#Part 2 - Danger | Explore Tumblr posts and blogs

skyloftian-nutcase · 1 month ago

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Malice's Stain (Imprisoning War)

I set out to write one thing, stumbled onto something I had written weeks ago, and was inspired, so have some post-war PLOT for y'all! >:D I feel like this can be read even if you have no idea what's going on, but whatevs, read as you please. <3

The smell of autumn was in the air.

Crickets chirped, a symphony of oncoming coolness and stillness, a song of farewell to the warm, moist summer nights filled with twinkling fireflies that replaced the stars. The sky sparkled, gracing the land with a preview of the splendors a cold winter night sky could provide. Flames burned quietly from torches, casting shadows taller than the castle’s turrets.

Link stared blankly out at the courtyard from the balcony.

He knew this feeling. Or lack of it, really. It took every ounce of energy to just breathe. Here he stood, permanently planted in this spot, not tolerating moving but not wanting to stay still. His mind was filled with cotton, half-thoughts trying to formulate sentences and failing to even convey anything beyond a dull ache, a shadow of what should have been an emotion.

This was becoming a problem, but he was far beyond the point of caring at the moment.

There were a million stressors on his mind, yet none truly seemed to stress him out. It was just another thing to be done, another item to obtain, another person to look out for. Day in and out, watch the children, watch the military’s progress in training new recruits, watch the Sheikah scientists continue to come up with new creations and make new breakthroughs.

Smile, say a few words, rinse, repeat. Go to bed, never fall asleep, get up, do it again.

He gave up even trying to go to bed tonight. He’d tolerated his son’s presence today. Tolerated it. What sort of father tolerates his children?

Link felt a twinge of something pull at his chest. His lips trembled. He leaned heavily on the balcony railing, sagging as if the weight of all the stars in the sky were bearing down on him.

There was a low rumble, a voice that practically growled as it chuckled. “So this is the fate of the Hero of Hyrule, then. You’re just as pathetic as I figured you to be.”

Link stiffened a moment at the voice, at the way his body physically reacted and wanted to scream and claw at the man. But no. He wasn’t there. He couldn’t be real. He’d sealed Ganondorf away years ago. Besides, last night Link had seen the Gerudo general he’d murdered when he was sixteen; he’d figured, after a week without sleep, he’d probably start seeing things. He’d gotten close to this level of exhaustion during the war, and he remembered he and Hemisi had nearly lost their minds.

It didn’t make it any more tolerable, though.

Link didn’t dignify the hallucination with a response.

“I’m grateful you didn’t marry my daughter,” Ganondorf continued, pacing the length of the balcony behind Link like a predator stalking its prey. “You would have ruined her.”

It stung, for a moment. Then Link almost laughed. “The only one who ruined her was you.”

“Imagine if I had won,” Ganondorf continued, either oblivious to his words or ignoring him. Could a hallucination ignore its creator? “Imagine the different state of things.”

“Hyrule would have burned,” Link snapped, glaring at him.

“Would it?” Ganondorf questioned. “Is it not burning slowly now, withering away as its nobles poison it from the inside out?”

“Zelda is working to fix that,” Link argued.

“Ah, yes. Zelda.” Ganondorf spat out the name like it was a curse. “How Nayru ever favored such a dim-witted child is beyond me.”

Link reached for a weapon before remembering he wasn’t armed. “You are the only fool I had the displeasure of knowing. Thinking you could control everything and in the end all you did was destroy it. Tell me, when you first came up with the plan to steal the Triforce, was murdering your entire family part of it or just a side quest for fun? You stood tall and proud like some king but you were nothing more than a clown, lapping at power like the pathetic boar that you were!”

“And yet here you stand,” Ganondorf hissed, motioning towards him. “The man with all the power in the world, and you are completely helpless.”

The fight drained out of Link, and he felt his face grow cold and pale. Rage filled him and exited just as quickly as he had no rebuttal.

Pathetic.

…He wasn’t wrong. Link was pathetic. He was weak and he knew it.

Years ago, he’d tried to end it in an act of desperation and fear, wanting to escape his imprisonment and avoid becoming a monster that he thought he was turning into.

Had he succeeded in avoiding such a fate? Was he not a monster?

He supposed he wasn’t. He was no Ganondorf. But… he was pathetic. Despite all his attempts to be otherwise, here he stood, arguing with thin air and unable to win.

“You were supposed to be the pride of the Sheikah,” he heard beside him, and he turned to see Lady Impa looking at him disappointedly. “Yet all you do is wallow in self-pity. Our duty is to the royal family, and you can’t even do that.”

“You’re no Hero,” Ganondorf sneered. “Heroes are powerful.”

“Heroes are selfless,” Impa added, walking up to stand beside the ghostly Gerudo man.

“How could anyone love such a wretch?” Ganondorf finally said.

“I don’t need your love or approval,” Link spat, though the fire had mostly drained out of him. It was less of a rebuke and more of a plea, a petition to himself to believe it.

He was over this conversation. He turned sharply, growing dizzy, staring down at the ground so, so far below.

Softer footsteps came next, lighter feet than the thundering steps of the monster he’d faced years ago but not as purposefully quiet as his chief. He caught sight of red hair in his periphery, and he saw Hemisi watching him, bubble ponytail over her shoulder, amber eyes reflecting the firelight.

Link bit back an exhausted sigh, squeezing his eyes shut. He should’ve known she’d inevitably appear in this insanity. He really should try to get some sleep. Would Zelda appear next? Or would his mind turn images of his own children against him?

Honestly, he probably deserved that more than anything.

“You look like shit,” Hemisi commented, an echo of her remark when they’d seen each other for the first time since Sonia’s baby shower. He recalled the incident fondly and forlornly, an event that probably should have never happened. But that had been years ago.

He wasn’t sure it was worth indulging this hallucination as well, and had very little energy to do so, but if he ignored it things would probably just get more out of control. “I haven’t slept in a week.”

“Why?”

Hell if he knew. He’d tried. He used to sleep too much. Now, suddenly, his body decided he just shouldn’t sleep at all. He’d had sleepless nights before, but never for such a long stretch. He felt like he was about to burst out of his own skin. He wasn’t entirely sure why any of this was happening.

“What’s wrong, Link?”

Her voice was so gentle. It made him want to scream.

But what was wrong? He had episodes where he felt down or unmotivated, but he hadn’t felt this insane since Sonia’s birth. His daughter was eight years old now!

“I don’t know,” he admitted quietly. “Maybe I’m just tired.”

Hemisi snorted. “I’d say so. You haven’t slept in a week.”

He supposed that was a silly remark to make, given the circumstances. But he really couldn’t fathom what was causing this.

Link smelled lavender all of a sudden, and he turned, noticing that Hemisi had vanished, and only saw a silhouette in the entrance to the balcony. The curls that haloed their head, as well as the mildly heavier build from childbearing gave away the person’s identity, her lavender soap carried in the chilly breeze.

“Zelda?” he asked hesitantly, wondering if this was somehow a more vivid hallucination or if the queen really was there.

The silhouette stepped out of the castle entirely and into the open air, and the torches cast their light on her. Zelda watched him, hands rising to hug her bare arms as she shivered a little.

She was responding to the environment. She had to be real.

“Link,” she said softly, green eyes roaming the area. “Who were you talking to?”

Great. The queen overhearing her husband steadily losing his sanity was the last thing he needed right now. He felt irritation sting, pulsing angrily behind his eyes with his ever-growing headache.

“Myself,” he answered truthfully. “Long night. Do you need something, Your Majesty?”

Zelda hesitated, noting, “Are you not cold? It’s getting chilly out here.”

Link glanced down at his attire. He was still wearing his summer clothes, the bright red tunic laced with golden embroidery overlayed by the dark forest green cloth that draped over his left shoulder and across his chest, cinched at the waist with a brown decorative belt made of leather and beads. There was no need to wear trousers in the summer for nobles in formalwear, something Link had never really enjoyed, but he’d adopted the dress as he was expected, wearing sandals with it. At least the tunic went to his knees. Nevertheless, Zelda was right – he was underdressed for the weather, but… he’d chosen to wear his summer attire as it had been warmer in the day and he’d wanted the nighttime cold to slap some semblance of clarity into his foggy mind.

The hallucinations did not seem to be indicating that it was working. The way he only just noticed he was shivering didn’t help, either.

Deflecting, he jutted his chin towards her briefly, his earrings jingling in the breeze with the movement. “And you?”

She was, after all, in her own warmer weather clothes, a sleeveless ocean blue knee-length simple dress overlapped with a milky white overdress that crossed over her chest, shoulder to opposite hip, before encircling her legs, more in the back than the front. She had a thicker belt with cloth bearing the symbol of the Triforce resting over the area the overdress left exposed. Her curly brown hair was pulled out of her face, though styled in its usual half-up/half-down manner, so at least her neck was likely somewhat warm. He could vaguely make out goosebumps over her light skin, despite her hands covering her upper arms and the bright blue skin paint that decorated her from upper arms to wrists.

“I’m freezing,” she admitted. “Come inside, Link.”

Did she actually need something? It was strange for her to seek him out this late. They certainly weren’t on as bad terms as they used to be at the start of their rocky marriage, but given her actions over Sonia’s training, Link had distanced himself and their son from her. He hadn’t wanted Orik dragged into her scheming like his sister had been. It had left their relationship… cool, to say the least.

Sighing, he complied. There was nothing left to do at this point, and he didn’t have the energy to argue further. His eye roamed the balcony, scanning for any more hallucinations, but his mind seemed to be having some mercy on him; the demon king, Link’s chief, and his former love were all gone.

His fingers stopped stinging from the cold as he followed the queen indoors, though the air was still fairly chilly. Zelda didn’t speak, instead wrapping an arm around him and guiding him along. He glanced at her, almost wanting to ask what this was about, but not caring enough to do so. With the minor alarm of haunting images of his past disappearing, he’d grown numb to the world once more.

Goddess, he just wanted to sleep.

The couple eventually wound up at the door leading to Zelda’s chambers. Link glanced at her again, wondering if she wanted what he thought she did. They hadn’t been physically intimate in years—early in their marriage it had been a push between the two, Zelda needing an heir and Link needing a release from everything, but as they had matured and had two children and steadily avoided each other, neither really wanted to instigate anything all that often.

So why did she want it now?

Zelda opened the door, guiding Link inside, and then sighed, releasing him and heading towards the roaring fire. Link looked around, feeling out of place, and honestly just wanted to leave. He watched the queen a moment longer, watched as she took off her belt and outer dress before grabbing a robe and bundling herself up.

“Come to bed,” she said. It wasn’t quite an order—he was very familiar with what those sounded like—but it still seemed firmer than a request.

Link sighed again. Debated the matter for a moment, growing annoyed at being stuck here, but quickly acquiesced, giving up on the matter. The bed was unbelievably soft and warm, yet simultaneously too hard and cold, his back hurting, hair on his body rising in anxiety, muscles aching, mind still unable to focus.

He… wasn’t sure he’d ever felt this awful. Had he felt this bad during the war, perhaps?

Maybe the night before Hemisi and I fought Ganondorf, he mused. But back then, he and Hemisi, despite how nervous they’d been, had also had each other. There had been a little comfort in that, in the promise of a future after everything, in the hope that the world wouldn’t end the next day as Ganondorf held Zelda and the capital hostage.

He was far over the bitterness of how everything had unraveled between him and the new chief of the Gerudo, but his heart still hurt thinking about the war, about a time when he knew what hope felt like. And he wanted to smack himself for it. His children brought him hope and joy.

Well. They had. Until whatever the hell this funk was had started poisoning him.

He had episodes like these, but they’d never been this awful. Nor this agonizing. He’d be exhausted, paralyzed, but it would last maybe a day or two, a brief spell before Lady Impa would track him down and help him, or his children would find a way to fetch him (he still was too scared to let them know where his room was, terrified of what he’d do if they startled him awake—his reactions weren’t as severe as they’d been, but he still worried).

Zelda slowly got in bed as well, watching him a moment. She no longer hid her expression, worry clear on her face, and it made Link feel like he was under scrutiny.

She was trying to be nice. That’s what this was. Perhaps she did need something, but not now. But he knew she could be kind as well, and that seemed to be her only motivation. He knew that. So why did he feel like a caged animal?

Link waited. Time passed. The fire died. Zelda fell asleep. He was still wide awake.

A whisper behind him made him turn sharply, though he tried to be quiet for his wife’s sake. He caught sight of a silhouette, and alarm made his eyes widen as he slinked out of bed, looking desperately for a weapon.

The person vanished.

Link wanted to scream. He couldn’t stay in here. If these hallucinations got worse, he could hurt Zelda. So he made his way back outside, hoping the cold would slap some sense into him.

He never made it to the balcony, though. Something else caught his eye. It sparkled in the night, like an ember from a torch, but it was darker.

The crispness of the early spring air froze over as if winter had come anew, and Link felt like the wind itself punched the air right out of his lungs. It was unnatural, like he was being squeezed, like something was crawling inside his skin and tearing him apart. His head pounded, and the world darkened, surrounded in purplish burgundy energy, like blood and poison mixing together in a sickening magic that could only be produced by someone who had let evil stain them to their very soul.

Ganondorf disappeared as he screamed, encased in the dark essence, and Link clutched Hemisi more firmly. She was still limp in his arms, having taken the brunt of the lightning attack he’d sent their way, able to redirect it before it could kill all three of them.

When the vicious tornado of malice dispersed from the center of the dark storm, a massive beast stood before them, and Link felt as if his heart stopped. It roared ferociously, and he rose to its threatening call, drawing his blade once more, surprised to see it glowing bright blue. Behind him, Zelda cast a spell of some sort, and Link could see the borders of the dark storm held in place by a golden light, the same barrier she’d used to protect herself in the castle.

The real fight had begun.

Link felt his blood freeze.

No. No.

It was a single spark, and he’d been hallucinating. Nothing was wrong. Ganondorf had been dead for years now, soul split viciously into four to prevent the demon he’d sold himself to, the demon he’d become, from ever returning. The cycle was broken. It was over.

Paranoia overrode reason in his mind. There was no way everything they’d done, everything he’d sacrificed, had been in vain.

Link moved quickly, foggy head gone, filled instead with frantic thoughts, one overlaying the other, choking him as he hyperventilated, barely able to make it to the stairs as his vision started to blur, as his fingers tingled and grew numb. He pulled a torch off the wall, nearly falling down the next flight, and tried to slow himself down, tried to tell himself this was just another hallucination.

“Is it, though, boy?”

Link whirled, seeing nothing, but that voice had been clear, as if he—

He shook his head. You just saw him on the balcony. It’s not real. You know that.

Yes, yes. Yes. It… it wasn’t real. None of this was real.

Yet there it was again. A dark spark, a piece of that awful, hellish storm that had eaten away at Ganondorf’s flesh, that had tried to consume all of them. The reveal of the true evil, the physical manifestation of how far the former Gerudo king had fallen, the…

The day Hemisi’s father had died. The day the man Link had viewed as a father had…

Link bit his tongue. Focus! You haven’t viewed him as a father since he captured you during the war!

It was beyond infuriating that such thoughts still lingered, but he blamed it on being sleep deprived. He had to think!

Link took a steadying breath, and he continued descending into the depths.

Hyrule Castle was a large and formidable fortress. It had been rebuilt and fortified after the damage from the war, after that final fight when Ganondorf had taken the capital. During the reconstruction, they’d created an inner sanctum in the lower levels, accessible only by the most trusted Sheikah and the royal family themselves.

Zelda had been trying for years to learn how to access the Sacred Realm so they could properly hide and protect the Triforce. Link knew little of her research, but he did know it existed. He was no sage, and his magic was practical, not fantastical. He had no way of knowing how to access such a world, and had left such sacred matters to her. In the meantime, though, it was heavily guarded in a vault near the Temple of Time, returned to its holy resting place from which it had been stolen years prior. But the inner sanctum…

Ganondorf’s soul had been split into four pieces. Three had disappeared into the sky, vanishing beyond anything they could find, no matter how many scouts they’d sent, no matter how the Sheikah had torn Hyrule apart to find it. Zelda had theorized they’d moved into a different realm entirely, as the Triforce could of course do such a thing. But one piece…

One piece had remained.

The Master Sword, a sacred blade constructed by the goddess, refined by her divine Hero, was specifically designed to seal away evil. And it held a piece of what Link had killed that day.

After what felt like an eternity, the king consort finally reached his destination. Two Sheikah flanked the entrance, noticing his approach, and knelt. He passed through the door without delay, walking through a room with false entrances to misguide anyone who might get this far.

“Love, what’s wrong?”

Link jumped, startled, turning to see Hemisi watching him.

Goddesses, not now, he grumbled, returning his attention to the doors.

“Link, you really do look awful,” Hemisi noted. “You need to sleep.”

“I know,” he snapped, still trying to focus on finding the right door. He knew which one it was, dammit, he just couldn’t think straight!

He heard a young man’s voice next, still somewhat tenor in youth, almost unfamiliar as it had been so long, but it made him freeze up.

“Stop trying to convince him, Hemisi, he’s too stubborn,” Merovar, Hemisi’s long dead brother, grumbled from Link’s other side. The hero turned, looking at the teenager, but despite how alive Merovar looked, all Link could see was the broken body on the battlefield, the bleeding stab wound, all he could hear was Hemisi screaming—

Link squeezed his eyes closed, putting his hands over his face, pushing on his temples, begging Hylia for help.

He heard a whisper, the same one from the queen’s bedroom, so, so distant but somehow so much more visceral than either hallucination. It was deep, rumbling, but too far away to be discernible. The Gerudo royal twins grew silent, disappearing from the room, and Link thanked the goddesses over and over as he finally found the door he needed, rushing to it and opening it.

The air froze, stealing Link’s breath away. His left arm lowered, torch nearly falling out of his numb grip.

The inner sanctum was a large, stone room, four corners posted with guardians affixed in place, large heads swiveling constantly to seek out threats. Their usually blue and amber lighting was flashing purplish red as they all focused on the center of the room, though there was no true target to fire at yet.

Yet.

Malice swam in the air, peeling off the Master Sword like smoke from a flame. The blade sat on an altar in the center, surrounded by a light blue barrier of Sheikah technology and magic, the eye of his people still glowing brightly to ensure the seal.

“Link.”

The torch dropped entirely, and Link scrambled back towards the door, terrified, breath coming out in rasps. No, no, NO!

The fear at hearing Ganondorf’s whisper faded though, morphing into rage. That monster would not return, would never return, and he would die before he let him hurt his children, his queen, or his kingdom!

The seal was still holding, but he wasn’t sure if it would continue to do so. He had to find a way to figure out why the sword wasn’t enough, why that piece of Ganondorf’s soul was seeping out like blood from a wound. Had the sword weakened?

He needed Ze—

“Link!”

Gasping, Link turned sharply, finally losing his balance entirely in his exhausted state. Zelda leapt forward to try and catch him, hands scrabbling for his tunic to help ease him to the ground. He reached for her desperately, gripping her shoulders, breathless, speechless—

He refused to be helpless. He refused.

“The seal,” he rasped. “We have to repair the seal!”

Zelda’s expression grew frantic as she looked up, examining every inch of the room. Link couldn’t fathom why she didn’t just look at the sword itself, but—

The world spun and then grew unnervingly, disturbingly still. Link held his breath until his vision grew hazy around the edges. The queen’s green eyes examined everything at least five times before she slowly looked back at her husband. When Link saw the concern, the anxiety, but a lack of overwhelming dread, he slowly glanced around the room as well.

The sword was dormant. The guardians were swiveling their heads as usual, a reassuring scrape of metal, blue eyes passive.

Had… had it all been…?

“I’d been having strange dreams,” Zelda said quietly, kneeling down to be at eye level with him. “A strange, impending dread. I thought… perhaps one of the nobles were going to try something. But… Link, I think my dreams are about you.”

Link swallowed, but he could only scrape the back of his throat, dry as it was. “M-me…? You… you think I’m the threat?”

The queen slowly moved her hands from his tunic to his face. “No, Link. No. I… I think you need to rest.”

You’re becoming a threat.

But he… he could’ve sworn—!

What if you’d broken the seal in your panic?

Oh, goddess. Oh, goddess.

He heard footsteps behind the queen, and Impa came into view. The look on her face mirrored the nervous energy she’d had as she’d taken care of him all those years ago, when he’d tried to take his life.

“I—I swear, I—” Link tried to argue, but found his voice failing him, and suddenly, just like that, he was helpless again.

Weak. Pathetic. The words spat in his mind through Ganondorf’s own voice, and he whirled to look at the sword once more.

Nothing.

“Link,” Impa called gently, hand warm on his tense, shivering back. “Come on. We’ll get you something to drink to help you sleep.”

Was he… really…?

Link shivered, curling in on himself, feeling more humiliated and useless than he had in a very long time. The two women flanked him, gently holding him.

“I’m sorry,” he choked out brokenly.

“It’s okay,” Impa assured gently, oh so gently, that same soft tone she’d used so many years ago.

“We’re going to help you,” Zelda affirmed, her own tone softer than he was used to.

Slowly, Link let them help him stand. He took one last look at the room, at how peaceful it was, and felt like he was going to be sick.

Why did something still feel wrong? Was it just him?

The three made their way back up the countless stairs. The queen let out a small sigh – despite the worry she had for her husband, she couldn’t help but feel somewhat reassured that there wasn’t something else going on. She’d never had visions that pertained to Link, though, and it was frankly a little terrifying that he’d gotten this bad. The chief of the Sheikah watched her boy worriedly, wondering if he’d been on the brink of something far worse, remembering how bad he’d gotten when he was eighteen, terrified that he could’ve almost broken the seal himself without even realizing it. The king consort felt miserable and petrified in his own right, wondering if he should even be allowed anywhere, ignoring how his cheek stung over his old scar he’d gotten from Ganondorf.

But it didn’t matter what the three thought. Plans were in motion. A former ruler sat in the dungeons, awaiting his triumphant return. And farther in the depths than the former King of Hyrule, the inner sanctum remained spotless.

Except for one little spark.

#writing #imprisoning war #hero of power #imprisoning war zelda #EEEE this makes me happy #I hope y'all like it :D #I got super excited #Link gets some comfort!? ISH??#they're all freaked out #because they can all sense something's off but their Danger senses aren't quite aligning right #Ganondorf IS trying to poke at the barriers but he has no idea if it's working or not #Demise's Malice on the other hand is definitely trying to find a new host to cause chaos but it's so weakened no one can quite tell #ANYWAY #I had fun with this :D #I already said that #whatever #please enjoy #this was not proofread. As usual.#There will probably be a part 2

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nitrateglow · 2 months ago

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Spooky Season 2024: 12-22

Phantom of the Mall: Eric's Revenge (dir. Richard Friedman, 1989)

The opening of the new mall is hampered by one thing: a Phantom hiding in the air vents, and committing robbery and murder. It turns out this Phantom is really a teenager named Eric (Derek Rydall) disfigured in a fire set by the mall's developers to clear out any remaining houses impeding their dreams of commercial development. Now, Eric plans on having his revenge and watching over his girlfriend Melody (Kari Whitman), now an employee of the mall. But what will he make of her burgeoning romance with a journalist?

Talk about pure '80s cheese. This film feels like it was made to capitalize on the slasher cycle and the popularity of the Andrew Lloyd Weber Phantom of the Opera megamusical. It's not a particularly good movie, but it is dumb fun. I love how this Phantom makes free use of the goods available in the stores and how he spams his spin kick attack like he's in a video game.

Also, Pauly Shore is in this. He has a great scene talking about subliminal messaging in department stores, but is otherwise the usual Pauly Shore.

Hangover Square (dir. John Brahm, 1945)

Musician George Harvey Bone (Laird Cregar) is disturbed by long sessions in which he blacks out. He fears he may be committing murder, but is reassured by the police when he goes to them that isn't likely. Detective Dr. Allen Middleton (George Saunders) advises the overworked George take a break from composing. George does so by going to a pub where he meets the lovely Netta Longdon (Linda Darnell), a music hall entertainer who dreams of fame. George and Netta enter into a toxic relationship in which she uses him to advance her career while seeing other men on the side. When George discovers her treachery, his blackouts return-- this time in a far more violent form.

I'm starting to become fascinated by John Brahm, a director best remembered for his moody, macabre dramas in the 1940s. Hangover Square was his second and final collaboration with the talented but doomed Laird Cregar, who died two months before the film was released. It's as much a noir as a horror picture, drenched in that chiaroscuro lighting and urban dread so common to the classic cycle.

Cregar is astonishing in the lead role. Though handsome, he was a bigger man, so Hollywood refused to allow him to transition into leading man parts. He is marvelous here, passionate and sensitive, yet also sinister once his jealous rage takes over. I've seen Cregar in multiple films and he was truly fantastic, able to be comic as well as dramatic. Hollywood didn't deserve him.

Lastly, Linda Darnell's character sings this really catchy song when Cregar first sees her. I saw this film weeks ago but it is STILL STUCK IN MY HEAD.

youtube

The Sealed Room (dir. DW Griffith, 1909)

In some nondescript time period (everyone's dressed like it's either the early 18th century or the middle ages), a king (Arthur V. Johnson) learns his mistress (Marion Leonard) is smooching with a musician (Henry B. Walthall). Jealous to the point of rage, he has the couple sealed in a small room where they suffocate to death.

The Sealed Room is a gem from the nickelodeon era, though I admit my liking for it comes from how extra all the performances are, even by the standards of the early silent period.

It also has one of my favorite instances of what I like to call "silent film logic"-- that is, scenes featuring action that would be very loud in real life, but in a silent film, you may not think about it as much. Here, the king has the lovers walled up alive in a small room, where they lounge unaware. And yet, there's workers slapping up a brick wall not ten feet away from them! It's very amusing.

Frankenhooker (dir. Frank Henenlotter, 1990)

When his girlfriend Elizabeth (Patty Mullen) gets hacked to death by an automatic lawnmower he built, medical student Jeffrey (James Lorinz) decides to resurrect her by killing sex workers for their shapely body parts then sewing Elizabeth's severed head on top. He does this by having his victims smoke explosive crack.

No, I'm not making this up.

I first heard about Frankenhooker from James Rolfe of Angry Video Game Nerd fame. It sounded so insane that I knew I had to watch it. It's-- well, it's definitely a bizarre movie with lots of crude humor and pitch black jokes.

Would you believe me if I said it was kind of an unsung feminist work? I definitely did not expect THAT angle coming in, but that messaging is definitely there. Jeffrey is a villain-protagonist through and through, even before he starts committing murder. We learn he was already demanding Elizabeth modify her appearance to suit his tastes before she got killed. He views women as more a collection of body parts than proper people. However, his misogyny does catch up with him in the end and his fate at the resurrected Elizabeth's hands is the very definition of irony. I don't want to spoil it.

It's definitely not for everyone, but if you have a sick sense of humor and some friends that share that humor, you'll have a good time.

Friday the 13th: Part 2 (dir. Steve Miner, 1981)

A summer camp close to the infamous Camp Crystal Lake is about to open. Little do the young, horny counselors know, Jason (Warrington Gillette and Steve Daskewicz)-- the boy that allegedly drowned long ago-- is still alive and he's mad his mama got decapitated in the previous film. Lots of people die.

I confess I have a hard time getting into these Friday the 13th films. I've read it took a few entries for the series to find its footing as gloriously dumb schlock, but the first one and this sequel were mostly boring for me. About all I liked was the last twenty minutes, when the heroine's background in child psychology comes into play. Otherwise, this gets a big meh from me. Not horrible, but nothing I can imagine I'll ever rewatch.

Corridor of Mirrors (dir. Terence Young, 1948)

A party girl (Edana Romney) becomes involved with a Renaissance era-obessed artist (Eric Portman). Their fetishistic relationship leads to heartbreak and murder.

Already discussed this one is great detail at my Wordpress blog. It's a great romantic thriller in the vein of Vertigo and Rebecca.

The Old Dark House (dir. James Whale, 1932)

During a thunderstorm, a group of unwary British travelers are marooned at the crumbling mansion of the Femm family, a collection of eccentrics who may be insane. Everything goes wrong: the hulking butler gets drunk and preys on the women visitors, the area may flood, the lights go out, and there may be a homicidal maniac imprisoned in one of the rooms upstairs. Will anyone survive the night?

I have raved about this film for a long time now. It's truly a favorite of mine in general, not just for the Halloween season. Both witty and chilling, it's an atmospheric masterpiece. The damp and mold are palpable.

What fascinates me most is the Femm family itself and the gaps in their backstory. This is one movie where I feel like there's a Tolstoyan novel's worth of drama with the Femms. It's hinted that the 102-year-old patriarch of the house (played in drag by actress Elspeth Dudgeon) used to host orgies there. The death of the seductive sister Rebecca at the age of 21 may or may not have been due to inter-family foul play. Morgan the butler has a close, even weirdly tender relationship with the homicidally insane brother Saul, suggesting a myriad of possible connections between them. It's very interesting-- I like that the movie doesn't fill in all the blanks.

A Game of Death (dir. Robert Wise, 1945)

Don Rainsford (John Loder), big game hunter extraordinaire, finds himself shipwrecked on a mysterious island. The owner is Erich Kriegler (Edgar Barrier), an urbane German who also enjoys hunting, though with a slight difference-- he likes hunting humans. Teaming up with other shipwreck survivors Ellen (Audrey Long) and Robert (Russell Wade), Don tries finding a way to escape before they become Kriegler's next wall trophies.

This movie is a pallid, watered down, shot-for-shot remake of The Most Dangerous Game, one of the crown jewels of 1930s horror, so of course, I am not fond of it. And yet, I rewatch it every few years, so it must have something going for it. So instead of tearing into it as I normally do, I'll list a few things I think are actually good about it:

I like that the main character initially tries tricking Kriegler into thinking he will hunt people with him. Very pro-active.

I think Kriegler is a good villain. Not as memorably deranged and campy as Leslie Banks' Zaroff in the original film, but chilling in a more low-key way. His "the strong deserve to prey upon the weak" philosophy fits in nicely with Nazi ideologies-- no doubt what this wartime horror flick intended.

Um... I think Audrey Long is really pretty. I like her flow-y outfits.

... Yeah, that's it.

The Most Dangerous Game (dir. Ernest B. Schoedsack and Irving Pichel, 1932)

All-American big game hunter Bob Rainsford (Joel McCrea) is shipwrecked on the unlisted island of Count Zaroff (Leslie Banks), a Russian aristocrat and master sportsman who claims he now hunts "the most dangerous game" of all. Being a himbo, it takes Bob a while before he realizes that game is human beings. Unwilling to hunt alongside Zaroff when given the offer, Rainsford and fellow prisoner Eve Trowbridge (Fay Wray) wage a game with Zaroff: let loose into the island's thick jungle, if they survive the night without Zaroff or the terrain killing them, they'll go free. If not, Rainsford dies and Eve will become a rather different kind of quarry for the evil count.

Now, here's my favorite "hunter hunts people" movie! While "The Most Dangerous Game" has been adapted and ripped off multiple times for a century, the original is still hard to beat. The castle set drips with gothic grandeur. The jungle soundstage is thick and suffocating, and once the chase intensifies, it becomes like something out of a nightmare.

I actually think the climactic hunt is among the greatest sequences in all cinema. The editing is so dynamic and the images are brilliant. And when you consider this is still an early talkie, when films were still trying to rediscover their footing after silent cinema came to an end, it becomes even more remarkable.

Going on Letterboxd, I was shocked to find a lot of people on there have mixed to negative opinions about this movie, largely because they think it's too over the top and that it's messaging is too on the nose.

I mean-- yes, these things are true, but I don't see them as flaws. It probably helps that I love camp and melodrama, and am not ashamed to admit it. And regardless of the fervent camp on display, I still think the trophy room scene is creepy and the chase is super intense. I have probably seen this movie close to a hundred times and yet, the chase still has me shouting at the TV, willing the characters to run faster. That's damn fine filmmaking.

The Haunting (dir. Robert Wise, 1963)

A researcher of the paranormal brings a motley crew of ordinary people into the allegedly haunted Hill House. Both potential ghosts and the neuroses of the visitors bring on sinister events and ultimately tragedy.

I love this movie more and more. I already wrote a bit about my reaction this time around, though since then, I started rereading the source novel, Shirley Jackson's The Haunting of Hill House. Obviously, the book delves more deeply into Eleanor's psyche, but the film does a fantastic job of this as well. Given film is a visual medium, it can be a challenge to depict a character's interior state without delving into expressionism and this film does that well.

The Phantom of the Opera (dir. Terence Fisher, 1962)

Aspiring songstress Christine Charles (Heather Sears) and producer Harry Hunter (Edward de Souza) are drawn into a mystery at the London Opera House. A phantom is sabotaging any attempt to produce Joan of Arc: A Tragedy, a show allegedly written by the cold, snobby, rapey Lord Ambrose (Michael Gough). After some investigating, it turns out the Phantom (Herbert Lom) was once the meek-mannered Professor Petrie, whose music was stolen by Ambrose. Now, he wants only to see his opera done justice and only Christine's voice can make that happen.

I am very fond of this version of The Phantom of the Opera even though I think it has a myriad of dramatic flaws. Let's get the flaws out the way first. I think the film is a bit repetitive in retelling us Petrie's story over and over, at first through onscreen description and then through filmed depiction. I also think the ending is anti-climactic, like the writers didn't want to go the usual route of making the Phantom a homicidal maniac but they weren't sure how to make a properly dramatic finish without that characterization.

That out the way, this is a unique, even refreshing retelling in many ways. The Phantom/Christine relationship is no longer one of unrequited love-- in fact, Petrie seems wholly uninterested in romance or sex at all. He views Christine and himself as victims of the truly despicable Lord Ambrose: Petrie had his music stolen and Christine was sexually harrassed. Therefore, it is up to the two of them to wrest the opera back from Amrbose's influence and make it the production Petrie wanted. Petrie is one hard taskmaster. He is relentless in training Christine and at one point throws filthy sewer-water in her face when she faints.

But the Phantom is hardly an out and out villain here. He doesn't even kill people-- he has a convenient hunchbacked assistant to do that. No, the real baddie is Ambrose, among the nastiest villains in the Hammer canon. Ambrose never even kills anyone, yet he makes the blood boil with his wanton cruelty. Michael Gough (who I always remember best as Alfred in the Tim Burton Batman movies, as well as Batman Forever and Batman and Robin) is so good at being bad.

This version of POTO also has my favorite version of the Phantom's compositions. Usually, he writes a "burning" piece called Don Juan Triumphant, fitting his romantic obsession with Christine. Here, Petrie writes an opera about Joan of Arc, a virginal saint persecuted by powerful men-- a fitting subject for Petrie given his own persecution by an aristocrat. Joan's aria "I Hear Your Voice" is gorgeous and always brings me to tears, it's that beautiful.

Not a perfect film, but still a very good one.

#spooky season 2024 #thoughts #phantom of the mall #hangover square #frankenhooker #the old dark house #the most dangerous game #a game of death #the phantom of the opera 1962 #corridor of mirrors #friday the 13th part 2 #the haunting #the sealed room #horror #thriller #Youtube

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