#Park Tae-seon

[howwelldoyouknowyourmoon]

Sun Myung Moon visited Elder Na’s retreat and was chased away. Moon was exposed as a dangerous heretic.

Sun Myung Moon: “Around that time, [probably 1953, possibly early 1954] I visited Elder Na's retreat and was chased away. From there, I came back up to Seoul and established the Unification Church.”

http://www.tparents.org/Moon-Books/SunMyungMoon-Life/SunMyungMoon-Life-17.htm

______________________________

Na Oon Moung (나운몽, 1914–2009), who used to be an elder of Supyo Methodist church in Seoul, operated the group of Yong Moon San Prayer Mountain (용문산 기도원) in 1954. There he taught that Hananim (하나님, the Korean God) is the Yahweh of the Bible.

In 1947, Na Oon Moung founded Aeyangsuk (애향숙 愛鄕熟) which used to play a part in popular movement such as faith movement and poverty eradication. It became the mother of the Korean Protestant prayer movement.

In the 1950s indigenous Christian spiritual movements appeared on the scene: Un-Mong Na from 1952, Moon Seon-Myeong in 1954, and Park Tae-Seon in 1955. The two latter groups were soon exposed as dangerous heretics, but Na’s campaigns, which were accompanied by pentecostal phenomena like tongues and healings, paved the way for other churches to touch the approaching Sunbogeum movement, even though Na’s prayer house was deep in the Yongmun Mountain and his theologically untrained exegeses aroused the suspicion of the Korean Church.

sources:

Guwonpa, WMSCOG, and Shincheonji: Three Dynamic Grassroots Groups in Contemporary Korean Christian New Religious Movement History. by David W. Kim 1, and Won-il Bang 2 1. Department of Political and Social Change, Coral Bell School of Asia Pacific Affairs, Australian National University, Canberra ACT 2601, Australia
 2. Department of Religious Studies, Seoul National University, Seoul 08826, Korea Published: 19 March 2019     https://www.mdpi.com/2077-1444/10/3/212

and

History and theology of Korean pentecostalism: Sunbogeum (pure gospel) pentecostalism by Ig-jin Kim

Na Un-Mong, pages 47, 102, 139, 157

[olvaheiner]

귀공자 // The Childe (2023)

[dopening]

Revenant 악귀 NG (2023) Gif

[growing-cosmos]

— Behind the scenes of The Childe (2023) by dir. Park Hoon-jung

[stuff-diary]

Revenant

TV Shows/Dramas watched in 2024

Revenant (2023, South Korea)

Directors: Lee Jung Rim & Kim Jae Hong

Writer: Kim Eun Hee

Mini-review:

I finally got the chance to watch this, and it didn't disappoint at all. I love me a good horror thriller, a genre that's very in rare in the world of k-dramas, and this one ticks all the boxes for me. Sure, it's not super scary or anything, but it does know how to be creepy as hell. And while it was the central mystery that kept me hooked from beginning to end, I also appreciated the way they used individual "cases" to build up the main plot, especially during the first half. On top of that, the show is superbly acted, with Kim Tae Ri being particularly excellent in a sort of dual role. But really, I don't think I have a single complaint. Revenant is truly that good, and I will certainly add it to my favorite dramas list.

P.S. There is a lot of triggering content throughout its twelve episodes, so be careful with that and make sure to check warnings.

[lecinemaestunart]

"The Childe", Park Hoon-jung (2023)

[moviesandmania]

THE CHILDE (2023) Reviews of Korean action drama - trailer and US release news

‘The chase is on’ The Childe is a 2023 Korean action drama film about a young man searching for his estranged father who is pursued by a quirky dangerous man. Chaos ensues and a shocking truth is exposed… Written, directed and produced by Park Hoon-jung (The Witch: Part 2 – The Other One; Night in Paradise; The Witch: Part 1 – The Subversion; V.I.P.; The Tiger; New World; The Showdown). The…

[rookie-critic]

Memories of Murder (2003, dir. Bong Joon-ho) - review by Rookie-Critic

Prior to 2019 (really 2020, if we want to get really specific) there probably weren't a lot of people in the States who could tell you who Bong Joon-ho is if pressed. Nowadays, after Bong's historic first non-English language Best Picture win for Parasite, most people would at least identify the name as familiar, and for good reason. Parasite is undoubtedly amazing; its message is both regionless and timeless, it has superb acting and brilliant cinematography, it is one of the best films of the modern era, if not any era. However, prior to Parasite, back in the days when Bong's fanbase outside of his native South Korea was limited to foreign film lovers and people who really liked Snowpiercer, most people would probably point to his breakout film, Memories of Murder, as his best work, and for a lot of the same reasons that people point to Parasite as his best now.

I'm not entirely sure why it has taken me so long to sit down and watch this considering how much I've enjoyed the other films of his that I've seen, but I'm glad I finally did. Following the true story of the detectives that investigated the Hwaseong serial murders of the mid-80s to the mid-90s, the film works as both a gripping crime thriller and a social satire of the failings of the legal system and the corrupt nature of a lot of its employees. One of our protagonists, Detective Park Doo-man (played brilliantly as always be Song Kang-ho) as well as his partner Detective Cho Yong-koo, are horrible police officers. They fake evidence, they torture victims until they'll confess to anything to make it stop, and they scoff at real investigative discoveries and excuse them as the other detectives "watching too many crime movies" (which in and of itself is an amazing line that both pokes fun at and winks a respectful eye towards the crime films that it follows in the legacy of); all they care about is putting someone away, regardless of if the person is actually guilty of the crime they're accused of committing or not. You can watch the film purely from a plot perspective and be entertained and engrossed, but much like Parasite, the true genius of it lies within this satirical commentary.

The knowledge that maybe the killer could have been stopped, victims could have been saved, if more resources had been poured into actually searching for the real killer instead of trying to put away people who obviously had nothing to do with it is maddening, but somehow Bong is able to inject humor throughout the film that makes all of these frustrating people and darker moments have a brief sense of levity without taking away from the nature of the subject matter. It's truly amazing the way he is able to craft stories that are not only interesting from a surface level perspective, but that contain darker themes and complex social commentary that even casual moviegoers can pick up on and appreciate, and then even with all of that blend comedy and drama so seamlessly you rarely notice the change. Another element of the film that I personally found brilliant, and that I briefly mentioned above, is the way that it seems to be a love letter to the crime dramas/thrillers that came before it and a criticism of them at the same time. If you've been following my reviews for awhile, you'll know how deeply I appreciate films that are able to strike that balance (Scream, Nope, etc.). The ability to acknowledge the problems with a genre without completely dismissing the films that portray those flaws as lesser or bad is something that just appeals to me on such a core level. This may just sound like a meeting of the Bong Joon-ho Fan Club, but it is truly awe-inspiring that he can make a film that has something for everyone in it, and can make everyone enjoy the other bits that, in any other movie, they may not have.

Now, Memories of Murder isn't perfect, it is only Bong's second film and some of those early film maker pitfalls exist here. A lot of the first half of the movie tends to drag a bit, and there may be certain scenes that could have cut or sequences that could have been re-edited to keep that sense of urgency (or maybe even the lack thereof on the part of the detectives) a little more present and flowing. Also, and I know I just got done ranting about how great this exact quality was, but sometimes the injection of humor could overtake the film a little too much. It doesn't happen but maybe once or twice, but I did take note of those moments as something that stood out to me, at least. Outside of these few kinks, Memories of Murder just further proves that Bong Joon-ho just knows what he's doing, and I can safely add another film to the "great" column of his filmography, and hopefully soon I can finish out watching the rest of them.

Score: 9/10

Currently streaming on Hulu.

[kdram-chjh]

Kdrama: Bloody Heart (2022)

Bloody Heart | Streaming 2 May | Disney+ Singapore

Watch this video on Youtube: https://www.youtube.com/watch?v=Kgj7MdXxMwE

[somegirlsfromk]

Age of youth

[taekwondolifemagazine]

The Childe (2023) is a Chilling Good Time

The Childe (2023) is a Chilling Good Time #TheChilde @WellGoUSA

January 9, 2024 (NYC)–   The Childe (2023) is a Chilling Good Time.  A Look at The Childe, an action-packed film of South Korean origin-available on Digital, Blu-ray, and DVD January 16th!   Here is a synopsis and review of this Well Go USA Entertainment release. SYNOPSIS: In a desperate attempt to secure funds for his mother’s surgery, an amateur boxer searches for the wealthy estranged father…

[letterboxd-loggd]

Memories of Murder (살인의 추억) (Salinui chueok) (2003) Bong Joon-ho

December 28th 2022

[junkobato]

Upcoming Kdrama August 2024 🌈

2/8: Bad Memory Eraser with Kim Jae Joong, Jin Se Yeon, Lee jong Won. 16 episodes; rom-com.

10/8: Romance in the House with Ji Jin Hee, Son Na Eun, Choi Minho. 12 episodes; melodrama, romance.

12/8: Your Honor with Son Hyun Joo, Kim Myung Min, Kim Do Hoon. 10 episodes; thriller, law, crime.

14/8: Perfect Family with Park Ju Hyun, Yoon Se Ah, Kim Byung Chul. 12 episodes; thriller, family.

14/8: the Tyrant with Cho Seung Won, Kim Seon Ho. 4 episodes; sci-fi, fantasy.

16/8: Black Out with Byun Yo Han, Go Jun, Kim Bora. 14 episodes; thriller, mystery.

17/8: Love Next Door with Jung So Min, Jung Hae In, Yun Ji On. 16 episodes; rom-com.

17/8: DNA Lover with Choi Siwon, Jung In Sun, Lee Tae Hwan. 16 episodes; melodrama, rom-com.

23/8: Pachinko 2 with Lee Minho, Kim Min Ha, Noh Sang Hyun. 8 episodes; historical, melodrama.

23/8: The Frog with Go Min Si, Yoon Kye Sang. 8 episodes; thriller, mystery.

24/8: Cinderella at 2 AM with Shin Hyun Been, Moon Sang Min, Yoon Park. 10 episodes; rom-com.

26/8: No Gain, No Love with Shin Min Ah, Kim Young Dae, Lee Sang Yi. 12 episodes; rom-com.

Many new shows coming up just in time for my vacation!!!

[dopening]

revenant 2023 악귀 Gif

[kpopscatterbrain]

Kdramas/Movies with strong female characters

Dramas

Eve (2022): Lee La-El (Seo Yea-Ji) When Lee La-El was little, her father died unexpectedly. Powerful people were responsible for his death. After her family was destroyed, Lee La-El prepared for the next 13 years to take revenge. Starting by targeting Kang Yoon-gyeom, one of the main culprits who orchestrated the death of her father. Along the way she becomes torn between her desire for revenge and her feelings for Yoon-gyeom.

It's Okay To Not Be Okay (2020): Ko Moon-Young (Seo Yea-Ji) Ko Moon-Young is a popular children's book author with antisocial personality disorder. She had a troubled childhood and a turbulent relationship with her parents. She develops romantic feelings for a psychiatric caregiver after a coincidental encounter and often goes to extreme lengths to get his attention.

Hotel Del Luna (2019): Jang Man-Wol (IU) Jang Man-Wol is the moody owner of Hotel del Luna. The hotel catering to the dead has been bound to her soul in order to atone for the sins she committed 1,300 years ago. Through the new manager Gu Chan-sung, the mysteries and the secrets behind the hotel and its owner are revealed

My Name (2021): Yoon Ji-Woo (Han So-Hee) Yoon Ji-Woo’s father gets murdered suddenly. She wants to desperately take revenge on whoever is responsible for her father's death. She starts working for a drug crime ring that her father was a part of. Ji-Woo joins the police department as a mole for the drug ring.

Vagabond (2019): Go Hae-Ri (Bae Suzy) Go Hae-Ri is an NIS agent and is currently working undercover at the Korean embassy in Morocco. She is tasked to help the bereaved families of a fatal flight. She helps Cha Dal-Geon whose nephew was on the flight uncover a darker and more sinister conspiracy than they expected.

Sisyphus: The Myth (2021): Gang Seo-Hae (Park Shin-Hye) Gang Seo-Hae is an elite warrior. She can take down the biggest men with just her bare hands. She is a sharpshooter and a bombmaker. She learned these skills to survive in a world that is dominated by gangsters and military cliques. One day she time travels to save a genius engineer.

Mr. Sunshine (2018): Go Ae-Shin (Kim Tae-Ri) Go Ae-Shin is an orphaned noblewoman and a member of the Righteous Army. Her parents were independence fighters who died in Japan due to their colleague's betrayal. She trains as a sniper. An american soldier Eugene meets and falls in love with Go Ae-shin. 

The Glory (2022): Moon Dong-Eun (Song Hye-Kyo) Moon Dong-Eun was a victim of high school violence. She waited for the bully ring leader get married and have a child. Now she is the homeroom teacher of her tormentor's child. Her cruel revenge plot begins.

Tomorrow (2022): Koo Ryeon (Kim Hee-Seon) Grim reaper Koo Ryeon is the leader of a crisis management team. The teams objective is to save suicidal people. Choi Jun-Woong (Ro Woon) is a young job seeker who is unable to secure a job. One night, he accidentally becomes a new member of the crisis management team.

Remarriage & Desires (2022): Seo Hye-Seung (Kim Hee-Seon) Seo Hye-seung who lost everything in an instant after her husbands affair and su*cide. She signs up to a matchmaking company Rex for the upper class, and participates in the race of her desires for her revenge.

Under The Queen's Umbrella (2022): Queen Hwaryeong (Kim Hye-Soo) Queen Hwaryeong is supposed to act with grace and dignity, but she has troublemaker sons. The queen decides to abandon strict protocols to transform her sons into deserving princes through education and personal growth, all while navigating the complexities of motherhood and royal life.

Juvenile Justice (2022): Sim Eun-Seok (Kim Hye-Soo) Sim Eun-Seok is an elite judge with a personality that seems unfriendly to others. She hates juvenile criminals and gets assigned to a local juvenile court. There, she breaks custom and administers her own ways of punishing the offenders.

K-Movies

Kill Boksoon (2023): Gil Bok-Soon (Jeon Do-Yeon) Gil Bok-Soon is a single mother and a contract killer working for M. K. Ent. Highly regarded by her peers, she has a 100% success rate and is one of a few killers rated "A" by her company. Right before Gil Bok-Soon is set to renew her contract, she gets involved in a kill or be killed confrontation.

Ballerina (2023): Jang Ok-Ju (Jun Jong-Seo) Ok-Ju used to work as a bodyguard. Ok-Ju is friends with Min-Hee, who is a ballerina. Min-Hee asks Ok-Ju for a favor. She wants Ok-Ju to take revenge.

The Witch: Subversion (2018): Ja-Yoon (Kim Da-Mi) A young girl escapes from a mysterious laboratory where she was trained to become a murder weapon. 10 years later, the girl, named Ja-yoon, is living a normal life, apparently without any memory of her past, she becomes involved in a crime.

Special Delivery (2022): Eun-Ha (Park So-Dam) Eun-Ha is a special driver for deliveries. She delivers anything or anyone for the right price. Her success rate is 100%, but she gets involved in an unexpected delivery accident.

Brave Citizen (2023): So Shi-Min (Shin Hae-Sun) So Shi-Min used to be a boxer in her student days. She now works as a contract teacher at a high school. She confronts a school bully, who frequently torments other students.

[wolha]

KANG TAE-MOO & SHIN HA-RI in BUSINESS PROPOSAL 사내맞선 (2022) dir. Park Seon-Ho