#Patsy Rodenburg

[cyberpunk-r-j]

❝You must listen to stay in the play, in the moment, with the other players and the audience. The inability to listen cuts you off from the world. You need to stay attentive in your spirit.❞

Patsy Rodenburg: Speaking Shakespeare

[shakespearenews]

To Rodenburg’s astonishment, teaching colleagues refused to let her watch their classes. While she is a renowned authority on Shakespeare and classical theatrical texts, she sensed that they do not even “believe in Shakespeare”. She also heard from students that other teachers were not pushing them to excel, instead telling them: “Don’t worry if you can’t do it. Just lie on the floor for a bit.”

[anthonywilson]

Carole Satyamurti's eyes

I pinched myself to be there. God knows how I got invited. I can’t remember. Perhaps I invited myself. Poets were there, people I had actually heard of and read and who all seemed to know each other. Jo Shapcott. Maura Dooley. Sarah Maguire. Jonathan Davidson. Phil Bowen. I had the books to prove it. I had published one book and knew nothing. To the Poetry Society, the holy of holies, an…

[purplewillowchicken]

Jesus Michael you're working your socks off.

Ep 1

Michael Sheen explores Stanislavski’s ideas, with writer Isaac Butler, actors Adrian Lester and Simon McBurney and legendary acting teacher Patsy Rodenburg.

Ep2

Michael Sheen explores the transformation of Stanislavski’s ‘system’ into The Method, with the writer Isaac Butler, the actor Anne-Marie Duff and journalist Michael Goldfarb, an ex-student of Stella Adler.

[invisibleicewands]

Michael Sheen explores the art of acting.

One night in March 1906 an actor gave a not-very-good performance.

Nothing particularly unusual about that – it happens, according to your taste, all the time.

But this actor was Constantin Stanislavski. He had already played a decisive role in forging a new kind of theatre company, the Moscow Art Theatre – a tightly disciplined, dedicated ensemble with high production values. The MAT also established its own approach to acting – away from the declamatory, melodramatic style of the day and towards something more emotional, more naturalistic, something possessing, as Stanislavski might have put it, inner truth.

But on that night in March 1906 his own inner truth, he felt, was lacking.

The crisis this triggered in Stanislavski – the Stockmann crisis, as it’s sometimes called (Stanislavski was performing the role of Dr Thomas Stockmann in Ibsen’s An Enemy of the People) – prompted him to retreat and revise his firmly-held ideas on acting – as he did throughout his life – and to begin formulating what became known as the System: a codified way for actors to create believable, authentic, naturalistic characters night after night.

Stanislavski’s ideas have been passed like a baton down the generations since, with subsequent acting teachers adapting and modifying his ideas in different ways. They’re still part of the bedrock of acting training today.

Michael Sheen explores Stanislavski’s ideas, with writer Isaac Butler, actors Adrian Lester and Simon McBurney and legendary acting teacher Patsy Rodenburg.

Isaac Butler’s history of Stanislavski and the Method is called 'The Method: How the Twentieth Century Learned to Act'.

[vatt-world]

hi

here is the book.. dont drop it nimportant things

Patsy Rodenburg sit properly or-tuturkey be even more comic

seperation movie page 1 rewrite the killing - character driven

loglines are always in process

i love jack ryan why do u love jack ryan -- analyst in unobscure places of the world

the need should be primal to find love it must be immediate progranist need sopraons hero is stuck in old world/ new world protoganist must have most conflict they must be furtherest from the goal cusp of change .. bruce springsteen

james bond .. beats a guy with 5000 people sumo wrestlers bows to opponent

conflict needs/ obstacles great need + obstacle = great action need toothbrush + molten lava surrounds house

needs force behavior

a capital end father gave store to me

external obstacles internal obstacles christian boarding school .. kissed roommate .. he drowned himself man vs self man vs instituion man vs nature beatuy contest -- she doesnt want to do it .. mother wants it .. external / internal it neo can they learn in time to save the world

two forms of logline

a bullheaded needs to change

different tone to it

logline 1

[yourdailyqueer]

Patsy Rodenburg

Gender: Female

Sexuality: Bisexual

DOB: 2 September 1953

Ethnicity: White - English

Occupation: Voice coach, writer, theatre director

[finalproject19-blog]

21/03/19

- Started off the rehearsal on Thursday with the number game (counting to 20 as a group but each person says an individual number and no two people can talk at the same time) We also did a vocal warm up drawn from Patsy Rodenburg (research which specific exercise was used) 

- We then all laid on the floor and did the relaxation Stanislavski technique which we also did at the beginning. This involved lying on the floor while Julie lead us into a guided relaxation and we were asked to think about our character, what our character would be thinking and feeling etc. 

- After this, we did some hotseating to help develop characterisation. The questions that were asked and the answers will be made a note of and sent to us over email (edit this post later)

- Subsequently, we split off into pairs and we did an exercise that involved another person reading a monologue or a portion of text than the person who was playing that character. I went with George Binns who plays Billy in the play, and we began by exploring his monologue from the beginning of the play. After we realised that not much work was needed on this, we looked at his monologue about Billy’s childhood experience of touring the army barracks in his home town. He didn’t know exactly how to say it, and wasn’t quite comfortable with how to perform it. I performed it to him in a happy, almost psychotic way. The monologue describes how much he loves the order of the army barracks and really outlines his OCD. My interpretation of that monologue was that Billy feels like he is in heaven. It gives him comfort to see so much order. Because of this I suggested that George channels his inner OCD. This helped him, and he was more comfortable with performing the monologue afterwards. 

- Throughout the rest of the rehearsal we did run throughs with support from the creative team. A few ideas were spit balled about Mary and the girls constantly tidying and making everything as Billy would like it throughout the play to outline his OCD and the effect that he has had on them. 

- More movement needed throughout the play as according to James Macpherson, our lecturer, when he saw it last week he stated that a lot of the monologues were said standing still, without much action. This meant that he felt it could have been a radio play. 

[bad-beans]

Ok so I don’t know anyone on here but I’ll try my best lol (I’m @good-beans ‘s sister so if I tag you hi. Nice to meet you. Sry if this is weird)

Last song: Epic II (Hadestown)

Three Ships: (more than temped to put the Niña, Pinta & Santa Maria) Percy/Annabeth, Luca/Alberto, aaaaaand Cecil/Carlos

Currently reading: Second Circle by Patsy Rodenburg (technically for class but would HIGHLY recommend!!)

Last Movie: Lemonade Mouth (unfinished)

Craving: Papaya Green tea from Panera or green tea with lemonade from Starbucks

Tagging: @ging-ler @annalyticall @fayesdiary

rules: tag 9 some people you want to know better and/or catch up with, then answer the questions below! — tagged by @vampire-pierrot

Last song: JOTTO by BIBI

Three ships: shimamine, hatojose, idk any more

Currently reading: dungeon meshi... i've also recently read I Think Our Son Is Gay by Okura and i think it's really sweet

Last movie: Spongebob Squarepants Movie LOL i wanted to show it to my partner bc they've apparently never seen it before

Craving: i really want a squid ricebox from bonchon

tagging maybe @shishiikura @good-beans @embraceyourdestiny @jinzouacting @saturninemartial @niishi ^_^<3

[cyberpunk-r-j]

❝The release of the voice and the placing of words into space have an emotional effect. When you place a word out of you – into space – you begin to create the thing itself. This is particularly compelling when the language is so concrete and sensual. When characters speak, it is an event: they are making things happen – speech is not separate from action. That is why a curse, for instance, is so potent and frightening. If you place words into space, you cannot call them back – they are out there – so in placing them there, you have to commit to what you have said, thought and felt. No retreat is possible. You must have meant them!❞

— Patsy Rodenburg: Speaking Shakespeare

[pearlsforlucy]

daydreaming about what it would be like to have a truly original mind

[sometimesiwrite]

Tagged far too long ago by: @rawrkinjd

Favourite colours: Cobalt, aquamarine, butter, emerald, coral, burgundy.

Currently reading: "Henry VI: part 1" by William Shakespeare

"Accessing the Healing Power of the Vagus Nerve" by Stanley Rosenberg

"The Right to Speak" by Patsy Rodenburg

"Freeing the Natural Voice" by Patsy Rodenburg

"The Body Keeps the Score" by Bessel van der Kolk

"The Emotional Body: A Method for Physical Self-Regulation" by Laura Bond

Last Song: "All of my Days" by Alexi Murdoch

Working on: a piece within the With Us universe (Geralt/Eskel/Lambert/Essi), a piece within the Steady As She Goes universe (Essi/Lambert), a chapter of Delayed (Lambskellige), Eskel/Cerys, Essi/Cerys, NaNoWriMo edits

Passing it on: @frenchkey @cylin-aka-ankamo @lohrendrell @jayofolympus @hungarianbee

[trueloveandotherscificoncepts]

a completely biased list of the TOP 10 best Shakespeare things

Non-Fiction

Shakespeare (2007) - Bill Bryson [book]

Playing Shakespeare (1982) - starring John Barton // BBC/Royal Shakespeare Company [TV series]

Speaking Shakespeare (2002) - Patsy Rodenburg [book]

Shakespeare’s Stagecraft (1967) - J.L. Styan [book]

Shakespeare Unlimited (2015-present) // Folger Shakespeare Library [podcast]

That Shakespeare Life (2018-present) // Cassidy Cash [podcast]

Women as Hamlet: performance and interpretation in theatre, film and fiction (2007) - Tony Howard [book]

Performing Hamlet: actors in the modern age (2018) - John Croall [book]

Women Reading Shakespeare, 1660-1900: an anthology of criticism (2013) - Ann Thompson & Sasha Roberts [book]

Essential Shakespeare Handbook (2014) - Leslie Dunton-Downer & Alan Riding [book] 

Fiction (about/inspired by the Bard)

If We Were Villains (2017) - M.L. Rio [novel]

Rosencrantz and Guildenstern are Dead (1967) - Tom Stoppard [stage play]

Wyrd Sisters (1988) - Terry Pratchett [novel]

Shakespeare in Love (1998) - starring Joseph Fiennes & Gwyneth Paltrow // dir. John Madden [film]

Upstart Crow (2016-present) - starring David Mitchell // BBC [TV series]

Mrs. Shakespeare (2017) - Ian Wild [stage play]

Shakespeare, His Wife, and the Dog (2016) - Philip Whitchurch [stage play]

The Shakespeare Stealer (1999)/Shakespeare’s Scribe (2001) - Gary Blackwood [novel(s)]

10 Things I Hate About You (1999) - starring Julia Stiles & Heath Ledger // dir. Gil Junger [film]

Queen Margaret (2018) - Jeanie O’Hare [stage play]

Ghost Light (2019) - Saoirse Wadding-Hayes [stage play] (because i am nothing if not a shameless self promoter) 

Film Adaptations/Filmed Stage Productions

Hamlet (2017) - starring Andrew Scott // dir. Robert Icke [at the Almeida Theatre, London]

Much Ado About Nothing (2011) - starring David Tennant & Catherine Tate // dir. Josie Rouke [at Wyndham’s Theatre, London]

Macbeth (2018) - starring Christopher Eccleston & Niamh Cusack // dir. Polly Findlay [at the Royal Shakespeare Theatre, Stratford-upon-Avon]

Hamlet (2009) - starring David Tennant // dir. Gregory Doran [film] 

Twelfth Night (1996) - starring Imogen Stubbs // dir. Trevor Nunn [film]

A Midsummer Night’s Dream (1999) - starring Kevin Kline & Michelle Pfeiffer // dir. Michael Hoffman [film]

Romeo + Juliet (1996) - starring Leonardo DiCaprio & Claire Danes // dir. Baz Luherman [film]

The Taming of the Shrew (1967) - starring Elizabeth Taylor & Richard Burton // dir. Franco Zeffirelli [film]

Titus (1999) - starring Anthony Hopkins & Jessica Lange // dir. Julie Taymor [film]

The Tempest (2010) - starring Helen Mirren // dir. Julie Taymor [film]

[bighousela]

Revell Carpenter

Actress | Writer | Director 

www.imdb.me/Revell

Language: Fluent Mandarin, Russian Intermediate, Spanish Intermediate

www.backstage.com/u/revell-carpenter

www.instagram.com/revellcarpenter

Reel 2020

https://vimeo.com/438668868

Appearance

GENDER:Female

AGE RANGE:17-27

ETHNICITIES: White / European Descent

HEIGHT:5'7" / 170cm

BUILD:Slim / Athletic

HAIR:Blond

EYES:Gray

Film/Television Cypress Poppy (Lead) York Productions 

The Glass Cabin Scarlett (Lead) 

Can Turedi (Columbia MFA) 

Queen Mab Was Here Jamie (Lead) Marcus Johnson Films 

Sex and the Future Rachel (Supporting) Don Kap Productions 

Shadow Jane (Lead) SoGood Productions

 No Clue Sarah (Series Regular) Amazon (Pilot)

Theatre Romeo & Juliet Tybalt Marymount Theatre

 A Midsummer Night’s Dream Puck Marymount Theatre

 Proof Catherine Michael Howard Studios

 The Key Exchange Lisa Michael Howard Studios

 Oliver Twist The Artful Dodger TADA! Theatre 

The Sound of Music Marta Marymount Theatre

Professional Training The Actors Centre: London, UK The Freeman Studio Maria Dizzia, Scott Freeman, Jessica Cummings, & Alexandra Niel Michael Howard Studios: Summer Conservatory and Scene Study Improvisation: Armando Diaz Shakespeare: Will O’Hare Voice: Patsy Rodenburg Upright Citizens Brigade: 101 New York Film Academy: Acting for Film

Education George Washington University Fudan University (Shanghai, China) Special Skills Archery, Equestrian, Fencing, Running (Marathons, Track), Shooting, Skiing, Squash, Swimming, Tennis, Track & Field, Irish Step Dance, Guitar, Piano Voice: Soprano Singing Voice, English Accent, Southern Accent Language: Fluent Mandarin, Russian Intermediate, Spanish Intermediate

Skills

Singing

Acting Techniques

Dance

Languages: Spanish

Languages: Russian

Comedy: Physical Comedy

Comedy

Horseback Riding

Sports/Fitness: Running

Weapons Training: Archery

Martial Arts: Fencing

Sports/Fitness: Tennis

Swimming

Sports/Fitness: Kayaking

Fight Training

[more-antiqueroman]

Some Patsy Rodenburg over a delicious sausage croissant

Real talk tho why tf is the best cafe in this city only open 4 days a week

[vatt-world]

hi 6/2/2023

Page clements class 6/2/2023

push bowling ball and recover throw ball around superman pose

here

here is the book.. dont drop it nimportant things

Patsy Rodenburg sit properly or-tuturkey be even more comic