need a drink. Why did he decide to do this again?

In hindsight, he probably should have known this is exactly how it was going to go down.

What was that saying? Curiosity killed the cat?

Yeah.

He was never great at self-preservation in the first place. So this, the feeling of overwhelming jealousy, frustration, possessiveness brewing up a storm threatening to pour out of every single fiber of Bakugo’s being— was no surprise.

He watches as the numbers at the bottom of his screen increase steadily, before tapping on the star icon.

‘99+ likes!’ it reads. Over 99 people who saw your profile and thought you were beautiful. Bakugo pales, and he can feel the cold sweat building on the nape of his neck. He grips his phone, knuckles turning white. Is he shaking from anger or nervousness?

Anger because all these guys think they even have the slightest chance with someone as amazing as you. Nervousness because what if you decide that they do? You wouldn’t actually leave him for one of these guys, right? Right?

None of these men would walk through hell and back for you. They don’t know how you like your coffee, the details of your skin care routine, how you like to binge watch shows and talk Katsuki’s ear off about them (not that he ever minded, of course). They don’t know you, not like he does. Katsuki looks at you like you hung the moon. In fact, he’s pretty convinced that you did. Everything good in his life— the warmth, the color, the joy,— is encompassed by you. He’d be damned if he lets some greasy little nobody take that from him. Because the moment Bakugo fell in love with you, you became a part of him— inextricably and indefinitely. Loving you has become so intrinsic to him, that even the mere thought of another person loving you or looking at you the same way he does has him going insane. Not that anyone could love you like he did, though. That thought brings him some comfort, but not for long.

One last notification he sees sends him spiraling. Bakugo swears that he can see red. That’s when he deletes the app, and throws his poor phone in some random corner of the living room, which is markedly one of the smarter choices he’s made as of late. He marches to your bedroom with a fire burning in his chest.

He stops short of the door and finds you sitting at the edge of your shared bed, fresh out of the shower. You’re applying lotion, and he watches the cream absorb into your skin wordlessly, in awe at how overwhelmingly beautiful you manage to look in the most prosaic of tasks. For a second, he almost forgets the reason he was upset in the first place.

Your hair is still damp, water droplets accumulating at the tips, and Katsuki feels his mouth run dry the minute he watches a stray bead fall and make its way down your neck and stop perfectly in the dip of your collarbone. Your very existence is forever etched into his heart, every inch of you carved into his memory, but even still he can never get tired of looking at you. At every angle, in every lighting, he needs to see you in it. You could call him obsessed, but he’d simply laugh and agree, because what’s so wrong with that? Especially if it’s you.

You’re one to be studied— to be adored, Katsuki thinks, to the greatest capacity. It’s what you deserve. And what better person for that task to fall upon than him?

He finds himself naturally gravitating towards you, his finger tracing the same exact path the water had carved just moments before, wordlessly. You try to pay no mind, but it’s difficult as you realize just how close Bakugo was and how your towel barely manages to cover up your most intimate parts. One wrong move and you’d be exposed. With how things were playing out, and the predatory glint in the blond’s eyes, you don’t think your boyfriend would be too perturbed with your current predicament.

Katsuki presses a delicate kiss to your forehead before he crouches down. Suddenly, you’re at eye level with one another, his hot breath tickling your lips. You think for a moment he’s going to kiss you so you lean forward, lips waiting. But he merely grazes them before he sucks a deep bruise into the juncture of your neck, biting slightly.

You’re barely given any time to react before he’s grabbing the hand that’s securing your towel and ripping it away, the offending garment falling off your body. Your flesh prickles with goosebumps as its exposed to the sudden chill. It’s quickly replaced by the heat of Bakugo’s body as he pushes you lightly, your back hitting the mattress. He crawls on top of you, muscular thighs on either side of your hips, your head placed conveniently between his forearms. He’s trapped you, a nonverbal challenge for you to try and escape.

You’re a work of art, he thinks, but much more valuable than any pièce de résistance framed in any museum.

Beautiful, yes, but far too blank for his liking. He wants to ruin you, make you his own personal magnum opus. And so he does.

He presses a clothed knee against your bare cunt, pressing firmly. His lips continue their assault on your neck, leaving angry purpling bruises in their wake. Rough hands find your breast, and you moan in surprise when he gives both of them a harsh squeeze as he shoves his tongue into your mouth. Katsuki kisses you like a man dying of thirst, hungry for everything you can offer him and more. It’s all too much already, the way he’s kissing you has your mind reeling, and you have to turn your head away for a moment to catch your breath. Katsuki thinks it’s a moment too long without you, so he coaxes you into locking lips with him once more. A wave of mischievousness washes over you, prompting you to take your boyfriend’s lower lip in between your teeth, biting down lightly.

You feel his breath hitch, before he lets out a low groan as he grinds his clothed dick against your bare wetness. He returns the favor, sucking on your bottom lip before letting it go with a wet pop. He pulls back with a lazy smirk, his lips pursing together to scatter messy kisses down the base of your throat and down your chest, alternating between sucking and biting at the flesh.

He gives you a good once-over, scanning every surface, committing them to memory. You feel the need to curl into yourself with how intensely those vermillion eyes are piercing into you, memorizing every single curve, scar, freckle like he’s done time and time again.

He drops down to his knees, broad shoulders bullying their way in between your legs, forcibly prying them open. He grips your hips, fingertips digging into the soft flesh, and drags you down the mattress until your legs are dangling off the bed.

“Jesus, Kats, be more gentle.”

“Shhh. I know you like it when I’m not gentle,” he chuckles. As if to prove a point, he pulls you down even further, giving a harsh bite to your inner thigh. He smiles deviously when you yelp. You try to pull at his hair but his reflexes are too quick, pinning both of your wrists down on either side of you easily. “Besides, this is the perfect height for me to eat you out, dontcha think baby?”

You want to chastise him for being so crass, so Katsuki, but the words die on the tip of your tongue the minute he gives a sweet, loving kiss to your clit, sucking lightly.

“You’re mine. I don’t want anyone else seeing you like this except for me.”

You’re not entirely sure what brought this on, but you find it hard to complain when Bakugo drags his tongue from your throbbing clit to inside your pussy, drinking everything you have to offer.

Your hands automatically try to find purchase in his blond locks, struggling against the vice grip Katsuki has on your wrists. He decides to take pity on you, loosening his hold so you can slip your hands into his hair, moaning appreciatively when he feels you tug. He rewards you by flicking his tongue on your clit over and over again, just the way you like it. He does it until your moans begin to pitch higher and higher, the same way that they do when you’re close. He doesn’t stop his ministrations even after you cum, riding out your orgasm until your thighs are shaking from overstimulation. He pulls away from you with a loud pop, taking in the sight before him.

He runs a hand up and down your thigh soothingly. “So fucked out already and we’re barely getting started, baby.”

Your mind is barely processing his words before you feel Katsuki’s erection brush against your stomach, his clothing haphazardly discarded on the floor. He taps the head of his dick against your clit to tease you, a feeling of satisfaction swelling when you cry out from under him.

He watches in fascination as strings of your arousal cling to him. He positions his length at your entrance, locking eyes with you as you hold your breath in anticipation. Katsuki likes you like this. Needy for him.

“You’re the most beautiful girl in the world, you know that?” He slips into you with a stuttered groan.

Katsuki’s always been big. You never get used to the initial stretch, no matter how many times you two fuck. Still, that doesn’t stop him from sliding in with ease from the slick of your last orgasm. It easily coats his cock as he gives a few experimental thrusts. He groans in rapture. How do you manage to feel so good every time? It’s enough to drive him insane. Perhaps he already is.

“So fucking perfect, no wonder why all those losers want you.” He mutters out the last part, and you’re not sure if you caught that right.

“What?” He chooses not to respond, and you aren’t given the opportunity to think any further before your legs are thrown over his shoulders, Katsuki’s weight effectively pinning you in place. The stretch knocks all the wind out of your lungs, and all you can do is cling to Katsuki, nails leaving red, angry lines on his well-defined back.

He wastes no time before he starts drilling into you, hips slotting in between your legs perfectly. The position has him pressed against your clit, and your entire body feels like it’s been set ablaze, with Katsuki holding both the power to have it burn even brighter and the ability to extinguish it. And you’re almost there, you can feel your soul slowly ascending, your room filled with hymns of pleasure, the coil in your stomach winding tighter and tighter, threatening to unravel along with your sanity. Katsuki can feel it too— the way you’re squeezing him tighter, how your gasps and moans have climbed just a note higher, how absolutely ruined you look, how he’s responsible for your current state. Which is exactly why he wants to push it even further, he wants to see how much you’ll break for him— and only him.

Katsuki cuts you off right before you can reach your peak, pulling out but making sure just his tip is inserted. You come to and take a look at your lover and marvel at the sight. He has a crazed look in his eyes. The way he smirks is absolutely wicked.

You feel distraught— having been so close but having it ripped away from you. You give your boyfriend a petulant pout.

“Katsuki,” you whine, slapping a hand against his sweaty chest, “Why’d you stop? I was so close!”

“Because I didn’t want you to cum yet,” he says simply. “You’ll be good for me, yeah? I’ll give my baby what she deserves, as long as she’s good.”

You roll your eyes, huffing. That won’t do for him.

As much as he loves seeing you indulge, he feels a need to punish you— at least a little bit to even begin to atone for being the wicked temptress you are.

“Don’t be a fuckin’ brat,” Bakugo growls, gripping your face with one hand, squishing your cheeks, causing your lips to purse slightly. “I said be good, okay? Wanna take my time with you.”

There’s a moment of respite, until you sigh in defeat, knowing better than to argue with him lest you wanted to dig your own grave. “‘Kay, ‘ki.”

He flashes you a smile. Obedient, just how he likes you. “Good girl.”

Katsuki draws his hips back, thrusting just enough to fuck his tip into you. He’s teasing. The amount of willpower on his end it takes not to cum is nauseating.

“You’re so pretty, aren’t you?” he rasps, one hand finding their way around your neck, squeezing just enough to make your head spin. Your hands reflexively grab his wrist.

All you can manage is a fucked out moan. Katsuki has to resist the urge to coo, about how he’s managed to turn you into a cockdrunk mess in such a short matter of time. The wave of possessiveness that’s been gnawing at the depths of his soul begins to seep out, and he’s reminded of the reason why the two of you are in this position in the first place.

He gives your throat another squeeze and a rough slap to your clit. “C’mon princess, answer me. Say it.” He slowly adds more and more pressure until your ears grow hot and air feels like a precious commodity.

“I-i’m pretty,” you manage to gasp out, tears spilling from your lash line as you begin to lose yourself between the space of pleasure and pain.

Good. Always so pliant for him.

“That’s right, baby,” he concedes. “So fuckin’ beautiful.” He punctuates the last word with a deep thrust, right against that spongy spot that feels so good. You’re so sensitive that it’s enough to send you spiraling into your second orgasm, walls spasming around him uncontrollably.

Katsuki stills, staving off his own release with all the restraint he can summon. He silently thanks whatever divine forces are out there that he didn’t cum the minute he felt the first clench of your orgasm.

He grits his teeth as he wills himself to move, trying not to get lost in the wetness that envelops him. You’re babbling now, senseless moans filling Katsuki’s ears like a sweet melody.

“Kats, please, I’m too sensitive—” You’re shaking now, muscles trembling with every thrust.

“But I’m not done with you yet,” he says simply, drawing his hips back with a particularly rough thrust. You choke back whatever you were going to say with a loud cry. “What’s your color, baby?”

You take a moment to answer, brain trying to comprehend the words just uttered to you. You look at Katsuki firmly, “Green.”

“Atta girl,” he praises, the drive of his hips beginning to shallow. He’s close, and he doesn’t know how much longer he can hold out. But for you, he tries. “You’re mine, right?”

“Yes,” you breathe out, shivering as goosebumps dance across your skin.

“Say it,” Katsuki pleads, thrusts growing sloppy by the second. “Say you’re mine.”

“I’m all yours, ‘ki.”

With that, Katsuki’s fate is sealed. He’s left groaning as a flash of pleasure shakes his very soul, filling you up with so much cum that it dribbles onto the mattress even while he’s still inside you. You follow suit, an embarrassingly obscene rhythm of squelching noises fill the silence as you spasm around his dick. He collapses on top of you, but he’s still coherent enough to not dump all his weight on you.

Your labored breaths fill the room as the two of you come to. Katsuki pulls out of you with a wince, still a bit sensitive. He gives you a peck on the lips before he drags himself down, settling in between your legs much like he was earlier.

You tense up, “Kats, wait—”

Any and all protests cease the moment Bakugo works his tongue inside of you, slurping lewdly as he drags out the mixture of your cum and his, swallowing. He tries not to stimulate your puffy clit in an attempt to be merciful, but you still feel yourself steadily climbing to what would be your fourth orgasm this session. While the past three have been intense and drowning, this one comes to you in waves, dull pleasure invading your senses as Katsuki continues to eat you out to clean you up.

He pulls away when you finish, your slick and his saliva coating his chin before he wipes it off on the back of his hand. You stare at his half-hard erection with a half concerned, half quizzical look. “Do you…” you lick your lips, “need help with that? I’m a little sensitive down there but I could use my mout—”

“Nah, I’m good babe,” he says earnestly, flashing you a smile that he only ever shows around you. “I’ll be back.” With that, your boyfriend leaves the room only to come back with a bottle of water.

“Drink.” You comply, finishing half the bottle graciously before handing it to him. He downs the rest before he settles next to you on the bed, laying on his side. You mirror him, shifting your body so that you’re both facing each other.

Katsuki reaches out, finger idly tracing random shapes and lines onto the bare skin on your hip. He has a pensive look on his face, one that he usually doesn’t hold after stolen moments like this; it’s an expression he wears when he’s in deep thought.

“Baby,” you call out. His eyes snap to yours, eyebrows raised.

“Yeah?”

“Whatcha thinking about?” You watch as a hesitant look flashes across your boyfriend’s face before he shakes his head.

“S’nothin’. Just thinkin’ about us two.” He speaks lightly. It’s always been difficult for him to voice his inner thoughts and feelings, so he tends to beat around the bush. You’ve learned that if you ever want something out of him, you’d have to pry a little. Katsuki always indulges you though.

“What about us?”

“Do you- do you think you’ll ever get tired of this?” He repeats himself, clearing his throat. The question is followed by a weaker, “...of me?”

You think it’s the most ridiculous question he’s ever asked, because the answer should be obvious. “I’d never get tired of you, Katsuki. I love you so much.”

“I love you too,” he replies automatically, “but if I ever do anything that upsets you, or if I get too much for you, or if I—” he’s rambling now. Yes, it’s difficult for Katsuki to talk about his feelings, but once you manage to get him to open up, all the walls of his self-made fortress come crashing down and it’s up to you to pick up the pieces.

“Baby,” you giggle, pressing a kiss to his lips, cupping his sharp jaw with one hand. “Look at me.” And he does— ruby eyes meeting yours. “I love you because you’re you. And I choose to be with you everyday. It’s not always gonna be perfect, no relationship is. But I know that I will always wake up and choose you.”

You can see the anxiety melt away from Katsuki’s body, shoulders slumping as he lets out a breath he didn’t know he was holding.

“Love you too, sap,” is all he says before he’s pulling you against his chest, squeezing you into a bearhug. You two stay that way until both of you are lulled to sleep.

You’re laying in bed with Katsuki, both of you dozing off when you hear a slight buzz from your phone on the nightstand. You squint as you try to read the notification, and make out that it’s from your friend.

Denki Kaminari: So did it work?

You bite the inside of your cheek to stop yourself from laughing, giving a quick glance over your shoulder to check on your boyfriend— fast asleep. You turn back to your phone, your thumbs making quick work at your keyboard.

You: Just like I said it would. Thanks Denki :)

Writing belongs to @ryukatters. Please do not share my work on Tiktok.

#bakugo x you #bakugo katsuki x reader #katsuki bakugo x reader #katsuki bakugou x reader #bakugo x reader #bakugou x reader #bakugou x you #bakugo x y/n #mha x reader #mha x y/n #mha x you #bnha x reader #bnha x you #kat's writing #kat's demon time #tw.dubcon #cw.dubcon #tw.overstimulation #cw.overstimulation

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melit0n · 9 months

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Something that always confused me when I read TPOTO was why The Phantom chose box five out of all the private boxes to be his.

Out of all the seats in the house, box five is among the worst and would be (and still is) sold cheaply (average 65 francs at cheapest in 1880, now sold a between 10-25 euros nowadays) on general sale. A higher profit would've been made from a year-long booking, especially since there are multiple seats, so it would be 65 francs per person on a yearly booking no matter how many people are in there at once, but still not as much as other seats.

Visual wise, a good chunk of the left side of the stage is cut off and parts of the performance that would occur in the higher wings would be completely unseen, so, why choose it? Isn't the main point of going to go watch an Opera is to actually see the performance?

(A screenshot from the Palais Garnier's seat listing stating the best seats for viewing and the view from the box five via this video)

Having been there myself in late May, I found an answer to my own question and I'm gonna share it with you guys because maybe someone else was asking the same thing!

Although yes, the stage is half cut off, it's one of, if not the, best seats acoustic wise. You're a perfect distance from the orchestra as well as the stage for everything to sound just right. As much as The Phantom would've loved the operatic performance, I don't doubt he would've been more focused on the music itself as well as the vocals, and, mainly, Christine.

Further, although going to the opera was more of a social thing than an entertainment thing, so the boxes were built for aristocracy to be seen above all things, you can disappear from public view quite easily in that box. There are two to three rows of seats going backwards to the door, so all one would have to do to disappear from sight of anyone on stage or in the audience would be to just move a seat backwards (which means he wouldn't have been able to see the stage at all, but would still be able to hear everything perfectly well).

Plus, the box is located right at the end of the row of private boxes, as well as very close to entry and exit stairs, both public ones and private ones meant for stage hands and general workers.

All in all, those three reasons are why the box was chosen and kept in high priority for The Phantom, because he could quite literally disappear, like a ghost, by just moving himself in the box, as well as disappear out of the box and hear Christine almost perfectly.

#had a bit of a revelation so I thought I'd share it lol #maybe this'll be of use to someone but I thought it was cool!#tpoto #poto #phantom of the opera #the phantom of the opera #palais garnier #gaston leroux #mel's rambles #1k #phantastic

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moonwoodhollow · 1 month

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The Old Courthouse - a cc lot by moonwoodhollow

It's time for my August build download and I think this one perfectly fits into the season!

The Old Courthouse is a mostly unfurnished residential lot that is best placed in Brindleton Bay. This lot was inspired by various houses in Salem, Massachusetts and I hope I captured the 'old' New England vibe accurately. It's a perfect family home for your sims, who enjoy spending their time in the garden, gardening, lounging on their patio or inviting friends to a barbecue or an afternoon tea.

More screenshots, info + download link under the cut!

So what do you get?

The Old Courthouse is a 40x30 lot best placed in Brindleton Bay on the Tail's End lot. The building is mostly unfurnished, meaning only the garden area with the greenhouse and garage is mostly furnished, while the actual house is completely empty except for flooring and wallpaper. What could be playtested, has been playtested. Also: this lot was created without the Tool mod.

The house has a sitting room, living room, dining room, small/guest restroom and a kitchen on the ground floor.

You'll find 3 bedrooms on the 1st floor, one master bedroom with an ensuite and a walk-in closet, and 2 bedrooms connected by a bathroom (lots of potential for drama with 2 teen sims!). The last room could be used as an office or hobby room.

In the attic, you'll find another bathroom and 2 larger rooms, that could be used as a guest bedrooms or something else entirely!

Uses items from the following packs: I will update this, once I hop back into game, but I own almost all packs.

Download: Google Drive(360 MB) | Also up on the gallery: aeromantica (but you’ll need the cc files from the Drive folder!)

Is the CC included? Yes.

Also a BIG THANK YOU to all the CC-creators, without their creations, I wouldn’t have been able to build this!

-> Info: I’ve included a few optional files but put them in a separate folder with an info file, so you can decide whether you want to use them.

TOU: Please don’t claim as your own or put behind paywalls etc. If you find any issues (wrong/missing files, etc.) please let me know + tag me if you’ll use the building, I’d love to see it in your games.

If you like what I do and want to show your appreciation, I have a ko-fi!

#ts4 #the sims 4 #sims 4 #sims 4 lot dl #sims 4 build #sims 4 download #ts4 lot dl #ts4 lot download #*mine #*mydownload #sims 4 screenshots #simblr #sims community #ts4 simblr #ts4 build #sims 4 exterior #ts4 lot

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lowpolynpixelated · 5 months

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Bloodborne PSX One of the best fanworks on the web

Though the PS4 boasted and still boasts an impressive library of releases, for many (myself included) the system served to be bought for initially one purpose, to be the Bloodborne Machine. Most of the people in my life who had a PS4 during its generation either bought one exclusively to play Fromsoftware’s Nightmare Hunting Adventure or had initially got one solely to play the game and ended up getting more games afterward. It’s a phenomenon the game industry sees time and time again, with previous generations having swathes of fans buying entire consoles for one or two games. As far as games go though, Bloodborne is at the very least worth the price of entry. At the time, it was heralded as Fromsoftware’s most cutting-edge and impressive game to date. A gorgeous gothic world filled with creatures ripped straight out of H.P Lovecraft’s nightmares, a haunting soundtrack showcasing beautifully composed choral scores and a combat system that incentivized aggression and speed to achieve brutal and bloody efficiency. It’s no wonder then why Bloodborne still has such a large following behind it. Fans of Fromsoftware have hoped for a sequel or PC port year after year to largely disappointing results. But where the community shines is in its fanworks.

From fanart, comics, music, animations, and even fan-made video game spinoffs, the game has been shown a monumental amount of love since its debut in 2015. One of these fanworks was released back in 2022 and has since become one of the most famous pieces of fan-made content surrounding the game, this of course, being BloodbornePSX by LWMedia. An incredibly impressive feat of coding and art direction, the game serves as a “Demake” of Bloodborne’s first Yharnam segment, made to look like and play as if it were made on the very first PlayStation console. With some custom-made areas and an entirely unique boss to boot the perfectly paced experience is both a treat to fans who have been orbiting the game since its earliest days and new fans looking for the best and brightest fanworks to interact with.

The game has since gone on to be covered by a variety of news outlets all over the web, along with its creator receiving much-deserved attention for her efforts. One Lilith Walther (AKA b0tster on social media) holds the title of developer for the project. A long-time video game enthusiast and FromSoftware fan herself, she’s had quite an impact on the community I’m sure she’s very proud to be a part of. Later in the article, we’ve got an interview with Lilith herself about both Bloodborne PSX and her current project, “Bloodborne Kart”, but first, let’s talk a bit more in-depth about BBPSX.

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(Official launch trailer for Bloodborne PSX, uploaded January 31, 2022 by LWMedia on Youtube)

Bloodborne PSX:

So, what exactly is Bloodborne PSX? To start, let’s answer what precisely a “Demake” is first. Demakes often have the goal of remaking the likeness of a game either stylistically, mechanically, or both, as if it was developed on retro/outdated hardware. Famous examples of Demakes include “The Mummy Demastered” developed by Wayforward as a sort of tie-in to the 2017 film “The Mummy” in the stylings of a 16-bit run and gun adventure against armies of the undead, and “Pixel Force Halo” by Eric Ruth games which take the prolific XBOX franchise and shrinks it down to a Mega Man-esque platformer reminiscent of the NES’ 8-bit days. Demakes are intensely attractive looking, not only into the past of video games and their developments but just how creative developers can be with games that they love and appreciate. Bloodborne PSX hits as hard as a Demake can in my opinion, blending masterfully recreated graphics with perfectly clunky early PSX gameplay quirks that go above and beyond to make the game not only LOOK like it belongs on the nearly 30-year-old console but feel right at home on it as well.

(A screenshot depicting the player character “The Hunter” facing off against two fearsome Werewolf enemies. Screenshot sourced from the Bloodborne PSX Official itch.io page)

Gameplay:

Starting off with the masterfully recreated clunk in the gameplay, Bloodborne PSX “shows its age” by hearkening back to a time when being seamless just wasn’t an option. Much like adventure action games of the past (and much UNLIKE its modern inspiration), you’ll be cycling through your inventory delightfully more than you’d expect. Equipping keys, checking items, and even the trademark weapon transformations are all done through the wonderfully nostalgic menu and inventory screens. Taking one of the foundational parts of Bloodborne’s combat system and making it such a more encumbering mechanic is nothing short of sheer genius when it comes to ways to really make you feel like it’s 1994 again. On top of this, the Hunter’s movement itself has been made reminiscent of classic action titles. Somehow, both stiff enough to feel dated and fluid enough to make combat that same rush of bestial fun found in the original, it goes a long way towards the total immersion into that retro vibe the game sets out to give the player. Anyone who grew up with Fromsoftware’s earlier titles like Armored Core and the King’s Field series will be very familiar with this unique brand of “well-tuned clunk”.

(A delightfully dated looking diagram showing off the controller layout for Bloodborne PSX’s controls. Image sourced from the Bloodborne PSX Official itch.io page)

Graphics:

Speaking of old Fromsoftware games, though, let’s talk about the absolutely bit-crushingly beautiful graphical work on display. As I’m sure you’ve seen from the videos and screenshots included in the article, BBPSX’s art style and direction are nothing short of perfect for what it aims to be. While playing, I couldn’t help but notice every little detail (or lack thereof) in the environments meant to emulate the experience of a game made on 30-year-old hardware. Low render distances, chunky textures, blocky polygonal models, just the right amount of texture warp, it all blends together to create an atmosphere that I can 100% picture being shown off on the back of a jewel CD case with a T for Teen rating slapped into the lower corner. While playing, something rather specific that called out to me was the new way enemy names and health bars were displayed in the bottom right corner of the screen while fighting. As a big fan of the King’s Field games, this small detail went (probably too much of) a long way toward my love of how everything’s meant to feel older. Other games trying to match the more specific feel of King’s Field, like “Lunacid” created by KIRA LLC, also include this delightful little detail, a personal favorite for sure.

(A screenshot depicting the second phase of Father Gascoigne’s boss fight, showing off the game’s perfectly retro art style. Image sourced from the Bloodborne PSX Official itch.io page)

Sound design/Soundtrack:

But where would a game be without its sound and score? No need to fear, however, because Bloodborne PSX comes complete with a chunky soundscape that will make you want to check and see if your TV is set to channel 3. A haunting set of tracks played by fittingly digital-sounding MIDIs ran through filters to sound just as crackly as you remember backs up crunchy sounds of spilling blood with low-poly weaponry. Original sounds from Bloodborne have been used for an authentic sounding experience, but have also been given the CRT speaker treatment and sound like something you remember playing on Halloween 20 years ago. If you watched the launch trailer featured above then you know exactly what I’m talking about. The Cleric Beast’s trademark screech and Gascoine’s signature howl after his beastly transformation have never sounded so beautifully dated, and I’m here for every bit of it. Even the horrific boss themes we know and love from the original Bloodborne have been brought through this portal to the past. One of my favourite tracks, the Cleric Beast boss theme, might just sound even better when played on a 16-bit sound chip. It really cannot be understated just how much weight the sound design of the game is pulling. In my opinion, the only thing missing is that sweet sweet PSX startup sound before the game starts crackling through the speakers of a TV in the computer room.

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(The Bloodborne PSX rendition of the Cleric Beast’s boss theme. Created by and uploaded to Youtube by The Noble Demon on March 20, 2021)

Interview with the developer:

Before writing this article, I had the absolute pleasure and privilege of talking with Lilith Walther about some developmental notes and personal feelings about inspirations and challenges that can come with the daunting task of being a developer. Below are the nine (initially ten, but unfortunately, a bit of the interview was lost due to my recording software bugging out) questions I posed to Miss Lilith, along with her answers transcribed directly from the interview.

I’d like to start this section of the article by saying Lilith was an absolute joy to talk to. During the interview, I really felt like she and I shared some common ground on some topics regarding how media can have an impact on you and what sorts of things come with video games as an art form. After some minor technical difficulties (and by that, I mean my video drivers crashed), I started off with something simple. The first question posited was: “What got you into video games initially?” Lilith’s response was as follows: “When I was a kid, the family member of a friend had a SNES lying around. I turned it on and didn’t really understand. I was a guy on top of a pyramid, I walked down the pyramid, and some big ogre killed me. Later I learned that was A Link to the past.” and after a brief laugh continued, “A couple years later my parents got a Nintendo 64 with Mario64 and Ocarina of Time and that was it. Never put the controller down since then.”

She then went on to describe what precisely about Nintendo’s first foray into 3D Zelda had hooked her. “I’ve heard this story so many times. It’s like you’re not even playing the game. You’re just in the world hanging out in Kokiri forest collecting rupees to get the Deku shield, and the game expects you to! It was just, ‘run around this world and explore,’ and that really hooked me.” I couldn’t agree more with her statement about her experience. Not just with a game as prolific as Ocarina of Time but many experiences from older console generations that could be considered “the first of their kind”, or at the very least some of the earliest. Lilith also described her first experience with a PlayStation console, stating: “Later on I got a PS2 which played PS1 games. I didn’t end up getting a PS1 until around the PS3 era, so I guess I’m a poser. I remember my sister bringing home Final Fantasy 9 when it was a relatively new game. If it wasn’t my first PS1 game it was definitely my first Final Fantasy game. Of course I went back and played 8 and 7 afterwards.” A solid answer to a simple question.

The second question I asked was one starting to move toward the topic of Bloodborne PSX and its namesake/inspiration. Or at least the family of systems it was released on: “What PlayStation console was your favorite and why?” Lilith’s answer surprised me a bit. Not because I disagreed, quite the opposite, actually. But with such a big inspiration for her work being games from the PSX-PS2 generations, what followed was a pleasant bit of insight into one of her favourite eras of gaming, to quote: “I can give you two answers here.” To which I assured her she was more than welcome to, but she was set on having something definitive. “No no I’m only going to give you one answer. I can give you the correct answer that I don’t want to admit, but it was the PlayStation 3. It’s so embarrassing but I genuinely was hooked into the marketing of the whole ‘The cell processor is the smartest thing in the world’ and all that. It really seemed like the future of gaming and I was all about it. I think I owned an XBOX360 before but I did eventually get it and really enjoyed it. It took a couple years for some of the best games to come out but I really did.” A few examples she cited as being some of her most memorable experiences on the console were Uncharted 2, Journey, Call of Duty 4: Modern Warfare, and Warhawk. All games I’ve seen on several top 5 and top 10 lists throughout my life within the gaming space. A delightful show of affection for a generation personally very dear to me as well, in which she ended the segment by declaring “Hell yeag”, a bit of a catchphrase she’s coined online.

Getting into the topic proper, my third question was one about her personal relationship with Bloodborne: “How did Bloodborne impact/appeal to your interests?” A question that received perhaps my favourite answer of the whole interview. From her response: ”Oh that’s a big one. Going to the opposite end of the poser spectrum, I was a Fromsoftware fan before it was cool. One of the games I played religiously on my PS2 was Armored Core.” A statement which made more sense than perhaps anything else said during my time with her. “Then later in the PS3 era everyone was talking about Dark Souls, this was when I was in college. I finally caved and got it and saw the Fromsoftware logo and thought ‘Oh it’s the Armored Core people!’ I played and beat it, really enjoyed my time with it. I skipped Dark Souls 2 because everyone told me to hate it, I still need to go back to that one.”

It’s something I would recommend anyone who hasn’t played Dark Souls 2 to go and do. “Then Bloodborne came out and I thought ‘Alright this is the new one, gotta play this one’ and I was a huge fan of all the gothic stuff in the aesthetic. And how do I explain this, I do really like Bloodborne. I like the design, and the mechanical suite of gameplay, as a video-gamey video game it’s very good.” The tone shifted here to something a bit more personal. “But as well, I was playing it at a specific time in my life. I came out in 2019, I know Bloodborne came out in 2015 but I was obviously just playing it non-stop. It was just one of my ‘coming out games’, you know?” For those who maybe don’t understand the statement there, “coming out” is a very common term used within the Queer community to describe the experience of revealing your identity to those around you. Whether it be to family, friends, or co-workers, almost every queer person has some sort of coming out story to tell. Lilith is speaking in reference to her coming out as a trans woman. She elaborated: “Obviously I can only speak for myself, but I just feel like when you make a decision like that, that part of my life just ended up seared into my brain, you know? Bloodborne was there, so now it’s just a part of me. And it definitely influenced some things about me. It was there because I was working on Bloodborne PSX at the time, but it had an impact on something I’ve heard a lot of other Trans people describe.” She went on to describe the concept of “Coming out a second time” as sort of “finding yourself more within your identity” and becoming more affirmed in it. She described both Bloodborne and her development on Bloodborne PSX influencing large parts of her life, a good example being how she dresses and presents. As a trans woman myself, this answer delighted me to no end. I, for one, can absolutely 100% relate to the notion of media you experience during such a radical turning point in your life sticking with you. There are plenty of games, shows, music, and books that I still hold very near and dear to me because, as Lilith stated, they were there. All the right things at the right time.

Halfway through our questions, we’ve finally arrived at one pertaining specifically to the development of Bloodborne PSX: “What are some unique challenges you’ve faced developing a game meant to look/play like something made on retro hardware?”

Lilith answers: “So there’s two things, two big things. One is rolling back all of the quality of life improvements we’ve gotten over the years in gaming. Not automatically using keys is always my go-to example.” Something as well I mentioned in my short talk about the game’s gloriously dated feeling gameplay above. “That was definitely very very intentional. Because it’s not just the graphics, right? It was the design sensibilities of the 90s. Bringing that to the surface was very challenging but very fun. Another big part was, since it was one of the first 3D consoles, I wanted to recreate the hype around the fact that ‘ITS IN 3D NOW!’ So if you go into your inventory you’ll see all the objects rendered in beautiful 3D while they slowly spin as you scroll through them.” This is a feature I very much miss seeing in modern video games.

She continued, “I think the biggest one was the weapon changes. Bloodborne’s whole thing was the weapon transformations. Like, you could seamlessly change your weapons and work them into your combo and do a bunch of crazy stuff, and I kind of said ‘that needs to go immediately.’ So now you have to pause and go to your weapon and press L1 to transform it, that was extremely intentional. So once I had those three big things down it all just sort of fell into place. Like the clunky UI and the janky controls. You need jank and clunk, and I think that’s why Fromsoft games scale down so nicely, because they are jank and clunk.”

A point I couldn’t agree with more. Despite all the modern streamlining and improvements to gameplay, Fromsoft’s ever-growing catalog of impressive experiences still contains some of that old-school video game stiffness we’ve (hopefully) come to appreciate. She went on to make a point I was very excited to share here in the article, “It was just a lot of trying to nail the feel of the games and not just the look, right? Like I’m not trying to recreate a screenshot; I’m trying to recreate the feeling of playing this weird game that’s barely holding together because the devs didn’t know what they were doing.” In my humble opinion, something she did an excellent job with.

Fifth on the list was a question relating to her current project, Bloodborne Kart, a concept initially drawn from a popular meme shared around social media sites like Tumblr when the buzz of a Bloodborne sequel was keeping the talking spaces around Fromsoft alight: “Anything to say about the development of Bloodborne Kart or its inspiration?”

Lilith answers: “So first off Bloodborne Kart is less trying to be a simulation of a PS1 game and more just an indie game. It’s not trying to be a PS1 game, I just want it to be a fun kart racer first. Starting off of course is Mario Kart 64, that’s the one I played back in the day. But I looked at other games like Crash Team Racing and Diddy Kong Racing, but also stuff like Twisted Metal of course. I always used those as a template to sort of look at for design stuff like ‘how did they handle what happens to racers after player 1 crosses the finish line.” The next portion of her answer was initially a bit confusing but comes across better when you consider certain elements present in BBK’s battle mode. “And also Halo, like for the battle mode. I had to do a battle mode and it kind of just bubbled to the surface. Split Screen with my sister was such a big part of my childhood. Thinking about Halo multiplayer while I was making the battle mode stuff.”

Her answer to the previous question began to dip into the topic of our sixth question: “Are there any unique challenges or enjoyable creative points that go into making something like Bloodborne Kart?”

As she continued from her previous answer: “One of the biggest quirks of the battle mode I had to figure out was how to tell what team you were on at a glance, and that came back to Halo again. I started thinking about how you could tell in that game and it hit me that the arms of your suit change to the color of whatever team you’re on. It was just something I never even thought of because it’s so seamless. So that gave me the idea to change the kart colours, and that’s the most recent example of me pulling directly from Halo. It’s wild how a small change like that can turn your game from something unplayable to something fun.” I would agree. Tons of small details and things you don’t think about go into making seamless multiplayer experiences. Some of which we take for granted nowadays. She then made a point about one of the most challenging aspects of BBK’s development, “The most challenging thing was definitely the Kart AI. AI is just my worst skill when it comes to game development among the massive array of skills you need to make a game. It’s really hard to find examples of people coding kart driving AI, You know? You need to make a biped walk around you can find a million tutorials online but if you need to make something drive a kart, not really. I was really on my own there. A lot of the examples out there are very simulation oriented. Like cars using suspension and whatnot, but I’m making a kart racer. So I started simple, I put a navpoint down and if it needs to turn left, turn left, if it needs to turn right, turn right. And I just kept adding features from there.”

Moving onto our last three questions, we started to get a little more personal. Question seven being: “What’s your favorite part of Bloodborne Kart so far?”

Her answer was concise in what she was excited about most, quote: “The boss fights.” Short and sweet but she did elaborate. “Translating a big part of Bloodborne is the boss fights. So I made a short linear campaign which is basically AI battles and races strung together. Some of those stages are just boss fights which are unique to the rest of the game. When you make a video game you sit down and you make all your different modes of interactions, and then you make a multi-hour experience mixing and matching all those different modes in more complicated ways. I think the most interesting part is when that style tends to fall away and it ends up building something entirely unique to that experience.” An example she gave was the infamous “Eventide Island” in Breath of the wild, it being a unique experience where the game’s usual modes of interaction are stripped or limited, forcing you into a more structured experience that ends up being a majorly positive one. “That’s what the boss fights are in Bloodborne Kart. They do multiple game mechanics like a chase that ends in a battle mode. Like Father Gascoine’s fight where he chases you, and after you blow up his kart he turns into a beast and picks up a minigun.” That sounds absolutely incredible. It’s very easy to see why she’d pick the boss fights as her favorite element when they’re clearly intended to be such unique and memorable experiences.

Our last two questions veer away from the topics of development proper and focus more on our dear dev’s personal thoughts on the matter. Question eight posits: “What’s your personal favorite part of being a game developer?”

After some thought, she gave a very impassioned talk about something she considers to be the best part of the experience: “When people who aren’t game developers think about game development they think of things like ‘oh well you just get to play video games all day and have fun’ but it’s not! Except for the 2% that is, and it’s near the end of development. When all the pieces fall into place and you start actually ‘making the game.’ Game development, especially solo, you’re so zoomed in on specific parts. Because you’re not making a game you’re programming software that’s what making a game is. You spend months working on different systems and then you actually sit down and make a level, and you hit play and it you go ‘Oh my god, I just made a game’. That part is what sustains me. It’s magical. That’s the best part when it comes to true appreciation of the craft aside from the reception.” An answer that I don’t think I could’ve put better if I tried.

My last question is one that I consider to be the question when it comes to interviewing anyone who works on video games. Perhaps a bit basic, but heartfelt nonetheless: “Anything to say to anyone aspiring to be a game developer?”

Lilith’s answer: “Yes. Just do it. For real. This is what I did and it always felt wrong until I looked at more established devs echoing the sentiment. You cannot plan a game before you’ve started making one. The example I always bring up is the team behind Deus Ex wrote a 500 page design document for the game and almost immediately threw it out when they started development. Just start! You’re going to have unanswered questions and I think that trips people up. Don’t start with your magnum opus idea, start with something simple and achievable. I feel like a lot of people set out with the goal of making a triple-A game, and that’s good! But it can’t be your first game. Game development is creating art, just like any other form of art, and it’s like saying ‘my first drawing is going to be the Mona Lisa’ and it just doesn’t work like that. You need practice and development, and it’s difficult to see that because games take so long and so much, so it’s definitely seen as a bigger undertaking. But it’s still art. You’re still making mistakes and learning from them for your first project. Your next game will be better. View your career as a game developer as a series of games you want to make, and not just one big game.” A perfect response to an otherwise unassuming question.

Lilith’s passion and love for video games were reflected very clearly in every response she gave during my time with her. Her dedication and appreciation for the art form can be seen in every pixel of Bloodborne PSX, as well as the development logs and test builds of Bloodborne Kart. I really do think that the way she answered my final question speaks volumes to the type of attitude someone should take up when endeavoring to make art as intensive as a video game. Whether it’s fanwork of a game that’s important to you or an entirely new concept, do it.

(developer of Bloodborne PSX Lilith Walther, image provided by Lilith Walther via Twitter)

Closing:

If you’d like to check out the positively phenomenal experience that is Bloodborne PSX I’ve included a link to the official itch.io page below the article, as well as a link to the official LWMedia Youtube page where you can check out Lilith’s dev logs, test videos, and animations about her work and other art. Thank you so much for reading, and another very special thank you to Lilith for setting aside some of her time to talk to me about this article. Now get out there and cleanse those foul streets!

Links:

Bloodborne PSX official itch.io page: https://b0tster.itch.io/bbpsx

LWMedia Official Youtube page: https://www.youtube.com/@b0tster

Lilith Walther Twitter page: https://twitter.com/b0tster

#my writing #my stuff #writing #video games #bloodborne #bloodborne psx #demake #article #b0tster #bbpsx #Youtube

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vampireistic · 2 months

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the problem with natlan / sumeru

warning: long post

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to preface this i’d like to say that i’m in no ways an expert in the topics present, i’m just an autistic dumbass with too much time on his hands who enjoys a bit of research — i’m in no way, shape or form trying to belittle players who are excited for the update, by all means i hope you enjoy it, i’m just trying to give criticism.

you can enjoy/play a game while criticising it simultaneously.

when it comes to the topic of racial diversity and a company like hoyoverse that’s based in china, there’s quite a lot of political baggage that comes along with it. while i’ll try my best to go over that, i’m afraid i can only give a very limited eastern european perspective on it and i’ll certainly get things wrong or misinterpret things — if you’d like a more thorough view on the politics, please go read the post made by @zeichannnnn (hope you don’t mind the tag my love)

firstly, i’ll be going over general misconceptions, ridiculous excuses and or stereotypes that i’ve seen commonly come up in this conversation.

any and all screenshots will have usernames cut off for privacy, i want to maintain a civilised discussion and not cause argument.

a lot of my critiques are more so towards the attitude the fandom has when it comes to this argument and their blatant colourism. as my friend above says, no one ever complained about characters in liyue/inazuma being paper white despite the fact realistically, no one in EA is that colour naturally. this of course stems from the beauty standards but that’s a discussion for later on.

the point is that if say a nation like liyue, had the same skin colour as a character like xinyan (who hails from liyue and has a liyue name) people would undoubtedly be upset. so why is it that when in terms of nations that are based off countries with a darker skin colour variety, complaining about the characters being white is seen as a problem?

culture isn’t defined by racial diversity, but when you’re monetising off the representation of different countries cultures, the very least you can do is show the actual diversity within said culture instead of slapping a cultural name on a white model (cue that one picture of the egyptian dude who looks like a plain american).

the idea that because it’s fantasy or anime, having black characters is surreal or improbable is rooted in white supremacy’s hold over unfair beauty standards as well as just the general consensus that black people are less desirable in media. which is completely false.

characters like dehya have proven that a character’s race is irrelevant when it comes to likeness, given the fact the chinese community ended up donating to charities because of said characters story.

the reason why the lightly toasted characters appear tan to you is because the rest of the cast is so horrifically pale (nahida’s hex code is #FFF7F1, cyno’s is #EEC6A6 which when placed next to each other may look like a big difference, but in reality the colours are on the same side of the colour wheel only a few spaces apart).

hoyoverse does in fact use culture as a mere aesthetic and costume to plant on white models. that is NOT to say they misrepresent culture entirely: this post goes over how hoyoverse is perfectly capable of doing impressive research to bring forth forgotten or unknown bits of culture.

even aside from the problems with racial diversity, the character design department has been known to completely fail when it comes to accurate representation. from the sexualisation of the kimono in characters like raiden shogun (which even the eastern part of the fandom have been upset about) to the character of yunjin where the chinese player based believed she was more like a lolita inspired caricature than a real depiction. they don’t understand how to mingle tradition with modernism.

in all fairness, it is difficult — and i will praise the game for making natlan much more technologically advanced and vibrant than people were expecting because having the one nation that’s based off africa and indigenous people be a wasteland would’ve ultimately been a problem. personally, i even love the slight mashup of “tribes” and the pokémon esque aesthetic — its new, and a smart way to bring two things together.

same thing cannot be said for how hyv ignores the fact darker people of colour are also significant when it comes to the building of culture.

please read over these that go more into depth about problems:

natlan being an amalgamation of three separate countries/cultures.

misrepresenting both continents natlan’s based from

another thing that’s always bothered me is the excuses people used in sumeru about the presentation of characters that were based off real people; specifically, kusanali.

yes, she’s based off a hindu moon goddess who’s described as pale and sure that could’ve been the reason she’s nearly the colour white — but how come candace, who’s based off kandake, a fully black woman, is presented as being slightly tan? you can’t pick and choose what you represent and honestly the idea that nahida’s character is supposed to be a depiction of the moon goddess is disrespect to the goddess herself (please go look at a singular picture of her and you’ll understand the utter tragedy).

hoyoverse also has a bit of a history with both whitewashing their slightly tan characters (nekomiya from zoneless zen zero, arlan from honkai star rail etc) but i think one of their biggest proofs of disrespect comes to carole pepper from hi3.

now, this is not at all me saying you can’t present female characters as very muscular — no. in fact, i would’ve loved if characters like beidou had a similar sort of build. but out of all the characters you could’ve chosen to give this to, you chose a black woman.

would this be a problem if it continued with other characters? not really. the issue lies within the fact the ONLY mother in game who’s presented as buff and “masculine looking” is a black woman — something that’s quite literally a stereotype against black women who are regarded as “naturally less feminine” than white women.

eastern beauty standards

the assertion that eastern beauty standards prevent the inclusion of black characters in video games is not only invalid but also reflects deeper issues of bias and systemic exclusion in the gaming industry. this argument is flawed for several reasons, including the diversity of beauty standards in eastern cultures, the global nature of the gaming market, and the responsibility of creators to reflect and promote inclusivity.

to claim that eastern beauty standards universally exclude black characters oversimplifies and homogenizes the diverse beauty ideals present in countries like japan, south korea, and china. these cultures are not monolithic and have their own histories and contemporary movements that embrace a variety of appearances.

creators in the gaming industry have a responsibility to reflect the diversity of the real world and promote inclusivity. video games are a powerful medium that can shape perceptions, challenge stereotypes, and foster empathy. by including black characters, game developers can contribute to a more inclusive and equitable society. this requires intentionality and a commitment to representation that goes beyond mere tokenism. the argument that eastern beauty standards prevent such inclusion suggests a lack of willingness to challenge existing norms and expand the narrative possibilities within games. hoyoverse have themselves stated in their mission statement that their goal is to show inclusivity.

that’s not to say it’s not clear that china’s beauty standards have unfortunately affected the gaming market: but for a game that brandishes itself on localising itself for a global audience (meaning, outside of its region), it’s a poor excuse. those standards aren’t universal and shouldn’t be used as gateway into designing.

once again, i am NOT at all very well versed in politics especially one that’s overseas (well, next door neighbour in a way) so i definitely will misinterpret or misunderstand things unintentionally and if i do, i’m really sorry.

historical nihilism to me doesn’t relate to black people, just actual story events (hence why hoyoverse had to put a warning label for fontaine that the events presented didn’t represent that of the real world and any similarities were mere coincidence). black people existing isn’t regarded as “politically harmful” neither is it an extraordinary idea — it’s just another group of people.

although, the CCP has a MASSIVE history about their demonisation and hatred of black people therefore, even without the idea that the censorship stems from something like historical nihilism, it’s likely something to do with individual prejudice.

politically, i can semi-understand why hoyoverse is in a tight space for racial diversity. but that doesn’t mean i’m willing to baby a company that profits billions worth of profit from other cultures that they misrepresent and i’m even less inclined to hold the hands of hoyoverse dickriders who believe people complain about race just solely to whine. it’s a real systemic issue, and one that’s prevalent in a multitude of games aside from genshin.

people from the cultures presented are rightfully upset and they shouldn’t be told to just “accept”mediocrity. it’s their culture and identities being ridiculed, it’s their identities being profited from for the sake of aesthetics for a game that preaches inclusivity to the people that are willing to ignore its prejudice.

hell, even as a polish person, just thinking about what they’ll do with snezhnaya upsets me even if it’s not racially based — once again, the media emphasises the idea that eastern europe / slavic culture is purely russia meanwhile they steal little things from all of the surrounding countries in eastern europe (won’t forget the fact they changed that password thing in sumeru from “ravioli” to “pierogi”).

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TL;DR hoyoverse uses other people’s cultures and identities as an aesthetic and proceeds to profit off of it while misrepresenting the sample of people they chose to depict and while a political argument can be made in this regard, ultimately the backlash from people rightfully feeling unjustified in the lack of racial diversity is what amplifies these colourist attitudes: and while hoyoverse has seemingly much more legal repercussions to commit to their idea of diversity, the fandom has no excuse for their disregard of different identities.

also just a funny thing my friend and i did to show just how white these characters are lol

“ blackwashing “ versus “ whitewashing “

i feel like i need to add this little section too because i know there will be a lot of people that draw or reimagine the characters in a variety of different skin tones, and i know a lot of people will be upset (usually it’s just the lowlife weebs who cry at the thought of a black woman being in the same room as them).

historically, media, including video games and anime, have predominantly featured pale-skinned characters, often neglecting the representation of people of color. this lack of diversity reinforces a narrow view of beauty and heroism, contributing to the systemic exclusion of non-white individuals. blackwashing helps to rectify these historical imbalances by providing a broader spectrum of racial representation. it challenges the default assumption that characters must be pale-skinned and introduces audiences to a more inclusive range of appearances.

representation matters profoundly in media. seeing characters that reflect one's own identity can have significant positive effects on self-esteem and cultural pride. blackwashing creates opportunities for black audiences to see themselves in roles and narratives traditionally dominated by pale-skinned characters.

critics (once again, youtube creators and tiktok lmao) of blackwashing often argue that it disrespects original character designs or cultural contexts. however, the impact of changing a character's skin tone is minimal compared to the harm caused by whitewashing. whitewashing often erases the cultural significance of non-white characters, perpetuating stereotypes and denying the rich diversity of the source material. blackwashing, in contrast, does not erase cultural identities but rather enhances the inclusivity of the media. it provides a more diverse and representative depiction without detracting from the character's original essence or storyline.

in addition, usually when a character is black in fantasy media or even just an anime/game with a lore based story, it’s because their race is significant to who they are (i.e tiana from princess and the frog who faces racial discrimination — without her being a person of colour, this storyline and the events that follow wouldn’t make sense).

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i’m sorry for such a long and probably nonsensical rant, but this has bothered me into absolute oblivion especially the community’s response to the uproar of people who rightfully critique and are upset by the company.

#i won’t entertain mediocrity no matter the excuse #sorry for the long post i got a headache while writing it 😢#genshin #genshin impact #gi #genshin natlan #natlan #genshin critical

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authorhjk1 · 11 months

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Interlude: Doctor appointment turns into bunny breeding sessions

( Kim Minji X Male Reader)

You sigh as you look around the waiting room. It has been a couple of minutes now, since the two girls left. About to stand up, you suddenly see one of the doors open.

The woman in the doorframe makes your eyes widen. Who is she?

The Korean woman wears a black jacket and a pair of shorts. The shorts almost make it look like she isn't wearing anything to cover her core at all. Her black choker and leather boots complete the all black outfit. It looks like she is also wearing fishnets, which barely even reach her knees.

"Ugh! I hate it here."

She slumps down on the chair on your left. Only now you realize she is also wearing a black top.

"How come?"

You decide to talk to her. This isn't an actual waiting room after all, which means she must live here. And that means, she is probably in on all this.

"The doctor is crap."

She doesn't even look at you as she blows a bubble with her gum.

"Which one?"

"The one with the pink hair."

She has her legs and arms crossed, while she sits next to you.

You frown. The two girls you met at the airport had brown and black hair. Whom is she talking about?

"What's your name?"

"Minji. Yours?"

"(Y/n)."

She offers you her fist and you give her a fist bump.

"Is something going on downtown?"

"What?"

You look at her in confusion.

"Is something wrong with your..."

She deliberately looks down at your crotch.

"Why would you ask that?"

"Because the doctors here are specialized in that area."

Minji blows another bubble, letting it pop loudly.

"I see."

It's silent for a couple of moments, before she asks again.

"So? Something going on?"

You ponder if you should tell her. This is still fake. So maybe you will get something out of this. You eye her from the side. Her face looks like that of an angel, although she is currently going for the opposite persona. Her black top is low cut, which means you have no trouble enjoying the view. Because the lower part of her jacket is covering her shorts, it looks like she isn't wearing any pants. Her long, creamy legs are on display.

"I produce too much.... You know?"

You glance at her face as she looks at you.

"I see."

She nods while blowing another bubble.

"And you?"

She shrugs her shoulder.

"I have this kink. Although the doctor says it's an addiction."

She scoffs, before shaking her head.

"What kind?"

You might have sounded a little too curious.

Minji ignores your question as she suddenly looks around.

"Hey, can you make sure no one comes in?"

A little surprised, you nod, before seeing Minji leaving her seat. She walks towards the "counter" before leaning over it. Her jacket rides up as she reaches for something. Her tight black shorts hug her butt perfectly, giving it a perfect shape.

But your eyes are quickly caught by something else. Black ink is decorating her left thigh, right above the back of her knee. The tattoo seems to be made out of three small butterflies.

Once she found it, she turns around, holding up her phone.

"Those idiots took it away from me. They said, I can't stop reading this stuff, but they are just overreacting."

"What kind of stuff?"

You watch Minji walking back to her seat next to you.

"I keep reading fan fiction about me. I'm a rock star, you know?"

"Oh, really?"

"Surprising, right? A sweet girl like me?"

She wiggles her eyebrows mockingly, before turning her phone on.

"And what kind of fan fiction?"

"I found this amazing story on Wattpad least year. The author's name was something with HJK? I dunno. But it was deleted. Luckily, I took a few screenshots."

"And what is it about?"

Minji winks at you.

"It's about how I get my back blown out by the reader."

You don't know how to respond to that. You are glad she keeps talking.

"I'm supposed to have a throat fuck kink, according to the story."

"And is that true?"

You are surprised at how freely she talks about this.

"Well, yeah. I like it. But that's not my favorite thing."

You see her opening her Tumblr account "timetobreedminji". After seeing her username, you are already able to guess, what her favorite thing is. Still you ask her, wanting to hear it from Minji in person.

"And what is your favorite thing?"

The Korean girl looks up from her phone to look at you. Her eyes are big and dark.

"Beeing bred."

Her eyes suddenly become a little darker as if you just triggered something in her.

"The doctors try to convince me, that I'm delusional, but that's not true. Do you know, why my fans call me bunny or rabbit?"

You shake your head. You expected another kind of name for a rock star, but you are in Korea after all.

"Because they all want to breed me."

"Really?"

You don't sound as surprised as you thought you would. Minji nods her head.

"The doctors told me, I'm fertile as hell. Perfect for breeding."

Her phone is lying forgotten on the seat next to her. Glancing at it, you read the title of the post, which she is currently reading. "Doctor's appointment turns into bunny breeding session"

(Author's note: "What the...??")

Minji looks around the room, before sighing heavily.

"Do you know how long it has been, since someone tried to breed me?"

You shake your head.

"About a week ago. I feel so empty."

By now, your dick in your pants is already hard. Forget about Yoohyeon and SuA. You have to fuck Minji first.

"Wait a minute."

She scans you up and down.

"You said your balls are producing too much cum, right?"

You nod your head hesitantly. Minji makes this roleplay stuff feel very real.

"Isn't that great for breeding?"

You should have known this question would come eventually.

"What do you mean?"

"Well, the more you cum in me, the higher the chance you breed me properly."

"But I have an appointment soon."

Minji rolls her eyes in annoyance. Her rock star persona shining through.

"I don't give a fuck. Those doctors are dumb anyways. Wouldn't it help us both?"

You think about it for a moment. She is not wrong.

"You would lose some of that cum of yours and I can be your breeding bunny. That's a win-win."

"I don't see the harm in that."

As soon as you agree, Minji straddles your lap.

"Finally I'm gonna get some cum in my belly."

She whispers, before kissing your lips.

You hold onto her thighs to steady her on top of you. Her soft, creamy skin feels smooth underneath your palm.

Minji grinds on you, rubbing her center against your own. She can feel your hard cock in your pants, which makes her even wetter. As she imagines, how you would cum in her, you start to attack the flawless skin on her neck.

You immediately realize, that Minji only has one goal in mind. She already starts to undo your belt. Having sex is just a way to get what she wants. It's just a means to an end. You wonder if that's the role she is playing, or if that's actually her.

You lift your hips as you feel Minji pull off your pants and your underwear in one go.

"I'm sorry, but I don't have time to suck you off."

The Korean girl's breathing becomes faster as she reaches for your cock.

"I just need your cum in me. As soon as possible."

She let's some spit fall out of her mouth and onto your dick. Her hand makes sure that it's all wet. Still a little surprised at her speed, you are only able to watch as she lifts her hips.

"Get them off me. Please."

She sighs, while waiting for you to pull her pants down as well. The black fabric is tighter around her body as you expected. It takes a second to peel her shorts off of her. She isn't wearing panties, only a small stripe of hair decorates her lower region.

"Put it in already."

Her demands turn into whines as she waits for you to act. You guide her hips towards you, while Minji points your cock at her entrance. As she sinks onto you, you feel her snatch taking in your dick. Minji's walls have a tight grip on you as she lowers herself further.

"If I knew you were so big, I would've taken my time with it."

She sighs as you run your hands along the smooth skin of her thighs.

"I wish I could've felt these around my head."

You tease her as you squeeze her thighs slightly.

Minji sighs heavily, already stuffed with half of your cock. She leans forward, pressing her clothed chest into your face. You feel her hard nipples graze your cheeks as Minji takes a fistful of your hair.

"I'm such a needy bunny, I know."

She pushes your head further into her chest, while she slowly starts to ride you. When she Minji sinks down on you fully, her face is on level with yours. When she moves upwards, she presses your head into her chest. You take every opportunity to kiss her skin as you feel her pussy around your cock. You can feel Minji relaxing and contracting her muscles with the rhythm of her movements. She really does try her best to make you cum as fast as possible.

You wonder, how long you can hold out, not wanting to see this end too soon. You reach behind her to take handfuls of her cheeks. Minji moans into your mouth.

"Just use me, until you cum."

Before you can answer, you are faced with her black top again. When Minji sinks back onto your cock, she throws her head back, letting her hair look like a waterfall behind her.

You start to take control of her bounces, making her go a little faster. Much to her enjoyment it seems as Minji releases moan after moan.

"Make me ride your cock, baby."

Her walls squeeze you tighter, her pussy desperate to milk you dry.

"Fuck, Minji I-"

"Yes! Yes! Cum in me!"

She feels your cock twitching inside of her. You squeeze her ass harder, trying to hold on a second longer as you practically pull her onto your cock, before pushing her off again.

"Breed me! Breed this little bunny!"

You feel pain on your scalp. The result of Minji trying to hold onto her own high, wanting to climax when you cum as well. It makes your head roll back too as you try to ease the pain.

"Give it to me! Breed me!"

"Fuck."

You moan as you finally unload inside of Minji. You hold her down, her pussy sealed around your cock tightly. The young woman shakes slightly on top of you as she feels her orgasm washing over her, while your cum floods her insides.

You open your eyes, when you finally come down from your high. Minji's chin rests on your shoulder as she tries to catch her breath. This was quite short. And yet, really good. It's evident that she has some experience. You feel your cock still inside of her as Minji slowly rolls her hips.

"Do you think you can give me a another load? Just to make sure you are breeding me properly?"

You could have said no. Maybe you even should have, knowing that the other two girls are waiting for you. And yet, you can't help yourself.

You wrap your arms around her, trapping Minji against your body. The two of you stay connected as you stand up. Although Minji is small and light it's still hard not to trip. You carry her to the kitchen counter as you feel her lips on your neck.

"Drown my pussy in cum, baby."

She whispers into your ear as you sit her down on the counter. She unlocks her legs behind you, enabling you to take them into your hands.

Minji lies down, her back pressed against the cold surface. She can feel it underneath her jacket. She is still wearing her boots and fishnets as you put her ankles onto your shoulders. You have a great view of Minji's pussy as you let your hands glide along her legs. Your fingers dance over the dark butterflies on her skin, until they reach her waist.

You see the young woman nodding. Her gaze a mixture of excitement and need.

Slightly pressing down on her belly, you almost pull out completely.

Pushing back inside, you hear her pussy making wet sounds. You push your cum further into Minji as you start to rock her world on top of her own kitchen counter.

"Oh fuck! So much cum!"

She feels your warm cum inside of her as you fuck her hard.

"Yes! Yes! Yes!"

Minji arches her back off the stone surface. You hold onto her thighs, feeling one of her ankles slowly slip off your shoulder. The young Korean seems to interpret your actions differently.

"Yes! Put me in a mating press! Breed me!"

She moans loudly, almost shouting. You pull her further towards you, making her ass leave the surface. Leaning over her, you push Minji's legs towards her body. You start to fold her in half. Her boots reach her head and she holds onto her own ankles. You place your hands on the back of her thighs, one directly on her tattoo.

Her pleading face makes you fuck her harder. Now you are slightly above her, hitting even deeper spots.

"Fuck yes! Push your cum further!"

Minji mewls as you keep pounding her. You feel your muscles slowy getting tired as you use all your strength to push into Minji. She looks so sexy like that. Lying on her back, her ankles in her hands, unable to do anything but take your pounding.

Your thumb grazes over her butterflies. You are not a fan of permanent tattoos on women, but fake ones like these are very sexy. This one is quite small, but seductive. You wonder how Ahin would look wih a tattoo. Maybe on her back? A big one?

You lose your thoughts as Minji's pussy brings you back to reality. It squeezes your cock tightly, trying to drain you again. You feel your orgasm approaching as you fuck Minji into the counter.

"Gonna cum!"

You are surprised she cums so early, you expected her to orgasm with you again. She reaches around her anke with her left hand, covering her mouth with her hand.

Minji's head rocks back and forth along with her body as you drive her towards her orgasm.

"Fuck!"

Her scream is muffled, yet audible. Her body shakes, a little harder than the first time, as Minji cums around your cock again. It makes her pussy tighter, bringing you closer towards the edge as well.

"Fuck, Minji. I'm gonna cum in you."

"Yes!"

Her hand has left her mouth as she nods her head vigorously.

"Fill me up again! Breed my little bunny pussy! Give me baby bunnies!"

Not the usual choice of words, when someone begs you to cum in them, but Minji makes it sound somewhat alluring.

You grip harder onto her thighs as you push her legs further towards her. She is one flexible woman, taking your pounding in this position with ease.

"Fuck!"

You hiss as you unload a second time in Minji's pussy.

"Yes! Fill my womb! Cum in me!"

Her hole holds onto you tightly as you shoot rope after rope of cum into her freshly fucked pussy.

"So warm."

Minji sighs as she feels your cum inside of her. You lean over her, pressing her legs against her torso.

"I hope you stay addicted to this. I would love to breed you again."

Minji chuckles, wrapping her hands around your neck, pulling you closer.

"Wait for me after your appointment. And don't waste too much cum on them. They don't know how to appreciate it."

#kpop #kpop smut #kpop girls #kpop gg #male reader #dreamcatcher #kim bora #yoohyeon #jiu #minji #kim minji #bunny

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konnosaurus · 3 months

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happy pride month everyone!!!!! have a small selection of little headcanons i have for some of my faves :3

this definitely isn't a full list of all of my personal headcanons, just a few that i really like. i've put the flag names/some thoughts under the cut! these are just my personal thoughts and it is perfectly wonderful if you disagree with any/all of them!

from left to right:

rosie: the rainbow flag. she is an enjoyer of women and everyone woman-adjacent!

henry: bi and nonbinary. i have such a fond spot in my heart for he/they henry!

james: genderfluid and biromantic. collects all the pronouns, with a preference for he and she depending on the vibes of the moment! i enjoy headcanoning james as biromantic and a big enjoyer of romance and flirting, but he is sooo bad at it. he tries out all of his best pickup lines on his friends and they just laugh in his face (with affection and care, mostly!) because she's just so terrible at them. she has never successfully flirted with anyone in her life and i love that for him < 3

emily: lesbian. professional enjoyer of all women. she fits so well with almost every single woman she meets and it is splendid. i really love in the great race how she has little chats with ashima and seems to really like her, it's a really sweet little bit of background interaction i enjoy. also, best engine ever is wonderful and her n caitlin are so sweet. give emily her women!

ryan: aroace. i honestly don't think i have much to say about this one, i just really like it.. though i also like ryan/thomas and ryan/daisy hehe. eh, those can all live in harmony in my brain :3

oliver: gay. professional enjoyer of men and those men-adjacent. i have a little comic planned that i will be making soon with him and douglas hehe

rebecca: omnisexual. i used to have rebecca as pan in my mind, but @togetherness23 (who has loads of gorgeous flags colourpicked from screenshots and is currently running a ttte sapphic ships poll tournament, go check them out if you haven't already!!!) has influences me with a gorgeous colourpicked omni rebecca and now i have to admit i can't think of her as anything else, omni tracks soooo well for her i love it!

anywayss, thanks for reading this if you get this far and have a wonderful day (and wonderful pride month!!) everyone!

#konnochats #konnodoodle #art #ttte #ttte art #ttte fanart #thomas and friends #ttte rosie #ttte henry #ttte james #ttte emily #ttte ryan #ttte oliver #ttte rebecca #ashimaxemily #caitlinxemily #ryanxthomas #daisyxryan #douglasxoliver

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goldfishontheceiling · 5 months

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"Alastor is just using Rosie" NUH UH whips out the list

1. He is capable of making friends, as seen with Mimzy. So it's not that hard to believe that he can have another friend if one (cough cough MIMZY cough) just comes around when she needs something. Mimzy doesn't even benefit him in anyway, yet he doesn't cut her off, which shows he can make friends.

2. Aside from the cannibals in ep7, what else could he get from her? I mean she does recommend him deals sometimes, but anyone can do that. If his true goal was control over the cannibals then their bond would feel a lot more shallow, like ep1-ep5ish with Charlie.

3. If Alastor was using Rosie for deal recommendations (since she gives him "prime pickings for a deal to be made"), then why not just do so with a mutalistic relationship instead of having to form that bond?

4. He bleat like a fawn. If he was acting, he wouldn't let himself lose composure for an act.

5. They both kinda get close to eachother in a way they don't with anyone else. SHE PICKS HIM UP AND SPINS HIM AROUND AND HE DOESN'T SAY ANYTHING ABOUT IT. Sure, he hugged Mimzy, but if she ever did that? She would most likely be dead.

6. If anyone else openly/jokingly insulted Alastor, he would go all scary demon ahhhhhhhh. But Rosie? Perfectly fine.

7. The way he talks to Rosie is different to the way he talks to Charlie. With Charlie he's a little bitch sometimes (oh Charlie you look an absolute mess!) and he kinda takes every chance he can to be a little bitch while still being nice and showing he's important.

8. Rosie knows things about Alastor that he hasn't even figured out (I know your an ace in the hole!), and for Rosie to know these things, that would require Alastor to open up about himself, which he doesn't like doing because "must be mysterious radio deer man." Even to Charlie, who he does have a bond with, SHE STILL JUST THINKS OF HIM AS "MYSTERIOUS RADIO DEER MAN"

9. Hating someone together is one of the easiest ways to start a friendship, especially in hell, where people hating each other is really common (Susan? Susan)

10. If he truly was manipulating all of his friends, he's a sinner, he still has a humanish mind. Humans crave bonds with other people as part of their instincts. And you could just get fake ones, but if you're the manipulator in that situation you'll know it's all fake and it won't leave you fufilled. Which is why having one or two genuine friends (Rosie/Mimzy) would have to be a requirement.

11. He has manipulated other Overlords in the past, like Vox. But with Vox, they would realistically never get along. Same with Vaggie, Angel Dust, etc, he just wouldn't be able to form a true bond with/a very strong both with those people. So yes, he's manipulating/has manipulated them. Rosie on the other hand? They're both cannibals from similar time periods, with similar interests, and they hate the same people.

12. Rosie is smart. She easily reads Charlie, a stranger, like a book. And if she's known Alastor for years (which she most likely has), she knows how to read him past that stupid permanent smile. So even if he was manipulating her, she would know.

13. He HATES Susan, and Vox, and probably some other people I can't think of off the top of my head. He can't stand them. So if he hated Rosie? He wouldn't be able to fake a bond like the one they have.

14. His pupils dilate around Rosie, which is a sign that you like/love whatever it is that you are looking at

Look at these

COMPARED TO THESE

AND IT ONLY HAPPENS WHEN IT'S JUST THEM TWO

15. Rosie agrees with him when he says that Charlie is "filled with potential that I could guide," so she knows that he's using her for that kinda stuff. With that moment it shows that she understands that Alastor is helping Charlie with her dream in exchange. I swear I had more thoughts on this one but then I got distracted with finding screenshots for 14-

Bonus reason that's more silly then reason: THAT DANCE IN READY FOR THIS IS TOO COORDINATED THEY HAD TO HAVE PRACTICED IT

#i had to hold myself back from going full autism mode #because if i didn't this post would just be a giant wall of capital letters #anyway tag time #hazbin hotel #alastor hazbin hotel #hazbin hotel alastor #hazbin alastor #alastor hazbin #rosie hazbin hotel #hazbin hotel rosie #hazbin rosie #rosie hazbin #alastor and rosie #platonic radiorose #qpr radiorose #radiorose #rosie and alastor #idk what else to tag

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ominoose · 4 months

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𝐏𝐫𝐨'𝐬 𝐚𝐧𝐝 𝐂𝐨𝐧'𝐬

Pairing: Nathan Bateman x GN!Reader Summary: You make a smash or pass spreadsheet with friends, Nathan finds his part. Warnings: Reader made fun of slightly but turns out well in the end, its just silly :) WC: 836

It was a silly, fun little game. A night to let loose with friends, not hold back, no thinking or worries. Just a light-hearted tease. Simple.

It was not supposed to lead to Nathan Bateman storming up to you like a man on a mission, pupils blown wide in fury behind gold frame glasses. Ordinarily he wasn’t a man to be trifled with, even on his best days (as far and few between as they were), and everyone that worked under him, no matter how distant their role, knew to tread lightly.

Nathan was not treading lightly. The crinkle of paper clutched and creasing in his fist was all that accompanied the stomps of his boots on the carpet until silence reigned as he stopped in front of you, nostrils flaring.

“'Arrogant, rich asshole'?!” You’d never heard his voice so angry, so loud from the get go, and if your blood didn’t go cold at the quote you would have had the good sense to be more scared.

"‘Chewtoy biceps’, ‘Condescending in a sexy way’, Sexier Elon Musk!". It wasn’t looking good for you.

The group Google Doc wasn’t even your idea, listing the singles in your lives with the pro’s and con’s of sleeping with them in a “Smash or Pass” group call also wasn't your usual friend-groups past time, but you didn’t need much persuading to join. Nathans name being added to the pool hardly came as a surprise, but you boldly stamping Smash next to his name was.

It was a night of giggles and gasps, losing self respect in the name of forging deeper bonds, like girls at their first high school sleepover. It was not meant to get back to him.

“Mansplaining snob?!” The sharp words snap you back into reality from where you’d rabidly been trying to recall the words you typed that would now serve as your death sentence.

“I-”

“It’s not mansplaining when I have to dumb down simple fucking concepts for you to understand, sweetheart.” Despite the pet name, the way he waves the printed out screenshot in your face made it clear he’d kill you by death of one thousand cuts if he could.

How could you get out of this? You couldn’t, there was no way you’d come out of this with a job or reputation intact. It was a miracle he didn’t wait until you were in the middle of the office cubicles or a meeting to humiliate you. Then again the fact that he was furious enough to come straight to you with fire at his heels was equally terrifying.

“Wanna know what’d I’d say about you, hm?” His weight shifted on his feet, shoulders squared as he used every inch of his height to leer over you.

“I-I didn’t say this to your face!” A pitiful attempt at reasoning, as if the word mercy wasn’t something Nathan Bateman boxed for his morning work-out. Technically it was his own fault, he didn’t own Google, he shouldn’t be snooping in his workers private documents.

“Oh, okay then.” A higher pitch, raised eyebrows, the ghost of a smile. God, you were absolutely fucked.

And then he walked away. No stomping, no clenched first. It was the strut of Nathan that had just had a breakthrough.

This was off script.

The next few days were absolute hell. It was paranoia akin to living under witness protection after whistleblowing a major government conspiracy. Every email that came, every task assigned had you tensing and assuming this was it, this was the deathly blow.

Turns out the deathly blow was even less exciting than an email. It was an A4 piece of paper left on the centre of your desk, perfectly straight and ivory white.

‘Cons: -Overly sensitive -Acne marks -Didn't go to Harvard -Needs validation -Buys shitty clothes, probably from Temu’

Maybe being simply fired when he first confronted you would’ve been the easier option, that or death by the thousand cuts.

Nathan was never a man to mince his words, if you had a weak point he’d punch it and blame you for having it in the first place. You also knew you weren’t perfect, this was a job you’d clawed your way to, losing several nails in the process. Half your mental capacity was spent simply trying to keep above water, who could blame you for wanting a little ‘Well done, good job!’ every once in a while. Clearly, Nathan could.

The paper became blurry, hot tears trembled in your eyes, threatening to spill right in the middle of the office buzz. And how would you explain? Getting fired while having every flaw listed by your incredibly wealthy, accomplished, genius boss?

Blinking back the tears, there’s only half the letter left to read and getting it over with sooner was better than later.

‘Pros: -Funny -Can keep up -Nice ass -Annoying smile -Not materialistic -Honest’

There was only one word left at the bottom, one line above a phone number.

'Smash.'

#nathan bateman x reader #nathan bateman #omiwrites #forgot id written this like last month woopsie

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mxcottonsocks · 8 months

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Reading Like A Victorian

A while ago, I discovered the website 'Reading Like a Victorian', a digital humanities project from The Ohio State University and collaborators.

Since tumblr's been going through a bit of a serial-literature revival, I thought I would share...

Here are some extracts from the website's 'About Us':

RLV is an interactive timeline of the Victorian period. It focuses on serialized novels [...] and adds volume-format publications for context.

When we read Victorian novels today, we do not read them in the form in which they originally came out. Most Victorian novels appeared either as “triple deckers,” three volumes released at one time, or as serials published monthly or weekly in periodicals or in pamphlet form. Serialized novels’ regularly timed, intermittent appearance made for a reading experience resembling what we do when we are awaiting the next weekly episode of Game of Thrones, watching installments of other TV serials in the meantime. Whenever we pick up a Penguin or Oxford paperback of a Victorian novel today, we are engaged in the equivalent of binge-watching a series that has already reached its broadcast ending [and is] a very different experience from what Victorian audiences were doing with novels. Reading Like a Victorian reproduces the “serial moment” experienced by Victorian readers [...]

More info and screenshots and so on below the cut:

[...] if reading serial installments at their original pace is valuable, it is even more valuable to read them alongside parts of novels and of other kinds of texts that Victorian readers could have been following at the same time [...] [...] a reader who, in 1847, had been following the part issues of both Dickens’s Dombey and Son and Thackeray’s Vanity Fair and then picked up Jane Eyre, published in volume form in October of that year, might notice in Florence Dombey, Becky Sharp, and Jane Eyre a pattern of motherless or orphaned girls trying to negotiate a hostile world on their own. While this figure is well known to be a character type in Victorian fiction perfectly embodied by Jane Eyre and Florence Dombey, Becky Sharp does not often emerge among the heroines who fit that type; reading the novels simultaneously foregrounds parallels between Becky, Florence, and Jane that are not at all obvious if their storylines are experienced separately

I find that, for browsing, the website is easier to use on a computer or tablet than a phone, but it's ok on phone to search for something specific.

The timeline:

Here's what the timeline looks like:

It shows 12 months at a time, and using the left and right arrows will move you back or forward by a month. You can use the 'Jump To Date' function to navigate to a different twelve-month period. Or you can use the 'Author Search' function to navigate to particular works if you know the author's name.

In the above screenshot of the timeline, which shows the period January to December 1852, there are several works shown, including:

ongoing serialised works which had at least one installment published prior to 1852;

works which began serialisation during 1852;

works published in three-volume format during 1852;

other works published during 1852

Details about each work:

You can click on the bar that represents a book's publication to get a drop-down that provides information about that book, its publication, and links to help you read the relevant serial parts.

Here's what happens if you click on Elizabeth Gaskell's Cranford:

On the left of the drop-down, there's some general information about the work, its publication history, and how to use the links.

On the right, there's information and links to help you experience the book in its serial parts: it separates out the parts, indicates the month and the year they were published, and what chapters of the work were published in that part. It also provides notes on each part where helpful. There is a scroll-bar at the right of the drop-down, so you can scroll down to the later installments of the work.

[I chose Cranford as an example as it helps demonstrate the value of the Reading Like a Victorian website... From what I understand, Gaskell initially wrote 'Our Society at Cranford' as a standalone piece of short fiction, but was encouraged to write more, so further pieces also set in the fictional town of Cranford were published intermittently in the same magazine over the next year or so. While a particularly dedicated Gaskell fan who wanted to 'read along' with Cranford following the original publication could probably search 1.5-years-worth of a weekly magazine to find the 9 issues which included the material which would later be published as Cranford, the Reading Like a Victorian website has already done that work for them... and also for anyone else who might be interested, but not quite that interested.]

The links

You can then click on an individual chapter to get links to various places to read it online:

When available / where possible, the website tends to include links to:

a facsimile copy of either the relevant serial part in the original publication, or in an 'annual' or similar volume collecting together the content of that publication, or a volume-form edition of that work if the work was not published serially or if facsimile copies of the original serialised publication are not available. [Most of the facsimiles are hosted by either the Internet Archive or the Hathi Trust Digital Library, but some are hosted as part of smaller, more specific collections, such as - in the case of Cranford - Dickens Journals Online which provides online access to the journals/magazines edited by Charles Dickens);

the text, usually on Project Gutenberg (this is usually the volume-form text, so the exact content and chapter breaks and so on may be different than originally published in serial parts; the Reading Like A Victorian website will generally explain when this is the case);

audio recordings, usually volunteer recordings from Librivox (again, the recordings are usually based on the volume-form text, so the exact content and chapter breaks and so on may be slightly different than originally published in the serial parts).

So yeah, I just thought it was a cool website and worth sharing. I believe the website is already used as a resource by some University courses and for academic research, but it can also be used by book clubs and to aid personal reading, etc. I'm using it to inform a personal reading project for 2024-26 where I follow along with six or seven novels serialised in 1864-66.

To save a scroll to the top, here's the link to the RLV website again: Reading Like A Victorian (osu.edu)

[If you want to join an already-planned read-along based on the original serialisation schedule, @dickensdaily will be doing Charles Dickens's historical novel Barnaby Rudge: A Tale of the Riots of 'Eighty from mid-February 2024 to late-November 2024, to follow along with the original weekly publication of the novel in Master Humphreys Clock from February 1841 to November 1841. I personally found Barnaby Rudge a really engaging, thought-provoking read, and I'm really looking forward to reading it again. (Anyone with particular triggers or other reasons to be wary of the content or language used in older books may find it helpful to look up content warnings for the book before making a decision to read it.)]

#reading like a victorian #victorian literature #victorian era #serial reading #serialisation #digital humanities #tumblr book club

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graysoncritic · 5 months

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A (Negative) Review of Tom Taylor's Nightwing Run - What Went Wrong? Barbara Gordon

Introduction Who is Dick Grayson? What Went Wrong? Dick's Characterization What Went Wrong? Barbara Gordon What Went Wrong? Bludhaven (Part 1, Part 2) What Went Wrong? Melinda Lin Grayson What Went Wrong? Bea Bennett What Went Wrong? Villains Conclusion Bibliography

Out of this entire essay, this was the section that I considered cutting entirely. After all, in the past there have been instances when Barbara Gordon and her romance with Dick Grayson have been weaponized by Taylor and his fans against his critics.

The example that comes to mind was when Taylor and Redondo were criticized for not including Duke in a Nightwing cover that parodied The Brady Bunch.

(Taylor, Tom, writer. Redondo, Bruno, illustrator. Battle for Bludhaven’s Heart Finale. Nightwing: Rebirth. 96, e-book ed. DC Comics, 2022)

Personally, I believe that, while discussions of how Duke’s positioning in the Bat Family is warranted, the matter was blown out of proportion, and many of the attempts to cancel Taylor crossed the line into harassment (make no mistake, while I believe him to be a terrible writer, I do not wish him any ill-will). That being said, Taylor also escalated the matters when attempting to pin said negative comments onto DickKory shippers who did not like that he wrote DickBabs.

(While the original Tweet has since been deleted, the screenshot used is available in this tweet

Neb | 🏳️‍🌈 [@NebsGoodTakes]. Twitter, 20 June 2022, https://twitter.com/NebsGoodTakes/status/1538939571789934593)

For this reason and this reason alone, I considered removing this part of the essay. While I have no idea if anyone will read this monstrosity, I did not want my arguments to be invalidated simply because I did not have a favorable opinion on the DickBabs.

However, after much consideration and numerous discussions with other Dick Grayson fans, I found that the subject of Barbara Gordon’s portrayal in this run (as well as in many recent DC media), and her romance with Dick perfectly embodies many of ideas I wish to explore in this essay — mainly, how shallow approaches to progress ideals create deeply problematic narratives that not only undermines the themes of a story, but they also destroy characterization.

I will start by once again stating that I do not believe this is a problem unique to Taylor’s writing. As I alluded to above, I believe DC’s modern portrayal of Babs does a great disservice to her wonderful, empowering, complex character. This is but the analysis of one of the stories she appears in. It is my hope to prove that in Taylor’s Nightwing, Barbara Gordon is not written as a woman with a strong sense of self and an internal life, but rather idealized girl whose existence revolves around the men in her life, and whose perfect yet shimmering depiction serves only to make her into the reader’s proxy-girlriend.

Barbara Gordon in the late 90s and early 2000s was a mature and confident woman in her late-20s to early-30s. She had her own job, her own friends, team, villains, and the type of confidence that can only come with age and experience. She was serious while still having a sense of humor, pragmatic, and she knew exactly what she wanted for herself.

(Gail, Simone, writer. Bennett, Joe; Barrows, Eddy, illustrator. Perfect Pitch: Part One. Birds of Prey. 87, e-book ed. DC Comics, 2005. pp. 22)

She was also flawed. She could get angry at people for little reason, she could be too cold or too straightforward without considering the other person’s feelings, she could be purposefully petty and selfish, she could get unreasonably jealous, she was impatient, she could be too proud to admit when she was wrong. It was all of these factors which allowed Barbara Gordon to be her own person — to be a fleshed out, well-rounded woman.

(Dixon, Chuck, writer. Leonardi, Rick, illustrator. The Gun. Birds of Prey. 39, e-book ed. DC Comics, 2002. pp. 16)

Babs’ life did not revolve around Dick. Yes, she loved him, but she still had some interiority. She had a life outside of Dick Grayson, outside of Bludhaven, outside of Batman, and outside of Oracle. She had her own goals, her own dreams, her own likes and dislikes that worked independently of the men around her. She had her own history that informed her decisions, she had both positive and negative relationships with other women and those relationships were not dependent on her connections with Dick or Bruce.

(Gail, Simone, writer. Timm, Bruce; Lopez, David; Melo, Adriana, illustrators. A Wakeful Time. Birds of Prey. 86, e-book ed. DC Comics, 2005. pp. 02)

By comparison, Taylor’s Barbara is not a woman, but a girl. She is very young and very immature. If Dick is written like a young man who just left home and is experiencing adulthood for the first time, then Babs is written as his girlfriend who is still in college and does not have concrete plans for her future.

Note that when referring to Taylor’s Babs, I mainly characterize her through her relationship with Dick. That was intentional. While writing this essay, I struggled to think of Barbara having any meaningful interactions with characters who were not Dick or Dick’s friends, the Titans. I also struggled to think of her doing something for herself rather than for Dick and the Titans. I struggled to define her goals independent of Dick, I struggled to describe the plans she has for her future that do not revolve around her relationship with Dick, and I struggled to give an account of what she does in her spare time when she is not helping Dick, Nightwing, the Titans, or Batman. That is because everything in Barbara Gordon’s life, as written by Taylor, is constructed around Dick (As many may know, it is really hard to prove a negative. How can I get supporting evidence from the comics that Babs does not have a life outside of Dick Grayson when my argument comes from those factors not existing? For this, though I hate to do so, I’m afraid I’ll have to rely on the reader’s familiarity with the run being discussed).

Barbara is a constant presence in Taylor’s Nightwing run. She is a secondary protagonist, and she is often portraying helping Dick Grayson behind the scenes,

(Taylor, Tom, illustrator. Redondo, Bruno The Battle for Bludhaven’s Heart Part Two. Nightwing: Rebirth. 93, e-book ed. DC Comics, 2022 pp)

Helping Nightwing as Oracle,

(Taylor, Tom, writer. Redondo, Bruno, illustrator Leaping into the Light Part 4. Nightwing: Rebirth. 81, e-book ed. DC Comics, 2021. pp 19)

Or fighting by Nightwing’s side as Batgirl.

(Taylor, Tom, writer. Redondo, Bruno, illustrator. You are Nightwing. Nightwing: Rebirth. 105, e-book ed. DC Comics, 2023. pp. 05)

She is always present, she is always doing something… But all of that is in the service of the men around her rather than for herself.

As Dick Grayson Fan A pointed out during a discussion, “Modern Babsgirl is forced to be perfect at everything. She's never allowed postcrisis Babs' edges, her flaws and intrinsic motivations. Taylor's Babsgirl is designed to be the perfect girlfriend for his blank self insert Nightwing. There's no meat to her bones, she's just shimmer and gloss.” (The subject of Babs came up when DC announced the lineup for Birds of Prey (2023) and Babs was not included on the roster.)

In other words, Babs as portrayed in Taylor’s run lacks any bite, edge, and maturity that would make her feel like a woman with her own sense of self and with a life that is not dependent on her boyfriend. Babs’ portrayal is a shallow girlboss-type of feminism, where though Babs is powerful and intelligent, she is not allowed to be a real person for she serves no purpose other than to be the perfect, understanding, badass girlfriend.

As a result, Dick and Barbara’s relationship becomes hollow. Because Babs lacks interiority, individuality, and agency, she becomes a flat character. This, in turn, makes it so it is hard to understand why Dick and Barbara are together other than for the fact that DC mandates it. The over reliance on the childhood friends-to-lovers trope only increases this hollowness rather than fleshing out their relationship. While Taylor includes flashbacks of Dick and Babs as friends when children, growing up together as teenagers, and fighting together as Robin and Batgirl, those instances feel removed from their individual histories. These moments exist in isolation, removed from the context of the rest of their lives, be it together or separately.

(Taylor, Tom, writer. Redondo, Bruno, illustrator The Battle for Bludhaven’s Heart. Nightwing: Rebirth. 92, e-book ed. DC Comics, 2022. pp 06 - 07)

DC currently treats Dick and Babs as a foregone conclusion. As a result, Taylor does not make an effort to get his readers on board with the relationship because he assumes that they should already support it. Dick and Babs are portrayed as getting along great, never having had any conflict, tension, or disagreements. This idealized romance would not necessarily be a problem if it didn’t come at the expense of developing Dick and Barbara as individuals outside of their relationship. They are not one being, but two separate people coming together. They should be written as such, but in trying to create the perfect relationship, Taylor robs Dick and Babs of their identity outside of their romance.

Not only does this inseparability that Taylor attempts to portray as “charming” destroy Dick and Babs’ individuality, it can also be downright insulting. In #106 Taylor infantilizes Dick when making it so Babs needs to be the one to wake him up so he can start his work as Nightwing.

As I mentioned previously, Dick is known for his toxic perfectionism, his obsessive tendencies that often come at the cost of his health. Making Dick laze around in bed while people need his help and having his girlfriend tell him to get ready for the day, as if she was his mother and he was a teenager who did not want to go to school in the morning, is not only out of character, it also diminishes Dick’s competence. It makes it seem like he cannot function as a responsible adult without Babs being there to hold his hand through everyday difficulties.

Not only that, the scene also plays into incredibly sexist dynamics where women are expected to carry the domestic labor in a relationship — the man cannot keep track of his own schedule, and so it becomes the woman’s responsibility to attend to his needs. What was intended to be a “cute” scene portrays Dick as being immature and irresponsible, and portrays Babs spend her time keeping track of an adult man’s responsibilities.

(Taylor, Tom, writer. Byrne, Stephen, illustrator. The Crew of the Crossed Part One. Nightwing: Rebirth. 106, e-book ed. DC Comics, 2023. pp 08)

This unhealthy codependency further insults Dick when, in #107, Babs demands Dick come back home as he is about to help his ex, Bea. Rather than believing Dick’s capability as a vigilante who has been operating in the field for far longer than she has, Babs shows her complete lack of faith in Dick’s ability to get anything done by himself by telling him that she “wants him home now.”

(Taylor, Tom; Byrne, Stephen The Crew of the Crossed Part Two. Nightwing: Rebirth. 107 e-book ed. DC Comics, 2023. pp. 19)

This is a great contrast to Nightwing (1996) #66, where Babs encouraged Dick’s independence and had full trust in his abilities to take on such difficult challenges on his own. When Lockhaven goes up in flames, Babs trusts Dick to be able to handle the situation by himself, even though she also knows that Dick’s mind is greatly preoccupied with Bruce and the murder of Vesper Fairchild. Indeed, in the next issue (not part of Murderer/Fugitive, but happening simultaneously to it), Dick does handle the Lockhaven fire by himself, without requiring any assistance, before returning to Gotham to help with the investigation that should clear Bruce’s name.

(Dixon, Chuck, writer. Burchett, Rick, illustrator. The Unusual Suspects. Nightwing. 66, e-book ed. DC Comics, 2002. pp 18 - 19)

This healthy separation and this unconditional trust not only portrayed Dick and Babs as both trusting each other’s abilities as heroes — Dick did not worry about Babs’ capability of taking care of herself, and Babs knew Dick could handle his own — it also portrayed them as being more secure in their relationship. They were individuals first. They had their own independent lives and personalities outside of their romance. They trusted the other’s ability to win on their own and handle their own cases without help. And that, in turn, made it so that they could stand on their own, and so that their relationship did not feel so vulnerable.

That being said, it wasn’t as if previous depictions of Dick and Babs didn’t present them with hardships, or demonstrated how, at times, they could bring out the worst in each other. As much as they could compliment one another, Dick and Babs could also disagree, get into arguments, and even fights. That is because they were individuals first, with their own opinions, preferred way of doing things, and their own background that would sometimes come in conflict.

Taylor avoids having meaningful conflicts in his story. While this negatively affects his narrative in a myriad of ways, the lack of the conflict in the plot also affects the relationship between Dick and Babs. It is fine to have a wholesome, sweet romance, so long as it is balanced with a plot containing other forms of tension. This way, the relationship can be a safe harbor for the main characters, the one space in their lives where they can be safe, and the one source of strength they can draw upon when facing the challenges ahead. By balancing a conflict-filled plot with a wholesome romance, the stakes of the plot feel higher while the romance feels sweeter. They foil one another to create a cohesive and unified story.

In Taylor’s Nightwing, all major plot beats take a backseat to the sitcom-like relationship between Dick and Babs. The lack of conflict in the plot and the lack of conflict in the romance makes it so everything is stagnant.

I do believe that Taylor thought he was writing a “Will-they-won’t-they” style romance in the beginning of his run. In Nightwing #95, for example, Batwoman implies that the reason Dick and Babs aren’t together is because Dick and Babs are scared of crossing that line.

(Taylor, Tom, writer. Redondo, Bruno The Battle for Bludhaven’s Heart Part Four. Nightwing: Rebirth. 95, e-book ed. DC Comics, 2022. pp 17)

Wally also played into that idea when, in #91, he pointed out that Dick and Babs were already together and just needed to make it official.

(Taylor, Tom, writer. Redondo, Bruno, illustrator. Get Grayson Act Three. Nightwing: Rebirth. 91, e-book ed. DC Comics, 2022. pp 19)

More than that, I believe Taylor attempted to make a commentary on comics imposing needless conflicts in relationships to keep two characters apart. In Taylor’s view, Dick and Babs were always in love, always meant to be together, and never had a complicated history that prevented them from rekindling their romance when Dick is trying to regain some control over his life after recovering his memories. This shows a lack of understanding as to why Dick and Babs often break up and does a disservice to both their characters.

Now, to explain this, I’ll borrow heavily from a private discussion I had with a Dick Grayson Fan A once distinguishing the difference between external and internal conflicts in a romantic plot. While we were not talking Dick and Barbara then, much of what we said still applies to their relationship.

External conflicts, as the name suggests, involve external forces that keep the couple from being able to develop their relationship despite their mutual feelings for each other. This is the case with a romance like Clark and Lois. Given Babs’ laugh at Dick’s condescendingly sexist claim that Babs shouldn’t be with him because it is too dangerous (as if he doesn’t know very well that Babs can easily take care of herself), it seemed that Taylor believed that this was the conflict that has been keeping Dick and Babs apart. And so, with one panel, he dismissed the idea that external forces could keep Dick and Babs apart because they are able to face their enemies together.

(Taylor, Tom, writer. Redondo, Bruno, illustrator Battle for Bludhaven’s Heart Finale. Nightwing: Rebirth. 96, e-book ed. DC Comics, 2022. pp. 17 - 18)

But in the past, what broke Dick and Babs up were not external conflicts, but internal ones. If external conflicts are created due to external forces, internal conflicts preventing a couple from being together come from the characters not yet being who they need to be in order to be happy together. This can be due to a clash of personalities, worldviews, needs, wants, or goals. To prove my point, I want to look at Dick and Bab’s break up in Nightwing (1996) #87 and the Nightwing Annual #02. (I’ll be honest in saying that it pains me to cite Nightwing Annual #02 in this essay, for I absolutely detest it. I believe Dick is written incredibly out of character and it, quite frankly, captures one of my major problems with how some writers choose to depict DickBabs. In trying to prop Babs up, Dick gets knocked down and ridiculed, and often burdened with the full responsibility as to why Dick and Babs haven’t been able to get together due to timing and Dick’s immaturity. As such, writers make it so Dick and Dick alone must change in order to become a partner worthy of Babs. They greatly mischaracterize him, fault the failures of Dick and Babs’ relationships on those mischaracterizations, and then portray Babs as the patient woman waiting for her immature soulmate to grow up. This is both an insult to Dick’s character and a propagation of sexist tropes where a woman must put her life on hold in order for the man to “catch up” to her maturely. Not only that, it unfairly requires that only one party makes changes for another. It is not Dick and Babs that must change for each other, but Dick who must change for Babs.)

Just as Taylor uses Dick and Babs’ shared history to bring them together, their breakup explores how shared history can make being together so difficult.

In Devin Grayson’s run, their shared history can be painful to Babs. Not because she doesn’t look back on their time growing up together fondly, but because it was such a happy time in her life that it makes her feel bitter about what she lost. While she is incredible as Oracle, she is still frustrated that she can't be Batgirl anymore. The past, no matter how good, is a reminder of what she can no longer be, and Babs wants to move forward. So Dick bringing up their time as Robin and Batgirl, however fondly, is painful for it makes her feel like they are stuck in the past they shared rather than moving forward together.

(Grayson, Devin, writer. Zitcher, Path, illustrator The Calm Before. Nightwing. 86, e-book ed. DC Comics, 2003. pp 21 - 22)

But to Dick, the past you share with someone is what makes your relationship in the present special. The past informs the present and the future. Dick, much like Bruce, doesn’t move forward by disconnecting himself from the past. His parents are part of his past. So is Robin. His childhood with Bruce. The past is something good to Dick, even when it's also so filled with pain. Dick is not shackled by his past the way Bruce is because he does not see it as something that needs to hold him back. You can move forward while still embracing who you once were and honoring the legacy you carry on your shoulders. The past informed who Dick is now, the relationships he has, and the person he wants to be. The past is where much of what he loves exists. So when he brings up their shared history when talking to Babs, he is not doing it because he loved Batgirl but cannot love Oracle, and he is not doing so because he is just focused on who they were then and not who they are now; he does it it's because to Dick, there's no such distinction between Batgirl and Oracle. They are both Babs, and he loves both of them.

(Grayson, Devin, writer. Zitcher, Patch, illustrator. Snowball. Nightwing. 87, e-book ed. DC Comics, 2003. pp 16)

The way Babs copes with trauma is by divorcing herself from the hurt, by letting go of who she was and embracing who she wants to be. Dick, on the other hand, merges who he was then with who he is now. He doesn't see those people as separate entities, but rather as extensions of him. And that makes sense when you consider that Babs' main trauma relates to something that was taken away from her, and for Dick, the only way he can remain connected to his parents is through the past. It's a great example of incompatibility. Neither one is "at fault" for how they view this issue, neither of them is more correct than the other. They are just different. They care for each other, but the way they understand and interact with the world prevents them from being happy together at this moment. For that to work, internal change is needed.

In portraying Dick and Barbara as complex individuals first, who have different attitudes towards looking back at the past and looking forward to the future, Grayson managed to make their relationship feel real. There’s a weight to their breakup, you can see why they care for each other and why this decision is painful and not taken lightly. They love each other, but they are not in a place where they can be themselves and be happy together yet. It is not danger that keeps them apart — it is the very same differences which they admire most about each other which pushes them away.

In Nightwing Annual #02, we see other reasons why Dick and Babs failed to come together so often. These included Babs being scared of Dick eventually leaving her due to tensions between Dick and Bruce

(Andreyko, Marc, writer. Bennett, Joe, illustrator Hero’s Journey. Nightwing Annual. 2, e-book ed. DC Comics, 2007. pp 22 - 23)

Timing,

(Andreyko, Marc, writer. Bennett, Joe, illustrator Hero’s Journey. Nightwing Annual. 2, e-book ed. DC Comics, 2007. pp 25)

And, perhaps most importantly, the way in which Dick devalues his own life.

(Andreyko, Marc, writer. Bennett, Joe, illustrator Hero’s Journey. Nightwing Annual. 2, e-book ed. DC Comics, 2007. pp 37 - 38)

This is something Grayson also alludes to during her run, when she often portrays Babs being both worried and frustrated at Dick’s tendencies to push himself too far.

(Grayson, Devin, writer. Zitcher, Patch, illustrator Snowball. Nightwing. 87, e-book ed. DC Comics, 2003. pp 13)

In both Grayson’s run and the aftermath of Infinite Crisis, the toxic perfectionism referred to many times during this essay led Babs to break off their relationship despite their mutual love.

Having lost the mobility of her legs due to the Joker, Babs sees her life as Oracle as a second chance, and one which she will use to its fullest by putting herself first. It makes sense, then, that she sees Dick’s self-sacrificing tendencies and his desire for approval as both concerning and irritating. As Dick constantly puts himself in near-death scenarios for even the smallest of things, Babs decides that she would rather wait for a time when Dick learns to value himself more rather than to continue in a relationship where she is the only one who cares about whether Dick lives or dies.

Whether this is the right solution to their relationship is up for debate. Personally, it irks me that stories will often frame this as Dick having to mature to be with Babs and not place an equal burden on Babs having to learn to accept that this is just who Dick is. But that is irrelevant to this discussion, for what matters is that there have been plenty of reasons why Dick and Babs did not work out in the past, and those are almost always rooted in who they are as individuals struggling to perfectly fit together as a unit. Dick and Babs have a messy history, both as individual characters with their own stories, and together as friends and romantic interests. They are two different people who, although their morals align, approach life differently. The development in their romance, then, comes with how willing they are to change for the other, and how willing they are to accept the things that cannot — and should not — be changed. It is about a balance of give and take, and when Babs and Dick broke up in the past, it was because they were not able to find that balance. It is because they, as individuals, clashed. As Fernando Gabriel Pagnoni Berns and Cesar Alfonso Marino put in their essay analyzing Dick’s portrayal in the Batman Family (1975-1978) series, Dick and Babs will often find themselves in “point[s] of inflection which marks that both heroes must go their separate ways to avoid further tensions (developed by sexual attraction and/or problems about leadership).” (Pagnoni Berns, Fernando Gabriel and Marino, Cesar Alfonso “Outlining the Future Robin: The Seventies in the Batman Family.”Dick Grayson, Boy Wonder: Scholars and Creators on 75 years of Robin, Nightwing, and Batman edited by Kristen L. Geaman, McFarland & Company, Inc., Publishers, 2015, pp. 32)

In other words, it was about interior conflicts, not exterior ones.

When taking this into consideration, one can see how Taylor’s portrayal of Dick and Babs’ relationship is not only incredibly hollow, but incredibly cynical. Because Taylor removed Dick’s self-destructive, toxic perfectionism, that is no longer a point of friction in their relationship. Because Babs is no longer the pragmatic woman who doses out tough love, that is also no longer a point of friction in their relationship. But as a result, Dick and Babs are no longer themselves, and their relationship is no longer representative of their shared history. Instead, we are left with an insulting and purposeful misrepresentation of their past relationship, with Taylor displaying a blatant disrespect and disregard for anything his predecessors contributed to these characters. Dick and Babs were never apart because of danger. Dick would never condescend to Barbara in this manner, and Barbara would never let something so trivial go unchallenged or get in the way of what she wants. What got in their way was a matter of compatibility. They may compliment each other in the field, be great friends, get along well, but in previous attempts to make their relationship work, they found that they were simply too different to share a life together, their goals did not align, and their approaches to life did not work together. Getting and staying together was not a matter of external factors, but rather whether they could do the difficult internal work necessary to make their romance last.

I want to make it clear that I actually love the childhood-friends-to-lovers trope. But what makes friends-to-lovers interesting is the fact that it creates inherently messy romances. If you two characters who have loved each other for so long, then they naturally have a history. They have seen each other at their best and at their worst. Yet, insecurities, timing, and compatibility keep them from being able to get their happily-ever-after. That creates a messiness that adds weight and meaning to the relationship. Seeing them overcome these challenges, become better individuals, and then finally come together is what makes the narrative so effective.

Dick’s and Babs’ romance, as currently portrayed, lacks that weight. Taylor and DC want that history, that “true love” aspect of their relationship without acknowledging the complications that come from having lived so many years in close proximity. In other words, they want the appearance of a long shared history without acknowledging the contents of said history. This robs both Dick and Babs of their individual personalities and backstories, for it is there where the source of their conflicts lie. All of the things that make them interesting individuals are sacrificed for the heteronormative DickBabs amalgamation. There is no Dick Grayson. There is no Barbara Gordon. There is only a happy, wholesome, smiling couple of nothingness — as it was put earlier it is all “shimmer, gloss, and no substance.”

And this does not affect only them.

In making Dick and Babs inseparable, Babs has become heavily involved with the Titans. This leads to the majority of Babs’s interactions in the current canon to be with Dick’s friends. And because, once more, Taylor skirts away from conflict, that means that all of Dick’s friends have become Babs’ friends. However, by making Babs friends with all of Dick’s female friends, Taylor created a shallow girlboss feminist narrative where all of these women’s individual personhoods are reduced their relationship to one man. He does not take into account who they are, only their gender and their mutual connection to Dick. In trying to do a girl-boss feminist empowerment, Taylor instead creates a deeply misogynistic narrative.

Kory and Babs, for example, should be allowed to dislike each other despite being on the same team. They are, after all, supposedly fully realized women with their own personalities, values, and goals. Their existence is not dependent on Dick Grayson or their romance with him. Real world women dislike one another for various reasons that are unrelated to men. Male characters often hate each other without it being because of a woman. So why can’t the same be true for female characters?

To attempt to make Kory and Babs friends simply to undermine expectations because one of them is Dick’s ex and the other one is Dick’s girlfriend is not empowering. It sacrifices characterization for the purposes of subversion.To think of the dynamic between these two characters in terms of their relationship with Dick reduces their existence to a man by implying that the only possible reason they could dislike one another is because of said man. It is not due to different value systems (which would be incredibly reasonable given their different background and cultures), it is not because their personalities clash (as they are two different people), it is not because their likes and dislikes may contradict (once more, because they are two different people). All the things that would make them realized individuals with agency are ignored in favor of focusing on their relationship with Dick.

Babs is a cisgender, straight, middle-class white woman from New Jersey. Kory is a warrior Princess from a different galaxy. It would not be unreasonable to expect their opinions to conflict when their backgrounds, upbringings, and experiences also differ. After all, those are things that shape our value system, dictating our perspectives.

Having different values or different ways to express your opinion does not mean that one is right and the other is wrong. It does not mean one is superior to the other. It only means they are different. Diverse. To believe one must be correct and the other must be wrong is to fall into the traps of ethnocentrism. By making Kory and Babs values indistinguishable, the story implies that there is only one correct way to interact with the world. This eliminates diverse perspectives in favor of a monolithic one. The fact that Kory's culture is the one that is ignored so that they are compatible with Babs implies that Babs – the cisgender, straight, middle-class white woman from New Jersey – is the one whose culture and world views are correct and, therefore, superior.

Dick’s relationship platonic relationship with Donna is also devalued and watered down in favor of Dick and Barbara’s romance. Because Dick and Barbara are depicted as having been each other’s best friends since childhood — when, in reality, Dick was closer to Donna during his preteen and teenage years, and Donna is often portrayed as his best friend — Donna’s place in Dick’s life is replaced by Babs. Babs must be everything to Dick — his true love, his longest childhood friend, his one female best friend.

This creates a narrative in which Dick cannot have a significant interaction with another woman without it being a threat to his relationship with Babs. Needless to say, this is an incredibly heteronormative worldview which implies that men and women who are not related cannot share deep and significant platonic intimacy without some underlying romantic tension. So naturally, Donna cannot he Dick’s longest friend, his best friend, because in the heteronormative world portrayed in Taylor’s run, that would mean that she is a rival to Babs.

Perhaps it is for this reason that Melinda was revealed to be Dick’s sister so soon into her introduction. If Melinda and Dick were not related but were still meant to interact with each other, that would create a bond that some might see as romantic or sexual. So by presenting Melinda as Dick’s biological sibling within moments of the two first interacting, Taylor strips Melinda of any romantic or sexual appeal. In this heteronormative world, only by being related can Dick and Melinda share intimacy without threatening Babs’ position in Dick’s life.

Needless to say, this heteronormative worldview which only allows for the relationship between non-biologically related men and women to be seen through lenses of romance and sex is also a misogynistic, male-centric worldview. In this story, women are not treated as people and are instead perceived solely through their relationship to Dick Grayson.

#nightwing #anti tom taylor #anti dickbabs

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